3 M M E LISSA MIYAMOTO-MILLS
undergraduate works
GRAPHIC DESIGN
ARCHITECTURE
The Magnetic Pull Danish Institute of Study Abroad, Summer 2012 instructor: Jeanette Hendeliowitz
Shih Yu-Lang YMCA UC Berkeley, Fall 2011, LIsa Iwamoto
DIS icon + PhotoJournal Danish Institute of Study Abroad, Summer 2012
Hermitage Gallery at Albany Bulb UC Berkeley, Spring 2011, Nataly Gattegno #wurstersauce UC Berkeley, Fall 2012, Wendy Ju OTHER WORKS illustration, branding, sculpture + jewelery
M E LISSA MIYAMOTO-MILLS
2605 Haste Street Apt. 101 Berkeley, CA, 94704 melissa.mtmills@gmail.com + 925. 330 . 7861 portfolio: issuu.com (search miyamoto-mills)
E DUCATION
University of California Berkeley Bachelor of Arts : Architecture, Minor : Sustainable Design // Degree : expected May, 2013 • GPA: 3.68 Danish Institute for Study Abroad Copenhagen, Denmark (June-August, 2012) • Completed 7 week information/graphic design studio and Scandinavian Design lecture course • Received the Academic Excellence Award for Information Design Studio within Architecture and Design Professional Program PROFESSIONAL EXPERIENCE
Square Peg Design, Oakland, CA (Intern) September 2012 - Present • Conducted concept research used to develop brand identity and signage design • Converted architectural CAD drawings into diagrams that showed flow through building and informed sign type and placement
3
Shah Kawasaki Architects, Oakland, CA (Intern) May-June 2012 // June-August, 2011 • Created marketing diagrams and graphics using Adobe Illustrator, Photoshop & Google SketchUp
OTHER EXPERIENCE
California Triathlon (Apparel Director & Nationals Team Qualifier) January 2010 - Present • Helped project an image for the team: both professional but also fun and accessible: created new team logo, recruitment posters and facebook banners and ads, also designed swim suits and warm-ups SOFTWARE/SKILLS
•
Mac & PC proficient
Adobe Creative Suite CS6 (Photoshop, Illustrator, InDesign), Adobe Acrobat Pro, Autocad 2011, Rhinoceros 4.0, SketchUp, Microsoft Office, Hand-drawing, Graphic Design, Basic Construction
M
THE MAGNETIC PULL // IDENTITY + GRAPHICS
introducing
THE MAGNETIC PULL A CENTER FOR THE ARTS
PALADS BEFORE
s
A NEW IDENTITY FOR PALADS THEATRE
N
SITE: Axeltorv Plaza , Copenhagen Denmark PROGRAM: Movie multi-plex & Cafe COURSE: Information Design Studio// DIS Summer 2012 INSTRUCTOR: Jeanette Hendeliowitz
MAGNETIC POLE ATTRACTION + SITE @ AXELTORV
In, 1989 the facade was painted in playful “fun-house” colors that de-emphasized the architecture the refined baroque architecture. While the rainbow color palette attracts a lot of attention, not all of it good, it fails to communicate the function of the building. Despite the theater’s ideal location and proximity to transportation, restaurants, and an open plaza, it does not spur any curiousity and its “candy-floss” appearance distracts onlookers from anything else the space has to offer. In addition, Palads has experienced a huge increase in advertisement placement which creates further visual chaos and a lack of identity.
CURIOUS & ATTRACTING
PALADS BEFORE When Palads opened in 1912 it was the largest cinema in Northern Europe. Since then, it has been demolished and rebuilt , remodeled, and repurposed as a multiple theater movie complex.
NEW IDENTITY For this project, Palads is no longer a blockbuster movie complex. Instead, the theater serves as a film house for independent films, a stage for the performing arts, as well rentable studio space and gallery for contemporary local artists. Located at Axeltorv Plaza near Central Station in Copenhagen, this new center for the arts will be the main attraction and major draw to the plaza. It pulls people in from all walks of life; and just as the polarity in a magnet’s north and south pole can swap, the artwork housed in the building is interchangeable. Monthly exhibitions and film festivals are regular events at “the Pull” that attract and inspire the community; the space then becomes a magnetic and dynamic space. The new Palads, now known as “The Magnetic Pull” - A center for the arts serves as a community hub yet also offers tourists and visitors a taste of current Danish culture. MULTIPLE MODES OF ACCESS TO THE SPACE
OBVIOUS & DISTRACTING
CONTEX T & CONCE P T
M E LISSA MIYAMOTO-MILLS melissa.mtmills@gmail.com
FINAL LOGO
FIRST LOGO ATTEMPT the logo re-focuses on the baroque arches. While the logo “fit” it did not communicate the dynamism the new “Magnetic Pull” would offer
a simplified representation of the dynamic pulls of a magnet while somewhat reminiscent of a time turner
LOGO SKETCHES
PRIMARY TYPEFACE - AVANT GO
THE MAGNETIC PULL // DIS SUMMER 2012
THE MAGNETIC PULL exaggerated slant implies movement “N” serves as a midpoint where polarized attractive forces act
When choosing typefaces for The Magnetic Pull, it was important that the letters be alluring themselves yet not too bold. The choice to use thinner letters helps brand the space as more refined and delicate, while a little irregularity sparks curiosity and interest.
“M” resembles arrows that make the name look more like a graphic than a word
BUSINESS CARD (scale 1:1)
A4 STANDARD LETTERHEAD (not to scale) EMBOSSED
1.5 CM 1.5 CM
THE MAGNETIC PULL Axeltorv 9
-
1609 Københaven V
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T: 70 13 12 11
CENTER FOR THE ARTS
1.5 CM
ce TH nt E M er A fo GN rt E he TI C ar P ts UL L
5.5 CM
JOSEPH SMITH MANAGER T: +45 34 54 38 21 E: josephsmith@thepull.dk
8.5 CM
Jeanette Hendeliowitz Vestergade 7 DK 1456 Copenhagen K Denmark
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Phasellus egestas tincidunt NISI to aliquam. Integer quis Tellus mauris, nec volutpat Orci. Nullam porttitor turpis elit, quis Cursus tortor. In laoreet ipsum NISI. Vivamus consectetur vehicula hendrerit. Nullam aliquam PURUS nunc. Integer hendrerit, erat own Cursus ullamcorper, Tellus porta justo dolor, own libero pulvinar tortor a lorem. Morbi aliquam dignissim tense. Donec id est eu NIBH iaculis Pretium sed vitae felis. Sed volutpat consectetur Urna the porta. Vivamus own tense massa. Aliquam ultrices aliquet elit ac porta. Suspendisse potential. Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nulla facilisi. Curabitur dictum ipsum non euismod ultrices, risus Metus venenatis sapien, semper quis ipsum quam nec Lacus. Donec non Metus turpis. Quisque lacinia, felis sit amet gravida mollis, erat ipsum Commodo mauris, eu eleifend leo magna vitae Lacus. Nunc auctor condimentum arcu a Pretium. Lorem ipsum dolor sit amet, consectetur adipiscing elit. Aliquam vehicula Metus sit amet elit hendrerit egestas. Nam a DUI massa. Crass molestie tense Tellus vitae volutpat. Nam dictum laoreet ante quis sollicitudin. Curabitur sagittis iaculis quam sit amet iaculis. Ut adipiscing, Orci sed hendrerit congue, nisl ligula porta eros, laoreet adipiscing risus libero id tortor. Nullam own ac quam erat tincidunt mollis. Vestibule adipiscing convallis semper. Fusce aliquet malesuada ornare. Integer sed arcu non felis consectetur dictum. Quisque ut feugiat quam. Sed vitae lorem ipsum, interdum sagittis Tellus. Phasellus to NISI well risus feugiat tristique. Vestibule justo PURUS, fermentum sed congue own rutrum rhoncus Tellus. Sed ac Urna nunc, ut luctus NISI. Morbi facilisis ENIM erat. Sed dictum accumsan mauris, ut est Bibendum sodales faucibus. Ut aliquam, ENIM quis vehicula adipiscing, NISI ligula Pretium arcu, a tincidunt turpis quam quis elit. Cum sociis natoque penatibus a magnis dis parturient montes, nascetur ridiculus mice. Duis sed mauris own massa Cursus tristique non Urna own. Vivamus quis venenatis felis. Sed eros risus, aliquam eu rutrum a, tempor eu NIBH. Curabitur vitae ante sit amet mi Commodo placerat. Quisque lacinia molestie faucibus. Quisque that Orci DUI, quis est gravida. Aliquam egestas pharetra velit, quis Commodo libero lobortis a vestibule ante ipsum primis in faucibus Orci luctus a ultrices posuere cubilia Curae; Curabitur porttitor tempor libero, ut sodales felis fermentum sed. In HAC habitasse Platea dictumst. Donec dignissim facilisis Bibendum. Mauris hendrerit lectus id elit molestie Viverra. Nam mollis auctor PURUS, in consequat lorem aliquet id. In HAC habitasse Platea dictumst. Integer scelerisque sapien sed Orci posuere quis tense magna tristique.
Med venlig hilsen,
Joeseph Smith Manager
jsmith@thepull.dk
P ROM O T I ONA L
IN THE PLAZA
M E LISSA MIYAMOTO-MILLS melissa.mtmills@gmail.com ELSEWHERE IN THE PLAZA
PLAZA
N TO THE MAGNETIC PULL
LOCATION AND SIGNAGE OPPORTUNITIES
SCULPTURE IN MAIN PLAZA
The Magnetic Pull is located in the heart of Copenhagen. It is easily accessible by rail, bus, bike and foot. The building east facade opens to a currently under-utilized plaza.
PLAN VIEW plaza users can walk in and around the sculpture which features mirrored faces that reflect the environment and sparks curiosity
With the implementation of key aesthetics - posters, hanging banners and sculpture, the space is branded as a cultural center that serves as a point of destination. By creating an identity for the Magnetic Pull the space can be given new life and inspire people to come spend the day or take a look around.
MIRRORED SURFACE
MIRRORED SURFACE
MIRRORED SURFACE
THE PLAZA
THE MAGNETIC PULL // DIS SUMMER 2012
2.5 M
CELEBRATING THE ART OF
HANGING BANNER fits the architecture in a tastefully with attention to column spacing
DANCE
It also reinforces the identity of the building by replacing the excessive advertisements
A NEW CENTER OF THE ARTS @AXELTORV, NEAR CENTRAL STATION
10 M
MONTHLY POSTER uses consistent colors and angular geometries CELEBRATING THE ART OF D A N C E
A NEW CENTER OF THE ARTS @AXELTORV, NEAR CENTRAL STATION
INTERIOR SIGN AGE
M E LISSA MIYAMOTO-MILLS melissa.mtmills@gmail.com LCD screens display current work of studio artists and promotional ads for performances
OVERWHELMING & INCONSISTENT SIGNAGE
SIGNAGE INTEGRATED WITH THE ARCHITECTURE
BEFORE - inconsistent signage that is confusing to follow, shown below are three different uses of type, material and color that designate the same place
AFTER - acrylic logo motif backlit with leds match the steps (the LED colors change dynamically) and also replace unnessesary advertisements. Wayfinding is also elegantly made part of the grand staircase.
THE MAGNETIC PULL // DIS SUMMER 2012
COORIDOR FLAG SIGN
ALUMINUM PLAQUE SIGNS AND BANDS THAT SPAN FLAG SIGNS
BLACK MATTE ACRYLIC FLAG SIGNS & BATHROOMS
FLOW DIAGRAM main circulation
pictograms are consistent with wall graphics and the thin stroke matches the thinner typeface used for the signs
2 gallery
bar
artist’s studios
1
Magnetic Pull
search...
THE MAGNETIC PULL
INFORMATION BACK
Axeltorv 9 T: 70 13 12 11 1609 København V
homee home
vents/exhibitsc events/exhibitsf
showtimes ilms
SUBMARINE
check-in check-in
Rated: R (97 min) Director: Richard Ayoade 15-year-old Oliver Tate has two objectives: To lose his virginity before his next birthday, and to extinguish the flame between his mother and an ex-lover who has resurfaced in her life.
TODAY: 10:30 13:45 14:45
Åbningstider: Alle ugens dage: 9.30-21.45 Fredag og lørdag aften er der tillige åbent til midnat
15:45 18:00 23:45
Børnebillet (under 12 år): 60 homee homee homee
MOBILE APPLICATION
MOBILE A P P & I C ON S
M E LISSA MIYAMOTO-MILLS melissa.mtmills@gmail.com
vents/exhibitsc vents/exhibits
showtimes filmsc
showtimes
vents/exhibits
check-in heck-in
CONGRADULATIONS! your ticket has been verified... enjoy the show!
checking in... home
events/exhibitsf
ilmsc
heck-in
home
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heck-in
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LOGO ABSTRACTION - used as a turning “loading” animation for QR code check-in
events/exhibits
films
check-in
check-in
THE MAGNETIC PULL // DIS SUMMER 2012
POSTCARDS
PICTOGRAM LIBRARY TICKETS
INFORMATION
CAFE
DINING
BAR
GALLERY
MEETING ROOM
STUDIOS
THEATRE
MAIN HALL
RESTROOMS
POETRY/MUSIC
IMMERSION FAIR ICON // DIS LOGO CHARETTE &VISUAL JOURNAL // BOOK DESIGN
M E LISSA MIYAMOTO-MILLS melissa.mtmills@gmail.com
DIS ACTIVITIES & IMMERSION FAIR ICON CHARETTE
WHAT IS THE DIS ACTIVITIES AND IMMERSION FAIR? The purpose of the event is to provide information about extracurricular activities provided by DIS as well as outside organizations. Groups and clubs cater mostly to students who play sports, volunteer, have different religious beliefs and sexual orientations, as well as those who are looking to travel. CHARETTE PROMPT AND TIME FRAME “We are looking for a recognizable visual icon for the DIS Activities and Immersion Fair that will give a sense of identity, make the event attractive to a young audience, and tell a story of what the event is about”
ACTIVITIES & IMMERSION FAIR
MAIN LOGO TYPEFACES SIGNA
Immersion Fair
CALIBRI ITALIC
(DIS STANDARD)
Study Tours
CALIBRI
(DIS STANDARD)
We were given a day to come up with an icon to brand fair and show it in different contexts. WHERE IT WILL BE FEATURED
- balloons - staff T-shirts - Banners (tall standup banner, hanging vinyl & table top banner) - Letter header - Posters behind tables (organizations would be branded along side the fair branding)
(DIS LOGO STANDARD)
TABLE BANNERS
IMMERSION FAIR ICON CHARETTE // DIS SUMMER 2012
TALL HANGING BANNER DIRECTORY & WAYFINDING PINWHEEL FINS ABSTRACTED INTO WAYFINDING APPLICATIONS
SP ORTS
MAIN LOGO ABSTRACTED INTO CATAGORY LOGO
FAITH
DIS ACTIVITIES
Study Tours DIS Visiting Family Dynamic Project Leadership
SP ORTS
FAITH
København Vinyard (Christian) ChabaDanmark (Jewish Orthadox)
LEISUR E
Global Student Cop International School Københavns Biblioteker Democrats Abroad Den-
TRANSLATES INTO BLACK AND WHITE
DIS ACTIVITIES LEISUR E
Copenhagen Hockey Club Bisben Barbarians Flag Football ØKF (Soccer Club)
GRAPHIC DESIGN A collective book of works from my study abroad in Copenhagen, Denmark (2012)
VISUAL JOURNAL // DIS SUMMER 2012
01
CASE STUDY
COPENHAGEN
LEfT: many boutiques and smaller shops such as Liebt are actually located a level below the street and have smaller display windows than stores that belong to the outdoor mall
MELISSA MIYAMOTO-MILLS // ID STUDIO SU 2012
DISPLAY TYPOGRAPHY & OVERVIEW Historically, Copenhagen has always been a city of commerce. The city was originally named Køpmannæhafn, which means “merchants’ harbour” or “buyer’s haven.” The core of the city still holds its medieval layout and thus, many of its streets still meander through narrow cobblestone alleys. Not surprisingsly, many shops can be found all along these cozy streets. While there are still many of the store fronts along Strøget boast large floor to ceiling display windows, smaller shops make use of smaller openings. Often, to enter these smaller shops, one must take a few steps down to a level below the street. These shops often have two to six smaller windows located at street level rather than one large main window. So what does this mean for display typography? As Dan, my partner for assignment one, pointed out, the architecture of the older buildings - and the placement, size, and number of windows informs the layout of the type. Each window on its own must be display. The space between windows create the columns and gutters that guide the type and the type must be designed and placed within the workable area to create a composition. In CPH the typeface and type color often reflected what kind of things would be found the stores. The store “Liebt” used playful colors - blue, pink, yellow, and orange as well as rounded letters that appear fun and childish. Understandably, Liebt sold designed trinkets as well as children’s toys. Because the stores are not highly advertised, they use their type as a means of capturing interest and communicating their identity. While I would say the smaller display type mentioned above is most characteristic of Copenhagen, I also observed innovative typography used in the busier more internationalized shopping areas. On Strøget, stores such as Vero Moda (which I have never seen in the states) began to play with type and how it was displayed. Letters were used as a textile on a very small scale (as seen on manikins to the right) but also on a much larger scale - even as stand alone objects (see large “V” above and right). The single “V” becomes a statement, despite only being discovered once inside the store. I believe this strategy is intended to build a more recognizable identity. The typography can play with materiality (the “V” was covered in polaroids) and be much more ambiguous - thus sparking curiosity and further investigation. This kind ambiguity was best mastered, in my opinion however, by the very famous Danish brand Nørgaard Strøget - they’re mirrored letters can only be read once close enough to view the clothes in the display. In general, I feel that Copenhagen’s display typography reflects two strong identities - the individualized quirkiness of smaller boutiques and the experimental nature represented in the innovative quality of Scandinavian design even in an internationalized setting.
BELOW: Stores with identities as strong as Norgaard Stroget in Copenhagen can play with materiality in their logo and display typography. It appears hidden or ambiguous from afar and delightfully reflective and clear as the viewer approaches
ABOVE: While Vero Moda, be more international in its look (and less specific to KBH), the bold creative use of oversized type as well as use of type as a pattern or textile relfects the Scandanavian innovative design approach
#WURSTERSAUCE // UI/UX DESIGN
#WURSTERSAUCE // UC BERKELEY 2012
#WURSTERSAUCE INTERFACE IF THESE WALLS COULD TALK...
RYAN MCADAM - MELISSA MIYAMOTO-MILLS FRANCES YAN - KATE GREENBERG
PROJECTION SURFACE BUTTON INTERFACE TWEET UPDATE SCROLL LEFT SCROLL RIGHT “LIKE”
USB CABLE TO COMPUTER
arduino
actuation
interaction
the scene
Wurster, the architecture building, known as the dragonness tower where students eat, sleep, and work
the metaphor
the
quick
happy
Reminiscent of refrigerator magnets sentences and Madlibs, we aimed to create an interactive message board that would make people laugh, spur converstaion and create a unique following based in Wurster
jumps
fox
fat hot
the result
#wurstersauce
all nighters in wurster are the worst! feel wurster makes me <<ca einated>>
People see and interact with the message board. They can leave their sentiments, agree or change the statement, or even add their own words to a scrolling twitter database. #wurstersauce becomes a way for people who frequent the building to contribute to the display
#WURSTERSAUCE // UC BERKELEY 2012
SCREWS
BUTTON TOP
BUTTONS
INTERFACE DIRECTIONS
LEDS POWER WIRE GROUND WIRE
BUTTON TRACK
DEPRESSOR SPRING STOP / SCREW
PROJECTION SURFACE
SPRINGS BUTTON TRACK BUTTON POWER WIRE GROUND WIRE
BUTTON BASE LAYER
WIRE SLOTTING
BUTTON BASE
ARDUINO PORT/ BACKING
BUTTON BASE LAYER
ARDUINO BUTTON WIRING TO ARDUINO
SF TENDERLOIN YMCA // ARCH 100B UC BERKELEY
ALGAE HARVESTING
SHIH YU-LANG CENTRAL YMCA
Golden Gate Avenue - Entrance
L A
POO LS
BAS
KET
BAL COU L
RT
BASIC FORM
REC RECR R AC EATIO TTIIV N ACT EA IVIT OITNY CORE YC ORE
N
SITE 378 Golden Gate avenue, San Francisco
PROGRAM full-size basketball court, 6-lane lap pool, yoga studios, senior center, commputer stations, community areas, green spaces, mechanical and storage
COURSE Architecture 100B / Fall 2011 / UC Berkeley
INSTRUCTOR Lisa Iwamoto
COM
MCU OMN MIUT NY
FF TA S &
ITY
FF TA & S
SITE ANALYSIS 378 Golden Gate Avenue is an infill site. One side is bordered by a large parking structure while the other is only separated from another office building by a thin strip of green space lined with trees. The south side is met by an apartment building. These adjacencies impact the quality of light and air that meets the space as well as its accessibility. While these spaces can be challenging to work with, the surrounding buildings lend interesting opportunities and possibilities that open areas do not.
SITE ANALYSIS
M E LISSA MIYAMOTO-MILLS melissa.mtmills@gmail.com
SHIH LU-YANG YMCA // UC BERKELEY 2011
SOUTH FACING
N
SITE PLAN AERIAL
es ak t r ve ng - o arki L L tp WA acen N j EE ad GR f the G IN all o V I L ew th t is ha t a t are nligh n pa su - s ost S L m NE he PA to t G d SIN pose U x O e E H and A G p AL ilt u bu
SOUTHERN RAMP becomes both an egress to the main floor level on the Golden Gate Ave. side as well as a cover MCALLISTER STREET - ENTRANCE for bike parking
CONCEPTUAL SKIN
M E LISSA MIYAMOTO-MILLS melissa.mtmills@gmail.com
SHIH LU-YANG YMCA // UC BERKELEY 2011
P R E C E D E N T
C O N C E P T U A L
S E C T I O N
C U T
M E LISSA MIYAMOTO-MILLS melissa.mtmills@gmail.com
SHIH LU-YANG YMCA // UC BERKELEY 2011
M E LISSA MIYAMOTO-MILLS melissa.mtmills@gmail.com
URBAN ACTIVITY CORE
INTERIOR VIEW PROTECTION FROM SURROUNDING BUILDINGS
PRESERVED + CREATED GREEN SPACES
BUILDING IN CONTEXT
N
SHIH LU-YANG YMCA // UC BERKELEY 2011
ALBANY BULB HERMITAGE // ARCH 100A UC BERKELEY
M E LISSA MIYAMOTO-MILLS melissa.mtmills@gmail.com
HOUSING OUTSIDER ART//hermitage gallery AT THE ALBANY BULB
SITE Albany Bulb Albany, CA PROGRAM 3 apartments, shared workshop, library, performing arts, and exhibition space for outsider art COURSE Arch100A Spring 20121 UCBerkeley INSTRUCTOR Nataly Gattegno
APT. 3 APT. 2
site
ma or existing egetation
APT. 1
he Albany Bulb embodies a split in a number of ways ichotomies exist in its 1 ad acencies 2 material make up 3 terrain na igabilit y he site is neighbored by both regional parks and a tight city grid As for its material make up, much of the bulb is composed of concrete rubble and rebar, although flowers continue to bloom in the midst of the chaos hile areas of the bulb are dangerous and unruly, scenic iews and outsider continue to attract isitors who create well tra eled paths his pro ect embodies the dual nature of the bulb it matches the materiality of the site, yet it stands alone as a new an architectural feature split from the rubble it emerges from
GALLERY
LIB RARY
GARDEN
UPPER BACKSTAGE AREA
PULLEY DECK
OPEN TO WORKSHOP BELOW
PLAN [+15 ET] FE APT. 2 RESIDENT : LIGHT ACKDROP AND BM ANAGER
albany bulb
The Albany Bulb has developed from a landfill to a quirky public park covered in graffittied rubble that adds to the overall character of the place. It has become a mecca for “outsider art.”
OUTDOOR STAGE/ PROJECTION AREA
INDOOR STAGE
RESIDENCES
LIBRARY
FLYTOWER/ APARTMENT CIRCULATION
WORKSHOP
SECTIONB-B’ SCALE: 1’-0 = 1/8”
B’
VIEW F C
C’ VIEW E
VIEW D A’
A
B PLAN [+35 ET] FE SCALE: 1’-0 = 1/8” APT. 1 RESIDENT : LIGHT ROJECTION P SPECIALIST
albany bulb
3 M
OTHER WORKS // CLIENT + PERSONAL
CLIENT + PERSONAL WORK
M E LISSA MIYAMOTO-MILLS melissa.mtmills@gmail.com
Diagramatic Section
PROMOTIONAL FOR CALIFORNIA TRIATHLON
n w o d w o h S e l c y TRI-C de Gla l a i r o m e Where: M n o o n @ h t st 25 u g u A : n e Wh
Cal Tri Logo (2012)
CLIENT + PERSONAL WORK
FALL RECRUITMENT 2012
PERSONAL PROMOTION
M3 DESIGN MELISSA MIYAMOTO-MILLS
M3PORTFOLIO MELISSA MIYAMOTO-MILLS
3
M3PORTFOLIO MELISSA MIYAMOTO-MILLS
3
M3PORTFOLIO MELISSA MIYAMOTO-MILLS
M
M
Logo Sketches M3 Design Portfolio (2012)
M
CLIENT + PERSONAL WORK
STAIR SEQUENCE MONTAGE “Guided by the Light” (2011)
M3 DESIGN MELISSA MIYAMOTO-MILLS
3
M E LISSA MIYAMOTO-MILLS melissa.mtmills@gmail.com
GRAPHITE TONAL DRAWING Coat, Desk, Chair - A Multisport Lifestyle (2010)
ACRYLIC PAINTING Self Portrait (2010)
PERSONAL WORK
WATERCOLOR & INK Not So Silent Night (2010)
M E LISSA MIYAMOTO-MILLS melissa.mtmills@gmail.com
CERAMIC SCULPTURE Amida Buddha “Namu Amida Butsu” (2009)
PERSONAL WORK
SILVER CAST JEWELERY Inextricable Thoughts (2009)