Meaghan Antoinette Murray Portfolio

Page 1

MEAGHAN ANTOINETTE MURRAY PORTFOLIO + B.A.S. Design Works + Employment/ Co-op Works + Creative Works 2013

GRADUATE M.ARCH ADMISSIONS PORTFOLIO


CONTENTS

B.A.S. DESIGN WORKS 2013

Climate Coordinates

2012

Data-Based University

2012

re[CREATION] Parc

2011

Integral Towers

2010

Constructed Wetlands

public spa house

urban design project

industrial park preservation/ remediations mixed-use architecture project ecological urban/ architecture project


EMPLOYMENT / CO-OP WORKS 2013 2012

Lower Manhattan Waterfront

WXY Urban Design + Architecture

Chicago Residence

GLUCK+ architecture

INDIVIDUAL / CREATIVE WORKS 2012

testTUBES

2011

A Chair for Pollock

2010

Purple Martin House

20042013

Artwork

public art installation design-build project

design-build fund-raiser piece personal artwork



BACHELOR DEGREE DESIGN WORKS 2008 - 2013 2013

Climate Coordinates

2012

Data-Based University

2012

re[CREATION] Parc

2011

Integral Towers

2010

Constructed Wetlands

public spa house

urban design project

industrial park preservation/ remediations mixed-use architecture project ecological urban/ architecture project


Coordinate Climates B.A.S. studio work Spa Design, 2013 Engaging The Biological Process Cambridge, ON Professor Andrew Levitt

>

What role can architecture play to suspend the mind and trigger the body as a means of experiencing the world around us?

Engaging the Biological Process

What is therapy in a world experienced through an intellectual lens? Climate Coordinates looks at how architecture can trigger a shift in the way we experience the world around us. The project constructs a gradient of high-impact interior environments that suspend the mind and stimulate the body as a sensual receptor of the space.


programming atmosphere coordinates

> 0, 0, 0

Spa Design, 2013


biological determinism

Engaging the Biological Process


engaging the biological process

TEMPERATURE

LUX LOUNGE Environment: 5000 - 10,000 LUX

T

LIGH

REL

ATI V

EH

UM

IDIT

Y

> 1, 5, 10

biological response: prevents the production of melatonin hormone secretion in the body. Melatonin is responsible for triggering sleep cycles, therefore a decrease in this hormone will stimulate our acute senses. result: a high LUX in a contained space promotes a stimulated response to our surrounding context such as an increased energy, increased sexual desire, regulation of moods. In such an environment, we begin to lose the ability to perceive depth or the edges of a space.

TEMPERATURE

NIGHT LOUNGE environment: light plays an important role in regulating the human body’s daily biological rhythms including the sleep-wake cycle, alertness and hormone production.

T

LIGH

REL

ATI V

EH

UM

IDIT

Y

> 5, 1, 8

biological response: blue light wavelengths suppress melatonin production in the body. as light filters through yellow glass, blue light wavelengths are blocked, promoting a feeling of sleepiness in this space. result: BLUE LIGHT = perpetual day YELLOW GLASS = psychological night

Spa Design, 2013


ON THE HORIZONTAL The massing of the project consists of two major formal moves. Intended to offer an intimate connection between occupant and atmosphere, the body of the project lies within the earth of the site creating a public blanket that provides a continuous connection between the street and the waterfront pathway.

ON THE VERTICAL Vertical protrusions through this surface form volumes that regulate the interchange between the gradient of highly-manipulated spa interior environments and exterior climatic conditions. This vertical link between the interior building and site allows for an integrated system of passive and mechanical atmospheric control. The project staggers five of these volumes across the length of the site which become the buildings primary mean of inward and outward exchange between the building and its surrounding environment.

Engaging the Biological Process


site strategy

Spa Design, 2013


Engaging the Biological Process


breathing chambers

Spa Design, 2013


typical wall sections

Engaging the Biological Process


green roof termination drainage detail

WHITE PAINTED GALVANIZED STEEL PLATE 80MM METAL DRAINAGE PLATE CHANNEL GLASS PERIMETER FRAME 600 O.C. BETWEEN SUPPORT BRACKETS WALL MOUNTED EXT. UP-LIGHTING FIXTURE 6MM KNIFE BLADE BRACKET 600MM O.C. (WELDED TO METAL PLATE BEHIND) 6MM METAL PLATE OUTLET ANCHOR RODS MARGIN GRAVEL

SEMI-INTENSIVE GREEN ROOF ASSEMBLY PLANTING SUBSTRATE FILTER FLEECE DRAINAGE LAYER ROOT BARRIER 75MM EXTRUDED POLYSTYRENE (XPS) BOARD LIQUID WATERPROOFING

Spa Design, 2013


Data-Based University in the Canadian Arctic

BAS studio work Urban Design, 2011 Creating Knowledge Networks Canadian Arctic Professor Lola Sheppard In Collaboration with Sarah Gunawan

in such extreme social and climatic conditions, what is the minimum required to obtain higher learning? The severe climate, limited infrastructure and lack of critical mass of the Canadian Arctic currently renders access to post-secondary education within Inuvialuit and First Nations communities unfeasible. DataBased University functions as a digital hub within the community, dedicated to education and learning through the provision of web access and digital technology. Knowledge Networks In The Canadian Arctic


program + climatic layering

ACADEMIC CORE High Climate Control COLLABORATIVE WORKSPACE Moderate Climate Control COMMUNITY GATHERING Low Climate Control

2

+

1

+

4

+

6

3 1

+

4

+

6

2

+

7

+

4

Arctic Infrastructure, 2011


1

SNOW STORAGE WALL

Oriented towards winds blowing from the Northern Arctic to collect snow within the waffle structure and use it as a natural insulation for the building

2

WIND VEIL

Forms a tightly inter-woven layer of mesh encouraging the formation of an “ice wall” blocking the chilling winds in the Winter and permeable to fresh breezes in the Summer

Knowledge Networks In The Canadian Arctic

3

SERVER COOLANT SYSTEM

By concentrating the buildings servers adjacent to air intake fans, the excess generated heat energy is recycled as the Hub’s primary source of heating.

4

DIGITAL HARD

The hardware wall prov logical infrastructure as heat source necessary plug-in walls.


DWARE WALL

vides a base technowell as a secondary y for various active

climate control layering wall systems

+

5

PLUG IN Audio Alley

6

PLUG IN: Study Cells

7

PLUG IN:

Digital Vending Machine

8

PLUG IN:

Software Wall

Arctic Infrastructure, 2011


recycling digital heat

required heat

Knowledge Networks In The Canadian Arctic

1x CPU + Monitor 1500 BTU / hr

10x

1x Server 1500 BTU / hr

20x

= 45,000 BTU / hr


heat layers

WINTER OCCUPANCY

SUMMER OCCUPANCY

Arctic Infrastructure, 2011


re[CREATION] Parc BAS studio work Preservation/ Remediation, 2012 Reclaiming a Post-Industrial Historical Site Rome, Italy Professor Lorenzo Pignatti

Reclaiming a Post-Industrial Site


how do we approach the modern day use of ruins while preserving their historical identity ?

rovin - e -a - are

}

Preservation Transformation of Old Forms Creation of New Forms

The Parc is not a master plan, but rather represents a series of interventions that provide an architectural guideline or approach to the design of a post-industrial parc. The project streams against the grain of the architectural “Grand Gesture,” and allows for the adaption of existing structures into their contemporary counterpart. Re [Creation] Parc highlights a set of urban and natural “rooms” through a gradient of networked pedestrian paths. The design questions our relationship to these industrial ruins. Together the Parc narrative creates ongoing interactions between, natural and urban landscapes, preservation and reclamation, inhabitation and exploration.

Urban Park, 2012


DESIGN STRATEGY Step1 : Remove historically insignificant elements Step2 : Adapt historical fragments either through their relationship with the public : Preservation / Re-use Step3 : Add the “Salt.� New forms help to return the original voice of the site linking then and now. Re [Creation] chooses to add a network of Parc Rooms and Paths that builds a relationship between fragment and experience.

1

DEMOLITION create open areas by removing dangerous or insignificant elements on site

Reclaiming a Post-Industrial Site

2

HISTORICAL FRAGMENTS determine which fragments should remain as ruin, which fragments can be enhanced when coupled with new program and the new forms required.


design strategy

3

PARC ROOMS organize a network of characteristic spaces to provide smaller identities within the park as a whole.

+

PARC PATHS establish a hierarchy of pathways through the site that respond to the internal ambience and the surrounding context.

Urban Park, 2012


Most Public Experience Creation 1. 4. 7. 10. 13.

water edge traffic through-way water-finger observation tower kopper gardens

1

4

2

5

3

6

Transformation 2. 5. 8. 11. 14.

formal piazza elevated piazza public tanks vasche elevated pathway

Preservation 3. 6. 9. 12. 15.

visitor centre gardens market square purification tower pervading path

Reclaiming a Post-Industrial Site


matrix - design strategy levels of preservation, transformation, creation

Fluctuating Spaces

Most Individual Experience

7

10

13

8

11

14

9

12

15 Urban Park, 2012


VERTICAL PATH By utilizing the existing silo structures on-site, the vertical path works to expand the experience of the Park to that of Aerial Rome. The path creates the ability for park users to climbing through the old funnels, simultaneously experiencing the historical narrative of the site as well as its most contemporary existence.

10

3

PARC PATH

Reclaiming a Post-Industrial Site

14

15

PARC ROOM (kopper village)

PARC PATH


kopper village

PERVADING PATH The preservation of this fragment remaining from the coking process remains as folly for remembrance in the Parc.

ELEVATED PATH This minimal intervention including access to and from, a reclaimed surface, and planting allows for this postindustrial railway track into a elevated public platform.

6 13 7

PARC ROOM

Urban Park, 2012


Integral Towers

BAS studio work Mixed-Use Design, 2011 Creating Connecting Threads Toronto, ON Professor Philip Beesley

Integral Towers is located at the corner of College Street and Spadina Avenue, Toronto, ON. In its greater context, the intersection sees the merging of four distinct cultural districts. In response, the project embraces the public diversity and transient nature of the site through the creation of a public podium that begins at the street face and weaves its way up through the towers.

C

B

1

The integration of public nodes and interior street ways, work to form a

connecting thread

a Ave

in Spad

between a hybrid of program throughout the building.

nue

Integral Towers


context analysis urban movement analysis

A

A

B

et

e Stre

g Colle

C

Mixed-Use Design, 2010


PRIVATE VOLUMES Mixed-use programming

PUBLIC GATHERING NODES Provide communal spaces for public use, the same way parks, patios & waterfront spaces do within a city

EDGES / POROSITY What is the relationship between public and private?

TYPICAL CORES Arterial means of circulation through

SECONDARY PATHS Provide a series of secondary movement throughout the building. These paths are push primarily to the outer edges of the building.

CONNECTING THREAD Formed by the combination of the public nodes and secondary pathways, the connecting thread acts as an interior street

Integral Towers


GROUND FLOOR

3RD LEVEL

4TH LEVEL

6TH LEVEL

9TH LEVEL

12TH LEVEL

Mixed-Use Design, 2010


exterior - wall system

DYNAMIC FACADE SYSTEM The design for the facade of Integral Tower’s incorporates a “flexible” skin allowing for the outward extrusions of internal streets cape spaces. This not only allows for a greater density of program inside the building but also forms a physical connection between internal and street activity. Areas of exterior glazing, transition through various densities of ceramic fritting to create a facade that “moves” with the people and the rest of the city.

Integral Towers

Interior Glass Laminate Ceramic Fritted Glass Low-E Coating Surface Exterior Glass


elevations ceramic fritting coverage

50%

50% 80% 80% public nodes + circulation - 20% 35%

35%

Mixed-Use Design, 2010


Integral Towers


theatre space - pulled apart

Mixed-Use Design, 2010


landscape strategy model

Constructed Wetlands BAS studio work Urban Ecologies, 2010 Rethinking Our Water Supplies GTA Toronto, ON Professor Lola Sheppard

Constructed Wetlands


program analysis area calculations

as the GTA of Toronto continues to expand outwards, is there an alternative to Pipeline infrastructure as a fresh water source ?

Located along the outskirts of the rapidly expanding Greater Toronto Area, Constructed Wetlands proposes an alternative to Toronto’s Big Pipeline as a water source. The project utilizes the fresh water lakes & streams, aquifer, rainwater and geographic form of the area to direct the flow of water through the constructed wetlands. This filtration process is married with public programming to create an environment where the land and the body are united through water.

Urban Ecology, 2010


1

IN

Rainwater Collection Upstream Canal

3

2

Runoff Collection

Aquifer

Constructed Wetlands

Sedimentation

Leaf & Organic Matter Removal Anaerobic Septic Tank

Methane Digestor

Heat (Thermal Baths)

4

Flow Sp (Porous

Irr


water flow + filtration LONGTITUDINAL SECTION 1:250

preader s Rock Cell)

5

7 OUT

Vegetation Bands

Horizontal Flow

rigation

Potable

6

River Open Storage Cell Aquifer

water flow + filtration through gravity driven constructed wetland processes

By locating urban cores at the topographical high points of the site, these densities work to collect water from various fresh water sources. Canals branch outward from these points, distributing water through the arterial linear developments, and the agricultural land plots. Before the water is released back into the water system via the Credit River, it travels through a series of constructed wetland cells which work to return the water to its initial state.

Urban Ecology, 2010


CONSTRUCTED WETLANDS

RESTAURANT

HOTEL / RESORT

1 2 3 4 5 6

7 8 9 10 11 12 13 14

15 16 17 18 19

Sedimentation Pond Hydroponic Herb Garden Hydroponic Fruit Orchard Zen Rock Garden Hydroponic Vegetable Garden Storage Pond

Constructed Wetlands

Entrance Dining Garden Access Grills Raw Prep Kitchen Storage Bar / Lounge Exterior Patio

Lobby Entrance Check-In Desk Secondary Entrance 1-Storey Unit 2-Storey Unit


ground floor plan

SPA & THERMAL BATHS 20 21 22 23 24 25 26 27 28 29 30 31 32 33

Front Desk Atrium Secondary Entrance Change Room Indoor Pool Mineral Bath Mud Bath Hot Bath Flower Bath Outdoor Pool Diving Tank Massage Therapy Outdoor Rest Chamber Towels

Urban Ecology, 2010


Hydroponic process thermal baths process

3

Production

Condensed H2O

Vertical Farming

5 4

Distribution

Flower Gardens Horizontal Farming

Pump 2

Processing

2

RICE & GRAINS (ground channels) Primary VEGETABLES- cucumbers, tomatos, lettace, peppers. Seasonal- broccoli, eggplant, beans, spinach, radishes, scallions, succhini, okra

Nutrient Sensor

Cold Bath

pH Controller Nutrient Controller

Bio-Reactor

1

FRUIT Orchard

Pump 1

H2O Tank

HERBES- Basil, Rosemary, Sage, Cilantro, Jasmine

Humidity Sensor

4

Purification System

Filter

Condensor

Boiler

Pump 3

Flexible Sequence

Controlled Sequence 45C 30C

Hot Bath Flower Bath Hot Water from Vertical Hydroponics (warmed by trombe wall) Additional heating from methane digestors

30C

12C

Herbal Cold Bath Bath

Flowers & Aromas from Garden

Mud Bath/ Mineral Floating Therapy/ Indoor

Cold water from Horizonal Hydroponics Aeroponics forms a plant canopy overhead to absorb excess

Constructed Wetlands

35 - 36C

SALTS extracted during water filtration

35 - 36C

Credit River Outdoor Pool / Diving Tanks

Recreational


water filtration program relationships

+3

STORAGE CELL SPA THERAPY

+6

STORAGE CELL THERMAL BATHS

+9

HORIZONTAL VEGGIE BANDS

+15-18 POROUS ROCK

+21

SEDIMENTATION

+15-18 SEDIMENTATION

Urban Ecology, 2010



EMPLOYMENT / CO-OP WORKS 2012 - 2013 2013

Lower Manhattan Waterfront

2012

Chicago Residence

WXY Urban Design + Architecture GLUCK+ architecture


Chicago Residence BAS office work Residential, 2012 Custom Home Design Chicago, IL GLUCK +

integrated system of architectural design and construction management

Located in New York City, Peter Gluck and Partners is a 40 person architectural firm known for its dedication to the idea that the architect must take responsibility for the architectural process from conception to construction, assuming oversight of all aspects of the process. This commitment led to the establishment of ARCS Construction Services, Inc. in 1992, an integrated system of architectural design and construction management, which provides sophisticated design, quality construction, and unusually low costs in an increasingly difficult building environment. The Chicago Residence is a 15,000 Square Foot Private Residence, Wilmette, Illinois which is currently in its final stages of completion.

GLUCK +


the design process

RECREATION BUILDING Includes guest apartments, fitness centre and basketball gym. 15,000 SQ.FT Private residence, Wilmette Illinois

MAIN RESIDENCE Creates a direct link between the open-concept main floor and Lake Michigan

Urban Design, 2013


GLUCK +


construction time-lapse

Urban Design, 2013


project goals

Lower Manhattan East Waterfront BAS office work Urban Design, 2013 Waterfront Renewal New York, NY WXY Architecture + Urban Design

how can we plan for the future today ? WYY Architecture & Urban Design

The Plan aims to create a unified and sustainable vision for a stretch of waterfront with the potential to provide new recreational and educational uses, while improving storm resiliency. Project goals include engaging the river, planning for resilient neighborhoods, improving community access and creating waterfront continuity.


storm protection strategies

STORM PROTECTION STRATEGIES

Critical Infrastructure flood protection

Salt marsh for wave attenuation

Green Infrastructure for common events

Urban Design, 2013


area interventions

1.

2.

3. WYY Architecture & Urban Design


project parameters

Murray Hill

2

The Stuyvesant Cove /Waterside Plaza Waterfront Area

Extends from the Brooklyn Bridge overpass to Jackson Street.

EAST RIVER PARK WATERFRONT

Waterside Plaza

1

SOUTH STREET WATERFRONT

3

Kips Bay

Stuyvesant Town/ Peter Cooper Village Stuyvesant Cove Park

Encompasses the area of East River Park from Jackson Street to East 14th Street. East Village

East River Park Waterfront Area

Extends from the north end of East River Park to the north end of Glick Park at East 38th Street.

East River Park

3

2

STUYVESANT CORE / WATERSIDE PLAZA WATERFRONT

Lower East Side

Williamsburg Bridge

Chinatown

1 South Street Waterfront Area Two Bridges ha an M an tt ge id Br

Br oo kly n

Br idg e

Urban Design, 2013


plan goal 1 engaging the river

engaging the river Identify and design key points and down-to-the-water sites to engage with the East River from the water and from the shore.

The main contributors to contamination in the East River are CSOs and direct storm-water runoff from roadways. The implementation of green infrastructure (GI) systems with the primary goal of minimizing CSO events will also significantly improve water quality along the waterfront and incrementally along the river. GI not only helps to manage storm-water, it also plays a role in improving air quality, enhancing biodiversity, and beautifying the environment. WYY Architecture & Urban Design

P


plan goal 2 planning for resilient neighbourhoods

planning for resilient neighborhoods Create a long-term, sustainable vision that takes into account climate change, storm-water management, technological developments, and evolving transportation trends.

Urban Design, 2013


plan goal 3 creating waterfront continuity

creating waterfront continuity Establish a network of waterfront sites connected by continuous bike-ways and waterfront esplanades with improved access to public transportation.

While a continuous esplanade exists along the East River in this section of the projects study area, the South Street corridor is not attractive. Without regular crossings at each intersection on South Street, people traveling to the East River must walk along South Street for a number of blocks before getting to a safe crossing. As a result, creating a better environment along South Street was noted by community residents and is an important corollary to creating strong waterfront continuity. WYY Architecture & Urban Design

P

P

P


plan goal 4 improving community access

improving community access Propose improvements to a series of access routes linking East Side communities to the redesigned East River waterfront.

Urban Design, 2013



INDIVIDUAL / CREATIVE WORKS 2005 - 2013 2012

testTUBES

2011

A Chair for Pollock

2010

Purple Martin House

public art installation design-build project

design-build fund-raiser piece

Rome Sketches / Artwork personal artwork


testTUBES Public Art Installation, 2011 Nuit Blanche Installation Toronto, ON In Collaboration with Brock Benninger, Piper Bernbaum, Andrew Brown Sarah Gunawan, Matthew Lawson, Tristan Van Leur.

recycled urban forest

An Installation for Nuit Blanche - Toronto

TESTtubes was an installation for Toronto’s Scotia Bank’s Nuit Blanche. The project recycled cardboard tubes to generate an environmentally considerate tree canopy that worked to redefined an existing urban parking lot, through the engagement of the general public in its transformation.

From dusk till dawn, hundreds of nightwanderers ventured down the hidden alleyway and entered a secluded forest of cardboard tree structures. Sound responsive lights pixilated the forest, pulsing and exploding with the excitement and noise of people.


Art Installation, 2011


A Chair for Pollock BAS studio work Chair Design-Build, 2011 A Chair for Jackson Pollock Come Up To My Room Exhibit Toronto, ON In Collaboration with Piper Bernbaum

I have no fear of making changes, reworking a piece or destroying the image, because the painting has a life of its own, I only live around it. -Jackson Pollock A Chair for Jackson Pollock

The chair represents Pollock; how he moves, his creativity, his quality of life. Nothing is extravagant, nothing is fake. The chair holds true to his way of life, and in such, emphasizes the vibrancy that he brought to the modern art scene. The chair becomes a symbol because he is already famous for his style; an idol to the art world.


Design-Build, 2011


Purple Martin House Flocktail Fund-Raiser, 2010 Bird House - Recycled Material Toronto, ON In Collaboration with Sustainable.TO

can we raise money with recycled materials ?

Birdhouse Fund-Raiser - Toronto

The Birdhouse is designed to reuse materials in the interest of ecology and costs by reclaiming construction waste. The small dimensions of the house make most scrap large enough to accommodate the design dimensions. The “branches” could be any number of reclaimed materials – broom handles, fence poles, re-bar, etc. The flexibility in the design allows for the Birdhouse to accommodate almost any wood scrap materials.


Design- Build, 2010


AN ABSTRACTION OF NATURE Coloured Pencils 28” x 22”

Coloured Pencils, 2005


LIBYAN SIBYL Graphite Drawing 28” x 22”

Graphite Drawing, 2004


CURRICULUM VITAE CONTACT who where email mobile

Meaghan Antoinette Murray 4712 Nipawin Crescent NW Calgary, AB T2K 2H9 m.a.murray5@gmail.com +1 587 224 7512

EDUCATION Graduated 2013 Sept 2007- April 2008 Graduated 2007

Bachelor of Architecture, Honors, Co-op Program University of Waterloo, School of Architecture Bachelor of Science, Minor Architecture University of Calgary Saint Francis High School Graduated A.P. Student

TECHNICAL SKILLS Digital Auto-CAD, Rhino, V-Ray, Google Sketch-up, Artlantis, Form-Z, Microsoft Word, Outlook, Excel, Adobe Photoshop, Illustrator, In-design, Mac OS X and Windows. Traditional Hand Drafting, Model-Making, Free-hand Sketching, Research Skills, Visual & Oral Presentations.

AWARDS August 2013 Spring 2012 Sept. 2008 Summer. 2008 Sept.2007 Summer 2007 Summer 2005

Curriculum Vitae

University of Waterloo, Graduated with Distinction Selected as artist for “Come Up To My Room” Art Exhibition, Toronto University of Waterloo- Academic Entrance Scholarship Jason Lang Scholarship- Academic Achievement Alberta Alexander Rutherford Scholarship Academic Entrance Scholarship Saint Francis High School- Graduated with Honors with Excellence Sportsmanship Award, MVP Award, Girls All-Star Softball Association


EXPERIENCE Jan.- April 2013

WXY Architecture + Urbanism New York, NY architecture and urban planning intern- urban scale city planning and development, GIS mapping, urban design studies, flood-proofing analysis, budgeting and design.

Jan. - Aug. 2012

Peter Gluck & Associates New York, NY architectural intern- design development, product research, worked extensively on working/ design physical models, 1:1 testing of cladding materials, 3D Modeling and Rendering (Rhino, Vray, Sketch-up)

May - Aug. 2011

Toker + Associates, Architecture & Interior Design Calgary, AB LEED coordinator & architectural assistant.

Sept. - Dec. 2010 Jan. - April 2010

Summer 2011

Last 2005

Sustainable.TO Toronto, ON architectural assistant- project logistics, working drawings, PAL & permit submissions/ drawing sets, shop & lighting drawings, renderings, historical board submissions, client meetings, site visits. Habitat for Humanity Canmore, AB on-site construction for a series of 4-plex residential units. Attended 3 National Fastball Championships Surrey, BC; Houston, TX; Halifax, NS.

ATTRIBUTES Excellent design and graphic abilities, creative and innovative, outgoing and enthusiastic, strong sketching abilities, 2D and 3D, punctual and professional, superb problem solving and organizing skills, attentive to details, excellent interpersonal skills with strong team work abilities, work well in high stress situations and deal with the task at hand.

REFERENCES Excellent references available upon request.

Curriculum Vitae


MEG MEAGHAN ANTOINETTE MURRAY

a. 4712 Nipawin Cr. NW Calgary, AB T2K 2H9 e. m.a.murray5@gmail.com t. +1 (587) 224-7512


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.