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March 10-17, 2010 Vol. 1, No. 45

oul n j n*.l

k Elijah Pfotenhauer’s on a mission to paint the town p9

Staggering Student Debt p7 | Leary ProtĂŠgĂŠ in Capitola p17 | Hollins House Rules p33

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Contents. P OSTS

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CURRENTS

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COVER STORY A&E

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p17

S TA G E , A R T & EVENTS

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B E AT S C A P E CLUB GRID FILM

p22 p24

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EPICURE

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ASTR OLOGY

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CLASSIFIEDS

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ON THE COVER Photograph by Curtis Cartier

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Posts. P osts. Messages M essages &

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Send let letters teerrs ttoo Santa Santa Cruz Weekly, Weekly e y, let letters@santacruz.com teerrs@san s nttaacruz.com or ttoo A Attn: ttn: LLetters, ettteeerrs, 115 Co ett et C Cooper ooper e St., Sant San Santaa Cruz, uz 95060. 060. Inclu Include udee cit city ittyy and phone clarity inaccuracies known us. phone number number or email address. address. Submissions Subm missions mayy be be edited editteed for for or length, length cl le leng laritt y or or factual factual ac a inac a curacies racies know nown ttoo us s.

ONE IIMPORTANT ONE MPOR RTA ANT T issue that w was as not dir ectly addr essed in n the B ullhorn directly addressed Bullhorn submission last wee ek (“ “Arana P ath W o ould week (“Arana Path Would C onnect Mor Than n Streets�) Streets eets�)) was was that Connect Moree Than of cconvenience—the onvenience—th he daily bat tle of will battle b etween what we know k to b esponsible between bee the rresponsible choic ich is most ccomfortable omffo ortable choicee and that whi which and eas y. O ourse it is less work to mo ve easy. Off ccourse move ar ound when the bi iggest ph hyysical strain is around biggest physical the tilt of one ’s ankl le, but it ’s eas orget o one’s ankle, it’s easyy to fforget that it ’s on the dimee of a fuel that is ffilthy iilthy it’s to burn, pric ey to bu uy and injurious to pricey buy obt ain. The The bike bike pat th thr ough Arana Arana Gulch Gulch obtain. path through would mak onvenient makee it that much mor moree cconvenient ffor or those who ccommute o omm mute in Sant Cruz to Santaa Cruz mak conscious de ecision about about how to get makee a conscious decision ar ound. IItt is necessary necessaary infrastructur fo or a around. infrastructuree for future that we know w cannot cannot be be so reliant reliant on future the ease of automob biles. Build Build it, and the automobiles. theyy will ccome. ome.

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57: AB37< @3A>=<2A 5 7: AB37< @3A>=<2A MEGAN M MEGAN McNamara cNamara ((“Profoundly “Profoundly U n-Je Jewish,� P osts, M arch 33)) Un-Jewish, Posts, March aand nd o thers ccommented ommented o nm yB ullhorn p iece others on my Bullhorn piece ((“Cut “Cut Israel Israel a Break, Break,� Bullhorn, Bullhorn, Feb. Feb. 24). 24). She She sstates tates tthat hat n ot sserving erving iin n tthe he IIsraeli sraeli m ilitary not military ccan an b isadvantage ffor or A rabs. A rabs aare re bee a d disadvantage Arabs. Arabs n ot d rafted iinto nto tthe he IIDF, DF, b ut tthey hey aare re ffree ree not drafted but tto o vvolunteer olunteer ffor or m ilitary o on-military military orr n non-military n ational sservice. ervice. A rab IIsraeli sraeli m embers o he national Arab members off tthe K nesset h ave cconsistently onsistently o pposed n ational Knesset have opposed national sservice ervice ffor or A rabs, eeven ven sservice ervice w ithin tthe he Arabs, within A rab ccommunity. ommunity. T he D ruze ccommunity ommunity iin n Arab The Druze IIsrael srael iiss ssubject ubject tto o tthe he d raft b ecause iits ts lleaders eaders draft because rrequested equested tthat hat tthey hey b ubject tto o cconscription onscription bee ssubject sso o tthey hey ccould ould sserve erve ttheir heir ccountry. ountry. E qual Equal o pportunities sshould hould b ccompanied b opportunities bee aaccompanied byy eequal qual rresponsibilities. esponsibilities. M cNamara k nows ffull ull McNamara knows w ell tthat hat m edicine aand nd ffood ood aare re eentering ntering well medicine G aza. T housands o azans h ave rreceived eceived Gaza. Thousands off G Gazans have m edical ttreatment reatment iin n IIsrael srael d uring tthe he medical during sso-called o - called ssiege. iege. W hat iiss n ot o ccurring iiss What not occurring tthe he b ombardment o ockets iinto nto IIsrael srael bombardment off rrockets ffrom rom G aza. I d idn’t w rite tthat hat P alestinians Gaza. didn’t write Palestinians

should b should bee ggrateful rateful ffor or IIsrael srael iimproving mproving off lliving: her words, ttheir heir sstandard tandard o iving: tthese hese aare re h er w ords, but why won’t b ut w hy w on’t sshe he aacknowledge cknowledge tthat hat ttheir heir were better when llives ives w ere b etter w hen IIsrael srael ccontrolled ontrolled tthe he tterritories erritories ccompared ompared tto on ow? P erhaps now? Perhaps iitt iiss b ecause iitt iiss eeasier asier tto ob lame IIsrael srael because blame tthan han aaccept ccept rresponsibility. esponsibility. A ar aass S ami Ass ffar Sami A bed’s ccomments, omments, R abbi C ooper’s ttalk alk w as Abed’s Rabbi Cooper’s was ssponsored ponsored b emple B eth E embers. I aam m byy T Temple Beth Ell m members. n ot a m ember so so I don’t don’t k now w hat ggroup roup not member know what o ine h efers tto. o. F or m ore iinformation nformation off m mine hee rrefers For more o n tthe he M useum o olerance ccontroversy ontroversy I on Museum off T Tolerance rrecommend ecommend ttheir heir w ebsite tto o gget et a d ifferent website different p erspective. F or ccomments omments aabout bout aapartheid partheid perspective. For I ssuggest uggest Richard Richard C ohen’s rrecent ecent p iece iin n tthe he Cohen’s piece W ashington P ost w here h ebunks tthis his Washington Post where hee d debunks rracist acist n otion o r. A bed. notion off M Mr. Abed. The iissues ssues aare re ccomplex omplex aand nd p assion rruns uns The passion h igh. B ut tthe he d emonization o srael aand nd tthe he high. But demonization off IIsrael d efense o acist, h omophobic, m isogynist defense off rracist, homophobic, misogynist tterrorist errorist ggroups roups b hese sso-called o - called p eace aand nd byy tthese peace jjustice ustice aadvocates dvocates w ill n ot b ring eeither ither p eace will not bring peace o ustice. orr jjustice. Gil G il St Stein, tein, Aptos Aptos

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THE BULLHORN

Arana Gulch Defenders Speak Up 0G 83/< 0@=19:30/<9 /<2 ;716/3: :3E7A

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UPPOSE someone came to your home, demanded you give up your dining room for an important project, and said your family would still be able to live in the home but would have to accept the intrusion and the loss and just, well, get on with your life? Suppose when you asked why, the answer was to fight global warming? If you responded that there were already 211 miles of bike lanes in the county, three other east-west routes with one designed for expanded bike lanes and sidewalks (Murray Street) and a fourth that would offer 32 miles of unbroken bike trails and sacrificing your home was not needed to fight global warming, and the $4 million could be better spent in maintaining, enhancing and restoring those existing 211 miles of bike lanes and encouraging people to use them, would you be called unreasonable? Friends of Arana Gulch supports the Arana Gulch Master Plan (a well designed resource management tool), contingent on the removal of the Broadway-Brommer paved transportation project. Why? In declaring 2010 the International Year of Biodiversity, the United Nations said, “Biodiversity, the variety of life on Earth, is essential to sustaining the living networks and systems that provide us all with health, wealth, food, fuel and the vital services our lives depend on. Human activity is causing the diversity of life on Earth to be lost at a greatly accelerated rate. These losses are irreversible, impoverish us all and damage the life support systems we rely on every day. And we can prevent them.� The pertinent question is not how many individual plants will be killed by construction of the paved bikeways routes (there are two, not just BroadwayBrommer). The question is how is habitat (think of it as your home) diminished by the project. Approving the Broadway-Brommer paved bikeway project risks reduction of the biodiversity of Arana Gulch and increases the risk of extinction of an endangered species. It will do this by bifurcating critical habitat of the endangered tarplant and all of its many associated coastal prairie species. The central question for the Coastal Commission is: will approval of a non–“resource-dependent� project in an Environmentally Sensitive Habitat Area that is also designated as “critical habitat� of an endangered species be a violation of Sec. 30240 of the Coastal Act, as all opponents of BroadwayBrommer assert? The more pertinent questions for Santa Cruzans are: when is enough enough, and how much do we demand of the natural world for our pleasure, our entertainment, our recreation, our convenience? Can we be generous enough to let a small fragile place, in the middle of our urban city, be free of wide paved routes for the multitudes? Friends of Arana Gulch does not suggest excluding people from this small fragile place, since one can already walk or bicycle in Arana Gulch, accessing it from two directions. We are simply asking people to enjoy the place on its own terms. Regarding access for mobility impaired residents, Friends of Arana Gulch presented its Restoration Alternative, including such access, to the city almost five years ago. The city ignored our alternative. Fortunately, we do not need Broadway-Brommer to provide access for mobility-impaired visitors to Arana Gulch. Friends of Arana Gulch is a countywide association that counts bicyclists among its members. Jean Brocklebank is a biologist and grandmother who has worked for 15 years to protect Arana Gulch. Michael Lewis is an anthropologist and a daily bicycle commuter who supports practical and responsible bicycling.

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ATTHEW A TTHEW MO MOORE ORE didn didn’t did ’ ’t ccarry arry a sign s at last week’s week’s student protest protest at UCSC. UCSC. W iith a w alking stick in With walking o ne h and aand nd h is d og’s lleash eash iin n tthe he one hand his dog’s o ther, h tood iin n a ggrassy rassy ffield ield n ear tthe he other, hee sstood near u niversity eentrance ntrance aatt H igh aand nd B ay university High Bay sstreets treets aand nd w atched w hile h undreds watched while hundreds o is fe llow sstudents tudents d emanded tthe he off h his fellow demanded u niversity llower ower iits ts fe ees aand nd re staff iits ts university fees restaff d epar tments. departments. Y et even even if if he he had had brought brought a sign sign Yet o oined tthe he m arch, aand nd even even if if orr jjoined march, tthe he o rganized p rotests aaround round tthe he organized protests n ation h ad ssucceeded ucceeded iin n reaffirming reaff irming nation had tthe he n ation’s ccommitment ommitment tto oh igher nation’s higher eeducation ducation aand nd re versing tthe he UC UC reversing ssystem’s ystem’s 332 2p ercent ttuition uition hike, hike, it it percent

wouldn’t have wouldn’t havve changed changed a central central fact fact o oore’s life. life. Like Like millions millions of of other other off M Moore’s ccollege ollege sstudents tudents aaround round tthe he ccountry, ountr y, h e’s already already d eep in in debt debt and and facing facing a he’s deep b rutaal jjob ob m arket when when he he ggraduates. raduates. brutal market “It’s pretty pretty bleak, bleak, that’s that’s for for sure,� sure,� says says “It’s tthe he history histor y o onsciousness d o ctoral off cconsciousness doctoral sstudent, tudent, w ho says says he’ll he’ll graduate graduate with with who aaround round $ 45,0 00 in in debt debt despite despite his his $45,000 jjob ob aass a teacher’s teacher’s aassistant ssistant and and several seveeral ggrants. rants. ““II h ave ffriends riends tthat hat are are eighty eighty have aand nd n inety tthousand housand iin nd ebt, so so I ninety debt, fe el a llittle ittle lucky lucky iin n tthat hat re sp ect. The The feel respect. jjob ob m arket, tthough, hough, that’s that’s really really not not market, llooking ooking good.� go o d.� According to to the the Institute Institute for for According C ollege Ac cess & S uccess, a B erkeley College Access Success, Berkeley re searc r h firm, f irm, tthe he average ave v rage amount amount research

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o ebt h eld b raduating sseniors eniors off d debt held byy ggraduating iin n tthe he U nited S tates h as iincreased ncreased United States has b ercent eeach ach ye yyear ar ssince ince 2 0 04. byy 6 p percent 2004. IIn n2 00 8 iitt w as $ 23,20 0 p er ggraduate raduate 2008 was $23,200 per o n average, avverage, about about $16,000 $16,00 0 at at UCSC. U C S C. on A nd tthe he jjobs obs tto o ffund und tthose hose lloan oan And re payments? IIn nD ecemb er, tthe he repayments? December, u nemployment rrate ate aamong mong re cent unemployment recent ccollege ollege ggrads rads w as 110.6 0.6 p ercent— t worse was percent—worse tthan han tthe he n ational jjobless obless aaverage ve v rage o national off 9 .7 p ercent. 9.7 percent. Matt Reed, Reed, the the ICAS ICAS program program Matt d irector, ssays ays tthis his ttranslates ranslates tto oad im director, dim ffuture uture fo tudents w ho w ere ssold old tthe he forr sstudents who were iidea dea o urchasing aan n eeducation ducation aass tthe he off p purchasing b est w ay ttoward oward a b righter ffuture. uture. best way brighter “In general, general, costs costs of of attending attending “In ccollege ollege h ave b een ggoing oing u pm uch have been up much ffaster aster tthan han iinf nf llation. ation. G rant aaid id h asn’t Grant hasn’t k ept u pw ith tthat. hat. Lo ans h ave v b een kept up with Loans have been ffilling illing tthe he ggap,� ap,� ssays ays R eed. ““The The ccosts osts Reed. aare re n ot jjust ust ttuition; uition; yo uh ave v tto op ay not you have pay fo o oks, ttransportation, ransp ortation, ro om aand nd forr b books, room re a llot b oard. T here aare ot o dds sstacked tacked board. There off o odds aagainst gainst sstudents tudents tthese hese d ays.� days.�

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now I’m now I’m barely barely making making over over minimum minimum w age doing doing something something I could could do do wage w hen I was was 16. 16. I don’t don’t regret regrret going going when tto o college. college. I just just wish wish I hadn’t hadn’t rushed rushed iinto nto a UC UC and and instead instead looked lo oked at at some some o ther opportunities, oppor tunities, like like going going to to a other ccommunity ommunity college.� college.� Even students students with with advanced advanced Even ggraduate raduate degrees degrrees are are finding f inding it it difficult dif f icult tto o find f ind meaningful meaningful work. work. Greg Greg IIngraham, ngraham, a UC-Riverside UC-Riverside graduate graduate w ith a master’s master’s degree degrree in in archival archival with m anagement and and a candidate candidate for fo or the the management m uch-ballyhooed position p osition of of Grateful Grateful much-ballyhooed D ead archivist archivist at at UCSC, UCSC, currently currently Dead w orks tthe he ggraveyard rave v yard sshift hif t aass a ro o om works room sservice er vice attendant attendant aatt a San San M ateo Mateo W estin Hotel. Hotel. Even Even that that jjob ob ttook o ok tthree hree Westin m onths tto o land land aand nd p lenty o ejection months plenty off re rejection aalong long tthe he way. way. “There were were a lot lot of of times times I “There d idn’t llist ist m raduate degree,� degrree,� ssays ays didn’t myy ggraduate IIngraham. ngraham. ““If If I p ut it it down, down, people p eople put w ould think think I w as o verqualif ied aand nd would was overqualified b ike, ‘‘What What aare re yo ud oing h ere r ?’ T he bee llike, you doing here?’ The ffact act iis, s, after af ter an an undergrad undergrad d egrree aand nd a degree m aster’s, I’m I’m iin n the the same same k ind of of jjob ob I master’s, kind w ent to to sschool chool tto o get get aaway way ffrom.� rrom.� went “In the the end end I’ll I’ll probably probably go go back back to to “In ggrad rad sschool,� chool,� ssays ays D Grazia. ““I’ll I’ll rrack ack Dee Grazia. u p more more debt, debt, b ut I’m I’m not not getting getting up but aanywhere nywhere d oing what what II’m ’m d oing.� doing doing.�

IIn n this this “Great “Great Recession,â€? Recession,â€? graduates graduates w ho d o ffind ind w ork o f ten ssettle ettle fo fforr llowowwho do work often p aying jjobs obs tthat hat h ave llittle ittle tto od ow ith paying have do with ttheir heir ffreshly rreshly ccompleted ompleted eeducations. ducations. JJuliane uliane D razia ggraduated raduated ffrom rrom Dee G Grazia U CSC iin n2 008 w ith a b achelor’s d egree UCSC 2008 with bachelor’s degree iin np sycholog y aand nd tw od if fferent lloans oans psychology two different READ REA AD MORE NEWS at ne news.santacruz.com. ws.santtaacruzz.com. tthat hat lleft ef t h er ro ughly $ 30,00 0 iin nd ebt. her roughly $30,000 debt. S he n ow w orks 4 0 She now works 40 h ours p er w eek hours per week sselling elling d esigner designer A C T I VAT E cclothes lothes aatt P acif ic Pacific T rading C ompany Trading Company iin nd owntown downtown E6/B 7B 7A( BVS 1OZWT]`\WO 1]OabOZ 1][[WaaW]\ [OYSa E 6/B 7B 7A( BVS 1OZWT]`\WO 1]OabOZ 1][[WaaW]\ [OYSa S anta C ruz. S he Santa Cruz. She bbVS VS Âż \OZ Q OZZ ] \ e VSbVS` bbVS VS Q Wbg ] T A O\bO 1 `ch Q O\ Âż\OZ QOZZ ]\ eVSbVS` QWbg ]T AO\bO 1`ch QO\ p ays $ 29 0 p er pays $290 per P cWZR O PWYS ^ObV bV`]cUV /`O\O 5cZQV PcWZR O PWYS ^ObV bV`]cUV /`O\O 5cZQV m onth ttoward oward h er month her E 63@3 B= 5=( 1]c\bg Ac^S`dWa]`a¸ 1VO[PS`a 4WTbV E63@3 B= 5=( 1]c\bg Ac^S`dWa]`a¸ 1VO[PS`a 4WTbV lloans oans aand nd w ill fo will forr Ă€ ]]` % =QSO\ Ab AO\bO 1`ch Ă€]]` % =QSO\ Ab AO\bO 1`ch tthe he n ext 2 0 ye ars. next 20 years. ““It’s It’s frustrating, frustrating, E 63< 7B 6/>>3<A( BVc`aROg ;O`QV 'O[ E63< 7B 6/>>3<A( BVc`aROg ;O`QV 'O[ d epressing, depressing, aannoying, nnoying, E 6G 0=B63@( 0=B63@( 4 ]` # # g SO`a bbVS VS Q Wbg¸a P SS\ bb`gW\U `gW\U bb] ] E6G 4]` gSO`a QWbg¸a PSS\ p athetic—whateveer pathetic—whatever P cWZR O WYS ^ ObV bbV`]cUV V`]cUV bbVS VS U `SS\PSZb O P]dS bbVS VS PcWZR O P PWYS ^ObV U`SS\PSZb OP]dS V O`P]` bVOb e]cZR UWdS QgQZWaba O aOTS O\R SOag aV]`bQcb VO`P]` bVOb e]cZR UWdS QgQZWaba O aOTS O\R SOag aV]`bQcb yo uw ant tto o ccall all iit,â€? t,â€? you want T ` ][ bVS SOab aWRS ]T b]e\ b] bVS eSab) ]^^]\S\ba aOg T`][ bVS SOab aWRS ]T b]e\ b] bVS eSab) ]^^]\S\ba aOg ssays ays D razia. ““II Dee G Grazia. WWb b e WZZ V O`[ O SRS`OZZg S \RO\US`SR Ă€ ]eS` bbVS VS A O\bO eWZZ VO`[ O TTSRS`OZZg S\RO\US`SR Ă€]eS` AO\bO w e n t t h ro u g h a l l went through all 1 `ch bO`^ZO\b / RSQORS O\R O VOZT ]T a^S\Rg ZOeacWba 1`ch bO`^ZO\b / RSQORS O\R O VOZT ]T a^S\Rg ZOeacWba o his, ggraduated raduated off tthis, Q ]cZR S\R S\R bb]ROg ]ROg WW[^`]dW\U [^`]dW\U O W` _ cOZWbg O \R ^ cPZWQ Q]cZR OW` _cOZWbg O\R ^cPZWQ w ith a 33.9 .9 [[grade grade with V SOZbV Ob bVS aO[S bW[S VSOZbV Ob bVS aO[S bW[S p oint aaverage] verage] aand nd point

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USTOMERS coming into Santa Cruz Stoves & Fireplaces sounded alarm bells. “There’s a kid outside the store with cans of paint,� they told employees worriedly. “He looks like he’s going to spray the walls!� Spray the walls is exactly what Elijah Pfotenhauer was intending to do. It was late 2006, and Pfotenhauer had already established himself as a talented Santa Cruz muralist with two other projects, one depicting dancers on the former Motion Pacific building on Front Street and another at the former Santa Cruz Teen Center on Laurel. The three-panel scene outside of Santa Cruz Stoves & Fireplaces would be his largest project to date. And some shoppers didn’t know what to think of the young black man outside the store armed with spray paint and a vision. Nearly four years later, Pfotenhauer, 29, leans against the back of his truck across from the mural. Paint stains his jeans and the brown hoodie pulled over his head. He’s willowy and speaks in a voice so soft you have to lean in to hear him over the traffic. It all started when the shop’s owner, Steve Vorhees, commissioned Pfotenhauer to paint a bamboo-themed mural in his home. He’d seen Pfotenhauer’s work, and the two men shared mutual acquaintances. While the two talked one day, Vorhees mentioned the Water Street building. “Oh, that place?� Pfotenhauer remembers saying. “That building has a crazy wall. I always wanted to tag it at night with ‘Where’s the mural?’� So Vorhees suggested painting his store first. He wanted a mural depicting Vulcan, the Roman blacksmith god of fire and volcanoes, and a modern-day family around the hearth: fire past and fire present. The third scene, a mechanical fire-breathing dragon, was all Pfotenhauer. “I took it as three time periods,� he says, “ancient, modern and futuristic, with my own spin on heat.� Lava f lows through the Roman god’s tunnels and turns to fire in the family’s wood stove before moving through the vents surrounding the futuristic dragon. As with most—if not all—of Pfotenhauer’s murals, symbols abound. “Fire as renewal,� he says. A scarab and phoenix decorate the molten walls of the first scene. Framed pictures of a pinecone (“They need fire to spread their seeds. Fire destroys and fire renews. Nature has it all figured out�), a sunrise and Burning Man decorate the family room walls in the second scene. “Pictures within pictures,� Pfotenhauer says. “It’s cool to go into a space within a space.� The dragon in the third scene snakes around in a figure 8—an infinity symbol—and f lowers fall out of the vents. “It’s futuristic and industrial,� he says. “I feel passionately that for us to evolve, technology has to evolve with nature.�

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ertain themes appear frequently in Pfotenhauer’s art, among them the balance of nature and technology and our connection to both. Native people, plants and animals. Infinity symbols and the number 8. His website, www.paintedladder.com, and T-shirts show a boy painting a ladder, climbing it as he paints. “It means rising up creativity,� Pfotenhauer says. “Turning metaphysical into physical. Art has the power to do that.� It also has the power to turn a superhero-loving kid into a professional painter. Pfotenhauer’s first gig as an artist was as a superhero. He posed for a drawing class at the California College of Arts and Crafts while iguanas crawled around the room. He wore his costume under his clothes, went into a closet and came out clad in a red cape and blue suit. “It was iguanas and a little black 5-year-old Superman,� he says. At the time, his mother attended the Oakland school and Pfotenhauer frequently attended art classes and lectures with her, bouncing between Santa Cruz and the Bay Area as a kid. He liked to draw teenage mutant ninja turtles, stick figures killing each other and violent robots. After graduating from Santa Cruz High School in 1998, Pfotenhauer took classes for a couple years at Cabrillo before traveling across Europe, painting murals in exchange for places to sleep and do his laundry. “Paris, Barcelona, parts of Italy, Switzerland, Prague, Amsterdam, southern France. I painted in every country except for Italy. I toted spray paint in a shoe box outside my bag.� Traveling, painting, taking classes and traveling some more became Pfotenhauer’s routine for a half-dozen years. He studied animation at the California Institute of the Arts in Southern California between 2003 and 2005. “I was inspired by animation, its platform to be a lot of disciplines,� he says. “It can incorporate storytelling, visual arts, music.� When he was 25, he dropped out. “I wasn’t feeling it,� he says. “Was it school or me or just us? I felt really removed, isolated, which is an opportunity in itself if you’re in the right state of mind. But it wasn’t what I was looking for at the time.� Again, he hopped on a plane and flew overseas, painting a teen-center mural in Vietnam and an underwater scene at a dive school in exchange for scuba lessons

and certification in Thailand. Then he returned to Santa Cruz.

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fotenhauer’s latest mural decorates pull-down doors outside of Good Guys Biodiesel on Water Street near Santa Cruz Stoves & Fireplaces and Charlie Hong Kong, where he recently finished a birds and vines mural inside the eatery. He also spends a lot of time with kids, volunteering at DeWitt Anderson School and Renaissance High School, where he’s taught mural classes since 2007. A handful of kids at the high school help him paint murals on the weekends, and have supervised mural projects with youngsters at MacQuiddy Elementary and Rolling Hills Middle schools. “Santos, Shasta, Carlos and Pedro— they’re the next generation of muralists I’m watching come up,â€? he says. “Santos went up to Oakland with me to paint murals, and wrote the grant for the Books Not Bombs–sponsored mural [at Renaissance.]â€? But funding for arts programs at all schools—including DeWitt and Renaissance—has been cut to the quick, so Pfotenhauer’s still looking into grants and other sources to pay for his time, art supplies and gas to and from both locations. He recently started a few new paid teaching gigs: art at Star High School on Frederick Street, beat making at Highlands Park Community School and set design at Happy Valley Elementary School. He’s also offering private and small-group classes. “Elijah plays an essential but often underappreciated and under-resourced role,â€? says Sandino Gomez, youth empowerment coordinator at the Resource Center for Nonviolence. “It’s really unfortunate that art programs have been cut so thoroughly in schools. People like Elijah go above and beyond any official capacity or responsibility to bring art to kids.â€? When Youth Coalition Santa Cruz teens said they wanted to paint a mural, Gomez asked Pfotenhauer to mentor the group. Together, they built a giant frame for one mural, learned to draw and paint, and even silkscreened T-shirts at Barrios Unidos for a second mural. Both now hang in the Santa Cruz Library. A “Bookscapeâ€? is upstairs (with help from Renaissance High teens) that shows a girl reading under a tree with leaves made from pages; below her, paper swells from a purple sea meet a town built of books. The youth group also completed an “Energy Conservationâ€? 3-D ¨ "

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mural that hangs above the downstairs computers. In it, people hang clothes to dry on a line out the window, and real T-shirts with energy-conservation images and messages hang on a real clothesline between the two canvases. “Elijah puts brushes in kids’ hands,� Gomez continues. “He puts paints in kids’ hands, and he has them do it. He meets them where they are at, and gives them the encouragement they need to shine. “He sees the world as a giant playground-slash-canvas that we’re just lucky enough to interact with.� Pfotenhauer himself takes a democratic view of art. “Something I’m trying to articulate is how we’re all artists,� he says. “It’d be cool to not even use the word art, just to say ‘life’ or ‘expression.’ Expression is just another part of life. It’s pretty valid. We all do it in different ways. The way I do it is a classic way.�

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t’s a Friday afternoon, and Pfotenhauer is the only male in the room. He’s teaching an art class at DeWitt Anderson, an alternative school for girls ages 12 to 18. This is volunteer work—he used to get paid but now the money’s run out—so twice a week, he drives to Freedom with art supplies to teach. Last year, he and the girls created a mural titled “Women We Admire in

Art� featuring Kat Von D, French graffiti girl Fafi and Santa Cruz’s own DJ Eko, among others. Today the girls are making dream pillows, ironing silkscreen images onto fabric and then stitching and stuffing. “It’s a pillow that inspires you—you’re going to look at it every night before you go to sleep,� says Janelle Carranco, cutting out images of dancers to iron onto her pillow. “Mine is dance. I want to be a choreographer.� Another girl chose a photo of the Bay Bridge at sunset; another picked an ultrasound image of her baby, due in a month. Pfotenhauer circles the desks, threading needles and giving advice. “He’s a talented artist, an inspiring, creative leader with a big heart,� says teacher Lissa Downey. “His style is really easy, really encouraging of the girls. He’s gentle, and to have an experience with a young man who is so gentle is important to them. He’s very real with them.� “So after these pillows, what’s our next project?� asks Jyzenia Maldonado. “I don’t know,� Pfotenhauer answers. “Let’s figure it out together.� For more information about Pfotenhauer’s murals and private classes, visit www.painted ladder.com. To see more photos of Pfotenhauer at work, visit news.santacruz.com.

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ERKELEY’S p ERKELEY’S paratheatrical aratheatrical Real Astrologer-mystic, Antero R eal A strolog oger-mystic, A ntero Alli, A lli, originally originally discovered discovered Timothy Ti imothy Leary’s Leary’s eight-circuit eight-c - ircuit brain brain model model of of intelligence intelligence increase increase while while reading reading Robert Robert Anton Anton Wilson’s Wilson’s book book Cosmic Cosm mic Trigger. Those Trigger. T hose tthree hree ccharacters—Leary, haracters—Leary, Wilson Alli—function Wilson and and A lli—function aass a ttrilateral rilateral commission off commission providing providing a ttoolbox oolbox o modalities when might modalities tthat, hat, w hen aapplied, pplied, m ight actually people actually help help p eople iincrease ncrease ttheir heir iintellects ntellects in number off w ways. The off in a n umber o ays. T he rredefinition edefinition o intelligence holy off tthree intelligence ccomes omes iin nah oly ttrinity rinity o hree words: words: aabsorb, bsorb, iintegrate ntegrate aand nd ttransmit. ransmit. That book must bee Th hat iis, s, tthe he iideas deas iin n tthis his b ook m ust b absorbed, absorbed, integrated integrated aand nd ttransmitted—not ransmitted—not just model have just absorbed—for absorbed—for tthe he m odel tto oh ave aany ny usefulness. usefulness. The The first first two two heroes, heroes, Leary Leary and and Wilson, Wilson, are are no no longer longer with with us. us. But But Alli Alli is is alive alive and and will will appear appear at at Gateways Gateways Books Books to to informally The informally discuss discuss his his most most recent recent book, book, T he Eight-Circuit Eight--C Circuit Brain: Brain: Navigational Navigational Strategies Strategies for for the the Energetic Energetic Body Body (Vertical (Vertical Pool; Pool; 312 312 pages; pages; $19.95 $19.95 paperback), paperback), in in which which he he expands expands on on and and updates updates Leary’s Leeary’s eight-circuit eight-c - ircuit model. model. The The first first four four circuits circuits in in Alli’s Alli’s model model are are the the basic basic survival survival circuits: circuits: (1) (1) Physio-Biological Physio--Biological Intelligence; In ntelligence; (2) (2) Emotional-Territorial Emotional-Territorial Intelligence; Intelligence; (3) (3) Symbolic-Conceptual Symbolic-C - onceptual Intelligence; In ntelligence; and and (4) (4) Social-Moral Social-Moral Intelligence. In ntelligence. These These four four function function as as anchors anchors for for the the other other four, four, the the “upper� “upper� circuits: circuits: (5) (5) Somatic Somatic Intelligence In ntelligence of of Body Body Wisdom Wisdom and and the the Five Fiive Senses; Senses; (6) (6)

E7A3 C> E 7A3 C> Antero A n te ro A Alli’s lli’s n new ew bbook ook eexplores x p l o re s T Timothy imothy LLeary’s ear yy’’s ttheory heor y ooff iintelligence ntelligence from f ro m a m mystic’s ystic’s ppoint oint of of view. view.

Intuitive-Psychic In Intuitive-Psychic Intelligence ntelligence o off tthe he B Brain, rain, Spine Central System; S pine aand nd C entral Nervous Neervous S ystem; ((7) 7) Mytho-Genetic off D DNA M ytho o-Genetic IIntelligence ntelligence o NA and and Entity; Quantumtthe he Planetary Planetary E ntity; aand nd (8) (8) Q uantumNonlocal Intelligence off Subatomic N onlocal In ntelligence o Subatomic iinteractions. nteractions. Leary Leary wrote wrote piles piles of of material material on on this, this, but but his h is ccontributions ontributions were were eentirely ntirely ttheoretical. heoretical. Robert Wilson R obert Anton Anton W ilson crosslinked crosslinked tthe he model m odel tto o a stellar stellar free-form free-form ccircus ircus vvariety ariety off Z Zen, physics, sshow how o en, anarchism, anarchism, nonlinear nonlinear p hysics, Heisenberg’s Uncertainty Principle, H eisenberg’s U ncertainty P rinciple, Aleister dope, ssemiotics, emiotics, A leister Crowley, Crowley, booze, booze, d ope, Chebyshev Coefficients, Vatican C hebyshev C oefficients, The Th he V atican banking b anking sscandal, candal, quantum quantum psychology, psychology, heroin, Third h eroin, Marxism Marxism aand nd Toffler’s Toff ler’s T hird Wave. Wave. Alli Alli instead instead provides provides an an entire entire eight-week eight-week program off sstudy who p rogram o tudy for for aanyone nyone w ho has has the the do quarterttime ime and and tthe he aambition mbition to to d o iit. t. A q uarterAngel Tech, ccentury entury aago, go, he he wrote wrote A ngel T ech, providing providing meditations, eexercises, xercises, rrituals, ituals, m editations, ggames ames aand nd other other iimmersive mmersive eendeavors ndeavors ffor or the the directly different rreader eader tto od irectly experience experience tthe he d ifferent modalities model. m odalities iin n the the eeight-circuit ight--circuit m odel. Now Now he’s The h e’s appeared appeared with with a new new version, version, T he EEightightCircuit Brain. C ircuit B rain. There There are are four four parts parts to to the the book. book. Part Part One, how O ne, “Theorem, “Theorem,� eexplains xplains h ow Alli Alli arrived arrived his off tthe model, aatt h is vversion ersion o he m odel, beginning beginning with with Leary Leary and and through through Wilson. Wilson. “Praxis� “Praxis� (Part (Part

Two) presents presents an an entire entire eight-week eight-week course course Two) of study study and and application application giving giving students students a of wealth of of opportunity opportunity to to apply apply the the model model wealth for themselves—a themselves—a course course Alli Alli taught taught online online for at the the Maybe Maybe Logic Lo ogic Academy. Academy. The Th he “Forum� “Fo orum� at section provides provides 40 40 pages pages of of interaction interaction section in Q&A Q&A format format between between Alli Alli and and former former in students who who took took that that online online class. class. students “I felt felt that that was was important important for for people people who who “I were reading reading the the course, course, who who may may have have were some trepidation trepidation about about doing doing it, it,� Alli Alli said said some over the the phone. phone. “If “If they they got got to to read read some some over of the the questions questions people people had, had, some some of of the the of struggles and and conflicts conf licts from from people people who who struggles already took took the the course, course, perhaps perhaps they they could could already ease themselves themselves into into it it a little little bit bit more. more.� ease n the the fourth fourth section, section, titled titled “How “How In Got This This Way, Way, y� y� Alli Alli spills spills a personal personal I Got autobiographical narrative narrative one one will will never never autobiographical see on on Dr. Dr. Phil. Phil. Crudely Crudely simplified, simplified, Alli Alli is is see mystic, one one who who serves serves and and yields yields to to the the a mystic, mysterious forces forces in in the the universe, universe, rather rather mysterious than a magus magus who who engages engages those those forces forces than with the the direct direct intention intention of of using using them them with for his his own own power power and and control. control. He He at at for least partly partly attributes attributes this this to to the the fact fact that that least he was was raised raised without without a father father and and was was he never issued issued a standardized standardized guidebook guidebook never for life. life. The Th he mystical mystical bent bent was was cemented cemented for after tremendously tremendously heavy heavy psychological psychological after

interactions w interactions with ith C Christopher hristopher S S.. H Hyatt. yatt. H yatt w as tthe he m agus, aanchored nchored in in the the will will Hyatt was magus, tto o ccontrol, ontrol, w ho thought thought h ad a smidgeon smidgeon who hee h had o he m ystic in in him him b ut didn’t. didn’t. A lli w as tthe he off tthe mystic but Alli was o ther w ay aaround—he round—he h arbored b loated other way harbored bloated p erceptions o is o wn magickal magickal prowess prowess perceptions off h his own b ut discovered discovered h as ttruly ruly a m ystic but hee w was mystic iinstead. nstead. Alli said said he’s he’s noticing noticing a whole whole different different Alli k ind o espair, aangst ngst and and futility futility these these d ays, kind off d despair, days, eespecially specially aamong mong k ids who who never never engaged engaged kids iin n aany ny m oral ggroundwork. roundwork. moral “I felt felt in in writing writing this this book, book, maybe maybe I could could “I eencourage ncourage ssome ome aaction, ction,� h aid. ““Inspire In nspire hee ssaid. yyounger ounger p eople tto o ttake ake ttheir heir llives ives aand nd ttheir heir people d estinies and and ttheir heir ffates ates iinto nto their their own own destinies h ands ssome ome m ore. A nd to to b egin m aking hands more. And begin making ttheir heir o wn ssense ense o hat iiss ggoing oing o n, own off w what on, iinstead nstead o onstantly absorbing absorbing the the external external off cconstantly m essages—whether it’s it’s media media o society messages—whether orr society tthat hat are are ccausing ausing tthe he aapathy, pathy, the the despair despair aand nd tthe he d epression.� depression. ANTERO ALLI A NTERO A LLI rreads eads ffrom rom ‘‘The The EEight ight Circuit Brain: Navigational C ircuit B rain: N avigational SStrategies trategies Body’ Wednesday, ffor or tthe he EEnergetic nergetic B oddy’ oon nW ednesday, March Gateways Books, M arch 110, 0, aatt 77pm pm aatt G ateways B o ks, oo Ave., Cruz. Free. 11126 126 SSoquel oq o uel A ve., SSanta anta C ruz. F ree.

& j AB/53 /@B 3D3<BA march 10-17, 2010 A/<B/1@CH 1=; :7AB G=C@ :=1/: 3D3<B 7< B63 1/:3<2/@ Email it to calendar@santacruz.com, fax it to 831.457.5828, or drop it by our office. Events need to be received a week prior to publication and placement cannot be guaranteed.

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47:; 43AB 9719 =44 WITH JUST a month to go before tickets go on sale, the ninth annual Santa Cruz Film Fest is shaping up to be another cinematic feast for the senses. Tonight’s benefit auction and kick-off party primes the pump with trailers from several of the festival’s 100-plus films, Afro-Peruvian music by the Kombucheros and a smokin’ benefit auction featuring items like an Adobe Creative Suite software package valued at 2,500 clams and, at the other end of the spectrum, hula hoop lessons. Planet Cruz’s Richard Stockton and KUSP’s Genial Johnny Simmons emcee the event; India Joze, Alfresco, Hallcrest Vineyards, Honest Tea and Santa Cruz Mountain Brewing provide the comestibles and libations. Big party, small price tag—what’s not to like? (Traci Hukill)

THE SANTA CRUZ FILM FESTIVAL KICK-OFF PARTY AND BENEFIT AUCTION is Saturday, March 13, at 7pm at the Mill Gallery, 131 Front St., Santa Cruz. $10.

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C@0/< @3/:7AB 7< B63 4/@ E3AB BURT LEVITSKY left New York more than 30 years ago, but the streets of Manhattan still pulse to life in his realist oil paintings. Trained as an illustrator and Madison Avenue ad designer, Levitsky recalls working on ad layouts by day and coming home to paint all night. Studying with Frank Reilly and Max Ginsburg, Levitsky mastered contemporary realist imagery that was always haunted by the moods and hustle of urban life. There’s a lot of George Tooker’s ennui and Thomas Hart Benton’s vitality in his ambitious portrayals of people embedded in their metropolitan landscapes. And while he still travels to New York each year to see family, Levitsky has been a familiar feature of downtown Santa Cruz since 1973. “I was just going to stay for a little while,� he jokes, “but I kept coming back.� Admitting that his figurative style went against the fashionable grain of abstract expressionism and, more recently, conceptual art, Levitsky is passionately dedicated to old masters techniques of careful preliminary drawing, chiaroscuro underpainting and then a build-up of glazes that lends depth and color brilliance to his work. Of the 16 paintings on exhibit—midscale oils on linen—most bear the lineage of his urban illustration days. Streets slick with rain, richly rendered architectural motifs, skyscrapers lost in the clouds. A few of the works are sensuous still-lifes, with lustrous drapery and gleaming pewter echoing the great tradition of northern Renaissance style. Levitsky admits his meticulously detailed realism hearkens back to earlier trends in painting, but he has no regrets. “As you look back—and at my age you can see decades past—you can see what your work was all about. I did what I wanted,� he admits. “You never know where it’s going to lead, so you need to please yourself.� (Christina Waters) BURT LEVITSKY: CONTEMPORARY REALIST is on exhibit at MichaelAngelo Gallery, 1111 River St., Santa Cruz, through March 28. 831.426. 5500.

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The Best of the Central Coast

S A N TA CRUZ

ART L EAGUE

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S.C. Watercolor Society Mar. 13 - Apr. 11, 2010 Reception: Mar. 21, 2-4pm

Website: www.scal.org Classes & Weekend Workshops Life Drawing & more! Art Fair booths available for June 12 & 13 526 Broadway, Santa Cruz, CA (831) 426-5787 Wed.-Sat., 12-5 Sun., 12-4 91 Years of Imagination!

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03/ /BA1/>3 m march a r c h 10-17, 1 0 - 1 7, 2010 2 0 1 0 A/<B/1@CH 1=; A/<B/1@CH 1=; j 03/BA1/>3

Jazz Presenters since 1975

THURS. MARCH 11 • 7 PM Modern Jazz Singer!

KATE McGARRY/ KEITH GANZ DUO $18/Adv $21/Door

Sponsored by Silent Gong Fund

MON. MARCH 15 • 7 & 9 PM

JOHN SCOFIELD NEW JAZZ QUARTET FEAT MULGREW MILLER, BEN STREET & KENDRICK SCOTT 7PM: $25/Adv $28/Door 9PM: $20/Adv $23/Door, No Jazztix/Comps THURS. MARCH 18 • 8 PM AT THE RIO THEATRE

GILBERTO GIL

The String Concert featuring Jaques Morelenbaum & Bem Gil $50/Gold Circle, $35/General, No Jazztix/Comps

Sponsored by Redtree Properties

MON. MARCH 22 • 7 PM

JOE LOVANO US FIVE

Esperanza Spalding - bass James Weidman - piano Francisco Mela & Otis Brown III - drums $25/Adv $28/Dr, No Jazztix/Comps THURS. MARCH 25 • 7 PM

ANTONIO SANCHEZ & MIGRATION

FEATURING DAVID BINNEY, DONNY McCASLIN & SCOTT COLLEY $20/Adv $23/Door MON. MARCH 29 • 7 & 9 PM Acclaimed global guitar duo!

STRUNZ & FARAH $23/Adv $26/Door Apr. 1 Apr. 8 Apr. 12 Apr. 15 Apr. 19

Apr. 22 Apr. 26

Andrea Brachfeld & Phoenix Rising The “NAZZ� - A Jazz Be-Bop Musical based on a monolog written by Lord Buckley, 1959 Bill Frisell Trio featuring Jason Moran & Kenny Wollesen Mariah Parker’s Indo Latin Jazz Quintet with special guest Paul McCandless Monterey Jazz Festival on Tour featuring Kenny Barron Trio, Regina Carter, Kurt Elling, Russell Malone Crossing Borders featuring Jennifer Scott and Kristen Strom Pat Metheny: The Orchestrion Tour

Dinner served Mondays & Thursdays beginning at 6pm, serving premium wines & microbrewed beers. Snacks & desserts available all other nights. All age venue.

Advance tickets at Logos Books & Records and online at kuumbwajazz.org. Tickets subject to service charge and 5% S.C. City Admissions Tax.

Independently Produced Events SATURDAY, MARCH 20 • 7 & 9 PM

LES YEUX NOIRS

Gypsy Klezmer from Paris! $20/Adv $25/Door Tickets: Streetlight Records & www.brownpapertickets.com FRIDAY, MARCH 26 • 8 PM • $25

HAWAIIAN GENERATIONS Featuring DENNIS AND DAVID KAMAKAHI AND GEORGE AND KEOKI KAHUMOKU Tickets: Streetlight Records, Aloha Island Grille & www.ticketweb.com

KUUMBWA JAZZ

320-2 CEDAR ST • SANTA CRUZ KUUMBWAJAZZ.ORG

4 27 - 2 2 27

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Guitarists sspend Guitarists pend ttheir heir entire entire llives ives d reaming o an eendorsement ndorsement b he dreaming off an byy tthe llikes ikes o teve V ai and and Jo oe S atriani. IIt’s t’s off S Steve Vai Joe Satriani. aan nh onor tthat hat guitarist guitarist Vicki Vicki Genfan Genfan honor ccan an claim, claim, h aving w on ffirst irst p lace iin n having won place G uitar P layer m agazine’s 2 008 G uitar Guitar Player magazine’s 2008 Guitar S uperstar C ompetition, ffor or w hich V ai Superstar Competition, which Vai aand nd S atriani served served aass judges. judges. Genfan’s Genfan’s Satriani n imble aacoustic coustic gguitar uitar sstylings tylings aare re nimble jjoined oined b he ssongwriting ongwriting of of Ji ill Kn night byy tthe Jill Knight aand nd tthe he Caribbean-inflected Caribbean-inf lected p laying o playing off E rika L uckett, who who together toggether fform orm tthe he Erika Luckett, m ighty Ki ickass G uitar Girls Girls trio. trio. D on mighty Kickass Guitar Don Q uixote’s; $ 10; 7:30pm. 7:30pm. (Paul (Paul M avis) Quixote’s; $10; M.. D Davis)

Revered R evered ffor or tthe he cclarity larity o off h his is llyricism yricism aand nd u nique m elodic ggifts, ifts, JJohn ohn Gorka Gorka unique melodic h as w on aattention ttention ffrom rom a handful handful has won o olk lluminaries uminaries ssince ince his his rrise ise tto o off ffolk p rominence d uring tthe he ’’80s 80s n ew ffolk olk prominence during new m ovement. A mong tthem hem iiss cconfirmed onf irmed movement. Among gguitar uitar w izard P atty L arkin, w ho wizard Patty Larkin, who ccelebrates elebrates a q uarter-century iin n the the quarter-century m usic b usiness w ith 25, 25, a collection collection of of music business with llove ove ssongs ongs aand nd ccollaborations ollaborations w ith tthe he with lleading eading llights ights o olk, iincluding ncluding S hawn off ffolk, Shawn C olvin, M ary C hapin C arpenter, aand nd Colvin, Mary Chapin Carpenter, G orka h imself. O er ttour our m ate, L arkin Gorka himself. Off h her mate, Larkin ssays: ays: ““With With a vvoice oice llike ike JJohn’s, ohn’s, h ould hee ccould ssing ing tthe he n ewspaper aand nd iit’d t’d ssound ound newspaper ggood. ood.� W nvite h im tto od o jjust ust tthat hat Wee iinvite him do w hen the the two two take take the the sstage tage ttonight. onight. when R io T heater; $ 25; 77:30pm. :30pm. ((PMD) PMD) Rio Theater; $25;

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Urbandictionary.com U rbandictionaryy.com defines def ines the the term term ““acid acid crunk� crunk� aass mixing mixing “SyFy “SyFyy channel channel aand nd BET BET channel channel ssound ound effects efffects ... ... by by drunk ad runk white white dude dude while while playing playing Xbox X box Live. Live.� Though Th hough San San Francisco Francisco DJ/producer D J/producer Adam Adam Ohana, Ohana, a.k.a. a.k.a. AnAnTen-Nae, Caucasian T en-Nae, is is a C aucasian male male known known put tto op ut aaway way tthe he cocktails, cocktails, he he has has his his own o wn definition def inition of of acid acid crunk crunk and and uses uses Xbox a llot ot more more equipment equipment than than an an X box deliver bass-heavy tto od eliver its its b ass-heavy dubstep dubstep aand nd breakbeat bliss. whether b reakbeat b liss. But But w hether you you gget et your your literary literarry designations designations from from orr aan n online online pop pop culture culture dictionary dictionarry o not, when n ot, w hen it it comes comes to to booty-shaking booty-shaking eelectro lectro goodness, go oodness, Ohana Ohana comes comes correct. correct. Catalyst; $12 C atalyst; $ 12 adv/$16 adv/$16 door; door; 8pm. 8pm. (CC) (CC)

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PHOENIX APRIL 17 AT AT CATALYST CATAL A YST T

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Gilberto Gil 3"

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1011 PACIFIC AVE. SANTA CRUZ 831-423-1336 7KXUVGD\ 0DU ‡ $*(6

Andre’s Birthday Bash

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Vital SC presents

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$GY 'U ‡ 'UV S P 6KRZ S P 0DU Young Dubliners Atrium (Ages 21+) 0DU The Holdup/880 South Atrium (Ages 16+) 0DU Wisdom Atrium (Ages 21+) 0DU New Found Glory/Saves The Day (Ages 16+) 0DU St. Patty’s Day Wild Rovers Atrium (Ages 21+) 0DU Iration (Ages 16+) 0DU Hank III/Assjack (Ages 21+) 0DU Reel Big Fish (Ages 16+) $SU Yonder Mountain String Band (Ages 21+) $SU Collie Buddz (Ages 16+) $SU Phoenix (Ages 16+) $SU The Devil Makes Three 0D\ Thrice/Manchester Orch. (Ages 16+) 0D\ Groundation/ Orgone (Ages 16+) -XQ Sage Francis (Ages 16+) $XJ Rev. Horton Heat (Ages 21+) 6HS Willie Nelson & Family (Ages 21+) 8QOHVV RWKHUZLVH QRWHG DOO VKRZV DUH GDQFH VKRZV ZLWK OLPLWHG VHDWLQJ Tickets subject to city tax & service charge by phone 866-384-3060 & online

www.catalystclub.com

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SYMPHONY John Larry Granger, Music Director

BARBER

ADAGIO

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STRINGS

TCHAIKOVSKY

VIOLIN CONCERTO TESSA LARK, VIOLINIST

MENDELSSOHN

SYMPHONY NO. 3

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SATURDAY, MARCH 27 8 PM :HU[H *Y\a *P]PJ (\KP[VYP\T :HU[H *Y\a *P]PJ (\KP[VYP\T Concert sponsored by Todd & Corinne Wipke

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SUNDAY, MARCH 28 2 PM 4LSSV *LU[LY >H[ZVU]PSSL 4LSSV *LU[ [LY >H[ZVU]PSSL Concert sponsored by Rowland & Pat Rebele

www.santacruzsymphony.org Tickets $20-66. Call 420-5260 or www.SantaCruzTickets.com

Season Sponsors ROWLAND & PAT REBELE GLENWOOD EQUESTRIAN CENTER SYMPHONY LEAGUE OF SANTA CRUZ COUNTY

28 |

march 10-17, 2010 SANTACRUZ.COM

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Film. Fi ilm lm..

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A/<B/1@CH 1=; A /<B/1@CH 1=; m march a r c h 10-17, 1 0 - 1 7, 2010 2 0 1 0 47:; 47:; ;

New N ew EEngland ngland N Noir oir 5CG 43@@/<27A 5 CG 43@@/<27A

Roman R oman P Polanski’s olanski’s past genius genius haunts haunts past his latest latest thriller thriller his 0G 16@7AB7</ E/B3@A 0G 1 6 @ 7 A B 7 < / E/B 3 @ A

F

ROM R OM IITS TS S ffirst irst m moments, oments, Roman Polanski’s The Ghost R oman P olanski’s T he G host Writer W riter ssets ets its its film f ilm noir noir trap trap aand nd then then lets lets us us savor savor the the bait bait before wee h happily Owing before w appily ssuccumb. uccumb. O wing aass much Hitchcock does Polanski’s much tto oH itchcock aass iitt d oes tto oP olanski’s dark masterworks, The Ghost Writer dark m asterworks, T he G host W riter is is by by brooding It’s tturns urns sstylish, tylish, b rooding aand nd ttense. ense. It t’s aalso lso often predictable. While byy n no means o ften p redictable. W hile b om eans masterpiece, am asterpiece, iitt iiss ssuch uch a ggood-looking ood-looking with tthriller, hriller, sso o eexpertly xpertly llaced aced w ith eeerily erily rrelevant elevant political makes p olitical iinnuendo, nnuendo, tthat hat iitt m akes ffor or a jjuicy uicy hours off vviewing. ttwo wo h ours o iewing. Loosely Loosely based based on on recent recent events events in in politics, gglobal lobal p olitics, tthe he sstory tory ffollows ollows a British British McGregor) hired jjournalist ournalist ((Ewan Ew wan M cGregor) h ired tto o up memoirs off a B British prime cclean lean u p the the m emoirs o ritish p rime minister Adam Lang Brosnan) m inister A dam L ang ((Pierce Pierce B rosnan) whose previous writer has w hose p revious ghost ghost w riter h as jjust ust up dead. McGregor tturned urned u pd ead. M cGregor iiss sscooped cooped up Cape Cod u p aand nd fflown lown tto o a ffortified ortified C ape C od where PM iisland sland ccompound ompound w here tthe he P M aand nd his his eentourage ntourage aare re luxuriously luxuriously eencamped. ncamped. Things up, T hings iimmediately mmediately tthicken hicken u p, tthanks hanks household tto o tthe he ttangible angible ttension ension iin n tthe he h ousehold between PM, his off b etween tthe he P M, h is ccurvaceous urvaceous cchief hief o Cattrall) his sstaff taff ((Kim Kiim C attrall) aand nd h is iintellectual ntellectual wife wife Ruth with R uth ((played played w ith sscene-stealing cene-stealing precision precision byy O Olivia Williams). The new writer b livia W illiams). Th he n ew gghost host w riter no iiss n o ssooner ooner eensconced nsconced iin n tthe he iisolated solated ccompound ompound aand nd rready eady tto o start start iinterviews nterviews when past up, w hen tthe he minister’s minister’s p ast fflares lares u p, tthanks hanks off h human offenses. tto o aaccusations ccusations o uman rrights ights o ffenses. The world media T he w orld m edia ffans ans tthe he ccontroversy ontroversy wildfire proportions tto ow ildfire p roportions jjust ust as as sinister sinister behavior b ehavior erupts erupts at at the the beach beach ccompound. ompound. Polanski plot P olanski ttightly ightly llaces aces tthese hese ttwo wo p lot sstrands trands during hour. d uring tthe he ffilm’s ilm’s ffirst irst h our. As As Lang Lang and and his his handlers handlers try try to to placate placate media hysteria, new writer m edia h ysteria, tthe he n ew gghost host w riter down death off tthe ttracks racks d own cclues lues aass tto o tthe he d eath o he PM’s writer. Like Jack Nicholson’s P M’s fformer ormer w riter. L ike Ja ack N icholson’s detective Polanski detective JJake ake Gittes Gittes iin n tthe he P olanski

>=E3@ >=:7B71A Kim >=E3@ >=:7B71A Kim Cattrall Cattrall (left), (left), Olivia Olivia Williams Williams and and Pierce Pierce Brosnan B ro s n a n aare re at at the the fraught fraught center center of of the the storm storm in in ‘The ‘The Ghost Ghost Writer.’ Writer.’

masterpiece m asterpiece Chinatown, Chinatown, McGregor McGregor is is a man man in in jeopardy, jeopardy, unsure unsure of of just just who who to to trust trust in in the the high-security high-security household household of of bodyguards, bodyguards, publicists publicists and and attorneys. attorneys. Danger Danger might might come come in in the the form form of of an an enraged enraged and and jealous jealous wife wife or or from from the the prime prime minister’s minister’s former former defense defense secretary, secretary, whose whose phone phone number number turns turns up up in in the the dead dead ghost ghost writer’s writer’s personal personal effects. effects. With With help help from from the the urgent, urgent, moody moody score score by by Alexandre Alexandre Desplat, Desplat, the the caper caper moves moves swiftly swiftly from from McGregor’s McGregor’s shrinking shrinking options options to to the the implications implications of of mysterious mysterious black black limos limos and and carefully carefully planted planted clues. clues. For Fo or all all its its good good looks looks and and atmospheric atmospheric shots shots of of desolate desolate Atlantic Atlantic coast coast dunes, dunes, however, however, The The Ghost Ghost Writer’s Writer’s plot plot twists twists are are visible visible a mile mile away, away, and and most most of of the the final final hour hour vamps vamps through through a litany litany of of sudden sudden rain rain storms, storms, cocktail cocktail confessions confessions and and midnight midnight visitations. visitations. McGregor McGregor can can almost almost hold hold it it together, together, and and while while he’s he’s no no Nicholson, Nicholson, he he manages manages the the right right pitch pitch between between paranoia paranoia and and frustration frustration to to keep keep us us in in the the game. game. Polanski Polanski is is such such a seasoned seasoned pro pro that that it it is is easy detail. easy not not to to notice notice his his attention attention tto od etail. Long, Long, slow slow shots shots of of neon neon reflected ref lected on on wet wet tarmac, tarmac, sudden sudden flashes f lashes of of crimson, crimson,

ccorridors orridors o off ccold, old, dark dark marble—the marble—the sserpentine erpentine cinematography cinematography moves moves the the sstory tory fforward. orward. Also, Also, the the film film cleverly cleverly crafts crafts o ne of of the the most most ingenious ingenious uses uses of of GPS GPS in in one tthe he m ystery ggenre. enre. mystery Since this this is is neonoir, neonoir, we we know know there there Since w ill be be a twist twist at at the the end. end. And And there there is. is. will B ut ssome ome o he ffilm’s ilm’s appeal appeal iiss tthe he vview iew But off tthe o he ggorgeously orgeously aging aging Brosnan Brosnan chewing chewing off tthe h is role role into into oblivion. oblivion. He He has has honed honed to to his h igh sheen sheen the the ability ability to to enfold enfold llies ies in in high n uanced looks looks o nnocence tthat hat also also hint hint nuanced off iinnocence aatt ggenuine enuine surprise. surprise. The The former Th former James Jaames B ond is is having having fun fun w ith this this chance chance to to Bond with p lay a weary, weary, troubled troubled head head o state. The Th he play off state. ssoftening oftening of of Brosnan’s Brosnan’s h andsome features features handsome o nly adds adds depth depth and and decadence decadence tto o his his eevery very only eexpression. xpression. Even Evven B-grade B-grade Polanski Polanski is is well well w orth a ttumble. umble. worth

THE T HE GHOST GHOST WRITER WRITER (PG-13; (PG-13; 136 136 min.), m in.), directed directed by by Roman Roman Polanski, Polanski, written w ritten by by Polanski Polanski and and Robert Robert Harris, Harris, pphotographed hotooggraphed bbyy Pawel Pawel EEdelman delman aand nd Pierce Brosnan sstarring tarring P ierce B rosnan aand nd EEwan wan McGregor, Del M cGregor, plays plays at at the the D el Mar. Mar.

! j 47:; march 10-17, 2010 A/<B/1@CH 1=;

SHOWTIMES FOR FRIDAY MARCH 12 – THURSDAY MARCH 18 STARTS FRIDAY 3/12! “A white-knuckle adventure ‌ spectacular!â€?

Film Capsules <3E 1/>A

–Philadelphia Inquirer

27AB@71B 0 ! (R; (NR) Daily: (1:30), (4:10), 6:50, 9:20 plus Sat, Sun (10:50am)

“A deliciously directed, edge-of-your-seat thriller!� – L.A.Times

Ewan McGregor Pierce Brosnan Kim Cattrall Olivia Williams Tom Wilkinson Timothy Hutton FROM THE DIRECTOR OF ‘CHINATOWN’ AND ‘ROSEMARY’S BABY’ A ROMAN POLANSKI FILM

(PG-13)

Daily on 2 Screens: Grand Auditorium: (1:40), (4:20), 7:00, 9:30 + Sat, Sun (11:00am) Stadium Seating: (3:20), 6:00, 8:40 plus Sat, Sun (12:40) Midnights @ The Del Mar Fun! Prizes! Parkour!

District B13 (R)

Fri 3/12 & Sat 3/13 @ Midnight Next Week: Terminator 2

www.thenick.com

5@33< H=<3 (R; 115

min.) The commercials try to make this look

Maria Bello

Kristen Stewart

Daily: (2:10), (4:30), 6:50, 9:00 plus Sat, Sun (11:50am)

(PG-13)

(Unrated; 134 min.) German film tells the true story of a 1936 race to climb the most dangerous “north faceâ€? in the Alps, at the behest of Hitler. Too bad Tarantino didn’t direct this one, he’d have der FĂźhrer right up there on the ropes screaming

=C@ 4/;7:G E3227<5 (PG-13)

Forest Whitaker, America Ferrera and Carlos Mencia star in a tale about paternal egos and wedding preparations gone awry. (Opens Fri at Santa Cruz 9.) @3;3;03@ ;3 (PG-

13; 120 min.) Romantic drama has Twilight’s Robert Pattinson beginning a relationship with Emilie de Ravin, who lost her mother at a . . . ahhhhhhhh, it’s got Robert Pattinson! Lock up Hot Topic for two hours, we’re going to the movies! (Opens Fri at the

(R)

incl. Best Picture!

/>B=A 17<3;/A

122 Rancho Del Mar Center, Aptos 831.688.6541 www.culvertheatres.com

" AB /D3<C3 17<3;/A

1475 41st Ave., Capitola 831.479.3504 www.culvertheatres.com 5`SS\ H]\S – (Opens Fri) 11:45; 2:15; 4:45; 7:30; 10. BVS 6c`b :]QYS` – (Opens Fri) 3:45; 9:20. /ZWQS W\ E]\RS`ZO\R – Daily 11:30; 2; 4:20; 7; 9:30. AVcbbS` 7aZO\R – Daily 12:30; 3:30; 6:45; 9:45. 1]^ =cb – Wed-Thu 11:55; 2:30; 5; 7:30; 10:10.

(R) Daily (4:20),

7:00, 9:30 WINNER 2 ACADEMY AWARDS!

Best Actor - Jeff Bridges!

(R) Daily: (2:40), (5:00), 7:20, 9:40

plus Sat, Sun (12:20)

23: ;/@

1124 Pacific Ave., Santa Cruz 831.426.7500 www.thenick.com <]`bV 4OQS – (Starts Fri) 1:30; 4:10; 6:50; 9:20; plus Sat-Sun 10:50am. BVS 5V]ab E`WbS` – Daily 1:40; 3:20; 4:20; 6; 7; 8:40; 9:30;

FINAL WEEK!

plus Sat-Sun 11am and 12:40pm. BVS :Oab AbObW]\ – Wed-Thu 2; 4:30; 7; 9:20. >`SQW]ca – Wed-Thu 1. 2Wab`WQb 0 ! - Fri-Sat midnight.

(PG-13) Once Nightly: 9:25

FINAL WEEK!

<7193:=23=<

Lincoln and Cedar streets, Santa Cruz 831.426.7500 www.thenick.com Animated Program: Once Daily (2:00) Live Action: Sat/Sun Only (12 noon)

( ) = Bargain Shows Before 5:30pm

STARTS FRIDAY 3/12! “A smart, heartfelt romantic drama!� –Hollywood Reporter

Robert Pattinson Emile de Ravin Pierce Brosnan Chris Cooper

BVS GSZZ]e 6O\RYS`QVWST – (Starts Fri) 2:10; 4:30; 6:50; 9; Sat-Sun 11:50am. BVS ;]ab 2O\US`]ca ;O\ W\ /[S`WQO( 2O\WSZ 3ZZaPS`U O\R bVS >S\bOU]\ >O^S`a – Wed-Thu 4:40; 7; 9. 1`Ohg 6SO`b – Wed-Thu 2:30; 4:50; 7:15; 9:30. Fri-Wed 2:40; 5; 7:20; 9:40;

155 S. River St, Santa Cruz 800.326.3264 x1701 www.regmovies.com Daily: (1:40), (4:00), 6:20, 8:40

plus Sat, Sun (11:20am) ACADEMY AWARD WINNER!

Best Actor - Jeff Bridges!

(R) Daily: (1:50), (4:10), 6:30, 8:50

plus Sat, Sun (11:30am) COMING SOON! ‘That Evening Sun’ ‘A Prophet’ ‘Repo Men’

Children under 5 admitted only on Mondays & Weekend Matinees

@=A3;/@G¸A 0/0G

(1968) Mia Farrow stars in Roman Polanski’s classic about a woman who gets increasingly paranoid after she gets pregnant and is harassed by evil freaks. Hmm, who could the baby’s father be? Who could it be? Could it be . . . John Cassavetes? Or worse? (Plays Thu at Santa Cruz 9.) (SP) A63¸A =CB =4 ;G :3/5C3 (R; 105 min.)

Internet scandal over this comedy centers on whether Alice Eve is really out of Jay Baruchel’s league, as the plot requires. I guarantee you that is the least of this movie’s problems.

(Opens Fri at Santa Cruz 9, Scotts Valley and Green Valley Cinema.) (SP) B63 G3::=E 6/<293@16734 (PG-

13; 110 min.) This week’s second Twilight-related romantic drama has Kristin Stewart catching a ride with a couple of strangers in the deep South, one of whom is William Hurt as a . . . holy shit, Kristin Stewart? Put down those Misfits candle tins and that Rob Zombie lunchbox, we’re closing up Hot Topic again! (Opens Fri at the Nickelodeon.) (SP)

@3D73EA /:713 7< E=<23@:/<2 (PG;

109 min.) Tim Burton’s

CGI-heavy take-off on the Lewis Carroll books about Alice has the smell of his other remakes— gaudy, over-the-top and ultimately pointless. Can Johnny Depp dressed up like Carrot Top on acid save it? Probably not. But let’s appreciate it for giving Crispin Glover work. (SP) /D/B/@ (PG-13; 162 min.) In the future, Earthling mercenaries are shipped to the planet Pandora, where 9-foottall, blue-skinned noble savages called Na’vi live in a phosphorescent forest full of saurian beasts. Jake (Sam Worthington) is the paraplegic brother of a dead soldier hooked up to a Na’vi shell; the

=c` 4O[WZg ESRRW\U – (Opens Fri) 2:35; 4:50; 7:15; 9:40; plus Fri-Sun 12:10. BVS 1`OhWSa – (Opens Fri) 2:45; 5:10; 7:50; 10:20; plus Fri-Sun 12:15. /dObO` ! 2 – (Opens Fri) 12:50; 4:25; 8. /dObO` – Wed-Thu 12:45; 4:10; 7:50. /ZWQS W\ E]\RS`ZO\R – Wed-Thu 1:40; 2:05; 4:20; 4:45; 7; 7:25; 9:40; 10:05. Fri-

Wed 1:30; 2:05; 4:10; 4:45; 6:509; 7:25; 9:25; 10; plus Fri-Sun 11; 11:25. 0`]]YZg\¸a 4W\Sab – Wed-Thu 1:30; 4:35; 7:35; 10:25. Fri-Wed 1:15; 4:05; 7; 9:50. AVcbbS` 7aZO\R – Wed-Thu 1: 3:20; 4; 6:30; 7:10; 9:30; 10:15. Fri-Wed 1; 3:55; 6:30;

7:10; 9:30; 10:05. No 3:20, 6:30, 9:30 on Thu. >S`Qg 8OQYa]\ O\R bVS =Zg[^WO\a( BVS :WUVb\W\U BVWST – Wed-Thu 1:15;

3:55; 6:40; 9:20. No 9:20 show Thu. DOZS\bW\S¸a 2Og –Wed-Thu 1:05; 3:45; 6:45; 9:25. No 6:45 show Thu. BVS E]ZT[O\ –Wed-Thu 5; 7:40; 10. 2SO` 8]V\ – Wed-Thu 2:30. @]aS[O`g¸a 0OPg - Thu 8pm.

A1=BBA D/::3G $ 17<3;/A

226 Mt. Hermon Rd., Scotts Valley 831.438.3261 www.culvertheatres.com AVS¸a =cb ]T ;g :SOUcS – (Opens Friday) 2:30; 5; 7:30; 10; plus Fri-Sun 11:55. 5`SS\ H]\S – (Opens Friday) 2:10; 4:45; 7:20; 9:55; plus Fri-Sun 11:20. @S[S[PS` ;S – (Opens Friday) 1:40; 4:10; 6:45; 9:15; plus Fri-Sun 11:10. /ZWQS W\ E]\RS`ZO\R – Thu-Fri 2; 2:45; 4:30; 5:15; 7; 7:45; 9:30; 10:15. Fri-Wed

12:45; 1:30; 3:30; 7:10; 4:20; 6:30; 9:45; plus Fri-Sun 11am. 1`Ohg 6SO`b – Wed-Thu 2:10; 4:40; 7:10; 9:40. Fri-Wed 2; 4:30; 7; 9:30; plus Fri-Sun 11:30. >S`Qg 8OQYa]\ bVS =Zg[^WO\a( BVS :WUVb\W\U BVWST – Wed-Thu 1:20; 4:10; 6:45. BVS 6c`b :]QYS` – Wed-Thu 9:15. 1]^ =cb – Wed-Thu 2:20; 5; 7:30; 10. AVcbbS` 7aZO\R – Wed-Thu 3:30; 6:45; 9:45.

plus Sat-Sun 12:20. =aQO` <][W\ObSR AV]`ba /\W[ObSR – Wed-Thu 2:20; 6:50. Fri-Wed 2. =aQO` <][W\ObSR AV]`ba :WdS /QbW]\ – Wed-Thu 4:20; 8:50. Sat-Sun 12. /\ 3RcQObW]\ – Wed-Thu 4:30; 6:40. Fri-Wed 9:25. BVS 6c`b :]QYS` – (Starts Fri) 4:20; 7; 9:30. BVS :Oab AbObW]\ – (Starts Fri) 2:30; 4:50; 7:10; plus Sat-Sun 12:10pm.

@7D3@4@=<B AB/27C; BE7< (PG-13)

Aptos Cinema, Riverfront and Scotts Valley.) (SP)

Showtimes are for Wednesday, March 10, through Wednesday, March 17, unless otherwise indicated. Programs and showtimes are subject to change without notice.

@S[S[PS` ;S – (Starts Fri) 1; 4; 6:20; 8:40; plus Sat-Sun 11:20am. 1`Ohg 6SO`b – Daily 1:50; 4:10; 6:30; 8:50; plus Sat-Sun 11:30am. BVS 0ZW\R AWRS – Wed-Thu 3:40; 6:10. / AW\UZS ;O\ – Wed-Thu 1:40; 8:40.

Daily: (2:30), (4:50), 7:10 plus Sat, Sun (12:10)

WINNER 6 ACADEMY AWARDS!

<=@B6 4/13

while the Basterds blew the entire mountain off the map. (Opens Fri at the Del Mar Theatre.) (SP)

SHOWTIMES

STARTS FRIDAY 3/12! “A beautifully acted, captivating film!� – N.Y. Post

William Hurt

94 min.) You sank my battleship! Either that or you’ve discovered this ßber-cool 2004 cult film about an undercover cop out to save Paris from a neutron bomb in the near future . . . of 2010. Whoops! Anyway, I have no idea why The Matrix got so much attention, while this movie that was just as much a leap in filmmaking vision and concept, didn’t get the credit it deserves. Just because it’s French? Quel dommage! ( Plays Fri-Sat midnight at the Del Mar.) (SP)

like a Jason Bourne sequel, but really it’s Matt Damon in an Iraq War thriller about a conspiracy to lie about the existence of weapons of mass destruction, as a justification for U.S. invasion. Whew! Good thing that didn’t really happen! (Opens Fri at 41st Ave, Riverfront, Scotts Valley and Green Valley Cinema.) (SP)

Movie reviews by Steve Palopoli, Richard von Busack and Mel Valentin

5`SS\ H]\S – (Starts Fri) 4; 7; 9:45; plus Fri-Sun 1. @S[S[PS` ;S – (Starts Fri) 4:15; 7:15; 9:55; plus Fri-Sun 1:15. 1]^ =cb – Wed-Thu 4; 7; 9:40. BVS 1`OhWSa – Wed-Thu 4:15; 7:15; 9:50.

A/<B/ 1@CH 17<3;/ '

1405 Pacific Ave., Santa Cruz 800.326.3264 x1700 www.regmovies.com AVS¸a =cb ]T ;g :SOUcS – (Opens Fri) 2:30; 5; 7:40; 10:15; plus Fri-Sun 12.

5@33< D/::3G 17<3;/ &

1125 S. Green Valley Rd, Watsonville 831.761.8200 www.greenvalleycinema.com AVS¸a =cb ]T ;g :SOUcS – (Starts Fri) 1:30; 4:45; 7:15; 9:30; plus Sat-Sun 11am. 5`SS\ H]\S – (Starts Fri) 1:30; 4:30; 7; 9:25; plus Sat-Sun 11:05. /ZWQS W\ E]\RS`ZO\R ! 2– 1:30; 4:30; 7; 9:20; plus Sat-Sun 11am. /ZWQS W\ E]\RS`ZO\R – 1:45; 4:45; 7:15; 9:40; plus Sat-Sun 11:15am. 0`]]YZg\¸a 4W\Sab – Daily 1; 4; 7; 9:40. 6c`b :]QYS` – Wed-Thu 7; 9:40. /dObO` – Daily 1; 4:15; 7:30. 1]^ =cb – Daily 1:30; 7; plus Sat-Sun 11:05am; plus Wed-Thu 4:30; 9:25. BVS 1`OhWSa – Daily1:30; 4:30; 7:10; 9:25; plus Sat-Sun 11am. AVcbbS` 7aZO\R – Daily 4; 9:30, plus Wed-Thu 1; 6:45. DOZS\bW\S¸a 2Og –Wed-Thu 1:35; 4:20. B]]bV 4OW`g – Wed-Thu 1:15.

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A/<B/1@CH 1=; march 10-17, 2010 47:;

B63 0:7<2 A723 (PG13; 126 min.) The film focuses on Michael Oher (Quinton Aaron), who overcame homelessness as a teenager to received a football scholarship to the University of Mississippi and later played in the NFL. Oher succeeded with the help of a wealthy Christian couple, Ole Miss grads Leigh Anne (Sandra Bullock) and Sean Tuohy (Tim McGraw), who took Oher in and made him a part of their family. (MV) 0@==9:G<¸A 47<3AB

(R; 133 min.) The stories of three seemingly unconnected police officers turn out to be—intertwined! No way! I did not see that coming. By the way, is there any person in the world whose story does not somehow intersect with every other person in the world? Cause that’s my takeaway from this endless slew of popcorn flicks aspiring to Altmanness. Point of interest: one of the cops is Richard Gere. Oh, you know he’s handling the prostitute beat! (SP) 1=> =CB (R; 110 min.) Kevin Smith doing a movie about cops somehow seems every bit as wrong as Ice T playing a cop on TV, and that’s pretty wrong. This is the first movie Smith didn’t write himself, although I don’t know whether that’s better or worse. In any case, it has Bruce Willis as a New York cop trying to retrieve a baseball card with partner Tracy Morgan. (SP) B63 1@/H73A (R; 101 min.) Made for $275,00 in 1973, George Romero’s The Crazies had no right to be anywhere near as good as it was. But it hit the perfect paranoia pitch for the era, featuring government troops in shocking white hazmat suits invading a small town to “clean up�

the mess that it made when it let an army virus infect a small town. The basic idea of “undead by infection� was the second big idea Romero would contribute to the zombie movie; it took longer to catch on but now is one of the most popular genre staples. Think the people behind this remake can do better with $12 million? Not bloody likely. (SP) 1@/HG 63/@B (R;

119 min.) Crazy Heart gives Jeff Bridges a belly-baring role, with his slit-eyed country singer Bad Blake as a kind of Bad Lebowski, a morose sweet-talking satyr drinking his way to the grave. On tour in his ancient 1978 Chevy Suburban, he meets a former Oklahoma newspaper reporter, Jean (Maggie Gyllenhaal). What truly concerns Jean is the influence this charismatic wreck of a man will be on her young son. Robert Duvall, who coproduced, plays a clean and sober bar owner in Houston who is also Bad’s mentor. Ultimately, it may be that Bridges is more fun to watch as a drunkard—his Bad has a hostile, coolly funny mean streak that goes away when he gets dry and sensitive. (RvB)

23/@ 8=6< (PG-13;

108 min.) Dear John is based on Nicholas Sparks’ epistle romance between a big, shy lug of a Green Beret named John Tyree (Channing Tatum) and Savannah Curtis (Amanda Seyfried), a well-off college girl who lives by the beach in South Carolina. She is a good girl who doesn’t drink, doesn’t smoke and doesn’t sleep around. Tyree begs Savannah to wait for her while his tour of duty ends. Then Sept. 11 strikes: a choice between his country and Amanda Seyfried. The Forever War is cornstarch to hold this batter together—the movie shuns female curves and goes full porno on the fuselages of cargo planes instead. Director Lasse HallstrÜm does a few things neat—a matching shot between a fountain of brass shell casings and tumbling of coins at the mint. (RvB)

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(PG-13; 95 min.) Lone Scherfig’s British coming-of-age film ends with a marathon session of tea brewing, but it has its good points. The look is cool—1960ish England may be more interesting than the full-blown and overexposed later ’60s. Twickenham-raised Jenny (Carey Mulligan) is studying for Oxford when she gets picked up by David (Peter Sarsgaard), a slightly older rotter; his slightly cruel eyes and flat smile forecast trouble to come. Until then, Jenny gets to see London high life and nightclubs, and voyages to Paris. Smelling class, and wanting to make their hard-working daughter happy, Jenny’s parents (Cara Seymour, Alfred Molina) relax the leash. And that’s when the young girl learns how David makes his money without working days. Mulligan is charming, the meet-cute is deft and Olivia Williams bears all the movie’s spine as a deliberately drabbeddown English teacher. Nick Hornby screenplay from the Lynn Barber memoir. (RvB) B63 56=AB E@7B3@

(PG-13; 136 min.) See review on page 29. B63 6C@B :=193@

(R; 138 min.) The soldiers of Bravo Company are stationed in Baghdad for the 2004 fighting. Central to the film is the mystery of Staff Sgt. James (Jeremy Renner) who comes in to replace a slaughtered demolition expert. James’ risk-taking amazes and angers his subordinate, Sgt. Sanborn (Anthony Mackie). The suspenseful, grimly funny script is by co-producer Mark Boal. Renner is outstanding as the inhumanly brave demolition expert. Director Kathryn Bigelow does what Howard Hawks would do; she finds the cooperation between men of great competence in a killing trade, rather than pumping up rivalry. Bigelow breaks through the sense of anonymity that characterizes most Iraq war movies, where helmeted men move alike and talk the same terse slang. (RvB)

3@71 :33 A/;C3: 5=:2EG< 47:;A

program is under the direction of a chainsmoking biologist (Sigourney Weaver). The politics play it both ways; letting us swoon over the military hardware and still lament for the plundered forests. If you’re going to see it, see it in 3-D. (RvB)

B63 7;/57</@7C; =4 2=1B=@ >/@</AACA (R; 117

min.) For Terry Gilliam, Don Quixote is still the ur-text. Despite the various stops and starts he has had adapting the Cervantes classic, Gilliam repeatedly makes films about fantasy as an escape from a cruel world. The Imaginarium of Doctor Parnassus has Christopher Plummer in the Man of la Mancha role this time, with Verne Troyer as Percy, a dwarf Sancho Panza. Plummer plays Doctor Parnassus, an immortal sage reduced to busking in a horse-drawn Gypsy wagon. He and his crew set up their stand in the streets of modern-day London, trying to lure patrons in to a world beyond the doctor’s mirror. On board is his daughter, who doesn’t know that she has been promised to the devil on her 16th birthday; Mr. Nick (Tom Waits) is sniffing around already. During their travels, the group rescues a hanged man named Tony (an irresolute Heath Ledger). (RvB) B63 :/AB AB/B7=<

(R; 112 min.) Well cast, visually pleasant yet strangely toneless film about Tolstoy’s last days. Around 1910 in Moscow, Valentin (James McAvoy) is recruited by Chertkov (Paul Giamatti), who is dedicated to carrying out the author’s reformist ideas regarding celibacy and manual labor. Valentin will live on Tolstoy’s commune and record the great man’s thoughts. Tolstoy (Christopher Plummer) is enjoying a sort of Indian summer, watching his minifarm bloom and receiving the adulation of the world. But the count’s countess—Sofya, his wife of nearly 50 years, played by Helen Mirren—has tired of her husband’s utopian politics. Mirren does the great lady thing with ease. (RvB) B63 ;=AB 2/<53@=CA ;/< 7< /;3@71/ (Unrated;

102 min.) Directors Judith Ehrlich and Rick Goldsmith tell how this former Marine and

@=/2 2=5A!!Xjmmjbn!Ivsu!bt!Csfuu-!Lsjtufo!Tufxbsu!bt!Nbsujof!boe!Feejf!Sfenbzof! bt!Hpsez!tibsf!b!sjef!jo!ÕUif!Zfmmpx!Iboelfsdijfg-Ö!pqfojoh!Gsjebz/ game theorist became dangerous when he copied the Pentagon Papers, a secret history of the Vietnam War. Ellsberg tried to leak them to the Senate; the solons showed little desire to hold the hot potato. The spud in question passed to The New York Times. When the papers were published, Ellsberg became a fugitive, persecuted by a vengeful President Nixon. Not overly nostalgic for the smell of vintage tear gas, for a change, and Ellsberg shows he’s still on the frontlines of protest. Concisely and intelligently told, this is a story to refresh the memories of the old and inspire the young. (RvB) >@317=CA 0/A32 =< B63 <=D3: >CA6 0G A/>>67@3 (R; 110

min.) Much lauded, but it’s a bulldozer. It’s 1987, during some of Harlem’s most suffering years. A girl of immense girth, 16-year-old Claireece (Gabourey “Gabby� Sidibe) makes her way through life. She has intelligence, but she can’t focus, and we learn why in flashback; she was serially raped by her mother’s boyfriend. Her scathing, angry mother, Mary (Mo’Nique), blames Precious for

this and her resulting pregnancy), urging her to stop this foolishness about school and go on welfare. Mo’Nique is great, but Precious has a judgmental streak that won’t quit. (RvB) A6CBB3@ 7A:/<2

(R; 138 min.) In 1954, two federal marshals, Teddy and Chuck (Leonardo DiCaprio, Mark Ruffalo), are sent to a Skull Island–like promontory in Boston harbor. They match wits with the lord of the place: Dr. Cawley, the bald head psychiatrist (Ben Kingsley), and his assistant, a Mahlerloving Mitteleuropean (Max von Sydow). The two supervise a weird staff; we can’t tell them from the inmates without their uniforms. Bad storm, check; power outage, check; escaped lunatic, check. The traditions are honored: nightmare sequences, statues flickering in lightning and visits to Teddy by the ever-more persistent ghost of his dead wife, Dolores (Michelle Williams). The all-you-can-eat buffet of fruitcakes includes a disfigured Elias Koteas, Patricia Clarkson as a tragic cavewoman, Emily Mortimer as a suburban Medea and Jackie Earle Haley. It’s all

laid out with panache, if with stagy chunks of backstory. It’s an entertaining throwback, not a step forward—a stumbling block for a baffled audience trained to believe “it must be important, because it’s Scorsese.� (RvB) / A7<5:3 ;/< (R;

109 min.) Based on Christopher Isherwood’s early-1960s novel, canonical in gay literature but slightly dusty today. A British professor (Colin Firth) teaching in L.A. loses his longtime companion in a car accident and has decided he can no longer stand the pain. He finds some consolation with a harddrinking old friend (and ex-lover) called Charley (Julianne Moore); on his route, he encounters young men who are both interesting and interested. Noteworthy as a great comeback performance by Firth, who has had much substandard work to deal with lately. Firth plays George with sensitivity and grace, and a sense of the era that most of the performers here lack. Director Tom Ford shows his roots as a fashion designer, focusing on surfaces. The clothes don’t make the men. (RvB)

B63 E=:4;/< (R;

102 min.) It’s not a perfect film, but The Wolfman is a loving remake, made by people who understood the romance, pathos and torment of the original 1941 film. This new animal has speed on his side, and there’s more viscera flying around. In 1891, after the horrific death of his brother, the noted Shakespearean actor Lawrence Talbot (Benicio del Toro) returns home to his family’s mansion. This means a re-encounter with his estranged father Sir John (Anthony Hopkins). The town gossip has it that Lawrence’s brother was killed by a tame dancing bear owned by a band of Gypsies; when investigating on a moonlit night, Lawrence himself is nearly killed by the real culprit. The fiancÊ of the late brother (Emily Blunt) stays to nurse Lawrence back to health And when the next moon rises, well, you know. The Talbot scenes suggest Del Toro was cast for his resemblance to Lon Chaney Jr., with his clouded, thick features and his air of suffering. We see the human under the fur. (RvB)

32 |

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Creek b Creek bourbon ourbon gglaze laze tthat hat ccalled alled o out ut tto o us. u s. D Deciding eciding tto o sshare hare a ssingle ingle p portion, ortion, wee ssurrendered w urrendered ccompletely ompletely tto o a llarge arge off q quivering, rrectangle ectangle o uivering, warm, warm, ffeathereatherllight ight b bread read p pudding udding gglazed lazed w with ith tthe he warm w arm m masculine asculine ttones ones o off ccaramelized aramelized whisky. w hisky. T Think hink h heartland eartland A American merican Not only was pudding ttiramisu. iramisu. N ot o nly w as tthe he p udding iitself tself creamy creamy and and light, light, it it was was joined joined by by ffreshly reshly whipped whipped cream cream that that made made my my palate p alate an an offer offer it it couldn’t couldn’t (or (or wouldn’t) wouldn’t) pampering, rrefuse. efuse. A rremarkably emarkably p ampering, ccompletely ompletely ssatisfying atisfying ffinish inish tto o tthis his meal. eexcellent xcellent m eal. Hollins Hollins House—who House—who knew knew it it was was the the next dining n ext hot hot and and affordable affordable d ining room room in in Santa Cruz? S anta C ruz?

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20 Clubhouse 20 Clubhouse Road, Road, Santa Santa Cruz Cruz 831.459.9177 8 31.459.9177 Open Mon–Fri O p en M on–Fri 8:30am–9pm; 8:30am–9pm; Sat– Sat– SSun un 7:30am–9pm 7:30am–9pm

!" j 27<3@¸A 5C723 march 10-17, 2010 A/<B/1@CH 1=;

Diner’s Guide

Our selective list of area restaurants includes those that have been favorably reviewed in print by Santa Cruz Weekly food critics and others that have been sampled but not reviewed in print. All visits by our writers are made anonymously, and all expenses are paid by Metro Santa Cruz. AG;0=:A ;/23 A7;>:3( + C\RS` + # + $ + O\R c^

Price Ranges based on average cost of dinner entree and salad, excluding alcoholic beverages

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$$ Aptos

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$$$ Aptos $$$ Aptos

$$ Aptos

207 Searidge Rd, 831.685.0610

8017 Soquel Dr, 831.688.1233 :/ 03::/ D7B/ 07AB@=

257 Center Ave, 831.685.8111 A3D3@7<=¸A 5@7::

7500 Old Dominion Ct, 831.688.8987

Indian. Authentic Indian dishes and specialties served in a comfortable dining room. Lunch buffet daily 11:30am-2:30pm; dinner daily 5pm to close. www.ambrosiaib.com. American and specialty dishes from the British and Emerald Isles. Full bar. Children welcome. Happy hour Mon-Fri 2-6pm. Open daily 11am to 2am. Italian. Ambience reminiscent of a small trattoria in the streets of Italy, serving handmade lasagna, pasta dishes, gnocchi and fresh fish. Wed-Sun, lunch 11am-2pm, dinner 5-9pm. Continental California cuisine. Breakfast all week 6:30-11am, lunch all week 11am-2pm; dinner Fri-Sat 5-10pm, Sun-Thu 5-9pm. www.seacliffinn.com.

H/;33< ;327B3@@/<3/< Middle Eastern/Mediterranean. Fresh, fast, flavorful. Gourmet

7528 Soquel Dr, 831.688.4465

meat and vegetarian kebabs, gyros, falafel, healthy salads and Mediterranean flatbread pizzas. Beer and wine. Dine in or take out. Tue-Sun 11am-8pm.

1/>7B=:/ $ Capitola

Capitola

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104 Stockton Ave, 831.479.8888

All day breakfast. Burgers, gyros, sandwiches and 45 flavors of Marianne’s and Polar Bear ice cream. Open 8am daily.

>/@/27A3 ACA67 Japanese. This pretty and welcoming sushi bar serves superfresh 200 Monterey Ave, 831.464.3328 fish in unusual but well-executed sushi combinations. Wed-Mon 11:30am-9pm.

California Continental. Swordfish and other seafood specials. Dinner Mon-Thu 5:30-9:30pm; Fri 5-10pm; Sat 4-10:30pm; Sun 4-9pm.

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Capitola

1750 Wharf Rd, 831.475.1511

AB=19B=< 0@7253 5@7::3 Mediterranean tapas. Innovative menu, full-service bar,

Capitola

231 Esplanade, 831.464.1933

international wine list and outdoor dining with terrific views in the heart of Capitola Village. Open daily.

$$$ Capitola

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203 Esplanade, 831.475.4900

California cuisine. Nightly specials include prime rib and lobster. Daily 7am-2am.

A/<B/ 1@CH $$ Santa Cruz

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$ Santa Cruz

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$$ Santa Cruz

1116 Pacific Ave, 831. 426.7588

1141 Soquel Ave, 831. 426.5664

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110 Church St, 831.429.2000

$$ Santa Cruz

B63 1@3>3 >:/13

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Santa Cruz

2218 East Cliff Dr, 831.476.4560

$ Santa Cruz

460 Seventh Ave, 831.477.2908

1134 Soquel Ave, 831.429.6994

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$$ Santa Cruz

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$$ Santa Cruz

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303 Soquel Ave, 831.426.7770

1102 Pacific Ave, 837.420.0135

Mexican/Seafood/American. Traditional Mexican favorites. Best fajitas, chicken mole, coconut prawns, blackened prime rib! Fresh seafood. Over 50 premium tequilas, daily happy hour w/ half-price appetizers. Sun-Thu 11am-10pm, Fri-Sat 11am-11pm. California organic meets Southeast Asian street food. Organic noodle & rice bowls, vegan menu, fish & meat options, Vietnamese-style sandwiches, eat-in or to-go. Consistent winner “Best Cheap Eats.� Open daily 11am-11pm. American, California-style. With a great bar scene, casually glamorous setting and attentive waitstaff. Full bar. Mon-Sat 11:30am-10pm, Sun 1-10pm. Crepes and more. Featuring the spinach crepe and Tunisian donut. Full bar. Mon-Thu 11am-midnight, Fri 11am-1am, Sat 10am-1am, Sun 10am-midnight. Seafood. Fresh seafood, shellfish, Midwestern aged beef, pasta specialties, abundant salad bar. Kids menu and nightly entertainment. Harbor and Bay views. Lunch and dinner daily. Mexican. Serving breakfast all day. Popular for our street tacos and handmade Salvadoran pupusas. Vegetarian options made w/ local fresh vegetables & organic tofu. Daily 9: 30am-9:30pm. Americana. Ribs, steaks and burgers are definitely the stars. Full bar. Lunch Mon-Sat 11:30am-2:30pm; dinner Sun-Thu 5:30-9:30pm, Fri-Sat 5:30-10pm. California/full-service bakery. Breakfast, lunch, dinner. “Best Eggs Benedict in Town.� Happy Hour Mon-Fri 5-6pm. Halfprice appetizers; wines by the glass. Daily 8am-9pm.

SANTACRUZ.COM

Sat. & Sun.

march 10-17, 2010

7:30am — 11:00am

| 35

!$ j /AB@=:=5G march 10-17, 2010 A/<B/1@CH 1=;

Astrology Free Will

1126 Soquel Ave. Santa Cruz, near the Crepe Place and Rio Theatre At your service everyday from 10-9 since 1978 www.gatewaysbooks.com

Free Public Parking at Cayuga & Soquel O (831)429-9600

Be the Hero of Your Own Sacred Quest TONIGHT! Wed, March 10 at 7 pm

Antero Alli — The Eight-Circuit Brain Navigational Strategies for the Energetic Body (Vertical Pool Publishing)

Thu, March 11 at 7 pm

Jeff Bell, KGO Radio Personality When in Doubt, Make Belief New World Library)

Wed, March 17 at 7 pm

Bill Raney — Letters to Zerky (Nickelodeon Press) Buoyant and bittersweet travel memoir by the founder of the famous Nickelodeon Theatre in Santa Cruz.

Thu, March 18 at 7 pm

Christopher R. Edgar Inner Productivity A Mindful Path to Efficiency and Enjoyment in Your Work (Cruzado Press)

Wed, March 24 at 7 pm

Veronica Monet, ACS The Truth About Men and The Mind of a Woman Author of Veronica Monet’s Sex Secrets of Escorts — Tips from a Pro (Alpha Press)

Wed, March 31 at 7 pm

FREE SPECIAL EVENT!

Master Mingtong Gu Wisdom Healing Qigong Ancient Science of Energy Healing Art from China — Master Gu will guide the group in an extraordinary life changing energetic healing experience, revealing powerful tools for improving health and opening to spiritual dimensions.

What’s New at Gateways New Reader Wi-Fi Coffee and Republic of Tea Organic & Free Trade Chocolates All Natural Dry Roasted snacks

Heart as Wide as The World

Krishna Das All new chants and the first abum recorded entirely in the studio in more than 10 years ... an offering to the One Love that lives within all of us ...

A gifted Medium and Clairvoyant, Ariel Holden utilizes Spirit communication, Tarot and her strong empathic abilities to reunite you with your destiny. Available Thursday 2-6 pm & Saturday 6-9 pm at Gateways.

By Rob Brezsny

For the week of March 10 /@73A (March 21–April 19): Sarah Bernhardt (1844–1923) was called “the most famous actress the world has ever known.� She did a few films in the early days of the cinema, but most of her work was in the theater. At age 70, she played the role of the 13-year-old Juliet in Shakespeare’s Romeo and Juliet. I commend her on her refusal to act her age, and recommend that you make a comparable effort in the coming weeks. For example, if you’re in your twenties, try something you thought you wouldn’t do until you were at a very ripe age. If you’re over 50, be 25 for a while. It’s an excellent time to do this kind of timetraveling. B/C@CA (April 20–May 20): You might have to use primitive means to accomplish modern wonders. It may be necessary to hearken back to what worked in the past in order to serve the brightest vision of the future. Take your cue from Luis Soriano, a saintly teacher who carries a library of 120 books on the back of a donkey as he meanders around the back country of Columbia, helping poor kids learn how to read.

53;7<7 (May 21–June 20): Humans have been baking and eating bread for at least 5,000 years. But it wasn’t until the 20th century that anyone figured out a fast and easy way to cut it into thin, precise pieces. Then Otto Rohwedder, who had been working on the project for 16 years, produced a machine that cut a loaf into individual slices. I bring him to your attention, Gemini, because I think you are in a phase of your life when you could very possibly create an innovation that would be as intimately revolutionary as Rohwedder’s was for the masses. In fact, why aren’t you working on it right now? 1/<13@ (June 21–July 22): In order to heal deep-seated problems, people may need to engage in long-term psychotherapy, patiently chipping away at their mental blocks for many years. But some lucky sufferers get their neuroses zapped virtually overnight, either with the help of a monumental event that shocks them out of their malaise or through the work of a brilliant healer who uses a few strokes of kamikaze compassion to creatively destroy their deluded fixations. I think you’re now a candidate for this type of correction, Cancerian.

:3= (July 23–Aug. 22): To discover the most useful truths, you will have to peek behind the curtains and root around to see what’s cloaked in the dark and maybe even explore messes you’d rather not touch. What complicates your task is that the fake truths may be extra loud and shiny, distracting you from the down and dirty stuff with their relentless come-ons. But I have confidence in your ability to outmaneuver the propaganda, Leo. You shall know the hype, and knowing the hype will set you free.

D7@5= (Aug. 23–Sept. 22): The evil geniuses of the advertising industry are hard at work in their labs dreaming up seductive new mojo to artificially stimulate your consumer lusts. Meanwhile, the media’s relentless campaign to get you to believe in debilitating fantasies and divert you from doing what’s really good for you has reached a fever pitch. And here’s the triple whammy: Even more than usual, some of your relatives and cohorts are angling to convince you that what pleases them is what pleases you. So is there any hope that you will be able to hone in on what truly excites you? (It’s especially important that you do so right now.) The answer, in my opinion, is a qualified yes—if you’re willing to conduct intensive research into the idiosyncratic secrets of what makes you happy; and IF you’re not scared to discover who you are when you’re turned on all the way. :70@/ (Sept. 23–Oct. 22): If you were living in Greece in the fifth century B.C., I’d urge you to bathe in the healing spring at the shrine of Asklepios in Athens. If you were in 19th-century France, I’d recommend that you trek to the sacred shrine at Lourdes—being sure to crawl the last half-mile on your hands and knees—and sip from the curative waters there. But since you’re a busy 21st-century sophisticate and may have a limited belief in miracles, I’ll simply suggest that you visit the most interesting tree you know and spill a bottle of pristine water over your head as you confess your sins and ask the sky for forgiveness and sing songs that purify you to the bone. A1=@>7= (Oct. 23–Nov. 21): It’s quite possible that the nature of consciousness is in the midst of a

fundamental transformation. The human race seems to be getting more empathetic, more compassionate, and even more psychic. Many of us are having experiences that were previously thought to be the province of mystics, such as epiphanies that give us visceral perceptions of the interconnectedness of all life. Even as some traditional religions lose members and devolve into cartoony fundamentalism, there are ever-increasing numbers of intelligent seekers who cultivate a more discerning spiritual awareness outside the decrepit frameworks. If you haven’t been on this bandwagon, Scorpio, now’s a good time to jump on. If you’re already on board, get ready for an accelerated ride.

A/57BB/@7CA (Nov. 22–Dec. 21): This week you’ll be working overtime while you sleep. Your dreaming mind will be playing around with solutions to your waking mind’s dilemmas. Your ally, the wild conjurer in the ramshackle diamond-encrusted sanctuary at the edge of the deep dark forest, will be spinning out medicine stories and rounding up help for you. So of course you should keep a pen and notebook by your bed to record the dreams that come. I suggest that you also try to keep the first part of your mornings free of busy work so you can integrate the full impact of the nights’ gifts. And don’t despair if you can’t actually remember any of your nocturnal adventures. Their tasty after-images will remain with you subliminally, giving your logical mind an intuitive edge. 1/>@71=@< (Dec. 22–Jan. 19): There’ll be an abundance of unambiguous choices for you to make in the coming days. I’m not implying they’ll be easy, just that the different alternatives will be clearly delineated. To get you warmed up for your hopefully crisp decisions, I’ve compiled a few exercises. Pick one of each of these pairs: 1. exacting homework or freeform research; 2. pitiless logic or generous fantasies; 3. precise and disciplined communication or heedless self-expression; 4. grazing like a contented sheep or rambling like a restless mountain goat. /?C/@7CA (Jan. 20–Feb. 18): Among Eastern religions, some traditions preach the value of getting rid of your desires. To be righteously attuned to current cosmic rhythms, however, I think you should rebel against that ideal, and instead cultivate a whole host of excellent desires. Use your imagination, please! Here are a few I highly recommend: a desire for a revelation or experience that will steer you away from becoming more like a machine; a desire for a fresh blast of purity from a primal source; a desire for an imaginary pet snake that teaches you how to be more playful with your libidinous energy; and a desire for a jolt of unexpected beauty that reminds you how important it is to always keep a part of your mind untamed. >7A13A (Feb. 19–March 20): I used to have an acupuncturist who, as she poked me with needles, liked to talk about her understanding of Chinese medicine. Once she told me that every human being needs a “heart protector,� which is a body function that’s “like a holy warrior who serves as the queen’s devoted ally.� But the heart protector is not something you’re born with. You’ve got to grow it by building your fortitude and taking care of your body. I think the heart protector will be an apt metaphor for you to play with in the coming weeks, Pisces. It’s going to be an excellent time for you to cultivate any part of your life that gives your heart joy, strength, peace, and integrity.

6][Se]`Y( AbO`dSR T]` U]]R \Sea- ESO`g ]T bVS \]\ab]^ PO``OUS ]T [WaS`g T]WabSR ]\ g]c Pg bVS [SRWO- 1VSQY bVWa ]cb( Vbb^( PWb Zg >`]\]WO<Sbe]`Y

Go to @3/:/AB@=:=5G 1=; to check out Rob Brezsny’s Expanded Weekly Audio Horoscopes and Daily Text Message Horoscopes. The audio horoscopes are also available by phone &%% &%! "&&& or 1.900.950.7700

SANTACRUZ.COM

march 10-17, 2010

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