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Former poet laureate Robert Hass recalls his friend Morton Marcus

A Man Of Letters p9

City Carbon Debate Heats Up p7 | Cheech & Chong, Buds Forever p17 | De Niro Gets ‘Stone’d p31

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Contents. P OSTS

p4

CURRENTS

p7

COVER STORY A&E

p9

p17

S TA G E , A R T & EVENTS

p19

B E AT S C A P E CLUB GRID FILM

p22 p24

p31

ASTR OLOGY

p36

CLASSIFIEDS

p38

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>=ABA no november v emberr 3-10, 3- 1 0 , 2010 201 0 A/<B/1@CH 1=; A/<B/1@CH 1=; " j >=ABA

Posts. P o ts. os t Messages M eessaggees &

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Send letters letteerrs to to Santa Santa Cruz Weekly, Weekly e y, let letters@santacruz.com teerrss@san nttaacruz.com or to to A Attn: ttn: LLetters, ettteeerrs, 115 Co ett et C Cooper ooper e St., Sant San Santaa Cruz, uz 95060. 060. Inclu Include udee cit city ittyy and phone inaccuracies phone number number or email address. address. Submissions Subm missions mayy be be edited editteed for foorr length, length clarity le leng cllaritt y or or factual faactual ac inac a curacies racies known know nown to to us. uss.

4@33 B= 03 E3 4@33 B= 03 0 E3 IW WAS AS aannoyed nnoyed b byy yyour our aarticle rticle o on nH Halloween alloween trends (“Night ClichĂŠ, story, tr ends (“ Night of thee Living C lichĂŠ,â€? ccover over e stor y, Oct. 27). what’s trendy O ct. 2 7). First First of all, who w ccares ares what ’s tr endy or not? People what whether n ot? P eople llike ike w hat tthey hey llike, ike, w hether iitt iiss fashionable byy p pontificating cconsidered onsidered fashionab ble or not b ontiff iicatingg media pundits. off fflippant m edia p undits. I also also see see a llot ot o lippant stereotypes ignorant racist and ssexist exist ster eotypes in yyour our article. Zombies aree not invention B-ar ticle. Z ombies ar n an in nvention of B Hollywood movies, part off tthe ggrade rade H ollywood m ovies, tthey hey aare re a p art r o he Voudou V o oudou rreligion eligion of Haiti, Haiti, a spiritual path that been trivialized has b een endlessly tr rivialized and demonized ssince ince tthe he U.S. U.S. marines marines iinvaded nvaded Haiti Haiti early early iin n about the 20th ccentury. entury. Complaining Complaining o about women dress likee “slutsâ€?â€? has b been stock who dr ess lik een sto ck and trade puritans with p purit ans and hypocrites hyp y ocrites of both both sexes sexes ffor or o long. who knows how lon ngg. Men are are not ccondemned ondemned for dressing looking like “studs,,â€? so ok fo or dr essingg and lo kingg lik ke “studs

blabbering that blabbering that ““punk punk iiss dead, dead,� “hippies “hippies aare re dead, dead, d ead,� “romanticism “romanticism is is d ead,� ““surrealism surrealism iiss dead, modernity d ead,� the the ““metanarratives metanarratives of of m odernity aare re dead� orr capitalism d ead� ((Really? Really? Has Has imperialism imperialism o capitalism gone aaway? wayy? Hello?) Hello?) when in fact faact nothing eever ver new say rreally eally dies; it simply assumes ne n w fforms. o orms. I sa ay let’s trends let ’s get rid of the whole idea of o tr ends and norms,, and people bee themselv norms d just j let l p eople l b tthemselves. h l es. Erich J J.. Holden, Sant Santa ta Cruz

4@=; B63 E30 4@= ; B63 E3 30 [In rresponse [In esponse tto o ““Why Why I’m I’m V Voting oting ‘‘No’ No’ o on n Prop. Posts, Oct. 27]: Pr op. 19,� P osts, O ct. 2 7]: T hough we’re we’re aall ll m oved by by your your ttragic ragic ttale ale Though moved makes why you that mak es the ccase ase ffor or o wh hy yyo ou should not pot, doesn’t n ot ssmoke moke p ot, it it certainly certainly d oesn’t justify justify projecting projecting the the ssame ame values values on on tthe he countless countless

individuals aacross individuals cross tthe he ccountry ountry w who ho aactually ctually k now h ow tto ou se ccannabis annabis rresponsibly. esponsibly. T his know how use This iincludes ncludes ssuccessful uccessful p rofessionals w ho u se professionals who use ccannabis annabiis as their relaxation relaxation metho d of choice; choice; method eeven ven E R doctors doctors ((the the h orror!) ccan an ssmoke moke ER horror!) rresponsibly esponsibly w ithout affecting affecting ttheir heir jjudgment udgment without o n tthe he jjob. ob. These Th hese people people vvastly astly o utnumber tthe he on outnumber ““potheads� “p othea th ads� d � that th t yyou’re ou’r ’ e terrif tterrified iff ied i d will ill lea llead ad d the th nation to t its demise demise.. Th he only only reason reason you you don’t don’t know know about about The tthem hem is is because because “Successful “Successful professional professional ccomes omes h ome ffrom rom w ork, ssmokes mokes p ot without without home work, pot incident t� do esn’t make mak ke as go od of a headline. heaadline. incident� doesn’t good Sorr o sa ay, but ccannabis annabis users ar en’t rrestricted e estricted Sorryy to say, aren’t to the to oothless or the unemplo oyed, tho ough I toothless unemployed, though know th hey make mak ke an eexcellent xcellent stra aw man. maan. they straw Ultimately, you you seem seem driven driven to to equate equate people people Ultimately, w ho want want to to eenjoy njoy themselves themselves responsibly responsibly with with who tthe he most most rreckless eckless abusers abusers among among us, us, as as if if they they aare re o ne aand nd tthe he ssame. ame. The The b ars I ggo o tto od on’t one bars don’t ssmell mell llike ike p iss. Th he p eople I d rink aand nd ssmoke moke piss. The people drink with ha ave vvery eery meaningful cconversations. on nversation ns. have Id on’t eeven ven k now w hy yyou ou iincluded ncluded ssuch uch don’t know why sstatements tatements iin n yyour our p iece, o ther tthan han tto o piece, other eexpose xpose yyour our o wn iinsecurity nsecurity aand nd p sychological own psychological motivat tions ffor o or patr onizing the rrest est of us u motivations patronizing us.. And while w yo ou ma ay b ed with ffear ear e And you may bee gripp gripped eevery very tim me yyou ou go outside aiting ffor o or yyour our time outside,, w waiting iinevitable nevitable d eath b othead ((splattered splattered b rain death byy p pothead brain iimagery magery iiss a ggreat reat w ay tto od istract rreaders eaders ffrom rom way distract a llack ack o vidence), p lease k eep yyour our h istrionics off eevidence), please keep histrionics to yyourself. oursselff. o Jimmy, Jimm myy, online

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You’re Y ou’re rright. ight. W Wee sshould hould aall ll be ssubjected ubjected tto o yyour our o p o smoke ot smoke in our apartments apartments from from m your your pot aapartment part r ment o hen w e’re w alking o utside w ith orr w when we’re walking outside with our chil dren. I would have haave no problem problem voting voting children. yyes es iiff I knew knew that that everyone everyone was was considerate considerate of of each oth her and cconsidered onsidered the impact of o their other aactions ctions o no ther pe ople, b ut tthat hat iiss n ot tthe he ccase ase on other people, but not in our so ociety. It’s Itt’s ridiculous and ignorant ignoran nt to society. think p o smok ot ’t af ffeect other p eople, pot smokee wouldn wouldn’t affect people, llike ike iitt d isappears iin n tthin hin aair ir u nless iitt m agically disappears unless magically hits a lu ung and that is when the smok i lung smokee is eeffective. fffective. Th his iiss m agical tthinking hinking tto o jjustify ustify This magical junk ky ment m ality. junky mentality.

(jocelyn@santacruz.com) (jocelyn@santtac a ruz.com)

ssystah, yysttah, a online

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1=@@31B7=< 1 =@@ @31B7=< Two T wo w weeks eeeks ago w wee omit omitted tteed inf information foormation rregarding eggarrding d pprioritized rioritized sseating eating ffrom rom tthe he LLeslie eslie M armon SSilko ilko Marmon rreading eeading at a Bo okshop Sant ta Cruz in C aat J oh ohnson’’s Bookshop Santa Cat Johnson’s article (‘S Silkoo Sp eakss,’ A&E, Oct. 20). W eegrreet any (‘Silko Speaks, Wee rregret inc onven nience caused bbyy our ou omission. omission inconvenience

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Currents. C urrent n s. B63 >3=>:3¸A >:/13 Among other things B63 >3=>:3¸A >:/13 things,, Micah P Posner osner of P People eople P Power ower w would ould lik like ke city makee it easie easier organizers Pacific Avenue. the cit t y ttoo mak er ffor oor eevent vent or rgganizerrs ttoo close offf sections of Pacif f iic A venue.

Driving Drivi ing Factors Factors

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F 5,0 5,000 00 Sant S Santaa Cruz C h homes iinstall inst all ll ssolar olar panels panels by by 2 020, tthe he ccity ity w ill 2020, will ccut ut its its rresidential esidential eelectricity lectricity u se b use byy 2 ercent. So dim d the PG&E bill 255 p percent. and let the sunshine in, in n, say saay city city planners. planners. IIt’s t’s a b old p lan— currently o nly 5500 00 bold plan—currently only h omes have have ssolar olar ssystems—and ystems—and o ne o homes one off sseveral everal ambitious ambitious goals goals proposed proposed by by the the ccity ity of of S anta Cruz Cruz to to cut cut greenhouse greenhouse gas gas Santa eemissions missions 30 30 p ercent ffrom rom 1990s 1990s llevels evels percent b byy 2020. The draf ft Climate A ction Plan, or draft Action C AP P, is intended to fu ulff iill the st ateCAP fulfill statemandated emissions rreductions eductions and climate -change-related d policies policies spelled spelled climate-change-related out in the cit y’s draft drafft General Plan 2030. city’s In addition to the solar solaar panel spree, spree, iitt aalso lso proposes proposes rreducing educing ccar ar ttrips rips b byy

30 percent, 30 percent, reducing reducing water water u use se b byy 110 0p ercent, iincreasing ncreasing b us rridership idership b percent, bus byy 550 0p ercent and and becoming becoming a zero zero organic organic percent w aste ccity. ity. A ltoggether iitt aaims ims ffor or a ffuture uture waste Altogether tthat’s hat’s 8 0p ercent lless ess ccarbon arbon intense intense 80 percent than the one we ’re headed ffor or now o w. we’re now. Butt critics ffind iind that it falls shor t. short. ““One One ccannot annot ssimultaneously imultaneously p revent prevent and pr p epare ffor or w o arr,� sa ayys P eople Power’s Pow wer’s prepare war, says People Mic hP osner, quoting Albert Albert Einste ah in. Micah Posner, Einstein. H adds: ““Traffic Trafff ic iiss llike ike tthat. hat. O ur Hee adds: Our gglobal lobal warming warming policy policy is is to to plan plan on on a 30 percent per e cent reduction reduction in car car trips, trips, butt our portation plan pr ojects incr easeed ccar ar transp transportation projects increased trips and a more more parking garages by by 2020. 20 020.� P eople P ower, aalong long w ith eeco co aallies llies People Power, with Trans sition Sant amp paign Transition Santaa Cruz and the C Campaign ffor or S ensible T ransportation, wants wants to to see see Sensible Transportation,

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llights? ights? S Stopping topping in in traffic? traff ic? T There’s here’s the C AP b ecome eeven ven less ccar-friendly. arr--friendlyy. CAP become r e a s o n t o b e l i e v e t h a t t h e r e w ill be be a reason to believe that there will Th hey’ve m et w ith p lanners aand nd ssent ent They’ve met with planners natural improvement because of energy n a t u r a l i m p r o v e m e n t b e c a u s e o f energy lletters etters tto o tthe he ccity ity ssuggesting uggesting tthat hat efficient improvements in vehicles, e f f i c i e n t i m p r o v e m e n t s i n v e h i c l e s, but but 30 p ercent of traf ff iicc impact ffees ees e should percent traffic there may be some things we can do to t h e r e m a y b e s o m e t h i n g s w e c a n d o to b set aside aside for for bike bike and and pedestrian pedestrian bee set encourage enc c ourage that. � pr ojects (curr ently it iit’s ’s 15 p ercent). projects (currently percent). cutting byy a third W While cut ting ccar ar trips b thirrd The groups groups also want wan nt the city city to may m ay not not work, work, the the CAP CAP does does present present eliminate parking rrequirements e equir ements for fo or new new opp portunities i i to gr ow gr een, T yss y seling li opportunities grow green, Tysseling developments d evelopments over over a 10-year 10-year period, period, stop stop ssays, ays, that that make make sense sense from from both both a building new parking build b uilding n ew p arking ggarages, arages, b uild a bus siness and en nvir v onmental p ersp pective. business environmental perspective. bike on King Street, more b ike ffacility acility o nK ing S treet, ccreate reate m ore T he city city ccan an make make iitt eeasier asier ffor or developers developers The bike b ike llanes anes tthroughout hroughout tthe he ccity, ity, aattract ttract operate sstate tate aand nd ffederal ederal ffunds unds tto oo perate a tto o reuse reuse existing existing structures structures rather rather than than trolley service tr olley ser vice alongg the rail lines and b uilding new new o nes, ffor or eexample. xample. T he building ones, The organizers off parts aallow llow event event o rganizers tto o cclose lose o ff p arts p lan sshould hould aalso lso encourage encourage b oth llocals ocals plan both off Pacific o Pacif ic Avenue Avenue without without having having to to pay pay aand nd ttourists ourists to to sshop hop downtown, downtown, h hee ffor o or lost meter revenue—among reven nue—among other sa ays y , and look look at ways wayys to reduce reduce visitors’ v says, measures. ccarbon-footprint-erasing arbon-ffootprint-eraasing measur es. ccarbon arbon footprint. footprint. But hinges on percent B ut iitt aall ll h inges o n tthe he 330 0p ercent ““Over “Ov Over the next next two two or three three decades deccades rreduction eduction in car car trips, trip ps, Posner Posner says. saayys. we are are all going to ha ave to b aged in have bee enga engaged ““Unfortunately, Unfortunately, the the draft draft plan plan has has this s. It ’s going to ha ave some ccosts osts at aattached tached this. It’s have no how aalmost lmost n o llanguage anguage aass tto oh ow tthis his aand nd iit’s t’s ggoing oing tto oh ave ssome ome be nef its. It’s It’s have benefits. effect, says. rreduction eduction will take take ef ffect, e � he sa ays y . “Our goi ing to dep end how it ’s pla ayed e ou ut.� going depend it’s played out. Action cconcern oncern is that the Climate A cction Plan, T CAP The CAP isn’t isn’t intended to squash squaash particular transportation in par ticular the tra ansportation sector bus siness— or gr owth, ffor o or that mat tter, business—or growth, matter, off tthe plan, o he p lan, will will gather gather dust dust alongside alongside ssays ays climate climate action action coordinator coordinator Ross Ross cityy planningg do documents other cit cuments including Cla ark, the do cument’s principal au uthor. Clark, document’s author. Transportation Study. the Master Transp o tation Study or y.� ““The The d raft C limate A ction P lan iiss n ot draft Climate Action Plan not percent IIndeed, ndeed, tthe he 330 0p ercent ffewer ewer ccar ar ttrips rips a dictate d ate against dict g future development developm pment or future bee an sseems eems tto ob an initial initial sticking sticking point point eeconomic conomic ggrowth rowth w ithin S anta Cruz, Cruz,� h within Santa hee off tthe draft o he d raft plan. plan. Environmentalists Environmentalists w rites iin n tthe he C ity Council Council rreport. eport. ““The The writes City love lo ve it. Business groups, groups o , on the other Clim mate A ction Plan is a strateg gy ffor or o Climate Action strategy aren’t hand, ar en’t quite as a enamored. enamored. S anta Cruz Cruz to to grow grow in in a ssustainable ustainable way way Santa Chamber off C Commerce C hamber o ommerce eexecutive xecutive tthat hat m eets GHG GHG rreduction eduction ggoals oals w hile meets while director Bill Tysseling Economic d irector B ill T ysseling ssays ays tthe he E conomic ccontinuing on ntinuing to allow for fo or the publicc and Development Council D evelopment C ouncil iiss ttaking aking a llook ook p rivate development development and and redevelopment redevelopment private plan, aatt tthe he p lan, suggesting suggesting ““opportunity opportunity tha at will keep keep Santa Santa Cruz a vibrant vibran nt and that aareas� reas� that that it it should should include include and and liva able community. community.� livable making m aking rrecommendations ecommendations aabout bout “reality-testing “r reality--testing testing it. it�� PUBLIC PUB BLIC COMMENT COMMEN NT on the th Climate Cli te Action Climat Action ti Plan Pl Reality hee ssays, begins with R eality ttesting, esting, h ays, b egins w ith end ds No v. 77.. T ead e and ccomment, omment, go ttoo www ends Nov. Too rread .cityofsantacruz.com/index.aspx?page=1544. .cit t yofsant y acruz.com/index.aspx?page=11544. proposed percent tthe he p roposed 330 0p ercent rreduction eduction iin n Thee Planning Commission Commission o will discuss the t CAP was ccar ar ttrips. rips. ““That That w as aactually ctually iincluded ncluded iin n on Nov. N v. 18 at 7pm at Cit No City t y Hall. General Plan wee w weren’t a prior prior G eneral P lan aand nd w eren’t do Tysseling aable ble tto od o iit, t,� T ysseling says. says. “We “We didn’t didn’t have That’s h ave aany ny ssuccess. uccess. Th hat’s a difficult dif ff iicult one to achieve. achiieve.� ON THE BEACH makes IInstead, nstead, he he says, says, iitt m akes more put m ore ssense ense tto op ut tthe he ccity’s ity’s On the Beach iss a report reeport from from Save Save Our Shores Shores thatt aanti-global-warming nti-global-warming eefforts fforts appearrs the first f ir irsstt week week of each month. month ont appears higher-efficiency into higher -efff iicien ncy vvehicles ehicles aand nd ssmarter marter travel travel patterns. pat terns. Pounds P ooundss of ttrash rash gather gathered red e fr from om the bbanks anks “Could support moree “C ould we supp o t mor or of the San LLorenzo orenzo Riv er at the Oct. 23 riv er cleanupp River river efficient travel? Reducing ef ff iicient tra avel? R eed ducing bbyy the LLaurel aurrel e St reet e bridge olunt o teer e rs also ccollected ollectted e Street bridge.. V Volunteers 245 pounds pounds of recycling. rec ecycling y g. on ttime ime o n tthe he rroad oad to to a destination? Stopping d estination? S topping aatt

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Elegy for A Force Of Nature Former U.S. Poet Laureate Robert Hass and local literary lights remember the poet Morton Marcus 0G B3AA/ ABC/@B 7

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NE OF the great themes of all poetry and all literature of all time is death,� says Stephen Kessler. “There is this sense poetry is some kind of ticket to immortality if it is great enough, so I think that poets become aware earlier of mortality—their own and everyone else’s.� Reducing themes of life and literature to their very essence is part of a poet’s work, but Kessler—local poet, translator, essayist, editor and novelist—has particular reason to dwell on such thoughts these days. He will be one of four poets who will read at the inaugural Morton Marcus Memorial Poetry Reading this Saturday, Nov. 6, at Cabrillo College in honor of his friend and colleague Morton Marcus, who passed away

a year ago last month. Kessler, along with Joseph Stroud, who taught at Cabrillo with Marcus, and Gary Young, Santa Cruz’s Poet Laureate, will each read a few selections from Marcus’ final book of poetry, The Dark Figure in the Doorway, released this month. Joining them will be two-time Poet Laureate of the United States and winner of the Pulitzer Prize Robert Hass, whose friendship with Marcus stretches back to the 1960s, when they traded poems and mixed at literary parties in San Francisco. The tradition of memorial readings, in which one speaker takes the lectern to honor and remember a late colleague, dates back as far as the tradition of public speaking itself—honoring the dead was one of the three occasions for public speech in ancient Greece (political and

legal purposes were the others). Poets, more than practitioners of any other trade, carried forward the tradition to its modern incarnation, maybe for the reasons Kessler alluded to, and have been successful because, quite simply, they have a way with words. Kessler, for example, once compared Marcus to “the Giant Dipper or Mt. Umunumâ€? for his prominence in the Santa Cruz cultural landscape. It’s appropriate praise: during his life Marcus published 12 volumes of poetry, a novel and a memoir, placed hundreds of poems in magazines and anthologies, produced a 16part history of film and co-hosted a radio show about poetry and a television show on film. He’s frequently credited with fostering the fledgling literary scene in early 1970s Santa Cruz. ¨

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ftubcmjtijoh!uif!Tboub!Dsv{!mjufsbsz!tdfof!jo!uif!2:81t/ SPOKESMAN EMPLOYEES T Mariah

An appearance from a poet of Hass’ stature (among other distinctions, his rĂŠsumĂŠ includes a National Book Award, a Pulitzer prize, a MacArthur “geniusâ€? grant and two terms as U.S. Poet Laureate) would be a coup for the community regardless of the occasion. It is particularly appropriate, though, for a number of reasons. There is the fact Hass is one of the best-known practitioners of the West Coast style, under which rubric Marcus’ most popular anthology, The Santa Cruz Mountain Poems, would be classified; the fact that Marcus was champion of the arts, bringing a number of well-known poets to read Santa Cruz throughout the years; and finally the fact that early in their careers, the two men shared poems and a friendship with one another that left a lasting impression on Hass.

Trading Verses Hass recalls first meeting Marcus not long after Marcus’ 1968 arrival in California (by way of New York) to teach at Cabrillo College, and though he says he forgets the exact context, it was probably a literary party in San

Francisco. “There were young poets hanging around the area, and there were parties from time to time,â€? he says. (He is making a bit of an understatement, as one can imagine the characters milling around the punch bowl likely included some of the most recognizable voices in modern American literature.) It wasn’t until Hass moved back to the Bay Area a few years later following a brief teaching stint in New York that he would, on occasion, gather with Marcus, Joseph Stroud and Charles Simic (who would also go on to be U.S. Poet Laureate, but was at the time teaching at CSU Hayward) to read each other’s poems. “There was a period when we, before we got too busy, were closest friends. In those days we would trade poems before they were published,â€? Hass says. It was those early years of swapping poems with Marcus that established the impression that persists in Hass’ memory. “Mort was a generous, bighearted, sociable guy, funny, pleasure-tobe-with, but there is this terrific streak of melancholy in his poetry that if you ¨ !

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november 3-10, 2010 SANTACRUZ.COM

Get The Tastiest Ticket in Town!

AATaste of Santa Cruz community event to help bridge

Featuring Masterchef Jake Gandolfo in our Live Auction!

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Thursday, November 4, 2010 5:30 - 9:00 pm Cocoanut Grove Ballroom $30 per ticket/$35 at the door Cuisine from more than 30 local restaurants and wineries 100+ Silent & Live Auction Items From Local Businesses & Artisans

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1=D3@ AB=@G j 3:35G 4=@ / 4=@13 =4 </BC@3 knew him and you knew the poetry, you would know.� It forges a very particular kind of bond, Hass says of trading work with other poets. “They are interested in the technicality—there is that kind of bonding that is not very different than the bonding of relief pitchers—but then there is a difference of getting to know people, because in poetry at its best there is this intimacy. . . .There is something intimate about what you know about people from reading their poems.�

‘Mort really believed in bringing a poet to the community— that’s what this is really all about. And he’d be extremely pleased to know that Robert Hass is the first reader.’

Marcus is best remembered locally for sharing his poetry not with future laureates but with emerging voices, in a community series that brought poets of different levels and tastes into the same fold. In an interview conducted a few years ago, Marcus recalled, “Cabrillo was a community college, and in those days you did things for the community, so they said, ‘If any of you people have any ideas you’d like to do in the community, let us know.’ And I went straight to the community services guy and said, ‘You don’t have a poetry series here; let’s start a poetry series.’� The series he started was one of the first of its kind in the area, and is credited with connecting poets with one another, creating a space

and an audience for their work and, ultimately, one of the most vibrant literary communities of its time. Joseph Stroud was hired to teach at Cabrillo the same year as Marcus; the two were even given offices next door to one another, and kept them for more than 30 years. Stroud recalls, “We started doing readings just at some of the local restaurants—there was a reading series at Zachary’s for a long time, and at The Oak Room, and then of course the Cabrillo series.� “Mort had very cosmopolitan tastes, so we had Michael McClure, Allan Ginsburg and Robert Bly, but he also really believed in helping young poets get their start, so it was where many of the young poets in the area had their very first reading.� The annual Mort Marcus Memorial Reading is intended to carry on the tradition Marcus began in the 1970s, Stroud says. “Mort really believed in bringing a poet to the community—that’s what this is really all about. And he’d be extremely pleased to know that Robert Hass is the first reader.�

Dead Poets Society It is a pleasure that is shared by Hass. “I felt quite honored to be invited to be the reader at the first reading to honor and remember Mort,â€? he says. The invitation was particularly poignant because in recent years Hass and Marcus saw each other less frequently. There was one occasion in particular that they continued to run in to each other, though, Hass says. “I would always see him at memorial readings, because one of the things poets do is gather to remember a poet.â€? Remembering, it seems is the poet’s chief pursuit—poets were the ones who first made elegy an art, and, Hass says, there are subcategories even more specific. “There is a genre of poem—a younger poet remembering an older one,â€? he continues, ticking a few off. “John Milton’s ‘Lycidas,’ Shelley’s elegy on John Keats . . .â€? Though he doesn’t mention it, he has contributed a poem to this tradition as well. In “After Coleridge and For Milosz: Late July,â€? Hass remembers his colleague Czeslaw Milosz, the Nobel Prize-winning poet whose work he translated from Polish: . . . I think of the old man’s dark study jammed with books in seven languages as the headquarters of his military campaign ¨ "

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november 3-10, 2010 A/<B/1@CH 1=;

1=D3@ AB=@G j 3:35G against nothingness. Immense egoism in it, of course, the narcissism of a wound, but actual making, actual work. One of the things he believed was that our poems could be better than our motives. So who cares why he wrote the lines about the hairstyle of his piano teachers of his piano teacher in Wilno in the 1920s or the building with sumpy baroque cornices that collapsed on her in 1942... The poem appears in his newest collection, The Apple Trees at Olema, published earlier this year, from which he’ll read at the event. He says he may also try to track down a few of the poems he and Marcus swapped with each other. “Wordsworth has a line: ‘We Poets in our youth begin in gladness . . .’� Hass pauses, forgetting the exact wording, but a quick Google search later produces it: “But thereof comes in the end despondency and madness.� The quote is illustrative not so much for the implications of “despondency and madness,� but specifically for the fact that that is the part Hass forgot. Remembering the gladness of the early days of his and Marcus’ career is mostly what he’s been concerned with lately. “My experience was that when I was starting to write in the ’70s, we poets would get together whenever we got a chance and the parties were quite hilarious and wild in those days,� he says. “But as you get older, you spend more time with your family and things. In the last 10 years of his life we would exchange books when we published them, and as I said, we would see each other at memorial readings, when someone dies. That just seems to be how it is, that relationships have to be sustained on proximity as you get older.�

THE FIRST ANNUAL MORTON MARCUS MEMORIAL POETRY READING featuring Robert Hass, Gary Young, Joseph Stroud and Stephen Kessler will be held Saturday, Nov. 6, at 7:30pm at the Music Recital Hall, Cabrillo College, 6500 Soquel Dr., Aptos. Free tickets are available at the Cabrillo College Bookstore, UCSC McHenry Library, BookShop Santa Cruz and Bookworks in Aptos. If ticket outlets no longer have tickets, please come to the Recital Hall on the night of the event, as ticketholders who do not claim their seats by 7:30pm will have their seats given away to the waiting list.

SANTACRUZ.COM

november 3-10, 2010

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november 3-10, 2010 SANTACRUZ.COM

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HEECH M Marin arin ffigures igur i es that, ffor or o fans ing to the Cheech fans,, goi going aand nd C hong rreunion eunion iiss llike ike Chong ggoing oing tto o ssee ee tthe he E agles o he Eagles orr tthe R olling S tones. Y ou k now, tthe he b and p lays Rolling Stones. You know, band plays a hit, hit eeveryone veryone go es cr razy. Another hit, hit goes crazy. eeveryone veryone ggoes oes ccrazy. razy. T hen tthey hey p lay tthree hree Then play ne w songs in a rrow. ow. new “That ’s when the audience au udience gets up and “That’s go es to the bathr oom m,� he says. saays y. goes bathroom, S o what what can can audiences audiences expect expect when when So tthey hey ggo o tto o ssee ee tthe he new new tour, tour, which which ccomes omes to the Sant Crruz Civic on Santaa Cruz F riday? D ef initely o ne o their most most Friday? Definitely one off their ffamous amous b its. T hen aanother. nother. “Then “Then we’re we’re bits. Then ggoingg to do thr ee ne w Eagles g songs, songs g , and three new thr ee ne wR olling Sto o ones songs three new Rolling Stones songs..� So yeah, yeah, e Marin’s Marin’s sense sen nse of humor h asn’t cchanged hanged m uch. B ack in in the the early early hasn’t much. Back ’’70s, 70s, w hen h nd T ommy Chong Chong were were when hee aand Tommy put ting out ccomedy omedy al lbums that had putting albums actual hit singles lik ke “Bask ““Basketball ketball e Jo ones� like Jones� and “Earache My Ey e,� it was was called called “drug Eye, h umor,� aand nd iitt m ade p arents all all kinds kinds of of humor, made parents aggra avated. v But a legio on of cool cool kids loved lo oved aggravated. legion it, which made the uncool un ncool kids want want it, aand nd ssuddenly uddenly C heech aand nd C hong were were Cheech Chong the voice voice of a stone-y stone-y generation. g T he w eird thing thing iis, s, not not that that much much The weird h as cchanged, hanged, aass eevidenced videnced b hong’s has byy C Chong’s arr est in 20 03 ffor or his in o iinvolvement vo olvvement e in his arrest 2003 son ’s Internet b ong bu usiness (he pled son’s bong business guilt ount off distributing drug guiltyy to one ccount p araphernalia aand nd sserved ervved n ine m onths iin n paraphernalia nine months ffederal ederal p rison). Iff n othing eelse, lse, tthe he ssorry orry prison). nothing sstate tate o he n ation’s d rug llaws aws h as k ept off tthe nation’s drug has kept Cheech and Chong Chong’ h rrelevant. elevant. vant Chong’ss humor “It ’s as edg gy to daay as a it w as then,� “It’s edgy today was ssays ays M arin. ““It Itt h olds u p.� W hat h as aalso lso Marin. holds up. What has h eld u p iiss ttheir heir p artnership—to tthe he held up partnership—to ssurprise urprise o bsolutely eeveryone veryone eexcept xcept off aabsolutely C heech aand nd C hong tthemselves. hemselves. W hen Cheech Chong When tthe he p air ssplit plit aafter fter ttheir heir 11985 985 aalbum lbum pair and video Get Out of My M R oom, iitt w as Room, was

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on famously faamously unfriendly terms terms.. “It “Itt wasn’t wasn’t good, good,� admits admits Marin. Marin. “You “You know was, off ggot k now what what iitt w as, we we just just kind kind o ot tired been together tir ed of each other. other. We’d We’d b een to getther our sso o long. long. We We were were sspending pending aall ll o ur ttime ime together. to getther.� Chong Chong was was particularly particularly devastated devastated by by divorce. the breakup, b eakup, ccomparing br omparing it to a div orce. times, B even But even in i the h worst off times i , neither neith i her h like partnership was over ffelt eelt li ike their par tnership w as o ver ffor or o good. go od. “Every “Every once once in in a while, while, we’d we’d hook hook up up Marin. aand nd ttalk, alk,� ssays ays M arin. ““We’d We’d ttalk alk aabout bout getting together get tin ng to gether and doing something, somethin ngg, but up because b ut we’d we’d eend nd u p aarguing, rguing, be cause the the animosity was there. It’s there, anim mosity w as still ther e. It ’s still ther re, to but ssome ome eextent, xtent, b ut we we manage manage it it better. better. We We learned better. learne ed how to ttalk alk to each other b e ter.� et Even Even e in the early days, daayys, their career careeer had which Marin a lot lot of of ups ups aand nd downs, downs, w hich M arin says naturee of the b beast. sa ays y iiss just the natur east. “Putting “Putting together toggether a comedy comedy team team to to make off it hardest m ake a ggo oo it iiss tthe he h ardest thing thing iin n hee ssays. sshow how business, business,� h ays. ““It’s It’s sso o hard hard tto o make make it work.� With With i that t at in mind, d, why wh hy did d d hee and and an d

Chong choose choose tto ow ork a ttwo-person wo-person aact ct Chong work irst plac e? “W Weell,� he eexplains, xplains, “it in the ffirst place? “Well, was better better than se ven p eople.� was seven people. That’s how many man ny were were in Cit o orks, That’s Cityy W Works, the Vancouver Vancouver ccomedy omedy ttroupe roupe w here the where they both both b roke iinto nto ccomedy. omedy. T he ggroup roup they broke The held shows shows iin n a sstrip trip b ar aand nd w as vvery ery held bar was o the lunatic fringe much into humor on fringe.. They worked worked great great together, together, so so w hen They when group br oke up p, the veloped the group broke up, theyy de developed own n. Considering Considering their an act of their own. origins, Marin Marin finds f inds it it ironic ironic that that origins, the mainstream mainstream considered considered them them so so the dangerous, when when in in fact fact they they were were part part dangerous, of one of the most old-fashioned showinstitutions. biz institutions. “W We came came out of a strip bar in “We Vanc a ou uverr, that’s that’s where wh here we got our start, start,� Vancouver, saayys. “It It was was topless topleess improv. improv. But what he says. we were were really really doing doing was was burlesque. burlesque.� But But we they certainly certainly took took it to a new new high. they Chongg’s first f iirst film, f ilm, i 1978’s U Cheech and Chong’s 1978’s Upp Smokee, basically basically invented in nvented the stonerstonerin Smoke, f ilm genre genre tthat hat w ould llater ater llead ead tto o film would like Half Baked, Baakkeed, Super Super Troopers, Trooperrs, cult hits like Harroold and Kumar Ku umar Go G to to White Whitte Castle Caastle and Harold

Pin Pineapple neapple Expr Express. reess. Marin Marin looks looks at at this this very very p hilosophically: “The “The ggenre enre needed needed tto o be be philosophically: iinvented, nvented, aand nd w ere tthere. here.� T hey’d sstay tay wee w were They’d tthere here ffor or q uite a w hile, tthrough hrough ssequels equels quite while, lik Chong’s Next Movie, Moviee, Nic likee Cheech and Chong’s Nicee Dr reeams, Still Smokin’, Smokin’, etc. etc. Dreams, T stage stage show the velop e ed to ttogether gether The theyy de developed iiss sso oo ld n ow, iit’s t’s n ew aagain. gain. M arin old now, new Marin eestimates stimates tthat hat aatt lleast east 8 0p ercent o he 80 percent off tthe p eople ccoming oming tto o ttheir heir ssold-out old-out rreunion eunion people sshows hows w eren’t o ld eenough nough tto o ssee ee tthem hem weren’t old bac ck then, if the ven b orn yyet. eet. back theyy wer weree eeven born A nd yyet, et, tthe he llive ive aact ct iiss sstill till M arin’s ffavorite avorite And Marin’s of all a the work he ’s done with Cho ongg. he’s Chong. “ was the b est thing that we w did,� “That was best he sa ays y . “Bet ter than the mo vies, b etter says. “Better movies, better an the rrecords. ecords.� tha than

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november 3-10, 2010 SANTACRUZ.COM

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B63 >7@/B3A E6= @=1932 B63 0@7BA SANTA CRUZ’S pirate radio station broadcasts from an undisclosed basement location under looming criminal charges and has been hunted for 15 years. Thrilling stuff—but nothing like the travails of the crew that ran Radio Caroline in the 1960s, when the British authorities went on the warpath against the music that was possessing nice English boys and girls and turning them into little lunatics. Canadian DJ Tom Lodge shows what a little airtime can do for a generation bent on the agony and the ecstasy of rock & roll in his memoir, The Ship That Rocked the World, which recounts the pirate days when Radio Caroline took to the sea and broadcasted rock from a clanking Danish passenger ferry, powering around the coast of the United Kingdom and disseminating the music of the Beatles, the Who and the Kinks to a nation strangled by the BBC and stiff Victorian programs. Alongside Irishman Ronan O’Rahilly, Lodge, now a Santa Cruz Mountains Zen master who goes by the name of Umi, helped launch the British invasion and braved the wrath of an establishment set on upholding the status quo. Lodge’s book captures the spirit of the era in sound bites recognizable to all and includes a memorable transcript from a painfully awkward interview with John Lennon and crew. He recalls the songs he was airing at every one of Radio Caroline’s major crossroads and recounts how the inventive pirate crew dodged regulations raining down like hail. It’s an adventure story that finds the pirates up to their necks in rock stars and Her Majesty’s Navy, and one that might have a few pointers for Santa Cruz’s own radio outlaws. (Kate Jacobson) TOM LODGE reads from ‘The Ship That Rocked the World—How Radio Caroline Defied the Establishment, Launched the British Invasion, and Made the Planet Safe for Rock and Roll’ on Tuesday, Nov. 9, at 7:30pm at Capitola Book CafĂŠ, 1475 41st Ave, Capitola. Free. 831.462.4415.

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475C@32 =CB HUMAN EYES are drawn to it first, irresistibly, no matter what the vista. Some anthropologists say that our popular culture is obsessed with it, even worships it. We certainly know nothing quite as completely as we know it: the human figure. That quadrilimbed shape dances along the roofs of caves, the unmistakable mark of humankind from the time our species harnessed fire and hunted with pointed sticks. We know it so well that, with only a hint, a figure becomes a story—a woman gleefully dances, a man runs away fearfully, two estranged people long for union—the essence of a gesture can be conveyed in a few strokes of a pen, a simple shape. We also know immediately when there’s something not quite right. That’s why working from the figure is the staple of every art school in the Western world. “The National Figurative Show� at the Santa Cruz Art League attracted submissions from artists nationwide. I was impressed with every ceramic sculpture represented, and remembered that figurative work surprisingly dominated the national Ceramics Annual in San Francisco a few months ago. 97;03@:G 1==9’s Marriage of Heaven and Hell could have lived happily among that “best of the best� crowd. Her gasp-inducing dream—or nightmare—figure that morphs into a house that totters on a Rococo-ish base is a marvel of technique within a dynamic composition, all perfect glistening reds and lustrous gold glazes as counterpoint for flatter, unearthly whites. 4@32 G=93: built the charmingly abstracted voluminous

leaning torso of How’d This Happen? with flattened coils so crisp and defined that the coils themselves become the story within a spot-on gesture. The rich surfaces of both of his sculptures here draw the eye into the works, as elegant as they are droll. 8C:7/ 473:2 provokes a different response with her children at play, notably Ready or Not, first by sculpting them with knowing restraint, then painting a world on a leg, a skirt, a torso. Every style is represented on the wall. Two oils by @=A 0=E<A, especially Knee, are meticulously rendered then blown apart in a Francis Bacon–like distortion. The distinctive expressionistic style of A34:/ 8=A3>6 and C@AC:/ =¸4/@@3:: invigorates the room. 6AC/< 163 163<’s airy realism is sparklingly deployed in Drifting while 0C@B :3D7BA97 and 1:/@9 :=C7A 5CAA7< hearken to the Flemish Masters in their deep, meticulously rendered luminosity. E 2=E<3G 2G3@’s impressionistic boys on the beach is charming while /<<73 ;C@>6G @=07<A=<’s Dordogne uses charcoal like a carving chisel. 16/@:3A >@3<B7AA’ sure touch radiates in Hilda. ;37 G7<5 23::¸/?C7:/’s Health Care has all the wild boldness of a monumental mural while 2/D3 :30=E uses an Ash Can School looseness to create amazing mythical tales. So many stories, so little room. . . . Read more of The Exhibitionist at www.kusp.org. (Maureen Davidson) B63 3F6707B7=<7AB 7A 4C<232 7< >/@B 0G / 5@/<B 4@=; B63 1C:BC@/: 1=C<17: =4 A/<B/ 1@CH 1=C<BG

j 03/BA1/>3 november 3-10, 2010 A/<B/1@CH 1=;

Jazz Presenters since 1975

THURS. NOVEMBER 4 • 7 PM

PAUL CONTOS QUARTET FEATURING MILTON FLETCHER, DAN ROBBINS, HAMIR ATWAL $12/Adv $15/Door Jazz & Dinner: $24.60/Adv

MON. NOVEMBER 8 • 7 & 9 PM

THE JEFF LORBER FUSION

Jeff Lorber - keyboards Eric Marienthal - saxophone Jimmy Haslip - bass Will Kennedy - drums $25/Adv $28/Door, No Jazztix/Comps 9 pm: 1/2 Price Night for Students Sponsored by Travels with Romney Supported by Smoothjazz.com

WED. NOVEMBER 10 • 7 PM • FREE MASTER CLASS SERIES

PAUL CONTOS: WHAT JAZZ STUDENTS SHOULD KNOW

Attendees are encouraged to bring instruments & have 2-min. audition THURS. NOVEMBER 11 • 7 PM

PAMELA ROSE PRESENTS WILD WOMEN OF SONG

Celebrating the lives, times & music of women songwriters of the classic jazz & blues era $12/Adv $15/Door Jazz & Dinner: $24.60/Adv MON. NOVEMBER 15 • 7 & 9 PM

NNENNA FREELON

“...very hip music...� –Aretha Franklin $23/Adv $26/Door Sponsored by Soif Wine Bar & Merchants

WED. NOVEMBER 17 • 7 PM “...the new voice of Brazil.â€? –NPR

LUISA MAITA

$20/Adv $23/Door FREE to Kuumbwa Jazz members! THURS. NOVEMBER 18 • 7 PM

NEW ALMADEN TRIO CD Release “Slice of Summer� $12/Adv $15/Door Jazz & Dinner: $24.60/Adv

5==2 63/D3<A It’s Stars

MON. NOVEMBER 29 • 7 PM

KIM NALLEY

at the Rio on Tuesday.

“...an irresistibly sexy sense of swing� –DownBeat $22/Adv $25/Door Sponsored by Barry Swenson Builder

FRI. DEC. 10 • 8 PM @ THE RIO THEATRE Groundbreaking musical & spiritual experience!

JOHN McLAUGHLIN & THE 4TH DIMENSION SUN. DEC. 12 • 7:30 PM @ THE RIO THEATRE Kings of Western Swing!

ASLEEP AT THE WHEEL

Dinner served Mondays & Thursdays beginning at 6pm, serving premium wines & microbrewed beers. Snacks & desserts available all other nights. All age venue.

Advance tickets at Logos Books & Records and online at kuumbwajazz.org. Tickets subject to service charge and 5% S.C. City Admissions Tax.

Independently Produced Events FRI. NOVEMBER 5 • 8 PM

LACY J. DALTON

w/ Jimmy Jackson, Craig Owens & Jim Norris Special guest: Jeff Blackburn $21/Adv $25/Door Tickets: Streetlight Records & Co-sponsored by www.ticketweb.com Benefit for Second Harvest Food Bank

Bead It & KPIG

320-2 Cedar St • Sa nta C r u z 427-2227

kuumbwajazz.org

B6C@A2/G j "

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Though they’re now the elder statesmen of a popular form of highly danceable reggae, it wasn’t always thus for Grammy winners Steel Pulse. They had plenty of trouble getting bookings in their early days, and their Rastafarian reggae anthems weren’t making any friends in the Brits’ club scene. Steel Pulse represents the ideals of a community that has been historically dragged around, and besides the ganja, their lyrics push pan-African pride and Rastafari beliefs. And although they picked up some pop and, most recently, hip-hop on the journey to recognition, they remain admirably loyal to their roots. Catalyst; $26 adv/$30 door; 9pm. (Kate Jacobson)

Sean Hayes is the sort of under-theradar singer/songwriter too eccentric for the mainstream and too earnest and eclectic for the underground. As such, he has never really fit into any particular scene or style. But for those who can look past his lack of cultural cache (or who see that as an advantage,) the San Francisco musician is a compelling cross between a traveling troubadour and a seer. Hayes adheres to the American folk tradition but is no revivalist, often collaborating with DJs and electronic artists to give his rustic strains a postmodern sheen. It’s these qualities that confound the people in marketing but define Hayes as a true original. Moe’s Alley; $15 adv/ $18 door; 9pm. (Paul M. Davis)

Drawing comparisons to Joni Mitchell, Nina Simone and Norah Jones is a high bar for any musician to approach, but it’s one that Meklit Hadero seems to soar over with ease. The Ethopianborn, San Francisco–based Hadero is graced with a warm and magnificent voice, a songwriter’s heart and a dynamic range and delivery that floats from note to note like a butterfly on a lazy summer’s day. Imbued with the emotion of soul, the timing of jazz, the storytelling of the blues and the humanness of global folk music, Hadero creates songs that are unique, lovely and personal. Don Quixote’s; $12 adv/$15 door; 7:30pm. (Cat Johnson)

j !

A/<B/1@CH 1=; november 3-10, 2010 03/BA1/>3

1=<13@BA AC0:7;3 E7B6 @=;3 Nov. 7–8 at Catalyst 2719 2/:3 Dec. 1 at Moe’s Alley

A/BC@2/G j $

56=AB:/<2 =0A3@D/B=@G Born of a desire to meld the drive and energy of rock & roll with the beats and textures of modern electronic music, Ghostland Observatory has emerged in the last few years as a player upon the ever-growing electrorock field. Their hard-hitting delivery and quick-stepping tempos give the Austin-based duo a Bowie-meets–Daft Punk, back-to-the-future vibe, but their minimalist approach to sonic textures leaves plenty of room for poetic lyrics and impassioned vocals that fall somewhere between Prince, Freddie Mercury and Marc Bolan, and lend an organic element to the glam-fabulous affair. Catalyst; $20 adv/$25 door; 9pm. (CJ)

A/BC@2/G j $

A:C5A <¸ @=A3A As any good Deadhead knows, the music never stopped, and there are plenty of bands—cover, original, side-project and otherwise—that are helping to keep the Dead train on track around the world. As second home to many a dancing skeleton, Santa Cruz dutifully does its part to keep things

spinning along, and even has its own banana slug-referencing Grateful Dead tribute band. A divine convergence of music, mascot and merriment, Slugs N’ Roses is all that you need— musically, anyway—to celebrate the songs, culture and energy of the Dead. Proceeds benefit Bonny Doon School. Don Quixote’s; $10; 9pm. (CJ)

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67::AB=;> Hillstomp’s simple formula— jackhammer junkyard blues banged out with the intensity and ad-hoc DIY-ism of punk rock—has proven exceptionally versatile. The Portland duo is something of a counterpoint to the stadium-rock ambitions of another famous duo, the White Stripes; Hillstomp prefers to remain in the camp of garage-blues eccentrics such as Bob Log III, Jack Oblivian and Scott H. Biram. But where many of their contemporaries land on the shores of a singular American Primitive aesthetic and remain there, Hillstomp is much more restless, with a wide scope and versatility at odds with its humble ambitions. The band’s latest, Darker the Night, is its most realized statement to date. Crepe Place; $10; 9pm. (PMD)

>3B3@ @=E/< Dec. 2 at Don Quixote’s /0GAA7<7/<A Dec. 3 at Moe’s Alley 3:D7< 07A6=> Dec. 4 at Catalyst 8=6< ;1:/C56:7< Dec. 10 at Rio Theatre 16/@:73 6C<B3@ B@7= Dec. 13 at Kuumbwa 6=@A3 43/B63@A Dec. 16 at Crepe Place

;=<2/G j &

8344 :=@03@ 4CA7=< It’s easy to take the position that sticking within a single genre produces nothing that hasn’t already been heard, and that if there isn’t some kind of fusion going on then it doesn’t count. Former session man for jazz MVPs such as Dave Koz and Herb Alpert, Jeff Lorber plugged his jazz/rock/funk amalgam into an electrical outlet and created his own personal genre in the process. Eric Marienthal on sax, Jimmy Haslip on bass and Will Kennedy on drums join Lorber on his funkiest foray to date. It’s a dancey mix that lends itself to hip-hop sampling, different but familiar in the way people digest a freak Indian summer followed by heavy rain. Kuumbwa; $25 adv/ $28 door; 7 and 9pm. (KJ)

1/<27A3 9=:/

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>C193@ C> Hillstomp loves ya. Collect your kisses this Sunday at Crepe Place.

Shimmering indie-pop collective Stars rode on the coattails of the success of fellow Canadians The Arcade Fire and Broken Social Scene (with whom they share members.) Since then, they have proven themselves to be every bit the equal of their higher-profile siblings. The songs demonstrate a fluency with ‘00s indie rock, ’80s synth-pop and choice bits of late-’90s emo, presenting an exquisite sonic bedrock for the harrowing breakup tales that singers Torquil Campbell and Amy Millan detail. It’s exquisitely crafted turn-out-the-lights music for the kind of heartache that lingers long after the relationship ends. Rio Theatre; $18; 8pm. (PMD)

24 |

CLUB GRID

november 3-10, 2010

SANTACRUZ.COM

clubgrid WED | 11/3

THU | 11/4

FRI | 11/5

SAT | 11/6

THE ABBEY

Stacy Clark

Open Mic Night

350 Mission St, Santa Cruz

with Act As If

SANTA CRUZ AQUA BLEU

Skool

Payday

1108 PaciďŹ c Ave, Santa Cruz

Urban lounge

New and retro pop

BLUE LAGOON

Big ’80s Dance Party

923 PaciďŹ c Ave, Santa Cruz

10pm; live comedy 8pm

BOCCI’S CELLAR

Brian Chester

140 Encinal St, Santa Cruz

And Friends; jazz

CAFE MARE

Brian Quinn Group

Nectar Electro lounge and house

Live DJs With two DJs

Three’s Aloud

Steve’s Jazz Kitchen

Karaoke

Old Man Markley

Steel Pulse

Ghostland Observatory

Forrest Day

Lloyd Brown

Minnesota

Noel & Jeannine Trio

740 Front St, Santa Cruz

THE CATALYST 1011 PaciďŹ c Ave, Santa Cruz

COASTER’S LOUNGE

Karaoke

Karaoke

Karaoke

Big Tree

John Craigie

Hillstomp

115 Cliff St, Santa Cruz

CREPE PLACE 1134 Soquel Ave, Santa Cruz

E.Greene, R. Fitzsimmons

Patrick Cooper

CROW’S NEST

Yuji Tojo

The VooDudes Featuring Alan Heit

and Rough Waters

CYPRESS LOUNGE

Green Drinks

One Love Reggae

’80s and Old School

120 Union St, Santa Cruz

with Ecology Action

2218 East Cliff Dr, Santa Cruz

McDougall, The Drops

Henry Geller

Extra Large Step It Up Saturday Dub-step Guests

DAVENPORT ROADHOUSE

Andy Markham

1 Davenport Ave, Davenport

FINS COFFEE

Surf City Slackers

1104 Ocean St, Santa Cruz

HOFFMAN’S BAKERY CAFE

Preston Brahm Trio

Mapanova

Isoceles

1102 PaciďŹ c Ave, Santa Cruz

Jazz

Jazz

With Gary Montrezza; jazz

Paul Contos Quartet

Lacy J. Dalton

Gala Gourd Evening

Rainbow Room

Neighborhood Jamz

LolliPOP

IDEAL BAR & GRILL

Karaoke Tiki

106 Beach St, Santa Cruz

KUUMBWA JAZZ CENTER 320-2 Cedar St, Santa Cruz

MAD HOUSE BAR & COCKTAILS

Album Release Party

Mad Karaoke

529 Seabright Ave, Santa Cruz

With host Tony Bravo

LGBT night with DJ AD

With DJ Marc

LGBT night; DJ-e and DJ AD

MOE’S ALLEY

Joe Louis Walker

Junior Toots

Sean Hayes

Jesus Diaz Y Su QBA

1535 Commercial Way, Santa Cruz

Irae Divine and 7th Street Band

MOTIV

Hey Ladies!

Libation Lab

1209 PaciďŹ c Ave, Santa Cruz

All female Dub-step show

With Big B

RED

KAOS DJ Tom LG

200 Locust St, Santa Cruz

Happy hour dance

RIO THEATRE

‘Race to Nowhere’

1205 Soquel, Santa Cruz

Documentary Film

ROSIE MCCANN’S

Dada Life M3K Event

DJ Sewn

DJ AD

‘MINE: The Movie’ SPCA Film BeneďŹ t

DJ Spam

DJ Rich

Karaoke

Karaoke

DJ Spam and DJ AD

1220 PaciďŹ c Ave, Santa Cruz

SEABRIGHT BREWERY 519 Seabright Ave, Santa Cruz

@ȨǸȽÉ„ 0Č?ɕɕɄȽɕ 3ZIV ]IEVW I\TIVMIRGI 'PEWWMGEP NE^^ VSGO FPYIW FSSKMI VEKXMQI WEPWE 'SQTSWMXMSR MQTVSZMWEXMSR :SMGI žYXI HVYQ PIWWSRW EVI EPWS EZEMPEFPI 'SRZIRMIRXP] PSGEXIH 7ERXE 'VY^ WXYHMS

@Č?ÉœČ?É‘ LÉœČ?É‘ǞǸČƒČŁ 40%= [[[ TW&EGL GSQ 7IPJ QEWXIV] ERH TIVWSREP IRVMGLQIRX XLVSYKL QYWMG

SANTACRUZ.COM

SUN | 11/7 MON | 11/8 TUE | 11/9 SANTA CRUZ THE ABBEY 831.429.1058

AQUA BLEU 831.423.6999

The Box

Funk and Disco

Hip Hop

Industrial gothic

With DJ Rodent

With live DJs

SC Jazz Society

Gary Martin

BLUE LAGOON 831.423.7117

BOCCI’S CELLAR 831.427.1795

Jazz A

CAFE MARE

Swing and jazz standards

Sublime with Rome

Sublime with Rome

The Supervillains

Sexrat

Sexrat

Ballyhoo! and Pour Habit

Karaoke

831.423.1336

Live Band

COASTER’S LOUNGE

Band TBA

Hillstomp, McDougall

831.458.1212

THE CATALYST 831.426.3324

Kisses

CREPE PLACE 831.429.6994

Live Comedy

CROW’S NEST

With three comics

831.476.4560

CYPRESS LOUNGE 831.459.9876‎

Sherry Austin Band

DAVENPORT ROADHOUSE 831.426.8801

Swing Dance Lessons

Blue Grass Jam

FINS COFFEE

Bluegrass players welcome

Dana Scruggs Trio

Joe Leonard Trio

Barry Scott

Jazz

Jazz

And Associates

Karaoke Tiki

831.423.6131

HOFFMAN’S BAKERY CAFE 831.420.0135

IDEAL BAR & GRILL 831.423.5271

Archie Fisher

Jeff Lorber Fusion

KUUMBWA JAZZ CENTER 831.427.2227

Neighborhood Mix With DJ Temo

David Nelson Band

Yo Mama’s Big Fat Booty Band

Sunday Soul

DJ Raven

DJ AD

Session 6pm, Lounge 9pm And guests

Mondo Blue

MAD HOUSE BAR & COCKTAILS 831.425.2900

MOE’S ALLEY 831.479.1854

MOTIV 831.479.5572

DJ A.D.

Blues duo

RED 831.425.1913

Stars

RIO THEATRE 831.423.8209

ROSIE MCCANN’S 831.426.9930

SEABRIGHT BREWERY 831.426.2739

november 3-10, 2010

CLUB GRID

| 25

26 |

CLUB GRID november 3-10, 2010

SANTACRUZ.COM

clubgrid WED | 11/3

THU | 11/4

FRI | 11/5

SAT | 11/6

Trivia Quiz Night

Karaoke

Mondo Blue

Steve’s Jazz Kitchen

Paul Renslow

APTOS / CAPITOLA / RIO DEL MAR / SOQUEL BRITANNIA ARMS 8017 Soquel Dr, Aptos

CAVA WINE BAR 115 San Jose Ave, Capitola

THE FOG BANK

Karaoke Sound Co

Bad Habits

Marshall Law

Omar Spence

DJ Johnny Dex

DJ Johnny Dex

Night Train

Guilty Party

Joint Chiefs

211 Esplanade, Capitola

MARGARITAVILLE 221 Esplanade, Capitola

MICHAEL’S ON MAIN

Karaoke

2591 Main St, Soquel

PARADISE BEACH GRILLE

James Murray

215 Esplanade, Capitola

SANDERLINGS

Dizzy Burnett

1 Seascape Resort Dr, Rio del Mar

and Grover Coe

SEA BREEZE TAVERN

Laury Mac

George Christos

101 Esplanade, Aptos

Jazz

Acoustic guitar

SEVERINO’S GRILL

Don McCaslin

Harpin Johhny

7500 Old Dominion Ct, Aptos

and the Amazing Jazz Geezers

and Groove Hounds

SHADOWBROOK 1750 Wharf Rd, Capitola

THE UGLY MUG

Uncommon Brewers

4640 Soquel Dr, Soquel

Meet the Brewers

VERVE LOUNGE

DJ AD

7941 Soquel Dr, Aptos

In Three

Walley’s Cocktail Combo

Joe Ferrara

Terry Riversong

Warm vocalist

Folk rock favorites

Wolf Price Art Opening

Country Night

Nick Moss

Bands, DJs, line dancing

and the Flip Tops

Backyard Blues Band

Meklit Hadero

Steve Forbert

Slugs N’ Roses

plus Blueprint

Grateful Dead Tribute

SCOTTS VALLEY / SAN LORENZO VALLEY BROOKDALE LODGE

Karaoke

11570 Hwy 9, Brookdale

With Jo

DON QUIXOTE’S RESTAURANT

Blissninnies and Corduroy Jim

6275 Hwy 9, Felton

HENFLING’S TAVERN

VX36

Swytchback

9450 Hwy 9, Ben Lomond

TROUT FARM INN

Karaoke with Ken

Blissninnies and Grampa’s Chili

Fire’s Fury

Homewreckers

Rapidfire, Archer

Valley Churches Benefit

Jukebox Dance Party

7701 E. Zayante Rd, Felton

WATSONVILLE / MONTEREY / CARMEL CILANTRO’S

Hippo Happy Hour

Mariachi Ensemble

KDON DJ Showbiz

1934 Main St, Watsonville

And KDON DJ SolRock

GREEN VALLEY GRILL

Seventh Wave

R&R Party

Pop and rock

Varying bands

MUCKY DUCK

DJ Kasper

DJ Kasper

479 Alvarado St, Monterey

With DJ AJ Bee

40 Penny Ln, Watsonville

MOSS LANDING INN

Open Jam

Hwy 1, Moss Landing

SANTACRUZ.COM november 3-10, 2010

Bohemian Nig Nights ghts Saturday, November 13th 4-10pm, Holy Cross Hall, SC

SUN | 11/7 MON | 11/8 TUE | 11/9 APTOS / CAPITOLA / RIO DEL MAR / SOQUEL

Gypsy-jazz performed by Parisian chanteuse

BRITANNIA ARMS 831.688.1233

Pub Quiz!

Jessica Fichot

CAVA WINE BAR 831.476.2282

Dennis Dove

Karaoke Sound Co

jessicasongs.com

THE FOG BANK 831.462.1881

Extra Lounge

Ken Constable Classical guitar

1011 PACIFIC AVE. SANTA CRUZ 831-423-1336 ;O\YZKH` 5V]LTILY ‹ In the Atrium ‹ AGES 21+

OLD MAN MARKLEY/ FORREST DAY

plus West Nile Ramblers

STEEL PULSE

plus Lloyd Brown (K] +YZ ‹ +VVYZ W T :OV^ W T -YPKH` 5V]LTILY ‹ In the Atrium ‹ AGES 21+ FRIDAY NIGHT FUNCTION: DJ Aspect DJ Tone Sol, Nima Fadavi 56 *6=,9 ‹ W T W T

:H[\YKH` 5V]LTILY ‹ AGES 16+

GHOSTLAND OBSERVATORY

RIBSY’S NICKEL plus Flea H[ [OL KVVY VUS` ‹ +YZ ! W T :OV^ W T

MICHAEL’S ON MAIN 831.479.9777

PARADISE BEACH GRILLE

:\UKH` 5V]LTILY ‹ AGES 21+ 4VUKH` 5V]LTILY ‹ AGES 16+

831.476.4900

SANDERLINGS 831.662.7120

SUBLIME with ROME

SEA BREEZE TAVERN 831.688.3420

Johnny Fabulous

plus Sexrat ‹ (K] +YZ ‹ +YZ :OV^ W T

SEVERINO’S GRILL 831.688.8987

SHADOWBROOK 831.475.1511

Open Mic with Jordan

Movie Night 7:45 pm start time

Karaoke

Band Showcase

With Chris and Eve

Open mic

THE UGLY MUG 831.477.1341

VERVE LOUNGE 831.662.2247

;\LZKH` 5V]LTILY ‹ In the Atrium ‹ AGES 16+ Wine tasting reception and organic, locally-sourced, family-style dinner catered by

Lightfoot Industries lightfootind.com

SCOTTS VALLEY / SAN LORENZO VALLEY Open Mic Night

BROOKDALE LODGE 831.338.1300

William Strickland

DON QUIXOTE’S RESTAURANT

and Friends

831.603.2294

Dave Crimmen

Karaoke with Ken

Oldies Master

Go to www.SCWaldorf.org for tic ticket ket information infor mation today! t ay! toda y

HENFLING’S TAVERN 831.336.9318

Karaoke with Jo

TROUT FARM INN 831.335.4317

WATSONVILLE / MONTEREY / CARMEL Santa Cruz Trio

KPIG Happy Hour Happy hour

CILANTRO’S 831.761.2161

GREEN VALLEY GRILL 831.728.0644

Margarita Monday

Karaoke

MOSS LANDING INN

Karaoke

MUCKY DUCK

Free Pool

THE

SUPERVILLAINS plus Ballyhoo!

plus Pour Habit ‹ (K] +YZ ‹ !

W T

5V] Vital SC: Borgore (Ages 16+) 5V] Alkaline Trio (Ages 16+) 5V] Rod Piazza Atrium (Ages 21+) 5V] Zion I/ The Holdup (Ages 16+) 5V] Lavay Smith & Her Red Hot Skillet Lickers Atrium (21+) 5V] Midnite (Ages 16+) 5V] Chris Pureka Atrium (Ages 21+) 5V] VitalSC: Steve Aoki (Ages 16+) 5V] Slightly Stoopid (Ages 16+) 5V] Vital SC: LA Riots (Ages 16+) 5V] Andre Nickatina (Ages 16+) 5V] The Cataracs (Ages 16+) +LJ Vital SC: Zeds Dead (Ages 16+) <USLZZ V[OLY^PZL UV[LK HSS ZOV^Z HYL KHUJL ZOV^Z ^P[O SPTP[LK ZLH[PUN Tickets subject to city tax & service charge by phone 866-384-3060 & online

831.633.3038

Karaoke

‹ (K] +YZ ‹ ! W T

-YPKH` 5V]LTILY ‹ AGES 16+

:H[\YKH` 5V]LTILY ‹ In the Atrium ‹ AGES 21+

831.476.2263

Michael Victor

| 27

plus Minnesota ‹ (K] +YZ ‹ W T

MARGARITAVILLE Food and Wine Pairing

CLUB GRID

www.catalystclub.com

831.229.2793

2@MS@ "QTY "NTMSX 8NTSG 2XLOGNMX -@SG@MHDK !DQL@M &TDRS "NMCTBSNQ

/@RSNQ@K )NTQMDX /@@RSNNQ@K )N )NTQMDDXX

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SC SCCYS CCYS is supported in part by the David d and Lucile Packard Foundation, the Cultural Council Co ouncil of Santa Cruz County, and the Community C Foundation of Santa Cruzz County.

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november 3-10, 2010 SANTACRUZ.COM

SANTACRUZ.COM

november 3-10, 2010

| 29

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november 3-10, 2010 SANTACRUZ.COM

Film. Fi illm m m.

! j !

A/<B/1@CH 1=; A /<B/1@CH 1=; no november v ember 3-10, 3- 1 0 , 2010 201 0 47:; 47:;

TThe he W Wall aall De Nir Niro N o and Nort o on ggo o Norton mano a mano in i hard-to--swallow hard-to-swallow dramaa ‘Stone’ ‘Stone’ drama 0G @716/@2 D=< 0CA/19 0G @716/ @ 2 D=< 0CA /19

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HE G HE GREAT REAT aactor ctor d duels, uels, tthe he kind off ffailures make k ind o ailures tthat hat m ake was yyou ou ssay, ay, ““The The aacting cting w as rreally eally which ggood, ood,� w hich iin n tturn urn aare re kind off ffailures make rrelated elated tto o tthe he k ind o ailures tthat hat m ake photography was yyou ou ssay, ay, ““The Th he p hotoggraphy w as rreally eally ggood�—such ood�—such movies movies almost almost have have to to be be bereft Stone b erefft of common common sense sen nse to work. St toone has off ccommon but h as tthat hat llack ack o ommon ssense, ense, b ut iitt aalso lso doesn’t do esn’t rreally eally work. In this Michigan-based Michigan-baased drama, a off h heavy-acting pull ttroika roika o eavy-acting ssteeds teeds p ull iin n aall ll directions. Fourth-billed Frances tthree hree d irections. F ourth-billed F rances Conroy dummied-up C onroy ttakes akes tthe he d ummied-up aapproach pproach self-defense. Director essentially out of self f- deffense e . Dir ector John Don’t Livee Her Here Jo ohn Curran ((We We Don n’t Liv re Anymore, Painted Veil) watches Anymor re, e The Paint teed V eeil) w atches iin n wonder up Category w onder aass tthe he lleads eads aact ct u paC ategory 5 Edward Norton bug-eyed, storm. Edw ard N orto on is bugeyed, ccornorndrawling; performance rrowed, owed, d rawling; iit’s t’s a p erformance tthat hat profane off C Charles ssalutes alutes tthe he p rofane ccharisma harisma o harles Manson. Hee p plays M anson. H lays ““Stone, Stone,� a cconvict onvict doing on particularly heinous d oing ttime ime o nap articularly h einous murder He’s up aaccessory ccessory tto om urder ccharge. harge. H e’s u p parole once hee h has been ffor or p arole o nce aagain, gain, aass h as b een over Swathed o ver tthe he yyears. ears. S wathed ccompletely ompletely iin n polyester damp p olyester aand nd ccrumbling rumbling llike ike a d amp wall Stone’s parole officer Mabry w all iiss S tone’s p arole o ff icer JJack ack M abry Dee N Niro). Mabry no ((Robert Robert D iro). M abry ssees ees n o rreason eason particular off S Satan out on tto o llet et tthis his p articular sson on o atan o ut o n streets the str eets again. again getting desperate, The ccon on is get ting desp d erate, though, hee h has new himself aand nd h as a n ew sstrategy trategy tto o gget et h imself elementary honeyy trap trap,, rreleased: eleased: an element a y hone ar baited byy h his wife, Lucetta b aited b is rred-hot ed-hot w ife, L ucetta ((Milla Milla Jovovich, improved OscarJo ovovich, vvery ery impr oved if clearly Osc arrstalking). Lucetta, long-legged devil st alking). L ucetta, a lo ong-legged de vil girl who ought bee aable w ho tteaches eaches sschool, chool, o ught tto ob ble tto o

;/@97<5 B7;3 ; /@97<5 B7;3 R Robert oob ert De Nir Niroo is a parole p arole off officer f iicer with one last hur hurdle d bbefore dle effoore retirement retirement in ‘Stone.’ ‘Stone.’

gget et aaround round M Mabry, abry, who who iiss tthis his close close to to rretiring etirin ng from from his job. job. Considering the the different different fates fates these these Considering ttwo wo men men have have in in front front o them, there’s there’s off them, n ot m uch hope hope for for either. either. Friendly Friendly not much aass he he iis, s, S tone acts acts like like ssuch uch a snake snake Stone yyou ou wouldn’t w ld ’t wouldn ’ trust him hi out off the h b ox box ffor or a second. o second. Mabr numbedMabryy has a numbedout rrelationship elationship with his own agingg wif fe, Madylyn (Conroy), (Conroy), who is nea arrwife, nearccomatose omatose from from booze, booze, JJesus esus and and old old b ut but jjustified ustif ied rresentments. esentments. As As we we see see iin n tthe he ffilm’s ilm’s first f irst episode, episode, once once upon upon a time time JJack ack did d something almost unforgivable, unffor o givvable, aand nd Madylyn Madylyn has has never never let let it it go. go. Mabry Mabry d rinks a b it himself. himself. Just Just as as we we can can drinks bit aalways lways tell tell tthat hat a character character coughing coughing iin na mo viie equals imminent death of ccancer, a er, anc movie a cha aracter making a stop at the liq quor character liquor sstore tore m eans he’s he’s three three quarters quarters of of the the means w ay to t alcoholism. alcoholism. way Surprisingly, it’s it’s actually actually Stone Stone the the Surprisingly, ccon on w ho is is seduced seduced ffirst. irst. He He hunts hunts for for a who rreligion e g on eligi o that tthat’ll at’ll mak a e him lo ook o par pa olable ol ab e. make look parolable.

Teetering T eetering e on the ed edge dge fr from om stir-craziness, stirr-craziness, h discovers “Zukangor, “Zukangor,� ssome ome ssort ort hee discovers o ail- order creed creed that that makes makes him him off m mail-order iinsanely nsanely passive. passive. This, This, and and witnessing witnessing the the d eath of of a prisoner prisoner aatt close close range, range, h its death hits home ay that ’s hard hard to parse: home,, but in a w way that’s d oes he he gget et o ff w atching the the blood, blood, o is does off watching orr is h overcome with with h orror? Y our gguess uess iiss hee overcome horror? Your od as mine as go good mine.. The locations, locations, including including the the exteriors exteriors The of Michigan ’s infam mous JJacktown acktown prison, Michigan’s infamous ggive ive tthe he ffilm ilm some some visual visual b elievability tto o believability make up ffor or o the ending. en ndingg. It’s It’s a character make sstudy tudy tthat hat repeats repeats the the points points it it makes makes aabout bout tthe he ssinful inful soul soul o an, iinstead nstead of of off m man, ccoming oming to some cconclusion. on nclusion. Sttoone is is auto-intoxicated auto -intoxicated with with the the Stone bad kind of moral rrelativism: elativism: it ’s it’s another eexample xample off adulter eing adulteryy b being cconsidered onsidered as as bad bad as as murder. murder. S o the the lust lust So iin nM abry’s h eart iiss aass m uch o sin aass Mabry’s heart much off a sin S tone’s crime? crime? Mabry’s Mabry’s own own iimpulse mpulse Stone’s tto o take take Lucetta Lucetta up up on on what what sshe he o ffers offers ((whiskey whiskey makes makes it it easier) easier) is is a b etrayal betrayal

of h of his is code code aand nd h his is wife. wife. But But the the movie movie o ver e determines its good good and eevil vil games. g games . overdetermines T he nonstop nonstop p rayer services services o n the the The prayer on A M radio radio b roadcasts, as as Mabry Mabry makes makes AM broadcasts, h is numb numb drives drives tto o work, work, sseem eem tto o be be his add dressed to the sinners in the audience. au udience. addressed Th comes T comes a chain h i off irresolute i esolut irr l tte Then eendings ndings set set to to aan n electronic electronic soundtrack soundtrack tha at sounds lik faucett. that likee a dripping faucet. D irector C urran’s artsy artsy ttake ake on on tthis his Director Curran’s mo oth-and- candle game is scripted d moth-and-candle b (Junebug) Maclachlan: byy Angus (Junebug) ““Previously, Previously, h was best best k nown as as a hee was known p laywright,� ssays ays tthe he p resskit. Let’s Let’s not not playwright, presskit. cchange hange his his sstatus tatus o n the the grounds grounds o on off a mo ovie that ccertainly ertainly thinks it ’s a pla p ay. movie it’s play. A B=<3 AB=<3 (R; 105 min.), directed directted e by by John Joohn Curran and st taarring R ob o ert De Nir N o, starring Robert Niro, M Milla J ovovich and Edward Edward Nor rton, Jovovich Norton, op ens Friday opens Friday..

! j 47:; november 3-10, 2010 A/<B/1@CH 1=;

SHOWTIMES FOR FRIDAY NOV 5 – THURSDAY NOV 11 STARTS FRIDAY 11/5! “A screen legend’s best work in ages!� –Time Out New York

Robert De Niro Edward Norton Milla Jovovich Daily:

<3E 1/>A

(R)

(2:20), (4:30), 7:00, 9:30 & Sat, Sun (12:10)

0=< 8=D7( B63 17@1:3 B=C@ (R)

Daily:

(2:00), (4:00), 6:00, 8:00, 10:00 & Sat, Sun (12 noon) “An incredible real-life saga of America’s greatest race horse!�

Diane Lane John Malkovich

–Variety

(PG)

Daily: (2:10), 6:45 A

WOODY ALLEN FILM

You Will Meet A Tall Dark Stranger

(R)

Daily: (4:40), 9:15 &

Film Capsules

Sat, Sun (11:50am)

Midnights @ The Del Mar

Tickets $6.50 Fun! Prizes! Glen or Glenda?

Johnny Depp in Tim Burton’s

Ed Wood (R) Fri 11/5 & Sat 11/6 @ Midnight Next Week: Edward Scissorshands

(PG-13; 120 min.) A documentary chronicling four nights of Bon Jovi’s summer tour at the Meadowlands in New Jersey. (Plays Monday at 7:30pm at Santa Cruz 9.) 2C3 2/B3 (R; 100 min.) A highstrung father-to-be (Robert Downey Jr.) is forced hitch a ride cross-country with a sloppy slacker (Zack Galifianakis) in order to make it to his wife’s bedside in time for the

birth of his first child. (Opens midnight Thu at Santa Cruz 9, and Fri at 41st Ave, Scotts Valley and Green Valley.) 32 E==2 (1994)

Johnny Depp, Bill Murray, Sarah Jessica Parker and Patricia Arquette star in Tim Burton’s tale about a director of terrible movies and his collection of oddball pals. (Plays Fri-Sat at midnight at Del Mar.) 3<B3@ B63 D=72

(Unrated; 160 min.) A French psychedelic melodrama set in Japan. After police kill a teen drug-dealer, he returns as a ghost to watch over

his sister. Directed by Gaspar NoĂŠ. (Opens Fri at the Nick.) 4=@ 1=:=@32 57@:A

(R; 120 min.) Tyler Perry’s adaptation of the 1975 stage play For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf. Each member of the ensemble (including Janet Jackson, Thandie Newton, Whoopie Goldberg and Kerry Washington) grapples with a different heavy issue like unplanned pregnancy, infidelity or abuse. (Opens Fri at Green Valley.) 7<A723 8=0 (PG-

13; 120 min.) A

documentary film about the narrowly avoided total collapse of the global financial system. Narrated by Matt Damon. Shot on location in Iceland, China, France, England, Singapore and the United States. (Opens Fri at the Nick.) 7B¸A / ;/2 ;/2 ;/2 ;/2 E=@:2

(1963) A robbery suspect crashes on a Southern California highway and with his last breath tells the five strangers who have stopped to help him about a stash of loot buried near the Mexican border, inciting a race to the money.

Movie reviews by Traci Hukill, Kate Jacobson, Tessa Stuart and Richard von Busack

The ensemble comedy is directed by Stanley Kramer and stars Spencer Tracy, among others. (Plays Sat and Sun, 11am, at Aptos.) ;35/;7<2 (PG; 96

min.) An animated film featuring Will Ferrell and Brad Pitt as a pair of aliens who take different paths after their arrival on Earth. Outcast know-it-all Megamind (Ferrell) becomes a supervillain while brawny MetroMan (Pitt) wins fame and glory defending the city from Megamind’s plots. Also showcasing the vocal talents of Tina Fey, Jonah Hill and David

Cross. (Opens midnight Thu at Santa Cruz 9 and Fri at 41st Ave, Scotts Valley and Green Valley.) ;3B =>3@/( 0=@7A 5=2C<=D (Unrated;

255 min.) This week’s encore presentation of “The Met: Live in HD� stars German bass Rene Pape as a Russian czar who goes mad from guilt over the way he seized the throne; it’s the Met’s first production in 36 years of the Mussorgsky opera. (Plays Wed Nov at 6:30pm at Santa Cruz 9.) ;=@<7<5 5:=@G

(PG-13; 102 min.) An ambitious young television producer

Online Ticketing Available @

www.thenick.com

SHOWTIMES STARTS FRIDAY 11/5! “A masterpiece of investigative nonfiction moviemaking!� –Boston Globe (NR)

Fri-Sun (12:10), (2:20)

STARTS FRIDAY 11/5! “Glorious, jaw-dropping, painful & beautiful!� –Los Angeles Times

FROM THE DIRECTOR OF IRREVERSIBLE

ENTER The VOID Daily: 5:50, 8:50 &

(NR)

Sam Rockwell

Melissa Leo

Minnie Driver

CONVICTION (R) Daily: (4:20), 6:40, 9:10 &

Aaron Johnson (R)

Daily: (4:30), 6:50, 9:00 &

7b¸a 9W\R ]T O 4c\\g Ab]`g — Fri-Tue 4:20; 9. (No Wed Nov 10) @SR — Daily 2:10; 4:30;6:50; 9:10 ASQ`SbO`WOb — Daily 1:30; 4; 6:30; 9. BVS A]QWOZ <Sbe]`Y —Fri-Tue 1:50; 6:30 plus Sat-Sun 11:30am. (No Wed Nov 10) ;]`\W\U 5Z]`g — (Opens Wed Nov 10) 2:40; 4:50; 7; 9:10. 7b¸a O ;OR ;OR ;OR ;OR E]`ZR — Sat-Sun 11am.

9:45. (No Thu 6:30 or 9:25) 8OQYOaa ! 2 — Wed-Thu 2:35; 4:55; 7:20; 9:45; Fri-Wed 2:45; 5:15; 7:50; 10:10 plus Fri-Sun 12:20. 8OQYOaa 2 — Wed-Thu 1:05; 3:25; 5:40; 8; 10:20. (No Thu 8 or 10:20) :SUS\R ]T bVS 5cO`RWO\a ! 2 — Wed-Thu 2:10; 4:30; 6:50; 9:15. @SR — Wed-Thu 2:15; 4:50; 7:35; 10:15; Fri-Wed 2:20; 4:55; 7:40; 10:15 plus Fri-Sun 11:45am. AOe D77 ! 2 — Wed-Thu 1;3:15; 5:30; 7:50; 10:10; Fri-Wed 1:05; 3:15; 5:30; 8; 10:20. ASQ`SbO`WOb — Wed-Thu 1:20;4; 6:45; 9:30. BVS A]QWOZ <Sbe]`Y — Wed-Thu 1:20; 4:15; 7:10; 10; Fri-Wed1:15; 4:10; 10 plus Fri-Sun 7:10. 0]\ 8]dW( BVS 1W`QZS B]c` — Mon 7:30. ;Sb =^S`O( 0]`Wa 5]Rc\]d — Wed Nov 10 6:30. BVS <SdS` 3\RW\U Ab]`g — Thu 8. @OQS /Q`]aa bVS AYg — Thu 8:30; Tue 7:30.

1475 41st Ave., Capitola 831.479.3504 www.cineluxtheatres.com 2cS 2ObS — (Opens Friday) 12:15; 2:30; 4:55; 7:20; 9:45. ;SUO[W\R ! 2 — (Opens Friday) 11:20; 1:45; 4:10; 6:45; 9. 6S`SOTbS` — Wed-Thu 11;1:45; 4:30; 7:15; 10; Fri-Wed 1; 4; 7; 9:45. 8OQYOaa ! 2 — Wed-Thu 12:45; 3; 5:20; 7:45; 10:10. BVS A]QWOZ <Sbe]`Y — Wed-Thu 11:10; 1:40; 4:15; 7:00; 9:40.

Fri-Sun (12:00), (2:10)

Kristin Scott Thomas

;SUO[W\R ! 2 — (Opens midnight Thu) 2:15; 4:45; 7:15; 9:40 plus Fri-Sun 11:50am. ;SUO[W\R 2 — (Opens midnight Thu) 1:50; 4:15; 6:45; 9:10 plus Fri-Sun 11:30am. 6S`SOTbS` — Wed-Thu 1:15;3:30; 4:05; 6:30; 7; 9:25; 9:55; Fri-Wed 1; 3:55; 6:50;

" AB /D3<C3 17<3;/

Fri-Sun (12:40)

“A stirring, unforgettable motion picture experience!� –Boxoffice

Hilary Swank

/>B=A 17<3;/A

122 Rancho Del Mar Center, Aptos 831.688.6541 www.thenick.com

INSIDE JOB (PG-13)

Daily: (4:40), 7:00, 9:20 &

Showtimes are for Wednesday, Nov. 3, through Wednesday, Nov. 10, unless otherwise indicated. Programs and showtimes are subject to change without notice.

23: ;/@

Fri-Sun (12:30), (2:30)

1124 Pacific Ave., Santa Cruz 831.426.7500 www.thenick.com

FINAL WEEK!

Ab]\S — (Opens Fri) 2:20; 4:30; 7; 9:30; plus Sat-Sun 12:10pm. >O`O\]`[OZ /QbWdWbg — Wed-Thu 1:30; 3:30; 5:30;7; 7:45; 9; 10; Fri-Wed 2; 4; 6;

(PG)

Once Daily: (3:50)

8; 10 plus Sat-Sun noon. ASQ`SbO`WOb — Fri-Wed2:10; 6:45.

( ) = Bargain Shows Before 5:30pm

G]c EWZZ ;SSb O BOZZ 2O`Y Ab`O\US` — Wed-Thu 2:45; 5; 7:10; 9:15;

Fri-Wed 4:40; 9:15 plus Sat-Sun11:50am. 3R E]]R — Fri-Sat midnight.

<7193:=23=<

Helen Mirren Bruce Willis

Lincoln and Cedar streets, Santa Cruz 831.426.7500 www.thenick.com (PG-13)

Daily: (2:10), (4:30), 6:50, 9:10

plus Sat-Sun noon; 2:10.

(PG-13) Daily: (1:50), 6:30 &

7b¸a 9W\R ]T O 4c\\g Ab]`g — Wed-Thu 2:40; 4:50; 7;9:20. <]eVS`S 0]g — Wed-Thu 2:30; 4:30; 6:50; 9; Fri-Wed 4:30;6:50; 9 plus Sat-Sun

Sat, Sun (11:30am) (PG-13)

Keir Gilchrist Emma Roberts Zach Galifianakis

CLASSICS

Tickets $6

It’s a Mad Mad Mad Mad World (G) Sat 11/6 & Sun 11/7 @ 11:00am

Next Week: The Bridge On The River Kwai STARTS WEDNESDAY 11/10!

Rachel McAdams

12:10; 2:30. EOWbW\U T]` Ac^S`[O\ — Wed-Thu 2; 4:10; 6:30; 8:50; Fri-Wed 3:50.

@7D3@4@=<B AB/27C; BE7<

Daily (4:20), 9:00 ON THE BIG SCREEN

3\bS` bVS D]WR — (Opens Fri) 5:50; 8:50 plus Fri-Sun 12:40. 7\aWRS 8]P — (Opens Fri) 4:10; 7; 9:20 plus Fri-Sun 12:10;2:20. 1]\dWQbW]\ — Wed-Thu 2:10; 4:20; 6:40; 9:10; Fri-Wed 4:20;6:40; 9:10

Harrison Ford

Dianne Keton

Morning Glory (PG-13)

Advance Tickets On Sale Now!

Children under 5 admitted only on Mondays & Weekend Matinees

155 S. River St, Santa Cruz 800.326.3264 x1701 www.regmovies.com 3Oag / — Wed-Thu 7. :WTS Oa ES 9\]e 7b — Wed-Thu4:15; 9:20. BVS B]e\ — Wed-Thu 4;6:45; 9:30.

Call for Fri-Wed showtimes.

A/<B/ 1@CH 17<3;/ '

1405 Pacific Ave., Santa Cruz 800.326.3264 x1700 www.regmovies.com 2cS 2ObS — (Opens midnight Thu) 2; 2:35; 4:30; 5; 7; 7:30; 9:25; 9:55 plus Fri-Sun

11:35; 12:10.

A1=BBA D/::3G 17<3;/

226 Mt. Hermon Rd., Scotts Valley 831.438.3260 www.cineluxtheatres.com ;SUO[W\R ! 2 — (Opens Fri) 2; 4:20;6:45; 9 plus Fri-Sun Fri-Sun 11:40am. 2cS 2ObS — (Opens Fri) 2:45; 5:10;7:30; 9:45 plus Fri-Sun Fri-Sun 12:30pm. 6S`SOTbS` — Daily 1:45; 4:30;7:15; 10 plus Fri-Sun 11am. >O`O\]`[OZ /QbWdWbg — Wed-Thu 1:20;3:30; 5:45; 8; 10:10; Fri-Wed 1:15; 3:20;

5:30; 7:45; 9:55 plus Fri-Sun 11:10am. @SR — Wed-Thu 2; 4:40; 7:10; 9:45.Fri-Wed 2:10; 4:40; 7:10; 9:40 plus Fri-Sun 11:30am. ASQ`SbO`WOb — Wed-Thu 1:40; 4:20;7; 9:40; Fri-Tue 1; 3:45; 6:30. BVS A]QWOZ <Sbe]`Y — Wed-Thu 2:10;4:45; 7:20; 9:55. Fri-Tue 9:15. ;]`\W\U 5Z]`g — (Opens Wed Nov 10) 2; 4:30; 7; 9:30.

5@33< D/::3G 17<3;/ &

1125 S. Green Valley Rd, Watsonville 831.761.8200 www.greenvalleycinema.com 2cS 2ObS — (Opens Fri)1:05; 3:15; 5:20; 7:30; 9:35; plus Sat-Sun 11am. 4]` 1]Z]`SR 5W`Za —(Opens Fri) 1:30; 4:20; 7; 9:30; plus Sat-Sun 11 am. ;SUO[W\R ! 2 — (Opens Fri)1:05; 3:05; 5:05; 7:05; 9:05; plus Sat-Sun 11:05am. ;SUO[W\R 2 — (Opens Fri)1:20; 3:20; 5:20; 7:20; 9:20; plus Sat-Sun 11:20am. 6S`SOTbS` — Daily 1:30; 4:15; 7:05;9:30 plus Sat-Sun 11:05am. 8OQYOaa ! 2 — Wed-Thu 1:25; 3:30;5:30; 7:30; 9:35. 8OQYOaa 2 — Fri-Wed1:25; 3:30;5:30; 7:30; 9:35; plus Sat-Sun 11am. :SUS\R ]T bVS 5cO`RWO\a( BVS =eZa ]T 5O¸6]]ZS 2 — Wed-Thu 1:20; 3:20; 5:20. :WTS Oa ES 9\]e 7b — Wed-Thu 1:30; 4:15; 7:05; 9:30. >O`O\]`[OZ /QbWdWbg — Daily1:30; 3:30; 5:30; 7:30; 9:35 plus Sat-Sun 11:15am. @SR — Daily 1:25; 4:30; 7; 9:25plus Sat-Sun 11:05am. AOe D77 !# ;; — Wed-Thu1:25; 3:25; 5:25; 7:30; 9:30. ASQ`SbO`WOb — Wed-Thu 1:30; 4:30; 7:10; 9:30. BVS A]QWOZ <Sbe]`Y — Wed-Thu 7;9:30. ;]`\W\U 5Z]`g — (Opens Wed Nov 10) 1:30; 4:30; 7; 9:25

j !!

A/<B/1@CH 1=; november 3-10, 2010 47:;

B63 <3D3@ 3<27<5 AB=@G (1984) The

classic German-made fantasy film about a young boy who holes up in his attic reading a book about the land of Fantasia, a boy warrior named Atreyu, the luckdragon Falcor and a mysterious force called the “The Nothing,� only to find himself implicated in the story as he reads. (Plays Thu 8pm at Santa Cruz 9.) @/13 /1@=AA B63 A9G (Unrated; 120 min.)

Dave Wiens and Lance Armstrong star in a documentary film about the 2009 Leadville Trail 100 Mountain Bike Race. Competitors are given just 12 hours to complete the race that stretches across 100 miles and climbs 14,000 vertical feet. (Plays Thu 8:30pm and Tue at 7:30pm at Santa Cruz 9.) AB=<3 (R; 105 min.)

See review, page 31. (Opens Fri at Del Mar.)

@3D73EA 1=<D71B7=< (R; 107 min.) Hilary Swank stars in a biopic about Betty Ann Waters, a single working mother who put herself through law school in order to appeal a murder charge brought against her brother Kenneth, played by Sam Rockwell. 3/AG / (PG-13; 95 min.) High school girl Olive (Emma Stone) gets her reputation ruined and decides to revel in it, accessorizing her outfits with the scarlet A she just read about in Nathaniel Hawthorne in English class. An urbane and sly comedy, vastly superior to Juno; the appealing lead name-checks John Hughes films but this surpasses his conformist work, despite director Will Gluck’s tendency to shoot the exteriors of

Ojai homes with Nancy Meyers–like fussiness. Good work by Patricia Clarkson and Stanley Tucci as Olive’s debonair parents; Scripter Bert V. Royal’s gags are almost syncopated—this isn’t relentless joke-joke-joke. The laughs come with the grace of a word to the wise, and the sense on how to emphasize sting at just the right time. (RvB) 63@3/4B3@ (PG-13;

129 min.) The opening of this dull, morose and oatmeal-colored drama is a f lawlessly animated tsunami. Swept into the tide and clonked by an automobile, Parisian journalist Marie LeLay (CÊcile De France) is rescued just as she has a vision of human beings standing around a glowing plaza. She has seen the Hereafter itself; so has San Francisco psychic Matt Damon. Meanwhile a pair of twins in London, separated by death, try to reconnect. Bland and slow, the film seems as if it will never get started, and the afterworld is neither sinister nor inspirational. (RvB) 7B¸A 97<2 =4 / 4C<<G AB=@G

(PG-13; 101 minutes) Based on the novel by Ned Vizzini, about a depressed teenager (played by Keir Gilchrist) who checks himself into a psychiatric hospital. 8/19/AA 7< ! 2 (R;

93 min.) (R; 94 min.) Undeniably visceral entertainment, and sometimes hilarious. This corner’s motto is, as always, “It’s not what you laugh at that makes you a moron, it’s what you cry at.� One of the stuntmen taunting an ornery ram with blasts from a sousaphone is carrying on the frontier humor tradition of Mark Twain’s “His Grandfather’s Old Ram.� The difference is that the ram in the Twain tale is left frozen in space, while this furious sheep attacks about a dozen times. The tormenter’s yelp to the beast as he gets severely butted—“Why?�—is easily the most hilarious thing in the movie.

Genial but horrible ringleader Johnny Knoxville is to a rodeo clown what a wealthy rock star is to a Delta blues picker: someone getting rich from a rich tradition. So, Jackass may only just seem like the end of Western civilization; some of the slapstick horrors here are true-life versions of favorites from Keystone comedies: the guy in the gorilla suit, the dog that goes straight for the seat of the pants, the irritable donkey. Some of the tortures are a little too close to the Roman Empire’s method of handling dissidents, and a couple of the bits here are serious lunch-avulsers. The 3-D helps one get most of the popular bodily fluids right in the face, if that’s your idea of fun. (RvB) :353<2 =4 B63 5C/@27/<A (PG;

97 min.) A young owlet is kidnapped by older, evil birds and forced into the raptor equivalent of child military service until the wise old owls (stay with me here) who live on a mysterious island can be persuaded to come back and fight to liberate all owldom. :743 /A E3 9<=E 7B (PG-13; 115 minutes)

Katherine Heigl and Josh Duhamel star as a pair of singletons whose respective worlds are thrown upside-down when their best friends die and name them as guardians of a brand new baby daughter. <=E63@3 0=G (R; 98

min.) Once upon a time John Lennon was just a boy living in Liverpool. Examining his adolescent years finds a clashing relationship with mother and aunt, the first meeting with Paul McCartney and the birth of the band that would evolve into the biggest rock sensation to roll stateside. Starring Aaron Johnson. >/@/<=@;/: /1B7D7BG (R; 91

min.) A family realizes that ignorance is bliss after they set up a surveillance system to monitor a series of “break-ins.� The “found footage�

@3>@3A3<B/B7=</: >71BC@3A 1=C@B3AG A=<G >71BC@3A

(Rachel McAdams) is brought in to revive the ratings of a failing morning show but ends up refereeing spats between the show’s aging anchors (played by Harrison Ford and Diane Keaton) instead. (Opens Wed, Nov 10 at Aptos, Scotts Valley and Green Valley.)

/:: 4=@ =<3 /<2 =<3 4=@ /::!!Gpsnfs!Usfbtvsz!Tfdsfubsz!Ibol!Qbvmtpo-!Gfefsbm!Sftfswf!dibjsnbo!Cfo!Cfsobolf! boe!dvssfou!Usfbtvsz!Tfdsfubsz!boe!gpsnfs!Ofx!Zpsl!Gfe!qsftjefou!Ujn!Hfjuiofs!hfu!bo!fbsgvm!jo!ÕJotjef!Kpc-Ö!pqfojoh!Gsjebz/ from the camera is all that remains of their misadventures, but it’s presumed that by the time the game is up, Charles Manson probably would’ve made a better houseguest. @32 (PG-13; 111 min.) Bruce Willis is a retired black-ops CIA agent at loose ends until a high-tech assassin comes to pick him off, at which point he assembles his old team and gets the brass at Langley all in a tizzy. With Morgan Freeman, Helen Mirren, Richard Dreyfuss, Mary-Louise Parker and Karl Urban. A/E D77 ! 2 (R; 90

min.) In what the studio has promised will be “The Final Chapter� of the Saw series, the survivors of Jigsaw’s traps and psychological games join in a therapy group led by a one-time Jigsaw victim-turnedself-help-guru. A31@3B/@7/B (PG; 116 minutes) Today’s riddle: When is a horse a bum steer? I was ready to believe that Seabiscuit ended the Depression. You have to give a good film some slack. I was alive in 1973, the year Secretariat won the Triple Crown. I don’t recall his victory healing our divisions over the Vietnam War, though director Randall Wallace

coaxes us to believe it’s true. Secretariat is inbred—the offspring of too many similar sports films. It’s relentlessly thick—custard-thick— and cheap-looking, too, and its story is as fishy as 3-day-old salmon; it tries to make an underhorse out of a very blueblooded steed. Diane Lane, ordinarily a fine actress, gets no help from the script which seems to be trying to make her an anti-heroine. Lane plays thoroughbred breeder Penny Chenery. Ultimately, Secretariat is more fundraising pitch than racetrack action. (RvB) B63 A=17/: <3BE=@9 (PG-13;

120 min.) Fiendishly clever and funny movie about the creation of an Internet monster. As Facebook founder Mark Zuckerberg, Jesse Eisenberg gives a master class on recessive acting: he’s beady eyed and covert, with the occasional pit-viper-like sway of a truculent, lowered forehead. The film shuttles between the present-day deposition of the now arrogantly rich Zuckerberg, as he’s sued by a quartet of burned partners (among them his former best friend Eduardo, played by Andrew Garfield). In flashback, we see his own history—a Jewish student at WASP-ridden

Harvard, a social reject whose grudge-hacking was his entry into fame. Later, Zuckerberg meets the founder of Napster, Sean Parker—played by Justin Timberlake, excellent as a happy wastrel. Aaron Sorkin’s wild, witty script hands out punishment that goes beyond the financial penalties: this is a comedy in the Balzac sense, a balancing act; the mockery and the disgust for greed matches the essential lightness of the situation. It’s only Facebook, after all. (RvB) B63 B=E< (R; 125

min.) Routine plotting, if some rousing action sequences, in this Boston crime drama with Ben Affleck, a hunk-sized hole in the screen. It’s the old two-brothers plot, foster brothers though they be: Affleck as criminal paragon and his younger nutty-buddy Jim (Jeremy Renner of The Hurt Locker) ready to lash out and hurt someone. We keep waiting for Jon Hamm’s unshaven FBI agent Frawley to rattle the cages. It’s Blake Lively, as an Oxycontin-fancying tramp, who gets the brunt of Hamm’s power; she does some excellent reacting to a little bar-side lecture Hamm gives about a $20 bill. Rebecca Hall has too much presence to be just the girl whose entry into the plot

causes friction between the two main thieves. The much-rewritten script is choppy and undermotivated, though Chris Cooper and Pete Postlethwaite are outstanding in tiny roles. (RvB) E/7B7<5 4=@ AC>3@;/< (PG; 102

min.) The vast problems of the U.S. public school system distilled into a quick documentary. Davis Guggenheim (An Inconvenient Truth) follows five young students as they try to get into private schools. (One is eighth-grader Emily of Redwood City, whose parents are concerned that she’ll be pushed onto a noncollege track.) It’s Guggenheim’s contention that school funding has doubled while test scores continue to descend. Yet this documentary has the kind of ideology even Meg Whitman can wrap herself around: you can watch it and come to the conclusion that privatization and union-busting is the answer—the same answer we’ve been given since the 1980s. This may not have been Guggenheim’s intention. But as always in this passionate-intensity style documentary, there’s the possibility of deliberate misreading, thanks to the lethal combo of stridency and slipperiness. (RvB)

G=C E7:: ;33B / B/:: 2/@9 AB@/<53@ (R; 98

min.) Terminally awkward London-set comedy drama. The title transforms a fortune teller’s prediction into a sentence of doom, as per the line in Allen’s Cassandra’s Dream: “The only ship sure to come in has black sails.â€? Here is Allen’s customary theme: given the certainty of death and the absence of God, how to conduct oneself ? Better than these characters. Helena (Gemma Jones) and her husband, Alfie (Anthony Hopkins), have split, due to his terror of dying. He’s taken consolation with a ÂŁ500 a night prostitute named Charmaine (the wonderful Lucy Punch). She’s seeing a psychic and drinking a bit, though Allen doesn’t understand what this boozing might entail as either comedy or drama; alcohol is not his thing. Meanwhile, the couple’s daughter (Naomi Watts) is struggling with her own career as her husband, Roy (Josh Brolin), wrestles with his unpublishable novel. Roy has his own obsession with a girl across the courtyard (Frida Pinto, almost audibly pleading for direction). Punch is the salt of this movie, a leggy comedian who makes even the minor dumb blonde jokes sail. (RvB)

!" j 27<3@¸A 5C723 november 3-10, 2010 A/<B/1@CH 1=;

Diner’s Guide

Our selective list of area restaurants includes those that have been favorably reviewed in print by Santa Cruz Weekly food critics and others that have been sampled but not reviewed in print. All visits by our writers are made anonymously, and all expenses are paid by Metro Santa Cruz. AG;0=:A ;/23 A7;>:3( + C\RS` + # + $ + O\R c^

Price Ranges based on average cost of dinner entree and salad, excluding alcoholic beverages

/>B=A $$ Aptos

/;0@=A7/ 7<27/ 07AB@=

$$ Aptos

0@7B/<<7/ /@;A

$$$ Aptos $$$ Aptos

$$ Aptos

207 Searidge Rd, 831.685.0610

8017 Soquel Dr, 831.688.1233 :/ 03::/ D7B/ 07AB@=

257 Center Ave, 831.685.8111 A3D3@7<=¸A 5@7::

7500 Old Dominion Ct, 831.688.8987

Indian. Authentic Indian dishes and specialties served in a comfortable dining room. Lunch buffet daily 11:30am-2:30pm; dinner daily 5pm to close. www.ambrosiaib.com. American and specialty dishes from the British and Emerald Isles. Full bar. Children welcome. Happy hour Mon-Fri 2-6pm. Open daily 11am to 2am. Italian. Ambience reminiscent of a small trattoria in the streets of Italy, serving handmade lasagna, pasta dishes, gnocchi and fresh fish. Wed-Sun, lunch 11am-2pm, dinner 5-9pm. Continental California cuisine. Breakfast all week 6:30-11am, lunch all week 11am-2pm; dinner Fri-Sat 5-10pm, Sun-Thu 5-9pm. www.seacliffinn.com.

H/;33< ;327B3@@/<3/< Middle Eastern/Mediterranean. Fresh, fast, flavorful. Gourmet

7528 Soquel Dr, 831.688.4465

meat and vegetarian kebabs, gyros, falafel, healthy salads and Mediterranean flatbread pizzas. Beer and wine. Dine in or take out. Tue-Sun 11am-8pm.

1/>7B=:/

>/@/27A3 ACA67

Capitola

200 Monterey Ave, 831.464.3328

A6/2=E0@==9

Capitola

1750 Wharf Rd, 831.475.1511

Japanese. This pretty and welcoming sushi bar serves superfresh fish in unusual but well-executed sushi combinations. Wed-Mon 11:30am-9pm. California Continental. Swordfish and other seafood specials. Dinner Mon-Thu 5:30-9:30pm; Fri 5-10pm; Sat 4-10:30pm; Sun 4-9pm.

AB=19B=< 0@7253 5@7::3 Mediterranean tapas. Innovative menu, full-service bar,

Capitola

231 Esplanade, 831.464.1933

international wine list and outdoor dining with terrific views in the heart of Capitola Village. Open daily.

$$$ Capitola

H3:2/¸A

California cuisine. Nightly specials include prime rib and lobster. Daily 7am-2am.

203 Esplanade, 831.475.4900

A/<B/ 1@CH $$ Santa Cruz

$ Santa Cruz

$$ Santa Cruz $$ Santa Cruz

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1116 Pacific Ave, 831. 426.7588

16/@:73 6=<5 9=<5

1141 Soquel Ave, 831. 426.5664

1:=C2A

110 Church St, 831.429.2000 B63 1@3>3 >:/13

1134 Soquel Ave, 831.429.6994

1@=E¸A <3AB

Santa Cruz

2218 East Cliff Dr, 831.476.4560

$$ Santa Cruz

67<2?C/@B3@

$$ Santa Cruz

6=44;/<¸A

303 Soquel Ave, 831.426.7770

1102 Pacific Ave, 837.420.0135

6C:/¸A 7A:/<2 5@7::

Santa Cruz

221 Cathcart St, 831.426.4852

$$ Santa Cruz

7 :=D3 ACA67

516 Front St, 831.421.0706

Mexican. A local favorite since 1967! Full bar, patio dining, colorful dĂŠcor and friendly service. Top-shelf margaritas, over 50 tequilas, skirt steak asada, chicken fajitas, tequila prawn fettuccini, coconut prawns, even eggs benedict on the weekends! California organic meets Southeast Asian street food. Organic noodle and rice bowls, vegan menu, fish and meat options, Vietnamese-style sandwiches, eat-in or to-go. Consistent winner “Best Cheap Eats.â€? Open daily 11am-11pm. American, California-style. With a great bar scene, casually glamorous setting and attentive waitstaff. Full bar. Mon-Sat 11:30am-10pm, Sun 1-10pm. Crepes and more. Featuring the spinach crepe and Tunisian donut. Full bar. Mon-Thu 11am-midnight, Fri 11am-1am, Sat 10am-1am, Sun 10am-midnight. Seafood. Fresh seafood, shellfish, Midwestern aged beef, pasta specialties, abundant salad bar. Kids menu and nightly entertainment. Harbor and Bay views. Lunch and dinner daily. Americana. Ribs, steaks and burgers are definitely the stars. Full bar. Lunch Mon-Sat 11:30am-2:30pm; dinner Sun-Thu 5:30-9:30pm, Fri-Sat 5:30-10pm. California/full-service bakery. Breakfast, lunch, dinner. “Best Eggs Benedict in Town.â€? Happy Hour Mon-Fri 5-6pm. Halfprice appetizers; wines by the glass. Daily 8am-9pm. ’60s Vegas meets ’50s Waikiki. Amazing dining experience in kitchy yet swanky tropical setting. Fresh fish, great steaks, vegetarian. Full-service tiki bar. Happy-hour tiki drinks. Aloha Fri, Sat lunch 11:30am-5pm. Dinner nightly 5pm-close. Japanese Fusion. Sushi bar, sake bar, vegetarian, seafood, steak in fun atmosphere; kids play area; karaoke every night. Open seven days 5-10pm; Mon-Fri 11:30am-2:30pm.

j !#

A/<B/1@CH 1=; november 3-10, 2010 27<3@¸A 5C723 $$ Santa Cruz

8=6<<G¸A 6/@0=@A723

493 Lake Ave, 831.479.3430

Seafood/California. Fresh catch made your way! Plus many other wonderful menu items. Great view. Full bar. Happy hour Mon-Fri. Brunch Sat-Sun 10am-2pm. Open daily.

$$$ :/ >=AB/ Santa Cruz 538 Seabright Ave, 831.457.2782

Italian. La Posta serves Italian food made in the old style— simple and delicious. Tue-Thu 5:30-9:30pm. Fri and Sat 5:30-10pm. Sundays 5-8pm. Closed on Mondays.

$$ Santa Cruz

Fine Mexican cuisine. Opening daily at noon.

=:7B/A

49B Municipal Wharf, 831.458.9393

$$ Santa Cruz

>/17471 B6/7

$$ Santa Cruz

>=7<B 16=> 6=CA3

1319 Pacific Ave, 831.420.1700

Portola Dr, 831.476.2733

@7AB=@/<B3 7B/:7/<=

Santa Cruz

555 Soquel Ave, 831.458.2321

@=G/: B/8 1C7A7<3

Santa Cruz

270 Soquel Ave, 831.427.2400

$$ Santa Cruz

@=A73 ;11/<<¸A

$$ Santa Cruz $$$ Santa Cruz

$$ Santa Cruz

1220 Pacific Ave, 831.426.9930 A=74

105 Walnut Ave, 831.423.2020 AB/5</@= 0@=A

59 Municipal Wharf 831.423.2180 E==2AB=19¸A >7HH/

710 Front St, 831.427.4444

Thai. The only Thai restaurant in downtown Santa Cruz . Delicious menu is only further complemented by authentic, Thai tea, shakes and smoothies. Modern dining setting offers warm and inviting atmosphere to relax. American/ Steakhouse. Casual neighborhood restaurant near Pleasure Point, offering wide selection of American cuisine, featuring prime steaks, chops, seafood and pasta, in classic steakhouse setting. Open 7 days a week, breakfast served Sunday. Italian-American. Mouthwatering, generous portions, friendly service and the best patio in town. Full bar. Lunch. Indian. World-famous Indian curries, vegetarian and nonvegetarian dishes. Authentic Indian food at affordable prices $8.95 lunch buffet Mon-Thu 11:30am -2:30pm, Fri-Sun 11am-3pm. Irish pub and restaurant. Informal pub fare with reliable execution. Lunch and dinner all day, open Mon-Fri 11:30ammidnight, Sat-Sun 11:30am-1:30am. Wine bar with menu. Flawless plates of great character and flavor; sexy menu listings and wines to match. Dinner Sun-Thu 5-10pm Fri-Sat 5-11pm. Wine shop Sun/Mon 5-10pm, Tue-Sat noon-close. Seafood. Offering largest selection of fresh seafood, with wide variety of pastas, salads, steaks, and a children’s menu. Upper deck lounge offers view of Monterey Bay, Steamer Lane and the Boardwalk. Casual family style dining every day from 11am. Pizza. Pizza, fresh salads, sandwiches, wings, desserts, beers on tap. Patio dining, sports on HDTV and free WiFi. Large groups and catering. Open and delivering Fri-Sat 11am-2am, Mon-Thu 11am-1am, Sun 11am-midnight.

A/< :=@3<H= D/::3G $ 63/D3<:G 1/43 American. Serving breakfast and lunch daily. Large parties Scotts Valley 1210 Mt. Hermon Rd, 831.335.7311 welcome. Mon-Fri 6:30am-2:15pm, Sat-Sun 7am-2:45pm. $ 87/ B3::/¸A Scotts Valley 560D Scotts Valley Dr, 831.438.5005

Cambodian. Fresh kebabs, seafood dishes, soups and noodle bowls with a unique Southeast Asian flair. Beer and wine available. Patio dining. Sun-Thu 11am-9pm, Fri-Sat 11am-10pm.

$$$ Felton

Italian. Authentic Italian cuisine nestled among redwoods, in a friendly atmosphere off Hwy. 9. Chef Sebastian Nobile uses seasonal, local, organic ingredients whenever possible by utilizing a wide variety of quality Central Coast ingredients.

=/9 B@33 @7AB=@/<B3

5447 Hwy. 9, 831.335.5551

36 |

ASTROLOGY

november 3-10, 2010

SANTACRUZ.COM

Astrology Free Will

By Rob Brezsny

For the week of November 3 ARIES (March 21–April 19): In Marcel Proust’s novel In Search of Lost Time, one of the characters makes a vulgar observation about the odd attractions that sometimes come over us human beings: “Anyone who falls in love with a dog’s behind will mistake it for a rose.” It’s my duty to point out that the opposite occurs, too. People may think a marvelous thing is worthless, and dislike it or ignore it as a result. Van Gogh’s paintings, for example: He sold only one while he was alive, although today his work is regarded as extraordinarily beautiful. My advice to you, Aries, is to avoid both of these errors in the coming week. TAURUS (April 20–May 20): Poet Paul Eluard frequently fantasized and wrote about his dream woman, but he never actually found her. “The cards have predicted that I would meet her but not recognize her,” he said. So he contented himself with being in love with love. I think he made a sound decision that many of us should consider emulating. It’s a losing proposition to wait around hoping for a dream lover to show up in our lives, since no one can ever match the idealized image we carry around in our imagination. And even if there were such a thing as a perfect mate, we would probably not recognize that person, as Eluard said, because they’d be so different from our fantasy. Having said all that, Taurus, I’m happy to inform you that the next two months will be prime time for you to cultivate your connection with an imperfect beauty who’s good for you.

GEMINI (May 21–June 20): When you begin treatment with a homeopathic doctor, his or her first task is to determine your “constitutional,” which is the remedy that serves as your fundamental medicine— the tonic you take to keep your system balanced and functioning smoothly. Mine used to be “aurum,” or gold, but due to certain shifts in my energy, my doctor ultimately changed it to “lac lupinum,” or wolf ’s milk. After analyzing your astrological omens, I’m guessing that you might need a similar adjustment in the regimen that keeps you healthy. Your body’s needs seem to be evolving. Consider making some changes in the food you eat, the sleep you get, the exercise you do, and the love you stir up. CANCER (June 21–July 22): “Freedom is in the unknown,” said philosopher John C. Lilly. “If you believe there is an unknown everywhere, in your own body, in your relationships with other people, in political institutions, in the universe, then you have maximum freedom.” I think this is the most important thought you could meditate on right now, Cancerian. You are close to summoning the magic that would allow you to revel in what’s unknown about everything and everyone you love. And that would dramatically invigorate your instinct for freedom.

LEO (July 23–Aug. 22): The first time I ever planted a garden was last summer. It wasn’t easy. The soil in my backyard was hard clay that I could barely penetrate with a shovel. Luckily, a helpful clerk at the garden store revealed a solution: gypsum. All I had to do was pour the white powder on my intransigent dirt and wet it down for a few days. The stuff performed as advertised on the package: It “worked like millions of tiny hoes,” loosening the heavy clay. A week later I was able to begin planting. In the coming days, Leo, I think you could benefit from the metaphorical equivalent of a million tiny hoes. You’ve got to break down a hard surface to create a soft bed for your seeds.

VIRGO (Aug. 23–Sept. 22): Recent research suggests that yawning raises alertness, enhances cognitive awareness, reduces stress, and strengthens the part of the brain that feels empathy. Andrew Newburg, M.D., goes so far as to recommend that you regularly induce yawns. He says it helps you solve problems, increases your efficiency, and intensifies your spiritual experiences. (Read more here: http://bit.ly/Yawn Genius.) So here’s my advice, Virgo. During the current phase of your astrological cycle—which is a time when self-improvement activities are especially favored—you should experiment with recreational yawning. LIBRA (Sept. 23–Oct. 22): Check out this haiku by Mizuhara Shuoshi, translated from the Japanese by William J. Higginson: “stuck in a vase / deep mountain magnolia / blossoms open.” Does that remind you of anyone? It should. I think it pretty

much sums up your current situation. More accurately, it captures the best possible scenario you can strive to achieve, given your circumstances. Yes, there are limitations you have to deal with right now: being in the vase. And yet there’s no reason you can’t bloom like a deep mountain magnolia.

SCORPIO (Oct. 23–Nov. 21): Technorati, a search engine for blogs, says there are well over 100 million blogs on the Internet, and that figure doesn’t include millions of Chinese language blogs. So self-expression is thriving on a global scale, right? Not exactly. Most blogs—the estimate is 94 percent—have not been updated for at least four months. In accordance with the current astrological indicators, Scorpio, I expect you to do something about this problem. Refresh your blog in the coming week, or consider launching one if you don’t have one. But don’t stop there. Use every other way you can imagine to show the world who you are. Be articulate and demonstrative and revelatory.

SAGITTARIUS (Nov. 22–Dec. 21): I think you can handle more hubbub and uproar than you realize. I also suspect you’re capable of integrating more novelty, and at a faster rate, than the members of all the other signs of the zodiac. That’s why I think you should consider interpreting what’s happening in your life right now as “interesting adventures” instead of “disorienting chaos.” The entire universe is set up to help you thrive on what non-Sagittarians might regard as stressful. CAPRICORN (Dec. 22–Jan. 19): “Dear Rob: My boyfriend’s heart is in the right place. He likes to give me f lowers. The only trouble is, the bouquets he brings are homely. A recent batch was a hodgepodge of blue delphiniums, white carnations, and red geraniums. Is there any way to steer him in a more aesthetically correct direction without def lating his tender kindness?” —Unsatisfied Capricorn Dear Unsatisfied: In my astrological opinion, one of the tasks you Capricorns should be concerned with right now is learning to love the gifts that people want to give you. Maybe at a later date you can start training them to provide you with exactly what you want. But for the moment, it won’t kill you to simply welcome and celebrate their generosity.

AQUARIUS (Jan. 20–Feb. 18): Your new vocabulary word for the week is “skookum,” a term from the Chinook Indians that is still used in some parts of British Columbia and the Pacific Northwest. My astrological colleague Caroline Casey says it means “in cahoots with good spirits” and “completely made for the job.” Wikipedia suggests that when you’re skookum, you’ve got a clear purpose and are standing in your power spot. According to my reading of the omens, Aquarius, these definitions of skookum fit you pretty well right now. (P.S. When skookum is used to describe food, it means delicious and hearty, which could definitely be applied to you if you were edible.) PISCES (Feb. 19–March 20): In the coming days, it’s crucial for you to be spontaneous but not rash. Do you know the distinction? Read the words of psychologist Abraham Maslow: “Spontaneity (the impulses from our best self ) gets confused with impulsivity and acting-out (the impulses from our sick self ), and there is then no way to tell the difference.” Be sure you stay true to the vitalizing prompts arising from your inner genius, Pisces—not the distorted compulsions erupting from your inner maniac. Homework: Imagine that thanks to scientific breakthroughs and good luck, you’re still alive in 2090. What’s your life like? Testify at Truthrooster@gmail.com.

Go to REALASTROLOGY.COM to check out Rob Brezsny’s Expanded Weekly Audio Horoscopes and Daily Text Message Horoscopes. The audio horoscopes are also available by phone 1.877.873.4888 or 1.900.950.7700

SANTACRUZ.COM

november 3-10, 2010

| 37

38 |

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C L ASS I F I E DS

CLASSIFIED INDEX

PLACING AN AD

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classifieds@metronews.com Please include your Visa, MC, Discover or American Express number and expiration date for payment.

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Watsonville & Santa Cruz $10-$13/hr. Full time long term. WordShip&USPS Intl Email/ Phone Customers Resume Required KELLY SERVICES, 425-0653 email: 1471@kellyservices.com

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290 acres ! Run your dirt bikes or quads or take a hike and have a lot of fun on the 11 parcels ranging in size from 18- 40 acres. Santa Watsonville-The Wow Clara county. Sun, Views, Spring, Creek. Off grid. Factor! 3Bd Home $299,999 This one Excellent Owner financing. $1,150,000. is move in ready, everything has been repaired, replaced, Donner Land & Mortgage Co., Inc. www.donnerland.com painted, planted, fertilized, 408-395-5754 watered, and it sparkles. Listed by: Town and Country Land Real Estate Call Josh for more info (831)335-3200

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Live in the heart of Santa Cruz in the Green Park Only $65,000 • Walk to all conveniences • One bedroom, one bath • Large lot - gardeners delight • Located in quiet part of the park • Possible to bring in new unit • Low income, member owned co-op park Income restrictions apply, call for details Judy Ziegler ph: 831-429-8080 cell: 831-334-0257

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