Melissa Chavarro Interior Architecture Portfolio
2015
MELISSACHAVARRO T +44 (0)758 730 5561 E melichavarro@gmail.com A 49 Grasmere Avenue, Wembley, HA9 8TF D.O.B. 12/09/91 Nationality British
EMPLOYMENT April 2014
Set Stylist assistant , Tesco's Home brand Photoshoot & Online Commercial, London I worked for stylist Maya Linhares (www.mlmstylist.co.uk) helping her to design and layout several sets for a Tesco's commercial and photoshoot of their Home Interior design range. My responsabilities included: - Assisting the main stylist in choosing the best suited furnishings and accessories for the different Tesco Home style categories. - Preparing each set for the film crew and photoshoots. - Product organisation and on-set helping hand.
August November 2013
Interior Design Intern (Full-time), i-am associates (www.i-amonline.com), London I was assigned to the 3D team, where my role was to assist the senior designers in developing concept presentations, creating 2D drawing packages, image rendering and model-making. I worked on several projects at the same time where I had to meet tight deadlines.
EDUCATION June November
2014 October 2010 June 2014
Interior Design Work Placement (Full-time), Space Design Studios (www.spacedesignstudios.com), London My role in this small practice was to support the Managing Director with the implementation of a number of projects. This included the day to day liaison with contractors and suppliers, attending meetings and presenting design schemes to clients. I also contributed to the decision making part of the design process, which meant coming up with concepts and putting together mood boards, suggesting effective space layouts, choosing fabrics and finishes and image rendering. I have also attended several CPD events hosted by Domus, Porcelanosa and Corian.
September 2010 April 2012
Exhibitions and Marketing Support (Part-time), Collage Arts (www.collage-arts.org), London
June September 2009
Retail/Sales Assistant (Part-time), Boutique Guapa, Malaga, Spain
I worked directly with artists, creative practitioners and curators to produce visual art exhibitions within Collage Arts' premises in London and in the Livry-Gargan Gallery in Paris. For two years I made an important contribution to the production of Collage Arts' largest annual event, 'Open Studios', which gave me the opportunity to work with a PR company. My role also included the design of marketing materials, communication with the media, administration of social media profiles and the maintenance of the company's and artists network websites: www.collage-arts.org & www.chocolatefactoryartists.co.uk
My responsabilities included: - Working unsupervised, opening and closing the shop. - Providing a satisfactory customer service to our clients. - Advising the customers on the products.
BA Interior Architecture Design and Practice (2: 1 Honours degree & Advanced Diploma) Middlesex University, London
April July 2013
German Language Course (Level A1.1 - A2.2) BWS Landshut, Munich
June August 2010
IFad (Intensive Foundation in Art and Design) Middlesex University, London
September 2009 May 2010
Interior Design Escuela de arte de San Telmo, Malaga, Spain
September 2007 June 2009
Spanish Baccalaureate (A-levels equivalent) Colegio Sierra Blanca, Malaga, Spain
April 2008
Fashion Design (short course) Central Saint Martins, University of the Arts, London
April 2004 June 2007
ESO (Equivalent to GCSEs) Colegio Sierra Blanca, Malaga
September 1996 June 2003
Primary School St. Chads, Croydon, London
TECHNICAL SKILLS
I was also responsible for the materials library, which meant I was constantly liasing with new construction and materials suppliers, in order to keep the company up to date of new technologies, furniture and material ranges.
June 2012 April 2013
German Language Course (Level A2.2 - B2) Hartnackschule, Berlin
Sketchup Cinema4D Microsoft Word Microsoft Powerpoint Microsoft Excel
Vectorworks AutoCAD Photoshop Illustrator InDesign
LANGUAGE SKILLS English Spanish German
Native Language Native Language Upper Intermediate
REFERENCES James Coates Senior Designer i-am associates The Old School House 66 Leonard Street London EC2A 4LW
Manoj Ambasna Executive Director Collage Arts 4 Coburg Road Wood Green London N22 6UJ
Tony Side Department of Fashion & Interiors School of Art & Design Middlesex University The Burroughs London NW4 4BT
T: +44 (0)20 7613 4114 E: james@i-amonline.com
T: +44 (0)20 8365 7500 E: manoj@collage-arts.org
T: +44 (0)20 8411 6342 E: t.side@mdx.ac.uk
CONTENTS
01
MANIFESTO [9]
HOUSE INCOGNITO [1]
05 CHILANGO [25]
02 04 03
06 07
WOK WALA [29]
FLAVOURS [35]
MOXON [19]
INHABIT [15]
08 OTHER WORK [42]
01 HOUSE
INCOGNITO Middlesex University - Final Project January - May 2014
[1]
01 HOUSE
INCOGNITO It is a safe place for people to engage in activities which help bring worldwide hidden information to the public eye. For a long time people have had limited access to information concerning the reality of the society we live in. It is in the interest of our governments that we remain ignorant and oblivious to what actually goes on and the media is one of the main and most powerful political sources which achieves keeping us distracted. The purpose of House Incognito is to facilitate the access of important and confidential politically related information to the public. This knowledge will give the people power and a voice to make a stand against corrupt decisions made by our governments. Members of House Incognito will have their anonymity protected and should therefore not feel hesitant in sharing secret information. It is run by a group of journalists, undercover and ex governments workers and skilled people in mixed media. Though not directly open to the public, due to it’s low key profile, it does offer workshops for people keen on being involved with this organisation.
[2]
01.1 SKETCHES
01.2 INTERNAL STRUCTURES & LAYOUT My space has 3 main areas: workshops, media studios and hacking spaces. These areas are organised on different levels. The hacking spaces (Whistleblower areas) are highly secretive areas due to the risky nature of the work that goes on in there. People attending Workshops are oblivious to what goes on in these hacking stations and the same goes for the “Makers� (Studios). My idea is to give the whole space an image of a transparent place.
[3]
Anyone attending the Workshops can see all the different areas but will not be able to access them due to the layout. My design is based on Solid forms and transparencies, showing just enough to keep your curiousity at bay. The space features several walkways and ramps which connect each of the enclosed spaces. Some are slightly more hidden with difficult access.
01.3 SECTION
[4]
01.5 FLOOR PLANS
16500
01.4 AXONOMETRIC DRAWING
70410
Upper Level Floor Plan
Upper Level Floor Plan with Roof Outlines
Lower Level Floor Plan
Whistleblowers Workshops Studios
[5]
Lower Level Floor Plan with Roof
01.6 SPATIAL LAYOUT & RENDERS
Workshops
Studios
Whistleblowers
In a day and age where we are constantly watched through cctv and digitally monitered, privacy becomes a luxury. The Workshop area is composed by 4 main spaces. The first you come across is the reception areas, flanked by 2 different workshops. At the far end there is a communal area which is completely open. The workshops offers services which teach you how to protect your privacy in this technological era. One of the workshops offers one to one sessions while the other is for larger groups people.
House Incognito has state of the art studios which offer the chance to get creative when it comes to sharing information. Weekly articles and journalist reports are published by our team on our magazine and are handed out in different locations in London. The Film studios offers the chance to create short features, which reach a larger demographic. The studios occupy the largest space and is composed by 5 areas.
This group remains anonymous to outsiders and to most insiders. These group of people call the shots. They gather important information and through their contacts and the media, they spread this information. These are the founders of House Incognito. This space os characterized for its individual working pods. There are 6 pods connected by ramp walkways.
[6]
01.7 TECHNICAL DETAIL DRAWINGS 2 DETAIL
Glass Wall
75 mm Vertical Glass Beam 30 mm Structural Floor Glass composed of 3 layers
75x250 mm Stainless Steel frame
3 DETAIL
1
Structural Glass Floor on Steel Frame Scale: 1:4
Wall Glass to Vertical Beam Clamp connector
1 DETAIL
3
10 mm Glass Wall and Roof at an 80 degree angle
Glass Connector and Stabilizer Scale: 1:4
Glass Beam Stand Off Bolt connector
2
SIDE SECTION OF GLASS CORRIDOR Glass Corridor Side Section SCALE 1:10
[7]
Horizontal and Vertical Glass beam connector Scale: 1:4
2 DETAIL-2
Vertical Beam with 3 layers of 10 mm Glass
Steel Frame bolted to 250 mm wide Column
1
Structural Floor connected to Column Scale: 1:4
DETAIL-2 1
Vertical Beams connected by Bolt
2
FRONTAL SECTION OF GLASS CORRIDOR SCALE 1:10
Glass Corridor Front Section
[8]
Vertical Glass Beam Scale: 1:4
02MANIFESTO Middlesex University October - December 2013
[9]
02MANIFESTO In a future where we continue to wear out all natural resources as a result of our culture of high consumerism, Wood Street becomes a great example of an area able to help battle mass consumption. Specialising in the regulation of furniture and craft goods, it intends to promote a culture of Re-Use, Re-Make and simple love and care for our possessions. This scheme will not only help handle consumerist societies but will also give us a new outlook on our possessions used in our daily lives, giving it an added value that money can’t buy. In this space I want to create a patchwork between the old and new. The old representing the existing memory of this space and the new representing the technological advances. I want to show these contrasts in the use of materials.
[ 10 ]
02.1 OBJECT MEMORY As technology continues to advance, it will allow objects to store their memories: from the moment they were made all the way through their life cycle until they are disassembled to give way to a new object. These memories adopt a digital form enabling us to see them. The idea is that this will be an essential tool to create bonds between human + object. By being aware of our object’s past and history, a new layer of sentimental value is added on top of the superficial. We will become more attached to these items and consequently our culture of buy and
ER,
BOB
Repair
OWN
FIR
This is the best advised choice. When you choose to repair an object
Y
D LE
ST
BORN
IN 1 970, UK
throw away will diminish.
N MA
TO
you add extra memory to an item. Bearing in mind the scarcity of natural resources, 3D printed man-made materials will be used for the repair pro-
EL AV TR ES FOR M OB B HO BY ED LOV RS YEA 30
cess. The end result will be a form of furniture patchwork, making it unique in many ways and adding more value to it.
OWNER . NEW
ES.. BOB DI
ADOPTED BY BOB’S DAUGHTER (EMILY) EMILY’
S DOG CHEWS
EMI
LY’ S K IDS WED REP LEG KID AIN SR T &F OCK ALL ING ING O OFF N IT IT CHE
DS
KI
OW
GR
UP
IR NEW
.
D..
RIE
MAR
THE
ST
FA
GET
G RIN YB
THE
AND
[11]
LEGS
Disassemble This part of the process begins when one decides to get rid of their item. In other words when they choose to abandon it due to lack of attachment to the object. Though there is a period, before being taken apart, when they are stored in the event that someone wants to adopt it. If after a certain amount of time they aren’t re-possesed, they are disassembled, erasing it’s whole memory. A new object with a fresh new memory is made from the remains of the previous object.
02.2 LOCATION & SCHEME STRATEGY Decision Space scan object retrieve object memory make decision
The different shops present a strategical layout based on the choices people make. Repair workshops are located on the left side of the road, next to the Decision space
Repaired
and Collection point. This is intentional as it forms a compact route. It’s proximity could encourage people to opt
Repair submit scans item patched and repaired additional memory
for repairing rather than getting rid of items. The Re-make shop located on the right side of the road is at a distance from the main reception and Decision
Saved
space. This route can be likened to that of a walk of
Collection Point
shame. Next to the Re-make area is the Save shop giving final opportunity to passerbys to save items from loosing it’s history, thus memory destruction. If this is the case, the
Re-Make memory destroyed new object new memory
object will be disintegrated and formed into a completely new item with a new memory.
Re-Made Save Items Re-Made second hand purchase opportunity memory conserved
This diagram explains the
DECISION
HOME
different journies that can be made depending on your choice. The Decision space is the centre point and from here on all routes divide. A person
MEMORY ERASED
may think they know what their
ABANDON
REPAIR
COLLECT
journey outcome will be, but we will challenge them and maybe even persuade them to take a different route.
REMAKE
[ 12]
SAVE
02.3 SKETCHES
02.4 DECISION SPACE A Retail Experience: I chose to design the Decision space since it’s the central point of this scheme. Here, the objects/furniture are taken to the back of the shop, which encircles the main space, where they will be scanned and their memories retrieved. While this happens, the clients go to the Pods to view these memories which will then lead them to decide whether they want to fix the item or get rid of it. The front of the shop is designed more as a retail space since it is here where you can view adverts of other object’s memories and also buy any second hand items before they are disassembled.
Plan
[13]
Pod Design
02.5 RENDERS
[14]
Exterior
Decide
Shop
Discuss
03INHABIT Middlesex University January - February 2012
[15 ]
03INHABIT Inhabit was a residential project aimed at young fashion students living in London. My idea for these “residential halls” was based on a social and open living plan. Knowing that this type of client is young and artistic, I chose to design a vibrant space with quirky elements and a grunge style interior. The designer Alexander Mcqueen’s performance catwalks inspired the look of my overall design. The space has a capacity of up to 4 students and the idea is that they too can work in this space. For this, I intended to create a balance between an exciting living space and a working environment for these students.
[ 16]
03.1 PLAN & ELEVATIONS This open space includes a lounge area and kitchen right at the centre, flanked by 2 bedrooms on each side. Both sides of the bedrooms share one bathroom which physically separates the two. As part of my social and open living idea, I use the minimum amount of walls as I can. Instead I use alternative partition systems to separate spaces. In this case I have decided to use a curtain of oxidized chains for the student’s rooms. Some of the furniture in these rooms also function as a space partition. Internal Elevation AA
C D
A
A
B
B
C D
Bedroom Layout
[17 ]
Internal Elevation BB Floor Finishes
Internal Elevation CC
Internal Elevation DD
Worn White Timber Panels
Concrete Tiles
Argenta Antracita Tiles
Corten Steel Panels
Yute Ocre Carpet
Monochrome Purple Paint
Concrete Silver Tiles
White Wave Textured Panels
Floor Finishes
Wall Finishes
03.2 RENDERS
[18 ]
Lounge/Kitchen Perspective I
Lounge/Kitchen Perspective II
Bedroom Perspective I
Bedroom Perspective II
04MOXON i-am associates September -November 2013
[19 ]
04MOXON Retail Concept
Moxon was a retail project focused on selling exclusive and luxury socks. The design concept centres around an “English Gentleman� style drawing inspiration from retail stores like those located on Savile Row, Mayfair. This new space would be an addition to an existing shop and the idea was to design a space based on English Heritage and Luxury. The display units will showcase the fine detailed fabrics used in the fabrication of these socks and a central point will be the hospitality area designed specifically for the clients. My role was to come up with a design concept and create a mood/materials board to give the client a better understanding of the direction we were taking. Once the client was happy, I proceeded in drawing the final layout and elevations and hand drawing and rendering some of the visuals.
[ 20]
04.1 MATERIALS BOARD
Item display
Usage within
brass detail
furniture
Entrance glass wall
Colour Entrance
Palette
flooring
Persian rug colours Upholstery fabric Flooring
Upholstered paneling fabric
Mirror inlay
Brass & gold leaf detail
[21 ]
Gloss finishes
Chandelier
Deep buttoned sofa
Parquet
Upholstered Paneling
04.2 LAYOUT PLAN & DETAIL Framed Large Mirror
Cufflinks, tie pins, badges display
Cloth library
Carpet
Hospitality unit
Moxon fireplace
Brass detail
Accessories display
Framed Large Mirror
[ 22]
Heritage unit
Fabric
Cloth Display Section detail
04.3 DRAWINGS & RENDERS Interior Right hand view Accessories Showcase
Entrance
Moxon
Interior elevation Left hand side wall
[23]
Interior view
Interior Left hand view Cloth Library and Small Item display
Interior elevation Centre Piece back wall
Interior elevation Right hand side wall
[24]
05 CHILANGO i-am associates August - September 2013
[25]
05 CHILANGO
Restaurant - Leather Lane, London
Chilango is a UK chain of Mexican burritos. During my time working in i-am associates, I worked on two of these restaurant projects. I was more involved with the Chilango located in Leather Lane, since I had arrived in the middle of this project. I sourced and designed the layout of the decorative and colourful wall tiles used in the interior and exterior. The idea was to have a larger Shrine which would attract attention. I worked on getting all the materials we needed for the Shrine, including all the Mexican mini Shrines, Statues and crosses. I had the most fun putting the Shrine together on site and the feedback has been very positive.
[26]
05.1 TILE LAYOUT DRAWINGS A
RETURNS TO BE TILED. CONTINUE TILE PATTERN.
DESCRIPTION: CERAMIC TILE TILE DESCRIPTION: CERAMIC REF: M044 ROCIO M044 ROCIO REF.: TERRACOTTA AND BLUE TERRACOTTA AND BLUE SUPPLIER: MILAGROS SUPPLIER: MILAGROS WEB: WWW.MILAGROS.CO.UK WEB: WWW.MILAGROS.CO.UK TEL.: 0207 613 0876 QUANTITY: 7
DESCRIPTION: CERAMIC TILE REF.: M058 HARLEQUIN SUPPLIER: MILAGROS WEB: WWW.MILAGROS.CO.UK TEL.: 0207 613 0876 QUANTITY: 6
All materials copyrighted to i-am associates. Not to be reproduced or circulated without prior concent. Do not scale from this drawing.
DESCRIPTION: CERAMIC TILE TILE DESCRIPTION: CERAMIC REF: M059.5 LESTER BLUE &BLUE & M059.5 LESTER REF.: GREEN GREEN SUPPLIER: MILAGROS SUPPLIER: MILAGROS WEB: WWW.MILAGROS.CO.UK WWW.MILAGROS.CO.UK WEB:
PTION: CERAMIC TILE 044 ROCIO COTTA AND BLUE ER: MILAGROS WWW.MILAGROS.CO.UK 207 613 0876 ITY: 7
DRG STATUS
REV DATE DESCRIPTION
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FRONTAGE TILE PATTERN SETTING OUT CERAMIC TILE TILE BY DESCRIPTION: DESCRIPTION: CERAMIC DRAWN CHECKED BY TF MC M001 MEXICAN REF.: REF.: M018 DUCK EGG BLUE WH SUPPLIER: MILAGROS SUPPLIER: MILAGROS WEB: WWW.MILAGROS.CO.UK WEB: WWW.MILAGROS.CO.UK TEL.: 0207 613 0876 TEL.: 0207 613 0876 QUANTITY: 6 QUANTITY: 5
DESCRIPTION: CERAMIC TILE DESCRIPTION: CERAMIC TILE 540 M008 ROSA REF.: REF.: M058 HARLEQUIN SUPPLIER: MILAGROS SUPPLIER: MILAGROS WEB: WWW.MILAGROS.CO.UK WEB: WWW.MILAGROS.CO.UK SHOPFRONT ELEVATION A CENTRE 0207 613 0876 TEL.: 0207 613 0876COLUMN TILETEL.: SETTING OUT QUANTITY: 9 QUANTITY: 6 ALL TILE SIZES:
DESCRIPTION: CERAMIC TILE REF.: M044 ROCIO TERRACOTTA AND BLUE SUPPLIER: MILAGROS WEB: WWW.MILAGROS.CO.UK TEL.: 0207 613 0876 QUANTITY: 7
105 X 105 MM
DRG STATUS
LANGO ATHER LANE
SECTION TITLE
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FRONTAGE
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RETURNS TO BE TILED ON
DESCRIPTION: CERAMIC TILE REF.: M058 HARLEQUIN SUPPLIER: MILAGROS WEB: WWW.MILAGROS.CO.UK PATTERN. TEL.: 0207 613 0876 QUANTITY: 6
DESCRIPTION: CERAMIC TILE BOTH LESTERSIDES. BLUE & REF.: M059.5 GREEN SUPPLIER: MILAGROS CONTINUE TILE WEB: WWW.MILAGROS.CO.UK TEL.: 0207 613 0876 QUANTITY: 9
SCALE
DRG STATUS
All materials copyrighted to i-am associates. Not to be reproduced or circulated without prior concent. Do not scale from this drawing.
DESCRIPTION: CERAMIC TILE MEXICAN REF.: M001 WH SUPPLIER: MILAGROS WEB: WWW.MILAGROS.CO.UK TEL.: 0207 613 0876 QUANTITY: 5
DRAWN BY
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DATE
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540
SHOPFRONT RIGHT HAND ELEVATION ASETTING Shopfront centre column COLUMN TILE OUT
C
tile layout
B A
ELEVATION A
ELEVATION B
ELEVATION C
SECTION Nº
TERN SETTING OUT PTION: CERAMIC TILE CHECKED BY 058 HARLEQUIN TF ER: MILAGROS WWW.MILAGROS.CO.UK 207 613 0876 ITY: 6
SK1
DESCRIPTION: CERAMIC TILE REF.: M044 ROCIO TERRACOTTA AND BLUE SUPPLIER: MILAGROS WEB: WWW.MILAGROS.CO.UK TEL.: 0207 613 0876 QUANTITY: 8
105 X 105 MM
DATE
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DESCRIPTION: CERAMIC TILE TILE CERAMIC DESCRIPTION: REF: M008 ROSA M008 ROSA REF.: SUPPLIER: MILAGROS SUPPLIER: MILAGROS WEB: WWW.MILAGROS.CO.UK WEB:WWW.MILAGROS.CO.UK
TEL.: 0207 613 0876 QUANTITY: 9
DESCRIPTION: CERAMIC TILE REF.: M008 ROSA SUPPLIER: MILAGROS WEB: WWW.MILAGROS.CO.UK TEL.: 0207 613 0876 QUANTITY: 9
DESCRIPTION: CERAMIC TILE REF.: M058 HARLEQUIN SUPPLIER: MILAGROS WEB: WWW.MILAGROS.CO.UK TEL.: 0207 613 0876 QUANTITY: 6
DESCRIPTION: CERAMIC TILE REF.: M018 DUCK EGG BLUE SUPPLIER: MILAGROS WEB: WWW.MILAGROS.CO.UK TEL.: 0207 613 0876 QUANTITY: 5
DESCRIPTION: CERAMIC TILE MEXICAN REF.: M001 WH SUPPLIER: MILAGROS WEB: WWW.MILAGROS.CO.UK TEL.: 0207 613 0876 QUANTITY: 5
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DESCRIPTION: CERAMIC TILE REF.: M059.5 LESTER BLUE & GREEN SUPPLIER: MILAGROS WEB: WWW.MILAGROS.CO.UK TEL.: 0207 613 0876 QUANTITY: 9
DESCRIPTION: CERAMIC TILE REF.: M018 DUCK EGG BLUE SUPPLIER: MILAGROS WEB: WWW.MILAGROS.CO.UK TEL.: 0207 613 0876 QUANTITY: 6
DRG STATUS
CHILANGO LANE DESCRIPTION: CERAMICLEATHER TILE MEXICAN REF.: M001 WH SUPPLIER: MILAGROS WEB: WWW.MILAGROS.CO.UK TEL.: 0207 613 0876 QUANTITY: 5
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All materials copyrighted to i-am associates. Not to be reproduced or circulated without prior concent. Do not scale from this drawing.
DATE
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DESCRIPTION: CERAMIC TILE MEXICAN REF.: M001 WH SUPPLIER: MILAGROS WEB: WWW.MILAGROS.CO.UK TEL.: 0207 613 0876 QUANTITY: 5
DESCRIPTION: CERAMIC TILE REF.: M018 DUCK EGG BLUE SUPPLIER: MILAGROS WEB: WWW.MILAGROS.CO.UK TEL.: 0207 613 0876 QUANTITY: 6
A
SECTION TITLE
FRONTAGE TILE PATTERN SETTING OUT DESCRIPTION: CERAMIC TILE TILE DESCRIPTION: CERAMIC PTION: CERAMIC TILE REF: M001 MEXICAN WHITE M001 MEXICAN 018 DUCK EGG BLUE DRAWN BY REF.: CHECKED BY MC TF SUPPLIER: MILAGROS WH ER: MILAGROS WEB: WWW.MILAGROS.CO.UK A SUPPLIER: MILAGROS WW.MILAGROS.CO.UK WEB: WWW.MILAGROS.CO.UK 07 613 0876 TEL.: 0207 613 0876 TY: 6 QUANTITY: 5
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DRAWING TITLE CHILANGO REV DATE LEATHER LANE FRONTAGE TILE PATTERN SETTING OUT DESCRIPTION: CERAMIC TILE TILE CERAMIC DESCRIPTION: REF: M018 DUCK EGGEGG BLUE BLUE REF.: M018 DUCK SUPPLIER: MILAGROS SUPPLIER: MILAGROS WEB: WWW.MILAGROS.CO.UK WWW.MILAGROS.CO.UK WEB: TEL.: 0207 613 0876 QUANTITY: 6
DESCRIPTION: CERAMIC TILE REF.: M008 ROSA SUPPLIER: MILAGROS WEB: WWW.MILAGROS.CO.UK TEL.: 0207 613 0876 QUANTITY: 9
700
PTION: CERAMIC TILE 008 ROSA ER: MILAGROS WW.MILAGROS.CO.UK 07 613 0876 TY: 9
A
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DESCRIPTION: CERAMIC TILE MEXICAN REF.: M001 WH SUPPLIER: MILAGROS WEB: WWW.MILAGROS.CO.UK TEL.: 0207 613 0876 QUANTITY: 5
DESCRIPTION: CERAMIC TILE REF.: M018 DUCK EGG BLUE SUPPLIER: MILAGROS WEB: WWW.MILAGROS.CO.UK TEL.: 0207 613 0876 QUANTITY: 6
Shopfront left-hand column tile layout
TEL.: 0207 613 0876 QUANTITY: 9
copyrighted to i-am associates. oduced or circulated without prior concent. rom this drawing.
DESCRIPTION: CERAMIC TILE REF.: M008 ROSA SUPPLIER: MILAGROS WEB: WWW.MILAGROS.CO.UK TEL.: 0207 613 0876 QUANTITY: 9
700
DESCRIPTION: CERAMIC TILE REF.: M059.5 LESTER BLUE & GREEN SUPPLIER: MILAGROS WEB: WWW.MILAGROS.CO.UK TEL.: 0207 613 0876 QUANTITY: 9
CHILANGO LEATHER LANE
S TO BE TILED. E TILE PATTERN.
C
SHOPFRONT RIGHT HAND COLUMN TILE SETTING OUT
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DESIGN INTENT
E DESCRIPTION
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PTION: CERAMIC TILE 059.5 LESTER BLUE &
ER: MILAGROS WW.MILAGROS.CO.UK 07 613 0876 TY: 9
CHECKED BY TF MC DESCRIPTION: CERAMIC TILEDRAWN DESCRIPTION: CERAMIC TILE300 CERAMIC TILE BY DESCRIPTION: REF: M058 HARLEQUIN M058 HARLEQUIN REF.: M008 ROSA REF.: SUPPLIER: MILAGROS SUPPLIER: MILAGROS SUPPLIER: MILAGROS WEB: WWW.MILAGROS.CO.UK WEB: WWW.MILAGROS.CO.UK WEB:WWW.MILAGROS.CO.UK
TEL.: 0207 613 0876 QUANTITY: 6
[27 ]
DRG STATUS
ELEVATION A
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DESCRIPTION: CERAMIC TILE 880 MEXICAN REF.: M001 WH SUPPLIER: MILAGROS WEB: WWW.MILAGROS.CO.UK TEL.: 0207 613 0876 5 CERAMIC TILE DESCRIPTION: QUANTITY: CERAMIC TILE DESCRIPTION: DESCRIPTION: CERAMIC TILE
510
REF.: M018 DUCK EGG BLUE SUPPLIER: MILAGROS WEB: WWW.MILAGROS.CO.UK TEL.: 0207 613 0876 TEL.: 0207 613 0876 RETURNS TO BE TILED. QUANTITY: 6 ALL TILE SIZES: QUANTITY: 9
Shopfront right-hand column tile layout CONTINUE TILE PATTERN.
SECTION TITLE
FRONTAGE
105 X 105 MM
REF.: M044 ROCIO TERRACOTTA AND BLUE SUPPLIER: MILAGROS WEB: WWW.MILAGROS.CO.UK TEL.: 0207 613 0876 QUANTITY: 23
SCALE
CHILANGO 1: 5 @
REF.: M059.5 LESTER BLUE & GREEN SUPPLIER: MILAGROS WEB: WWW.MILAGROS.CO.UK TEL.: 0207 613 0876 QUANTITY: 21
A3
REF.: M058 HARLEQUIN SUPPLIER: MILAGROS WEB: WWW.MILAGROS.CO.UK TEL.: 0207 613 0876 QUANTITY: 22
700
S
SHOPFRONT LEFT HAND COLUMN TILE SETTING OUT
DESCRIPTION: CERAMIC TILE REF.: M008 ROSA SUPPLIER: MILAGROS WEB: WWW.MILAGROS.CO.UK TEL.: 0207 613 0876 QUANTITY: 22
DESCRIPTION: CERAMIC TILE REF.: M018 DUCK EGG BLUE SUPPLIER: MILAGROS WEB: WWW.MILAGROS.CO.UK TEL.: 0207 613 0876 QUANTITY: 19
DATE
DRG STATUS
27.08.13
DESIGN INTENT
REV DATE DESCRIPTION
DESCRIPTION: CERAMIC TILE MEXICAN REF.: M001 WH SUPPLIER: MILAGROS WEB: WWW.MILAGROS.CO.UK TEL.: 0207 613 0876 QUANTITY: 12
SECTION TITLE
SCALE
DATE
FRONTAGE
1: 5 @ A3
27.08.13
1050
05.2 THE SHRINE
Internal tile layout & Shrine
ALL TILE SIZES: 105 X 105 MM
DESCRIPTION: CERAMIC TILE REF.: M044 ROCIO TERRACOTTA AND BLUE SUPPLIER: MILAGROS WEB: WWW.MILAGROS.CO.UK TEL.: 0207 613 0876 QUANTITY: 157
CHILANGO LEATHER LANE All materials copyrighted to i-am associates. Not to be reproduced or circulated without prior concent. Do not scale from this drawing.
[28]
DESCRIPTION: CERAMIC TILE REF.: M059.5 LESTER BLUE & GREEN SUPPLIER: MILAGROS WEB: WWW.MILAGROS.CO.UK TEL.: 0207 613 0876 QUANTITY: 153
DESCRIPTION: CERAMIC TILE REF.: M058 HARLEQUIN SUPPLIER: MILAGROS WEB: WWW.MILAGROS.CO.UK TEL.: 0207 613 0876 QUANTITY: 78
DRG STATUS
DESIGN INTENT
REV DATE DESCRIPTION
DESCRIPTION: CERAMIC TILE REF.: M008 ROSA SUPPLIER: MILAGROS WEB: WWW.MILAGROS.CO.UK TEL.: 0207 613 0876 QUANTITY: 138
DESCRIPTION: CERAMIC TILE REF.: M018 DUCK EGG BLUE SUPPLIER: MILAGROS WEB: WWW.MILAGROS.CO.UK TEL.: 0207 613 0876 QUANTITY: 132
DESCRIPTION: CERAMIC TILE MEXICAN REF.: M001 WH SUPPLIER: MILAGROS WEB: WWW.MILAGROS.CO.UK TEL.: 0207 613 0876 QUANTITY: 28
SECTION TITLE
SCALE
DATE
INTERIOR
1: 5 @ A3
27.08.13
DRAWING TITLE
SECTION Nยบ
DRAWING Nยบ
REV.
SK1
326
/
INTERNAL TILE PATTERN SETTING OUT DRAWN BY
MC
CHECKED BY
TF
I was assigned the task of designing the Shrine, dedicated to the Virgen of Guadalupe (see Statue) for Chilango. This included sourcing all the materials and objects that were to be used and displayed. Once on site I put the Shrine together and this was the end result.
06 WOK WALA Space Design Studios October 2012 - February 2013
[29]
06 WOK WALA
Street Kitchen - Ilford, London
Wok Wala is a fast food restaurant of Indian and Malaysian cuisine. Located in Ilford, the clients wanted to give the local highstreet’s current restaurant scene some competition. The idea was to design a colourful and bold space inspired by the buzz and colours of Asian street food markets. During my time working in Space Design Studios, Wok Wala was one of the few projects where I was completely involved from the beginning all up until it’s completion. I was involved in every stage of this project, including the branding phase.
[30]
STREET KITCHEN
STREET KITCHEN
Fonts
06.1 MATERIALS & MOOD BOARD
Text Font - Arial Regular Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Kk Ll Mm Nn Oo Pp Qq Rr Ss Tt Uu Vv Ww Xx Yy Zz ! @ # & * STREET KITCHEN
Fonts
STREET KITCHEN
Pantone 226 C
Y0 K0
Y 91 K0
R 236 G9 B 141
R 214 G 224 B 61
R 38 G 188 B 215
STREET KITCHEN
STREET KITCHEN
STREET KITCHEN
Colours
Logos
Primary Colours
Text Font - Arial Regular Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Kk Ll Mm Nn Oo Pp Qq Rr Ss Tt Uu Vv Ww Xx Yy Zz ! @ # & *
Pantone 226 C STREET KITCHE N C0 M 99 Y0 K0
STREET KITCHEN
R 236 G9 B 141
Pantone 631 C C 67 M0 Y 12 K2
STREET KITCHEN
Logos
Pantone 381 C
C0 C 20 Primary Colours M 99 M 0
STREET KITCHEN
Chosen Logo
STREET KITCH
STREET KITCHEN
S TKRI T EC EH T EKNI T C H E N STREET
631 Pantone 381 C R EPantone ST ET K I TC C H E N
S TKRI T EC EH T EKNI T C H E N STREET
STREET KITCH
S TKRI T EC EH T EKNI T C H E N STREET
STREET KITCH
STREET KITCHEN
C 67 M0 Y 12 K2
C 20 M 0 Y 91 K0 R 214 G 224 B 61
STREET KITCHEN
Logo Options
R 38 G 188 B 215
Fonts
Colours Fonts
Logo Font - Arial Black Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Kk Ll Mm Nn Oo Pp Qq Rr Ss Tt Uu Vv Ww Xx Yy Zz ! @ 3 # & *
Primary Colours Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Kk Ll Mm Nn Oo Pp Qq
Text Font - Arial Regular Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Kk Ll Mm Nn Oo Pp Qq Rr Ss Tt Uu Vv Ww Xx Yy Zz ! @ # & *
[31]
Primary Colours
STREET KITCHEN
STREET KITCHEN
Logo Font - Arial Black Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Kk Ll Mm Nn Oo Pp Qq Materials boardRr Ss Tt Uu Vv Ww Xx Yy Zz ! @ 3 # & *
Colour mood board
Colours
06.2 BRANDING & SIGNAGE
Logo Font - Arial Black Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Kk Ll Mm Nn Oo Pp Qq Rr Ss Tt Uu Vv Ww Xx Yy Zz ! @ 3 # & *
Logos
STREET KITCHEN
Icon Options
Logo Font - Arial Black
Rr Ss Tt Uu Vv Ww Xx Yy Zz ! @ 3 # & *
Text Font - Arial Regular Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Kk Ll Mm Nn Oo Pp Qq Rr Ss Tt Uu Vv Ww Xx Yy Zz ! @ # & * Pantone 631 C
Pantone 226 C
Pantone 381 C
C0 M 99 Y0 K0
C 20 M 0 Y 91 K0
C 67 M0 Y 12 K2
R 236 G9 B 141
R 214 G 224 B 61
R 38 G 188 B 215
WOK WALA - icons
06.3 SITE PHOTOS
[32]
06.4 PLANS & INTERNAL ELEVATIONS
Lighting Layout
Existing Plan
Flooring Layout
Proposed Plan
Decorative Finishes Layout
[33 ]
Internal Elevation AA
Internal Elevation BB
Section BB
Internal Elevation CC
Internal Elevation DD
[ 34 ]
Section CC
Section DD
07 FLAVOURS Space Design Studios February - April 2013
[35 ]
07 FLAVOURS
Restaurant - Burnt Oak, London
Flavours is an Indian restaurant located in Burnt Oak. The idea for this project was to create a modern and colourful interior with delicate finishes and details. The space is quite large and there is an area with several Carrom boards (Indian board game), where several championship events are held. We drew inspiration from the splash of colours you find in an Indian spice market and used different wall finishes to give the space for texture. On this project, I worked on putting together the drawing package, including several layout proposals, lighting and finishes plans and detailed elevations.
[ 36]
07.1 PLANS & INTERNAL ELEVATIONS
Existing Plan
Decorative Finishes Layout
Proposed Plan
Decorative Proposed Finishes PlanLayout
Ceiling Layout
Flooring Finishes Layout
[37 ]
Internal Elevation AA
Internal Elevation BB
Internal Elevation CC
Internal Elevation DD
[ 38]
07.2 DETAIL DRAWINGS
Bar Details
[39 ]
07.3 SITE PHOTOS
[ 40]
08 OTHER WORK 2010 - 2015
[ 42]
08.1 CONCEPTUAL MODEL I
[43 ]
08.2 CONCEPTUAL MODEL II
[ 44]
08.3 DRAWINGS & SKETCHES
[45]
08.4 PAINTINGS OIL & ACRYLICS
[ 46]
THANK YOU!