MUD ART SPRING SUMMER 2016 by MUD Studio Guatemala

MUD ART Make-up Designory // 2016 // issue N°8

Essentials of

Hair MUD Cares The Swahili word for ‘angel’ is Malaika The Art of Arts

Renaissance Baroque Art Deco POP ART MUD on tour with

the Voice

of Germany

MUD // Spring Summer // Look 2016

CADENCE

Just Go! MUD's Travel Guide

False Eyelashes Why we love them

Student work from MUD Schools and MUD Studios

Make-up Designory New York Beauty 301 MUA: Rachel Llewellyn Hair: Allison Marino Photo: Peter Lueders Model: Cat Darling

MUD Studio Milano MUA: Jennifer Tridico Model: Anja – ICE Models Agency Photo: Mjriam B

MUD Studio Reykjavík MUA: Ástrós Erla Benediktsdóttir MODEL: Hjördís Björg Hermannsdóttir Photo: Anna María Guðmundsdóttir

Make-up Designory Los Angeles Beauty 301 MUA: Natalie Dekermendjian Hair: Tenzin Yeshi Photo: Derek Althen Model: Angelica Kotliar

MUD Studio Milano MUA: Giovanna Iacovone Model: Naiara – Major Milano Agency Photo: Mjriam B

MUD Studio Reykjavík MUA: Bylgja Ösp Pedersen MODEL: Eyrún Björk Jakobsdóttir PHOTO: Anna María Guðmundsdóttir Make-up Designory New York Beauty 301 MUA: Dilena Novas Hair: Tiffany Ku Photo: Peter Lueders Model: Karen Powell

MUD Studio Berlin MUA: Isabell Richter Model: Vanessa Grosseschallau Photo: Christina Groß

MUD ART issue N°8

MUD ART 2016 // publisher: Make-up Designory, Inc. // production: Endemit advertising agency // www.endemit.si // creative and art director: Maja Kešelj MUD image photography: Peter Giodani // graphic design: Maja Kešelj, Polona Kopač // cover photo: Peter Giodani // product photo: Peter Giodani, Polona Kopač make-up: MUD Europe team // editors: Dina Vobič, Nejc Pogačnik, Polona Kopač, Jake Holland, Kaylie Holland, MUD USA

Make-up Designory Los Angeles

Make-up Designory New York

Make-up Designory Europe

Make-up Designory Cosmetics

 129 S. San Fernando Blvd. Burbank, CA 91502  818.729.9420  mudschools  reception@mud.edu  www.mud.edu

 65 Broadway, 15th floor New York, NY 10006  212.925.9250  MUDNewYork  receptionNYC@mud.edu  www.mud.edu

 Rimska cesta 13, 1000 Ljubljana, Slovenia, Europe  00 386 1 6200 348  mud.eu  info@mudeurope.com  www.mudeurope.com  shop.mudeurope.com

 makeupdesignory  sales@mudshop.com  www.mudshop.com

contents

Welcome to the World's Make-up School

MUD Welcomes you to Los Angeles

MUD Welcomes you to New York

What is MUD Studio?

MUD Studio - Certifications

MUD Studio - Individual Courses & Continuing Education

MUD Studio - Essentials of Hair

MUD Studio - Beauty Workshops

MUD Cares - The Swahili word for ‘angel’ is Malaika

Re-Imagining The Elephant Man

False Eyelashes - Why we Love Them

CADENCE - MUD // Spring Summer // Look 2016

MUD Products

MUD Studio Interior

Vienna, The City of Music

Get to know MUD Europe Team

Graduate Spotlight - Hugo Villasenor

Industry Speaks

Superfox - Belgium Collaboration

Mercedes-Benz Fashion Week Ljubljana

Iceland -The Next Best Thing to Landing on the Moon

MUD on tour with the Voice of Germany

100

The Art of Arts

108

Just Go!

Welcome to the

WORLD'S MAKE-UP SCHOOL Each year, students from around the world come to Make-up Designory (MUD) schools to train for a variety of make-up specialties. Students at MUD are immersed, from their very first day, into the craft of make-up artistry. Each of these courses are specifically designed to help the student to fulfill their own aspirations of working in film, television, the fashion industry, advertising, retail cosmetics, and a wide variety of specialties. MUD creates the path for future artists by giving each of you the opportunity to discover and develop their own unique style under the training and supervision of certified instructors who have the professional expertise in all fields of make-up artistry. The student's personal vision will come alive as they infuse their inherent talent with practical skills. Whether it will be within the intricacies of prosthetics or the delicacy of beauty make-up, MUD will prepare the student to begin a unique journey as a make-up artist. MUD is a school designed by make-up artists to train make-up artists. Founded in 1997, by accomplished, professional artisans, Make-up Designory began with a simple dream, and has expanded into a recognized, rigorous academic program that fosters creativity, experimentation, and achievement.

MUD humbly began with a few courses in beauty, character, and special make-up effects, and has since expanded to offer four comprehensive make-up programs, several individual courses, and a collection of part-time courses within the two main campuses in Los Angeles and New York City. MUD has also expanded globally, offering Studio Courses internationally at MUD Studios, and at Partner Schools across the U.S. Make-up Designory is an outstanding example of how a clear vision will help the student realize a dream career. MUD's connection to the film, fashion, and beauty industries is what gives MUD our advantage. Professional Advisory Committee (PAC) meetings are an important way to gain insight on the latest techniques and trends that are happening in these exciting fields. MUD's PAC is comprised of experienced make-up artists who represent all the faces of make-up artistry, graduates who know the curriculum inside and out, and fellow educators who have committed their lives to student learning. The PAC meetings lead to lively discussions about curriculum, policies, and student services. PAC commentary is taken to hear and has led to many school changes; this constructive criticism is what keeps MUD relevant in the industry and is an important step towards creating make-up artists who are prepared for professional work, and successful careers.

Make-up Designory New York SPFX 201 MUA: Michael Ferrera Photo: Seth Miranda

Make-up Designory Los Angeles SPFX 201 MUA: Carolina Fernandez Photo: Derek Althen

Make-up Designory New York SPFX 301 MUA: Jolie Perez Photo: Seth Miranda

Make-up Designory New York SPFX 301 MUA: Eileen Mendez Photo: Seth Miranda

Make-up Designory New York SPFX 301 MUA: Hunmi Park Photo: Seth Miranda

Los Angeles

MUD Welcomes you to

Los Angeles is the man dressed as Darth Vader in front of the Chinese Theatre. It’s some kid jumping a six stair on a skateboard as a movie is filmed nearby. It’s the Hollywood star in a ripped t-shirt. Finding the local indie people in the french named coffee shop. The ability to have authentic Thai food after taking a Zumba class in Spanish. It’s road work ahead. Seeing the city from Lookout Mountain. Driving to the ocean. It’s car lights. It’s music. It’s film.

The Los Angeles campus can be found in downtown Burbank, California, home of some of the biggest production studios in the world, including Warner Bro. Studios, Walt Disney Studios, The Disney Channel, Nickelodeon, ABC Studios, and dozens of other major entertainment related companies.

Los Angeles campus life

New York MUD Welcomes you to

New York is trying to catch a taxi in the middle of Times Square. It is East Village, wishing you were as cool as the musicians who hang out there. It is a long walk along Battery Park. Seeing the Keith Haring on 128th and 2nd. Knowing the subway like the back of your hand. New York is cookie shots in Soho. It’s trying to walk as fast as men in suits and getting a pizza in the Financial District. It is a small restaurant around a corner that nobody knows about. It’s bright lights. It’s a horizon of windows. It’s fashion. It’s art.

New York

campus life

The New York campus is located amidst the bustle of the world's most renowned fashion designers, theatres, and network studios. In Manhattan's fast-paced and exciting Financial District, MUD students are just steps away from Wall Street, Stone Street eateries, and the Battery Park waterfront area.

What is MUD Studio?

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Certifications Make-up Designory has courses and groups of courses to meet the needs of licensed professionals. For this reason, all classes require Beauty Essentials as a prerequisite. All classes are also offered as continuing education for beauty professionals. These courses have been developed to build upon one another, so that students will benefit from the combined materials and the progressive nature of the curriculum. MUD has created groups of classes to illustrate possible combinations. These groups are designed to provide comprehensive training in various aspects of make-up artistry.

level I

level II

level III

make-up

artist

Please note that some classes may not be available at all locations. A Certificate and Card are awarded for successful completion of any course or group of courses.

Individual Courses & Continuing Education Today's beauty professionals need to know more than hair and skincare, they must be competent in all aspects of their craft. For this reason, Make-up Designory has created a group of classes in make-up artistry to help students of cosmetology and esthetics and licensed professionals meet the full needs of their clientele. The courses are held conveniently at MUD's main campuses, Partner Schools, and internationally at MUD Studios.

beauty essentials

airbrush

bridal make-up

MUD Studio courses are based on the same great educational methodology and teacher training that has helped to make Make-up Designory a bedrock in make-up education. The courses are pulled from the same curriculum that comprises the longer programs at MUD's main campuses in Los Angeles and New York, but are broken up into smaller modules. These modules can be taken separately or combined, allowing the student to transfer their education to one of MUD's main campuses.

studio make-up

High Fashion Make-up

Trends

Beauty Workshops 5 Minute Looks for Women on

the Go

Evening

Looks

Natural

Day Looks

Essentials of

Hair

Portfolio

Develop-

ment

Learn to do make-up, while having fun! Invite your friends, book your seat and learn best techniques to achieve selected looks with professional make-up artists.

Smoky Eye

Teen Make-Up

mature make-up

Make-up

party

Certifications

level I

level II

make-up

artist

All students completing this course will receive a Level I Makeup Artist Certification. Beauty Essentials was written as an introduction to beauty make-up. In this intensive 84-hour course, students learn how to apply beauty make-up and the theory behind it. These first 84-hours should be viewed as the bare minimum to learn beauty make-up.

After completing Level I, the student may progress into more advanced areas of make-up. At this level, students will be exposed to areas of fashion, print, film, television, and bridal make-up applications. The completion of the Level II Make-up Artist Certification allows students to transfer to a main campus program, and may act as a substitute for Beauty 101: Fundamentals of Beauty make-up.

This certification level consists of the following courses: // Beauty Essentials

This certification level consists of the following courses: // Beauty Essentials // Airbrush // Bridal Make-up

// Studio Make-up // High Fashion Make-up Trends

Photo: Benjamin Becker

NEW!

level III make-up

artist

Once a student completes Level I and Level II they may continue their education with an in-depth course on hairstyling and begin the process of building their professional portfolio. The completion of the Level III Make-up Artist Certification is designed to prepare students with real world experience and a well-rounded education that prepares them for a career as a make-up artist. In addition the student is allowed to transfer to a main campus program, and this certification level may act as a substitute for Beauty 101: Fundamentals of Beauty make-up.

beauty essentials

This course is designed as an introduction to beauty make-up with an emphasis on the techniques required today in this multifaceted industry. Regardless of which of these areas you intend to work in, mastery of beauty make-up is a must. In this course you will start by learning facial analysis, base matching and application, correction, contours and highlights, with an added focus of eyes and lips. The course finishes with complete makeup applications ranging from one hundred percent corrective to natural make-up. This course consists of 24 sessions for a total of 84 clock hours.

airbrush

Photo: Benjamin Becker

Individual Courses & Continuing Education

Airbrushing has become one of the premiere ways of applying make-up. In this course the airbrush is de-mystafied. You are shown how to properly care and maintain it. In addition, you will study the techniques necessary to do beautiful, flawless beauty make-up. Learn the techniques that are being required by the major studios as well as demanding clients. This course consists of 10 sessions for a total of 35 clock hours.

studio

With a focus on the lucrative world of weddings, the Bridal Makeup Artistry Course takes the student from consultation to the creation of a bride's perfect look. The Bridal Course starts with the idea that a successful wedding make-up application starts with a clear plan for the bride and her family. From there, students learn both business and additional make-up techniques required to be successful in the bridal business.

Production can be found in all markets worldwide with the dramatic increase of new technology in video production for internet and cable broadcast. Unique considerations are required for applying make-up for these types of media. In the Studio Make-up Course students learn to apply camera-ready make-ups for anything from a natural to a full glamour look.

make-up

This course consists of 6 sessions for a total of 21 clock hours.

make-up

Photo: Benjamin Becker

bridal

This course consists of 10 sessions for a total of 35 clock hours.

Individual Courses & Continuing Education

NEW!

High Fashion Make-up

Trends Learn the techniques employed by professional make-up artists working in advertising and editorial. In this course, students will learn how to work on set and to design make-ups that can be used in fashion or editorial and how to work with a professional photographer to create imagery that stands out from the rest. Students will also develop an eye for make-up and learn what to look out for in his or her own pictures. This course consists of 10 sessions for a total of 35 clock hours.

Essentials of

Hair This course concentrates on the basic fundamentals of hairstyling, from simple blow-drying techniques to creating elaborate hairstyles. Students will learn to create modern styles, as well as edgy and creative hair designs, using hot tools and roller sets. This course incorporates daily projects and skill-building sessions to encourage learning by practice. As part of this course, students are required to complete hair and make-up projects, which relate to on-the-job experience. This course consists of 20 sessions for a total of 70 clock hours.

Limited Offering Specialty Course

Make-up Designory has led the way in FX training with our Special Make-up Effects courses at our main campuses. MUD has created a

unique

specialty

course

for

students unable to get to one of our main campuses. This course is designed to be offered as a 35-

NEW!

hour class or as a 70-hour class depending on availability of one of our international FX artists.

Portfolio

Development

Students are pushed to his or her creative limits in this high paced course. This course recreates the real world studio environment in which students will be working. We will guide the student as he or she design and create looks for multiple photo shoots. Students will work with professional models and photographers to create a professional quality portfolio. This course consists of 10 sessions for a total of 35 clock hours.

Special Make-up

Effects We start this course with out-of-the-kit effects that are the staple of professional make-up artists. We will help students learn their craft in this hands-on course that covers two and three-dimensional techniques to simulate injuries and other effects. Our team of professional make-up artists will walk students through the process of applying and coloring foam gelatin prosthetic appliances, silicone GFAâ&#x20AC;&#x2122;s, foam latex prosthetic appliances and Prosaide transfers. This course consists of 10 or 20 sessions for a total of 35 or 70 clock hours.

Introducing MUD's NEW Course

Essentials of

Hair

NEW!

Make-up and hair go together like peanut butter and jelly, you really canâ&#x20AC;&#x2122;t have one without the other. Our focus was on the student experience when we started Make-up Designory eighteen years ago and is still very true to this day. We wanted to make sure the education the student received was relevant to the industry, and that the student would have the tools to be a successful make-up artist. One of those essential tools is hairstyling. In todayâ&#x20AC;&#x2122;s film and fashion industries, producers and photographers are looking for artists that can create the complete look. To help our students be better make-up artists we are introducing Essentials of Hair to provide that tool.

This Studio course is modeled after our main campus course Beauty 201: Studio Hairstyling for the Make-up Artist, and consists of 70 instructional hours. The focus is on classic techniques that show the students how to create modern styles for advertising and editorial. In addition, they will learn to use hot tools and roller sets to create modern, natural styles, as well as edgy and creative hair designs. We have incorporated daily projects and skill-building sessions to encourage learning by practice. As part of the course, the students are required to complete hair and make-up projects which relate to on-the-job experience.

We started the course with the proper care of tools and how to maintain a clean work environment. As with all of our Studio courses, maintaining a hygienic workspace is a priority that we continually stress. We cover the basics of working with hair from combing out tangles, using a variety of brushes, to the technique of properly blow drying hair. The students initially work on mannequins, which allows them to slowly build their confidence as they work towards human models. Hairstyling is the sculpting of hair with classic techniques. We use hot rollers in a variety of ways to show students how to build a hairstyle and teach how to master the use of marcel irons. We do not just want the student to be able to duplicate a look, we want them to understand how a look was created and how to recreate it using techniques that will help that style to last under the rigors of a demanding production schedule.

The students also learn how to manipulate hair, whether it is braiding or how to skillfully use a comb and hairspray. Additionally, we challenge students to push the edge of what they are comfortable doing. As the course progresses the students are required to design looks that combine make-up and hair into a cohesive design. We assign projects that duplicate onset conditions for time and quality that force students to manage their application. Teaching them to deliver a look on time and at the high standard set by our faculty.

According to Paul Thompson, MUD’s Director of Education, “Essentials of Hair is one of those courses that combines make-up and hair in real world situations that teaches students how to problem solve and how to create original looks”. Paul continues by pointing out that often after the graduate have left the school they discover just how valuable hairstyling techniques are. “I am continually amazed by the positive feedback I get from graduates years after they have attended the class." There is no doubt that make-up and hair go hand in hand. Whether it is for a special night out or the demands of an editorial campaign, no make-up is complete without a complementary hairstyle. It is for this reason that MUD has included hairstyling to the collection of MUD Studio Courses.

Photo: Peter Giodani Make-up: Vanja Djuran @ MUD Europe Hair: Ĺ˝iga Abram @ Mare dresura frizure Styling: Vesna Mirtelj Model: Anja @ Immortal Model Management

Beauty Workshops MUD personal education

Learn how to look your best by mastering your personal make-up skills. Regardless of your amount of experience, you will learn step by step how to apply make-up as a true professional Make-up Designroy teaches women about their make-up products, their personal uniqueness, and how to apply their personal make-up. The classes can be offered to as few as one person or to a group. The duration ranges from one to three and half hours.

Five Minute Looks Description: Don't have time to put on makeup? In this workshop, we show you fast ways to get flawless results. Our professional makeup artist will assist you in achieving the look you want with less time and less effort than ever before. Create the perfect look for a woman-onthe-go by using classic techniques and quick, simple tricks.

Teen Make-Up Description: Learn to apply make-up for you and your teen from professional make-up artists. This workshop teaches age-appropriate techniques to correct imperfections and cover blemishes. Participants learn to naturally enhance the beautiful features of a younger face with a minimum amount of product.

Smoky Eye Description: This workshop focuses on classic techniques to create the smoky eye, however the techniques taught can apply to many styles of eyes. The process of layering eyeshadow and the proper use of light colors for highlights and a dark colors for shadows is the key to creating a beautiful look.

mature make-up Description: This workshop addresses the challenge of applying make-up to sophisticated skin. The process is similar to other make-up applications, but requires far less product. Make-up sometimes accumulates in the creases of older skin. Powder must be used sparingly lest powdered surfaces appear dehydrated. In this workshop, we teach you subtle techniques to create a timeless look.

Evening Looks Description: Looking forward to date night or, perhaps, a birthday dinner? Our Evening Looks workshop teaches you how to look your best for a night out on the town. Learn face analysis, make-up selection, and the techniques used by professional make-up artists to create a beautiful, youthful look for any evening engagement. Your instructor will help you pick tools and make-up that are suitable for any occasion.

Natural Day Looks Description: A natural make-up refers to applying make-up in a way that looks like we are not wearing make-up all over the face, however all blemishes and negative aspects are corrected. Typically, the eyes are light, the cheeks are sun-kissed, and the lips are a soft, subtle color. Natural looks can be worn everyday, and are good for most social occasions and special events.

Make-up party Description: Invite your friends to a party where you learn to do make-up while having a little fun. This workshop is the perfect introduction to the weekend. Channel your inner-rock star with a new look and be the center of attention.

MUD Cares

The Swahili word for ‘angel’ is Malaika Written By: Kaylie Holland In life it is not what money can bring us, but rather the meaningful experiences people can bring to our lives. What if by the building of a fence, you could give children in a village a path out of malnourishment? By digging for a couple days, you could give a neighborhood clean water. No money can give you the satisfaction of working alongside people in need. MUD Cares is an effort created by Make- up Designory to contribute to the important things in life. We are interested in our world and what we can do as a make-up company to help. It is the possibility of change that pushes our work in the MUD Cares program. MUD Cares began with a little leftover lipstick that was donated to a women’s shelter. From there, MUD cares has organized toy and clothes drives, created make-up teams to provide free make-overs, donates products to worthy organizations, and even built a house for children orphaned by disease and poverty in Kenya. Today, we continue to find worthwhile projects to become involved with such as the Malaika Foundation in the Democratic Republic of the Congo. Kalebuka Village Photo: Richard Foulser

Democratic Republic of the Congo

Lubumbashi

What happens when a girl is not afforded the opportunity to go to school? When a girl is left in the dark because her family can only afford to send her brother? Why is it that women are so often forgotten? Around the world, women are not always given the same chances as men. In The Democratic Republic of Congo, it is common for girls to be married at

a young age for a dowery while the boys in their family are sent to school. A key problem in women’s education is the risk associated with going to school. In the Congo, schools typically lack adequate bathrooms and a girl student’s safety is at risk. Added to this the problems of early pregnancy, poverty and poor nutrition and a lack of access to medical care make the challenge all the greater. The Malaika Foundation was created by the Congolese born model Noella Coursaris Masters to meet in one village the problems faced by young girls and to educate young women and to prepare the Congo’s next generation for success. The Malaika Foundation, is named after Noella’s late father. At the age of five, Noella tragically lost him and was sent to Switzerland to be raised by other family members. She found a successful modeling career when she left for the United Kingdom at the age of 18 to study English. Her UK modeling eventually led to New York and there using her career as a platform Noella created The Malaika Foundation. She is driven by the feeling that if her mother had a proper education, she would have been able to raise Noella on her own. Appropriately, the organizations first endeavor was to create the Malaika school. By creating the school, Noella aims to help young women to have the strength, confidence, and education to be independent thinkers and to help the development of their local area. The school is used to give girls a voice. A proper education empowers young girls to feel confident when speaking their minds. It contributes to their overall success in life. Whether a girl chooses to be a mother, business woman, both or neither, their education backs them in decision making, taking a stand to fight injustice, and to have a successful career. Malaika is a school located in the Congolese province of Katanga. At the school, girls with varying backgrounds take advantage of a full curriculum with courses in English, French, Art, and Science. beyond coursework, the girls are involved in community service and even have the opportunity to earn their badges as Girl Scouts.

Football for Hope Center

Community Literacy

Hygiene at school

Sports

Football for Hope Center

Womens Football Match Credit: Kevin O'Donovan Coaches Across Continents

Esther back at school after her accident Computers - Anonymous donation for computer room

Saturday Activities Music

Lessons - Elvis Nshimba Wa Mwanza, teaching class 3B

Noella at School

The Malaika Foundation operates in the Congo where they provide tuition free education to more than 225 girls, health care services to community members and help with water needs by constructing wells. Noella, continues in both her modeling and humanitarian work. She has been featured on CNN, Bloomberg, Ted Talk Paris and is a regular guest of the Clinton Initiative.

Funder of Malaika

Noella Coursaris Musunka Photographer Udo Spreitzenbarth Make-up for MUD by Sean Conklin Hair by Myken Wang

Spread the Word We are still a young foundation. The more people that know about us, the more we will succeed and the more girls in the Congo we can help. So, if you are passionate about our cause, here are some simple ideas to help us spread the word: Like the Malaika Facebook page Follow @GeorgesMalaika on Twitter Join the Malaika LinkedIn group Tune into the Malaika YouTube channel Get Involved For all donations and sponsorships please visit malaika.org

It really takes a group of artists to build a major prosthetic make-up. Make-up Designoryâ&#x20AC;&#x2122;s Elephant Man demo make-up is no different; seven MUD instructors and graduates participated in creating and applying the various pieces to model Garett Desmond and bringing the likeness of Joseph Merrick to life at IMATS Los Angeles in January 2016. Here is a breakdown of the various stages in building the Elephant Man.

Step One Life Casting and Making Positives The first step in any custom prosthetic make-up is taking a life cast of the model or actor who will be wearing the look. This ensures that each prosthetic fits the model exactly and that the final application will be as realistic and believable as possible. After Garett Desmond volunteered to be the Elephant Man, MUD instructors Chad Washam and Ray Shaffer (Special Effects 201 and 301 classes) and MUD graduate Shelby Michael Patton took extensive life casts of his head, face and body. Using Smooth-On Body Double Silk, a self-releasing platinum silicone, the team life cast his entire head, face and shoulders, back and torso, and his right hand and forearm. After the silicone had fully cured, plaster mother molds were added to preserve the shape of the life casts and provide durability.

From there, hydrocal 30 was brushed into the life casts to recreate rough positives of each of the areas that would require prosthetics. The hydrocal positives were drafted out with water clay to remove any undercuts and provide clean positives for sculpting and molding. Shelby Michael Patton and Trina White were principally responsible for drafting out these positives, then making Tempo 30 tin-cure silicone brush-up molds, and finally tapping West System epoxy fiber-

Step Two Sculpting and Mold-Making

glass into the molds to create lightweight, durable positives for the project. In total, 3 positives were made in fiberglass, including a full head positive, chest, and back. The right hand positive was made with a combination of 1630 resin and ultracal 30, with removable fingers to assist in demolding the appliance. Additional ultracal 30 snap molds were made of the face and back of the head to create overlapping facial appliances.

Chad Washam took lead in the sculpting of the various prosthetics for the Elephant Man, with some assistance from Shelby in blocking out the sculptures. Nearly all of the sculpts were done in water clay due to the short deadline and Chad completed the sculpting work in roughly 20 hours total.

After the sculptures were finalized, they were laid up with water clay, released and prepped for molding. Chad and Shelby did the clay lay-ups and molded the face and chin (ultracal mold), chest (fiberglass mold), right hand (ultracal mold) and the back (combo fiberglass/ultracal mold.) Kelly McGuinny assisted Chad in laying-up and molding the cowl (fiberglass mold).

Step Three Running Foam

After the molds were complete, Ray Shaffer took led in prepping the molds for foam latex, with assistance from Chad and Shelby. Both the fiberglass and ultracal molds were baked in MUD’s oven to remove water moisture and any lingering gasses. Injection ports were added to the cowl, face, and chin molds so the foam latex could be injected into molds that were already bolted, strapped, and clamped tightly shut. The chest, back and right hand were all poured full of foam latex while still open and then clamped shut. Bleeders were added to all of the molds be release air and prevent the formation of steam bubbles. An additional ultracal scrape mold of blender pieces was also made and run.

In total, 2-3 copies of each prosthetic were made over the course of about a week. Due to the large size and thickness of the prosthetics, approximately 3 gallons of GM Foam Latex was used to produce the pieces for the Elephant Man. Ray, Chad, and Shelby ran three triple batches of foam latex simultaneously to fully fill the molds and, thanks to Ray’s guidance and expertise as a foam runner, every run was a success. Meanwhile, Chad and Shelby also ran three copies of the large tumor on the back of Joseph Merrick’s head in soft polyurethane foam with a latex skin. The reason the tumor was run in polyfoam was to help reduce the overall weight of the cowl and make the piece comfortable for the model to wear. Chad and Shelby also produced multiple copies of the sculpting positive in rigid polyurethane foam to store and transport the finished prosthetics.

Step Four

Seaming, Patching, Pre-Painting, and Hair Punching After the foam latex prosthetics were successfully run, Chad and Shelby prepared them for painting and application. Any seamlines created from where two pieces of a mold met needed to be burned away with soldering tools and then cabo-patched (patched over with prosaide thickened with cabosil). To further disguise the burn line, a light layer of a latex and acrylic paint mix was stippled on as well. The large tumor on the back of the head was also seamed and patched, and then attached to the foam latex cowl with Barge adhesive and foam latex blenders. Once all of the prosthetics were seamed and patched, Chad went about pre-painting the pieces. Pre-painting prosthetic pieces is a particularly useful trick for any make-up artist; it not only makes the application on the model go much faster, it also allows the artist more time to carefully think about their painting process. Chad used a combination of custom-made PAX paints (prosaide mixed with acrylic paint), acrylic washes, and alcohol and ink spattering techniques to pre-paint the Elephant Man prosthetics. After being painted, the pieces were heavily powdered to protect them during transportation.

The final touch for the cowl was adding realistic hair. Shelby handpunched a custom mix of blonde and brown human hair across all of the Elephant Man head, including the large tumor on the back of the head. Then, the hair was wet, styled and dried. Ray Shaffer provided invaluable advice during this process and MUD’s Beauty 101 teacher Lisa Leveridge even stepped in to give Joseph Merrick a quick haircut.

Step Five Making Teeth

While the main make-up team was busy making the foam latex prosthetics, Make-up Designory’s School Director and Associate Director of Education (and former instructor) Gil Romero stepped in and made a set of upper and lower teeth for the character, using a dental cast taken of Garett Desmond during the life casting day.

Step Six Application and Painting

After nearly 5 weeks of work, MUD’s version of the Elephant Man was ready to be debuted and applied at the International Make-Up Artist Trade Show (IMATS). The prosthetic pieces were transported to the Pasadena Convention Center early in the morning and the entire make-up was applied to model Garett Desmond over the course of 5 hours at the Make-up Designory booth within the convention hall. Chad Washam and Shelby Michael Patton were the lead make-up artists and were assisted by recent MUD graduates Trina White (who also assisted in building the make-up) and Lexie Chacon-Rios. The foam pieces were glued on with prosaide and the pieces were blended together and painted with a combination of custom PAX paint, acrylic washes, alcohol paint and ink spatter (using Paasche H airbrushes), as well as European Body Art’s ENDURA alcohol-based airbrush paint and a small amount of grease paint around the eyes. After the application, the make-up was powdered to eliminate any stickiness or shine and then sealed with Green Marble Sealer.

All of the techniques and skills used to create the Elephant Man makeup are taught within Make-up Designory’s Special Make-Up Effects 201 and 301 classes. Chad Washam and Ray Shaffer regularly instruct both of these classes and teach much students the knowledge necessary to build and apply custom special effects prosthetic make-ups. Shelby Michael Patton, Trina White, Lexie Chacon-Rios, and Kelly McGuinny are all graduates of MUD’s Masters in Make-Up Artistry program.

Make-up Designory’s Elephant Man make-up was expertly photographed at the event by photographer Deverill Weekes. At the end of the day, the make-up was removed by Ray Shaffer, Chad Washam, Trina White, Lexie Chacon-Rios and Shelby Michael Patton.

Proteus syndrome is a rare disorder marked by the excessive and unusual growth of skin and bone, as well as the development of tumors over half of the body. The most famous documented case of Proteus syndrome is that of Joseph Merrick, an Englishman who spent most of his life as a human curiosity and freak show attraction in London during the late 19th century. He is more widely known as ‘The Elephant Man.’ Several old black-and-white photographs of Joseph Merrick exist (and his preserved skeleton resides at the Royal London Hospital) and the images depict the extent of his deformities; nearly the entire right side of Merrick’s body is enlarged and twisted by thick skin, abnormal bone growths, and tumors. Proteus syndrome is incurable and relentless; Joseph Merrick died at the age of 27 of asphyxia caused by the weight of the tumors and growths throughout his body. While Joseph Merrick was quite the attraction and object of study in London during the late 19th century, his story entered wider public knowledge in the late 1970s and early 1980s. In 1979, a play based on Merrick entitled The Elephant Man debuted. Written by Bernard Pomerance, the play won 3 Tony Awards (including Best Play) and numerous other honors. In 1980, The Elephant Man was released as a feature length film, directed by David Lynch and starring John Hurt and Anthony Hopkins. The Elephant Man was nominated for 8 Academy Awards.

John Hurt in The Elephant Man, Make-Up by Christopher Tucker

Joseph Merrick

Chad Washam's recreation of The Elephant Man

And this is where the story of Joseph Merrick, the Elephant Man, meets the world of makeup effects. As make-up artists, we are charged with the task of transforming actors into characters and bringing life for the creative vision of the director, writers, and producers. We must use our skills, training, and tools to convince the audience that an actor is someone different than who they actually are, without drawing attention to the fact that they are wearing make-up. This transformation is sometimes as (seemingly) simple as making a beautiful woman look like an average waitress. But, in the world of special make-up effects, this transformation often requires the creation and application of extensive prosthetics, hair pieces, and teeth. When David Lynch initially began production on The Elephant Man, he planned on building and applying the make-up to actor John Hurt himself. However, it quickly became apparent that the project would require the assistance of an experienced and knowledgeable professional make-up artist. In the interview ‘Christopher Tucker on Creating the Elephant Man,’ make-up

artist Christopher Tucker describes how he first heard about and was eventually brought into the production, “Then a phone call came from a production manager I knew and said ‘We’re doing a production of The Elephant Man.’ And, um, they wanted to know where they could get some polyurethane foam. I said, ‘Well, what’s it for?’ He said, ‘We want to make the prosthetics’ or something. I said, ‘Well that doesn’t sound right to me, that’s not going to work. Um, who’s doing the make-up?’… About a week later, they rang up in a panic and said they hadn’t got a film and they hadn’t got an Elephant Man and they needed to start shooting on Monday. It was a mega panic.” Christopher Tucker was invited to view the preserved skeleton and remains of Joseph Merrick at the Royal London Hospital. However, he suggested that if he had the remains with him at his studio, it would be extremely helpful in recreating Merrick’s likeness. Almost unbelievably, the curator compiled and the remains were transported to him. Among these relics was a plaster cast that had been taken of Merrick, which gave Tucker a good reference for the size and dimensions of his head. According to Tucker, bits of Merrick’s hair were still embedded into the plaster cast, so they also had a good reference for what color his hair was. Tucker based his sculptures and make-up off of those remains, as well as old, grainy photographs of Merrick that were taken when he was alive. Despite the fact that the make-up was an extremely rushed job (approximately 8 weeks in total), Christopher Tucker and his team managed to sculpt, build, produce, and apply enough pieces to allow the production to complete filming. The longest day they worked was 49 hours straight to meet the incredible deadline. The final make-up was comprised of some 15 pieces and sections that all had to overlap. The Elephant Man was nominated for 8 Academy Awards. But it was not nominated for, nor did it win, the Academy Award for Best Makeup. This is because in 1980, that category did not exist. However, a year later in 1981, the category for Best Make-up was officially introduced and was won by Rick Baker for An American Werewolf in London. There is little debate the Christopher Tucker’s phenomenal work on The Elephant Man was crucial in the decision to finally add an Academy Award category for best make-up and recognize the achievements of the talented artists within our industry. Due to both the unique appearance of Joseph Merrick himself and the significance of Christopher Tucker’s make-up, the Elephant Man is a

work of particular importance within the world of make-up effects and is often referenced as an inspirational achievement, alongside other major works by Rick Baker, Dick Smith, Michael Westmore, and Michele Burke. Christopher Tucker built a beautiful, impressive make-up that completely transformed John Hurt and played a crucial role in bringing David Lynch’s vision of Joseph Merrick to life, all within an unimaginably tight deadline. It is, without a doubt, a make-up that any young, aspiring special effects artist should be familiar with. Among the many artists who were inspired by Tucker’s Elephant Man is Make-up Designory Los Angeles instructor and resident sculptor Chad Washam. He has been a fan of the make-up since seeing the film in the early 1980s and considers it one of his ‘bucket list make-ups.’ Washam describes the Elephant Man, “It’s really a make-up that appeals very strongly to other make-up artists. It’s a massive transformation with very large pieces, but the application and painting needs to be incredibly realistic and believable to be successful.” Taking Christopher Tucker’s work as inspiration, Make-up Designory decided that the International Make-Up Artist Trade Show in Los Angeles would be the perfect platform to pay tribute to this incredible make-up. And, at IMATS Los Angeles in January 2016, Chad Washam got to cross the Elephant Man off his bucket list. Of course, the make-up had to be built first. And, much like the production of The Elephant Man back in 1980, it needed to be done within tight time and budgetary constraints and the make-up team used the same grainy photographs of Joseph Merrick and small images of Christopher Tucker’s version for reference. The majority of MUD’s Elephant Man make-up was built over the course of 5 weeks at the Make-up Designory campus in Burbank, CA. A volunteer team of MUD instructors and graduates dedicated their free time to completing the long list of steps necessary to recreate and reimagine this classic make-up, with a bulk of the work being done over the winter holiday break in late December, 2015. The complete make-up build is explained in the previous article, ‘Building the Elephant Man,’ and the artists who worked on the project include Chad Washam, Ray Shaffer, Gil Romero, Shelby Michael Patton, Trina White, Lexie Chacon-Rios and Kelly McGuinny. Much like Tucker, Chad Washam also had to find a way to manage the large deformities covering Joseph Merrick’s body. While it might be easy to look at the make-up and assume the skin and bone growths and tumors have been exaggerated, that really isn’t the case. Merrick’s

deformities were so large and severe that he was ultimately crushed under the weight of them. It is extraordinarily difficult to so thoroughly cover an actor in such large prosthetics pieces without inhibiting their ability to move, speak, and perform. Tucker described his own difficulty with the make-up and how he ultimately made strategic changes to his design and sculpts to create the final make-up. According to Tucker, “The art of make-up is to alter somebody’s appearance without it being seen, what you’ve actually achieved. The idea is to help the actor portray the part in whatever way you can.” Ultimately, Chad Washam also took some artistic liberties with his make-up design, the sculpt of the back and hand were altered from the source material and the specific size and dimensions of the head and face tumors were modified to best fit the model’s face. In total, MUD’s Elephant Man tribute make-up was a total of 9 large prosthetic pieces, consisting of a foam latex cowl, cheek, nose, chin, chest, back, and hand prosthetics, an attached tumor of soft latex-covered polyurethane foam, and custom upper and lower teeth, in addition to multiple individually sculpted foam latex blender pieces scattered across the model’s body. Ultimately, the entire upper body and head of the model, Garett Desmond, was covered in prosthetics, adhesive, and paint during a 5 hour-long application at the busy MUD booth at IMATS LA on Saturday, January 17th 2016. Desmond had never modeled such an extensive and large make-up, and described the experience of being transformed into the Elephant Man, “It was really interesting…most of the people who saw me were really surprised and uncomfortable with how I looked. It was like they didn’t want to look at me, but they were also fascinated and didn’t want to look away… It [wearing the make-up] really made me sympathetic to how the real Elephant Man must have felt…like you were a real person on the inside but no one could see it beneath what was on the outside.” The final make-up was expertly photographed by Deverill Weekes at the event. When asked his thoughts on how the Elephant Man make-up turned out, Chad Washam said, “Well, I think it turned out pretty good. But this was our first time applying the make-up and there are a lot of things that I think we can improve upon. I’d like to apply it again so we can make it even better.” While the real Joseph Merrick suffered from Proteus syndrome, it appears Chad Washam suffers from the congenital disorder that plagues most make-up artists – the relentless desire to improve your work and skill, and to always do a better job the next time.

False Eyelashes

Why we love them We all crave long luxurious lashes that represent youthful and well defined eyes. False eyelashes are the secret weapon used by make-up artists and consumers to make natural lashes look bold and beautiful. We have so many options that we can really create many different looks by utilizing one style of lashes for a full, natural look or by combining styles to create even thicker lashes. Eyelashes are available in synthetic or natural hair and come in a wide range of lengths and thicknesses. There are more styles now than ever before and we can even get lashes made in different colors and materials. False eyelashes have had a

number of names over the years and we typically refer to them as strips, individuals or flares. A strip lash is a set of curved hairs attached to a single strip of material that is glued above an individualâ&#x20AC;&#x2122;s natural lashes. Individual lashes, sometimes called singles, are usually a single strand of hair that can be glued on above the natural lashes to fill in thin spots or can be used in conjunction with a strip lash for an even fuller look. Flares are used in the same way as the individual lashes, however they are made up of four to eight strands of hair. They, too, can be combined with individuals or strip lashes for customized looks.

In preparation of applying false eyelashes

Strip eyelashes are made for each eye,

apply eyeshadow and eyeliner to the eye

one is for the left and the other is for

as desired. Curl the natural lashes with an

the right. You should not reverse them

eyelash curler by applying pressure at the

unless you are trying to create an avant-

base of the lashes. Release the pressure and

garde look. The thinner, shorter hairs go

move a short distance away from the base

next to the tear duct. Determine how

and reapply pressure. Repeat this technique

much, if any, of the outside edge of the

until you reach the end of the lashes.

lash should be trimmed. If the eyelash is too wide for your model's eye, prior to applying glue, trim the lashes from the outside corner. Fit the trimmed lashes

one more time before you apply glue to see if they fit properly.

Apply the glue with an orangewood stick to the inside edge of the strip. The adhesive is a contact adhesive and will work either wet or dry. To apply wet, wait about 15 seconds before applying the lash. Waiting will allow the glue to stiffen up slightly and keep the lash from roaming around on the eyelid.

4. Depending on which eye you are working on will depend on where you will have the model look. For the left eye have your model look downward and to the right. This will allow you to access to her lid without a lot of eye flutter and it will stretch out the lid perfectly for the application. Holding the lashes with your fingertips in the center of the strip and with your other hand left carefully at the eyebrow. The area just above the natural lashes will look like a small ledge. Tack the strip along this ledge, starting at the tear duct and work your way to the outer corner. Keep the lash as close as possible to the roots of the model's natural lashes without gluing it to the actual lashes.

Use the orangewood stick to gently press the strip onto that thin ledge above the

Once the strip has dried

natural lashes. At this point, make sure the

completely you can apply

false eyelashes are laying very close, or up

more eyeliner or eye color on

against, the natural lashes. There should

the top of the lash line and

not be any space between the natural

actual strip to help the false

lashes and the false lashes. Have your

lashes blend into the eyelid.

model continue to look downward until the adhesive is completely dry.

7. To properly connect the model's natural lashes with the false eyelashes, have the model look straight ahead and place the orangewood stick on the upper side of lashes as support. Then, with the #500 Brush, apply mascara by gently brushing up from the underside of the lashes. This will connect the lashes together and ensure that the lashes look good from any angle.

301 Individual lashes are designed for filling in areas of the lash line that are sparse or thin. The use of single lashes allows you to customize how full you want the lashes to appear.

201 Short flare lashes are perfect for a natural lift to the outer corners of the eyes. Flares can also be added to sparse areas to create fuller, thicker lashes.

202 Medium flare lashes are used to create fullness and length to the natural lash line. Adding flares to the outer corners of the eyes gives a "cat eye" effect and adds a touch of drama to the eyes.

106 Natural looking lash strips give the eyes subtle enhancement for everyday use or any special occasions.

107 Perfect for adding drama to any natural look, these lashes add length and fullness and can be used to create bolder eyelashes. Combine with a thick layer of mascara to really stand out.

101 These lashes are slightly angled towards the outer corners for creating seductive eyes.

102 Achieve a very dramatic look with these strip lashes. The shape of the eyelashes will make any eye look more open and rounded due to the shorter length of the hair at both corners, and longer length of hair in the middle.

103 Make your eyes stand out in the crowd using these thick dramatic strip lashes.

104 This unique style has dense short lashes and two distinct long lashes towards the outer corners to add a whimsical look to the eyes.

105 These long thick eyelashes are all about drama. They are rich and voluminous for those who really want to make a statement.

MUD // Spring Summer // Look 2016

CADENCE

Photo: Peter Giodani Art Director: Maja KeĹĄelj Make-up: Vanja Djuran @ MUD Europe Styling: Vesna Mirtelj Model: Ajda @ Immortal Model Management Special thanks to Kolezija swimming pool

1 3 5 7

Start with a clean foundation to create this fresh poolside look with correctors, cream foundation and a small amount Face Primer. Add definition with Taupe Eye Color and MUD’s #710 brush on the lower side of the cheek bone and along the jaw line.

Add that wow factor to your eyes, use MUD's #320 Brush to apply several layers of Pink Grapefruit Eye Color to the lid working it up to just below the eyebrow.

To open and define the eye, apply Taupe Eye Color along the lower lash line, blending it up into color is blended up into the lashes creating a subtle drop shadow. Also use along the upper lash line as a subtle eyeliner.

Apply Cashmere Eye Color with MUD’s #350 Brush at the inside corner of the upper eyelid and blend subtly towards the center. This color is also applied just below the eyebrows to help define the brow bone.

Apply Pink Grapefruit Eye Color with MUD’s #710 Brush to the outside edge of the apple of the cheek and work back. Layer the product for medium to dark skin tones.

For an added glow and pop of color, apply Cashmere Eye Color to the top of your cheek bone with the same brush.

To finish your "Cadence" spring-summer look, apply Idol Lipstick on the lip with MUD’s #310 brush. Start at the corners and work towards the center of the lip. This brush works beautifully to create a defined lip line.

Eye Colors // Pink Grapefruit, Cashmere, Taupe Lipstick // Idol

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2 4 CADENCE 6 MUD // Spring Summer // Look 2016

face*

CREAM FOUNDATION WB 2

WB 3

WB 4

WB 5

CB 2

CB 3

CB 4

CB 5

YG 1

YG 2

YG 3

GY 1

GY 2

GY 3

DC 5

DW 5

The Basics: From a sheer natural look to a flawless full-coverage finish, these versatile Cream Foundations are easy to apply and hold up beautifully under the most extreme conditions. Formulated for ultra-smooth blending and application. Find your perfect match and use it alone, or blend colors like the pros to achieve a specific skin tone.

DFL 1

DFL 2

DFM 1

DFM 2

DFD 1

DFD 2

DUAL FINISH PRESSED MINERAL POWDER The Basics: A lightweight pressed powder foundation that can be applied wet or dry to create a silky, smooth finish. Use dry for a soft matte look or damp for more coverage. The lightweight, talc-free formula works beautifully with all skin tones.

CORRECTOR Blue Corrector #1

Blue Corrector #2

Blue Corrector #3

Blue Corrector #4

Red Corrector #1

Red Corrector #2

Red Corrector #3

Deep Brown Corrector

The Basics: Creamy, pigment rich correctors designed to conceal and camouflage skin imperfections. The ultimate coverup for scars, blemishes, birthmarks or dark under-eye circles. Blend with Make-up Designoryâ&#x20AC;&#x2122;s Cream Foundations for a flawless, full coverage make-up.

LOOSE POWDER

BRONZER

The Basics: A finely-milled Loose Powder that creates a beautifully soft, smooth finish. So ultra-light, it stays on the skinâ&#x20AC;&#x2122;s surface without settling into fine lines. The silky-smooth formula applies evenly and comes in a spectrum of delicate tones from no color at all to a deep, rich brown. Perfect for setting foundation. A must-have to conquer shine.

The Basics: Sheer pressed powder Bronzers add a warm glow to any skin tone. Dust lightly over the entire face for just a hint of color or intensify application to create more dramatic effects. The perfect finishing touch for any look.

Sunshine (shimmer)

Shell

Buttercream

Endless Summer (matte)

Zero (Colorless) Suede

Desert

SHEER LIPSTICK

SATIN LIPSTICK

The Basics: Luscious Sheer Lipsticks in an array of translucent colors to complement any skin tone, from extra-light to rich and dark. Ultra-emollient formula leaves lips feeling soft and supple.

Eggplant (Extra Sheer)

Just Peachy

Mudslide

Pink Twinkle

Sandy Beach

The Basics: Luxurious Satin Lipsticks with emollient-rich, non-drying formula that leaves lips feeling soft, smooth and supple. Provides long-lasting color with a smooth, opaque matte finish. Available in an elegant selection of lush, deep colors. Charm

Burlesque

Idol

Soleil

Lucky

Flirt

Stargazer

Rose Clay Blackberry

Rustic

Lady Bug

Mai Tai

LIP GLOSS The Basics: Rich, luminous Lip Glosses that leave lips feeling smooth and hydrated with radiant shine. They glide on easily, never leaving lips feeling sticky or heavy. Use these slick glosses alone for a sheer wash of color or layer over lipstick to enhance the shade.

LIP PENCIL

Iced Latte

The Basics: Pigment-rich Lip Pencils soft enough to shade the entire lip, yet firm enough to line and define with precision. The long-lasting color glides on easily to complement Make-up Designoryâ&#x20AC;&#x2122;s luscious lipsticks and glosses. Creamy enough to mix colors and create your own shade.

Shine (Clear)

Henna

Brick

Mahogany

LIP GLAZE

Maple

The Basics: Light, emollient Lip Glazes deliver a burst of sheer, glossy color thatâ&#x20AC;&#x2122;s smooth and never sticky. Stash the squeezable tube in a handbag for a quick sweep of color on the go, or use a brush for more precise application. Mauve Bare

Natural

Red

Magnolia

Java

Cantaloupe

Cupid

Spicy

lips*

eyes*

EYE COLOR

Shimmer

Matte

The Basics: Vibrant and silky Eye Colors, lushly rich with pigments for long-lasting color. The unique velvet consistency allows these versatile shadows to glide on smoothly and evenly – wet or dry. Go wet for more intense, long-lasting color or to use as eyeliner.

Bone

Ice

Honeysuckle

Dulce de Leche

Daisy

Sunset

Canyon

Apricot

Sunflower

Firebrick

Cajun Spice

Bronzed

Spanish Gold

Orchid

Sienna

Galaxy

BrownStone

Cashmere

Pixie

Pink Grapefruit

Onyx

Concord

Wheat

Chamois

Pomegranate

Pink Illusion

Vineyard

Opal Sky

Sugared Violet

Pavement

Canvas

Taupe

Espresso

Voodoo

Midnight

Tinsel

Graphite

Shamrock

Semisweet

Sedona

Berrywood

Smoked Sapphire

Moss

Velvetine

Statue

Deco

Flight

Pacific

Tea Tree

(Demi-Matte)

CAKE EYELINER The Basics: A long-lasting, water-activated liner known for its precision and versatility. The make-up experts’ choice that’s perfect for everyday use. Create subtle or dramatic looks effortlessly with this professional-quality eyeliner. Go from a super fine line for everyday wear to a thicker line for more intensity. Brown

Black

EYE PENCIL The Basics: Versatile Eye Pencils soft enough to line the eyes, yet firm enough to define brows. Color glides on effortlessly, whether lining eyes precisely or shaping and filling in brows. Available in natural, pigment-rich colors to complement every skin tone.

Taupe

Auburn

Rich Brown

Black

Black Forest

Vintage

BROW FIX The Basics: Keep brows groomed and gorgeous with Brow Fix. This non-flaking gel formula sweeps on with a brush applicator for maximum precision and convenience. Squeezable tube is ideal for use in a professional make-up kit, or to create sleek brows on the go. Clear

New

VOLUMIZING MASCARA The Basics: Award-winning Volumizing Mascara, rich in pigment for even coverage and lush with fibers to maximize and lengthen for super-volumizing results. Brush applicator allows ultra-smooth application and control for individual users, whether creating a subtle daytime look or glamorous evening eyes. Squeezable tube is ideal for professionals and everyday use.

WATER-RESISTANT MASCARA

Black

The Basics: Lengthening, pigment rich Water-Resistant Mascara offers an ultra-smooth application with ultimate control for individual users, whether creating a subtle daytime look or glamorous evening eyes. Squeezable tube is ideal for professionals and everyday use.

CHEEK COLOR The Basics: Versatile powder Cheek Colors formulated with pigmentrich ingredients for a smooth, even finish. Available in a spectrum of beautiful colors â&#x20AC;&#x201C; from soft and natural to bright and bold â&#x20AC;&#x201C; that will add warmth and intensity to all skin tones.

Lemon Cream (Highlight)

Warm Bisque

Rose Petal

Bubblegum

Cool Mauve

Berry

Poppy

Garnet

Glow

Soft Peach

Pumpkin

Rose Beige

COLOR CREME The Basics: Sheer, non-greasy cheek and lip colors that add a fresh glow to the skin. Use alone to create natural warmth or over foundation for a colorful finish. Creates glowing color that appears to radiate naturally through the skin.

Tulip

Russet

Sweet Cheeks

Sun Rose

Brick

Gingerbread

MAKE-UP REMOVER TOWELETTES (40 towelettes)

PALETTE REFILL

The Basics: These refreshing towelettes leave skin feeling clean while removing all traces of make-up. No water necessary. Convenient resealable packet keeps towelettes moist and ready for use. Perfect for life on the go.

face* New FACIAL CLEANSER & MAKE-UP REMOVER The Basics: Make-up Designory's Facial Cleanser & Make-up Remover is designed to dissolve the daily build-up of dirt and make-up. The unique formula is made from a blend of natural oils and Omega Plus for maximum antioxidant protection, thus making it an ideal daily cleanser. Skin will be left feeling clean and hydrated, with no oily residue.

FACE PRIMER The Basics: Lightweight gel Face Primer works beautifully with Cream Foundations to create a flawless, long-lasting finish. Apply directly to the skin prior to foundation using a sponge or fingertips to create an extra smooth surface or mix into foundation for a creamier consistency.

cheeks*

pro*

HIGHLIGHT/SHADOW PALETTE

Light

Orange Light

Yellow Light

Shading 1

Shading 2

Shading 3

The Basics: Creamy Highlights & Shadows are perfect for contouring cheekbones or sculpting dimension into the face. Slim the face, minimize strong features and highlight cheeks or jaw with these versatile shades.

Shading 4

Shading 5

FOUNDATION PALETTE #1 The Basics: From a sheer, light tint to a flawless full-coverage finish, Make-up Designory’s series of cool-to-warm, lightto-medium shades of cream foundations are versatile and easy to apply. Formulated for ultra-smooth blending and application, coverage holds up beautifully under the most extreme conditions.

WB 2

WB 3

WB 4

WB 5

CB 2

CB 3

CB 4

CB 5

FOUNDATION PALETTE #2 YG 1

YG 2

YG 3

GY 1

GY 2

GY 3

DC 5

DW 5

The Basics: From a sheer, light tint to a flawless full-coverage finish, Make-up Designory’s series of yellow-green, light-to-dark shades of cream foundations are versatile and easy to apply. Formulated for ultra-smooth blending and application, coverage holds up beautifully under the most extreme conditions.

CORRECTOR PALETTE The Basics: Creamy, pigment-rich correctors designed to conceal and camouflage skin imperfections. The ultimate coverup for scars, blemishes, birthmarks or dark under-eye circles. Use alone or blend with Make-up Designory’s Cream Foundations for a flawless, full-coverage make-up. Available in eight refillable colors.

Blue Corrector #1

Blue Corrector #2

Blue Corrector #3

Blue Corrector #4

Red Corrector #1

Red Corrector #2

Red Corrector #3

Deep Brown Corrector

HD AIR The Basics: Developed for use with the airbrush or as a liquid make-up, this silicone-based formula creates a sheer, beautiful coverage with a dewy appearance. Works seamlessly with any MUD cosmetic product. Choose from 22 shades, many of which have been formulated to match certain MUD Cream Foundations, Cheek Colors, Highlights and Shadows. Also includes six colors for extra versatility when mixing and color-matching. Also available, the HD AIR Kit with all 22 shades included.

White CB 2

Black Light CB 3 CB 4

CB 5

Shading 4 Blue DW 5 GY 2

GY 3

Red Olive Green

WB 2 WB 3

WB 4

Mustard Tulip YG 1 YG 3

Sweet Cheeks

AIRBRUSH KIT The Basics: The HD Air System components include the MAX-3 airbrush, AC-66H Air Compressor and the airbrush cleaning station. Kits are available with or without the compressor. Can also be combined with 22 HD Air shades, many of which have been formulated to exactly match certain MUD Cream Foundations, Cheek Colors, Highlights and Shadows. Also includes six colors for extra versatility when mixing and color-matching.

CFX WHEEL #1 Black

Black, White, Olive Green and Red. This combination of colors can be used for cuts, burns and aged injuries such as bruising.

CHARACTER/FX WHEELS The Basics: The CFX/FX wheels are designed for creating a variety of injuries including cuts and bruises with a formula designed to hold up under todayâ&#x20AC;&#x2122;s extreme production environments, these innovative color wheels will help you achieve a wide range of unique character looks.

Maroon

Blue

Olive Green

Fresh Bruise

Mustard

White

Red

CFX WHEEL #2 Fresh Bruise, Mustard, Blue and Maroon. Perfect for making fresh bruises and injuries.

pro*

#900

round liner

Fine, tapered point is ideal for creating extremely thin lines when using cream or cake products

EYES

#100

round liner

Tapered point allows for a precise, even application

EYES

#210

angle liner

Fine, sharp angle is perfect for creating precise, even lines

#300

shadow blender

Small oval shape works great for Eye Color detail

FACE EYES

#320

oval shadow

Flexible oval shape allows for easy color application

FACE EYES

#330

shadow fluff

Soft, full oval shape is ideal for blending Eye Color

#340

large oval

Wide, tapered bristles allow for quick and even coverage

#350

shadow blender

Firm oval shape helps to blend and apply Eye Color with control

EYES

#800

crease

Long, tapered bristles are porous yet soft to the touch and are ideal for blending Eye Colors

EYES

#810

smudger

Dense, soft, short bristles are ideal for creating a smoky eye

EYES

#500

mini fan mascara

Small, fan-shaped bristles allow for coverage from the inner corner to the outer edge of the eye

EYES

#920

angle liner

Fine angle is ideal for applying cream products to hard-toreach areas

BROWS EYES

#310

lip

Tapered bristles are ideal for creating a precise lip line

LIPS

A travel-sized brush for lip line application on the go

LIPS

#310s lip - portable

BROWS EYES

EYES

FACE EYES

#400

narrow flat

Straight, narrow edge is ideal for under the lash line, for maximum coverage

#410

wide flat

Straight, tight edge helps to create and blend lines with precision

#510

duster

Soft fan-shaped bristles are ideal for removing powder from under the eyes and other hard-to-reach areas

FACE

#700

cheek contour

Dense bristles are soft to the touch and angled for precise, controlled contouring

FACE

#710

powder/blush

Dense, dome-shaped bristles are soft to the touch and ideal for gently gliding color onto the skin

FACE

#720

powder

Ultra-soft bristles remove and deposit powder products with ease

FACE

#910

stipple

Squared, flexible bristles are versatile and easy to manipulate to achieve a variety of character looks

#930

concealer

Tapered bristles are ideal for applying cream products to hard-to-reach areas or for creating a precise lip line

#940

foundation

Ultra-fine bristles blend cream products smoothly and evenly around the face

FACE EYES FACE

CHARACTER EYES

LIPS FACE

FACE

brushes*

MUD's Tips: // Create a flawless matte finish using a soft

velour puff with your favorite loose powder. // After adding powder to the center of the

puff, rub the two sides together and tap the excess before applying to the face.

accessories* TRIMMING SCISSORS The Basics: Trim facial hair, brows and false eyelashes with these professional stainless steel scissors.

DOUBLE POINT COTTON TIP APPLICATORS

ORANGEWOOD STICKS

The Basics: Professional quality, double sided point tip applicators are a must have for any make-up kit. The firm, pointed tips allow for precise application and blending, giving ultimate control.

The Basics: These finely grained wooden sticks are ideal for applying MUD’s false eyelashes.

TWEEZERS The Basics: These precision-crafted, stainless steel slant tweezers allow for a perfect grip for cleaning up around the brow area.

HAIR SCISSORS The Basics: These professional quality stainless steel shears are perfect for trimming natural or synthetic hair for a variety character looks.

EYELASH CURLER The Basics: Create perfectly curled lashes with Make-up Designory’s professional stainless steel eyelash curler. The specially designed arch creates an even curl without creasing. One replacement silicone pad included.

DISPOSABLE MASCARA WANDS The Basics: Create flawless lashes using Make-up Designory’s individual Disposable Mascara Wands. Universal to any lash type with a flexible tip for easy application.

POWDER PUFFS The Basics: Create a flawless, matte finish using these soft velour puffs. Specifically designed to pick up and hold powder for an even application. Available in packs of 2 or 10.

DISPOSABLE PAPER PALETTE The Basics: This wax coated Disposable Paper Palette is ideal for easy clean up in between makeup applications. Use to mix a variety of cream products together and create quick custom colors.

2 OZ SPRAY BOTTLE The Basics: Keep liquids organized and separated with Make-up Designory’s plastic 2oz spray bottles. Conveniently sized for travel and fits perfectly into any professional kit or cosmetic bag.

accessories* SET BAG

MAKE-UP CASE SET

The Basics: This durable, uniquely-designed Set Bag is perfect for organizing all of your make-up related essentials in one place for easy access. The large center compartment is surrounded by handy pockets for storing bottles and cans. A must-have for every make-up artist.

The Basics: This durable, uniquely designed case is ideal for easy access to all your make-up related essentials. A must-have for every make-up artist, the sturdy set case is perfect for travel. Two clear pouches conveniently store a variety of make-up, tools, bottles and jars.

CLEAR POUCH The Basics: A clear, durable pouch that conveniently stores a variety of make-up, tools, bottles and jars.

3-N-1 BRUSH HOLDER The Basics: This custom designed, 3-N-1 Brush Holder boasts three convenient functions, each ideal for keeping brushes organized and protected. Wear it as a waist belt for work on the go, use it as a stand-up holder for easy access to tools or simply roll it up and store your brushes safely. Durable black belt has a protective flap and several pouches to hold brushes and other essentials.

EMPTY 4 WELL WHEEL TRAVEL COSMETIC BAG The Basics: Keep personal make-up supplies organized with this sturdy cosmetic bag. It’s perfectly sized to hold professional length make-up brushes and small enough to fit into a purse, gym tote, or travel bag. Durable vinyl material is easy to clean, and ideal for everyday use.

The Basics: This empty palette has 4 compartments for cream products and is perfect for custom blending colors. The compact palette is a convenient size with a screw top to secure product.

35-WELL PALETTE CONTINUITY FACE CHART

name date

skin care cleanser

(50 SHEETS)

moisturizer make-up primer

face foundation corrector powder highlight & shadow

eyes lid crease liner eye pencil

tools

mascara lashes brows

lips

comments

lipstick gloss/glaze lip pencil

cheeks cheek color

The Basics: Note every detail while creating unique make-ups using MUD’s custom designed Continuity Face Charts. The porous paper allows for realistic blending when using make-up or colored pencils.

The Basics: Conveniently store up to 35 of your favorite lipsticks and cream products in this sleek plastic palette. Great for organizing customized colors for easy access on set.

make-up artist

PALETTE KNIFE The Basics: Stainless steel palette knife is a must-have for removing cream make-up products from pots and palettes, quickly and easily. Protects make-up from crosscontamination.

STAINLESS STEEL PALETTE The Basics: Reusable, stainless steel work palette is a must-have for blending colors and other make-up products.

MUD's Tips: // Tame unruly brows by using a clean

Disposable Mascara Wand with Brow Fix, or mix in a bit of Eye Color to give a fuller appearance.

MUD's Tips: // To create perfectly curled lashes, gradually work your way down from the base, moving toward the center and finishing with tips.

palettes* 12 HOLE EMPTY EYE COLOR PALETTE The Basics: Make-up Designory’s empty 12-Hole palette is slim and professional. This palette holds twelve MUD Eye Colors.

10 HOLE EMPTY CHEEK COLOR PALETTE The Basics: Make-up Designory’s empty 10-Hole palette is slim and professional. This palette holds ten MUD Cheek Colors.

8 HOLE EMPTY CHEEK / EYE COLOR PALETTE

* Note: Palettes are sold empty. Please see Eyes and Cheeks section for available refill colors.

The Basics: Make-up Designory’s empty 8-Hole Palette allows the user to combine six refill Eye Colors and two refill Cheek Colors. This versatile palette is great for traveling or on-set use.

4 HOLE EMPTY EYE COLOR PALETTE The Basics: This empty palette holds four of the MUD Eye Colors. This 4-Hole Palette is perfect for traveling or carrying in a make-up bag for touch-ups.

8-HOLE EMPTY PALETTE The Basics: Convenient 8-Hole Palette comes empty to make it easy to customize any combination of Make-up Designory’s refillable cream products. Reusable ecoconscious palette eliminates the need for disposable, one-use make-up holders. The experts’ choice for its versatility and smart design.

tools* PENCIL SHARPENER

TRAVEL BRUSH KIT The Basics: Now you can take your favorite make-up brushes wherever you go. This sleek, envelope-style travel brush pouch has been custom designed to hold MUD travel size brushes, including the #210S, #300S, #310S, #330S, #710S, #800S and #810 series.* The lightweight yet durable black microfiber material wipes clean, and the convenient magnetic closure keeps brushes in place during transit.

The Basics: Creates the perfect point for lip and eye pencils. Metal blade works smoothly and easily with precision. Convenient cleaning stick helps to remove product from blade and inside sharpener.

PROFESSIONAL MAKE-UP SPONGE (12 PRE-CUT SPONGES)

The Basics: Create a flawless look effortlessly with these specially designed, disposable Professional Make-up Sponges. Unique shape offers extra surfaces and density keeps cream products from absorbing into sponge. Use wet or dry for smooth, even application. Made from natural and synthetic latex.

* Note: Empty case also available

MUD Studio A place where creativity, art, beauty and knowledge are reborn

MUD Studio Gent Photography: Jorn Urbain

When architecture and design meet MUD and its Studio concept, an extraordinary place is born. A place where creativity, art, beauty and knowledge is to be seen - is it a classroom or shop, place that will overwhelm you with MUD philosophy.

Vienna,

the City of Music

Vienna’s beauty, history and its vibrant love of life were only part of the reason to open a MUD Studio here. Opened in November 2015, the Studio is located directly opposite the famous Viennese state Opera House, which is also reflected in the Studio’s interior design. The MUD Studio can educate up to 16 students at once in a private atmosphere. The fact that the classroom is on another level than the shop makes it special and private, the store customers are not disturbed by students and vice versa. We are proud that we can offer such a perfect environment for such a profound education. Our students will get to know make-up in a pleasant environment with perfect features. The Studio is working in cooperation with Vienna

Fashion Week, the famous Opera Ball, as well as the worldwide known Life-Ball, all of which will give our students the opportunity to showcase what they have learned at MUD. Vienna, the City of Music, is known for being the home of legendary composers, such as Franz Schubert, Johann Strauss I, and Johann Strauss II, along with the world's first psycho analyst, Sigmund Freud. Other greats, such as Wolfgang Amadeus Mozart, Ludwig van Beethoven, and Johannes Brahms spent a great deal of their careers living in this magical city. Vienna has the world’s best quality of living according to the Mercer 2015 Quality of Living rankings, and has some of the world’s most beautiful architecture - which has been desig-

nated a UNESCO World Heritage Site. The City offers something for everybody: it has posh clubs as well as grungy underground bars. There are five star restaurants next to vegan organic snack bars. There is the very beautiful old part of town, the historic Opera House in the heart of the city, the castle of Schönbrunn; yet with so much history to see, Vienna also has a very modern and young art scene. Museums like the Mumok (museum of modern art) or the MQ (Museumsquartier) offer so many creatives a place for art, ideas and interaction. We can proudly say that we have chosen the right spot in Austria to open a MUD Studio. We are joyfully looking into a bright future for the MUD Studio Vienna.

Get to know

MUD Europe Team

Who's behind the creative Image of Make-up Designory

Dogs from left to right: Mindy, Zum and Lily

Photo: Urban Modic

From left to right: // Polona Kopač, Visual Communications Designer // Danijel Bratina, CEO MUD Europe // Hrvoje Kožul, Instructor, Make-up Artist // Tanja Vojnović, Store Manager, Make-up Artist // Dule Djoković, Development // Liza Kudryashova, Studio Operations Manager // Vanja Djuran, Instructional Specialist, Make-up Artist // Maja Kešelj, Creative Director, VC Designer // Azra Alibegić, Instructor, Make-up Artist // Nejc Pogačnik, Production Manager // Dina Vobič, Account Manager

Get to know

MUD Europe Team Written By: MUD Staff Creativity and innovation are rarely the result of one individual, but rather the product of a dedicated and talented team. When Make-up Designory began in 1997 with three employees and a small studio, it was quickly realized that in order to be successful and truly create a new concept in cosmetics and make-up education, the team would have to focus and grow with more and more talented individuals. Over the years the MUD family began to grow, but a few years ago, MUD took a dramatic step in scope and creativity and expanded its creative team to Europe. MUD's European team is comprised of a special group of talented individuals that have been tasked with creating the visual appearance of the brand. While the US team works on new products, techniques and education systems, MUD Europe works to tell the MUD story.

That story is told by the European team's beautiful design work, unique seasonal campaigns, product photography, and innovative space design. Each year the team produces MUD Art. A magazine that tells the MUD story and encompasses what is best about the brand, the company's team members and, ultimately, its students and customers. The creative process does not stop in print for MUD's European Team. They, along with the great work of Barbara Debevec from Plusminus30, have worked to re-imagine the physicality of MUD's classrooms and retail space. The result of which has been the creation of MUD Studio; a modern, highly customizable retail space, which creates a relaxed and sophisticated environment to learn about MUD Cosmetics and a modern classroom that optimizes the learning experience.

JEFF DIDN’T CALL... IT’S HOPELESS... BUT I-I STILL HAVE MY NEW WATER-RESISTANT MASCARA...

BE READY FOR ALL YOUR EMOTIONS WITH MUD’S NEW WATER-RESISTANT MASCARA Lengthening, pigment rich Water-Resistant Mascara offers an ultra-smooth application with ultimate control for individual users, whether creating a subtle daytime look or glamorous evening eyes. Squeezable tube is ideal for professionals and everyday use.

Graduate Spotlight

Hugo Villasenor Written By: Trason Fernandes In 1968, the film "Planet of the Apes" was not only an iconic film, but it also triggered Hugo Villasenor’s first inspiration and appreciation for special make-up effects in the movies. After having a career in the dental field for close to 12 years, he decided it was time for a change. He collected all of his savings and decided to go to back to school to study what had first sparked his interest, which was to be an artist. He went on all the tours of the LA-based schools, during this time he had also stumbled upon Make-up Artist Magazine. It was the one with Stan Winston on the cover; within it there was an article that outlined the steps you would take in picking a school called, “How to Choose a Make-up School.” Through this process, a particular school named Make-Up Designory, aka MUD, caught his attention. At the age of 35, Hugo decided to take the plunge and dive into the Master Make-up Artistry program at MUD, learning all he could within his time there. Once he completed his schooling, he earned a short internship for Lenny McDonald at Edge

FX. He worked on everything from being in the shop to the experience of life on-set. Soon after that he had the opportunity to work at Creature FX, which was based on a recommendation from Lenny. His experience in shop work pulled him into working at the shop on films such as, "The Lion, the Witch & the Wardrobe". Slowly building his resume' of work; Hugo landed a job at Proteus FX. On his first Day of working there, to his surprise, he was introduced to Steve Prouty; the FX artist that was featured in a Cameo article, in that first Make-Up Artist magazine that Hugo had come across. He had the opportunity to work alongside Barney Burman and Steve Prouty for a few years. He ended up working on "Alias", "Tenacious D", "the Pick of Destiny", and many other projects. Hugo was also involved in the next feature the shop worked on, "Mission Impossible 3". Hugo remembers that during the start of pre-production of this feature at Paramount Studios, Barney was unable to make it due to illness. Hugo was sent as

the spokesperson on his behalf. He had to do a presentation for the director, J.J. Abrams, and the producers. He went over all prosthetics that were to be used on Tom Cruise and Kerry Russell for their injured looks in the film. With the industry slowing down, Hugo decided to open his own small studio M3FX. He then started taking smaller projects on his own. Why M3FX? Hugo, being a family man, was inspired to name his studio after his 3 daughters. Alterian Inc. was the next chapter in Hugo's career as an FX artist. He had the pleasure of working alongside many great artists, including Tony Gardener, the owner of the shop. Hugo worked on various sets doing make-up applications, on projects such as, "Gentlemen Broncos", "30 Minutes or Less", and Eli Roth's film, "Clown". Hugo was the department head for make-up FX for "Scout's Guide to the Zombie Apocalypse", which was his first department head credit, for a movie of that size. It was a real honor for him to have Tony Gardener trust him with such a big project. Following that, he landed a random dream job, turning Mel Gibson into a werewolf for a Halloween party. It came from a

recommendation by Steve Prouty. As a surprise to him, Hugo got a follow-up call from Mel the next year to transform him into a zombie. Hugo used to read the Fangoria Magazines and aspired to have one of his own make-ups posted within the pages. In 2015, an indie film, "Starry Eyes", got him his first nomination for a Fangoria Chainsaw Award. In 2016, he landed his second nomination for yet another Fangoria Chainsaw Award on what he considered to be his first crowning achievement as a Department Head through his own studio, M3FX. "Bone Tomahawk", a western with cannibals starring Kurt Russell, is a playground for an FX artist to be creative and bring his own ideas to the big screen. Hiring his own team, Hugo was able to bring on some great artists who each brought their own unique skills to help in the creation of the film. He brought on set his right hand, Analyn Cruz, also a MUD graduate, who assisted with all the design looks for the beauty make-ups and worked on all aspects of hair and wigs for the show. He was able to call on people from all over, including Tanner White, his backbone at the shop, & Steve Costanza was his on- set go-to artist. Hugo looks excitingly to further his career, and continually builds himself as an artist. He is constantly learning on every job along the way. Hugo’s words of wisdom for any aspiring artist are, “Never turn an opportunity down, you never know what’s in store for you around the corner.”

Industry Speaks Written By: Deverill Weekes

Each week MUD hosts some of the most outstanding artisans in their fields. These four examples demonstrate some of the talent we are fortunate to have meet with our students.

Kevin Haney

Denika

Kevin Haney is an Oscar winning make-up artist (DRIVING MISS DAISY) who started his career in 1982. Some of his well-known movies include THE SHAWSHANK REDEMPTION and ADAMS FAMILY VALUES. More recently his work can be seen in CAPTAIN AMERICA: THE WINTER SOLDIER, DIVERGENT and STAR TREK BEYOND. He was a direct protégé of Dick Smith, who he credits with changing his life. He remains a leader and an innovator in the Industry.

Celebrity make-up artist Denika Bedrossian is well known for her intricate liquid eye liner and defined cat eye. She has always had a passion for beauty, glam, music and fashion. With well over a decade of experience under her belt, Denika's extensive knowledge of makeup has allowed her to master the art of enhancing natural beauty. Not only is Denika well known for her unique style and vivacious character, but she also has a reputation for perfecting the face through contour, highlighting and blending. Her modern techniques, fused with her 50's inspired style, leaves her clients looking classic and unforgettable.

First Film/Project: ALTERED STATES Film/Project that you worked on that changed your life: ALTERED STATES (I owe Dick Smith everything.) Most recent project: FLO'S FAMILY PROGRESSIVE commercial.

Bedrossian

First make-up project: It was probably in high school when all my friends asked me to do their make-up for the formals, but my real first Industry project was CRAZY TOWN music video MANY years ago, lol. Film/Project that you worked on that changed your life: I think every project changes and affects my life or career in some way. I’d say the greatest change I had at the beginning of my career was leaving MAC to work with the PussyCat Dolls. Most recent project: Currently, I’m working on loads of things, which include PROJECT RUNWAY JR. with Kelly Osbourne and a new online magazine launch in New York.

Kim Ayers

Mike Mekash

A native of Southern California, Kim Ayers is an accomplished make-up artist in the entertainment industry. Kim has over 40 feature film and television credits which include IRON MAN 2, THERE WILL BE BLOOD, PIRATES OF THE CARIBBEAN: ON STRANGER TIDES, ANGELS AND DEMONS, STAND UP GUYS AND JOHN CARTER. She continues to lend her talent to the hit show AMERICAN HORROR STORY, where her dedication and attention to detail, have earned her multiple Emmy award nominations and two wins.

Mike Mekash was born in Seattle, Washington. He is a three-time Emmy award winning make-up artist, who has been working in the Industry for over 15 years. His amazing work can be seen in the iconic AMERICAN HORROR STORY. Some of his other credits include THE NORMAL HEART and GLEE.

First film/Project: JUST A LITTLE HARMLESS SEX

Film/Project that you worked on that changed your life: Besides the obvious being ALPHA DOG, where I met my beautiful wife Eryn, I would have to say it was THE STONING OF SORIA M, which allowed me to travel to the Petra in the Middle East country of Jordan. It was a real eye opener, not only to see places I'd only seen in pictures, but also to experience how people live there. The subject matter of the film was such that it could bring a change in thinking globally. What we do in this Industry can have a profound effect on people. That made me proud of what we do.

Film/Project that you worked on that changed your life: I have two projects that changed my life. First was FAST AND FURIOUS TOKYO DRIFT. I showed up to day check for John Blake and ended up being his Key for that film and five others over the next five years. The second was JOHN CARTER. It was an amazing experience working for Bill Corso. I also met Eryn Krueger Mekash on that film. This where the whole AMERICAN HORROR STORY fun began! Most recent project: AMERICAN HORROR STORY: HOTEL

First Film/Project: I was on set first for a movie called TORQUE, applying tattoos to Jamie Presley and Ice Cube.

Most recent project: GUARDIANS OF HE GALAXY 2, which is basically a dream come true for me. I'm a big science fiction fan!!

A new year, a new store in Belgium and a new collab! Photographer: Barbara Zwerver Model: Ashley Galeyn Hair: Stefanie Lisabeth Make-up: Nathalie Baert for MUD Styling: Laurence Morel Artwork: Thomas Van Hoof & John Noseda shop.makeupdesignory.be www.superfox.be @wearesuperfox

It’s not a coincidence that MUD Belgium bundles it’s strengths with fashion label Superfox: both brands have the same work ethic to perfection. The result? A range of shirts and sweaters with catchy make-up minded quotes. The name Superfox comes from the English word ‘foxy’. A well thought name for a clothing label that wants to present something new. The target audience? Young women who stay true to themselves and don’t really care of what other people think. Ladies who are independent, contemporary and maybe even a bit stubborn. Girls who are interested in fashion and that can appreciate the importance of a beautiful make-up.

For contemporary girls And let that be just the target audience of MUD, the undisputed number one in make-up education. A unique number one because MUD makes a striking combination of the retail of their products and the educational part of their school. Every sale goes together with a well-founded step-by-step from the MUD make-up artist on how to use the product on it’s best. This combination of product knowledge is essential.

Fashion and make-up: the perfect match When MUD’s Belgium founders Gianni van Dort and Nathalie Baert met Superfox - founders Laurence Morel and John Noseda everything clicked right away. "Laurence and John are people who want to do everything perfect. Just like us. They won’t cooperate with just anyone. The story has to be right for both sides. And it was immediately the case. Both brands match very well together."

Black, white, colored or vice versa The new clothing line consists of good and honest quality white and black T-shirts and sweaters with catchy quotes from the makeup world. All garments are made from cotton. Curious? The collection comes from the 1st of February. The collection is made in limited quantities, so get yours now! There will also be a eye color palette launched at the same time. Keep your heads up! Ordering is possible at all MUD Belgium stores and it’s online webstore.

The official make-up sponser for

Mercedes-Benz Fashion Week Ljubljana

What began in 1996 with the Mercedes Australian Fashion Week, is now an internationally recognized chain of fashion weeks in wonderful cities like Miami, Berlin, Sydney, Istanbul, and, yes, Ljubljana. The new Ljubljana show was in- October 2015. MUD was fortunate to provide the hair and make-up department which included a team of creative make-up artists from MUD Studio Ljubljana, make-up artists from MUD Studio Belgium and MUD graduates. Premiering to high expectations, MBFW utilized beautiful models to highlight the work of fashion designers to a prestigious group of fashion editors and others from the fashion community. Using the beauty of

Ljubljana, more than a dozen domestic and international fashion designers presented their Spring & Summer 2016 Collections. The first challenges started two months prior to the event. The starting conversation included the determination of dates and times for each show, the number of designers, the number of models, and consequently the number of make-up artists. The designers sent reference photos of desired make-ups, with a description of their collections, to emphasize the looks they would demand. Some had clearly defined corporate designs, while others provided starting points, allowing our team to design the looks.

The most intense time is the last two weeks before the event, where our time was consumed with practice and rehearsals. Looks were created, models and artists were readied for the number of clothing and make-up changes. And, make-up artists and hairstylists practiced over and over, because when the show started, there was no time to think about anything else. Before leaving for the runway, as the models lined up backstage, the atmosphere at the moment was very inspirational. All of the work was done with one goal, to make a great impression on the audience. Events like Fashion Week are a great challenge for everyone, the models, the design-

ers, the dressers, the make-up artists and the hairstylists. But, throughout the work, you have the opportunity to meet many new people within the fashion industry. Hard work, and an outstanding result, is the way professionals network. On behalf of the entire MUD team, we are very grateful for the opportunity to demonstrate our skills, and we're pleased to know that we are being invited to the next show, in the Spring of this year. We already know it will be even better, and very different, from the last one.

1st day

Sportina XYZ

2nd day

Marko Mitanovski

3rd day

JSP /Jelena & Svetlana ProkoviÄ&#x2021;/

*looks

Mêhlê

Nataša Hrupič

Petja Zorec

Peter Movrin

Photo: Peter Giodani, Jani Ugrin, Iztok Kurnik

Madame Demode & Dioralop

Verena Schepperheyn

Anja Dragan

Dajana Ljubičič

Akultura

4th day

*looks

Iceland The Next Best

Thing to Landing on the Moon Written By: MUD Staff Make-up Designory (MUD) opened it's first MUD Studio in Iceland on October 5th, 2015. This Studio is located in the brand new town center of Gardabaer, in the Reykjavik area, only a 15-20 minute bus ride from Reykjavik Center, and a 25-30 minute ride from the fabulous Blue Lagoon. The owner of the Studio, Kristin Stefansdottir, and school director, Anna Maria Gudmundsdottir, happily welcomed guests to the Grand Opening event to enjoy the catering and to learn about what MUD stands for. It is their vision that with MUD they are bringing make-up education to a whole new level in Iceland.

Classes are taught by international MUD instructors. The first instructor to arrive in Iceland was Mr. Hrvoje Kozul - an experienced artist and instructor from Croatia. Level I and Level II Courses have already begun and Level III Courses will begin in March, 2016. Graduates from the first class have already worked on make-up projects for large events, including the Opera in Harpa, Reykjavik. Day and evening classes are offered year round. Iceland is both a cool and a hot place to visit - virtually and physically. Under the ground boils hot lava that heats up pools and houses. Downtown Reykjavik, boils with nightlife, music, and exotic foods.

In the photo above: on the right is Kristin Stefansdottir â&#x20AC;&#x201C; the owner of MUD Studio Reykjavik and on the left is Anna M. Gudmundsdottir, the school master.

Iceland is only populated with 350,000 people, most of them live in Reykjavik and adjacent towns, like Gardabaer - where the MUD Studio Reykjavik is located. The country is now very popular year round with tourists who want to explore Iceland's vast beauty and wild nature. If you go to downtown Reykjavik, you are more likely to meet people from your own country than Icelanders.

The glacial lagoon is a great place to visit, with floating icebergs that come from VatnajĹ&#x2018;kull, the largest glacier in Europe.

MUD on tour with

the Voice

of Germany

Written By: Ellen Kara Late last year Make-up Designory, through its MUD Studio in Berlin, partnered with the German franchise of the international show “The Voice”, to help with their make-up and hair needs. Fortunately for two recent graduates of MUD Studio Berlin the “Voice of Germany” entered its final two weeks of production and was in need of a make-up and hair team. Adding to their background as hairstylists, Alla and Leon had just completed both Level I and II, and were the perfect choice for the assignment. Kicking off their new careers, for two weeks the duo traveled with the show on tour providing hair and make-up to the eight finalists. Long days, great music and enthusiastic fans made this a truly unique and special experience for Alla and Leon. As the photos here show, we were fortunate to get a glimpse into their on tour life. Peeking behind the scenes to see all that is involved in a large production. Huge TV screens not only showed the contestants and the great work of Leon and Alla, but also allowed MUD to spread its name. A special congratulations goes out to Alla and Leon, and a “thank you” to the Voice for allowing MUD to be part of such a special event.

How was it being on tour, what where your days like? We spent the nights on the tour bus. That is 15 people in a very small space, with the beds, TV, Playstation, food and drinks. We shared our bus with the performers and two cooks. You can imagine this was stressful, but a lot of fun! Each morning we were greeted backstage by a freshly prepared breakfast.

What has particularly impressed you? After breakfast, we set-up stations for hair and make-up, and cleaned our gear. In the early afternoon all of the talent started to drop in. The time was always very limited, and often had to be affected for sound checks and vocal coaching. But we always managed to send everyone back onto the stage in marvelous style. During the show, we were always backstage, having to constantly refresh the make-up and hair. Sometimes there were tears by the performers, that meant a make-up had to be completely re-done - and in a max of 5 minutes. It was never boring. Hairstyles were also changed repeatedly. We even helped with dressing, because sometimes there was only one song in between a performance to get the singer completely restyled and back on stage. After the show, everything was packed up, and off we went to the next town. Back on the bus, we spent our nights talking, laughing, watching movies, and getting a glimpse what the saying "living on the road" might be all about. We spent a few free days in nice hotels, and everyone enjoyed some well deserved free time.

That 50 people, who permanently live together, can have so much fun, while maintaining a strong work ethic for weeks on end. It was great to see how much passion everyone put in their jobs. The endurance of the Foundations, and the overall quality of the Make-up Designory Cosmetic Products, were outstanding! We already had intensive experience "in normal" situationsâ&#x20AC;Śbut the use of "our" products on stage, with the uncertain factors, such as lights, heat, perspiration, and movement, was beyond our expectations. We could focus on our techniques, and let our creativity fly, because we did not need to worry about the quality of the products we depended upon.

Was it how you imagined it to be backstage, as a make-up artist? Leon: "Yes! And even better! There was very little time, a lot of hustle and bustle, and very high demands. But, you have to really go for it - to enjoy it. I would like to go on the next tour immediately. That was one of the craziest things I've ever done in my life! "

Alla: "As a child, I often dreamed that I may eventually experience this kind of backstage life. I was curious to find out what it feels like to be part of a " tight-knit tour family". It was very exciting for me to find out that I am strong enough for it. Every day was something special for me, and I was very happy that I was able to experience it all."

What challenges did you encounter? The biggest challenge was the lack of time during the show. The artists were sweaty after each song, make-up and lipstick had to be replaced, and the hair had to be rearranged. But, we both always stayed very calm, and we did not let ourselves be infected by the pressure of the show. That helped a lot, and was recognized by the performers, and they credited us for our efforts.

In which situations did you think back to your time in class? First of all: thank you to our teacher, Azra! We heard your voice in our heads, and it helped us to push through every situation where we were unsure. There's a difference whether make-up is for the stage or the everyday life, and the different approach was well taught to us in our specialty courses, such as Studio Make-up or High Fashion Make-up. This meant, for instance: Don't be shy to use colors, or to put in greater contrasts, and to use a much greater emphasis than used in natural day looks.

Is there something that was particularly difficult - unlike in the course? Or easier or better? Alla: "Actually, only the first day - when we didn't know what we had to do, or how long we had to do it, or even how such a show works at all. I think that was the hardest part."

Leon: "It was great to have the sole responsibility for such a job. That made us proud. No time to be scared - we needed a plan and to work clean, fast and methodically. So, 45 minutes, like we had in the Final Exam, for a whole Face sounds like a LOT of time to me now!

How will your experience change the way you work, now that you have come to know Backstage Live stage and life? We now have a lot of practice in one of the core teachings of MUD - to work quickly and clean at the same time. We did not expect so challenging and responsible a job so early in our carrier. This has shown us that you can aim high and never lose sight of your goals. Continue to learn, be open to new challenges, and, always love what you are doing.

And to put it in a practical list: Prepare a plan! Work tight, clean and fast. Stay calm! Help your team mates.

The Art of Arts Being inspired by an artist or art period is not about duplication, it is about expressing one's own unique interpretation of their work. Photo: Peter Giodani Written by: Vanja Djuran

After the Medieval period, where the human face was captured with very little movement or expression, came the Renaissance era, where women's beauty was looked at with a completely different perspective. For this look, pale ivory skin was used with a touch of glow above the cheeks. Eyebrows were

Renaissance 14th - 16th centuries

intentionally left natural, no mascara was used and lips softly defined. Modern, clean styling. The sophisticated hair line placed in the center brings the natural beauty of the model to another level. Is she happy or sad, was Da Vinci's Mona Lisa smiling? That is the beauty of personal interpretation.

Highlight & Shadow Palette Eye Colors: Bone, Taupe Cheek Color: Rose Petal Lip Pencil: Natural

Baroque/Rococo 17

- 18th centuries

The Baroque era was focused on religious matters, formality and dramatic expression. This period provoked the birth of the highly decorative art movement, Rococo. Towered powdered hair, lace, floral dresses and pastel colors blurred the lines between photography and canvas. The rouged cheeks, pouty flesh lips, powdery face, and unblended brush strokes in this look represent a metaphor between hedonism and a fairy tale, much of what was captured in the European upper class pictures at that time.

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Highlight & Shadow Palette Cheek Color: Pumpkin Color Creme: Tulip Eye Color: Sedona Loose Powder: Zero

Art Deco 1920 - 1930 s

The inspiration for this look was inspired by Tamara de Lempicka, the first female artist and a glamour star, "the baroness with a brush". Her work is hugely influenced by Cubism, yet stylized with the proficiency of Art Deco. Strong contouring using highlights and shadows, drawn with wide strokes, yet still connecting them with softly blended lines was a challenge in designing this look. Today, exaggerated reconstruction of the eyes is often used in fashion make-up, so there is no doubt why she was considered the most fashionable portrait painter and admired among Hollywood stars and haute bourgeoisie.

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Highlight & Shadow Palette Eye Colors: Pavement, Onyx, Semisweet, Bone Lip Pencil: Mauve Lipstick: Mai Tai

Pop Art 1950 - 1960 s

The use of Fauve, primary red and blue colors, in this look are indicative of Andy Warhol's experiment with the technique of silkscreen printing, a technique which was used for mass production. Prints, such as the original inspiration for this look, had hard defined edges where the shadow was strongest, hence the use of black for accentuating the eye creases, corners of the lips and its wrinkles. This is why this look appears to be more two dimensional. Popular culture and celebrities, such as Marilyn Monroe, were often present in his work.

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CFX Wheel #1: White Color

Make-up & Hair:

CFX Wheel #2: Blue Color

Vanja Djuran @ MUD Europe

Models: Prisha, Lara @ Immortal Model

Lip Pencil: Red

Art Director: Maja Kešelj

Management, Maša Erčulj, Iva Murovec

Cheek Color: Bubblegum

Photo: Peter Giodani

Special thanks to The Academy of Fine Arts

Cake Eyeliner: Black

Styling: Nina Jagodic

and Design of the University of Ljubljana

Unique Experience of MUD Studios

Just If you want to learn make-up, MUD has many international locations you can choose from. The classes are presented in English by highly qualified instructors, who have extensive, in-depth training. It's not just about the make-up. Attending MUD classes gives you the opportunity to travel.

So, if you'd love to see Iceland, now is your chance to visit this beautiful, unique country. Or, if you prefer cities, you can visit multicultural Berlin, fashionable Milano, or, perhaps, Ghent, with its beautiful architecture. If you prefer a warmer climate, then maybe Egypt is for you. It's up to you: learn, travel, and find adventure. Discover a new world!

Go!

Make-up Designory Los Angeles 129 S. San Fernando Blvd. Burbank, CA 91502 818 729 9420 reception@mud.edu www.mud.edu

MUD Studio Los Angeles

MUD Studio New York

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Make-up Designory New York 65 Broadway, 15th Floor New York, NY 10006 212 925 9250 reception@mud.edu www.mud.edu

MUD Studio Slovenia Rimska cesta 13 1000 Ljubljana Slovenia, Europe +386 1 6200 348 info@mud.si www.mud.si

MUD Studio Ljubljana, Slovenia

Ljubljana is a city for strolling, chilling, eating, drinking, getting lost down winding lanes and admiring the grand architecture. The position of Slovenia is perfect: youâ&#x20AC;&#x2122;ve got the seaside, Alpine peaks, rolling hills and sparkling rivers and lakes. The locals joke that in May you could spend the morning skiing on the snowy peaks and then spend the afternoon swimming in the sea.

MUD Studio Vienna, Austria

Vienna â&#x20AC;&#x201C; the heart of history, beautiful architecture and rich culture in Europe. A city with more than 1500 years of tradition, beauty and style. Known as the City of Music and Museums, Vienna offers many cultural possibilities for tour-

MUD Studio Vienna Opernring 9 1010 Wien, Austria +43 1 5810443

ists coming from all over the world. The perfect mixture for amazing moments, impressive memories and the feeling that you just want to stay forever.

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MUD Studio Gent Brabantdam 63 9000 Gent +32 (0) 800 62 440 gent@makeupdesignory.be www.makeupdesignory.be

MUD Studio Gent, Belgium

Gent has been a Flemish Village since before the Roman Empire, and has seen all of history since then. The architecture of the 18th and 19th centuries, as well as its wonderful wonderful museums throughout the city, makes Gent a beautiful tourist location. The MUD Studio feels the grandeur of the city, reflects the development of music and theater, and the many festivals, and gives students the opportunity to develop their own creativity to add to Gent's colorful lifestyle.

MUD Studio Kortrijk Casinoplein 5 8500 Kortrijk +32 (0)800 62 440 kortrijk@makeupdesignory.be www.makeupdesignory.be

MUD Studio Kortrijk, Belgium

Kortrijk dates from Roman times, when it was called Cortoriacum. The town is encircled by remnants of ancient walls. Located in Kortrijk are a castle, a belfry tower, a 16th-century town hall, the Gothic Church of Our Lady, completed in 1211. Nowadays, Kortrijk is a very dynamic city of about 80.000 inhabitants with a solid entrepreneurial image and flair.

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MUD Studio Antwerp Kammenstraat 62 2000 Antwerpen +32 (0)800 62 440 antwerpen@makeupdesignory.be www.makeupdesignory.be

MUD Studio Antwerp, Belgium Besides the many historical buildings that are reminiscent of the cityâ&#x20AC;&#x2122;s heyday in the 16th century, Antwerp boasts a lively shopping and entertainment scene as well as many cultural attractions. The city also has a myriad of beauty spots, quiet courtyards, squares and secret gardens where you can relax. The Botanical Garden on Leopoldstraat is a haven of peace and quiet, but also home to 2,000 rare and remarkable plants.

MUD Studio Kharkiv, Ukraine

Our MUD Studio is located exactly in the heart of Europe at the 50th parallel north. We welcome every creative person to take part in our events, classes and image

MUD Studio Ukraine Art Arena Ltd. Ivanova str. 7/9 Kharkiv, 61003, Ukraine +38 (057) 755 1 777 info@mudukraine.com

days. Our team, that includes professional make-up artists and photographers, will help everyone to get the full beauty look and great portfolio.

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MUD Studio Berlin, Germany

MUD Studio Berlin Oderberger Str. 48 10435 Berlinâ&#x20AC;&#x2039;, Germany +49 (0)30 23906900 hello@mud-studio.de www.mud-studio.de

Berlin is a vibrant, exciting city with so many varied and distinctive neighborhoods & iconic history all around. You can discover people, culture, life styles, world views, religion and of course great food at all levels and from every corner of the world. Also - we offer a very diverse art & nightlife scene that contains everything - from inspiring to crazy (and sometimes questionable). But we combine this with are very organized public transport system and well signposted and illuminated paths. So nobody gets lost and can explore our city safely. Berlin is an excellent place to test the openness of your mind and heart, to be inspired by the declining palaces of by-gone eras as well as the shiny new technology of modern Europe.

MUD Studio Milan, Italy

MUD Studio Milano Via Casale 3/a 20144 Milano, Italy + 39 02 45 48 51 23 info@muditaly.com www.muditaly.com

Twice a year the worldâ&#x20AC;&#x2122;s media and star system flock to the city to attend the fashion shows of the most iconic couture brands â&#x20AC;&#x201C; the ideal environment for a fashion make-up full immersion. Milan is saturated with popular bars and clubs that can suit all tastes, mainly concentrated in the Navigli area, right where the MUD Studio was born. With the Expo 2015, Milan has reinvented itself into a global and modern metropolis.

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MUD Studio Reykjavík, Iceland

MUD Studio Cairo, Egypt

MUD Studio Reykjavík Sjavargata 12 Gardabar 225, Iceland iceland@mudeurope.com

MUD Studio Cairo 6A Lebanon Street Mohandseen, Giza, Egypt +201099999399 info@mudegypt.com www.mudstudio.me/cairo

If you can't afford a visit to the Moon, Iceland is a very reasonable second choice. The nature of Iceland is spectacular with Nordic lights, hot springs, waterfalls, volcanoes, glaciers and exceptional contrasts in landscape and environment. Weather is unpredictable and changes frequently - if you don't like it, just wait a few minutes. The first Scandinavian MUD Studio is located in a brand new shopping square, just one short bus ride from the lively Reykjavik Center and only a 30 minute drive from the Blue Lagoon. Supermarkets, The more you visit Egypt the more you’ll sense hospi-

restaurants and cafes are within walking distance from

tality and generosity. Don’t be surprised if everybody

school. There are many Airbnb options only one bus

you meet or pass by offer you tea and food for free.

line away from the school.

Beaches are simply stunning, with crystal clear waters, warm sand, and amazing views. The Great Pyramids of Giza are some of the most famous manmade objects in the world. MUD Studio is located in Mohandeseen, the fashion center of this vibrant city which also serves as the nation's capital.

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MUD Studio Cluj-Napoca, Romania

MUD Studio Lagos, Nigeria

MUD Studio Lagos 12B Fatai Idowu Arobieke Lekki Phase 1 Lagos, Nigeria +234-70829-78030 info@mudnigeria.com www.mudnigeria.com

Often referred to as Nollywood, Lagos is the center of the Nigerian movie industry, which is the second largest film industry behind only Hollywood. Lagos is also MUD Studio Cluj-Napoca Piata 1 Mai, nr.1-2 400058 Cluj-Napoca +4 0264 442 110 info@mudstudio.ro www.mudstudio.ro

famous for its music scene, giving birth to a variety of styles such as highlife, juju, Afrobeat, fuji and Nigerian hip hop. If the stunning coastline of wide golden beaches, jagged cliffs and crystal clear waters donâ&#x20AC;&#x2122;t charm you, the historical monuments and lively nightlife are perfect for any visiting tourist.

Cluj, the current European Youth Capital, has become a source of creativity, innovation and research. Each week there is a film festival, an opera, a concert or a theater production taking place. Amazing opportunities await you in the middle of a dynamic and vibrant cultural life! All courses here are also certificated by the Ministry of Education and recognized in any European Union country. The courses are taught both in Romanian and English languages to motivate students to integrate better and to be able to work worldwide.

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MUD Studio Manila, Philippines Manila, the Pearl of the Orient, is one of the centers of cultural and commercial life for the Asian Pacific world. For 500 MUD Studio Manila C235 2nd Floor Fort Bonifacio Global City Taguig 1634 +1 6326591952 www.mudstudio.me

years, Manila has been a pivotal point of shipping between Asia, America, and the rest of the world. For the past forty years, Manila has been a center for tourism, film and television, music, art, architecture, and advertising. MUD Studio Manila cultivates a new generation of creative artisans who will enhance the history, beauty and glory of the Asian world.

MUD Studio Sandton, South Africa

Johannesburg is South Africaâ&#x20AC;&#x2122;s business province, where the hustle and bustle each day has a soulful entity that expresses individuality, yet hums the underlying tune of a culture that celebrates the country's unity. South Africa is the rainbow nation! One can find all kinds of skin types and tones coming together under a warm African sky.

MUD Studio Sandton Shop 53, Morning Glen Mall Corner of Kelvin & Bowling Gallo Manor, Sandton Johannesburg, SA +2711 656 0120 mudstudio@mudsa.co.za www.mudsa.co.za

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MUD Studio Guatemala City, Guatemala MUD Studio Guatemala Avenida Las Americas 13-37, Zona 14 Ciudad de Guatemala, 01014 Guatemala +502 2484-7144 info@mudguatemala.com www.mudstudio.gt

Locally known as “Guatemala” or “Guate”, our city is the capital and home of the Icaro Film Festival where independent films produced in the area are debuted. Guatemala has recently been awarded as “Iberoamerican Capital of Culture” for 2015. Our country is rich in culture, architecture, natural resources and development. We have the distinct advantage as the only professional make-up academy with international certifications in the area.

MUD Studio Mexico City, Mexico

MUD Studio Mexico City Corregidores 1515 Piso 4 Lomas de Chapultepec Miguel Hidalgo CP11000 México, DF. + 52 55 55 40 07 48 info@mudmexico.com www.mudstudio.mx

The MUD Studio in Mexico City is located alongside offices of the federal government and respected museums. Students from all over come to attend schools in this area. Also known as the Mexican Venice, the Xochimilco is a great place for tourists to ride the canals and explore small villages just outside the city. The historic museum and birthplace of legendary Mexican painter Frida Kahlo, sits in the Colonia del Carmen neighborhood of Coyoacan.

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MUD partner schools Aesthetics Science Institute Latham, NY www.aestheticscienceinstitute.edu

Capri Learning Center Nanuet & Newburgh, NY www.caprinow.com

Avenue Five Institute Austin, TX www.avenuefive.com

Career Academy of Beauty Garden Grove, CA www.caofb.com

Beau Mond College Portland, OR www.beaumondcollege.com Bella Torre Academy Honolulu, HI www.bellatorreacademy.com Bellus Academy El Cajon, CA www.bellusacademy.edu/elcajon Bellus Academy Manhattan, KS www.bellusacademy.edu/elcajon Bellus Academy National City, CA www.bellusacademy.edu/nationalcity Bellus Academy Poway, CA www.bellusacademy.edu Blake Austin College Vacaville, CA www.blakeaustincollege.edu Blossom Kochhar New Delhi, India www.bkccad.com

Simi Valley Adult School of Cosmetology Simi Valley, CA www.simi.tec.ca.us

Eric Fisher Academy Wichita, KS www.ericfisheracademy.com

Summit Salon Academy Tampa, FL www.summitsalonacademytampa.com

Gould's Academy Memphis, TN www.gouldsacademy.com

Tennessee School of Beauty Knoxville, TN www.tennesseeschoolofbeauty.com /mud-partner-school

Hair & Beauty Academy Dubai, UA www.hb-academy.ae John Amico School Of Hair Design and Aesthetics Crestwood, IL www.johnamicoschoolofhairdesign.com Medi-Visage Lda Leiria, Portugal www.visage.pt Metro Beauty Academy Allentown, PA www.metrobeautyacademy.edu Montana Academy of Salons Great Falls, MT www.montanabeautyschool.com

Brown Beauty Barber School Bessemer, AL www.brownbeautybarberschool.com

New York Institute of Beauty Islandia, NY www.nyib.edu

Callas Beauty Institute Rio Rancho, NM www.callasbeauty.com

Penrose Academy Scottsdale, AZ www.penroseacademy.com

MUD contact

Salon Success Academy Upland, Riverside, Redlands, Fontana & Corona, CA www.gotobeautyschool.com

USA Make-up Designory USA 129 S. San Fernando Blvd. Burbank, CA 91502 818-729-9420 www.facebook.com/makeupdesignory www.facebook.com/mudschools www.mudshop.com www.mud.edu

The Beauty Institute Philidelphia, PA www.tghairacademy.edu TSPA - Altoona, PA www.tspaaltoona.com TSPA - Colorado Spring, CO www.tspacoloradosprings.com TSPA - Dallas, TX www.tspadallas.com TSPA - Grand Junction, CO www.grandjunctionbeautyschool.com TSPA - Iowa City, IA www.tspaiowacity.com TSPA - Madison, WI www.tspamadison.com TSPA - Onalaska, WI www.salonproacademy.edu TSPA - Tonowanda, NY www.tspabuffalo.com TSPA - Winnipeg, Canada www.tspawinnipeg.com

Europe Make-up Designory Europe Rimska cesta 13 1000 Ljubljana Slovenia, Europe +386 1 6200 348 info@mudeurope.com www.facebook.com/mud.eu www.mudeurope.com shop.mudeurope.com

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Pureness of Beauty

MUDâ&#x20AC;&#x2122;S NEW FACIAL CLEANSER & MAKE-UP REMOVER Make-up Designory's Facial Cleanser & Make-up Remover is designed to dissolve the daily build-up of dirt and make-up. The unique formula is made from a blend of natural oils and Omega Plus for maximum antioxidant protection, thus making it an ideal daily cleanser. Skin will be left feeling clean and hydrated, with no oily residue.