Melissa Pachon INTERIOR DESIGN
M
My interest in art and design began at a very early age. Since my childhood I have been surrounded by art and its many expressions. Whether it was when I was around my uncles whom are architects, musicians and graphic designers or in our family trips where I got to experience other cultures. While, my exposure through these art and design became of great interest to me. My family always insisted on doing a career that I will always love, even thirty years from now. I have been lucky enough to have endless support and motivation from both family and friends. Since I was a kid, they always allowed me to help them on their projects, whether it was the architect that would ask me to help him by handing him pieces of his actual models in till they were done, the graphic designer that would download and teach me how to use some of the designing programs or the musician that allow me to create my own beets. As a child, my family traveled frequently. I grew up in Colombia, bur my mother moved to New York so I decided to move here. I lived in Colombia in till the age of 18. I finished high school when I was 15, so before coming here I did a year of graphic design and a year of
RESIDENTIAL DESIGN
design. My experience living in different countries has helped define me as a person as well as a designer. I have had the privilege of traveling to different places in the world. On these trips I would often go to museums, monuments and any other sights of interest. I was always inspired by architecture and art. I would always wonder they way people live and how they were define by their culture. Even now in the present when I travel, I could spend several minutes just observing the smallest details, taking photos and admiring what make spaces and moments so beautiful. Traveling to me is almost the same as designing. It is always a new learning experience, the interactions with others are mostly different, you gain personal enrichment, and they both help you define yourself and you style. My desire to become an Interior Designer, and be able to create spaces that would make other people happy keeps me motivated. I look forward to learn a lot more of the industry in a more real life scenario; while continuing my education and earning a bachelor’s degree in Interior Design.
MELISSA PACHON
RESIDENTIAL DESIGN
Fonseca’s Residence Smith’s Residence Lynchy’s Residence
57
COMMERCIAL DESIGN
Burst Bee Showcase Space Planning
91
TECHNICAL DRAWINGS
Tribeca Hotel New York City spa
115
HOSPITALITY DESIGN
Pearl Bath House
131
SPATIAL STUDIES
Enchanted Forest Rococo Diffa Kit of Parts Spatial Studies
1
RESIDENTIAL TABLE OF CONTENT DESIGN
MELISSA PACHON
FONSECA’S RESIDENCE
RESIDENTIAL DESIGN
SMITH’S RESIDENCE
LYNCHY’S RESIDENCE 1
RESIDENTIAL DESIGN
MELISSA PACHON
FONSECA’S RESIDENCE
CONCEPT STATEMENT: Harmonious, balanced, exotic and mysterious, value beauty of the natural world, the design concept will highly value the beauty of nature would best describe the overall mood of the space.
CLIENT PROFILE: Nicko Fonseca is a music and light engineer, and just recently became a gastronomist, since his passion is to cook. He works independently, so he spends a lot time at home. For his apartment he would like to have an open space, where the kitchen plays an important role in the space. He prefers a minimalist style, simple architecture, moveable, a fusion of traditional Japanese and contemporary elements. The program is as follows; en- try w/ a closet, powder room, kitch- en, dining for 6, living area w/ a TV and seating for 6, separate bedroom and unsuited. A tea room and Zen garden is the feature space of the apartment highlighting the tranquility of the Japanese culture.
LOCATION: New York City SQ FOOTAGE: 1,800 sqft TYPE: Residence LOCATION: New York City SQ FOOTAGE: 1,800 sqft TYPE: Residence
3
RESIDENTIAL DESIGN
MELISSA PACHON
c.
PROCESS
FONSECA’S RESIDENCE
USE OF FLIP WD
ENGAWA INTERSTITIAL SP. VERSATILITY
FRAMED VIEWS
TOKONOMA
TRANSITIONAL SP
SPARING/ SPARCE
FUTON
DIFFUSED
PRIVATE
PAPER LANTERNS
ROUND CUSHIONS
SPACIAL
LIGHTING
PUBLIC TABLE W CHAIRS
ZABUTON MIZUYA
TEA ROOM
FURNITURE
TOKONOMA
WOOD
FUSUMA
CEDAR
SHIBUI TATAMI WATER/BASIN
FUNTION
RUSTIC MT
MATERIALS
S.PLANNING
ORGANIC/NAT
BAMBOO RICE PAPER
EATING
SHOJI APPRECIATION OF ART
5
RESIDENTIAL DESIGN
MELISSA PACHON
FLOWERS ARRAG
GRID
POETRY DATING
INSPIRATIONS
AXIAL
SOCIAlIZED ENJOYING TEA
CALLIGRAPHY
INDIGENOUS
CERAMIC COLUMNS
FONSECA’S RESIDENCE
b.
LEGEND a. RENDER FLOOR PLAN b. B & W FLOOR PLAN c. SECTIONS
7
RESIDENTIAL DESIGN
a.
c. MELISSA PACHON
FONSECA’S LIVING ROOM
b.
LEGEND a. INSPIRATIONS b. MATERIALS c. PERSPECTIVE VIEW
c.
a. a.
9
RESIDENTIAL DESIGN
MELISSA PACHON
FONSECA’S TEA ROOM
b.
LEGEND a. INSPIRATIONS b. MATERIALS c. PERSPECTIVE VIEW
c.
a.
11
RESIDENTIAL DESIGN
MELISSA PACHON
FONSECA’S KITCHEN & DINNIG
b.
LEGEND a. INSPIRATIONS b. MATERIALS c. PERSPECTIVE VIEW
c.
a.
13
RESIDENTIAL DESIGN
MELISSA PACHON
c.
FONSECA’S MASTER BEDROOM
b.
LEGEND a. INSPIRATIONS b. MATERIALS c. PERSPECTIVE VIEW
c.
a.
15
RESIDENTIAL DESIGN
MELISSA PACHON
FONSECA’S MASTER ISOMETRIC
c.
17
RESIDENTIAL DESIGN
MELISSA PACHON
SMITH’S RESIDENCE
CONCEPT STATEMENT: Touch enhances the experience.
CLIENT PROFILE: The design intent was to create unique and custom environment for the client. This will be accomplished by developing an interactive living and working space, and establish a healthy living environment. I will fulfill my client’s needs not only by creating a space that meets their requirements, but also by utilizing the entire space provided and customizing it to the client. The client is a 38-year-old male named Joe. Joe is 5’10” tall and weighs 175 lbs. He is legally blind and uses the aid of a Seeing Eye dog. Joe works as a songwriter for commercials on TV and needs a space at home to work.
19
RESIDENTIAL DESIGN
LOCATION: New York City LOCATION: New York City FOOTAGE: 1,800 SQ SQ FOOTAGE: 700 sqft sqft TYPE: Residence TYPE: Residence MELISSA PACHON
c.
ISO
SMITH’S RESIDENCE
21
RESIDENTIAL DESIGN
INSPIRATIONS
MELISSA PACHON
SMITH’S RESIDENCE a.
c. b.
LEGEND a. B & W FLOOR PLAN b. RENDER FLOOR PLAN c. SECTIONS
23
RESIDENTIAL DESIGN
MELISSA PACHON
SMITH’S KITCHEN
b.
LEGEND a. RENDERS b. MATERIALS c. PERSPECTIVE VIEW
c.
a.
25
RESIDENTIAL DESIGN
MELISSA PACHON
SMITH’S WORK AREA
b.
LEGEND a. INSPIRATIONS b. MATERIALS c. PERSPECTIVE VIEW
c.
a.
27
RESIDENTIAL DESIGN
MELISSA PACHON
SMITH’S BATHROOM
b.
LEGEND a. INSPIRATIONS b. MATERIALS c. PERSPECTIVE VIEW
c.
a.
29
RESIDENTIAL DESIGN
MELISSA PACHON
SMITH’S BEDROOM
b.
LEGEND a. INSPIRATIONS b. MATERIALS c. PERSPECTIVE VIEW
c.
a.
31
RESIDENTIAL DESIGN
MELISSA PACHON
LYNCHY’S RESIDENCE
CONCEPT STATEMENT: An open floor plan will be used to incorporate light, form, detail of materials, space and nature.
CLIENT PROFILE: Liam and Kristine Lynch are a young married couple who live and work in New York City. Kristine is an actress on both TV & Broadway. She specializes in dance and also teaches her own dance class. Liam is an entrepreneur. He was the Chief of Finance of Broad- way Across America and still main- taints many business and personal relationships with people from Broadway. The space will consist of 11 rooms/areas; entry, powder room, kitchen, dining room, living room, a dance studio for Kristine, an office for Liam, small bar, patio, guest room, master bedroom, master bathroom, and lastly the utility and laundry room.
33
RESIDENTIAL DESIGN
LOCATION: New York City SQ FOOTAGE: 2,500 sqft TYPE: Residence LOCATION: New York City SQ FOOTAGE: 1,800 sqft TYPE: Residence MELISSA PACHON
c.
PROCESS
LYNCHY’S RESIDENCE
PRACTIVE VOICE
LIAN’S PRODUCER FRIENDS RELATIONS BET KIT/LEISURE
VISUAL ACCESS
OPEN CONCEPT
CLOSED STORAGE
LIAN
OTHER DANCER PERFORMERS
GAMES
PUPPY
FRIENDS
DEFINED SPACES
YOGA
CONVERSATION
KRISTINE PARENTS USERS
DEFINED SPACES
SPATIAL QUALITIES
LIGHT
ZONES
MATERIALS
PEARLS
PRIVATE
TEXTURE REHERSAL
COLORS
RESIDENTIAL DESIGN
BROADWAY POSTERS
GAMES
EATING
OFFICE
PILATES YOGA
REHERSAL
ENTERTAINING
MELISSA PACHON v
35
INSPIRATIONS
WOOD
BAR
LOUNGING
PUBLIC
READING
MARBLE TV
BAR/STORAGE
EATING
PUBLIC
ORGANIC MATERIALS
STORAGE FILES
DANCE
GREEN WALL LEATHER
TALK ON THE PHONE
TV
OFFICE
DIMMERS
HIGHLIGHT TEXTURES
ENTERTAINING
PILLATES
LEISURE SPACE
NATURAL LIGHT
HIGHLIGHT POSTERS
READING FUNCTION
LYNCHY’S RESIDENCE
a.
LEGEND
37
RESIDENTIAL DESIGN
b.
c. MELISSA PACHON v
a. B & W FLOOR PLAN b. RENDER FLOOR PLAN c. SECTIONS
LYNCHY’S ENTRY AREA
b.
LEGEND a. INSPIRATIONS b. MATERIALS c. RENDER
c.
a.
39
RESIDENTIAL DESIGN
MELISSA PACHON
LYNCHY’S LIVING ROOM
b. a.
LEGEND a. FURNITURE b. INSPIRITATIONS c. MATERIALS c. PERSPECTIVE VIEW
c.
41
RESIDENTIAL DESIGN
MELISSA PACHON
LYNCHY’S LIVING ROOM
b.
LEGEND a. FURNITURE b. MATERIALS c. PERSPECTIVE VIEW
a.
c.
43
RESIDENTIAL DESIGN
MELISSA PACHON
LYNCHY’S KITCHEN
b.
LEGEND a. INSPIRATIONS b. MATERIALS c. PERSPECTIVE VIEW
a.
45
RESIDENTIAL DESIGN
c. MELISSA PACHON
LYNCHY’S MASTER BATHROOM
b.
LEGEND a. INSPIRATIONS b. MATERIALS c. PERSPECTIVE VIEW
a.
47
RESIDENTIAL DESIGN
c. MELISSA PACHON
LYNCHY’S MASTER BEDROOM
b.
LEGEND a. INSPIRATIONS b. MATERIALS c. PERSPECTIVE VIEW
a.
49
RESIDENTIAL DESIGN
c. MELISSA PACHON
LYNCHY’S PATIO
b.
LEGEND a. INSPIRATIONS b. MATERIALS c. PERSPECTIVE VIEW
a.
51
RESIDENTIAL DESIGN
c. MELISSA PACHON
LYNCHY’S DANCE ROOM
b.
LEGEND a. INSPIRATIONS b. MATERIALS c. PERSPECTIVE VIEW
a.
53
RESIDENTIAL DESIGN
c. MELISSA PACHON
LYNCHY’S
cc..
55
RESIDENTIAL DESIGN
MELISSA PACHON
BURT’S BEE SHOWROOM
COMMERCIAL DESIGN
SPACE PLANNING 57
COMMERCIAL DESIGN
MELISSA PACHON
BURT’S BEE SHOWROOM
CLIENT PROFILE: Burst’s Bees project is a pop up showroom showcasing the company. Burst’s Bees is a personal care product company, Their philosophy is base on the use of all natural products and the impact they have on the environment. Burt’s Bees operates under a business model referred to as “The Greater Good,” which outlines that all company practices must be socially responsible. Burst bees engage in environmentally friendly business practices, and extends its humanitarian efforts to the community at large. Upon entering the store the customers will feel as if they are entering a life size beehive experience. They will follow a sequence from space to space while enjoying the details in the interior.
59
COMMERCIAL DESIGN
LOCATION: New York City LOCATION: New York City SQ SQ FOOTAGE: 2,500 sqft FOOTAGE: 1,800 sqft TYPE: COMMERCIAL TYPE: Residence MELISSA PACHON
c.
ISOMETRIC
BURT’S BEE SHOWROOM
COMMERCIAL DESIGN
MELISSA PACHON v
61
INSPIRATIONS
BURT’S BEE SHOWROOM b. a.
LEGEND a. FLOOR PLAN b. SECTIONS
COMMERCIAL DESIGN
MELISSA PACHON v
63
BURT’S BEE ENTRY AREA
b.
LEGEND a. INSPIRATIONS b. MATERIALS c. PERSPECTIVE VIEW
a.
65
COMMERCIAL DESIGN
c. MELISSA PACHON
BURT’S BEE HISTORY AREA
b.
LEGEND a. INSPIRATIONS b. MATERIALS c. PERSPECTIVE VIEW
a.
67
COMMERCIAL DESIGN
c. MELISSA PACHON
BURT’S BEE MAKE-UP AREA
b.
LEGEND a. INSPIRATIONS b. MATERIALS c. PERSPECTIVE VIEW
a.
69
COMMERCIAL DESIGN
c. MELISSA PACHON
BURT’S BEE BATHROOM
b.
LEGEND a. INSPIRATIONS b. MATERIALS c. PERSPECTIVE VIEW
a.
71
COMMERCIAL DESIGN
c. MELISSA PACHON
SPACE PLANNING
LOCATION: New York City SQ FOOTAGE: 1,800 sqft TYPE: Residence
73
COMMERCIAL DESIGN
MELISSA PACHON
c.
MARKETING FACILITY
b. a.
COMMERCIAL DESIGN NEW YORK A successful publishing firm wishes to create it’s own small meeting and marketing facility. The new facility is expected to serve a variety of functions, from in house training sessions to sales and marketing presentations to potential buyers. While maintaining a strongly professional image, this facility is expected to reflect the firm’s success and impress visitors through its design quality.
a. BUBBLES DIAGRAM b. RELATIONSHIP DIAGRAM
75
COMMERCIAL DESIGN
MELISSA PACHON v
LEGEND
From a functional viewpoint, the most important planning and design issue is the creation of optimal presentation, classroom, and conference spaces. Special attention should be given to corridor and aisle spaces, since relatively large numbers of people will be entering or leaving a space at one time.
MARKETING FACILITY c.
b.
LEGEND
77
COMMERCIAL DESIGN
a. MELISSA PACHON v
a. FURNITURE b. INSPIRITATIONS c. FLOOR PLANS
COMMUNITY COUNSELING CONSORTIUM
b.
a.
COMMERCIAL DESIGN NEW YORK
a. BUBBLE DIAGRAMS b. ZONING DIAGRAMS
79
COMMERCIAL DESIGN
MELISSA PACHON v
LEGEND
The community-counseling consortium (CCC) has found a new space in which to house its offices and meeting facilities. The space must accommodate the administrative and counseling offices for CCC, a community seminar and conference room, and a Hot Line Center (HLC). CCC is a nonprofit, community- funded organization that counsels both families and individuals in crisis. CCC offers some health care courses, hospice programs, and group interaction seminars. CCC maintains a checkout library, books, CDs, and DVDs available for all individuals. It further offers a reasonably sized seminar room.
COMMUNITY COUNSELING CONSORTIUM
c.
b.
LEGEND
81
a.
COMMERCIAL DESIGN
MELISSA PACHON v
a. FURNITURE b. INSPIRITATIONS c. FLOOR PLANS
COSMOPOLITAN CLUB
b.
a.
RESTAURANT NEW YORK
a. BUBBLE DIAGRAMS b. ZONING DIAGRAMS
83
COMMERCIAL DESIGN
MELISSA PACHON v
LEGEND
The club’s purposes are to provide a meeting place for members, a place to entertain nonmember friends and business associates, and a dining place of predictable fare and atmosphere where one is known. The design program was established after lengthy consultations with the managers of others dining clubs. The overall ambience should be friendly, businesslike, and more formal than informal. Lunch is the major meal of the day. The bar and lounge activity is expected to be limited; again, previous experience indicates that members expect the lunch hour to be limited, without the luxury of an extended midday break. Because the membership is fairly diverse in nature, a strong theme in cuisine or dÊcor is not desired.
COSMOPOLITAN CLUB
c.
b.
LEGEND
85
COMMERCIAL DESIGN
a. MELISSA PACHON v
a. FURNITURE b. INSPIRITATIONS c. FLOOR PLANS
PEDIATRICAN OFFICE
b.
a.
PEDIATRICAN NEW YORK
a. SPACE PLANNING b. PROCESS
87
COMMERCIAL DESIGN
MELISSA PACHON v
LEGEND
A partnership of two pediatricians requires a new office facility. Their practice is neighborhood-oriented, dealing with a complete range of pediatric care. Although the atmosphere should be professional and businesslike, the primary concern in terms of ambience is to create a relaxed atmosphere throughout to minimize the typical anxiety that most people, parents and children, feel when entering a doctor’s office. The practice employs a receptionist/secretary, a medical technician, and a part-time bookkeeper for billing and other business functions. A medical equipment manufacturer has been selected; its representative has prescribed the size and shape of the typical exam room and the nurse’s station.
PEDIATRICAN OFFICE
c.
b.
LEGEND
89
a.
COMMERCIAL DESIGN
MELISSA PACHON v
a. FURNITURE b. INSPIRITATIONS c. FLOOR PLANS
TECHNICAL DRAWINGS
91
TECHNICAL DRAWINGS
MELISSA PACHON
TRIBECA HOTEL
93
TECHNICAL DRAWINGS
AS BUILT FLOOR PLAN
MELISSA PACHON
DEMOLITION PLAN
CONSTRUCTION PLAN
3'-0"
2'-4"
2'-7"
2'-6"
2'-3" 3'-4" 4'-3" 2'-3"
7'-7"
9'-5"
1'-0"
5'-7" 31'-3"
5'-6"
4'-5"
12'-11" 3'-11"
15'-11"
11'-6" 5'-1" 4'-2" 10"
4'-3"
2'-6"
1'-9" 3'-2"
11" 9'-10"
3'-0"
3'-2"
11"
5'-8"
10"
10'-6"
13'-8"
3'-0"
3'-9" 5'-1" 2'-1"
5'-0" 15'-9" 1'-6"
2'-9"
16'-11" 10'-3"
8"
2'-4"
5'-9"
11" 5'-2"
10'-11"
3'-8" 2'-5"
7"
1'-5"
3'-0"
8'-3" 3'-0"
5'-6"
2'-8"
3'-3"
5'-7" 4'-5" 1'-4" 2'-7"
6'-0"
6'-2"
1'-0"
4'-10" 7'-3"
1'-4"
95
TECHNICAL DRAWINGS
MELISSA PACHON
3'-0" 2'-0"
3'-4"
2'-0"
GENERAL PLAN
97
TECHNICAL DRAWINGS
LIGHTING PLAN
MELISSA PACHON
FINISHES PLAN
99
TECHNICAL DRAWINGS
FURNITURE PLAN
MELISSA PACHON
BATHROOM ELEVATIONS
101
TECHNICAL DRAWINGS
POWDER ROOM ELEVATIONS
MELISSA PACHON
SECTIONS
SECTIONS Level 2 10' - 0"
Level 2 10' - 0"
Level 2 10' - 0"
Level 1 0' - 0"
Level 1 0' - 0"
Level 1 0' - 0"
Level 2 10' - 0" Level 2 10' - 0"
Level 2 10' - 0"
Level 1 0' - 0" Level 1 0' - 0"
103
TECHNICAL DRAWINGS
MELISSA PACHON
Level 1 0' - 0"
DETAILS
DETAILS
9'-4" 7'-5" 2'-6" 2'-4"
5'-7"
2'-6"
3'-6"
2'-0"
7'-9"
1'-2" 4'-5"
4'-5"
2'-7" 2'-9"
1'-3"
2'-6" 9'-4"
4" 5'-11" 8" 2'-5" 1'-1"
3" 2'-7" 2'-5"
1'-3" 5" Ref. Level 0' - 0"
105
TECHNICAL DRAWINGS
MELISSA PACHON
7'-5"
Ref. Level 0' - 0"
NEW YORK CITY SPA
FLOOR PLAN 6
5
Treatment Room
Treatment Room
Treatment Room
103
102
101
4
1 Service Vestibule Treatment Corridor
118
119
Treatment Room 105
Treatment Room 104
Employee Lounge 116
3A301 --34' - 5 15/16"
0' - 2 7/16"
Pantry 106
Women's Lounge 2-
107
A301 ---
---
Nail Area
Employee ADA Toilet
121
Retail Area
Lounge Corridor
117
POS Area
123
120
124 ---
2
Women's Toilet 1
115
A301
Men's Lounge 108
Retail Store
Women's ADA Toilet
127
Men's Toilet
114
111
Nail Lounge 122
Women's Lockers 109
Men's Lockers 110
Women's Shower 113
Men's Shower
Nail Prep
112
Closet 125
1
Spa Interior TECHNICAL DRAWINGS
MELISSA PACHON
Office 128
3
Sections 1/4" = 1'-0"
Melissa Pachon
107
126
ID 200 Advanced CAD
06/04/2013
Floor Plan A001
FURNITURE PLAN
REFLECTING CEILING PLAN 6
9' - 11 7/8"
SEE EQUIPMENT PLAN AND 12' - 6" FURNITURE PLAN FOR TREATMENT ROOM LAYOUTS
5
28' - 0"
5' - 6 15/16"
4
28' - 0"
6
5
4
13' - 8" 2 A401
6' - 11 1/16"
White Plastic
5' - 5"
1
1
9' - 7 5/8"
8x8 vct
NOTE: ALL DIMENSIONS TO BE VIF
28' - 0"
11' - 2 1/4"
12' - 6"
10' - 4 15/16"
3A301 ---
58' - 11 1/8"
EQ
EQ
EQ
EQ
8x8 vct
EQ
12' - 2 1/4"
2A301 ---
4' - 0"
5' - 6 1/2"
EQ
8' - 11 3/16"
1 A401
12 x 24 ceramic
A201 - 1 ---
2
2 EQ
3
TRACK FOR GLASS TO BE RECESSED IN FLOOR
2' - 10"
EQ
2 4
1 A301
7' - 6"
EQ
EQ
PROVIDE STEEL BLOCKING IN WALL TO SUPPORT SHELVING UNITS 18' - 0 1/2"
0' - 10"
---
5' - 7 3/4"
TRACK FOR GLASS TO BE REGESSED IN FLOOR
4" blue
1
3
3
Level 1 Floor Plan 1/4" = 1'-0" 7' - 0"
Melissa Pachon
Spa Interior 109
8 x8 vct
4" blue
TECHNICAL DRAWINGS
7' - 0"
7' - 0"
7' - 0"
7' - 0"
7' - 0"
7' - 0"
ID 200 Advanced CAD
7' - 0"
7' - 0"
7' - 0"
1
06/04/2013
Furniture Plan A001 MELISSA PACHON
Melissa Pachon
Spa Interior
Copy of Level 1 Floor Plan 1/4" = 1'-0"
ID 200 Advanced CAD
06/04/2013
Reflective Ceiling Plan A001
FLOOR COVERING
RETAIL ELEVATIONS 6
5
6
4
5
4 3-
Department Legend Legend Department 4" Blue 1
1
4" Blue Ceramic 12 x 12 Ceramic 12 x 12 vct vct Ceramic 12 x 24 Ceramic 12 x 24 white white
3-
4
A301 ---
A301 ---
-
-
---
---
Level 1 Floor Plan 0' - 0"
Level 1 Floor Plan 0' - 0"
33-
A301 ---
A301 ---
2
retail interior north 1/2" = 1'-0"
3
2A301 ---
---
2A301 ---
2
retail interior south 1/2" = 1'-0"
1
1
A301
A301
2
---
---
---
2 2 4
A201 - 1 --3
4
A201 - 1 ---
2
2
3 1 A301
1 A301
---
3
Level 1 Floor Plan 0' - 0"
Level 1 Floor Plan 0' - 0"
3 4
Spa Floor Plan Spa Floor Plan 1/4" = 1'-0" 1 1/4" = 1'-0"
issa Pachon Melissa Pachon
paSpa Interior Interior 111
TECHNICAL DRAWINGS
1
ID 200 CADCAD ID Advanced 200 Advanced
06/04/2013 06/04/2013
Floor Covering Plan A001 Floor Covering Plan A001 MELISSA PACHON
retail interior west 1/2" = 1'-0"
retail interior east 1/2" = 1'-0"
Melissa Pachon
Spa Interior
ID 200 Advanced CAD
06/04/201
Retail Elevations A001
SECTIONS
RENDERINGS 6
5
4
2-
3-
A301 ---
A301 ---
Level 2 10' - 0"
---
Level 1 Floor Plan 0' - 0"
1
Split Section 1/4" = 1'-0"
2
3
3
Isometric 12" = 1'-0"
3
Room Rendering 1 12" = 1'-0"
2
1 A301
Level 2 10' - 0"
1
-
A301
---
Level 2 10' - 0"
---
Level 1 Floor Plan 0' - 0"
Level 1 Floor Plan 0' - 0"
1
2
Nail Area Section 1/4" = 1'-0"
A301
3
Retail Section 1/4" = 1'-0" 1
Melissa Pachon
Melissa Pachon
Spa Interior DRAWINGS 113 TECHNICAL
ID 200 Advanced CAD
06/04/2013
Sections A001 MELISSA PACHON
Spa Interior
3D View Retail 12" = 1'-0"
ID 200 Advanced CAD
06/04/2013
Rendering A001
HOSPITALITY DESIGN
115
HOSPITALITY DESIGN
MELISSA PACHON
PEARL BATH HOUSE
CONCEPT STATEMENT: Space within a space
CLIENT PROFILE: The process of bathing is not purely physical. At the end of the day the desire to release out stress and emotional loads to feel and be renewed becomes a need; the same way a clam creates a pearl after being harmed by a sand grains. Letting the door open to exploration through passageways and different shapes is easier to find a place to center and relief. With open areas but at the same time containing numerous spaces within, privacy becomes a principal element in the overall design. The layout is a linear design meaning the user has to go through all of the rooms and the star point becomes the end line. The program requirements are as follows; entry and waiting area, locker room (male/female), plunge pool, warm pool, hot pool, sun- room.
117
COMMERCIAL DESIGN
LOCATION: TORONTO, CANADA SQ FOOTAGE: 15,000 sqft LOCATION: New York City TYPE: HOSPITALITY DESIGN SQ FOOTAGE: 1,800 sqft TYPE: Residence MELISSA PACHON
c.
PEARL BATH HOUSE
PROCESS
ISO SLOFT STICKY ALIMENTACION
FAN SHAPE
LAMPS
INSIDE
FOOD
CRATS DECORATION
LUNGS STOMASH
OVAW SHAPES
SHAPE
JEWELERY
PEARL SOURCE
INSIDE
CLAM
2”
IS FROM IS A
MOLLUKS
HOSPITALITY DESIGN
MELISSA PACHON
SHELL ORGANIC
WATER FALLS
CLEAN SAND
HARD RIGID
STRUCTURE SMELL
OCEAN WATERS
SYTHETRICAL
DEAD ALIVE
47” NONE SMELL
119
STRONG
GREY
SIZE
RANGING FROM
BLUE
WHITE
PEARLS
IS OF A
CORRUGATED
NEUTRAL YELLOW
COLOR
HAS A TRANSFORM CREATES
OUTSIDE
OUTSIDE
KITNESS
SMOTH
ELONGATED
VARIES IN
FUNCTION
MEDICINE
TEXTURE
GENTUE
FISHY SMELL
PEARL BATH HOUSE
FLOOR PLANS & SECTIONS
121
HOSPITALITY DESIGN
MELISSA PACHON
PEARL ENTRY AREA b.
a. a.
LEGEND a. MATERIALS b. PERSPECTIVE VIEWS
123
RESIDENTIAL DESIGN HOSPITALITY
MELISSA PACHON
PEARL HOT POOL b.
a. a.
LEGEND a. MATERIALS b. PERSPECTIVE VIEWS
125
HOSPITALITY DESIGN
MELISSA PACHON
PEARL PLUDGE POOL b.
a. a.
LEGEND a. MATERIALS b. PERSPECTIVE VIEWS
127
HOSPITALITY DESIGN
MELISSA PACHON
PEARL WARM POOL & SUN ROOM b.
a. a.
LEGEND a. MATERIALS b. PERSPECTIVE VIEWS
129
HOSPITALITY DESIGN
MELISSA PACHON
DESIGN STUDIES
131
DESIGN STUDIES
MELISSA PACHON
b.
ENCHANTED FOREST
c.
a.
CONCEPT STATEMENT: The mysterious and magical en-chanted forest.
PROGRAM: LEGEND a. INSPIRATIONS b. FLOOR PLAN c. ELEVATION d. SKETCH
133
DESIGN STUDIES
Design a 10’x10’x10’ dining area that seats ten people. The theme of the design is the enchanted forest. The goal was to create a mysterious and mystical atmosphere that is both beautiful and eerie.
d. MELISSA PACHON
ENCHANTED FOREST b.
LEGEND a. FURNITURE b. MODELS c. PERSPECTIVE VIEW
a.
135
c. DESIGN STUDIES
MELISSA PACHON
ENCHANTED FOREST b.
LEGEND a. FURNITURE b. MATERIALS c. PERSPECTIVE VIEW
137
DESIGN STUDIES
c.
a. MELISSA PACHON
MARIE ANTOINETTE a.
CONCEPT STATEMENT: DIFFA Roccoco style.
PROGRAM:
LEGEND a. INSPIRATIONS b. FLOOR PLAN
139
DESIGN STUDIES
DIFFA: Design Industries Foundation Fighting AIDS is one of the country’s largest supporters of direct care for people living with HIV/AIDS and preventive education for those at risk. Merging care and commerce, supporters of DIFFA come from all fields of fine design and visual arts, including: architecture, fashion design, interior design, photography and consumer product design.
b. MELISSA PACHON
MARIE ANTOINETTE b.
LEGEND a. FURNITURE b. MODELS c. PERSPECTIVE VIEW
141
DESIGN STUDIES
c.
a. MELISSA PACHON
MARIE ANTOINETTE
b.
LEGEND a. FURNITURE b. MODELS c. PERSPECTIVE VIEW
143
DESIGN STUDIES
c.
a. MELISSA PACHON
KIT OF PARTS a.
b. c.
CONCEPT STATEMENT: The interactions and relationships between geometric.
PROGRAM:
LEGEND a. INSPIRATIONS b. ISO c. FLOOR PLAN
145
DESIGN STUDIES
Using 1 platform, 5 walls, 2 reflection pools, 1 monolith, 8 columns, 5 stairs and 1 roof, the g o a l i s t o d e s i g n a p a v i l i o n m a d e f o r m e d i t a tion and relaxation. The layout promotes “the journey”, split into 3 stages. The first stage, the stairs intersect the pool as if emerg- ing from the water. After the stairs is the long corridor, which creates a curiosity about what is to come. The final stage, the a r rival, represents the resolution and the culmination of the journey.
MELISSA PACHON
KIT OF PARTS
b.
LEGEND a. SECTIONS b. PERSPECTIVE VIEWS
147
DESIGN STUDIES
a.
MELISSA PACHON
b.
SPATIAL STUDIES a.
b.
c.
CONCEPT STATEMENT: Cut & fold to create negative and positve space.
PROGRAM: LEGEND a. INSPIRATIONS b. FLOOR PLANS c. ISOMETRIC
149
DESIGN STUDIES
Using the method of cutting and folding create a space consisting of negative and positive space. Utilize fenestration to strengthen the connection between the built environment and the exterior environment. Create seamless joinery in order to enhance finishes.
MELISSA PACHON
b.
SPATIAL STUDIES a.
LEGEND a. EVELATIONS b. SECTIONS
151
DESIGN STUDIES
MELISSA PACHON
SPATIAL STUDIES a.
b.
LEGEND a. RENDERS b. MODEL
153
DESIGN STUDIES
MELISSA PACHON
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