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New N ew Politics Politicss 2010 Summer Summer e Concert Concert S Series eries June J une 3 C Cold old War Wa ar Kids Kids – Channel Channel 9 92.3 2.3 ((Alternative Alternative R Rock) ock) J June une 10 Lenn Lenny y Williams Williams with w h Pr wit Prince ince D Damons amons – KBLX KBLX 1102.9 02.9 F FM M ((R&B) R&B) June J un ne 1177 Ska Skatalites talites – MOViN MOViN 997 997 (Ska/Reggae) (Ska/Reggae)

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J June une 24 BoD BoDeans eans – KF KFOG OG G9 97.7 7.7 S SJ/104.5 J/104.5 S SF F (R (Rock/Pop) ock/Pop) J July uly 1 Th The e Eng English lish Bea Beatt – ALICE@97.3 ALICE@97.3 (Ska/New ALI (Ska/New W Wave) ave) J July uly 8 T Tonic onic aand nd Green Green n River River Ordinance Ordinance – MIX 106 1106.5 .5 (R (Rock/Pop) ock/Pop)

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J July uly 15 Don Don C Carlos arlos – LIVE LIV VE 105 (Reggae) (Reggae) J July uly 22 22 The The G Gaslight aslight An Anthem t em – Channel th Channel 9 92.3 2 3 ((Alternative 2.3 Alternative R Rock) o k) oc J July uly 229 9 Pete Pete Escovedo Escovedo Or O Orchestra chestra – KRZZ KRZZ 93.3 93.3 La La Raza Raza (Latin/Jazz) (Latin n/Jazz) Aug A ug 5 Foreverland Foreverland – 98.1 98 8.1 KISS FM (Michael (Michael JJackson ackson T Tribute ribute B Band) and)

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Bring a picnic and enjoy the music. San Jose State University Mall, Enter campus at 4th & W. San Carlos

*ULY — Saturday, July 24th at 7:00 pm

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Jon Nakamatsu playing Gershwin’s Rhapsody In Blue plus Aaron Copland, Leonard Bernstein, Duke Ellington & John Williams Sunday, July 25th at 5:30 pm

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The Lone Ranger, the MagniďŹ cient Seven and Casey at the Bat Plus our Ice Cream Social – free ice cream for everyone Friday, July 30th at 7:00 pm

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Salsa anyone? Oscar Hernandez leads America’s leading Latin Jazz band Saturday, July 31st at 7:00 pm

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Legend Christine Andreas returns to pay tribute to Broadway’s leading ladies. Sunday, August 1st at 5:30 pm

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The Big Band hits of the ’30s & ’40s come alive Plus a second Ice Cream Social – free ice cream for everyone

Target Summer Pops is supported by and

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THIS MODERN WORLD

I SAW YOU

9p TOM TOMOROW

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ISawYou@metronews.com Send us your anonymous rants and raves about your co-workers or any badly behaving citizen—or about citizens you admire. I SAW YOU, Metro, 550 S. First St., San Jose, 95113, or via email.

Heart Havoc @ _Xk\ k_Xk pfli n`]\ `j jf Zffc# Y\ZXlj\ pfl \ek`Z\ d\ jf% Gc\Xj\ jkfg Pfl befn `k [i`m\j d\ elkj n_\e pfl jkXe[ jf Zcfj\ k_Xk @ ZXe ]\\c pfli Yi\Xk_ Xe[ jd\cc pfli nXid dXjZlc`e\ dljb`e\jj% Dp _\Xik Ô lkk\ij n_\e pfl ^Xq\ `ek\ekcp `ekf dp \p\j% BefZb `k f]]% PflÊi\ b`cc`e^ d\% @k _likj% @ nXek kf ^\k fm\i pfl# Ylk `kÊj _Xi[ n_\e pfl n`eb# jd`c\ Xe[ [ifg _`ekj f] gfjj`Y`c`k`\j% ;feÊk dXb\ d\ `ekf X _fd\ ni\Zb\i Yp ni\Xb`e^ _XmfZ fe dp _\Xik%

city was talking with SJWC about selling. They could take a loan from the pension system to finance the purchase and operate it like all their other winning business enterprises. BLAIR WHITNEY | SAN JOSE

COMMENTS Letters@metronews.com Metro welcomes letters. Like any great work of art, they should be originals—not copies of material sent elsewhere. Please include your name, city of residence and daytime telephone number. (Phone number will not be published.) Letters may be edited for length and clarity or to correct factual inaccuracies known to us. = SanJoseInside

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A must read for all string pullers, pickers, glum Blum and family, and cherished shareholders. All may not be lost for our state’s learners if said shareholders might graciously reinvest in a state-funded higher learning. As a proud product of California public schools and universities, this article literally pulled tears from my eyes—a brilliant piece of journalism, to be read by all who care, especially those who think they don’t. Thank you, Mr. Blum. Go Slugs! MIKE O’NEIL | SAN JOSE

Clapping Sound A merry-go-round of applause for Peter Byrne’s article on the mixed state of adult education and higher learning here in California (“The Selling of UC,” Cover Story, June 30).

Tour Guide Thank you for the bit on “San Jose” by Gary Singh (“Tour the Obscure,” Cover Story, July 25.) It made me homesick. I appreciate the

“unappreciated view concept” in which the story was done. I, like the writer, spent a lot of time just walking through the unappreciated back alleys of the city. The quick yet descriptive manner of the locals paints a wonderful mosaic. By the way, my aunt is the proud owner of “Baby Land” on the corner of San Carlos and Bascom. MICHAEL | OCEANSIDE

Take It All Why aren’t they running the Mexican American Heritage Gardens, Hayes Mansion and the Golf Courses too (“Team Takes SanJose.org,” The Fly, July 14). It might not even be too late for them to bid on taking over the municipal water service that the

Tax Party In many ways, Republicans are the party of taxation and big government. For a half-century, they have been the primary advocates of excess trillions of dollars for military expenses. Republicans have opposed strong gun control laws. It costs an average of more than $100,000 for investigation, prosecution and lifetime prison expenses for each of more than 7,000 gun homicides per year. The GOP also tends to favor taxing families over corporations, protecting the likes of BP and allowing little or no taxation of foreign bank accounts. By resisting higher income on the wealthiest 2 percent, they even want more taxes for 98 percent of Republicans. LYNN LARSON | AZUSA

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THEFLY FLY THE

Gloves Coming Off Two weeks ago, LARRY PEGRAM handdelivered a letter to DONALD ROCHA, his opponent for the District 9 seat on the San Jose City Council. The three-page missive asked Rocha to pledge support for a doctrine labeled the “Pegram Principles,” obviously modeled on the “Reed Reforms” that helped Larry’s friend Chuck win the mayor’s job a few years back. (As if front-runner Rocha would have anything to gain by endorsing his opponent’s philosophy.) Pegram attached a personal note, essentially one of those “no-negative campaigning” promises: “Dear Don, I look forward to a campaign that is worthy of our consultants [?!] and is carried out in an honorable manner.” Six days later, a public records request was received by San Jose City Clerk LEE PRICE. The request, submitted by JAMES SPENCE of the San Jose–based Corporate Security Concepts, asked for Rocha’s expense reports, copies of all his emails (particularly those to and from the South Bay Labor Council), his reimbursement requests and his call records. VICTOR AJLOUNY, Pegram’s (and Reed’s) Don’t political consultant, forget confirms that he hired to tip! Spence, a former SJPD officer whom Ajlouny FLY@ advised during a failed METRONEWS. run for the District 6 COM council seat. Rocha was notified of the request when it was submitted. He pegged it as opposition research, naturally, and is bracing for some negative ads from camp Pegram in the near future—although he says he’s not too worried: “He’s got so much ground to make up that even if he did succeed on some level, I’m still ahead.” Ajlouny says he doesn’t know why Rocha is worked up. “If there is something in his voting record that he has a problem with, then we’ll probably find it, and the voters will know about it,” he says. “If Don Rocha is proud of every vote he’s ever taken, and believes in every vote he’s ever taken, and thinks everything he’s done in public life can stand up to the scrutiny of the voters, then he’s got nothing to worry about.”

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SVNEWS

Democrats for Wasserman 9CLII@E> G8IKP C@E<J D`b\ NXjj\idXe# I\glYc`ZXe ZXe[`[Xk\ ]fi k_\ Zflekp 9fXi[ f] Jlg\im`jfij# _Xj nfe \e[fij\d\ekj ]ifd j\m\iXc jlggfik\ij f] _`j ]fid\i fggfe\ek# gif^i\jj`m\ ;\dfZiXk K\i\jX 8cmXiX[f%

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E k_\ dfie`e^ f] Alcp /# :flekp 8jj\jjfi CXiip Jkfe\ d\k ;`jki`Zk ( Jlg\im`jfi ZXe[`[Xk\ D`b\ NXjj\idXe Xk 9`ccÊj :X] fe K_\ 8cXd\[X% 9p k_\ \e[ f] Yi\Xb]Xjk# Jkfe\# X c`]\cfe^ ;\dfZiXk# f]]\i\[ I\glYc`ZXe NXjj\idXe _`j \e[fij\d\ek `e k_\ lgZfd`e^ Efm\dY\i \c\Zk`fe% “I knew going into the meeting that if in fact our values were comparable

that I was prepared to endorse him,” Stone says. “I called Forrest [Williams]. I guess I wanted him to hear my decision, not find out from the press. It was a very short but cordial conversation.” After the June primary shook off three of the five candidates vying for the seat, the two men left standing are Wasserman, former mayor of Los Gatos, and Williams, former District 2 San Jose City Council member. Stone’s decision that morning was remarkable because of the fact that the four-time re-elected assessor—who coasted unopposed to another term in June—is a prominent and staunch Democrat. “I run nonpartisan, but I don’t think there’s too many people

that don’t know I’m a Democrat,” Stone says. “I can’t think of the last time I endorsed a Republican.” Stone is the latest in a lengthening list of Democrats crossing party lines to support Wasserman; some of them high-profile supporters of Democratic candidate Teresa Alvarado, who lost the chance at the run-off by a narrow margin to Williams. (Alvarado has not endorsed either candidate, but was seen seated near Wasserman at last week’s Rotary Club meeting.) While Wasserman is entering the general election as the clear favorite—he received more than twice the number of votes of either of his closest opponents—the November election is sure to draw more Dems, who will no longer be split between two Democratic candidates. Wasserman says he’s been pushing ever since the primary to win the support of those who would, based solely on the letter behind their names, naturally gravitate from Alvarado to Williams. Stone, who served as

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SVNEWS

KXb`e^ fe GlYc`Z <dgcfp\\jÊ Le`fej6 Stone was particularly happy to hear about Wasserman’s views on pension reform. “I’m a very strong advocate for reforming the public pension system, even though I’m a beneficiary,” says Stone, who believes the age of retirement in Santa Clara County is too low and the 90 percent of salary payout is too high. “Obviously, the employee unions don’t agree with me, but I think it’s inevitable that a ballot box solution is on the horizon, and an angry public punishes, it does not equalize.” Williams has had strong support, throughout his career and in the most recent election, from the South Bay Labor Council. That’s becoming an increasingly tricky affiliation when it comes time to talk tough about negotiating with county employees— particularly when balancing the budget relies on reducing pensions and cutting jobs. The organized labor issue was foremost in Assistant District Attorney

Karyn Sinunu-Towery’s mind when she, another Democrat and former Alvarado supporter, endorsed Wasserman. “Forrest is very hard working and very dedicated to this community,” Sinunu-Towery says, “but at this time, labor is a little bit unrealistic as to what is important for the county as a whole. “I see Forrest as a labor candidate, not a Democrat or a Republican.” Norm Kline, the former mayor of Saratoga who currently sits on the San Jose Planning Commission, says that when it comes to dollars and cents, a small-town mayor who doesn’t balance his budget with reserves is more attractive than yet another alum of the San Jose City Council, which has had increasingly messy budget problems. Counting himself as another Dem for Wasserman, Kline says he does see a trend emerging that could spell trouble for Williams. “[Wasserman] looks further ahead in the fiscal year. That’s a trait most small cities have. After one or two years of making cuts, you know you have a new norm. You hit a reset button and balance your budget not with reserves but with the revenues of today,” he says. “Jeff Smith, the new county executive, he’s a numbers person too. I think with a new board and a new norm, the county’s going to be OK.” Williams rejects the idea that he is in the pocket of labor and that the county’s woes can be blamed on the employees. He says he is also open to reformulating the pension plan but stresses a collaborative approach. “I believe we will be able to do some of that work. We gotta do that work,” he says. “The key is to respect everyone’s ideas, come up with a way that we can all agree that this is the way we want to go.” He also seems genuinely surprised that anyone would say that he can’t handle the budget as well as Wasserman, or that all his decisions are made from a pro-labor standpoint. “I want to have a dialogue with those people who say I’m going to do this or that. I want them to look at my record,” he says. “I represent the Democratic party in regards to moving forward to win this primary. We need everyone. Let’s get together and let’s go.” It remains to be seen whether a handful of well-known Democrats will be able to sway the casual Dem voter

come this November, and whether or not the real affiliation voters are concerned with will be “labor” or “independent.” “Mike cares deeply about workers and their conditions and how they’re treated,” says Sinunu-Towery. “I’m not saying he’s anti-labor. But he won’t be controlled by labor.”

THE FLY

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East Side Race On Though he’s yet to decide whom he’s endorsing in the District 5 runoff, J. MANUEL HERRERA will indeed be running to retain his long-held East Side Union High School District Board Trustee seat next fall. When Herrera hoofed it to the County of Santa Clara Registrar of Voters Office to pull his papers earlier this month, however, whom did he discover in line ahead of him? None other than former East Side Superintendent BOB NUÑEZ. Turns out that Nuñez has also thrown in his hat for a spot on the embattled school board, where trustee Frank Biehl’s, Herrera’s and board president Eddie Garcia’s seats are all up for grabs. (As an aside, we hear Garcia has had complications following his June heart attack and is still in intensive care.) Herrera says he and Nuñez chatted congenially about the World Cup while in line. Considering that Nuñez has been hovering around the East Side Board like a (ahem) fly ever since getting unceremoniously ousted amid a swirl of controversy last October, the news that he wants to get back on the board is somewhat unsurprising. Nuñez has already won the East Side Teachers Association endorsement, having been outspoken at board meetings on his concerns about fraud and intimidation within the district—particularly taking issue with East Side associate superintendent of facilities ALAN GAROFALO. Curiously, Garofalo quietly retired from the district on July 1, after having his contract renewed by the board on May 10. He gave one week’s notice.

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Alvarado’s finance director and was quoted in her campaign literature, is just the latest trophy. “It’s a very significant endorsement,” says Wasserman. “A moderate Dem endorsing a moderate Republican is a very good thing. I think we’re both doing what’s best for the county.” Williams dismisses the idea that Stone’s endorsement is a big deal, and waves it off with a joke: “I just concluded it’s probably OK because most people hate tax assessors,” he says. “I don’t know what the loss is.” He also dismisses the notion that it’s somehow indicative of a sea change, and is able to name a few Democrats who have come over from Alvarado’s failed campaign to his—San Jose City Councilmember Ash Kalra and Assemblymember Joe Coto. Wasserman has spent much of the campaign so far stressing his fiscal conservatism, a message that seems to be playing well in the current economic climate. Though the county recently closed a $223.2 million shortfall in its 2011 budget without much fur flying, Wasserman is attempting to position himself as the guy who can right the ship permanently.

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sv 411.com Musk is now responding yet again. What bothers me about this exchange is that the Silicon Valley press, VentureBeat in particular, is so focused on an entrepreneur’s personal life. A divorce isn’t anything that our readers want to know about. This isn’t Hollywood and these individuals aren’t out there trying to get lots of press about their personal lives. If they were, they’d hire agents and publicists and make the best of it. Instead they are focused on imagining and building the future. There’s no place in our community for these kinds of attacks. Venture Beat should apologize and move on, and let Tesla continue to disrupt the car industry. —MICHAEL ARRINGTON, TECHCRUNCH.COM

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Elon Musk on ‘Silicon Valley’s Jayson Blair’ TESLA MOTORS founder and CEO Elon Musk isn’t a man who backs down when facing the press. When The New York Times wrote an error-filled article, Musk lashed out at the author, saying, “What is he doing picking on an electric car company? Why would he pick on the little guy who is trying to do good when you’ve got egregious waste of money in the tens of billions occurring in Detroit?” He added “He’s a huge douchebag . . . and an idiot.”

Ned Owen’s diatribes regarding Elon are so freighted with conflated issues and deliberately manipulated semantics they’re exhausting to read, much less rebut. [He] has become a tax on anyone forced to explain the truth to anyone credulous (or inebriated) enough to embrace his work as an accurate depiction of reality. igniman I don’t know. . . . the Facebook movie . . . this thing with this guy, it seems to me the voracious audience DOES care about what goes on in entrepreneurs’ bedrooms (or dorm rooms) nowadays. Timm3 Sorry guys . . . but when you’re out trying to do an IPO, build a public company, every shred of your life is fair game. If you don’t like it, get out of the game.

And that was just when a journalist was poking at Tesla. Get into Musk’s personal life, and he’ll take off the kid gloves. Valleywag’s Owen Thomas, now writing for VentureBeat, has for some reason become fascinated with Musk’s personal life and continues to write about the man’s marital woes. He’s called Musk a liar on multiple occasions and seems delighted to get into the sordid details of Musk’s divorce. Musk wrote his side of things on the Huffington Post. Thomas hit him again.

Toyota: We’re Building a Car To Test Tesla’s Battery One of the many unknowns about Toyota’s partnership with Tesla was whether it would result in a jointly produced car.

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That won’t be known for many months yet, but Toyota has already taken a first step: It’s building Tesla’s battery into a test car so it can compare the Silicon Valley startup’s technology to its own lithium-ion pack. Toyota president Akio Toyoda told journalists at a briefing today in Nagoya, Japan, that Toyota is building an electric vehicle with a Tesla battery pack. The Japanese company’s in-house lithium-ion pack uses fewer, larger-format cells than the 6,831 commodity cells (essentially like mobile-phone batteries) that Tesla uses in the battery pack fitted to its 2011 Tesla Roadster 2.5. The company may feel it’s a bit behind the curve in lithium-ion adoption. The all-new 2010 Toyota Prius was meant to have a lithiumion pack, rather than the carryover nickel-metal-hydride technology it’s used since 1997. But Toyota bet on the wrong battery chemistry, meaning it had to start from scratch. And now it clearly wants to see whether the very different Tesla Motors approach could be used in a lower-cost, highervolume vehicle. Most analysts have concluded that the Tesla approach is fine for low volumes of $109,000 Roadsters, but too costly for Corollas. —JOHN VOELCKER, GREEN. VENTUREBEAT.COM; GREENCARREPORTS.COM

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sv 411 Man Sues for a Piece of Facebook Paul Ceglia thinks that he should own Facebook. Ceglia, from Alleghany County, N.Y., claims that back in 2003 he made a deal :<>C@8 with Mark Zuckerberg that he would design the social networking site for $1,000 and a 50 percent ownership stake. While it is unknown whether he got the $1,000, he certainly did not get his 50 percent. In fact, Zuckerberg himself only owns about 24 percent of the company, currently valued at up to $22 billion. But the case gets weirder. Ceglia also claims that the terms of the agreement stipulate that for every day that he exceeded the Jan. 1, 2004, deadline to finish the project, he would receive another 1 percent share of ownership. In other words, he would be paid more for every day that he was late—not the usual terms for a contractor. In any event, when you add the 34 days that Ceglia was late to the original 50 percent, Ceglia claims that he should now own 84 percent of the company. A judge in Alleghany County seems to agree with Ceglia and issued a restraining order preventing Facebook and Zuckerberg from “transferring, selling, assigning any assets, stocks, bonds, owned, possessed and/or controlled by the defendants,” at least until the case goes to court. Facebook has filed a motion to dissolve the restraining order, arguing that the case is frivolous. If Ceglia had any sense, he would have waited 60 days, and owned 110 percent of Facebook. But Ceglia is certainly serious.On his Facebook page, Ceglia describes himself as “self-employed” from 2003 to the present and as “Facebook owner.” —DANNY WOOL, SV411.COM

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Farmers’ Markets

Pension Reform Now!

1. Alum Rock Village - Sundays, 9am - 1pm James Lick High School, 57 N. White Rd., San Jose Year-Round, Rain or Shine.

9p PIERLUIGI OLIVERIO

2. Berryessa - Saturdays, 9am - 1pm 1376 Piedmont Rd. Year-Round, Rain or Shine.

3. Evergreen Village - Wednesdays & Sundays, 9am - 1pm p Evergreen Village Square, Ruby Ave. at Classico Ave., San Jose se Year-Round, Rain or Shine.

4. Vallco - Fridays, 9am - 1pm Vallco Shopping Mall, Stevens Creek & Wolfe Rd., Cuper no Year-Round, Rain or Shine.

FARMERS’ MARKET

5. Downtown San Jose - Fridays, 9am - 1pm San Pedro Square between Santa Clara St. & John St. May 7 to December 17

6. Santana Row - Sundays, 11am - 4pm Stevens Creek & Winchester Blvd., San Jose Year-Round, Rain or Shine.

7. Santa Teresa - Sundays, 9am - 1pm Kaiser Permanente San Jose: Santa Teresa Blvd. at Camino Verde, San Jose May 1 to October 30

8. Milpitas @ ICC - Sundays, 8am - 1pm India Community Center, 525 Los Coches St., Milptas Year-Round, Rain or Shine. Blvd.

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Recommendation: Direct City Attorney to prepare legally binding ballot language for a ballot measure to be considered at the Aug. 3, 2010, council meeting for the November 2010 election allowing residents of San Jose to vote on changing the city charter by removing charter language regarding “minimum benefit” and “contributions/ cost sharing” in regards to pensions (Sections 1504 and 1505). Removing this language would allow the flexibility to negotiate

a second tier pension for new employees whose hiring date is after Jan. 1, 2011. This proposal would not change current legally vested benefits for existing employees. Background: Public pensions costs are soaring and forcing our city to reduce essential services to residents. In fiscal year 2009–2010 the cost of pensions was $138 million. In fiscal year 2010–2011 the amount jumped to $200 million. (The $62 million increase is double the citywide library budget.) In fiscal year 2011–2012 that number will grow to $240– 250 million ($240-–$250 million is approximately the annual police budget) and could balloon to $350 million by 2015-–016. ($350 million is double the citywide Fire Department budget or more than the annual property tax and sales tax revenues.)

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Pierluigi Oliverio represents District 6 on the San Jose City Council. His column appears every Monday on San Jose Inside.

Gary SSingh in ngh

Dee Dee’s Day GLEB 98EE<I G LEB 9 8 EE<I K_\ IXdfe\j Dlj\ld j`kj fe X efe[\jZi`gk 9\ic`e j`[\ jki\\k% K_\ IXdfe\j Dlj\ld j`kj fe X efe[\jZi`gk 9\ic`e j`[\ jki\\k%

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@K<I8IP KI8M<C `j k_\ @K<I8 IP KI I8 8M<C M `j ` k_\ k_ iiX^\ k_\j\ [Xpj# n`k_ X^\ k_\j\ [Xpj [ # n`k_ dfi\ Xe[ dfi\ g\fgc\ dfi\ Xe[ dfi\ d g\fgc\ aafe\j`e^ kf `eÓckiXk\ fe\j`e^ kf `eÓckiXk\ k_\ _Xlekj f] k_\`i ]Xmfi`k\ k_\ _Xlekj f] k_\``i ]Xmfi`k\ Xlk_fij% K_Xk jX`[# k_\ \m\i$ Xlk_fij% K_Xk jX`[# k_\ \m\i$ Z_Xe^`e^ <lifg\Xe ZlckliXc Z_Xe^`e^ <lifg\X Xe ZlckliXc d\^Xcfgfc`j f] 9\ic`e f]]\ij d\^Xcfgfc`j f] 9\iic`e f]]\ij fe\ jlZ_ fggfikle`kp% fe\ jlZ_ fggfikle e`kp% On a nondescript sid side de street street in the ccentral entral b orough,, Kraus snickstrasse 23 borough, Krausnickstrasse to be be exact, exact,, sits the Ramones Ram mones Museum, a collection collection of o more more than 30 0 ar tifacts devoted devoted to t the gamegame300 artifacts changing New New Y o ork punk pu unk band York that existed existed from from 197 74 to 1996. 1996. 1974 F or €3.50, visitors ente er a small For enter

labyrinth of labyrinth o Ramones clothing clothing,, p osters, ne w clippings ws posters, news clippings,, set lists lists,, backstage backst age passes passes,, ccardboard p ardboard cutouts cutouts,, sk ate decks s, album ccovers, overs, handbills skate decks, handbills,, pinhead costumes costumes o and other rrelated elated ephemera. The entire entire ccollection ollection emer ged from from the eff ffo orts and emerged efforts obsessions of Florian Hayler, Haayyler, a local local Ramones fanatic. fa fanatic . D ee Dee Dee R amone, the the band’s ban nd’s Dee Ramone, o riginal b asss p layer aand nd p rimary original bass player primary ssongwriter, ongwriter, sspent pent ssome ome o is off h his cchildhood hildhood iin nB erlin aass an n ar rmy b rat. Berlin army brat. H is m other w as German, German, aand nd his his His mother was ffather ather w as aan nA merican sserviceman. erviceman. was American H is h alf- Germanness ccrept rept iinto nto His half-Germanness sseveral everall R aam mones llyrics yrics o ver the the years. years. Ramones over The mus seum unf folds o museum unfolds chr onologiicallyy, including separate chronologically, displa ayys for fo orr each member member of the displays band. Dee Dee’s D ’s section ffeatures Dee eeatures all of his books, book ks, including his notorious

2000 autobiography, autobiography, LLobotomy: obottomy o : 2000 Surviving the Ramones. Ramones a . Surviving Even better, better, another glass case casse Even commemorates the last show Dee D commemorates plaayed with the band before beffo orre he Dee played took place place at One Step S quit, which took Beyond in Santa Santa Clara on July July 5, 5 Beyond 1989. I am proud proud to say saay I was was att 1989. Santa Clarans can can a that show and Santa be proud proud that their city city is thus be recognized by by an international recognized museum museum. literary travel. traavel. LLobotomy, obotomy, But this is literary released in the United United originally released ooison Heart egin ns Kingdom as P Poison Heart,, b begins Dee’s youth youth in Berlin. Berlin n. His with Dee Dee’s was a chronic chronic alcoholic alcoholic who w father was regularly beat beat him. There There was was no n regularly sup pport, familial unit,, no emotional support, nothing. no nothing. was disturbed,” disturbed,”” he writes, writes, “I was failure in the first first describing his failure grade d . “I had h d anxiety anxiet i y problems; problems; bl ; grade. I had no self-esteem. selff- esteem. I was was because of the fighting figghting embarrassed, because my family. familyy. And I had never never been been in my taught anything anything by by an adult. I had h taught guidance. Everything Everyth hing absolutely no guidance. was a mystery.” mystery.” was city in constant constant a Berlin itself is a city

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lived there there for fo or spells, spells, flux. Dee Dee lived beffo ore and after thee wall wall went before 1961. As As a kid,, he used to go up in 1961. wandering alone through th hrough bombedbombedwandering buildings. out buildings. Upon returning returning to t Berlin later in Upon ’60s, he realized realized d the wall wall went the ’60s, directly through through hiss old ’hood. ’hood. Berlin directly was now a divided place, p e, and he plac was probably became became a divided person, person, probably like many man ny of the th he natives. natives. just like from a Simply put,, if onee hails from conflicted city, city, thosee conflicts conflicts often conflicted emerge in the person’s perso on’s creative creative work. emerge And Dee Dee often said that if he identiffy a real reaal home, home, Berlin had to identify be it. would be 1995,, the final song on the final In 1995, was a titled “Born to Ramones album was penn ned by by Dee Dee, Dee, Die in Berlin,”” penned even though he had d long since since left even recorrding features feeatures him the band. The recording n German,, which singing the bridge in submitted over over the t phone. phone. he submitted esssentially invented invented The man who essentially punk-rock bass playing plaaying y battled punk-rock also battled for o most of his hiis life, liffe, beginning beginning drugs for German ny. Sadly, Sadlyy, at an early age in Germany. battle in n June June of 2002 2002 he lost that battle Los Angeles, Angeles, dying dyin ng of a heroin heroin in Los overdose at age 49—just 49— —just j ffour o our overdose Raamones were were months after the Ramones Rock and Roll Roll o Hall inducted into the Rock daayys before beffor o e he was was of Fame and just days supposed to play plaay a solo s supposed gig at the Cactus Club in San Jose. Jose. Cactus contemplated itt all during a long I contemplated flight home on Air Berlin, which from Germany Germany now flies straight from Francisco. With Wiith all the to San Francisco. vacuous, overdone overdone “following “following “f o vacuous, in the footsteps”” travel traavel tours tou urs these days, daayys, footsteps” Dee’s dysfunctional dysfunctiional upbringing Dee Dee’s be required required reading reading if one should be goes to Berlin. goes all, it was was most m likely his After all, likely childhood in that city city messed up childhood drove him to drugs, d drugs , nearnearthat drove crimin nal activity, activity, which madness and criminal drove him to t help invent invent in turn drove rock and change chan nge the entire entire face face punk rock influen nce thousands of music and influence fo or decades decades of bands worldwidee for thereafter. Long Long live live Berlin and long thereafter. live Dee Dee Ramone. Ramon ne. live

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This illustrated tale by Harvey Pekar, with art by Joe Zabel and Gary Dumm, was the cover story for the July 11, 1996, issue of Metro, after a somewhat tortuous trail, as Pekar explained:

I originally wrote this story for Premiere. It had been commissioned by editor John H. Richardson with the approval of his superior, Susan Lyne. Richardson and other Premiere employees liked the story, but before it could be published, he and Lyne left the magazine, which had been purchased by the Hachette Filipacchi Corporation. Lyne’s resignation may have been influenced by this transaction; quite

possibly she saw trouble down the road. . . . Chris Connelly got Lyne’s job. While in the process of determining what to do with my piece, he, too, left Premiere because of disagreements with his chiefs. When Connelly’s replacement, Jim Meigs, formerly with US magazine, saw my piece, he reportedly exclaimed, ‘What is this?’ I was free to offer it to other publications. Vacation chronicles Harvey and Joyce’s early efforts to garner a deal for a movie based on American Splendor. As these excerpts show, Pekar found it hard to play Hollywood’s game.

Harvey Pekar, who died last monday, July 12, had a special relationship with readers of metro, where he published many original works over the years.

According to

Harvey

Long before the movie version of American Splendor made Harvey Pekar a genuine if unlikely celebrity, the bard of Cleveland actively freelanced articles. In the mid-1990s, Pekar established a rapport with Metro—thanks to reviewer Richard von Busack’s abiding belief in comic books as an art form. This connection led to a variety of reviews on a wide range of books and music by Pekar, as well as a three-page illustrated epic called “An Almost All-Expense-Paid Vacation.” Pekar was a prodigious talker, surging forward past my feeble attempts to steer our conversations toward mundanities like word counts and per-word rates.

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REMEMBERING

HARVEY

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As the city’s fortunes improved slightly, Pekar’s did also: his marriage

of 27 years occurred because he met Joyce Brabner, a fan from Delaware. The story is told in the celebrated movie that’s the perfect intro to Harvey’s life and times, also called American Splendor. One famous thing about Cleveland: Superman was created there. It doesn’t take much effort to contrast the ideal altruistic superhero and Pekar himself, whose works—whose persona as an artist—exemplified humanity, and

warts-and-all storytelling. Pekar’s work grew with the 1970s, a serious decade in his working-class town. Underground comics, then coming to their close as a popular medium, stressed sex, drugs and escapism. You’ll find only one sex scene worthy of the name in Pekar’s works, in American Splendor #1 (1976), a story (which Pekar never republished later) about his encounter with a

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childhood friend who became a prostitute. Pekar wasn’t a stoner, and he didn’t get out of town much. So most of the time, Pekar’s subject was work—the livelong day of his job as a clerk at a government hospital, the push-andpull of the relations with the people who worked there; his frustrations at trying to be a writer, of trying to get published and trying to promote his writings. (It was this quality that got Pekar called “a self-promoter” by Robert Christgau—big praise from a writer who trumpets himself as “The Dean of Rock Critics.”) Pekar originally self-published his work; it got national distribution because of a chance encounter he had with a friend from Hebrew school who owned a comic-bookdistribution system. (That’s how I found his work for the first time, in a now-defunct magazine stand in a Jewish neighborhood in L.A. at Pico and Robertson.) Pekar also had a big-name talent aiding him from the beginning; his friendship with Marty Pahls led him to befriend Robert Crumb when Crumb was still an artist for American Greetings. Before he was internationally famous, Crumb toiled for a couple of years under the direction of his thenboss Tom Wilson, whom Crumb characterized as the creator of “that fucking Ziggy.” Since they hung out for a while, Pekar got the idea from Crumb’s work of telling his own story.

The collaboration between celebrated cartoonist and Cleveland clerk produced not just some of Pekar’s best work, but some of Crumb’s best work as well. Pekar’s focus on good conversation and pungent silences harmonized with Crumb’s own longings to connect with the class of people who’ll never own a yacht, in Drew Friedman’s phrase. Their senses of humor overlapped, and so did their sense of tragedy and solitude. Their finest work together— collected in the essential book Bob and Harv’s Comics (1996)— observes the small talk of Pekar’s fellow employees and a co-worker’s casual mention of a near-death experience. (“I talked, I talked Jesus off the cross . . . but he shot me anyway.”). It’s likely Crumb never did anything in his career as soulful as the story of Pekar mulling over his own mortality during a Saturdaymorning trip to a bakery. When they stopped working together, Pekar found other collaborators. Despite the wildly different styles of these artists, Pekar became an easily recognizable comic character: a balding elder man with big sideburns and the neck of a white T-shirt showing under his button-down shirt. Unable to draw much, Pekar storyboarded out stick figure drawings, telling the story of his life; he paid various illustrators to flesh them

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out, and that’s how we have his story. He grew up the son of firstgeneration Polish-Jewish immigrants who ran a small mom-and-pop grocery store. There were two failed marriages, a year at Case Western University, a stretch in Navy boot camp. In the early 1970s, he made an unhappy trip to Santa Cruz and the Oregon coast. He also recorded personal moments in his living room—pondering books and jazz records (he was a contributor to Downbeat). Pekar was an autodidact; it’s clear he was intelligent enough for academia, and he was proud of the fact that his father was a Talmudic scholar. But as related in his 2006 memoir The Quitter he got his education through secondhand bookstores and the library. He was an anxious, argumentative man—a nitpicker who could drive people nuts. He was basically gentle despite a temper for two, as the song goes. It was still a surprise to hear that he was a serious fistfighter when he was young, when the various turfs of Cleveland were very clearly marked out for the different ethnics who lived there. But Pekar was always pugnacious and took great satisfaction in trying to keep David Letterman honest during his various trips to New York

to do the talk show. Letterman’s scheme seemed to be to have Pekar as part of his weekly roster of weirdos, a salt-of-the-earth eccentric from a city that’s better known as a punch line than a place. Pekar outwitted Letterman, preferring to bring home bad news about General Electric’s misdeeds to NBC, the TV station owned by the conglomerate. Though he delighted in chronicling his neuroses and fears, Pekar was a brave, honorable man. And he was humble. When I praised his work during my single visit to his house in Cleveland Heights in the early 1990s, he cut me off, “I put my pants on one leg at a time, you know?” Pekar once described the time he had after he recovered from lymphoma in the 1990s as “windfall years.” (He told the story of that illness in the outstanding memoir Our Cancer Year, illustrated by Frank Stack.) Pekar had a few of those vintage years after the film of American Splendor came out; he had some fame, and got to see a little of the world and a lot of his faithful readers. Pekar, who was concerned about his life and legacy, who thought of himself as a quitter and a nobody, who feared that his life would leave no impression, was mourned worldwide by fans.

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žžžžÂ›)žDONžTžHAVEžREALžHIGHžHOPESž žžžABOUTžTHISžOPTIONžBUSINESS Âœž0EKARž žSAYSžBYžPHONEžFROMž#LEVELANDžABOUTžHISžžžž MISADVENTURESžINž(OLLYWOOD žÂ›UNLESSžTHEYžžžž žžžžGETžSOMEžBIGžSTAR žAžREALžCOMER ž žžžžžžžžTOžPLAYžTHEžLEADžINžTHEžMOVIE Âœ —Harvey Pekar in a Metro interview with Richard von Busack rates. Often, Pekar would pretty much talk out an entire book review, as if he was writing it on the y—but the result was always lucid and smartly opinionated. Since most of these marathon calls were on his dime, I sometimes wondered if his expenses didn’t outrun his freelance income. But then again, when Pekar got to waxing about unknown streamof-consciousness novelists and forgotten musicians, I ďŹ gured he was really doing it for the love of exposing others to his favorites. We have assembled some salient samples of Pekar’s work for Metro. The full archive can be accessed at www.metroactive.com/arts/harveypekar.html. —Michael S. Gant

World’s Toughest Milkman 8j X ]Xe Xj n\cc Xj X Zi\Xkfi f] Xck\ieXk`m\ Zfd`Z Yffbj# ?Xim\p nXj \jg\Z`Xccp Xkkle\[ kf Xggi\Z`Xk\ k_\ XZ_`\m\d\ekj Xe[ glYc`j_`e^ kiXmX`cj f] ;Xm`[ 9fjn\cc# Zi\Xkfi f] ÉI\`[ =c\d`e^# Nfic[ĂŠj Kfl^_\jk D`cbdXe#ĂŠ `e k_`j (00/ g`\Z\1 Boswell turned his attention to producing Reid Fleming strips in 1978. . . . The ďŹ rst Fleming book was extremely funny and well received. Reid, the mighty milkman, was shown constantly outwitting and sometimes physically harming his supervisor, something that most readers fantasize about. Reid may possess superstrength, but he’s bald and has a protruding, rectangular nose—someone the common man can identify with, the salt of the earth. Favorable reaction to Reid Fleming caused it to be picked up by Eclipse, then the nation’s third-largest comic-

book company, which published some issues in a series titled Rogue to Riches. Then Eclipse, already ďŹ nancially overextended, went under, owing Boswell a good deal of money. To compound his troubles, Boswell was seriously injured in a traffic accident. From 1990 to 1996, Boswell did illustrations for a local newspaper, but the number of jobs he was able to get was diminishing, causing him to return to comic self-publishing. Using a computer, he does much of the production work himself. This year, he’s already gotten out two new issues of Reid Fleming as well as reprinting older editions with new material.

Alison Bechdel P\Xij Y\]fi\ 8c`jfe 9\Z_[\c Y\ZXd\ `ek\ieXk`feXccp ]Xdflj ]fi _\i d\df`i É=le ?fd\#Ê `e (00- G\bXi i\Zf^e`q\[ _\i kXc\ek `e _\i cfe^$ilee`e^ jki`g É;pb\j kf NXkZ_ Flk =fi%Ê It looks as if alternative comics are here to stay. An increasing number of people are using them to deal with a growing body of subject matter. Alternatives received a great boost years ago from the minicomic and self-publishing movement. It’s been particularly frustrating, therefore, to see how little attention has been paid to the laudable work of Alison Bechdel, whose syndicated strip Dykes to Watch Out For has been around since 1983 (several trade-paperback collections have been printed by Firebrand Books). She’s got a core audience, almost entirely gay and

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feminist, but it doesn’t seem to have grown much lately. Dykes to Watch Out For focuses on a group of intelligent, middleclass lesbians—black, white, Asian and Hispanic—living in a deliberately unnamed mediumsized city. The central figure is Mo, a feminist bookstore clerk. She’s bright, politically active and well-informed but full of crippling self-doubt. Straight people, including men, can relate to much that these women think and experience. Currently, Dykes to Watch Out For is carried almost exclusively in gay publications. It’s got crossover potential, though. You don’t have to be gay or female to appreciate Bechdel’s wit, thoughtful illustration and perceptiveness. Hers are thinkers’ comics, full of the stuff that classics like Gasoline Alley and Doonesbury are made of.

Russian Fiction ?Xim\p nXj X [\[`ZXk\[ jkl[\ek f] XmXek$^Xi[\ nfic[ c`k\iXkli\#

n`k_ X gXik`ZlcXi ]fe[e\jj ]fi Iljj`Xe efm\c`jkj# g\i_Xgj i\Zf^e`q`e^ `e k_\`i kfikli\[ Z_XiXZk\ij jfd\k_`e^ f] _`j fne ifle[\cXp f] hlfk`[`Xe [\jgX`i Xe[ [`jZfek\ek% @e (00-# _\ i\m`\n\[ McX[`d`i DXbXe`eÊj É<jZXg\ ?XkZ_Ê ]fi D\kif1 Makanin’s Escape Hatch . . . , which contains two dystopian novellas (written in 1991), indicates that, directly or indirectly, Makanin has been influenced by Evgeny Zamyatin, the author of We, a book that anticipated in great detail Brave New World and 1984. (Actually, Zamyatin’s a better writer than Huxley or Orwell, who both appropriated details of We’s plot.) In the novella Escape Hatch, the protagonist, a mathematician named Klyucharyov, travels through a tunnel from a deteriorating aboveground city, where public order hardly exists, to an underground community where residents live comfortably and safely but seem on the edge of

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SUUMMER MMER MUSIC & WINE FESTIV ESTIVAL AL

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Sunday, Sunda y, A August ugust 1, 1-6 P PM M HSSV A Animal n nimal C Community ommunity Center Centerr 901 A Ames Avenue, Milpitas mes A venue, M ilpitas Become B ecome an HSSV "Patron "Patron for for the Day" Day" for for $20 to to enjoy foods enjo j y wine i tasting, t ti , beer, tasting b r, finger beer fi foods d and d special i l HSSV discounts! di ounts! d disc t! View participating View our par ticipating winery winery & brewery brewery sponsors at at www.hssv.org www.hssv.org Abbie A bbie the Sur Surfing fing Do Dog g & star in ““Marmaduke” Marmaduke”

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ACCORDING TO HARVEY

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žÂ›,ETTERMANžDESERVESž AžKICKžINžTHEžBUTTžFORž žHISžANTI INTELLECTUALISM Âœ —Harvey Pekar in a Metro interview with Richard von Busack

some crisis. The Long Road Ahead, set in a future Utopia, ďŹ nds a young engineer traveling from Moscow to an isolated food-manufacturing plant in the steppes to install a machine he’s invented. Both works display nightmarish, Kafkaesque qualities. Everyone in Escape Hatch seems terriďŹ ed, waiting for the other shoe to drop. . . . Makanin’s works are allegorical, and it’s difficult to discern where he stands on speciďŹ c issues—possibly because he wants to provoke readers into asking questions rather than providing them with answers.

Stream of Consciousness @e (00.# ?Xim\p [\cm\[ `ekf k_\ nfibj f] JXdl\c Fie`kq# Xe lejle^ g`fe\\i f] jki\Xd$ f]$ZfejZ`flje\jj ni`k`e^% K_\ i\m`\n ZipjkXcc`q\[ ?Xim\pĂŠj XY`c`kp kf ]\ii\k flk Xe[ dXb\ j\ej\ f] ni`k\ij n_f _X[ Y\\e fm\icffb\[ Xe[ e\^c\Zk\[ Yp k_\ c`k\iXip dX`ejki\Xd% If anyone remembers Samuel Ornitz at all today, it’s as a screenwriter who was one of the Hollywood 10; his reputation as a novelist didn’t survive the 1920s. Despite the neglect, Ornitz is a signiďŹ cant literary ďŹ gure whose work deserves to be kept in print and read by anyone who cares about the evolution of the American novel. Ornitz belonged to a forgotten avant-garde movement that employed stream-of-consciousness techniques before the 1922 publication of James Joyce’s Ulysses brought the method to general attention. . . . I once told Leslie Fiedler, one of the leading mavens of American-Jewish literature, that Ornitz was an early experimenter

with stream-of-consciousness passages. After I’d pointed them out, Fiedler agreed, but he was astounded that he’d missed the fact that Ornitz was such an advanced stylist. He had always associated stream-of-consciousness writing with Joyce’s complex prose and the art-for-art’s-sake attitude of most modernists. Ornitz, on the other hand, was a didactic leftist who dealt with problems of the poor and political corruption and inequality. Fiedler had grouped Ornitz with turn-ofthe-century realists and naturalists like Upton Sinclair, who hoped to bring about political and social change with their work.

Jazz Notes ?Xim\p nXj X \ek_lj`Xjk`Z dlj`Z ]Xe# n_f cfm\[ aXqq Ylk efk kf k_\ \oZclj`fe f] fk_\i ^\ei\j% @e (00-# _\ nifk\ XYflk Jle IX1 San Leandro’s Rastascan label has just released three world-class recordings, which isn’t too amazing when you consider how many ďŹ rstrate, if underappreciated, musicians appear on them. The label focuses on experimental music and the imaginative genre-blenders who are putting together new hybrids. It’s great that Rastascan is documenting the scene, because we’re living in a period of wonderful innovation. A two-CD tribute to Sun Ra titled Wavelength InďŹ nity features the jazz great’s music being performed by a broad spectrum of progressive jazz and rock artists: Elliot Sharp, Eugene Chadbourne, NRBQ, the Eddie Gale*/John Tchicai Sextet and the Thornhill/

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*Gale is a longtime fixture on the San Jose jazz scene.

Tuba Sounds @e X [`]]\i\ek dlj`ZXc m\`e# `e k_`j (00. i\m`\n# ?Xim\p giX`j\j k_\ XmXek$^Xi[\ ki`f JgXe`j_ =cp1 [Marcus] Rojas, who may be the best all-around tuba player in the world, crusades on behalf of the instrument’s flexibility and

rich timbre. “I want to make great music that many people will hear,” he says. “The tuba does that, although most people don’t realize it. Using it as a rhythm instrument is in my blood; I grew up listening to Latin music.” Rojas sings into his tuba, employs multiphonics and halfvalved tones, taps on his horn like a drum and often makes sounds that most listeners don’t believe it can produce. Tronzo also invents techniques, using cups, spoons and an ashtray—and rubbing his guitar against a chair—to get unique sounds. Among them Rojas, [Steven] Bernstein and [David] Tronzo have a huge musical frame of reference and draw from many genres. . . . All three trio members value spontaneity and want to make music they couldn’t produce with anyone else. Says Rojas, “We’re not doing a gig just to do a gig. Sometimes we just show up and play; we don’t talk. I happen to get lost if I know where I’m going.”

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Chabot/Montclair Tri-School Arkestra, composed of hip elementary school kids. All of these performances have something to recommend them, and most are entertaining. Beyond that, however, the quality of the tracks varies almost as much as the styles represented. I was happy that the group of trumpeter Gale and Tchicai, who came to the fore on alto sax but plays tenor here, contributed a version of “An Island in Space.” Not much has been heard from them nationally in some time, but they play thoughtful, satisfying solos here.

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Felipe Buitrago

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All those cheeseburgers and chicken nuggets are bad news for the planet because industrial livestock production is responsible for massive outputs of carbon, nitrous oxide and methane, not to mention soil erosion, deforestation, groundwater pollution and loss of biodiversity. Fast food also contributes to the needlessly cruel treatment of animals, with crowded feedlots, dark cages and pens too small to turn around in. With type 2 diabetes, heart disease and obesity on the rise, fast food isn’t so good for humans, either. Any notion that fast food is cheap or convenient sorely misses the big picture. The world would be a better place

if there were no fast food. But what about healthier fast food? San Jose’s 2-month-old Sante Grill takes a modest step in that direction. Owner Bill Cory says he doesn’t trumpet his restaurant’s healthy aspirations lest they scare folks away since many diners equate fresh and healthy food with food that doesn’t taste good. (But unfresh and unhealthy food? Now that gets people’s appetite going. Go figure.) Sante Grill aims to “revolutionize” fast food with its lighter, nonfried, less calorically dense menu. The restaurant isn’t out to save the world through its food, it’s just trying to make fast food that doesn’t taste like fast food. And on that score the restaurant does pretty well. The t-bacon cheeseburger ($5.49) is lightened up with turkey bacon, “lite” American cheese and grass-fed beef. It’s a decent burger that doesn’t leave such a large carbon footprint. The patty—80 percent beef/20 percent fat—is rather thin and a bit dry, but taken as a whole with the pickles,

lettuce, other condiments and whole-wheat bun, it’s a step above a Whopper. Cory couldn’t say exactly where his grass-fed beef comes from, because he buys it from a wholesale supplier, but the bison in the buffalo burger ($5.99) comes from Durham Ranch in Wyoming where media-mogulturned-rancher Ted Turner is trying to revive interest in this great American meat. Leaner than beef and pasturefed (instead of fattened on corn and other grain like most industrial meat), bison is a forward-thinking alternative to beef. The lower-calorie pepper jack cheese and chipotle-flavored mayonnaise are nice touches, too. Along with burgers, any selfrespecting fast-food joint has to get its fries right, too. Sante’s are good, especially considering they aren’t fried. Instead, the restaurant uses an 5,000-watt infrared convention oven to bake the fries in superheated air. The potatoes come out pleasingly crisp outside and moist inside. For something different, try the crispy green-bean fries, lightly battered green beans taken for a spin in the turbo oven. For something really good in a messy, nachos kind of way, go for the white-bean chili chicken cheese fries ($6.25). The name pretty much tells

you everything you need to know about the dish except that you have to eat it quickly to avoid soggy-fry syndrome. Spicy Pacific Rim grilled chicken ($10.99) is another winner. The twin chicken breasts are lacquered with a sweet and spicy sauce that’s actually spicy. It and other entrees come with a choice of two sides. The menu might switch to a choice of just one side in order to bring the price down. Either way, try the sweet potatoes. Rather than being cloyingly sweet, the puréed potatoes have a spiced, savory side to them that was surprisingly good. I’d welcome them to dinner for Thanksgiving. For desserts, head for the fat-free frozen yogurt shakes ($4.99). The mocha biscotti is a good flavor. Sante also serves beer and wine, which further differentiates it from other fast-food restaurants. Sante Grill gets points for serving its food on washable plates rather than disposable paper, plastic or Styrofoam. What’s really revolutionary is the availability of vegetarian options. The menu includes a vegetable burger ($4.99), various wraps like the “south of border” veggie wrap for $3.99 (let’s call it what it is: a burrito) and the “Mediterranean portobello” mushroom wrap ($5.99). I liked the veggie potstickers ($4.99), too. They’re available steamed or fried. None of Sante’s produce is organic. Cory says that for a fast, casual place, serving organic produce would make the cost too high. That’s probably true. It’s too bad few people are willing to spend a little more in defense of their own self-interest, i.e., a healthy planet. Low-calorie is good, but so is lowcarbon food. Serving fast food that’s not quite so fattening is a needed change to the market, and I commend Sante for it. But better-for-you fast food addresses only a small part of a much larger problem. What good is a flat stomach and a low cholesterol count if the natural world on which we ultimately depend for our wellbeing is in peril?

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Campbell ¿book ¿ book online at campbell.net

NEGEEN N EGEEN PPersian. ersian. $$. Mira Mira puréed ghasemi, grilled and pur éed eggplant in a tomato sauce scrambled with scr ambled eggs, and puréed kashk-e-bademjan, pur éed eggplant topped with mint creamy and a cr eamy yogurt sauce, aree gr great, aree the kebabs. ar eat, as ar Don’t D on’t miss the excellent Persian cream. P ersian ice cr eam. 11:30amMon-Thu, 10pm M on--Thu, 11:30amFri-Sat midnight FriSat and 11:30am-9pm W.. 11:30am9pm SSun. un. 801 W Hamilton Hamil ton Ave. Ave. 408.866.6400. 408.866.6400 0.

TIGELLERIA T IGELLERIA. IItalian. talian. $$. TTigelleria’s igelleria’s menu centers on fine cheeses and Italian Italian paired salumi pair ed with tigelle, tigelle free-flowing, fr ee-flowing, piping hot flat-breads flat-br eads the size of mini bread pitas. TThe he br ead fforms orms the addictive heart of the meal. 11:30am-2pm LLunch unch 11:30am2pm and 5-10pm daily.. 776 dinner 510pm daily 6 EE.. Ave. 408.884.3808. CCampbell ampbell A ve. 408.884.3808 8.

Cupertino ¿book ¿ book online at cupertino.com cupertino com

CCUPERTINO UPERTINO BAKERY BAKERY IIndian ndian bakery. $. Don’t Don’t be ffooled ooleed and bakery. by the name. Cupertino Cupertino Bakery is really really a great great South South Indian Indian restaurant. restaurant. Unlike many South South Indian Indian restaurants, restaurants, Cupertino Cupertino Bakery Bakerry isn’t isn’t vegetarian. Good lunch buffet buffet for for $7.99. $7.99. Don’t Don’t miss the dosa and utthappam. 11:30am-9:30pm 11:30am-9:30pm daily, dailyy, but weekdays y kitchen closes 2:30-5:30pm. 102521 SS.. De De Anza Anza Blvd. 408.517.9000. 408.5177..9000. DYNASTY SEAFOOD DYNASTY SEAFOOD ongRESTAURANT R ESTAURANT Hong KKonghinese. $$$. D ynasty style CChinese. Dynasty specializes in Hong KKongongstyle seaf ood. TThe he seaf ood seafood. seafood is very fr fresh, esh, especially the

creatures swimming minutes creatures before arrive bef ore they ar rive on your plate. Good dim sum, too. bar.. 11am11am-2:30pm Full bar 2:30pm and 5-9:30pm Mon-Thu 59:30pm M on--Thu and 10am-3pm 5-9:30pm 10am3pm and 59:30pm Fri-Sat. N.. W Wolfe FriSat. 10123 N olfe Rdd (in CCupertino R upertino SSquare). quare). 408.996.1680. 408.996. 1680.

GGilroy/ il oy/ ilr Morgan Mor gan Hill ¿ book online at ¿book gilroy-california.com gilr oy-california.com

RAGOOTS R AGOOTS American. American. $$. Ragoots Ragoots offers offers a menu of recognizable recognizable favorites favorites with a gourmet kick—salade niçoise with salmon instead of tuna; flatiron flatiron steak with herb ith blue-cheese bl h h b butter; smoked salmon and prosciutto prosciutto fettuccini. fettuccini. 11:30am-9pm 11:30am-9pm Tue-Sat.10amTueu Sat.10am2pm Sun. Sun. 17305 Monterey Monterey Rd, Rd, Morgan Morgan Hill. 408.201.9200.

Palo P alo Alto Alto ¿ book online at ¿book paloal to.net paloalto.net

BISTRO B ISTRO M MAXINE AXINE Cafe. Cafe. e $$. $$ Bistro Bistro Maxine Maxine is a bright, friendly little spot, a coff coffee ee creperie shop and cr eperie rrolled olled you’ree luck lucky, into one. IIff you’r y, you’ll snag one of the five indoor or two outdoor tables while perusing the long straightforward but str aightforward menu. 8am-2pm 6-10pm 8am2pm 610pm TTue-Fri, uue-Fri, Ramona 9am-4pm SSun. un. 548 R amona 650.323.1815. SSt. t. 650.323. 1815. CALAFIA CAFE CALAFIA CAFE A AND ND Eclectic. MARKET M ARKET A GGO-GO O-GO Eclectic. $$. CCalafia Market alafia Cafe Cafe and M arket A Go-Go combines elements of the ffast-food ast-food world and the labor-intensive slow more-highcooking of mor e-highend rrestaurants. estaurants. CChef hef and Ayers owner CCharlie harlie A yers (who was Google’s Google’s first chef)

¿= book online $ = $10 $$ = $11-$15 $$$ = $16-$20 $$$$ = $21 and up Ranges based on average cost of dinner entree and salad, excluding alcoholic beverages

calls his concept ““slow slow ffood ood ffast”—good-to-eat ast”—good-to-eat and good-for-you good-f or-you food food that he hopes will appeal to SSilicon ilicon Valley’s frenetic, V alley’s fr enetic, too-busyof lif life. to-eat pace p e. LLook ook ffor or good burgers, burgers, pizza, salads, fresh and fr esh fish. 11am-9pm 11am-9pm weekdays; 9am-9pm 9am-9pm SatSatReal. SSun. un. 858 El El Camino Camino R eal. 650.322.9200.

LAVANDA LAVANDA M EDITERRANEAN Grill $$$. MEDITERRANEAN TThis his urban grill at the top of University A Avenue venue off offers ers eclectic small tasting plates, along with heartier ffare are such as rroasted oasted sea bass with chanterelle mushrooms chanter elle mushr ooms and guinea ffowl owl with sautéed chard. 11:30am-2:30pm char d. 11:30am2:30pm Mon-Sun, 5-10pm Mon-Thu, M on-Sun, 510pm M on--Thu, 5-11pm Fri-Sat, 5-9pm 511pm FriSat, 59pm SSun. un. merson). 185 University (at EEmerson). 650.321.3514.

MANTRA M ANTRA Fr French, ench, A American merican and IIndian. ndian. $$$. M Mantra antra ser serves ves inventive Fr French ench and A American merican ffood ood that speak speakss with an IIndian ndian accent. IItt isn’t moree isn ’t fusion, but a mor subtle blend of surprisingly compatible flavors and techniques. LLunch unch 11:30am2:30pm TTue-Fri, ue-Fri, u dinner 5-10pm 510pm SSun-Thu un--Thu and 5:30Fri-Sat. 632-636 10:30pm FriSat. 632 -636 EEmerson merson SSt. t. 650.322.3500.

MAYFIELD BAKERY MAYFIELD BAKERY A AND ND CCAFÉ AFÉ AAmerican. merican. $$$. With its simple but handsome décor, décor, open kitchen fronted fronted by a long counter l t andd tidy tid stacks stack t ks of split almond logs tucked against the wall for for the great great smelling wood-burning oven, Mayfield Mayfield Bakery and Café Café presents presents updated versions of seasonally driven Mediterranean Mediterranean and

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Recently, I’ve caught the whiff of a new culinary phenomenon that has San Jose buzzing: pot club cuisine. There has been an explosion of pot clubs (medicinal marijuana dispensaries or cooperatives is the preferred term) in San Jose. Anyone with a medicinal marijuana card will encounter a smorgasbord of weed-laced food. Some patients don’t like to inhale their medicine, so edible forms of THC offer another option. Instead of take and bake, think take and get baked. Stoner food has gone way beyond pot brownies: pizza, ice cream, chocolate sauce and even soda pop. I hasten to say that this will not be a review of pot clubs. Let’s call it a survey. While I pride on myself on my stomach’s capacity and resiliency, I don’t think my brain could handle the rigors of a thorough taste test. As pot shop workers will tell you, eating your medicine instead of smoking it means the effect is delayed and can be stronger. So you’d want to be careful about eating, say, a quarter bag of “I Can’t Believe It’s Pot Butter” buttered popcorn at 9pm and then go to bed stonecold sober only to wake up a few hours later with the sinking feeling that you’re deeply and inconveniently stoned. Not that I have any firsthand knowledge of that or anything. DOUG CHLOUPEK, co-owner’s of San Jose’s MEDMAR HEALING CENTER, a pot club that offers customers medical marijuana as well as massage, yoga, marijuana-growing classes and hemp clothing, says edibles account for about a quarter of the nonprofit organization’s business. Prices range from $7 to $15. Most products come from bakeries in Oakland and Santa Cruz and include a wide range of pastries like cookies and cupcakes but also candy, bubble gum and even savory items like peanut butter, salad dressing and barbecue sauce. “If you can think of it, they’ve done it,” says Chloupek. The medicinal component of the food generally comes from butter or oil that has been cooked with marijuana. It’s also possible to make pot-steeped glycerine that goes into hard candies and beverages like Lazy Lemonade, OG Kush and Green Crack. Over at the SAN JOSE PATIENTS GROUP on The Alameda, volunteer Amy, who didn’t want to give her last name, says edibles account for half of the businesses’ sales because so many of their customers are elderly and don’t like to smoke. She has one customer who is 98 and another who is 92. Many vendors offers their edibles for free to terminally ill elderly patients. “Everyone loves us because we’re like a bakery,” she says. “We had to get two refrigerators because we have so much stuff.” PALLIATIVE HEALTHCARE CENTER is unique among San Jose marijuana dispensaries in that it has a pastry chef who creates its own line of food. JESSICA MCMANNUS graduated from California Culinary Academy and worked in local restaurants before she began cooking up medical marijuana treats. Some of her products include lollipops, German chocolate cupcakes, cookies, truffles, and gummy candies. With dozens of other dispensaries in the city, there’s more opportunity for other pastry chefs to move into this homegrown business.—Stett Holbrook Metro intern Mariel Balderas contributed to this story.

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WINE

M

@CG@K8JÊ fe\ Xe[ fecp n`e\ip# 9`^ ;f^ M`e\pXi[j# fg\ej `kj [ffij kf k_\ glYc`Z ]fi n`e\ kXjk`e^ Xe[ X c`m\ ZfeZ\ik fe JXkli[Xp# Alcp )+# Xe[ X [Xp f] dfi\ n`e\ kXjk`e^ fe Jle[Xp# Alcp ),% The winery will be open for tasting both days from noon to 5pm. From 6 to 9pm on Saturday, the COLONY STREET BAND will play covers from the ’70s to today. Wine tasting is free, but $10 gets visitors a Riedel glass with Big Dog’s logo. The cost of the concert is $10 and includes parking. Space is limited. Big Dog Vineyards specializes in cabernet franc and cabernet sauvignon, grape varieties that do well in the rocky hills and cool climate in the hills above Milpitas. You can make a reservation for the concert or get more information on the winery’s web site at www.bigdogvineyards.com. Or call 408.935.9194 for more details.—Stett Holbrook

25 2 5 American classics—big, bol American bold, d, rustic flavors and simple preparations pr eparations that aim to let grown ingredients locally gr own ingr edients without speak ffor or themselves withou ut any undue manipulation or pretence. stuff: pr etence. You Yoou know the stuf f: Niman burgers, Niman Ranch Ranch bur gers, spitrroasted oasted meats, frisée salads with crumbled bacon and a poached egg on top, pizzas, crusty, fresh esh grilled fish, crusty y, fr bread br ead and hearty, heartyy, satisfying desserts. 8am-4pm and 5-9pm Mon-Fri; 59pm M on-Fri; 9am-4pm 5-9pm and 59pm SSat-Sun. at-Sun. 855 EEll Camino 650.853.9200.. Camino Real. Real. 650.853.9200

Downtown D owntown SSan an Jose Jose ¿book ¿ book online at sanjose.com

BILLY B ILLY B BERK’S ERK’S EEclectic. clectic. $$. Billy Berk’s restaurant restaurant looks looks and taste likes the offspringg of the Hard Hard Rock Rock Cafe Cafe and Chili’s. Chili’s. The The downtown San San Jose Jose restaurant restaurant offers offers a populist mix of American, American, Mexican Mexican and Asian Asian ffood. ood. Most Most dishes are are designed for for sharing—appetizer-sizee portions, nibbles and finger foods foods that pair well with the prodigious prodigious drink list. 11:30am-10pm 11:30am-10pm Mon-Wed, Mon-Wed, 11:30am-10pm 11:30am-10pm Thu, Thu, 11:30am11:30am m-

11pm Fri, 55-11pm 11pm SSat, at, Bar open till midnight. 99 SS.. First SSt, t, SSan an Jose. Jose. 408.292.4300.

N NHA HA TO TOII VVietnamese. ietnamese. $$$. Nha Nha TToi ooi is the place for for northern style V Vietnamese ietnamese ffood-—less ood-—less sweet than Vietnamese southern V ietnamese ffood ood and less spicy than the central Vietnam, ffood ood of centr al V ietnam, yet it makes wider uses of aromatic ingredients ar omatic ingr edients 9amdaily.. 460 EE.. William SSt. 10pm daily t. 408.294.2733.

ORIGINAL O RIGINAL JJOE’S OE’S IItaliantalianAmerican. $$. For five American. decades O OJ’s J’s has been serving ser ving classics of A American merican and IItalian-American talian American food talianfood with heaping portions of big glamour.. city attitude and glamour TThe he rrestaurant estaurant underwent underwent an extensive rremodel, emodel, but the menu is the same as it ever 11am-1am daily.. 301 SS.. was. 11am1am daily First SSt. t. 408.292.7030.

SSan an Jose Jose ¿ book online at ¿book sanjose com sanjose.com

AMBER A MBER IINDIA NDIA N Northern orthern Indian, Indian, tandoori. tandoori. $$. $$. TThe he sister sister to to the the popular popular Mountain Mountain View View restaurant, restaurant, Amber Amber India’s India’s SSantana antana R Row ow location location continues continues to to offer offer elegantly elegantly prepared prepared Indian Indian cuisine cuisine in in a stylish stylish setting. setting.

11:30am-2:30pm, 11:30am-2:30pm, 5-10pm, 5-10pm, Mon-Thu. Mon-Thu. noon-3pm, noon-3pm, 5510:30pm 10:30pm Fri-Sat, Fri-Sat, noon-3pm, noon-3pm, 5-10pm 5-10pm Sunday. Sunday. 377 377 Santana Santana Row. Row. 408.248.5400. 408.248.5400.

BILL’S B ILL’S CAFÉ CAFÉ D Diner. iner. $ $.. SServing erving oonly nly bbreakfast reakfast and and lunch, lunch, Bill’s Bill’s knows knows its its way way around around typical typical diner diner standbys—eggs standbys—eggs (scrambles (scrambles and and hollandaise-laced hollandaise-laced “benedictions”), “benedictions ”), pancakes pancakes and and expertly expertly grilled grilled sandwiches sandwiches and and burgers. burgers. 6:30am-3pm 6:30am-3pm daily. daily. 302 302 N. N. Bascom Bascom Ave Ave (at (at Naglee). Naglee). 408.287.2455. 408.287.2455. EELL T TULE ULE M Mexican. exican. $ $$. $. Most Most of of the the menu menu is is devoted devoted to to Mexican-American Mexican-American standards, standards, but but the the separate separate menu Oaxacan menu ooff O axacan sspecialties pecial ties is where is w here EEll Tule Tule really really shines. shines. The The black black mole mole is is uncommonly uncommonly delicious delicious while while llesser-known esser-known dishes dishes like like ttlayudas layudas and and molotes molotes are are also also good. good. 10am-9pm 10am-9pm daily. Dr.r. daily. 5440 5440 Thornwood Thornwood D 408.227.1752. 408.227.1752. 5-SPOT 5 -SPOT CCHIVAS HIVA AS GGRILL RILL $$.. Mexican-American ddiner. Mexican-American iner. TThe he brick-walled brick-walled 55-Spot -Spot iiss a pperfect erfect m mix ix ooff A American merican food, fo od, past past and and present. present. TThe he diner diner still still serves serves classic classic American American diner diner food food as as well well as as Mexican Mexican standards. standards. 7am7am9pm 9pm daily. daily. 869 869 S. S. First First St. St. 408.294.4979. 408.294.4979.

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Mountain Winery, Saratoga Thu – 7:30pm; $45-$95 With his frizzy faux-hawk hair, gangly limbs and bowling-pin face, Lyle Lovett has never been particularly easy on the eyes. Lucky for him, he’s got one of the most polished, heart-rendingly resonant voices to ever fog up a Texas microphone. Those golden vocal cords, plus a knack for subdued guitar arrangements and gospel undertones, have earned him four Grammy Awards and undoubtedly helped him land a marriage to Julia Roberts and a steamy fling with film producer April Kimble. No, Lovett may not look like he knows what women

want, but he most certainly knows what they want to hear, and that, it seems, is the same thing country and blues fans do. (CC)

THA DOGG POUND VooDoo Lounge, San Jose Thu – 9pm; $15 Despite their cred as two of the OGs, it hasn’t always been smooth rollin’ for Kurupt and Dat Nigga Daz; as the duo behind Tha Dogg Pound, they’ve had a lot of ups and downs. First breaking big with Snoop on his classic debut Doggystyle, they released one album, Dogg Food, in 1995, then rapped with 2Pac on his last record, All Eyez on Me. After his death, they got swept up in the drama, with Daz replacing Dr. Dre at Death Row and both of them falling out and in and back out with Suge Knight. It was Snoop

who once again brought them together in 2005, and they’ve released two albums since. That’s already double their output at the height of their fame, and 2007’s quasi-sequel Dogg Chit is better than the original, so they’re definitely at the height of their thuggy powers. (SP)

ADEMA Avalon, Santa Clara Thu – 8pm; $10-$15 It seems as if you can’t mention Adema without a footnote about how the singer is the half-brother of Korn’s Jonathan Davis. See, I did it already! The thing is, this band doesn’t need the nepotism angle; the music stands on its own. Some describe Adema as nu-metal, which is completely wrong. It is a hard-rock band with some heavymetal influence. Going on 10 years together, Adema has come full circle with its members; three

leaving, then rejoining. They’re currently on tour for a yet-to-bereleased new album, showing why they’ve lasted so long and proving family doesn’t matter. Insolence, Solid State Logic, Nova and Zed start things off. (BD)

*fri

AZIZ ANSARI Mountain Winery, Saratoga Fri – 8pm; $35-$50 Flight of the Conchords fans will know him as the racist fruit vendor who wouldn’t sell an apple to a Kiwi. Fans of Human Giant have seen him in a sky-blue bonnet with a giant lolly, sitting on the lap of a full-grown man. And viewers of Parks & Recreation

will recognize him as that guy on Parks & Recreation. Live, Ansari is—well, kind of angry. But hilarious. The guy doesn’t care if you don’t know where the cranberries are, that’s for sure. (SP)

MUSIC@MENLO Various venues, Menlo Park and Palo Alto July 23-Aug. 14; $15-$72 The ambitious summer classical festival returns for its eighth season bearing the overarching theme “Maps & Legends,” with the intention of taking listeners on a journey through human experience as expressed in music. The main concerts include works by Vivaldi and Beethoven all the way to Copland and Crumb. Among the guest artists this year are the Jupiter String Quartet and the Miró Quartet. (MSG)

* concerts Jul 21 at 7:30pm, Campbell Recital Hall

JON NAKAMATSU

MUSIC IN THE PARK, GASLIGHT ANTHEM Jul 22 at 5:30pm, Plaza de Cesar Chavez, San Jose

MIDSUMMER MOZART, PROGRAM II Jul 22 at 8pm, California Theatre, San Jose

CHILDREN’S MUSICAL THEATER SAN JOSE, MISS SAIGON Jul 23–Aug 1, Montgomery Theater, San Jose

CHRISTOPHER KOELZER PIANO RECITAL Jul 23 at 7:30pm, Le Petit Trianon, San Jose

LAZZARI EXPERIMENT, DOUBLE-CD-RELEASE PARTY Jul 24 at 9:30pm, South First Billiards, San Jose

VOICES OF THE VALLEY CONCERT Jul 24 at 7:30pm, Mountain View Center for the Performing Arts

DETOX SUNDAY POOL PARTY Jul 25, DoubleTree Hotel, San Jose

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GOOD HUSTLE Homestead Lanes, Cupertino Fri – 8pm; $8 Once again my controversial theory that white boys can indeed play that funky music gets put to the test, this time with San Jose’s Good Hustle. First off, can they get down with the funk? Yes, yes, they can. And they do it well. But it’s not just the solid beat of Good Hustle that draws you in. Oh my, no. The infectious grooves of this band will force your booty to be out there on the dance floor. Versatile in genres, with a sense of humor to match, Good Hustle provides further evidence that my life’s work is finally ready for Geneva. Stay tuned for news of my impending Nobel Prize. Thanks, science! (BD)

*sat

TARGET SUMMER POPS SJSU Mall Sat – 7pm, Sun – 5:30pm; free Building on the success of last year’s free outdoor concerts, Symphony Silicon Valley presents four rousing displays of classical music for the whole family—and in keeping with the season, the water and ice cream will be frtee. Saturday’s show, “American All Stars,” features the works of Copland, Ellington, Gershwin and more, with guest conductor Peter Jaffe and pianist Jon Nakamatsu. The Sunday concert includes such favorites as the William Tell Overture Finale and The Ride of the Valkyries. The concerts continue July 30–Aug. 1. (MSG)

LOS OLVIDADOS Blank Club, San Jose Sat – 9pm; $10 Though they broke up before releasing a full-length record, Los Olvidados were pioneers in the emerging skate punk scene of the early ’80s. Bands like Suicidal Tendencies, NOFX, and even fellow San Jose punkers the Faction (which Los Olvidados’ bass player Ray Stevens II played for) would gain more recognition in this growing scene, but Los Olvidados’ music lasted beyond their brief three-year stint. Alternative Tentacles reissued plenty of their old recordings years later, more than was ever released during the heyday. Now, 30 years later, they’re as fast and vibrant as ever. Their music’s packed with the same manic, explosive energy that was oozing out their pores in 1982. And it still makes you want to skateboard through downtown San Jose with both middle fingers proudly extended and aimed at every passing cop car. (AC)

THE LAZZARI EXPERIMENT South First Billiards, San Jose Sat – 9:30pm; free Not content with just one new album. San Jose’s Lazzari Experiment went to work on two at the same time: In the Red and Hope, for a total of 24 tracks of serious, no-nonsense rock in a psychedelic vein. The bandmembers—Cameron Lazzari, Lance Ross and Kris Ugrin—will unleash the albums simultaneously at this CD-release party, performing both of them live. The evening will be rounded out by Minor Gray playing acoustic material between the two sets. (MSG)

Jul 25 at 4pm, City Lights

MARTINA MCBRIDE Jul 26 at 7:30pm, Mountain Winery, Saratoga PAT BENATAR Jul 27 at 6:30pm, Mountain Winery, Saratoga

MUSIC IN THE PARK, PETE ESCOVEDO Jul 22 at 5:30pm, Plaza de Cesar Chavez, San Jose

DAVE KOZ Aug 6 at 7:30pm, Montalvo Arts Center, Saratgoga

RUSH TIME MACHINE TOUR Aug 6 at 7:30pm, Shoreline

JOAN BAEZ Aug 12 at 7pm, Montalvo Arts Center, Saratoga

LADY GAGA Aug 16-17 at 8pm, HP Pavilion, San Jose

JOHN MAYER Aug 20 at 7pm, Shoreline

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metroactive ARTS

Smoke Signals

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people p eople smok smokee weed. weed.â€?â€? pretty That pr etty much sums up the album’s political point view, al lbum’s p olitical p oint of vie w, if yyou ou weree to sa say one.. So it pr probably w wer ay it had one obaably didn’t di idn’t ccome ome as a surprise to Benson’s Benso on’s fans announced fa ans when he announc ed his California-only “Pot Voteâ€? tour C aliffo ornia- only “P ot the V ote o â€? tou ur (stopping Improv (s stopping at the San Jose Jose Impr ov effort draw on n July July 26), in an eff ffo ort to dra aw attention Prop. at ttention to Pr op. 19, which aimss to legalize le egalize and ttax ax ccannabis. annabis. “Pot “P ot is deďŹ nitely not ffor or o eeveryone,â€? veryone o ,â€? Benson phone,, B enson told me over over the phone “but “b but I just think that everyone everyone who w wants smokee it shouldn shouldn’t have w ants to smok ’t ha ave

facee criminal char charges. Everybody to fac g . Ev ges erybody has to ďŹ nd their own thing that gets through. them thr ough. But in n the case case of it’s grows marijuana,, it ’s a plantt that gr ows out ground. It’s likee someb somebody of the gr ound. It ’s nott lik ody trailer ccooked ook ked d it up iin a ttrail iller l that th t might i ht eexplode.â€? xplode.â€? asked When I ask ed if he thought California change C aliffo ornia would chan nge much if Prop. told Pr op. 19 passed, he tol ld me he didn’t didn’t anything too dramatic.. “I eexpect xpect an nything y to o dramatic d Disneyland moree fun think Disne yland willl be be mor Disneyy W World.â€? to visit than Disne oorld.â€? With his dazed W ith h is llaid-back, aid-back, sslightly lightly d azed delivery material d eliver y aand nd m atterial tthat hatt iincludes ncludes bit a ssix-minute ix-minute b it in in praise praise of of tthe he McGriddles breakfast M cGriddles b reakfast ssandwich andwich McDonalds, Benson might ffrom rrom M cDonalds, B enson m ight your sseem eem llike ike yo ur sstereotypical tereotypical sstoner. toner. But his B ut llook ook ccloser loser att h is iintense ntense his use off ttouring ouring sschedule, chedule, h is ccanny anny u se o Twitter promote his projects T witter tto op romote h is p ro ojects his aand nd llive ive aappearances, ppearances, h is aability bility Leonard Maltin, tto o gget et gguests uests llike ike Le onard M altin,

Ellen Hamm forr his E llen Page Page and and Jon Jon H amm fo his podcast Doug Loves Movies, his ďŹ lm p odcast D oug Lo ves M ovies, h is ďŹ lm projects, his one-comedy-albump rojects, h is o ne- comedy-albumper-year p er-year recording reecording schedule, schedule, and and one o ne ggets ets tthe he ssense ense tthat hatt beneath beneath it it hard aall ll there’s there’s a lot lot of of h ard work work and and hee iisn’t bothering aambition mbition tthat hat h sn’t b othering draw your After tto od raw yo our attention atttention tto. o. A fter bee a lot aall, ll, there’s there’s ggot ot to to b lot more more named High Times tto o ggetting etting n amed tthe he H igh Ti mes Stoner S toner of of tthe he Year Year (2006) (20 06) than than just just pot. ssitting itting aaround ro ound ssmoking moking p ot. asked if he saw I ask ed Benson B saaw any any negativee effects negativ effeects of marijuana use. eff use. “While m making Super Me,, aking Sup er High Me wheree I sm smoked wher moked ccontinuously ontinuously for fo or 30 days, da ayys, I discovered disccovered during that period period that, me,, the side effects of time th hat,, ffor or o me eff ffeects smoking weree weight gain of smokin ng pot pot wer fun—those are and, uh . . . having haaving v are that can the basic things t can occur.â€? occur.â€? High Me, documentary SSuper up er H igh M e, a d ocumentary feature fe ature inspired inspired by by SSuper uper SSize ize Me, was Benson M e, w as tthe he ďŹ rst ďŹ rst iin n what whatt B enson hoping bee a series ďŹ lm iiss h oping tto ob series of of ďŹ lm projects. Last year, p rojects. La L st ye ar, tthe he cable cable network n etwork G4 G4 released released the the second, second, The High Road, which documented T he H igh R o ad, w hich d o cumented Benson B enson ttraveling ravveling aaround round the the for his Medical Marijuana ccountry ountry fo or h is M edical M arijuana Tour, T our, along along with with his his supporting suppor ting aact, ct, Graham Elwood, ccomedian omedian G raham E lwoo d, who, who, unlike neither u nlike Benson, Benson, n either ssmokes mokes pot p ot nor drinks. n or d rinks. Elwood Pot Elwo od is back to be be a part part of P ot Vote, the V o ote, and a Benson is working together on getting gettingg to gether the ďŹ nancing to mak makee a mo movie vie out of this tour as though it’s well, thou ugh it ’s ccoming oming down to the wire. wir e. people “When p eople ccome ome to the show bee bunch in San Jose, Josee, there’ll there’ll either b of cameras camerass running around around or there there won’t, won ’t, butt either way way I think it will bee rreally show.. . . . I like b eally fun fu show like to put that’s on a show w that ’s not just for fo or stoners people and not just ju ust for for o p eople that are are politically p olitically motivated to come come down. bottom is,, I tr tryy to mak makee it The b ottom line is as fun and d funny funny as possible. possible. And don’t about I don ’t just jusst talk talk ab out marijuana, I also talk talk about about other things that aree imp important ar ortant to me. me. Like Like sex sex and alcohol.â€? alc ohol.â€?

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David Allen

FEATURED LISTINGS

Anything Goes July 23–Aug. 15; Smithwick Theatre, Foothill College, Los Altos Hills; $10–$26 Cole Porter hits the high season in the famous musical about love, intrigue and high jinks aboard a luxury liner; the score includes such favorites as “It’s Delovely,� “I Get a Kick Out of You� and “You’re the Top.� This production is a Foothill Music Theatre presentation.

Rent July 22–Aug. 29; City Lights Theater Co., San Jose; $25–$40 Just about the smartest theatrical idea of the last 20 years was Jonathan Larson’s canny realization that Puccini’s La Bohème could be updated to contemporary New York, where the young and creative were living under the threat of HIV/AIDS. Rent has gone on to amazing success, turning up at theater companies of all sizes across the country. Lisa Mallette directs City Lights’ version.

Hill House Opening Sunday, 1–4pm; History Park, San Jose; free The memory of San Jose painter and photographer Andrew Putnam Hill (1853–1922) is honored in the newest house museum, Hill House, at History Park. The landmark building has been undergoing restoration for more than a decade and is now ready for public viewing. The opening ceremonies include a ribboncutting, antique autos, music and refreshments.

Garlic Festival Friday–Sunday, 10am–7pm; Christmas Hill Park, Gilroy; $8–$17

Directed and Choreographed by KEVIN R. HAUGE

Peter Harris

Any town, U.S.A., can host an apple festival or a harvest hoedown, but only Gilroy salutes the stinkin’ rose in high style every year with a cook-offs, food booths, arts and crafts, lots of live music and kids’ events. This year, Top Chef Fabio Viviani puts in an appearance. A good place to get away from all those vampires dominating pop culture these days.

Montgomery Theater, Downtown San Jose All Tickets: $30 7/23 7/24 7/25 7/29

Art Rage Thursday, 5–8pm; San Jose Museum of Art; $5 The museum introduces its after-work series, “Art Rage.â€? Guests are encouraged to stop by to enjoy music, cocktails (cash bar) and social networking. Scott Kildall and Victoria Scott will be available for tours of their “No Matterâ€? project, consisting of paper versions of ďŹ ctitious objects created in Second Life. Twenty works from “No Matterâ€? will be featured in the new exhibition “Retro-Tech,â€? which opens the next day.

@ @ @ @

7 2 1 7

pm & 7 pm & 6 pm pm

7/30 @ 7 pm 7/31 @ 2 & 7 pm 8/1 @ 1 pm

WWW.CMTSJ.ORG (408) 792-4111

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tage *sstage Dance D ance DANZON D ANZON Latin-American bballet Latin-American allet Alexi with ddirected irected bbyy A lexi ZZubiria ubiria w ith Western 8pm. W estern Ballet. Ballet. FFri, ri, 8 pm. $20-$35. Mountain $ 20-$35. M ountain View View forr tthe Performing CCenter enter fo he P erforming Arts. A rts.

NOR N OR CCAL AL D DANCE ANCE A ARTS RTS For tthe For he M Master aster CClass lass series, series, tthe he sstudio tudio presents presents guest guest cchoreographers. horeographers. TThu hu Jul Jul 29. 29. www.norcaldance.com ((See See w ww.norcaldance.com forr ddetails.) fo etails.) SSan an Jose. Jose.

Theater T h e a te r ANNIE A NNIE The beloved The beloved musical musical Broadway iinterpreted nterpreted bbyy B roadway by by Bay. tthe he B ay. Thu-Sat, Thu-Sat, 8pm, 8pm, Sun, Sun, 22pm. pm. Thru Thru Aug Aug 1. 1. $20-$48. $20-$48. Arts SSan an Mateo Mateo Performing Performing A rts CCenter. enter.

ANYTHING A NYTHING GGOES OES A FFoothill oothill M Music usic TTheatre heatre revival Porter re vival ooff tthe he CCole ole P orter hhit it Opes aabout bout shipboard shipboard frolics. frolics. O pes Regular FFri. ri. R egular sshows hows Thu-Sat, Thu-Sat, 8pm, 8 pm, Sun, Sun, 2pm. 2pm. Thru Thru Aug Aug 15. 15. $10-$26. $ 10-$26.

AUDITIONING T AUDITIONING THE HE AINSLEYS A INSLEYS photo: Dan Clark

TheatreWorks ooffers TheatreWorks ffers world tthe he w orld ppremiere remiere ooff a ccomedy omedy aabout bout a family family of of Regular aauctioneers. uctioneers. R egular shows: shows: TTue-Wed, ue-Wed, 7:30pm, 7:30pm, Thu-Fri, Thu-Fri, 8pm, 8 pm, Sat, Sat, 2 and and 8pm, 8pm, Sun, Sun, 2 aand nd 7pm. 7pm. Thru Thru Aug Aug 8. 8. $19$19$67. Stern $ 67. LLucie ucie St ern TTheater, heater, Palo Alto. P alo A l to.

BLACK/WHITE B LACK/WHITE A ddouble ouble bbill ill ooff P Peter eter SShaffer haffe f r White ccomedies: omedies: ““The The W hite LLiars” iars ” aand nd “Black “Black Comedy.” Comedy.” Part Part of of California Ca lifornia Theatre Theatre Center’s Center ’s repp sseries. ssummer ummer re eries. TThis his Week: W eek: FFri, ri, 77:30pm. :30pm. TThru hru JJul ul $12-$20. 223. 3. $ 12-$20. Sunnyvale Sunnyvale CCommunity ommunity Theatre. Theatre.

Mountain View Center for the Performing Arts Tickets and Information:

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Neil SSedaka Neil edaka ffavorites avorites ffuels uels musical tthe he m usical hit. hit. Presented Presented bbyy West W est Valley Valley Light Light Opera. Opera. This This

week: week: Fri-Sat, Fri-Sat, 8pm. 8pm. Thru Thru Jul Jul 24. 24. $18-$30. $18-$30. Saratoga Saratoga Civic Civic Theater. Theater.

CCORRIDOS! ORRIDOS! A TTeatro eatro Ca Campesino mpesino pproduction roduction ooff tthe he LLuis uis Valdez musical V aldez m usical aabout bout tthe he Mexican Revolution. M exican R evolution. Thu-Sat, Thu-Sat, 8pm, Aug 8 pm, SSun, un, 22pm. pm. TThru hru A ug 11.. $8-$15. $ 8-$15. EEll TTeatro, eatro, SSan an JJuan uan Bautista. B autista.

THE T HE D DOLLAR OLLAR P PRINCESS RINCESS Lyric TTheatre Lyric heatre ppresents resents the the 11909 909 Viennese Viennese operetta operetta as as Discovery ppart art ooff iiss D iscovery Series. Series. SSat, at, 8pm, 8pm, SSun, un, 22pm. pm. $24. $24. Mountain View forr M ountain V iew CCenter enter fo Performing Arts. tthe he P erforming A rts.

INTO T INTO THE HE W WOODS OODS IIN N CCONCERT ONCERT A ffundraiser undraiser fo forr pperforming erforming High. aarts rts cclasses lasses at at Lincoln Lincoln H igh. 8pm. $50. Black SSat, at, 2 aand nd 8 pm. $ 50. B lack Box B ox TTheatre, heatre, LLincoln incoln High High SSchool. chool.

LOS GGATOS LOS ATOS SSHAKESPEARE HAKESPEARE FFESTIVAL ESTIVAL Three pplays Three lays iinn re repertory. pertory. This This week: w eek: FFri: ri: ““The The IImportance mportance Being ooff B eing EEarnest.” arnest.” SSat: at: ““The The TTaming aming ooff tthe he SShrew.” hrew.” SSun: un: Allll sshows ““Treasure Trreasure IIsland,” sland,” A hows 8pm. Aug Oak aatt 8 pm. TThru hru A ug 77.. O ak Meadow Park, M eadow P ark, LLos os Gatos. Gatos.

AM MIDSUMMER IDSUMMER N NIGHT’S IGHT’S DREAM D REAM Shakespeare reinterpreted Shakespeare reinterpreted California bbyy Ca lifornia TTheatre heatre CCenter. enter. Week: TThis his W eek: TThu, hu, 77:30pm, :30pm, $12SSun, un, 33pm. pm. Thru Thru JJul ul 225. 5. $ 12$20. $ 20. SSunnyvale unnyvale CCommunity ommunity TTheatre. heatre.

MOUSETRAP M OUSETRAP Agatha Christie’s Agatha Christie’s ffamous amous mystery m ystery pplay lay sshows hows during during repp series forr tthe he SSummer ummer re series fo California Ca lifornia TTheatre heatre CCenter. enter. Week: TThis his W eek: SSat, at, 7:30pm. 7:30pm. Thru Thru 24.. $ $12-$20. JJul ul 24 12-$20. Sunnyvale Sunnyvale CCommunity ommunity TTheatre. heatre.

RENT R ENT City LLights City ights Theater Theater Company Company ppresents resents the the popular popular musical uupdated pdated m usical bbased ased oon n Boheme.” 8pm, ““La La B oheme.” TThu-Sat, hu-Sat, 8 pm, Aug SSun, un, 2 oorr 77pm. pm. Thru Thru A ug 229. 9. $25-$40. $ 25-$40.

SSEASCAPE E AS C A P E Edward Albee’s Edward Albee’s tthoughtful houghtful ccomedy omedy aabout bout llife ife aand nd ccommunication ommunication iiss ppresented resented Dragon Productions. bbyy D ragon P roductions. TThuhuAug SSat, at, 8pm, 8pm, SSun un 22pm. pm. Thru Thru A ug 8.. $ $16-$25. Dragon 8 16-$25. D ragon TTheatre, heatre, Palo Alto. P alo A l to.

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METROACTIVE.COM M ETROACTIVE.COM SSHAKESPEARE HAKESPEARE T THREE HREE W WAYS AYS A ccomedic omedic eevening vening fe featuring aturing tthree hree one-acts one-acts spinning spinning ooff ff ffrom rom SShakespeare hakespeare bbut ut uusing sing modern modern vvernacular, ernacular, Perfect ffrom rom TThree hree of of a P erfect Pair Pair TTheatre heatre TTroupe. rroupe. Fri-Sat, Fri-Sat, 8pm, 8 pm, Sun, Sun, 2pm. 2pm. TThru hru Jul Jul 225. 5. $15. Pedro $ 15. TTheatre heatre on on SSan an P edro SSquare, quare, San San JJose. ose.

SSISTERS ISTERS O OFF SSWING: WING: T HE SSTORY TORY O HE THE OFF T THE A NDREWS SSISTERS ISTERS ANDREWS Am musical usical ccelebration elebration of of tthe he swing-era swing-era ssinging inging sstars, tars, Under kknown nown for for “Don’t “Don’t SSit it U nder tthe he Apple Apple Tree” Trree” aand nd ““Boogie Boogie Woogie W oogie Bugle Bugle Boy.” Boy.” Fri-Sat, Fri-Sat, 8pm, 8 pm, Sun, Sun, 2pm. 2pm. TThru hru Aug Aug 115. 5. $24-$36. $ 24-$36. The The Retro Retro Dome, Dome, SSan an JJose. ose.

STANFORD SSUMMER STANFORD UMMER THEATER T HEATER The sseries The eries includes includes a new new pproduction roduction called called “The “The Wanderings Odysseus,” W anderings ooff O dysseus,” first fi rst pproduced roduced at at the the Mark Mark TTaper aper FForum orum iinn 11992. 992. Thu, Thu, 77pm, pm, FFri-Sat, ri-Sat, 8pm, 8pm, Sun Sun 2 Nitery aand nd 77pm. pm. $10-$20. $10-$20. N itery TTheater, heater, Stanford. Stanford.

CComedy omedy CCOMEDYSPORTZ OMEDYSPORTZ An iinteractive An nteractive improvised improvised ccomedy omedy show. show. Fri, Fri, 9 and and 9pm. 111pm 1pm and and SSat, at, 7pm 7pm and and 9 pm. $12-$15. $ 12-$15. CComedySportz, omedySportz, San San JJose. ose.

IIMPROV MPROV Wed, 8pm: Wed, 8pm: LLoudmouth oudmouth CComedy omedy ffrom rom tthe he makers makers 8pm: ooff SlantED. SlantED. $12. $12. Thu, Thu, 8 pm: JJacob acob SSirof irof aand nd TTaylor aylor Williamson. W illiamson. $10. $10. FFri, ri, 8 and and 110pm, 0pm, Sat, Sat, 7 and and 9pm: 9pm: The The $16. EEdwin dwin SSan an JJuan uan SShow. how. $ 16. Kevin $10. SSun, un, 8pm: 8pm: Ke vin SShea. hea. $ 10. Mon, 8pm: M on, 8 pm: Doug Doug Benson. Benson. $20. 8pm: $ 20. Tue, Tue, 8 pm: IImprov mprov StandStanduupp CComedy omedy CCompetition. ompetition. SSan an JJose. ose.

ROOSTER R OOSTER T T.. FFEATHERS EATHERS Wed, 8pm: Wed, 8pm: N New ew Talent Talent $10. 8pm, SShowcase. howcase. $ 10. Thu, Thu, 8 pm, FFri-Sat, ri-Sat, 9pm, 9pm, Sun, Sun, 8pm: 8pm: Bengt Washburn. $12. B engt W ashburn. $ 12. SSunnyvale. unnyvale.

Museums M u se u m s OPENING O PENING HISTORY H ISTORY PARK PARK The new The new H Hill ill House House m museum useum oopens pens with with a ribbon-cutting ribbon-cutting cceremony, eremony, displays displays of of aantique ntique aautos utos and and music. music. Kelley SSun, un, 11-4pm. -4pm. Ke lley Park, Park, SSan an JJose. ose.

SSAN AN JJOSE OSE M MUSEUM USEUM OF OF A ART RT “Retro-Tech.” A ggroup “Retro-Tech.” roup show show reusing aabout bout aartists rtists re using oold ld aand nd nnew ew ttechnologies. echnologies. JJul ul 22-Feb 22-Feb 6.. ““Degrees 6 Degrees ooff Separation: Separation: CContemporary ontemporary Photography Photography FFrom rom the the Permanent Permanent CCollection.” ollection.” Jul Jul 22-Mar 22-Mar 14. 14. Also, Art Rage A lso, A rt R age afterhours afterhours eevent vent with with music music aand nd $5. nnetworking. etworking. Thu, Thu, 5-8pm. 5-8pm. $ 5. TTue-Sun, ue-Sun, 111am-5pm, 1am-5pm, cclosed losed Mon. M on. SSan an JJose. ose.

CCONTINUING ONTINUING CCANTOR A N TO R A ARTS RTS CENTER CENTER “True ttoo N “True Nature.” ature.” Drawings, Drawings, watercolors w atercolors and and oil oil sketches sketches William bbyy llandscape andscape artist artist W illiam TTrost rrost Richards. Richards. TThru hru SSep ep Highlights 226. 6. ““Collection Collection H ighlights FFrom rom Europe Europe 11500-1800, 500-1800, Ancient Greece Rome. A ncient G reece and and R ome. A nnew ew look look at at the the museum’s m u s e u m’ s ppermanent ermanent holdings. holdings. ““Buildings Buildings oonn Paper: Paper: Architectural Drawings.” A rchitectural D rawings.” Wed-Sun, TThru hru Oct Oct 117. 7. W ed-Sun, 11am-5pm, 11am-5pm, TThu, hu, 111am-8pm. 1am-8pm. Stanford. St anford.

CHILDREN’S DISCOVERY CHILDREN’S DISCOVERY MUSEUM M USEUM “Run! JJump! “Run! ump! Fly! Fly! Adventures Adventurees iinn Action.” Action.” A sshow how aabout bout tthe he joy joy of of being being physically physically aactive. ctive. TThru hru SSep ep 9. 9. Mon-Sat, Mon-Sat, 110am-5pm 0am-5pm and and Sun, Sun, noonnoon55pm. pm. SSan an JJose. ose.

HISTORY H ISTORY PARK PARK SSAN AN JOSE JOSE “Explore SSan “Explore an JJose ose Parks— Parks— Open O pen ttoo tthe he Public Public Since Since Att Pacific 11850.” 850.” TThru hru JJan an 23. 23. A Pacific Hotel H otel Gallery. Gallery. Tue-Sun, Tue-Sun, nnoon-5pm. oon-5pm. SSan an Jose. Jose.

PENINSULA P ENINSULA M MUSEUM USEUM O RT OFF A ART ““Cork Cork M Marcheschi: archeschi:

ROSICRUCIAN R O S I C RU C I A N M MUSEUM USEUM Egyptian hhistorical Egyptian istorical aartifacts rtifacts Ongoing. Monaand nd ddisplays. isplays. O ngoing. M onFFri, ri, 110am-5pm 0am-5pm and and SSat-Sun, at-Sun, 111am-6pm. 1am-6pm. San San JJose. ose.

SSAN AN JJOSE OSE M MUSEUM USEUM OF OF A ART RT “Vital SSigns: “Vital igns: N New ew M Media edia Permanent FFrom rom tthe he P ermanent New-media CCollection.” ollection.” N ew-media aartists rtists eexplore xplore ttechnology’s echnology’s relation re lation ttoo hhuman uman aand nd 6.. nnatural atural rrhythms. hythms. TThru hru FFeb eb 6 “New Stories “New St ories FFrom rom the the EEdge dge Plastic ooff Asia: As i a : P lastic LLife.” ife.” TThru hru Hyperreal.” SSep ep 119. 9. ““Real Real & H yperreal.” Aug TThru hru A ug 11.. TTue-Sun, ue-Sun, 111am1amMon. 55pm, pm, cclosed losed M on. SSan an JJose. ose.

SAN JJOSE SAN OSE M MUSEUM USEUM OF OF QUILTS Q UILTS A AND ND T TEXTILES EXTILES ““Hawaii’s Hawaii’s Alfred Alfred SShaheen: haheen: FFabric abric ttoo FFashion.” ashion.” TTextiles extiles wear aand nd aaloha loha w ear ffrom rom aan n Oahu manufacturer. O ahu m anufacturer. ““Grand Grand Appliqué: Hawaiian Quilts.” A ppliqué: H awaiian Q uil ts.” Works Carol Kamaile. W orks bbyy Ca rol Ka maile. Ke’aka Stitt: ““Wendeanne Wendeanne Ke ’aka St itt: Kapa.” CContemporary ontemporary Ka pa.” FFiber iber Allll aart rt bbyy SSanta anta CCruz ruz aartist. rtist. A Aug 8.. TTue-Sun, eend nd A ug 8 ue-Sun, 110am0am55pm. pm. SSan an JJose. ose.

TECH T ECH M MUSEUM USEUM ”Genghis KKhan.” ”Genghis han.” A nnew ew sshow how aabout bout tthe he ttechnological, echnological, martial m artial aand nd ssocial ocial aadvances dvances Mongol warrior. ooff tthe he M ongol w arrior. MonMonWed, 9am-5pm, W ed, 9 am-5pm, aand nd TThuhu9am-8pm. SSun, un, 9 am-8pm. SSan an JJose. ose.

TRITON T RITON M MUSEUM USEUM O OFF A ART RT “A CChild’s “A hild’s W World.” orld.” A sshow how with aabout bout iinner nner yyouth, outh, w ith works Carnwath, w orks bbyy Squeak Squeak Ca rnwath, EEnrique nrique CChagoya hagoya aand nd oothers. thers. Goodwin-Guerrero: ““Erin Erin G oodwin-Guerrero: Caught Between Heaven Ca ught B etween H eaven aand nd Recent works EEarth.” arth.” R ecent w orks bbyy tthe he ppainter. ainter. ““Flights Flights ooff FFancy: ancy: New works Stein.” N ew w orks bbyy LLivia ivia St ein.” TThru hru SSep ep 119. 9. TTue-Wed ue-Wed aand nd FFri-Sun, ri-Sun, 111am-5pm. 1am-5pm. TThu, hu, 111am-9pm. 1am-9pm. SSanta anta CClara. lara.

GGalleries alleries OPENING O PENING GGALLERY ALLERY H HOUSE OUSE “Open SSpaces, “Open paces, A Abstract bstract Places.” Works Martha P laces.” W orks bbyy M artha Castillo Ca stillo iin n cclayprint layprint Williams aand nd TTrevlyn re r vlyn W illiams iin n watercolor w atercolor aand nd aacrylic. crylic. JJul ul Reception 227-Aug 7-Aug 221. 1. R eception JJul ul 330, 0, 6-8pm. Wed6 -8pm. Tue, Tue, 111am-4pm, 1am-4pm, W edSSat, at, 111am-8pm, 1am-8pm, SSun, un, 111am1amPalo Alto. 33pm. pm. P alo A l to.

STAGE

CCONTINUING ONTINUING ART A RT A ARK RK GGALLERY ALLERY A ddisplay isplay ooff works works by by sstudents tudents at at CCreekside reekside SSchool. chool. TThru hru JJul ul 21. 21. SSan an JJose. ose.

CCAFFÉ AFFÉ TRIESTE TRIESTE Art bbyy JJudy Art udy H Hurley. urley. Thru Thru Jul. Jul. SSan an JJose. ose.

CCITY ITY W WINDOWS INDOWS GALLERY GALLERY “Earth-Bound.” A show “Earth-Bound.” show ooff works w orks by by local local clay clay sculptors, sculptors, Welsh, Don iincluding ncluding Stan Stan W elsh, D on FFritz ritz and and Diane Diane Levinson. Levinson. Hall, St,, CCity ity H all, South South FFourth ourth St SSan an JJose. ose.

;<JB J<K J`jk\ij 8m\ip B\`[` B\kk\ei`e^# c\]k Xe[ 8eeXc\\ Dfccp 8ee\ :ff^Xe ZXeÊk X^i\\ fe n_Xk kf [f n`k_ k_\`i ]Xk_\iÊj ki\Xjli\j%

DOWNTOWN D OWNTOWN YOGA YOGA SHALA SHALA Sukerti B Sukerti Berg erg sshows hows watercolors Bali-inspired w atercolors ooff B ali-inspired flowers. fl owers. Thru Thru Jul. Jul. San San Jose. Jose.

Selling Off

GGALLERY ALLERY H HOUSE OUSE

WITH its comic-book set and toy-piano background music, Auctioning the Ainsleys, the new production at TheatreWorks, creates a mood of absurdist unreality before the first words come out of the first character’s mouth. The fast-paced comic drama by Laura Schellhardt (directed by Meredith McDonough) opens with second-generation auctioneer Avery Ainsley (Heidi Kettenring) selling the last possessions of her domineering mentor father—a Stetson hat, a man’s coat and a pair of size-10 shoes.

“Summertime.” SSelections “Summertime.” elections ffrom rom ggallery allery members. members. TThru hru JJul ul 23. 23. Tue, Tue, 11am-4pm, 11am-4pm, WedWedSSat, at, 11am-8pm, 11am-8pm, Sun, Sun, 11am11amPalo Alto. 33pm. pm. P alo A l to.

GGOOD OOD KARMA KARMA V VEGAN EGAN CCAFE AFE Works bbyy Guy Works Guy B Brookshire. rookshire. TThru hru Jul. Jul. SSan an Jose. Jose.

MACLA M ACLA “The Art “The Art of of Politics: Politics: TThree hree Generations G enerations of of Political Political Printmaking Bay P rintmaking iinn tthe he B ay Area.” A rea.” Thru Thru Aug Aug 7. 7. Wed-Thu, Wed-Thu, nnoon-7pm, oon-7pm, Fri-Sat, Fri-Sat, noonnoon55pm. pm. San San Jose. Jose.

MAIN M AIN GGALLERY ALLERY “New W “New Work ork bbyy O Old ld FFriends.” riends.” 8.. Redwood TThru hru Aug Aug 8 Redwood City. City.

MARTIN LLUTHER MARTIN UTHER KING KING JR. JR. LLIBRARY IBRARY “The 2006-2008 “The 2006-2008 LLiberty iberty features SSeries” eries ” fe atures 24 ooriginal riginal watercolors Statue w atercolors ooff tthe he St atue Barna. ooff LLiberty iberty bbyy LLaurie aurie B arna. TThru hru Jul Jul 30. 30. Second Second FFloor, loor, SSan an JJose. ose.

METRO M ETRO LO LOBBY BBY “( ) the “( the current current sstate tate of of hhumanity’s umanity’s kknowledge.” nowledge.” Presented St.. P resented bbyy tthe he FFirst irst St Photo P hoto Collective. Collective. TThru hru Jul. Jul. SSan an JJose. ose.

MOHR M OHR GALLERY GALLERY Paintings P aintings and and prints prints bbyy A Andy ndy Muonio, who M uonio, w ho uses uses color color to to ccreate reate eemotions motions iinn eextraxtrallarge arge pportraits. ortraits. Thru Thru Aug Aug 1. 1. CCommunity ommunity School School of of Music Music aand nd Art, Art, Mountain Mountain View. View.

36

Cut to the matriarch of the clan, Alice Ainsley (Diane Dorsey), who has hired a young man named Arthur (Lance Gardner) to record her fading memories, as her mind and body prepare to leave her life of cataloging and selling material possessions behind. Arthur assumes that Alice will have scores of richly detailed stories to share, since three out of four of her adult children still live at the auction house they all call home, but Alice is clear-eyed as she explains to Arthur that proximity is not the same thing as intimacy.

8lZk`fe`e^ k_\ 8`ejc\pj Through Aug. 8, Lucie Stern Theatre, Palo Alto

As Alice spills her remaining beans, we meet Annalee (Molly Anne Coogan), who has commandeered her father’s office and turned it into her nerve center for organizing the random scraps of information about the people whose possessions have passed through her family’s hands. She’s so scatterbrained that many of these scraps end up being stapled to her clothing. Living out in the carriage house, which the script repeatedly reminds us is just 10 feet away, is Amelia (Jessica Lynn Carroll), whose forte is assembling the stuff that’s been brought in for sale into attractive, harmoniously balanced lots. And down in the basement is Aiden (Liam Vincent). He is a master at making sure the pieces the Ainsley Auction House offers for sale have just the right amount of tarnish and patina. He’s so good at authentic deception he’s come to see himself as an enabler of other people’s spiritual decay. The play is filled with fine performances (Kettenring’s fast-paced auctioneer banter is convincing, as is Carroll’s naiveté), despite the fact that Schellhardt’s characters are essentially caricatures. And if on occasion the play sinks to platitudes (Avery: “It isn’t time to take stock; it’s time to move on”) and shtick (Amelia: “There were signs, and I ignored them.” Avery: “What signs?” Amelia: “I don’t know; I ignored them.” Ba-dabump!), we only have to sit on our bidding paddles for a moment or two until another exchange is presented for our consideration.—Ben Marks

35 M E T R O S I L I C O N VA L L E Y | J U LY 2 1 -2 7, 2 0 1 0 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

*aartrt

Retrospective.” TThru Retrospective.” hru SSep ep 226. 6. Belmont. B elmont.

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Tracy Martin

ARTS RT S metroactive metr oactivve A

M E T R OAC T I V E . C O M | SA N J O S E . C O M | J U LY 2 1 -2 7, 2 0 1 0 | M E T R O S I L I C O N VA L L E Y

36

Montalvo Arts Center

Sculpture on the Grounds JUNE 2010 – OCTOBER 2010

ARTS RT S metroactive metr oactivve A 35 3 5 MONTALVO M ONTALVO A ARTS RTS CENTER CENTER Sculpture bbyy A Sculpture Ann nn W Weber, eber, Alili N Naschke-Messing A aschke-Messing and and David Middlebrook D avid M iddlebrook ddisplayed isplayed ooutdoors. utdoors. TThu hu Oct. Oct. Opening Opening pparty arty Jul Jul 23, 23, 77pm. pm. Saratoga. Saratoga.

PALO P ALO A ALTO LTO A ART RT CCENTER ENTER

Sculpture by Ann Weber Photo: Ron Leckie

OPENING CELEBRATION PARTY!

David Middlebrook, Ann Weber and Ali Naschke-Messing

FRIDAY, JULY 23 | 7 PM - 9 PM

Live Music, Performance, Food & Libations! Free Admission :: No-host Bar

Project Space Gallery

Ali Naschke-Messing’s exhibition, Open, will also be celebrated on July 23rd. The exhibition is on view through August 15. Free Admission For more information: montalvoarts.org 15400 Montalvo Road, Saratoga, CA 95070

“Secret D “Secret Drawings.” rawings.” A sshow how bbased ased on on the the Surrealist Surrealist idea idea ooff tthe he eexquisite xquisite corpse. corpse. ““Dream Dream SSequences.” equences.” CCeramic eramic figures fi gures bbyy Michael Michael LLucero, ucero, Beverly Mayeri B everly M ayeri aand nd others. others. Reinventions.” ““Surreal Surreal R einventions.” More M ore iimages mages iin n a SSurrealist urrealist vvein. ein. TThru hru Sep Sep 4. 4. Tue-Sat, Tue-Sat, 110am-5pm, 0am-5pm, TThu, hu, 7-9pm, 7-9pm, Sun, Sun, Palo Alto. 11-5pm. -5pm. P alo A l to.

P PHANTOM HANTOM GGALLERIES ALLERIES “Street SSwag “Street wag P Photos,” hotos,” bbyy Abe Menor. A be M enor. TThru hru JJul ul 26. 26. EExhibited xhibited in in windows windows aatt 386 386 St,, SSan SS.. FFirst irst St an JJose. ose.

SAN JJOSE SAN OSE IINSTITUTE N ST I T U T E O OFF CCONTEMPORARY ONTEMPORARY A RT ART “Exposed: Today’s “Exposed: Today’s Photograph/Yesterday’s P hotograph/Yesterday’s TTechnology.” echnology.” An An exhibit exhibit aabout bout artists artists working working in in ooldldsschool chool pphoto hoto ttechniques. echniques. TThru hru Sep Sep 19. 19. ““Conservation Conser vation ooff IIntimacy.” ntimacy.” A llarge argge ssculptural culptural installation installation piece piece featuring bbyy Bernie Bernie LLubell ubell fe aturing machines llow-tech ow-tech m achines bbased ased on on Reception oold ld iingredients. ngredients. R eception 6-8pm. JJul ul 16, 16, 6 -8pm. TThru hru Sep Sep 19. 19. TTue-Fri, ue-Fri, 110am-5pm, 0am-5pm, SSat, at, nnoon-5pm. oon-5pm. San San Jose. Jose.

SSONYA ONYA P PAZ AZ GGALLERY ALLERY “Retrospectives aand “Retrospectives nd Revelations—A R evelations—A Decade Decade of of Design.” D esign.” A llook ook bback ack aatt tthe he work Paz. Campbell. w ork ooff SSonya onya P az. Ca mpbell.

SSTANFORD TANFORD ART ART SPACES SPACES Paintings by Paintings by Eliana Eliana Iurato, Iurato, Monika M onika aand nd Matt Matt Rhoades. Rhoades. TThru hru Aug Aug 26. 26. 8:30am-5pm, 8:30am-5pm, Mon-Fri. Stanford. M on-Fri. St anford.

VIEWPOINTS V IEWPOINTS GGALLERY ALLERY “Traveling Conversations,” “Traveling Conversations,” 70 70 ccollaborative ollaborative ppaintings. aintings. Thru Thru Mon-Sat, JJul ul 30. 30. M on-Sat, 11am-5pm, 11am-5pm, Altos. SSun, un, 111am-3pm. 1am-3pm. LLos os A l tos.

Books B ooks DAVID D AVID CCARNOY ARNOY The aauthor The uthor of of the the thriller thriller Music” ““Knife Knife M usic ” ssigns igns copies copies ooff hhis is work. work. TTue, ue, 77pm. pm. FFree. ree. Kepler’s, Menlo Park. Ke pler ’s, M enlo P ark.

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BRUCE B RU C E H HENDERSON ENDERSON A ttalk alk by by the the author author of of ““Hero Hero FFound: ound: The The Greatest Greatest POW P OW EEscape scape of of tthe he Vietnam Vietnam War.” War.” Wed, Wed, 7:30pm. 7:30pm. Free. Free. Kepler’s, Kepler ’s, Menlo Menlo Park. Park.

ANNETTE A NNETTE MARTIN MARTIN The ppsychic The sychic ttalks alks about about ccrime rime investigations investigations using using ppsychic sychic ttechniques. echniques. Sat, Sat, 33pm. pm. Free. Free. San San Jose Jose Public Public Branch. LLibrary, ibrary, ppearl earl Avenue Avenue B ranch.

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CCHILDREN’S HILDREN’S T THEATRE HEATRE IIN NT HE P ARK THE PARK Fairy tales Fairy tales and and children’s children’s sstories tories presented presented by by Peninsula P eninsula Youth Youth TTheatre. heatre. week: TThis his w eek: FFri, ri, 6:30pm, 6:30pm, White.” ““Snow Snow W hite.” FFree. ree. ParkStage P arkStage ooutside utside Mountain Mountain View forr tthe V iew CCenter enter fo he Performing Arts. P erforming A rts.

HIGH H IGH SSCHOOL CHOOL M MUSICAL USICAL 2 Presented by Presented by Rainbow Rainbow TTheatre. heatre. Wed-Fri, Wed-Fri, 7:30pm, 7:30pm, SSat, at, 2:30pm. 2:30pm. Thru Thru JJul ul 24. 24. $6/$8. $ 6/$8. Milpitas Milpitas CCommunity ommunity CCenter. enter.

vents *eevents Big B ig Deals D eals ART A RT O ON NT THE HE SSQUARE QUARE Outdoor aartist Outdoor rtist exhibits exhibits in in with Music cconjunction onjunction w ith M usic oonn tthe he SSquare. quare. Fri, Fri, 5-8:30pm. 5-8:30pm. FFree. ree. Downtown Downtown Redwood Redwood CCity. ity.

BIG B IG D DOG OG V VINEYARDS INEY YARDS A ttasting asting eevent vent with with music music Street bbyy CColony olony St reet Band. Band. SatSatSSun, un, noon-5pm. noon-5pm. CConcert oncert SSat, at, 6-9pm. 6 -9pm. TTasting asting ffree, ree, concert concert $10. Big Dog Vineyards, $ 10. B ig D og V ineyards, Milpitas. M ilpitas.

DANCING D ANCING O ON NT THE HE SSQUARE QUARE Free cha-cha-cha Free cha-cha-cha llessons. essons. 6-8pm. TTue, ue, 6 -8pm. CCourthouse ourthouse Redwood SSquare, quare, R edwood CCity. ity.

DISABILITY P DISABILITY PRIDE RIDE P PARADE ARADE A ND FFESTIVAL ESTIVAL AND Silicon Valley Silicon Valley Independent Independent LLiving iving CCenter enter hhosts osts a festival pparade arade aand nd fe stival ttoo rraise aise aawareness wareness aabout bout people people

with with disabilities. disabilities. There There will will be be entertainment, entertainment, juggling juggling and and a sign-language sign-language demo. demo. Sat, Sat, 9am 9am on. on. Starts Starts at at Catholic Catholic Charities Charities of of Santa Santa Clara Clara County, County, 2625 2625 Zanker Zanker Rd, Rd, San San Jose. Jose.

FFARMERS ARMERS M MARKET ARKET Aw weekly eekly sale sale ooff fresh, fresh, llocal ocal pproduce. roduce. Fri, Fri, 10am-2pm. 10am-2pm. SSan an Pedro P edro Square, Square, SSan an JJose. ose.

GGILROY ILRO OY GGARLIC ARLIC FFESTIVAL ESTIVAL A ssalute alute ttoo all all things things garlic. garlic. With W ith food, food, music, music, cook-offs cook-offs more. aand nd m ore. FFri-Sun, ri-Sun, 110am0am$8-$17; 77pm; pm; $ 8-$17; cchildren hildren uunder nder 6 free. free. Christmas Christmas Hill Hill Park, Park, Gilroy. G ilroy.

MOSS LLANDING MOSS ANDING A ANTIQUE NTIQUE SSTREET TREET FFAIR AIR A llarge arge sstreetside treetside show show of of aantiques ntiques aand nd ccollectibles. ollectibles. SSun, un, 77:30am-5pm; :30am-5pm; ffree. ree. Downtown Moss D owntown M oss Landing. Landing.

SSARATOGA ARATOGA CCLASSIC L ASS I C CCAR AR SSHOW H OW A nnew ew eevent vent fe featuring aturing rolling ro lling marvels marvels of of tthe he past. past. SSat, at, 10am-5pm. 10am-5pm. Downtown Downtown SSaratoga. aratoga.

VINTAGE V VINTAGE VEHICLES EHICLES AND AND FFAMILY AMILY FFESTIVAL ESTIVAL One-of-a-kind vvehicles, One-of-a-kind ehicles, iincluding ncluding aantique ntique ccars, ars, hhot ot rods motorcycles, ro ds aand nd m otorcycles, plus plus ffamily amily aactivities. ctivities. Sun, Sun, 10am10amPalo Alto 44pm; pm; ffree. ree. P alo A lto High High SSchool. chool.

WILLOW GGLEN WILLOW LEN SSIDEWALK IDEWALK SSALE ALE Great deals Great deals all all along along Lincoln Lincoln Avenue. A venue. SSat, at, 10am-6pm. 10am-6pm. Downtown Willow Glen. D owntown W illow G len.

WHARF-TO-WHARF W HARF-TO-WHARF R RACE AC E A ssix-mile ix-mile coastal coastal run run followed food fo llowed bbyy music music aand nd fo od ccelebration. elebration. Sun, Sun, 8:30am. 8:30am. Starts St arts at at Municipal Municipal Wharf, Wharf, SSanta anta CCruz. ruz.

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Carmel Bach IN SUMMING UP his 19th and ďŹ nal season as Carmel Bach Festival music director, Bruno Weil said he has found himself “awed, inspired and transformedâ€? by the genius of J.S. Bach. During his tenure, he has performed the St. Matthew Passion, one of Bach’s greatest and most personal works, many times. The St. Matthew can now be viewed as symbolizing Weil’s odyssey on the road to his transformation. No two productions over the years have been the same. Last Sunday’s performance of his ďŹ nal return to it in Carmel was in many ways the most fully satisfying of them all. Weil began his Carmel journey with controversial performances of Bach’s St. Matthew and St. John Passions, the Mass in B Minor and Christmas Oratorio. Compared with his predecessor, Sandor Salgo, Weil was criticized for excessively fast tempos, insufficient attention to the words and, ultimately, what seemed to be an impatience with the festival’s namesake, squeezing out Bach in favor of composers of other eras, principally the classical masters Haydn, Mozart and Beethoven. Yet over time, Weil transformed the Bach Festival in many important and valuable ways. He brought in a stable of early-music specialists to re-create Baroque performance practices, including chorale director Andrew Megill, who also :Xid\c 9XZ_ serves as associate conductor.

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But this season has the look and feel of a completely mature and unapologetic vision. The inclusion of Through July 31 Monteverdi’s great 1610 Vespers (under Megill’s ww.bachfestival.org direction), WallďŹ sch’s all-strings program equating Telemann with Bach and Locatelli, Arthur’s all-Handel (vocal and instrumental), an “Aha, Beethovenâ€? sampler with education director David Gordon, a Haydn/Brahms/Beethoven evening, and a vast variety of chamber music and recital programs now seem like a new platform ready to hand over to Weil’s successor, Paul Goodwin, who takes the reins in 2011. And there is truly no shortage of Bach, three cantatas (two not previously familiar in Carmel), The Musical Offering (originally tendered to Frederick the Great) and all sorts of solo and chamber music abound. Last Sunday’s St. Matthew was ideal: Megill’s polished and transparent chorale, a remodeled orchestra of almost completely Baroque instruments and Weil’s command of tempi, balances and details came together with greater clarity and narrative purpose than has often been the case in the past. Leaving the festival with Weil will be concertmaster WallďŹ sch and several of the “familyâ€? of solo singers, including Bennett, Colton, Russell, Cooley and Sylvan. Staying put are Megill and his fabulous chorale, which has to be a great comfort to Goodwin, who is expected to attend the repeat performances next week.—Scott MacClelland

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M E T R OAC T I V E . C O M | SA N J O S E . C O M | J U LY 2 1 -2 7, 2 0 1 0 | M E T R O S I L I C O N VA L L E Y

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metroactive FILM

Donors And Takers

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The T he ssecond econd iiss tthat hat just just like like the the Anne Hathaway/Jake Gyllenhaal A nne H athaway/Jake G yllenhaaal sscene cene Brokeback, most iin nB rokeback, tthe he m ost aardent rdent ssex ex iin n particular film heterosexual—a tthis his p articular fi lm iiss h eterosexual—a moment off JJulianne off m oment o ulianne Moore’s Moore’s yyelp elp o delight when undressing man d elight w hen u ndressing a m an n ffor or a fling. This doesn’t all negate fl ing. T his ttryst ryst d oesn’t aatt al ll n egate The Kids Allll R Right one off tthe T he K ids Are Are A ight ass o ne o he most ffunniest unniest and and m ost iincisive ncisive portraits portraits we’ve off a ggay marriage. w e’ve ggot ot o ay m arriage. Director Lisa Cholodenko D irector L isa C holodenko aand nd Stuart cco-writer o-writer S tuarrt Blumberg Blumberg take tak ke their their film off the fi lm aaway way ffrom rom tthe he rrealm ealm o the ttypical ypicall gay gay and and lesbian lesbian n film film festival– festival– sstyle tyle talkathon talkathon and and move move it it up up to to with sspeed peed w ith blogs, blogs, Alison Alison Bechdel’s Bechdel’s Dykes Watch Out For and ccartoons artoons D ar ykes ttoo W atch O ut F or an nd the off M Mary the fiction fiction o arry Gaitskill. Gaitskill. As with High Art As w ith her her previous previous films, films, H igh A rt and Canyon, one and Laurel Laurel C anyon, o ne rrespects espects

Cholodenko most not being C holodenko tthe he m ost ffor or n ot b eing utopian. au topian. In In this this prime, prime, tart tart comedy, comedy, pair sshe he ccreates reattes a p air of of wives wives as as ccapable apable off p passive o assive aggressiveness, agggressiveness, sneakiness sneakiness and an nd ruthlessness ruthlessness as as any any straight straight ccouple. ouple. How How ccould ould anyone anyone deny deny people ggay ay p eople a right right to to marriage marriage after after sseeing eeing tthat hat they they ggo o through through iitt aass badly b adly ass anyone an nyone who who is is straight? straight? Wee ccan how harmonize W an n see see h ow tthe he ttwo wo h armonize home ass tthey hey sshare hare tthe he h ome tthey’ve hey’ve had had iin n Venice Venice Beach Beacch for for at at least least 10 10 years. years. Moore’s M oore’s JJules ules iiss a cclassic lassic California California girl: girl: no n o intellectual, intellectual, very very earthy, earthy, a blurterblurterout-er off things o ut-er o things she she probably probably shouldn’t shouldn’t have h ave ssaid. aid. Her Her wife, wife, an an obstetrician, obstetrician n, Nic N ic ((Annette Annette Bening, Bening, amusingly am musingly dour), dour), back work miasma ccomes omes b ack ffrom rom w ork iin nam iassma off d disapproval, o isap pproval, ttrying rying to to get get some some dead rrelaxation elaxation iin n tthe he very very d ead bed bed tthey hey sshare. harre. ((Here Here iiss tthe he year’s year’s funniest funniest scene scene off ttwo o wo llong-married ong-married humans humans ttrying rying tto o gget et iitt on.) on.) They have both T hey h ave ttwo wo cchildren, hildren, b oth ggotten otten by by a sperm sperm donor: donor: Joni Joni (Mia (Mia Wasikowska off T Tim Burton’s Alice W asikowska o im B urton’s A lice and Laser iin n Wonderland) Wonderland) an nd L asser ((Josh Josh

Hutcherson)—“Laser” must have H utcherson)—“Laser” m ust h ave been been JJules’ ules’ cchoice. hoice. Joni, Joni, ready ready to to lleave eave for for wants meet ccollege, ollege, w aan nts tto om eet tthe he aanonymous nonymous donor who d onor w ho ffathered athered her. her. He He tturns urns up, up, a sshaggy hagggy chef chef named nam med Paul. Paul. It’s It’s Mark Marrk Ruffalo Mark Ruffalo part: R uff ffaalo iin n a cclassic lasssic M ark R uff ffaalo p arrt: a off desire sslackerly lacckerly aanalogue nallogue tto o tthe he chef chef o desire Edoardo Gabbriellini played tthat hat E doarrdo G ab bbriellini p layed in in I Am Nic and kids A m LLove. ove. N ic an nd Jules’ Jules’ k ids get get along along with man w ith tthe he m an well well enough enough that that he he become sstarts tarts tto ob ecome a sort sort of of member member off tthe And o he ffamily. aam mily. A nd Jules Jules finds finds herself herself becoming disturbingly b ecoming d isturbingly aattracted, ttraccted, despite being d espite b eing as as gay gay as as tthey hey come. come. This T his sstory tory ccarries arrries a sstrong trong ssense ense of of place, with deft p lace, w ith d eft scenes scenes of of life life west west of of the the 405. 4 05. The The film film begins begins with with the the camera camera ttaking aking a sskateboard kateboarrd rride ide aand nd iincludes ncludes Whole aW hole Foods Foods joke: joke: “They “They push push açai aççai berries The b erries like like ccrack. racck.” T he sense sense of of place placce ggives ives dimension dimension tto o these these characters charracters and and makes m ak kes tthe he acting acting reminiscent reminiscent of of tthe he performances Leigh llived-in ived-in p erforman nces iin n Mike Mike L eigh films. The Leigh-like moments fi lms. T he most most L eigh-like m oments when ccome ome w hen the the cast casst gathers gathers aaround round a dining d ining ttable able aand nd Nic Nic gets gets enough enough wine wine her Mitchell iin nh er to to ssing ing a JJoni oni M itchell ssong. ong. presiding deity ((Mitchell Mitchell iiss a p residing d eity iin n the the film: film: tthe he Angeleno Angeleno who who has has always allways insisted insisted her her weren’t iin nh er music music tthat hat h er morals morals w eren’t better b etter tthan han anyone an nyone else’s else’s just just because because woman.) sshe he was was a w oman.) The T he rreason eason the the “kids “kids are arre all all right” right” is is tthat hat tthey’re hey’re young young enough enough that that their their motives are m otives ar re cclear. learr. In In this this comedy, comedy, it’s it’s and tthe he adults adults who who dissemble dissemble an nd wound wound Nic eeach acch other. other. N ic looks looks right right through through tthe he spouse spouse she she ssupposedly upposedly loves; loves; JJules ules ssneaks neaks out out and and gets gets sex sex on on tthe he side side and and who bee vvictimizes ictimizes a cco-worker o-worker w ho sseems eems to to b llearning earning aabout bout the the affair. aff ffaair. And Paul A nd P aul iisn’t sn’t any an ny more more innocent; innocent; becomes what hee really iitt b ecomes cclear lear tthat hat w hat h reallly herself, lloves oves iisn’t sn’t JJules ules h erself, lovable lovable as as tthe he pint-size, pint-size, fearless fearless and and charming charrming Moore M oore aalways lways is is onscreen. onscreen. Rather, Rather, it’s it’s draws tthe he sense sense of of settlement settlement tthat hat d raws him director, h im iin. n. As As a d irector, Cholodenko Cholodenko iiss dry ad ry wit. wit. But But the the way way sshe he analyzes an nallyzes tthe he needy, needy, unpretty unpretty cores cores of of tthese hese what The Kids Are Allll ccharacters harracters iiss w hat ttakes akes T he K ids A re A Right out off tthe off tthe R ight o ut o he rrealm eallm o he domestic domestic ccomedy/drama omedy/dram ama aand nd makes makes it it a film film tto o rremember. emember.

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metroactive FILM AGORA (Unrated; 127 min.) See review on page 40.

ERIC CLAPTON CROSSROADS 2010 A ďŹ lm of the big Chicago blues festival hosted by Clapton. (Screens Tue at 7pm at CinĂŠArts Santana Row, Oakridge 20 and Eastridge Mall 15 in San Jose, Cupertino 16, Century 16 in Mtn View and Milpitas Great Mall 20.)

NILES FILM MUSEUM Jul 24: Charlie Chaplin in The Immigrant (1917), Now or Never (1921) with Harold Lloyd, Angora Love (1929) directed by Ed Wood (just kidding), with Laurel and Hardy and a goat; and Buster Keaton in The Electric House, where Buster

wires up a rich man’s mansion with all modern conveniences. Jul 25: A special program on Playland by the Beach, the San Francisco amusement park immortalized in Welles’ The Lady From Shanghai; ďŹ lms on view include Chaplin’s 1915 “A Jitney Elopement,â€? ďŹ lmed in Niles and San Francisco, and Thelma Todd and ZaSu Pitts in the Coney Island ďŹ lmed “On The Loose,â€? plus the documentary Remembering Playland at the Beach. (Plays Jul 24 at 7:30pm in Fremont at the Edison Theatre.) (RvB)

RAMONA AND BEEZUS (G) A screen adaptation of Beverly Clear’s stories about the precocious grade school girl. Stars Joey King and Selena Gomez. (Opens Jul 23.)

SALT IS THE NEWEST, SEXIEST SPY IN TOWN.� Dave Basner, MTV / VH1 RADIO NETWORKS

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THE KIDS ARE ALL RIGHT (R; 104 min.) See review on page 38. (Opens Jul 23 at Camera 7 in Campbell, Century 16 in Mtn. View and CinĂŠArts Santana Row.)

“ MORE STRENGTH THAN BOURNE,

-Patrick Goldstein, LOS ANGELES TIMES

-A.O. Scott, THE NEW YORK TIMES

RESTREPO (R; 93 min.) The documentary looks at a year of living dangerously for a platoon of U.S. soldiers in Afghanistan. (Plays at CinĂŠArts Palo Alto Square.) (PG-13; 100 min.) Angelina Jolie plays a CIA ofďŹ cer who has been called a Russian spy by a defector. Directed by Phillip Noyce. (Opens Jul 23.)

SALT

-David Edelstein, NEW YORK MAGAZINE

-Mike Sargent, WBAI RADIO

Revivals AN AMERICAN IN PARIS (1951) The Gershwin score is the salient feature of the Gene Kelly/ Leslie Caron musical, in which the full force of MGM introduced America to French Impressionism. Nina Foch and Leslie Caron co-star as the rich older patron and the young gamine contending for Kelly, a painter. Pre-show: Broadway San Jose hosts Burn the Floor dance performance and lessons. (Plays Jul 21 in San Jose on Post Street near Market; also Jul 22 in Redwood City at dusk in Old Courthouse Square. San Jose screening at part of the free summer program of Starlight Cinema. Bring lawn chairs and blankets to either venue; free.) (RvB)

FIDDLER ON THE ROOF (1971) A hit that had some merit, thanks to the Yugoslavian farm settings and warm and humane Israeli actor Topol in the lead. This warhorse musical is of course about

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COLUMBIA PICTURES PRESENTS IN ASSOCIATION WITH RELATIVITY MEDIA A di BONAVENTURA PICTURES PRODUCTION A FILM BY PHILLIP NOYCE “SALT� LIEV SCHREIBER CHIWETEL EJIOFOR DANIEL OLBRYCHSKI MUSIC ANDRE BRAUGHER BY JAMES NEWTON HOWARD EXECUTIVE PRODUCERS RIC KIDNEY MARK VAHRADIAN RYAN KAVANAUGH WRITTEN PRODUCED BY KURT WIMMER BY LORENZO di BONAVENTURA SUNIL PERKASH DIRECTED BY PHILLIP NOYCE

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cinemas camera CAMERA 3 CINEMA 288 South Second St., SAN JOSE 408-998-3300 www.cameracinemas.com

STARTS FRIDAY, JULY 23

CHECK LOCAL LISTINGS FOR THEATERS AND SHOWTIMES

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the problems of Tevye the milkman, his disobedient daughters and the changing times that threaten him. Showtime is 7pm; courtyard opens an hour and a half earlier at 5:30pm for sale of snacks and adult beverages. (Plays Jul 23 in San Jose at the California Theatre.) (RvB)

M E T R OAC T I V E . C O M | SA N J O S E . C O M | J U LY 2 1 -2 7, 2 0 1 0 | M E TR O S I L I C O N VA L L E Y

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REVIEW

metroactive FILM THE NUTTY PROFESSOR/ CINDERFELLA (1963/1960) A bucktoothed chemistry professor discovers a formula that makes him attractive to girls. Plainly Jerry Lewis will never die, but if he should, this will be remembered as his ďŹ nest hour. It’s a Jekyll and Hyde parody about Lewis’s own divided self: both wrathful

39

entertainer (with the 10,000 percent ironic name “Buddy Love�) as well as scuttling, love-seeking creep. Cinderfella, a male version of the fairy tale, isn’t in the same league: it’s Lewis as we love to loathe him: touchy, greasy, self-pitying yet aggressive as a wolfhound. (Plays Jul 21 and Jul 23-25 in San Jose at the Retrodome.) (RvB)

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Hot for Teacher SEEKING a movie about the ancient world that isn’t actually about people sticking swords into one another? Pity. Alejandro AmenĂĄbar’s Agora is a beautifully dressed disappointment, highlighting a lovely but severely miscast Rachel Weisz as a pagan logician holding out against insurgent faith. The war on Muslim extremism is all over Agora, which is barely disguised as a 8^fiX story of Christian malice vs. the old Unrated; 127 min. world of religious polytheism% Opens July 23 Agora is all the more disappointing for at Camera 3 and being focused on a place and a time Aquarius in the Roman empire that hasn’t been ďŹ lmed before: it’s the early 400s during the Christian end of the empire. Hypatia (Weisz), daughter of the librarian of Alexandria, is a woman with the rare privilege of being allowed to teach philosophy; her two prize students are the slave Davus (Max Minghella) and the well-born Orestes (Oscar Isaac). As little is known of Hypatia’s actual teachings, the ďŹ lm poses that her concerns were the matter of the shape of the Earth’s orbit round the sun The ďŹ lm presents an ant-hill-like squabble of different faiths, centered around the increasing viciousness of the local Christian bishop and the inability of the Roman government to stop the violence to come. Weisz looks very fetching in togas, but the force of Hypatia’s sweet, no-monkey-business character is stressed rather than her gravity of an intellectual. One gets the unfortunate sense that Weisz is doing what Julie Andrews would do with the role. Meanwhile, pogroms between ever more ill-identiďŹ ed groups remind one of how tough it is to make a ďŹ lm on the general theme of intolerance, or to put an upbeat ending on a story of sheer tragedy.—Richard von Busack

REAR WINDOW/HARVEY (1954/1950) Photographer L.B. Jefferies (James Stewart), laid up in a wheelchair in his studio apartment, recovering from a broken leg, spies on his neighbors across a courtyard. The movie’s boundlessly clever techniques mirror the same mystery that a good ďŹ lm provides, and it comes to a terriďŹ cally simple point: In an instant, Jefferies is transformed from a watcher to a watched, the focus of all eyes in his courtyard. All a trie—or it would be in the hands of any director less troubling than Alfred Hitchcock. With a gorgeous Grace Kelly and Raymond Burr as hulking Lars Thorwald. BILLED WITH Harvey, a genteel comedy about the DTs. Elwood P. Dowd (Stewart), a wealthy inebriate, begins to say too much about his imaginary friend, the “pookieâ€? Harvey (a 6-foot-tall talking rabbit); his relatives seek to toss him in the Laughing Academy for it. A little thing, but fondly remembered. (RvB) (Plays Jul 24-27 in Palo Alto at the Stanford Theatre.) (RvB)

ROCKY HORROR PICTURE SHOW (1975) Call it what you like: otsam from the wreckage of the ‘70s, a piece of the Old World before AIDS, herpes and Reagan, or the ultimate cult musical. The fact remains that someone out there apparently hasn’t seen this one yet, so here’s hoping it makes a new generation of pre-teens a little more comfortable with their sexuality. Pre-show; eminent RHPS troopers the Bawdy Caste entertains and leads audience participation. (Plays Jul 28 in San Jose at the intersection of South First and William streets.) (RvB)

ROYAL WEDDING/YOLANDA AND THE THIEF (1951/1945) Fred Astaire is in London to attend the nuptials of Princess Elizabeth. In the most memorable sequence, Fred takes a little twirl on the ceiling (a revolving set built in a drum is how it was done). Later, Fred asks Jane Powell the musical question “How Could You Believe Me When I Said I Loved You When You Know I’ve Been a Liar All My Life?â€? BILLED WITH Yolanda and the Thief. A crooked gambler (Astaire) in a studio-built version of South America, hooks up with an innocent convent girl (Lucille Bremer) who believes the conniving Fred is her guardian angel. Director Vincente Minnelli claimed it contained “the ďŹ rst surrealist ballet used in pictures.â€? Well, except for The Andalusian Dog. (Plays Jul 21-23 in Palo Alto at the Stanford Theatre.) (RvB)

ULYSSES

(1967) Joseph Strick’s attempt to condense Joyce’s masterpiece into

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A.O. SCOTT

BETSY SHARKEY

LISA SCHWARZBAUM

" ! ! "

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REVIEW

DINNER IS SERVED

AS IF silent-film fans needed further proof that the past was better in every way, Flicker Alley presents a beautifully restored print of Chicago, which is decidedly funnier than the 2002 movie musical. The 1927 feature, derived from a stage play by reporter Lenore J. Coffee, follows the misadventures of Roxie Hart (Phyllis Haver), who plugs her sugar daddy (a svelte Eugene Pallette) when he threatens to dump her. Roxie, with help from slick lawyer William Flynn (Robert Edeson), manipulates the press, the jury and her long-suffering husband (Victor Varconi) with her tale of self-defense.

A new Criterion release brings back the little-known 1940 spy drama/comedy Night Train to Munich by director Carol Reed. Rex Harrison plays a British agent posing as a Nazi in order to rescue a Czech scientist and his daughter (Margaret Lockwood). Their antics take them across Europe to a shootout on a funicular. The film mixes comedy with some more serious early-wartime propaganda. This early on, the Nazis can still be satirized with a stiff upper lip and some vaudeville humor (Reed’s The Third Man demonstrates the cynicism that years of fighting wrought). Harrison, not yet hitting his stride, manages to outwit his military adversaries with an atrocious German accent. The disc includes commentary by film historians Bruce Babington and Peter Evans.—Michael S. Gant

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a two-hour slot; it was a task bound to meet with outrage. Certainly Milo O’Shea is unimpeachable casting as Leopold Bloom, and Fionnula Flanagan’s Gerty MacDowell was so nice she played it twice—the second time in the unavailable-onDVD 1985 James Joyce’s Women, where this actress also did an anatomatically correct Molly Bloom. Discussant is professor William Chace. (Plays Jul 26 at 7pm in Palo Alto at Stanford’s Annenberg Auditorium, as part of the Odyssean Cinema series; free.) (RvB)

Disc Recoveries

Haver, with bee-stung lips and a halo of blonde curls, is a consummate comedian. You can see the ripples of connivance pass across her features as she plots her way out of trouble and into the arms of a fawning press corps. In a bit of brilliant interplay with Edeson, she rehearses her cues :_`ZX^f for how to express her “courage” and Flicker Alley; “virtue” with demurely crossed arms $39.95 and fluttering eyelids for the rapt jury. The film is credited to director Frank E`^_k KiX`e kf Urson but is more likely the work Dle`Z_ of producer Cecil B. DeMille. In one wicked touch, during the courtroom Criterion; $29.95 scenes, the camera keeps cutting to a chorus of enthralled women chewing gum with frenzied concentration. The two-disc set comes with a featurette about the real-life case the film is based on, plus a 1950 documentary about the Roaring 20s and The Flapper Story, a 1985 documentary by Lauren Lazin.

FILM

Reviews CYRUS

For your chance to see

(R; 92 min.) The new film by Jay and Mark Duplass (Baghead) brings them upscale without too much compromise in presenting a general atmosphere of failure and recrimination. Cyrus’ protagonist is the galoot John (John C. Reilly), a free-lance editor who is still attached to his ex-wife, Jamie (Catherine Keener). John makes a serious ass out of himself at a party, but he’s emotionally rescued. A “sex angel” named Molly (Marisa Tomei) takes him home. What’s the hitch? Molly’s 22-year-old live-athome son, Cyrus (Jonah Hill), is a hulking adult big baby with a jaw like a bullfrog; he’s never really been weaned. He reacts to John’s arrival first with passive aggressiveness and then with sabotage. (RvB)

DESPICABLE ME

log on to gofobo.com/rsvp and enter code:

S JME T U7R1. One lucky winner will receive a copy of the DINNER FOR SCHMUCKS soundtrack! Dinner For Schmucks Original Soundtrack available on Lakeshore Records www.lakeshore-records.com Motion picture artwork & photos, © 2010 DW studios L.L.C. All Rights Reserved. Unauthorized duplication is a violation of applicable laws. lks 341832

No purchase necessary. Winner will be selected randomly and notified by email. Please note passes are available on a first come-first served basis while supplies last. This film is rated PG-13. Passes received through this promotion do not guarantee admission into the theatre and must be surrendered upon demand. All federal, state and local regulations apply. A recipient of tickets assumes any and all risks related to use of ticket and accepts any restrictions required by ticket provider. Paramount Pictures, GoFoBo, San Jose Metro, Terry Hines & Associates and their affiliates accept no responsibility or liability in connection with any loss or accident incurred in connection with use of a prize. Tickets cannot be exchanged, transferred or redeemed for cash, in whole or in part. We are not responsible if, for any reason, winner is unable to use his/her ticket in whole or in part. Not responsible for lost; delayed or misdirected entries. All federal and local taxes are the responsibility of the winner. Void where prohibited by law. No purchase necessary. Participating sponsors their employees and family members and their agencies are not eligible. Multiple entries from the same address will be disqualified. NO PHONE CALLS!

In theatres on July 30th www.DinnerForSchmucks.com

(PG; 95 min.) Even the second tier of animated filmmaking is fairly advanced, and Despicable Me’s brisk and intelligent rephrase of the evil genius plot makes up for several cul de sacs. The bald, heavy-eyebrowed and Akim Tamiroff–accented Gru (voiced by Steve Carell) is a mad scientist working on his latest plot. If he can steal a shrink-ray just being developed, the Bank of Evil will give him a loan to finance his magnum opus: the theft of the moon itself. But Vector, an unsightly nerd bearing a notable resemblance to Bill Gates, swipes the ray from Gru. The scheme to retrieve it depends on a trio of forlorn, cookie-selling orphans who have been haunting his front door. The action may be silly, but the directors take it seriously. The 3-D is mostly a gimmick, though there’s one startling moment of a rocket’s needle nose heading for the audience. (RvB)

THE GIRL WHO PLAYED WITH FIRE (Unrated; 129 min.) This second installment in the Stieg Larsson

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GROWNS UPS (PG-13; 102 min.) Lenny Feder (Sandler) and his gang—Eric (Kevin James), Marcus (David Spade), Rob (Rob Schneider), plus Kurt (Chris Rock)—reunite when their childhood basketball coach (Blake Clark) passes away. Afterward, the ďŹ ve pals and their families stay together over the Fourth of July weekend at a lake house. Why are they there? To hang out for about 100 minutes of running time. Seriously, nothing of signiďŹ cant note happens. Juggling ďŹ ve stars in one ďŹ lm leads to too many leading to underdeveloped characters. Only Sandler’s Lenny, a wealthy Hollywood agent, gets some of his due. (SR)

I AM LOVE (R; 120 min.) Tilda Swinton plays Emma, the wife of a distant businessman, who carries on an affair with a chef: Antonio (Edoardo Gabbrilini), a handsome devil with a tattooed bracelet. Director Luca Guadagnino touches upon the best novels about adultery: the name Emma, as in Bovary, is certainly signiďŹ cant. The director has one especially intelligent idea: the idea of how food and taste express information. The ďŹ rst connection between Antonio and Emma is through a meal he prepares—she’s thunderstruck with how good it tastes. This is a rich movie—a banquet, certainly—and the richness of it may seem off-putting; in these times, there’s so much ďŹ nancial suffering that many may be impatient with the problems of a luxuriously clad woman of leisure. But this classic drama of

adultery—spare in plot, fascinating in design—is a revenge of the world of art on the world of property. And we haven’t seen one this well framed in a long time. (RvB)

INCEPTION (PG-13; 148 min.) The basic idea of Christopher Nolan’s ďŹ lm is simple. Led by Cobb (Leonardo DiCaprio), a sort of Impossible Mission Force, working for a Japanese trillionaire (Ken Watanabe), descends into the sleeping subconscious of the plutocrat’s young rival (Cillian Murphy), using technology that allows them to design dreamscapes. Throughout the ďŹ lm, Nolan insists on the practical effect: the miniature and the set, as opposed to CGI. The ďŹ lm is audacious and frequently thrilling, especially when Nolan folds Paris in on itself and Escherizes interior spaces. It’s visionary ďŹ lmmaking, uncommon at this scale, with neither the mawkishness of What Dreams May Come or the spiritual horse feathers of the Matrix trilogy. (RvB)

JOAN RIVERS: A PIECE OF WORK (R., 84 min) The subject is Rivers on and around her 75th birthday as she prepares a one-woman show for the Edinburgh Festival. Meanwhile, she’s keen to make sure her calendar is full. Her material was risky from the beginning; she made jokes about abortion in the 1970s. Her own husband (and producer) may have committed suicide because of the pressure of the chat-show wars. One more expose of the comedian as monster wouldn’t be worth writing about—this, however, is a master class in how standup comedy is done. (RvB)

PREDATORS (R; 107 min.) The plot begins with Royce (Adrien Brody), a no-nonsense mercenary, falling from the heavens unconscious until he wakes up scrambling to eject his parachute. He survives the fall, but worse for wear. Royce later deduces that they’re in a game preserve. He seems to know what was happening at every moment. He’s like a walking, talking one-liner-plot-spewing machine. Predators eventually just turns into any other run-of-the-mill chase ďŹ lm. Regardless of its mediocrity and lack of a “Get to the chopper!â€? line, Predators still manages to be the best ďŹ lm starring the alien race of hunters since the original Predator ďŹ lm. (SR)

THE SORCERER’S APPRENTICE (PG, 111 min.) Nicolas Cage is Balthazar, an eons-old sorcerer who dresses like Lemmy of Motorhead; he recruits a NYT physics major (Jay

Baruchel) to help him round up a wizard (Alfred Molina) who proposes to release the spirit of an evil sorceress (Alice Krige). Baruchel— more ideally cast as the second or third assistant nerd in a high school movie—emits various goofy whines during the live-action remake of the Mickey Mouse sequence in Fantasia. Restaging this sequence live with CG animated brooms and mops is basically what would happen if you made a Daffy Duck cartoon with CG real ducks, taking loads of buckshot in the beak. Director Jon Turtletaub has obviously cut the ďŹ lm to make it move quicker, but camp or serious the movie fails. (RvB)

WINTER’S BONE (R; 100 min.) Like a Little Red Riding Hood story in which there’s nothing but wolves. Debra Granik’s spare, gripping ďŹ lm concerns 17-yearold Ree Dolly (a tough Jennifer Lawrence). Before her father skipped bail on a meth-making charge, he signed over his house to the bail bondsmen. Ree had planned to join the Army and use the signing bonus to help the rest of her family—two young children and a mother incapacitated with depression. Instead, the girl has to hunt up a father who doesn’t want to be found. Granik ďŹ lms in the half-frozen hills near SpringďŹ eld, Mo.—a forbidding landscape of bare trees. But one doesn’t get a sense of watching a city director exploiting the squalor. (RvB)

For showtimes, advance tix and more, go to

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Best Theaters -- SJ Merc, Metro & Wave Readers Always Plenty of Free Validated Parking All Sites Seniors & Kids $6.75 / Students $7.50 • * = No Passes $7 b4 6pm M-F / 4pm S-S, Holidays • = Final Week = Presented in Sony 4K Digital (C7 only) • Pruneyard/Campbell • 559-6900 • Pruneyard/Campbell • 559-6900 *THE KIDS ARE ALL RIGHT (R)--On 2 Screens! *INCEPTION (PG-13)--DBOX seats available! *THE SORCERER’S APPRENTICE (PG) DESPICABLE ME 3D (PG) TOY STORY 3D (G) THE GIRL WHO PLAYED WITH FIRE (NR) Abduction From Seraglio (HD Opera)--Sun/Wed

• 41 N. Santa Cruz • 395-0203 *INCEPTION (PG-13) *THE SORCERER’S APPRENTICE (PG) • 201 S. 2nd St, S.J. • 998-3300 Student Night Wednesdays -- $6 after 6pm *SALT (PG-13) *RAMONA AND BEEZUS (G) *INCEPTION (PG-13) KNIGHT & DAY (PG-13) *THE SORCERER’S APPRENTICE (PG) DESPICABLE ME (in 2D and 3D) (PG) TWILIGHT ECLIPSE (PG-13) PREDATORS (R) TOY STORY 3 (in 2D) (G)

• 288 S. Second, S.J. • 998-3300 AGORA (NR) WINTER’S BONE (R) PLUS JOAN RIVERS (R) OPENS 7/30! DINNER FOR SCHMUCKS CHARLIE ST. CLOUD CATS & DOGS FAREWELL

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series brings back Noomi Rapace’s ratty but invincible urchin Lisbeth Salander. Shortly after Lisbeth’s return to Stockholm, her old nemesis (and rapist) of a parole ofďŹ cer starts stirring up trouble. Meanwhile, trustworthily pockmarked investigative journalist Mikael (Michael Nyqvist) meets a new writer. He and his sociologist girlfriend are trying to expose the sex-slave trade conducted out of the former Soviet Union, apparently abetted by the Sapo, the Swedish Secret Police. It all comes together with help from the ever-clutching Hand of Coincidence. Director Daniel Alfredsen is trying to create a Euroanswer to Americanized thrillers by gentling them with humanism. Match this with the kind of sexual politics unseen since the 1970s in ďŹ lm; ornery even before she was raped, Salander is an old-fashioned pulp heroine in a pulp plot. (RvB)

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metroactive MUSIC

National Anthem

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METROACTIVE.COM M ETROACTIVE.COM

FEATURED LISTINGS

The New Limb Wednesday, July 21, 6pm, Streetlight Records, San Jose; free Bands have been covering New Order’s “Bizarre Love Triangle” and Cyndi Lauper’s “Time After Time” for years now; they’re both certified iconic ’80s songs. But putting them together? Genius. Not only do they flow perfectly into one another, but the New Limb’s cover gets at what makes this Orange County band so listenable: a seamless blend of electronic ambience and raw acoustic emotion. (SP)

Martina McBride Monday, 7:30pm, Mountain Winery, Saratoga; $45-$75 When people talk about how country went pop, they’re often talking about Martina McBride. For over a decade now, every song this woman touches seems to go gold. Like a twangier version of her idol Pat Benatar, McBride does her material up huge and has little use for traditional notions of what country should be—her next collaboration is with Kid Rock and rapper T.I. (SP)

Obits & Night Marchers Wednesday, July 21, 8pm, Blank Club, San Jose; $13/$15 Rick Froberg and John Reis have been in a lot of bands that all sound like slight variations on the others. Best known are Drive Like Jehu and Rocket From the Crypt. The pair reunited for Hot Snakes, then broke up, with Reis starting Night Marchers and Froberg putting together Obits. (SP)

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Rock/Pop R ock/Pop

Sun: Chili Chili Sauce. Sauce. Mon: Mon: Sun: Element. Campbell. Campbell. Element.

AVALON A VALON

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Thu: A Thu: Adema, dema, LLeft eft ooff Christ, Christ, SSolid olid SState tate LLogic, ogic, N ova, ZZed. ed. Nova, FFri: ri: A merie. SSanta anta CClara. lara. Amerie.

THE T HE BLANK BLANK CLUB CLUB Wed, 8 Wed, 8pm: pm: O Obits, bits, Night Night M archers. $ 15. FFri, ri, 9 pm: LLos os H ot Marchers. $15. 9pm: Hot B oxers, D ub FFX, X, CCado. ado. $ 8. SSat, at, Boxers, Dub $8. 9 pm: LLos os Olvidados, Olvidados, R ibzy, B ibles 9pm: Ribzy, Bibles &H and G renades. $ 10. SSan an JJose. ose. Hand Grenades. $10.

BOGART’S B OGART’S LLOUNGE OUNGE SSat: at: P Party arty P Peanut. eanut. SSunnyvale. unnyvale.

BOSWELL’S B OSWELL’S Wed: Jack Wed: Jack Rip Rip Off. Off. Fri: Fri: Bitchin’ Bitchin’ CCamaros. amaros. SSat: at: SSuga uga D addy. Daddy.

Fri, 110pm: Fri, 0pm: SSpazmatics. pazmatics. Sat, Sat, 110pm: 0pm: JJunkshaker. unkshaker. SSan an JJose. ose.

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EELL R RANCHO ANCHO SPORTS SPORTS B BAR AR Wed, W ed, 8 8pm: pm: LLive ive m music/jam usic/jam nnight. ight. SSan an Jose. Jose.

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BRITANNIA A BRITANNIA ARMS RMS DOWNTOWN D OWNTOWN

MILPITAS M ILPITAS B BACKYARD ACKYARD B OOGIE BOOGIE

TThu: hu: A Audiodub. udiodub. SSan an JJose. ose.

TTue, ue, 6:15pm: 6:15pm: Hit Hit Waves! Waves! Free. Free. Pinewood Park, P inewood P ark, Milpitas. Milpitas.

CCHAPALA HAPALA R RESTAURANT ESTAURANT Fri, 8 Fri, 8:30pm: :30pm: B Blank lank Manuscript, Manuscript, LLas as V ictimas ddel el D erebro. Victimas Dr.r. CCerebro. SSalinas. alinas.

MORGAN M ORGAN H HILL ILL FFRIDAYS RIDAYS FFri, ri, 77pm: pm: The The Shanks. Shanks.

49 4 9

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MUSIC USIC metroactive metr oactivve M Free. CCommunity Free. ommunity CCenter enter Amphitheatre, Morgan Hill. A mphitheatre, M organ H ill.

Dogg P Dogg Pound. ound. $15. $15. FFri, ri, 10pm: 10pm: Ambitious A mbitious Productions. Productions. SSan an JJose. ose.

JJAZZ AZZ ON ON THE THE P PLAZZ LAZZ

WOODHAM’S W OODHAM’S LLOUNGE OUNGE

JJ.J.’S .J.’S B BLUES LUES CAFE CAFE

FFri-Sun: ri-Sun: P Pro ro JJam. am. Santa Santa CClara. lara.

MOUNTAIN V MOUNTAIN VIEW IEW SSUMMER UMMER SSOUNDS OUNDS Thu, 6 Thu, 6:30pm: :30pm: FFinding inding Stella. Stella. Dana CCastro astro aatt D ana Street, Street, Mountain View. M ountain V iew.

MURPHY’S M URPHY’S LAW LAW Wed: CChris Wed: hris TTucker ucker aand nd H His is Guns. Guns. FFri: ri: After After SShock. hock. SSat: at: South South 446. 6. SSunnyvale. unnyvale.

NICKEL N ICKEL CITY CITY Fri, 5pm: Fri, 5pm: A Att the the Skylines, Skylines, LLike ike Moths M oths ttoo FFlames, lames, Casino Casino Madrid. M adrid. SSan an JJose. ose.

NUMBER N UMBER O ONE NE B BROADWAY ROADWAY Wed, 9 Wed, 9pm: pm: JC JC SSmith mith B Band. and. 9:30pm: After TThu, hu, 9 :30pm: A fter SSunset. unset. FFri, ri, 9:30pm: 9:30pm: Touch Touch ‘‘N’ N’ Go. Go. Sat, Sat, 9:30pm: 9 :30pm: JJam am FFunkshus. unkshus. Gatos. LLos os G atos.

REDWOOD CCITY REDWOOD ITY M MUSIC USIC ON ON THE T HE SQUARE SQUARE

World W orld ALBERTO’S A LBERTO’S Wed: B Wed: Bachata. achata. Thu: Thu: SSalsa alsa with with Pantea. P antea. FFri: ri: SSalsa alsa Fridays. Fridays. SSat: at: Nights. with LLatin atin N ights. TTue: ue: Salsa Salsa w ith Pantea. Mountain P antea. M ountain View. View.

ARYA A RYA GGLOBAL LOBAL CCUISINE UISINE Fri-Sat, 8 Fri-Sat, 8pm: pm: LLive ive m music usic aand nd bbelly elly dancing. dancing. CCupertino. upertino.

CCASCAL ASCAL Sat, 8 Sat, 8:30pm: :30pm: JJames ames Robinson. Robinson. FFlamenco lamenco jazz jazz guitarist. guitarist. SSat, at, 9pm: Mountain 9 pm: KKaweh. aweh. M ountain View. View.

PARRANDA P ARRANDA N NIGHTCLUB IGHTCLUB Thu, 9 Thu, 9pm: pm: B Banda anda 300, 300, D DJJ Akustik. 8pm: Norteño A kustik. FFri, ri, 8 pm: N orteño aand nd Bandas B andas llive. ive. SSunnyvale. unnyvale.

Fri, 6pm: Fri, 6pm: Cafe Cafe R R&B. &B. FFree. ree. Downtown D owntown Redwood Redwood City. City.

JJazz/Blues azz/Blues

QUARTER Q UARTER NOTE NOTE

ANGELICA’S A NGELICA’S B BISTRO ISTRO

Wed, 8 Wed, 8:30pm: :30pm: P Pro ro JJam am Night. Night. 8:30: music. TThu, hu, 8 :30: LLive ive m usic. Fri, Fri, 9pm: 9pm: Acacia A cacia CCollective, ollective, tthe he FFlaming laming TTelepaths, elepaths, tthe he ZZ-Trane -Trane Electric Electric Band. 9pm: B and. SSat, at, 9 pm: Pinkie Pinkie & Blind Blind Resistance. Mon, 8:30pm: R esistance. M on, 8 :30pm: Alvin Alvin Draper D raper JJam. am. SSunnyvale. unnyvale.

Thu, 77:30pm: Thu, :30pm: Blues Blues Jam. Jam. FFri, ri, 8pm: Nigel 8 pm: N igel & CClive live aand nd the the British B ritish IInvasion. nvasion. SSat: at: EE.C. .C. SScott. cott. $20. Mon: RWH $ 20. M on: R WH JJazz azz TTriad. riad. TTue, ue, 77pm: pm: JJazz azz open open sstage tage hhosted osted Band. bbyy Angelica’s Angelica’s JJam am B and. Redwood R edwood City. City.

SSANTA ANTA CCLARA LARA CCONCERTS ONCERTS IIN NT THE HE P PARK ARK

CCAFFE AFFE T TRIESTE RIESTE

Sun 2:30pm: Sun 2:30pm: Cool Cool U Under nder Pressure. P ressure. FFree. ree. CCentral entral Park, Park, SSanta anta CClara. lara.

Fri, 8pm: Fri, 8pm: Emperor Emperor Norton’s Norton’s Band. JJazz azz B and. SSan an JJose. ose.

FFAIRMONT AIRMONT H HOTEL OTEL LLOBBY OBBY LLOUNGE OUNGE

Wed, 6 Wed, 6:30pm: :30pm: SSpencer pencer Day. Day. Gatos Plaza. FFree. ree. LLos os G atos TTown own P laza. Wed: Suzi-Q Wed: Suzi-Q aand nd James James Robinson. R obinson. TThu: hu: JJimmy immy Dewrance. Bluz, D ewrance. FFri: ri: CCatman atman B luz, Bohler. KKaye aye B ohler. Sat: Sat: Cadillac Cadillac JJack, ack, W.H.A.T.!!!, W .H.A.T.!!!, John John Wedemeyer, Wedemeyer, Randy Haynes, R andy H aynes, EEndre ndre TTarczy. arczy. Alvin Draper. Dennis SSun: un: A lvin D raper. Mon: Mon: D ennis Dove. D ove. TTue: ue: Blue Blue J, J, LLiar’s iar ’s Club. Club. SSan an Jose. Jose.

LLOFT OFT BAR BAR AND AND BISTRO BISTRO Thu, 7-10pm: Thu, 7-10pm: LLive ive jazz. jazz. San San JJose. ose.

MOROCCO’S M OROCCO’S R RESTAURANT ESTAURANT Wed, 55pm: Wed, pm: M Margaret argaret & V Victor’s ictor ’s Duo. D uo. TThu, hu, 55pm: pm: JJason ason Bellenkes Bellenkes Duo. D uo. Fri, Fri, 55pm: pm: Belly Belly ddancing ancing music. aand nd m usic. SSat, at, 55pm: pm: Lemo. Lemo. SSun, un, 5pm: 5pm: Jazz Jazz night. night. Mon, Mon, Watson. 55pm: pm: Rob Rob W atson. San San Jose. Jose.

MURPHY’S M URPHY’S LAW LAW Mon: M on: Pro Pro Blues Blues JJam. am. Sunnyvale. Sunnyvale.

PARK P ARK VALENCIA VALENCIA Sat, 1-4pm: Sat, 1-4pm: SSoul oul Intention Intention and and Band TTravis ravis LLarson arson B and ((starting starting aatt 55:30pm). :30pm). Free. Free. Santana Santana Row. Row.

POOR P OOR H HOUSE OUSE BISTRO BISTRO Wed, 6 Wed, 6pm: pm: Ron Ron TThompson hompson and and FFriends. riends. TThu, hu, 6pm: 6pm: Lara Lara Price Price Band. 6pm: aand nd YYesterdays esterdays B and. FFri, ri, 6 pm: W.H.A.T. Hayes W .H.A.T. (Wedemeyer, (Wedemeyer, H ayes & TTarzy). arzy). Sat, Sat, Noon: Noon: OMG OMG Trio, Trio, 6pm: Hummel 6 pm: Mark Mark H ummel & the the Blues B lues SSurvivors urvivors w/ w/ Rusty Rusty ZZinn. inn. Blues SSun, un, 12pm: 12pm: School School of of B lues Performance. SStudent tudent P erformance. SSan an Jose. Jose.

QUARTER Q UARTER NOTE NOTE

SSTREETLIGHT TREETLIGHT R RECORDS ECORDS

Wed, 8 Wed, 8:30pm: :30pm: TThe he G Girlz irlz B Band. and. 8:30pm: TThu, hu, 8 :30pm: CContemporary ontemporary 9pm: oorr LLatin atin jjazz. azz. FFri-Sat, ri-Sat, 9 pm: JJazz azz aand nd ppop op ddance ance bands. bands. FFairmont airmont Hotel, Hotel, San San JJose. ose.

Wed, 6 Wed, 6pm: pm: New New Limb. Limb. Sat, Sat, 44pm: pm: Progress. CCity ity ooff P rogress. SSan an JJose. ose.

Wed, 8 Wed, 8:30pm: :30pm: P Pro ro Jam Jam N Night. ight. SSat, at, 4pm: 4pm: CCool ool Fire Fire Soul Soul JJazz. azz. SSun, un, 1pm: 1pm: Brisket Brisket aand nd Blues Blues with BBQ Will Roc Griffin w ith B BQ and and W ill R oc G riffin Vicious ooff V icious Groove, Groove, plus plus Martha Martha LLiz. iz. Sunnyvale. Sunnyvale.

GGRAND RAND D DELL ELL SSALOON ALOON

SSANTANA ANTANA R ROW OW

SUNNYVALE SSUMMER SUNNYVALE UMMER SSERIES ERIES

Thu: B Thu: Blues lues Jam Jam w with ith A Aki ki 8pm: Mark Harvey KKumar. umar. FFri, ri, 8 pm: M ark H arvey Band. 8pm: B and. SSat, at, 8 pm: TTip ip of of tthe he Top. Top. CCampbell. ampbell.

SSOUTH OUTH FFIRST IRST BILLIARDS BILLIARDS Thu: R Thu: Rainvow ainvow N No-Goods. o-Goods. Sat: Sat: LLazzari azzari EExperiment. xperiment.

Wed, 55:30pm: Wed, :30pm: TTouch ouch ooff Class. Class. Downtown FFree. ree. D owntown SSunnyvale. unnyvale.

VASONA V ASONA V VIBRATIONS IBRATIONS

HEDLEY H EDLEY CCLUB LUB

VENUEZ V ENUEZ

Wed, 77:30pm: Wed, :30pm: TThe he Hedley Hedley CClub lub JJazz azz JJam. am. TThu, hu, 8pm: 8pm: Russo-Alberts R usso-Alberts TTrio. rio. Fri, Fri, 8:30pm: 8:30pm: Aran. 8:30pm: Rick SSandra andra A ran. SSat, at, 8 :30pm: R ick Vandivier. Hotel Anza, V andivier. H otel ddee A nza, SSan an JJose. ose.

Fri-Sat, 8 Fri-Sat, 8:30pm: :30pm: Live Live bands. bands. SSanta anta CClara. lara.

JJAZZ AZZ O ON NM MAIN AIN

Sat, 55pm: Sat, pm: W Women omen With With SStrings trings Attached. Vasona A ttached. Free. Free. V asona LLake ake Park, Gatos. CCount ount P ark, Los Los G atos.

VOODOO V OODOO LLOUNGE OUNGE Wed, 9 Wed, 9pm: pm: Leon Leon R Russell. ussell. $28/$30. $ 28/$30. Thu, Thu, 9pm: 9pm: Tha Tha

Mon, 6 Mon, 6-8pm: -8pm: Ed Ed Johnson Johnson and and Novo N ovo TTempo. empo. Free. Free. Main Main SStreet, treet, Redwood ddowntown owntown R edwood CCity. ity.

TTue, ue, 6 6:30-8:30pm: :30-8:30pm: Jessica Jessica Wine Bar. JJohnson ohnson at at Cielo Cielo W ine B ar. Wally Roux W ally SSchnalle chnalle at at R oux LLouisiana ouisiana KKitchen. itchen. San San Jose. Jose.

SSENZALA ENZALA Fri, nnoon: Fri, oon: LLive ive m music. usic. SSat, at, 77:30pm: :30pm: Touch Touch of of CClass. lass. $10. $10. TTue: ue: JJam am Session. Session. SSunnyvale. unnyvale.

SSTANFORD TANFORD JAZZ JAZZ FFESTIVAL ESTIVAL Wed, 77:30pm: Wed, :30pm: Kristen Kristen Strom Strom Quintet. Att Campbell Q uintet. $14/$24. $14/$24. A Campbell Recital Hall. R ecital H all. TThu, hu, 7:30pm: 7:30pm: TThe he Music Music of of Dave Dave Brubeck Brubeck Victor ppresented resented bbyy V ictor LLin. in.

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Moree listings: Mor

METROACTIVE.COM M ETROACTIVE.COM

M E T R OAC T I V E . C O M | SA N J O S E . C O M | J U LY 2 1 -2 7, 2 0 1 0 | M E T R O S I L I C O N VA L L E Y

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Moree listings: Mor

MUSIC USIC metroactive metr oactivve M

1011 PACIFIC AVE. SANTA CRUZ 831-423-1336

METROACTIVE.COM M ETROACTIVE.COM

“Bombtracks N Cognac�

ANDRE NICKATINA

CONCERT

Bizzy Bone

(from Bone Thugs-N-Harmony)

Glasses Malone T.Mills • Dot Dot Curve $30 Adv./ $35 Dr. • Drs. 7 p.m., Show 8 p.m. ;O\YZKH` 1\S` $*(6

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plus The Moools $20 Adv./ $22 Dr. • Drs. 7 p.m., Show 8 p.m.

PFL N8EK K?< :8E;P :Xe[p\ BXe\ _\X[c`e\j I\[nff[ :`kpĂŠj Ycl\j ]\jk%

Redwood City PAL Blues Festival WHEN you party with the coppers, you know you’re going to be safe! Among the stellar acts playing this free weekend fest: BBW and big-voiced growler Candye Kane, who garnered an endorsement from B.B. King: “men like her voice because she’s Friday, 6pm; seductive and women like her voice because she’s Saturday 11am powerful.â€? With great power comes great modesty; Kane notes on her blog, “Unless you’re a blues fan, a punk Courthouse Plaza, from the ’80s or a big bust fan, you may not have heard Redwood City my name.â€? Kane recalls the great days when fans liked their singers upholstered, and Bullmoose Jackson could Free assert, “Big Fat Mommas Are Back in Styleâ€? (an obvious but lovingly handled cover for Kane on her White Trash Girl album). Ms Kane survived a bout of pancreatic cancer two years ago, and has come back to sing the very rivets out of the grandstand. Alligator Records recording artist Janiva Magness is a special guest star. Other performers at this year’s festival include CafĂŠ R&B, Dave Crimmen, Brother Cat, Frankie Lee and more. —Richard von Busack

49 4 9 $14/$24/ At $14/$24/ At Dinkelspiel Dinkelspiel Auditorium. A uditorium. Sat, Sat, 8pm: 8pm: CCharles harles McPherson, Mance M cPherson, JJunior unior M ance aand nd Heath. Att TTootie ootie H eath. $24/$40. $24/$40. A CCampbell. ampbell. SSun, un, 77:30pm: :30pm: Ruth Ruth Davies’ D avies’ Blues Blues Night Night with with Keb’ Keb’ Mo. $18/$32. Dinkelspiel. Mon, M o. $ 18/$32. D inkelspiel. M on, Dena DeRose 77:30pm: :30pm: D ena D eRose Trio. Trio. $18/$32. Dinkelspiel. Allll on $ 18/$32. D inkelspiel. A on SStanford tanford CCampus. ampus.

THREE T HREE FFLAMES LAMES Sun, 55pm: Sun, pm: SSunday unday M Matinee atinee Pleazure. JJamz, amz, FFoolish oolish P leazure. TTue, ue, Modesto 77:30pm: :30pm: M odesto Briseno Briseno Willow Glen. SSeptet. eptet. W illow G len.

UNWINED U NWINED Sat, 7-9:30pm: Sat, 7-9:30pm: Jazz Jazz Night. Night. SSan an Jose. Jose.

WINE W INE A AFFAIRS FFAIRS Wed-Thu, 77:30pm: Wed-Thu, :30pm: LLive ive M Music. usic. 8pm: Music. SSat, at, 8 pm: LLive ive M usic. SSan an Jose. Jose.

and Fri, and Fri, 9 9pm: pm: D Diablo iablo R Road. oad. Sat, Sat, 77:15pm: :15pm: Wild Wild at at Heart, Heart, Diablo Diablo Road. R oad. Fremont. Fremont.

CC&W/Folk &W/Folk

THREE FLAMES THREE FLAMES RESTAURANT R ESTAURANT

BOSWELL’S B OSWELL’S Thu: M Thu: Mike ike LLeatherman. eatherman. CCampbell. ampbell.

CCAFFE AFFE T TRIESTE RIESTE SSat: at: KKavanaugh avanaugh B Brothers rothers CCeltic eltic EExperience. xperience. SSan an JJose. ose.

RED R ED R ROCK OCK CCOFFEE OFFEE CCO. O. Fri, 8 Fri, 8pm: pm: R Reggie eggie Ginn. Ginn. SSat, at, 8pm: Hot Watsonville. 8 pm: H ot CClub lub ddee W atsonville. Mountain View. M ountain V iew.

THE T HE SSADDLE ADDLE R RACK ACK Wed, W ed, 9 9pm: pm: CCaliforrnia aliforrnia Boys. Boys. TThu hu

Thu, 9pm-closing: Thu, 9pm-closing: Live Live country country music, m usic, Doug Doug Rose Rose Productions Productions w/Bit Band w /Bit and and SSpur pur B and featuring featuring Willow Glen. CCowboy owboy Larry. Larry. W illow G len.

Open O pen Mic Mic BAREFOOT B AREFOOTCOFFEE COFFEER ROASTERS OASTERS Wed, 7pm: Wed, 7pm: Musical Musical open open mic. mic. SSign ign up up by by 5pm. 5pm. Santa Santa Clara. Clara.

CCAFFE AFFE TRIESTE TRIESTE TTue, ue, 7pm: 7pm: Open Open Mic. Mic. San San Jose. Jose.

53

Jul 21 Chicharones Atrium (Ages 21+) Jul 22 Ballyhoo!/ Mike Pinto Atrium (Ages 16+) Jul 23 Earl Zero Atrium (Ages 21+) Jul 27 The Black Seeds Atrium (Ages 16+) Aug 11 Reverend Horton Heat (Ages 21+) Aug 13 Smash Mouth (Ages 16+) Aug 16 Xavier Rudd (Ages 16+) Aug 19 Ted Nugent (Ages 21+) Aug 23 Bad Brains (Ages 16+) Aug 24 The Hold Steady (Ages 16+) Aug 27 Jackie Greene (Ages 21+) Aug 28 Hieroglyphics (Ages 16+) Sep 2 Israel Vibration (Ages 21+) Sep 11 Benny Benassi (Ages 16+) Sep 20 Willie Nelson & Family (Ages 21+) Sep 25 Collie Buddz (Ages 16+) Oct 2 Easy Star All-Stars (Ages 16+) Oct 3 O.A.R. (Ages 16+) Oct 7 Tech N9ne (Ages 16+) Oct 8 The Pack (Ages 16+) Unless otherwise noted, all shows are dance shows with limited seating. Tickets subject to city tax & service charge by phone 866-384-3060 & online

www.catalystclub.com

M E T R O S I L I C O N VA L L E Y | J U LY 2 1 -2 7, 2 0 1 0 | SA N J O S E . C O M | M E T R OAC T I V E . C O M T

;O\YZKH` 1\S` ‹ $*(6

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M E T R OAC T I V E . C O M | SA N J O S E . C O M | J U LY 2 1 -2 7, 2 0 1 0 | M E T R O S I L I C O N VA L L E Y

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Training In Technology Audio Engineering iPhone App Development Individual Practical Time Hands-on Training Full Time / Part Time Classes

Call For A Tour Today 415 344 0886

www.saesf.com

MUSIC USIC metroactive metr oactivve M

53

Moree listings: Mor

METROACTIVE.COM M ETROACTIVE.COM

DFÊ 9<KK<I 9CL<J B\YÊ Df gcXpj Jle[Xp Xk k_\ JkXe]fi[ AXqq =\jk`mXc%

Keb’ Mo’ INTERNATIONALLY famous trad Delta blues revivalist Keb’ Mo’ was born Kevin Moore in South-Central—the handle is a phonetic version of the way his name sounds south of the Santa Monica Freeway. Mo got his start with the band Zulu, accompanying Papa John Creech, best known to white boys as the gentleman fiddler who put a little grease into the bearings of the Jefferson Sunday, 7:30pm Wheelchair. Keb’ Mo’ is devoted to the works of the mysterious guitarist Robert Johnson, and even Dinkelspiel played Johnson in a movie once, and he was a major Auditorium, consultant on the recent PBS documentary series on Stanford the blues. At this Stanford Jazz Festival event, he’ll provide vocals and guitar at Ruth Davies’ annual Blues $32/$18 Night. Davies will back him up on bass, with Bennett Paster on piano, Charles McNeal on sax and Ndugu Chancler on drums. —Richard von Busack

51 CCITY ITY EESPRESSO SPRESSO Fri, 7-10pm: Fri, 7-10pm: Singers Singers aand nd musicians. m usicians. San San Jose. Jose.

Jam. TTue, Jam. ue, 8 8-11pm: -11pm: Open Open mic. mic. SSanta anta CClara. lara.

Karaoke Kar aoke

BLUE B LUE MAX MAX Fri-Sat, 9 Fri-Sat, 9pm-1:30am: pm-1:30am: Karaoke. Karaoke. SSunnyvale. unnyvale.

FFIBBAR IBBAR M MAGEES AGEES Mon: CComedy Mon: omedy oopen pen m mic. ic. SSunnyvale. unnyvale.

BOGART’S B OGART’S LOUNGE LOUNGE

MISSION M ISSION CCITY ITY ROASTING ROASTING CO. CO. Thu, 77pm: Thu, pm: South South B Bay ay Folks Folks Open Mic. O pen M ic. SSanta anta CClara. lara.

ALEX’S ALEX ’S 4 49ER 9ER INN

RED R ED R ROCK OCK CCOFFEE OFFEE CO. CO.

Nightly except Sun, 9pm2am: KKaraoke. araoke. San Jose.

Mon, 77pm: Mon, pm: Cavin Cavin and and King’s King’s Open Mic. Mountain View. O pen M ic. M ountain V iew.

BENNIGAN’S B ENNIGAN’S GRILL

THREE T HREE FFLAMES LAMES

Sat, 9pm: KKaraoke. araoke. Santa Clara. Clar a.

Wed: W ed: O Open pen M Mic. ic. W Willow illow Glen. Glen.

BLINKY’S BLINK Y’S CAN’T SSAY AY

VENUEZ V ENUEZ

Fri, 9pm9pm-1am: 1am: Danielle. Santa Clara. Clara.

FFri-Sat, ri-Sat, 8 8:30pm: :30pm: Open Open Mic Mic and and

Wed, Fri, Wed, Fri, Sun, Sun, 8pm-2am: 8pm-2am: KKaraoke. araoke. Sunnyvale. Sunnyvale.

BOSWELL’S B OSWELL’S TTue: ue: DJ DJ Davey Davey K. K. Campbell. Campbell.

BRITANNIA BRITANNIA ARMS ARMS CCUPERTINO UPERTINO Sun-Tue, 10pm: Sun-Tue, 10pm: Karaoke. Karaoke. CCupertino. upertino.

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M E T R O S I L I C O N VA L L E Y | J U LY 2 1 -2 7, 2 0 1 0 | SA N J O S E . C O M | M E T R OAC T I V E . C O M T

CONCERT

M E T R OAC T I V E . C O M | SA N J O S E . C O M | J U LY 2 1 -2 7, 2 0 1 0 | M E TR O S I L I C O N VA L L E Y

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MUSIC USIC metroactive metr oactivve M 53 BRITANNIA B RITANNIA A ARMS RMS SSAN AN JJOSE OSE Wed, 9 Wed, 9pm: pm: KKaraoke araoke w w/ / August. A ugust. San San Jose. Jose.

SSAN AN JJOSE OSE B BAR AR & GGRILL RILL TTue, ue, 110pm-close: 0pm-close: KKamikaze amikaze KKaraoke. araoke. SSan an JJose. ose.

TOON’S T OON’S

Moree listings: Mor

METROACTIVE.COM M ETROACTIVE.COM DJ DJ LV. LV. Tue, Tue, 9pm-1am: 9pm-1am: KJ KJ JR. JR. San San Jose. Jose.

DIVE D IVE B BAR AR

BRITISH B RITISH B BANKERS ANKERS CCLUB LUB

Wed, W ed, 8pm: 8pm: KKaraoke. araoke. SSan an JJose. ose.

Thu-Sun, 9 Thu-Sun, 9:30pm: :30pm: D DJJ ddance ance music. m usic. San San Jose. Jose.

Mon, 9 Mon, 9:30pm: :30pm: KKaraoke. araoke. M Menlo enlo Park. P ark.

WOODHAM’S W OODHAM’S LOUNGE LOUNGE

DOUBLETREE D OUBLETREE H HOTEL OTEL

CC&J’S &J’S SSPORTS PORTS B BAR AR TThu: hu: Melissa Melissa aand nd H Heather. eather. SSanta anta CClara. lara.

CCARDINAL ARDINAL LLOUNGE OUNGE Mon, W Mon, Wed, ed, 99pm-1am: pm-1am: D DJJ Noo ccover. CCurtis. urtis. N over. Tue, Tue, 9pm: 9pm: Western Noo ccover. W estern kkaraoke. araoke. N over. SSan an JJose. ose.

DASILVA’S D ASILVA’S B BRONCOS RONCOS Wed: G Wed: Guitar uitar H Hero ero TTournament ournament pplus lus kkaraoke. araoke. TThu, hu, 9pm-1am: 9pm-1am: KKaraoke. araoke. SSanta anta CClara. lara.

DIVE D IVE B BAR AR TTue-Wed, ue-Wed, 99pm: pm: KKaraoke. araoke. SSan an JJose. ose.

Wed, TThu, Wed, hu, Sat Sat and and SSun: un: 10pm: 10pm: Vinnie. V innie. Santa Santa Clara. Clara.

Sun aafternoon: Sun fternoon: D Detox etox P Pool ool Party. P arty. SSan an JJose. ose.

Dance D ance Clubs Clubs

EELL R RANCHO ANCHO SPORTS SPORTS B BAR AR

AGENDA A GENDA

FFAHRENHEIT AHRENHEIT U ULTRA LTRA LLOUNGE OUNGE

Wed, 8pm: Wed, 8pm: SSalsa alsa W Wednesdays. ednesdays. w/Paul TThu: hu: TTech ech IItt Up Up B*Tch B*Tch w /Paul LLeath eath and and Residents. Residents. Sat: Sat: Heat Heat w/ DJJ R Ren w /D en Barrera. Barrera. SSun: un: Planet Planet Reggae. R eggae. San San Jose. Jose.

ALBERTO’S A LBERTO’S Wed, 7:30pm: Wed, 7:30pm: LLatin. atin. TThu: hu: SSalsa alsa With Pantea. W ith P antea. Fri: Fri: Salsa Salsa Night. Night. SSat: at: Latin Latin Night. Night. TTue: ue: Salsa Salsa with Pantea. w ith P antea. Mountain Mountain View. View.

AZUCAR A ZUCAR

Fri-Sat, 8 Fri-Sat, 8pm: pm: Old Old SSchool chool Dance Dance Party DJJ N Neto. P arty ffeat. eat. D eto. SSan an Jose. Jose. Wed, 9 Wed, 9pm: pm: Reggae Reggae Riddims. Riddims. TThu: hu: SSoultry. oultry. Mon: Mon: Monday Monday Night Madness. N ight M adness. Tue, Tue, 9pm: 9pm: CCollege ollege Night. Night. San San Jose. Jose.

IILLUSIONS LLUSIONS SSUPPER UPPER CCLUB LUB Fri: SSalsa Fri: alsa night night w w/ / DJ DJ M MGD. GD. SSat: at: Calicove’s Calicove’s CCD D rrelease elease pparty. arty. Palo Alto. P alo A lto.

KHARTOUM K HARTOUM Wed: W ed: D DJJ D Davey avey KK.. CCampbell. ampbell.

LLOFT OFT BAR BAR A AND ND B BISTRO ISTRO

Mon: Monday Mon: Monday Night Night Madness. Madness. SSan an JJose. ose.

Wed: CComedy Wed: omedy CClub lub A After fter P Party. arty. Urban TThu: hu: U rban DJ DJ Spinning Spinning Beats’ Beats’ aand nd Brazilian. Brazilian. Fri Fri and and SSat: at: Live Live Hot SSalsa alsa Music. Music. Sun: Sun: Sizzlin’ Sizzlin’ H ot SSundays. undays. Mon: Mon: Salsa Salsa Dancing. Dancing. Pong TTue: ue: Beats Beats and and Beer Beer P ong w/ w/ Mike M ike JJones. ones. SSan an JJose. ose.

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BRANHAM B RANHAM LOUNGE LOUNGE

PARRANDA P ARRANDA N NIGHTCLUB IGHTCLUB

EELL RANCHO RANCHO SSPORTS PORTS B BAR AR TThu, hu, 8pm: 8pm: Karaoke. Karaoke. San San JJose. ose.

FFAHRENHEIT AHRENHEIT

TThu-Sat, hu-Sat, 99pm: pm: U Uncle ncle D Dougie ougie SShow. how. No No ccover. over. San San Jose. Jose.

FFri-Sat: ri-Sat: LLive ive DJ. DJ. SSan an Jose. Jose.

Wed: W ed: H Humpday umpday W Wednesdays. ednesdays. DJJ aand TThu: hu: D nd karaoke. karaoke. SSat: at: DJ DJ DJJ CChaos. JJazzy azzy aand nd D haos. Hip-hop Hip-hop Happy Hour aand nd Top Top 440. 0. SSun: un: H appy H our Allll D Day. Mon: DJJ aand A ay. M on: D nd kkaraoke. araoke. TTue: ue: $2 $2 TTuesdays. uesdays. San San Jose. Jose.

TThu, hu, 8 8pm: pm: D DJJ A Akustik. kustik. FFri, ri, 8 8pm: pm: DJJ M Mayo. Mayo D ayo. SSat, at, 8pm: 8pm: DJ DJ M ayo DJJ A Akustik. aand nd D kustik. SSun, un, 77pm: pm: LLatin atin Beat. 9pm: B eat. Sun, Sun, 9 pm: Sonidero Sonidero Night. Night. SSunnyvale. unnyvale.

BRITANNIA B RITANNIA ARMS ARMS ALMADEN ALMADEN

Fri: P Fri: Play lay House House w/ w/ D DJJ Zhaldee. Zhaldee. Next SSat: at: tthe he N ext Chapter. Chapter. San San JJose. ose.

Wed aand Wed nd Sun: Sun: DJ DJ Hank. Hank. Thu: Thu: DJ DJ Benofficial. B enofficial. San San Jose. Jose.

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Fri-Sun, 9 Fri-Sun, 9:30pm-1:30am: :30pm-1:30am: Willow Glen. KKaraoke. araoke. W illow G len.

Thu: M Thu: Major ajor TThursdays. hursdays. TTue: ue: TTwo wo Buck B uck TTuesdays, uesdays, College College dance dance pparty. arty. San San JJose. ose.

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Fri, 9 Fri, 9pm: pm: V Vinnie. innie. M Mon, on, 9pm: 9pm: w/ Vinnie. KKaraoke araoke w /V innie. TTue, ue, 9pm: 9pm: August. A ugust. Cupertino. Cupertino.

KHARTOUM K HARTOUM Thu, 9pm: Thu, 9pm: Davey Davey K. K. No No cover. cover. CCampbell. ampbell.

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BRITANNIA ARMS BRITANNIA ARMS DOWNTOWN D OWNTOWN Fri: D Fri: DJJ CCheck heck O O.. SSat: at: G B Beats eats tthe he Soulchild Soulchild and and Metrorock. Metrorock. TTue: ue: DJ DJ David David Q. Q. San San Jose. Jose.

Wed: Tango, Wed: Tango, Specials Specials on on drinks. drinks. TThu: hu: TThursday hursday Night Night Live. Live. FriFriVideo DJ. SSat: at: V ideo Killed Killed tthe he D J. Sun: Sun: Mon, SSinful inful SSundays. undays. M on, 10pm10pmManic cclose: lose: M anic Mondaze. Mondaze. San San Jose. Jose.

THREE T HREE FFLAMES LAMES Fri-Sat, 9 Fri-Sat, 9pm: pm: D DJJ SSir ir Dancealot. Dancealot. Willow W illow Glen. Glen.

TOON’S T OON’S

FFri-Sat: ri-Sat: KKaraoke. araoke. SSanta anta CClara. lara.

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Wed: W Wed: Whip hip It It O Out. ut. TThu: hu: Huntress. Huntress. FFri: ri: IInferno. nferno. Sat: Sat: Sinful. Sinful. SSun: un: Chill. Chill. Mon: M on: Marathon. Marathon. Tue: Tue: Take Take It It Off. Off. SSan an JJose. ose.

TThu: hu: FFrazzle razzle TTHursday Hursday H Hip-Hop ip-Hop 80s Music FFun. un. FFri: ri: 8 0s M usic Party. Party. Sat: Sat: Video Hip-Hop V ideo mixing. mixing. Sun: Sun: H ip-Hop SShowcase. howcase. Mon: Mon: Surprise. Surprise. Tue: Tue: LLadies adies night. night. San San Jose. Jose.

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Thu, 9pm: Thu, 9pm: DJ DJ Brian. Brian. Sun, Sun, 9pm: 9pm: DJJ aand D nd karaoke. karaoke. TTue, ue, 9pm: 9pm: DJ, DJ, ddancing, ancing, karaoke. karaoke. SSunnyvale. unnyvale.

QUARTER Q UARTER N NOTE OTE TTue, ue, 9 9pm: pm: SSherrie herrie aand nd SSue. ue. N Noo ccover. over. SSunnyvale. unnyvale.

Wed: D Wed: DJJ CCurtis. urtis. P Plus lus kkaraoke. araoke. TThu: hu: KKJJ JJR. R. Fri: Fri: Vicious Vicious Groove/ Groove/ Dan SSat: at: the the D an Goghs. Goghs. Sun-Mon: Sun-Mon:

Sun, 9 Sun, 9pm: pm: The The Pretty Pretty Things Things Peepshow. P eepshow. $8/$10. $8/$10. San San Jose. Jose.

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Choose your own

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Facebook is a cesspool of ill-advised revelations, with some privacy settings, and just like in an arrest, you have the right to remain silent, and should probably use it more often than not. You’ve already informed your, uh, insignificant other of your relationship status. If your feelings are unlikely to change, gently make that known so she doesn’t hang around nursing false hope. While you’re at it, you might change your relationship status on Facebook to the default—not yet filled out. In the future, you can provide it on a need-to-know basis, like when the dinner party host wonders if there’s a plus-one, and when you’re ordering at Starbucks: “I’ll have a tall Americano and my life partner here will have a grande mocha with whip.“

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FICTITIOUS BUSINESS NAME STATEMENT #539839

San Jose (408) 514.1111 Palo Alto (650) 223.0505

The following person(s) is (are) doing business as: Silver Creek Hair & Nails, 5659 Silver Creek Valley, San Jose, CA, 95138, Van Kim Huynh, 1319 Runshaw Pl., San Jose, CA, 95121. This business is conducted by a individual. Registrant began transacting business under the fictitious business name or names listed herein on July 5th, 2010. /s/Van Kim Huynh This statement was filed with the County Clerk of Santa Clara County on 7/06/2010. (pub Metro 7/14, 7/21, 7/28, 8/04/2010 )

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FICTITIOUS BUSINESS NAME STATEMENT #539823 The following person(s) is (are) doing business as: Platinum World, 1390 S. Winchester , San Jose, CA, 95128, Craig Walker. This business is conducted by a individual. Registrant has not yet begun transacting business under the fictitious business name or names listed herein on. /s/Craig Walker This statement was filed with the County Clerk of Santa Clara County on 7/02/2010. (pub Metro 7/07, 7/14, 7/21, 7/28/2010)

FICTITIOUS BUSINESS NAME STATEMENT #539388 The following person(s) is (are) doing business as: peacemovies.com, 1122 Frankfurt Ave., #4, San Jose, CA, 95126, John F. Thielking. This business is conducted by a individual. Registrant began transacting business under the fictitious business name or names listed herein on 2/01/2009. /s/John F, Thielking This statement was filed with the County Clerk of Santa Clara County on 6/21/2010. (pub Metro 6/30, 7/07, 7/14, 7/21/2010)

FICTITIOUS BUSINESS NAME STATEMENT #539419 The following person(s) is (are) doing business as: 1. Big Mouth News, 2. Big Mouth Press, 4111 San Bernardino Way, San Jose, CA, 95111, Merry Saltzman, Internet Press Service. This business is conducted by a individual. Registrant has not yet begun transacting business under the fictitious business name or names listed herein. /s/Merry Saltzman This statement was filed with the County Clerk of Santa Clara County on 6/23/2010. (pub Metro 6/30, 7/07, 7/14, 7/21/2010)

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ENTREPRENEURS WANTED !!! $1,000+ per day returning phone calls. IRS APPROVED “ I received $11,000 cash to my front door in my first 72 hrs.” (888) 821-4273 getcashtoday.me

Senior Software Engineer OOCL (USA) Inc. has employment opportunities in San Jose, CA for the position of Senior Software Engineer – Architecture and Frameworks (SWEVCH): Coordinate with application development teams throughout the OOCL enterprise to understand project requirements, development productivity improvement opportunities, best practices, and produc

tion quality issues. Send your resume (must reference job title and job code) to OOCL (USA) Inc., Attn: HR Coordinator, 2700 Zanker Road, Suite 200 San Jose, CA 95134.

Send resume to: Green Chain, LLC, 1395 Trailside Lane, San Jose, CA, 95138.

Technology

Lumileds Lighting has the following job opportunity in San Jose, CA : Automotive Sales Development Engineer in San Jose, CA area. Supply (ASDE-CA) - Qualify opportuchain planning and execution; Managing software sys- nities, understand the application-specific LED requiretems & General Ledger, ments, and develop prodAccounts Receivables, and uct/commercial proposals Accounts Payables; Prepare functional design documents; that best leverage the corporate value proposition. Perform documentation of Submit resume to business requirements & Philips Lumileds, supply chain management. 370 West Trimble Road, Work w/ ERP, MS Project, SQL, PL/SQL, Shell Scripts, C, MS 91-HR, San Jose, CA 95131. C++, VB, HTML, Java. This Must reference job title and position requires a Masters degree in Computer Science, job code. Information Technology, Engineering (any), or related Engineering plus 24 months experience in Silicon Image, Inc. seeks the following in Sunnyvale, CA: the job offered or related _Staff Engineer (“Req# occupation as a Business/ IM1023”):_ Work on our new Computer Software HDMI 1.4 product that Professional. Some internaenhances Instaport technolotional travel required. gies. Minimum BS in EE plus at least 7 yrs of related exp. Req include: High Definition Multimedia Interface Technology, Test Board level design, and Video, circuit design, debugging. Mail resumes to: Carine Stouffer, Human Resources, 1060 East Arques Avenue, Sunnyvale, CA 94085. Must reference job title and Req # to be considered.

Supply Chain Managers

Engineer Quantum Corporation in San Jose, CA has openings for Engineer Test (Req # 2010-2386) Create test scripts for white-box testing of VTL & NAS bases backup systems. Software Engineer (Req# 2010-2385) Design & dvlp s/w for disk based backup products focusing on deduplication, network protocols, & backup applications. Educ & exp reqs vary depending on position level/type. Submit resume at www.quantum.com/careers. Must ref req# in order to be considered.

Engineer Quantum Corporation in San Jose, CA has openings for Engineer Test (Req #20102386) Create test scripts for white-box testing of VTL & NAS bases backup systems. Software Engineer (Req# 2010-2385) Design & dvlp s/w for disk based backup products focusing on dedu plication, network protocols, & backup applications. Educ & exp reqs vary depending

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on position level/type. Submit resume at www.quantum.com/careers. Must ref req# in order to be considered.

Electrical Engineer (San Jose, CA): Design, synthesize video IC & simulation using CAD. Keil-C 8051 firmware design, FPGA implement & ASIC verification. Pre & post layout dynamic & static timing analysis. Generate test vector for functional testing. Knowledge of LCD base controller, display component & video hardware boards manufacture process using OrCAD & PADs. Interact w/ CFT to solve issues & improve performance of designs. MS in EE. Send resume to: Averlogic Technologies, Inc., 90 Great Oaks Blvd. Ste. 204, San Jose, CA 95119, Attn: HR Dept

Computer PricewaterhouseCoopers, LLP has an opportunity for the following position in San Jose, CA. CIO Adv MgrReqs. recent exp in struct of IT serv; modeling, defining, & integrating many processes across multiple domains, groups & geographies; analyzing existing or proposed IT environ. for design gaps & inefficiencies; ITSM Strategy; OPM3 fund. Cert; IT Serv Mgt Cert; Cisco Cert Sec Prof. Travel req. Reqs. incl. Bachelor’s deg in CS, Info. Sec Tech & Mgt, IT, MIS or related & 5 yrs recent exp or Master’s deg & 3 yrs recent exp. Mail resume to Attn: HR SSC/Talent Mgt, 3109 W. MLK Jr. Blvd., Tampa, FL 33607, Ref #SJRAN. Must be legally authorized to work in the U.S. w/out sponsorship. EOE

Bartender / Cocktail Servers Full Time or 6 AM Part Time shift available. Alex’s 49er Inn, San Carlos & Bascom. Apply mornings only.

Accountant EXP Computer dba Xeltek Inc. in Sunnyvale, CA. Master deg req. mail resume to 1296 Kifer Rd., #605, Sunnyvale, CA 94086 or email info@xeltek.com

Electrical Engineer Pavilion Integration Corporation in San Jose, CA. Design and test optical and mechanical subassemblies of laser modules. Master deg req. mail resume to 2380-F Qume Dr., San Jose, CA 95131 or email cindy.sun@ pavilionintegration.com

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ffriends? riends? I m ean, w hatt’s really really ggoing oing oon n ffor or tthem hem iin n tthe he mean, what’s According myy aastrological bbig ig sscheme cheme ooff tthings? hings? A ccording ttoo m strological iintuition, ntuition, aatt lleast east oone ne ooff yyour our ggood ood bbuddies uddies iiss aatt a tturning urning ppoint oint iin n hhis is oorr hher er llong-range ong-range ccycle, ycle, aand nd ccould ould rreally eally uuse se tthe he ddeep eep rreflection eflection aand nd ccatalytic atalytic hhelp elp tthat hat might Put yyou ou m ight pprovide. rovide. TTry ry tthis his eexercise: xercise: P ut aaside side aallll yyour our who iideas deas aabout bout w ho yyour our cclose lose aallies llies aare, re, aand nd ssimply imply ttry ry world After ttoo ssee ee tthe he w orld aass iiff llooking ooking oout ut ooff ttheir heir eeyes. yes. A fter yyou’ve ou’ve ddone one tthat, hat, iimagine magine hhow ow yyou ou ccould ould ooffer ffer yyourself ourself ttoo tthem hem aass a brain-booster brain-booster aand nd hheart-strengthener; eart-strengthener; might bbrainstorm rainstorm aabout bout hhow ow yyou ou m ight bblend lend yyour our llife ife fforce orce with w ith ttheirs heirs ssoo aass ttoo eempower mpower tthem hem ttoo ssee ee ffurther urther tthan han tthey hey can can by by themselves. themselves.

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TAURUS T AURUS ((April April 220–May 0–May 220): 0): IIff tthere here w were ere ssuch uch a thing Queen Heaven—a Goddess thing aass tthe he Q ueen ooff H eaven—a lliving iving G oddess whose whose ppresence resence bboth oth ccalmed almed aand nd eexcited xcited yyou, ou, a numinous magician who numinous ffemale emale m agician w ho llit it uupp yyour our llonging onging ttoo see Queen Heaven see llife ife aass iitt rreally eally iis—and s—and iiff tthis his Q ueen ooff H eaven came with what would came ttoo bbee w ith yyou ou rright ight nnow, ow, w hat w ould yyou ou ssay? ay? Would Would Would yyou ou aask sk hher er ttoo hhelp elp yyou, ou, aand nd iiff sso, o, hhow? ow? W ould you most you sseek eek aan n aanswer nswer ttoo tthe he m ost iimportant mportant qquestion uestion in Would in your your llife? ife? W ould yyou ou sspill pill eevery very ssecret ecret aand nd ttell ell eevery very story wanted story yyou’ve ou’ve eever ver w anted ttoo sshare, hare, aand nd ttrust rust tthat hat sshe’d he’d be who be able able ttoo ssee ee tthe he ttotality otality ooff w ho yyou ou rreally eally aare? re? I advise advise yyou ou ttoo ddoo tthis his iimaginative maginative eexercise xercise ssometime ometime soon. soon. TThe he ttime ime hhas as ccome ome ffor or yyou ou ttoo rreceive eceive a bblessing lessing from from tthe he hhighest ighest eexpression xpression ooff ffeminine eminine ppower. ower.

GGEMINI EMINI ((May May 221–June 1–June 220): 0): W What’s hat’s up up with with yyour our bbest est

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CCANCER ANCER ((June June 221–July 1–July 222): 2): IIn nm myy aastrological strological opinion, whatever’s opinion, yyou ou sshould hould ppay ay sspecial pecial aattention ttention ttoo w hatever ’s embryonic embryonic iin n yyour our llife. ife. YYou ou sshould hould rrouse ouse tthe he ssmartest martest part with part ooff yyour our ccapacity apacity ffor or llove ove aand nd ddirect irect iitt w ith hhighighbeam beam intensity intensity ttoward oward bburgeoning urgeoning ppossibilities ossibilities tthat hat have may have recently recently ggerminated. erminated. TThere here m ay ccome ome a ttime ime llater ater in when in the the pprocess rocess w hen yyou’ll ou’ll nneed eed ttoo iimpose mpose ddiscipline iscipline and and order order oon n yyour our ggrowing rowing tthings, hings, bbut ut tthat’s hat’s not not what’s what’s called called for for now. now. Be Be extravagant extravagant in in your your nurturing. nurturing. Don’t Have Don’t sscrimp crimp oon n ggenerosity enerosity aand nd bbeneficence. eneficence. H ave ffun un overflowing with overflowing w ith pprofusions rofusions ooff llife-giving ife-giving ccare. are. LLEO EO ((July July 223–Aug. 3–Aug. 222): 2): A According ccording ttoo H Hawaiian awaiian

mythology, m ythology, tthe he ssoul oul lleaves eaves tthe he bbody ody dduring uring tthe he nnight ight ttoo sseek eek tthe he aadventures dventures kknown nown aass ddreams. reams. TThe he pplace lace ooff ddeparture eparture aand nd rre-entry e-entry iiss tthe he ““soul soul ppit” it” ((lua’uhane) lua’uhane), which During which iiss llocated ocated iin n tthe he ttear ear dduct uct ooff tthe he eeye. ye. D uring tthe he next flying next ffew ew nnights, ights, II’d ’d llove ove ffor or yyou ou ttoo ssend end yyour our ssoul oul fl ying out out though though yyour our ssoul oul ppit it ffor or ssome ome ddaring aring eexploits xploits tthat hat will will rrevitalize evitalize yyour our llust ust ffor or llife. ife. TTake ake yyour our bbacklog acklog ooff stored-up with stored up ttears ears aalong long w ith yyou, ou aand nd ppour our tthem hem ddown own likee rain a n oon n the he secret e e ggarden a den you’ve ou e bbeen een nneglecting. eg e ng The will respond with The ggarden a den w e pond too the he ddownpour ownpou w h a bbigg growth g ow h spurt. pu

VIRGO V RGO (Aug. Aug 223–Sept. 3–Sep 222): 2 Aw woman oman I know now w was a invited where would n ed too a pparty a w he e she he w ou d gget e the he chance han e too m meet musician, ee hher e favorite a o em u an ppsychedelic hede folk o aartist Devendra Banhart. On mirror De end a B anha O n hher e last a look oo in n the he m o bbefore eoe heading head ng oout u the he ddoor, oo she he ddecided e ded that ha the he small ma pimple was p mp e oon n hher e chin hnw a uunacceptable, na ep ab e aand nd ggave a e it a squeeze. Wrong move. After worse. quee e W ong m oeA e it ppopped, opped it looked oo ed w o e She More She ppanicked. an ed M o e squeezing quee ng eensued, n ued aaccompanied ompan ed by moaning b m oan ng aand nd hhowling. ow ng SSoon oon the he tiny n bblemish em h hhad ad evolved major minutes e o ed into n oam a o conflagration. onflag a on FFifteen een m nu e later, was a e ddefeated e ea ed aand nd in n tears, ea she he w a nnibbling bb ng chocolate ho o a e in with n bbed, ed uunable nab e too bbring ng hherself e e too face a e hher e hhero e ow h hher e flagrant wound moral flag an nnew ew w ound showing. how ng TThe he m o a oof the he story, o aas far a aas you’re ou e concerned: on e ned LLeave ea e your ou tiny n bblemish em h aalone. one LLIBRA BRA (Sept. Sep 223–Oct. 3–O 222): 2 In n the he uupcoming p om ng science en e

fiction movie Adjustment Bureau, Matt Damon fi on m o e TThe he A d u men B u eau M a D amon with pplays a a ppolitician o an w h bbigg aambitions. mb on EEverything’s e h ng ggoing o ng way with hhis w a uuntil n hhee falls a in n love o ew h a ddancer. an e TThen hen the he representatives mysterious ep e en a e oof a m e ou ggroup oup intervene n e ene in n hhis life, warning ew a n ng hhim m that ha hhe’ll e nnever e e aachieve h e e hhis ddreams eam if hhee stays with who make a w h hher. e “We We aaree the he ppeople eop e w ho m a e sure u e things h ng hhappen appen aaccording o d ng too pplan,” an they he say. a “We We monitor world.” m on o the he eentire n ew o d I’m m hhappy app too inform n o m you, ou

SSCORPIO CORPIO ((Oct. Oct. 223–Nov. 3–Nov. 221): 1): TThe he U United nited SStates tates iiss tthe he planet’s planet’s major major player player in in terms terms of of political, political, economic, economic, and and military military cclout. lout. CChina hina iiss rrising ising ffast ast aass a ccompetitor ompetitor in in those those tthree hree aarenas, renas, bbut ut llags ags ffar ar bbehind ehind iin n a ffourth: ourth: “soft “soft ppower,” ower,” oorr ccultural ultural influence. influence. The The rest rest of of the the world world finds America’s finds A merica’s sstyle, tyle, eentertainment, ntertainment, aart, rt, aand nd iideas deas far Ass yyou far more more attractive attractive than than China’s. China’s. A ou eenter nter a pphase hase that will that w ill bbee ffavorable avorable ffor or eenhancing nhancing yyour our oown wn lleverage everage and and authority, authority, SScorpio, corpio, I ssuggest uggest yyou ou pput ut tthe he eemphasis mphasis on more on wielding wielding ““soft soft ppower.” ower.” YYou’ll ou’ll aaccomplish ccomplish m ore bbyy charming with charming ppeople eople w ith yyour our iintelligence ntelligence tthan han bbyy ttrying rying to manipulate to push push tthem hem oorr m anipulate tthem. hem. SSAGITTARIUS AGITTARIUS ((Nov. Nov. 222–Dec. 2–Dec. 221): 1): I tthink hink iitt w would ould bbee hhealthy ealthy for for you you to to wander wander out out ttoo a ffrontier rontier aand nd might want eexplore xplore a bboundary. oundary. YYou ou m ight eeven ven w ant ttoo rreewhile eexamine xamine a ttaboo aboo yyou ou hhaven’t aven’t qquestioned uestioned iin naw hile with aand nd ttinker inker w ith a fformula ormula yyou ou tthought hought yyou’d ou’d nnever ever would cchange. hange. I ssuspect uspect tthat hat yyou ou w ould aalso lso llearn earn a llot ot ffrom rom ggently ently ppushing ushing aagainst gainst a llimit imit yyou’ve ou’ve ccome ome ttoo Having bbelieve elieve iiss ppermanent. ermanent. H aving ssaid aid aallll tthat, hat, II’m ’m ccautious autious aabout bout aadvising dvising yyou ou ttoo ggoo ffurther. urther. IIff yyou ou gget et uurges rges ttoo aactually ctually ttransgress ransgress tthe he bboundary oundary aand nd bbreak reak the the taboo taboo aand nd ssmash mash tthrough hrough tthe he llimit, imit, pplease lease ddoo llots ots ooff ddue ue what ddiligence. iligence. KKnow now eexactly xactly w hat yyou’re ou’re ggetting etting iinto nto aand nd what might w hat tthe he cconsequences onsequences m ight bbe. e. CCAPRICORN APRICORN ((Dec. Dec. 222–Jan. 2–Jan. 119): 9): W When hen m mobs obs sstage tage political political demonstrations demonstrations in in Pakistan’s Pakistan’s bbiggest iggest ccities, ities, they make written they m ake ssure ure tthat hat ssome ome ooff ttheir heir ssigns igns aare re w ritten iin n English. way more English. TThat hat w ay ttheir heir pprotests rotests aare re m ore llikely ikely ttoo bbee filmed media American filmed bbyy nnews ews m edia llike ike CCNN NN aand nd sshown hown ttoo A merican audiences. audiences. TTake ake a ccue ue ffrom rom tthat hat ttrick rick aass yyou ou pplan lan yyour our actions, won’t merely actions, CCapricorn. apricorn. IItt w on’t bbee eenough nough m erely ttoo ssay ay what want who want what yyou ou w ant ttoo ssay ay aand nd bbee w ho yyou ou w ant ttoo bbe; e; yyou ou should messages who should ttailor ailor yyour our m essages ttoo ppeople eople w ho hhave ave tthe he power what power ttoo aactually ctually cchange hange w hat nneeds eeds ttoo bbee cchanged. hanged. AQUARIUS A QUARIUS ((Jan. Jan. 220–Feb. 0–Feb. 118): 8): II’m ’m pputting utting oout ut

a ccall all ttoo tthe he rrebel ebel iin n yyour our hheart—not eart—not tthe he ccranky, ranky, mind, vvindictive indictive rrebel ebel iin n yyour our m ind, bbut ut tthe he jjoyful, oyful, yyearning earning rrebel ebel iin n yyour our hheart. eart. I aam m aasking sking tthis his ttender ender rrenegade enegade wherever ttoo rrise ise uupp aagainst gainst nnarcissistic arcissistic bbehavior ehavior w herever yyou ou find fi nd it. it. Don’t Don’t sshout hout iitt ddown own oorr ttry ry ttoo sshame hame iit, t, tthough; hough; work rrather, ather, w ork aaround round iitt tthrough hrough ooutrageous utrageous ddisplays isplays ooff eempathy mpathy aand nd rradical adical aacts cts ooff ccompassion ompassion aand nd ffeisty eisty wild myy ooutbreaks utbreaks ooff w ild kkindness. indness. YYour our jjob, ob, aaccording ccording ttoo m aanalysis nalysis ooff tthe he aastrological strological oomens, mens, iiss ttoo bbee a oonenewrecking pperson erson w recking ccrew rew ddevoted evoted ttoo ssmashing mashing tthe he bboring oring with iinertia nertia ooff eegotism gotism w ith yyour our zzealous ealous cconcern oncern ffor or tthe he ggood ood ooff aall. ll.

PISCES P ISCES ((Feb. Feb. 119–March 9–March 20): 20): A Ass tthe he eeconomic conomic

many rrecovery ecovery llags, ags, m any ffrustrated rustrated jjob-seekers ob-seekers hhave ave waiting ddecided ecided ttoo sstop top w aiting aaround round ttoo bbee ssaved; aved; tthey’re hey’re matters Ass a rresult, ttaking aking m atters iinto nto ttheir heir oown wn hhands. ands. A esult, eentrepreneurship ntrepreneurship iiss tthriving. hriving. I ssuggest uggest yyou ou ccatch atch mass tthat hat sspirit. pirit IIn n ffact, act I aadvocate dvocate a m ass eentrepreneurial ntrepreneurial Pisceans months. uuprising p ng aamong mong P ean in n the he coming om ng m on h Even E en if you’re ou e aalready ead eemployed, mp o ed it’ll bbee pprime me time me for o you ou too create ea e your ou oown wn pperfect e e ggig, g carve a e oout u your ou oown wn special pe a nniche, he oor ddream eam uupp a role o e that ha is ddesigned e gned for o your ou uunique n que talents. a en

Homewo k Co Homework: Comment ommen on Bertrand Be and Russell’s Russe s sstatement, a emen “The “Th he universe un ve se iss full u o mag ca of magical things waiting h ngs patiently pa en y wa ng for o our ou wits w s to o grow g ow sharper.” sha pe ” Go to o FFreewillastrology.com eew as o ogyy com and cclick ck “Email “Ema Rob.” Ro ob ”

Go to REALASTROLOGY.COM to check out Rob Brezsny’s Expanded Weekly Audio Horoscopes and Daily Text Message Horoscopes. Audio horoscopes are also available by phone at 1-877-873-4888 or 1-900-950-7700

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The Rocky movies are fiction, Dave. That tells you pretty much all you need to know. But let me add some details. First we need to clear up the difference between force and pressure. Force is what causes something to accelerate, e.g., a fighter’s head in the direction of a thrown punch. In the U.S. force is normally measured in pounds. Pressure is force per unit of contact area, commonly expressed in pounds per square inch (psi). When researchers study punching ability they usually focus on force rather than pressure, since the pressure varies as the contact area expands on impact. With that in mind, let’s look at the research: • A study of seven Olympic boxers in weight classes ranging from flyweight to super heavyweight showed a range of 447 to 1,066 pounds of peak punching force. Energy transferred from punch to target varied widely depending on how heavy the boxers’ hands and gloves were, how fast they punched and how rigidly they held their wrists. The three flyweights delivered more oomph than all but the two super heavyweights. • A study of 70 boxers found elite-level fighters could punch with an average of 776 pounds of force. Another study of 23 boxers showed elite fighters were able to punch more than twice as hard as novices, the hardest hitter generating 1,300 pounds of force. • A 1985 study of Frank Bruno, who’d go on to be WBC heavyweight champ, showed he could punch with a force of 920 pounds in the lab. Researchers extrapolated that to a real-life blow of 1,420 pounds, enough to accelerate his opponent’s head at a rate of 53 g—that is, 53 times the force of gravity. • Martial arts punches generally involve much less force than those in boxing. A study of 12 karate black belts showed so-called reverse punches delivered an average force of 325 pounds. Short-range power punches averaged 178 pounds. If a punch thrown by Rocky IV villain Ivan Drago is supposed to measure 2,150 psi and his glove’s impact area is

something like 4 square inches, he’d be exerting a force of 8,600 pounds, or more than 4 tons. Based on the professional literature, no boxer in real life comes anywhere close to that. I did find a 2007 news account about WBO cruiserweight champion Enzo Maccarinelli, whose punches supposedly packed a wallop of around 3.85 tons. However, the researchers making this claim have yet to publish their findings in a scientific journal, and I’m not taking them seriously until they do. Even without Drago in the ring, boxing is a punishing sport, especially where the head is involved. Damage comes from three things: (1) the impact itself, which may be manifested in, say, a broken jaw; (2) acceleration to the brain leading to abrupt contact with the skull; and (3) the rotational force that twists the brain within the skull, increasing the severity of injury and the likelihood of a knockout. One metric for gauging the risk and seriousness of a brain injury is the Wayne State tolerance curve, which looks at both the g-force imparted to the head and the span of time involved. Generally speaking you don’t want to take a shot of more than 50 g, although you can stand more if the impact is really brief—say, a couple thousandths of a second. If you’re on the receiving end of a Bruno-class impact, my guess is you won’t soon get up. Punches to the head can cause detached retinas, brain hemorrhage, fractured bones and permanent neurological disorders. Worse can happen. According to one estimate, boxing killed at least 650 fighters from 1918 through 1997. Mixed martial arts (MMA) fighters seem to be less at risk. Since MMA rules allow grappling (meaning less punching) and tapouts (giving up), actual knockouts occur only half as often as in boxing. Besides maybe getting killed, cumulative brain damage is the scariest part of boxing, as most fighters now recognize. To quote Terry Marsh, the undefeated light welterweight champion, “I don’t need the British Medical Association to tell me getting hit on the head can’t do me any good.” Muhammad Ali would surely concur.

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The T he G Giants ian nts have have struggled struggled iin n tthe he ssecond econd h alf of of the the season, season, going going 55-14 -14 half winning Division aafter fter w inning the the Northern Northern D ivision first-half fi rst-hallf title title with with a 45-25 45-25 rrecord. ecord. After first A fter tthe he fi rst half, half, the the team team was was eeight ight and ggames ames up up on on the the Visalia Visallia Rawhide Rawhide an nd Modesto Nuts, who tthe he M odesto N uts, w ho were were ttied ied place. been ffor or ssecond econd p lace. That That lead lead has has b een whittled w hittled down down to to two two games. gam mes. The Giants T he G iants suffered suff ffeered a major major lloss oss eearlier arrlier tthis his month month with with the the promotion promotion off Brandon o Brandon Belt Belt to to the the AA AA Flying Flying Squirrels off Richmond, S quirrels o Richmond, Va. Va. Belt Belt was waass the the machine driving m acchine d riving the the Giants’ Giants’ offense off ffeense in in first tthe he fi rst half half of of the the season—hitting season—hitting ..383 383 driving aand nd d riving in in 62 62 runs runs in in 77 77 games. gam ames.

“Losing “L osing Brandon in the middle of the line lineup eup thr threw ew our off offense ffeense out of whack, and we’ve we’ve had to mak makee an adjustm adjustment,” ment,”” said San Jose Jose Giants head coach coach h Brian Harp Harper. er. “It’s “It’s time ffor o or somebody somebody to step up and seize the opportunity opportunity to be be a middle-ofmiddle- offthe-order the - order RBI guy like like Brandon.” Brandon.” In Richm Richmond, mond, Belt joined his fformer o ormer teammate teaammate Craig W Westcott, estc e ott, who w was as a str strong ong arm for for o the Giants earlier in the t season,, compiling compiling a 6-0 rrecord ecord in i 13 1 starts sttarts t with ith a 1.83 8 ERA. ERA The pr problem obleem Harp Harper er fac faces es is the problem pr oblem all a minor league coaches coaches face—losing fac e—losin ng their b best est pla players. ayers. His title in thee or organization ganization is a pla playerayerdevelopment de velopmeent ccoach. oach. His main goal is to develop develop his players plaayers and get them to th the he next next le level. vel. W Winning iinning is important, imp ortantt, but improvement improvement is the rreal eal goal. “W ““Winning Wiinning is a by-product by-product of de velop ping go od players,” plaayers,” he said. developing good H Harp er is i pleased l d with i h the h way way the h Harper team has played—despite p ayed— despite the rrecent pla ecent p oor play. plaay. “Going into the season we poor ha ave had a lot of unknowns and we have ha ave donee pretty pretty well,”” he said. have The Gia ants ar Giants aree home this week to take take on n the Stockton Stockton Ports Ports ((July July 21–2 22) and High Desert Desert 21–22) ((July July 23–2 25). The July July 21 game is an 23–25). OSH Mer c chant Night. Fr ee tick ets Merchant Free tickets ccan an b o ou und at participating participating OSH bee ffound stor es, which whiich are are listed at osh.com. osh.com. stores,

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73 M E T R O S I L I C O N VA L L E Y | J U LY 2 1 -2 7, 2 0 1 0 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

M E T R OAC T I V E . C O M | SA N J O S E . C O M | J U LY 2 1 -2 7, 2 0 1 0 | M E T R O S I L I C O N VA L L E Y

74

REAL ESTATE

Luxury Sells

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?< \Zfefd`Z Zi`j`j `j ?< \Zfefd`Z Zi`j`j `j efk fm\i p\k# Ylk `e e fk fm\i p\k# Ylk `e J`c`Zfe MXcc\p g\fgc\ J `c`Zfe MXcc\p g\fgc\ Xi\ jg\e[`e^ d`cc`fej X i\ jg\e[`e^ d`cc`fej f] [fccXij fe e\n _fd\j X^X`e# f] [fccXij fe e\n _fd\j X^X`e# # X]k\i X cfe^ clcc% @e Ale\ Xcfe\# X]k\i X cfe^ clcc% @e Ale\ Xcfe\# )-- J`c`Zfe MXcc\p _fd\j jfc[ ]fi )-- J`c`Zfe MXcc\p _fd\j jfc[ ]fi dfi\ k_Xe ( d`cc`fe \XZ_# n`k_ dfi\ k_Xe ( d`cc`fe \XZ_# n`k_ X d\[`Xe gi`Z\ f] (%*( d`cc`fe% X d\[`Xe gi`Z\ f] (%*( d`cc`fe% More M ore sstartling tartling however howeve ver is is that that ssellers ellers off ttheir aare re ggetting etting 99 99 percent percent o heir original original price. aasking sking p rice. A rreport eport this this week week iin n Business Journal points out B usiness J ournal p oints o ut tthat hat tthis his doesn’t mean are proďŹ table d oesn’t m ean tthat hat there there ar re p roďŹ table bidding wars under way, b idding w ars u nder w ay, rraising aising the the off rreal bee seen ccost ost o eal eestate, state, but but iitt ccan an b seen ass a ssign ign of of tthings hings to to come, come, at at lleast east for for the the wealthiest rregion’s egion’s w ealthiest rresidents. esidents. The home T he most most eexpensive xpensive h ome iin n tthis his period Palo Alto $7.3 million. p eriod ssold old iin nP alo A lto ffor or $ 7.3 m illion. San however, most millionS an JJose, ose, h owever, had had tthe he m ost m illiondollar homes with d ollarr h omes sold sold w ith 54. 54. What $1.3 million buy Silicon W hat can can $ 1.3 m illion b uy S ilicon Valley V al alley today? today? A tthree-bedroom, hree-bedroom, 2 11/2/2bath home, 273 Del Monte b ath h ome, llocated ocated at at 2 73 D el M onte Ave. Los Altos. A ve. in in L os A ltos. IIt’s t’s a one-story, one-story, 2,0642,064with high ssquare-foot quare-foot ccottage ottage w ith h igh ceilings, ceilings, dining d ining room room aand nd kitchen kitchen sskylights, kylights, aand nd gglass lass ssliding liding doors doors iin n tthe he lliving iving rroom oom open up one decks. Both tthat hat o pen u p tto oo ne of of tthe he d ecks. B oth decks private d ecks ((there there is is a sseparate, eparate, p rivate deck deck off bedroom) o ff the the master master b edroom) llook ook out out over over and with aan n eenormous normous yard yard an nd garden garden w ith The woodffruit ruit trees. trees. T he family faam mily rroom oom has has a w oodburning ďŹ replace kitchen b urning ďŹ replace aand nd tthe he k itchen iiss huge h uge with with a ccentral entral iisland slan nd aand nd a llarge arge dining The owner $1.388 d ining area. area.. T he o wner iiss aasking sking $ 1.388 million. m illion. Another home A nother ďŹ ne ďŹ ne h ome ccan an be an be ffound ound iin n

Mountain View’s Mountain View’s Waverly Waverly P Park arrk at at 3365 3365 Tyrna Att 2,834 T yrna Drive. Drive. A 2,834 square squarre feet, feet, iitt has hass ďŹ ve bedrooms bedrooms and and three three baths. baths. What What ďŹ ve ssets ets this this house house aapart part is is tthe he big big lot lot iitt is is sset et on, on, giving giving the the sense sense of of a home home in in the the park. p ark. Both the the living living room room and an nd family family Both rroom oom have have tall, talll, vaulted vaulted ceilings, ceilings, aand nd the the ffamily amily room room includes includes a brick brick ďŹ replace ďŹ replace aand nd plantation plantation shutters shutters overlooking overlooking tthe he private private yard yarrd with with a deck, deck, p atio, and and patio, kitchen eeven ven a redwood. redwood. The The spacious spacious k itchen iincludes ncludes a spacious spacious walk-in walk-in pantry. pan ntry. The The ccabinets abinets are are cherry cherry and an nd the the counters, counters, iincluding ncluding the the central central island, island, aare re granite. gran nite. The has T he master master bedroom’s bedroom’s bathroom bathroom h as an an o versize R oman tub, tub, nice nice ffor or tthose hose q uiet oversize Roman quiet eevenings venings when when tthe he kids kids are arre aall ll in in their their bedrooms. has b edrooms. The The home home h as just just been been rremodeled emodeled and and repainted repainted and and is is ready read dy ffor or m ove-in, and and can can be be had had for for $1.535 $1.535 move-in, million. m illion. At $2.875 At $ 2.875 million, million, 1751 1751 Campbell Campbell Ave., Ave., Road iin n the the Dry Dry Creek Creek R oad area arrea near near Willow Willow Glen, bargain. G len, is is something something of of a b argain. This This iiss a four-bedroom, four-bedroom, six-bath six-bath split-level, split-level, ssituated ituated on on a 12,000-plus-square-foot 12,000-plus-square-foot The llot. ot. T he towering towering ceilings ceilings on on tthe he lower lower llevel evel and and the the gglass lass d oors and an nd full full length length doors windows patio, w indows open open up up tto o a beautiful beau utiful p atio, ssurrounding urrounding the the pool pool and and JJacuzzi. acuzzi. The The lliving iving rroom/dining oom/ m/dining room room is is set set off off with with beams sstunning tunning wooden wooden b eams giving giving it it an an aalmost lmost rustic-lodge rustic-lodge look. look. As ffor or lodge lodge living, living, tthe he kitchen kitchen As iincludes ncludes a brick brick oven oven which which houses houses the the modern, m odern, stainless stainless steel steel appliances, ap ppliances, and an nd tthere here is is a spacious spacious wine wine cellar. cellar. Perhaps Perhaps tthe he most most magniďŹ cent magniďŹ cent room room of of all all is is the the dark d arrk wood-paneled wood-paneled den den and an nd library, library, w hich o ffeers a touch ff touch of of O ld World World grace. grace. which offers Old In San In S an Jose, Jose, that that means mean ns elegant elegant living living iiss w ithin rreach eac ach ffor or a p rice. A nd tthe he p rices within price. And prices aare re bound bound to to go go up. up.

75 M E T R O S I L I C O N VA L L E Y | J U LY 2 1 -2 7, 2 0 1 0 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

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