Irvine Memorial Chapel Windows

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The Chapel An enduring symbol of Mercersburg’s spiritual identity, the Chapel is the culmination of the ideals and goals of Dr. William Mann Irvine, the Academy’s founder and first headmaster (1893-1928), and his wife, Camille. Ralph Adams Cram, of Cram and Ferguson, one of the period’s most eminent ecclesiastical architects, was chosen in 1916 to prepare plans for the exterior of the Chapel. World War I delayed the building, but the groundbreaking occurred on June 6, 1922; in June 1924, First Lady Grace Goodhue Coolidge, wife of the 30th U.S. President and mother of two Mercersburg alumni, laid the cornerstone. The Chapel was dedicated on October 13, 1926, Dr. Irvine’s 61st birthday, in memory of the 55 Mercersburg alumni killed in World War I. It was rededicated in 1993 in memory of Dr. Irvine. The Chapel spire, a 150-foot replica of that of St. Mary the Virgin Church in Oxford, England, holds one of 163 traditional carillons in the United States.

The Windows Dr. Irvine and Mr. Cram were resolute that the Chapel should be filled with light, making the windows central to the concept of the building. Mr. Cram selected the window makers, and Dr. Irvine determined the subject of each window. They selected the themes and color scheme, using blue glass for unity throughout, and assigned windows to nine glassmakers from England, Ireland, and the United States. Each window is rich in symbolic figuration—Dr. Irvine consulted leading theologians on each subject—and invested with thoughtful design. The largest supplier of stained glass was D’Ascenzo Studios in Philadelphia, a firm that created the 10 largest nave windows. Other windows were made by Charles J. Connick of Boston; Reynolds Francis Rohnstock of Boston; Guthrie and Davis of New York City; Thomas William Camm Studios, Smethwyck, England; H.J. Butler, New York City; James Powell and Sons, Ltd., London; Harry Wright Goodhue, Boston; and Irish Stained Glass Works, Ltd. The windows depict the life and teaching of Christ, the Archangels, the Saints, King Arthur and the round table, heroic Christianity, and Christian ideals and missions. The windows are designed in a medieval Gothic style and include biblical history, U.S. history, and local history. Two windows also feature the pet dog of Dr. Irvine, a lighthearted nod to his domestic life at the Academy.


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The Glorification of Christ the Lord in Heaven and on Earth Missions Christ the Consoler Christ the Judge Pentecost The Good Women The Sermon on the Mount The Last Supper The Temptation of Christ Christ the Teacher The Baptism of Christ Saint Paul The Martyrs Kindness Friendship Prophecy Visions Courage David Heroic Christianity Christ the Good Shepherd/Christ and the Rich Young Ruler The Holy Grail Christ Blessing Little Children Christ the Crucified The Resurrection of Christ/Ascension of Christ Into Heaven Chevalier Bayard Saint Michael Slaying the Dragon Washington in Prayer at Valley Forge Isaiah and Micah The Annunciation The Nativity Presentation in the Temple The Epiphany Come Unto Me



The Glorification of Christ the Lord in Heaven and on Earth The largest window in the Chapel is located on the north wall above the gallery. The figure of Christ in the large rose is enthroned in robes of white (symbolizing purity, serenity, and light), following the spirit of an ancient French decoration. In the central lancet, the Blessed Virgin is in the position of honor, surrounded by three cherubim, signifying the fullness of knowledge; above her are two angels in adoration, and lower down are the youthful figures of David and St. John the Baptist. The four great Archangels (Gabriel, Michael, Raphael, and Uriel) are represented in the upper portion of the four side lancets. Beneath the Archangels are some of the saintly ones whose lives have enriched the history of Christianity from its earliest days. The window, crafted by Charles J. Connick of Boston, was originally given to the glory of God and in loving memory of Jacob Nolde, by his wife, Mrs. Louise Nolde.

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The Missions

Located on the east wall of the nave, this window is comprised of three lancets. The subject is illustrated in the cinquefoil with Christ giving his commission to the apostles: “Go ye therefore and teach all nations.” The window measures 16.5 feet by 7 feet. The center lancet is filled with the figure of St. Paul, the greatest Christian missionary. On his right is St. Augustine, the first Christian missionary to the English world. Around him are depictions of some who were brought Christianity, representing the English world, Native Americans, Asia, and the Middle East. To St. Paul’s left is Constantine, the first Christian emperor. The predellae feature Dr. William E. Hoy teaching a group of Asian children (symbolizing education) and Dr. David Livingstone with Africans (symbolizing missions helping exploration and science). The window was crafted by Nicola D’Ascenzo Studios of Philadelphia, and was originally gifted by Theodore M. Wood and Etta Hoke Wood.

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Christ the Consoler

Located on the east wall of the nave, this window is comprised of three lancets. The subject is Christ’s healing of the sick. The window measures 16.5 feet by 7 feet. The rose depicts the travail of Adam and Eve. The predellae, from left to right, feature the following illustrations: “I was sick and ye visited Me”; the palsied man borne of four; and Christ comforting the widow of Nain. Symbols represented include the Tree of Life, a broken crown (symbolizing sorrow), a comforting dove with flowers, and two small seraphim (symbolizing love). The window was crafted by Nicola D’Ascenzo Studios of Philadelphia, and was originally a gift of W.H. Luden.

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Christ the Judge

Located on the east wall of the nave, this window is comprised of three lancets. The window measures 16.5 feet by 7 feet. The rose shows the judgment on Adam and Eve. The predellae include depictions of Christ with the woman taken in adultery, angels holding the Book of Life, and the cleansing of the temple. Symbols featured include Christ with his hand on the globe and cross, suggesting dominion; Christ seated on a rainbow, suggesting the symbol of hope; angels of judgment with trumpets; scales of justice; table of the law; the phoenix, symbolizing resurrection; and the palm crowned, symbolizing reward. The window was crafted by Nicola D’Ascenzo Studios of Philadelphia, and was originally gifted in loving memory of Floy Cornell Murray by her husband.

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Pentecost

Located on the east wall of the nave, this window is comprised of three lancets. The window measures 16.5 feet by 7 feet. The overarching theme is the descent of the Holy Spirit with disciples gathered in the Upper Room. The rose window depicts Peter’s vision. The predellae feature the Holy Spirit in creation; God touching Adam, giving him life; the operation of the Holy Spirit at Christ’s birth; Gabriel announcing to Mary, “The Holy Spirit shall overshadow thee”; the Holy Spirit in the inspiration of Scripture and the revelation and recording of truth; and St. John on the Isle of Patmos writing the Revelations. The window (crafted by Nicola D’Ascenzo Studios, Philadelphia) was originally gifted in loving memory of Benjamin Franklin Eby by his wife.

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The Good Women

Located on the east wall of the nave, this window is comprised of three lancets. The window measures 16.5 feet by 7 feet. The rose illustrates Hannah presenting Samuel in the temple; Mary, the mother of Christ, is the central figure. The left and right panels feature Dorcas and St. Cecelia, respectively. The predellae depict Dorcas distributing charity; motherhood; and Esther and King Ahasuerus (symbolizing patriotism). Symbols represented include the lily (representing purity), the red rose (love), the iris (modesty), and the distaff (industry). The window was crafted by Nicola D’Ascenzo Studios of Philadelphia, and was originally gifted in loving memory of Mrs. William T. Omwake by her husband.

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The Sermon on the Mount

Located on the west wall of the nave, this window is comprised of three lancets. The window measures 16.5 feet by 7 feet. The Sermon on the Mount is the fulfillment of the law, as explained by Christ. The principal scene is that of Christ and the people. The rose depicts John and Mary at the foot of the cross, with the theme of “they that mourn.” The predellae feature Moses receiving the tables of the law on the mount of fire; the pure in heart; and the house on the Rock. Symbols include the sun and birds (signifying God’s care of us), I.H.S. (man’s Savior and a new kingdom), the Ark of the Covenant (right forevermore), and a fig branch (everlasting prosperity). The window was crafted by Nicola D’Ascenzo Studios of Philadelphia, and was originally a gift of Daniel Addison and Laura Middlekauf Stickell.

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The Last Supper

Located on the west wall of the nave, this window is comprised of three lancets. The window measures 16.5 feet by 7 feet, and depicts Christ in front of the table with his disciples. The subject of the rose is Mary Magdalene with a jar of ointment. Depictions in the predellae include Gethsemane, the sacrifice of Melchizedek, and the betrayal of Christ by Judas. Symbols shown include the Alpha and Omega, the covered cup, and wheat. The window was crafted by Nicola D’Ascenzo Studios of Philadelphia, and was originally given by Charles Wells and Lucy Bridge Shartle.

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The Temptation of Christ

Located on the west wall of the nave, this window is comprised of three lancets. The window measures 16.5 feet by 7 feet. It depicts Christ on a pinnacle of the temple. At left, Satan shows the kingdoms of the world; at right, Satan is shown with stones. Pictured in the rose is the temptation of Adam and Eve. The predellae feature the testing of Job; Christ triumphant and crowned and riding on a white horse, as described in Revelation; and Peter’s denial. Symbols depicted include three crosses (symbolizing Christ’s temptations being at an end), a palm (for victory), and a crown (reward). The window was crafted by Nicola D’Ascenzo Studios of Philadelphia. It was originally given in memory of Harry Frederick Janssen of the Class of 1910, who was killed in World War I.

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Christ the Teacher

Located on the west wall of the nave, this window is comprised of three lancets. The window measures 16.5 feet by 7 feet. The overarching theme is that of Christ speaking parables. The rose depicts Moses holding the tables of law. Text is “And Jesus Taught Daily In the Temple.” The predellae feature the return of the Prodigal Son (symbolizing forgiveness), the Sower (symbolizing fruitful life), and the Faithful Servant (symbolizing integrity). Symbols used include cherubim and curtain, the Star of David, and the Lion of Judah. The window was crafted by Nicola D’Ascenzo Studios of Philadelphia. It was originally a gift of William Wolff and Helen Pellman Anspach.

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The Baptism of Christ

Located on the west wall of the nave, this window is comprised of three lancets. The window measures 16.5 feet by 7 feet. It depicts Christ standing in the water being baptized by John the Baptist. The rose is the ark floating in a storm. Text on the window reads “This is My Beloved Son.” The predellae depict the baptism of Clovis and the baptism of Pocahontas. Symbols include an anchor and fish (signifying Christ and baptism); a shell (also representing baptism); and the dove descending (signifying the Holy Spirit). The window was crafted by Nicola D’Ascenzo Studios of Philadelphia.

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Saint Paul

One of eight aisle windows in the Chapel, Saint Paul is located on the east side of the nave. The total measurements are 8 feet by 4 feet. The rose depicts crossed swords; the medallions feature renderings of Paul before Agrippa, Paul’s conversion, Paul in prison, and Paul on Mars Hill. The window was crafted by Reynolds Francis Rohnstock of Boston, and was originally given in loving memory of Ferdinand Forthman by his family.

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The Martyrs

One of eight aisle windows in the Chapel, this window is located on the east side of the nave. Its total measurements are 8 feet by 4 feet. The rose displays a martyr’s crown. The medallions include depictions of Saint Catherine, Saint Agnes, Saint Barbara, Dr. William Reimert, Father Damien, Father Jogue, Saint Stephen, Saint Lawrence, Saint James, Savonarola, Saint Sebastian, and Saint Christopher. The window was crafted by Reynolds Francis Rohnstock of Boston, and was originally gifted in loving memory of James Garfield Pearce by his family.

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Kindness

One of eight aisle windows in the Chapel, this window is located on the east side of the nave. Its total measurements are 8 feet by 4 feet. Those represented in the window had good hearts. Depictions in the medallions include Saint Martin cutting his red cloak in half to give to a beggar; Saint Vincent de Paul (the founder of charity) holding a child in his arms; Saint Francis of Assisi preaching to animals and birds; and the Good Samaritan taking a traveler who fell among thieves to an inn for treatment. The quatrefoil has a flaming heart in its center. Of special note is that the dog pictured with Saint Francis of Assisi was drawn from a photograph of a chow owned by Dr. and Mrs. Irvine. The window was crafted by Reynolds Francis Rohnstock of Boston, and was originally gifted in loving memory of Philip and Ella Krebs Lindemeyer.

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Friendship

One of eight aisle windows in the Chapel, this window is located on the east side of the nave. Its total measurements are 8 feet by 4 feet. The rose depicts clasped hands. The medallions feature Sir Philip Sidney, Christ in the home of Mary and Martha, Blondell singing to find Richard the Lionheart, and Ruth and Naomi (two Old Testament heroines). The window was crafted by Reynolds Francis Rohnstock of Boston, and was originally given in loving memory of David F. Stauffer by his family.

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Prophecy

One of eight aisle windows in the Chapel, this window is located on the west side of the nave. Its total measurements are 8 feet by 4 feet. The rose depicts the Bible. The medallions feature renderings of Peter the Hermit preaching the first Crusade; John Eliot, missionary to Native Americans, while preaching; Daniel at Belshazzar’s Feast; and Saint John the Baptist, preaching in the Wilderness. The window was crafted by Reynolds Francis Rohnstock of Boston, and was originally given in loving memory of George Besore Russell by his daughter, Louisa Rose Russell.

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Visions

One of eight aisle windows in the Chapel, this window is located on the west side of the nave. Its total measurements are 8 feet by 4 feet. The rose depicts the Holy Spirit. The medallions include renderings of Jacob dreaming of angels, Belshazzar’s Feast, Isaiah’s Coal of Fire, and Joseph interpreting Pharoah’s dream. The window was crafted by Reynolds Francis Rohnstock of Boston, and was originally gifted in loving memory of Lewis Benjamin Soars by his family.

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Courage

One of eight aisle windows in the Chapel, this window is located on the west side of the nave. Its total measurements are 8 feet by 4 feet. A lion occupies the rose. The medallions depict Christopher Columbus on the Santa Maria, Jacob wrestling with the Angel, Little Arthur of Rugby, and Daniel in the Lion’s Den. The window was crafted by Reynolds Francis Rohnstock of Boston, and was originally a gift of Charles Oaks and Katharine Sierer Wood.

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David

One of eight aisle windows in the Chapel, this window is located on the west side of the nave. Its total measurements are 8 feet by 4 feet. The window depicts David at various points of his life. The rose features a harp, crowned. The medallions include renderings of David playing harp before Saul, David being anointed by Samuel, David and Jonathan, and David’s victory over Goliath. The window was crafted by Reynolds Francis Rohnstock of Boston, and was originally gifted in loving memory of Mary McPherran Forthman by her family.

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Heroic Christianity

This four-lancet window, located in the west transept gallery, is a memorial to the 55 Mercersburg alumni killed in World War I. The stars surrounding Christ in the large rose represent the Academy’s war dead. The two smaller roses depict the coats-of-arms of the United States and France. The large figures represent four Christian warriors: Saint Michael, Saint George, Saint Louis, and Saint Gabriel. Below them are 12 shields that depict some of the highest honors garnered by Mercersburg soldiers during the war, including the Medal of Honor, the French Croix de Guerre, the Italian War Cross, and the Victory Medal. Twelve Christian fighters from history stand below the shields— Saint Paul, King Arthur, Roland, Alfred the Great, Godfrey de Bouillon, Richard Coeur de Lion, Joan of Arc, William of Orange, Sir Philip Sidney, John Sobieski, George Washington, and the Unknown Soldier. Additional decorations and honors appear below the figures. The window was crafted by Guthrie & Davis of New York City, and was originally given in memory of Alexander Coulter of Mercersburg’s Class of 1894, by his brother, Henry W. Coulter.

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Christ the Good Shepherd Christ and the Rich Young Ruler These two single lancet windows are found in the west transept gallery. Each measures 7 feet by 2 feet. These windows illustrate two wellknown stories from the Gospels. The first, from Chapter 10 of the Book of John, depicts Christ, who as the Good Shepherd, “lays down His life for the sheep.” The second, from Chapter 18 of the Book of Luke, features Christ with the Rich Young Ruler, who hears from Christ that “it is easier for a camel to go through the eye of a needle than for a rich man to enter the kingdom of God.” The Good Shepherd was originally given in loving memory of May Wise McMullen by her family, and Christ and the Rich Young Ruler was originally gifted in loving memory of Joseph Richard Caldwell, of Mercersburg’s Class of 1916, by his family. Both windows were crafted by Guthrie & Davis of New York City.

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The Holy Grail

This window is located in the main level of the West Transept Gallery and is composed of four panels depicting King Arthur and his Knights of the Roundtable. The windows show King Arthur and knights seated around the table with heavenly light falling on Sir Galahad, the favorite knight. In the middle left panel is a young man holding a dog (who has a knuckle bone), a depiction of Headmaster Irvine’s dog, a chow. Sixteen knights are represented, apparently enjoying a meal, seated in elaborately

carved chairs. Christian and heraldic symbols—a stag, an owl, swords, a gryphon—are scattered upon the four windows. The set of four windows is four feet high and eight feet wide. The legend on the window, in a small diamond-shaped pane at the bottom, reads “Design and Drawing by Walter Camm, executed by Florence, Robert and Walter Camm for Thomas William Camm Studios, Smethwyck, Eng.”

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Christ Blessing Little Children

This is a two-panel window under the western transept gallery measuring a total of 4 feet by 4 feet. It shows Christ with several young children, as well as numerous saints in the background. The phrase “Suffer Little Children to Come Unto Me” (Luke 18:16) appears across both panels, as does “Praise Him and Magnify Him Forever.”

The panels were crafted by James Powell & Sons Ltd. of London, and were originally gifted in loving memory of Charles Malcolm Prior of Mercersburg’s Class of 1922, by his family.

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Christ the Crucified

One of the largest windows in the entire Chapel, this arched, threepanel set located in the east transept balcony measures 16.5 feet by 7 feet. This window depicts the crucifixion of Christ. The phrase “Even So Must the Son of Man Be Lifted Up” appears at the feet of Christ in the second panel. The window teams with a two-panel window in the east transept gallery to tell the story of Christ’s crucifixion, resurrection, and ascension into Heaven. The panels were crafted by James Powell & Sons Ltd. of London, and were originally given by William Henry and Mary Wood Fisher.

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The Resurrection of Christ Ascension of Christ into Heaven This two-panel set is located in the east transept gallery. It measures 15 feet 6 inches by 4 feet 4 inches. The panels commemorate Christ’s resurrection from the dead and his ascension into Heaven. Coupled with Christ the Crucified (a large, three-panel window in the east transept balcony), the full story of Christ’s crucifixion, resurrection, and ascension is illustrated. The panels were crafted by H.J. Butler of New York, and were originally gifted in loving memory of Benjamin Franklin and Jean Davies Burns by their sons, Samuel A. Burns and John P. Burns.

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Chevalier Bayard

This is one of three small windows located under the east transept gallery. It measures 5 feet by 2 feet. It depicts Chevalier Pierre Bayard (1476–1524), a 16th-century French knight who died fighting for his country. Bayard is known as le bon chevalier, or “the good knight.” The words “I Die in Performing My Duty” and Sans peur et sans reproche (translated as “Without fear and reproach”) appear as part of the illustrations. The window was crafted by James Powell & Sons Ltd. of London, and was originally given in memory of George Franklin Poffenberger of Mercersburg’s Class of 1909 by his mother. (Poffenberger was killed in action during World War I.)

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Saint Michael Slaying the Dragon

This window is one of three small windows located under the east transept gallery. It measures 5 feet by 2 feet. The window displays characteristics of turn-of-the-century Art Nouveau style with a curvilinear motif, plant forms, and distinctive colors. Saint Michael was a main Archangel who intercedes between God and man. He descends from Heaven with the key of the abyss and a great chain in his hand, and binds the satanic dragon for a thousand years. The window was crafted by Irish Stained Glass Works Ltd. and was originally given in loving memory of Ralph Talbot, Mercersburg Class of 1916, by The Mercersburg News. Talbot is one of Mercersburg’s three Medal of Honor recipients, and was killed in France during World War I. He was the first Marine Corps aviator to receive the Medal of Honor.

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Washington in Prayer at Valley Forge

One of three small windows located under the east transept gallery, this window measures 5 feet by 2 feet. George Washington, later the nation’s first president, is shown kneeling in prayer while serving as commanderin-chief of the Continental Army. The winter of 1777–1778 was extremely harsh for the soldiers in Washington’s command at Valley Forge, Pennsylvania; more than 2,500 soldiers died that winter from disease and exposure to the cold. Yet Washington’s army emerged that spring to chase the British Army across New Jersey and into New York, setting the stage for the realization of American independence. The window was crafted by Nicola D’Ascenzo Studios of Philadelphia, and given in loving memory of Mary Fager Black by her son, Robert Fager Black, of Mercersburg’s Class of 1907.

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Isaiah and Micah

This is one of five double-lancet windows located in the apse, above the Chapel altar. All five are dedicated to Mercersburg boys who died in battle; each is 15.5 feet by 4.5 feet. The window depicting Isaiah and Micah (the prophets who foretold the coming of Christ) is dedicated to the memory of Francis Robbins McCook, the valedictorian of Mercersburg’s Class of 1910. McCook, who later attended Harvard University, served as captain of Company B of the 134th Machine Gun Battalion. He was killed in action October 7, 1918. Crafted by Harry Wright Goodhue of Boston, the window was originally gifted by McCook’s wife in his memory.

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The Annunciation

This is one of five double-lancet windows located in the apse, above the Chapel altar. All five are dedicated to Mercersburg boys who died in battle; each is 15.5 feet by 4.5 feet. The window depicts the Annunciation, when the angel Gabriel appeared to Mary to tell her she would deliver the Christ child. It is dedicated in memory of John Reading Schley of Mercersburg’s Class of 1915. Schley served as a first lieutenant in the U.S. Aviation Corps, and died October 22, 1918, when his aircraft crashed in France. Crafted by Harry Wright Goodhue of Boston, the window was originally gifted by Schley’s mother in his memory.

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The Nativity

This is one of five double-lancet windows located in the apse, above the Chapel altar. All five are dedicated to Mercersburg boys who died in battle; each is 15.5 feet by 4.5 feet. This window depicts the birth of Christ; even in the dark days of winter, the Christ child in the window glows, and is the last to fade with the setting sun. It was dedicated in memory of George Nathan Althouse of Mercersburg’s Class of 1911. Althouse, a first lieutenant in Company H of the 315th Infantry, was killed in action September 28, 1918, at Nantallois, France. Crafted by Harry Wright Goodhue of Boston, the window was originally gifted by Althouse’s parents in his memory.

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The Presentation in the Temple

This is one of five double-lancet windows located in the apse, above the Chapel altar. All five are dedicated to Mercersburg boys who died in battle; each is 15.5 feet by 4.5 feet. This window depicts Mary offering a dove for sacrifice in the Temple. It was dedicated in memory of Wilbert Wallace White Jr., a member of the Mercersburg Class of 1907. White, a second lieutenant in the 147th Pursuit Squadron of the U.S. Army Air Service, received the Distinguished Service Cross with an additional Oak Leaf Cluster. He was killed October 10, 1918, after ramming a German plane to save a fellow American pilot in France, and was posthumously recommended for the Medal of Honor. Harry Wright Goodhue of Boston crafted the window.

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The Epiphany

The Epiphany is one of five doublelancet windows located in the apse, above the Chapel altar. All five of the windows there are dedicated to Mercersburg boys who died in battle; each is 15.5 feet by 4.5 feet. This window is a rendering of the wise men presenting their gifts of gold, frankincense, and myrrh to the Christ child. The window was dedicated in memory of Benjamin Hartley Hewit of Mercersburg’s Class of 1901. Hewit, who received the Distinguished Service Cross, attained the rank of captain of Company F of the 316th Infantry, 79th Division. He was killed in World War I. The window was crafted by Harry Wright Goodhue of Boston, and was originally given in memory of Hewit by his parents.

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Come Unto Me

This window is located in the narthex, to the right of the Chapel’s front steps as one enters the building. It measures 7 feet by 2.5 feet. The window depicts Christ welcoming three tired pilgrims—a father, mother, and son. The kingdom of Heaven appears above Jesus’ head, with the words “Come unto me” (Matthew 11:28) inscribed to the left of Jesus. The window was crafted by James Powell & Sons Ltd. of Dublin, Ireland. It was given in loving memory of John Steiger by his family.

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Clear Glass Windows with Symbols

Twelve clear glass windows with symbols may be found in stairways and sacristies of the Chapel. They are:

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1. Quatrefoil window (located in northeast stairway): depicts a crown. Originally given in memory of John Alden Fleming, a boy who enrolled at Mercersburg but died six weeks before he was to enter.

7. Two-panel window (located in working sacristy): symbols from the Catacombs. Originally given in honor of Mrs. Minnie C. Patterson by her son, Earle Sheldon Patterson of the Class of 1911.

2. One-panel window (located in northeast stairway): depicts symbols of Christ the Conqueror from the Catacombs. Originally given in memory of Rev. E. Ransom Deatrick.

8. Two-panel window (located in robing sacristy): symbols of the Twelve Apostles. Originally given in memory of Ralph Wallace Stoeltzing of the Class of 1913, by his parents.

3. Two-panel window (located in northwest stairway): depicts symbols of the church year. Originally given in honor of Daniel M. Heefner and Anna G. Heefner by their son, Daniel B. Heefner.

9. Two-panel window (located in southeast stairway): depicts symbols of national festivals. Originally given in memory of Julie Thorne Pynchon by her son, Harold C. Pynchon of the Class of 1906.

4. One-panel window (located in southwest stairway): depicts symbols of God’s goodness. Originally given by Dr. S.H. Fleming and E.I. Isenberg.

10. One-panel window (located in southeast stairway): depicts symbols (obedience, honesty, industry, thrift, faith) from Calvin Coolidge’s speech at the Chapel groundbreaking in June 1922.

5. Three-panel window (located in southwest stairway): depicts symbols in Christ’s life. Originally given by Mr. and Mrs. C.W. Shartle Jr. 6. Two-panel window (located in working sacristy): symbolizes the seven cardinal virtues—fortitude, hope, prudence, charity, temperance, faith, and justice. Originally given in memory of John J. Mack by Joseph H. McCormick.

11. One-panel window (located in southeast stairway): depicts symbols of Christmas. 12. One-panel window (located in minister’s robing closet): depicts Lily of the Valley, symbolizing humility.

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