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Ten Questions: Pim Techamuanvivit p6 | Currents: Closed Borders p9 | Posts: Lee Quarnstrom writes in p4 Beatscape: B.B. King, JGB, Justin Townes Earle p18 | Plated: Christina Waters discovers dollar tacos p29

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Reality takes a hike when the Banff Mountain Film Fest comes to town p11

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P R E S E N T S

9000 NEEDLES Join us for a public screening of this award-winning documentary After suffering a massive stroke, and having reached the limits of the American health care system, Devin Dearth, a 40-year-old former bodybuilder, takes an unconventional journey to China in search of the care he needs and a fighting chance at recovery. Location:

Del Mar Theater, 1124 Pacific Avenue, Santa Cruz Date: Saturday February 26th at 11:00am Tickets: FREE. Guests must present ticket for admission. Tickets available through marketing@fivebranches.edu Q & A with Director Doug Dearth, and after party at Cypress Lounge will follow the screening

Five BraNches UNIVERSITY Graduate School of Traditional Chinese Medicine Santa Cruz I San Jose I www.fivebranches.edu


P OSTS

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L O C A L LY

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CURRENTS

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COVER STORY

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S TA G E , A R T & EVENTS

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B E AT S C A P E CLUB GRID

p18 p20

F I L M p25 P L AT E D

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ASTR OLOGY

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CLASSIFIEDS

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ON THE COVER From the film ‘The Longest Way’

/ Z]QOZZg ]e\SR \Sea^O^S` 115 Cooper St, Santa Cruz, CA 95060 831.457.9000 (phone) 831.457.5828 (fax) 831.457.8500 (classified) scw@santacruz.com Santa Cruz Weekly, incorporating Metro Santa Cruz, is available free of charge, limited to one copy per reader. Additional copies of the current issue of Santa Cruz Weekly may be purchased for $1, payable at the Santa Cruz Weekly office in advance. Santa Cruz Weekly may be distributed only by Santa Cruz Weekly’s authorized distributors. No person may, without permission of Metro Publishing, Inc., take more than one copy of each Santa Cruz Weekly issue. Subscriptions: $65/six months, $125/one year. Entire contents Š 2011 Metro Publishing, Inc. All rights reserved. Reproduction in any form prohibited without publisher’s written permission. Unsolicited material should be accompanied by a stamped, self-addressed envelope; Santa Cruz Weekly is not responsible for the return of such submissions. >`W\bSR Ob O :332 QS`bWTWSR TOQWZWbg =c` OTTWZWObSa(

C O N T E N T S february 23-march 2, 2011 S A N TA C R U Z . C O M

Contents

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S A N TA C R U Z . C O M february 23-march 2, 2011 P O S T S

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Posts. Messages &

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327B=@7/: EDITOR B@/17 6C97::

(thukill@santacruzweekly.com) STAFF WRITERS B3AA/ ABC/@B (tstuart@santacruzweekly.com) @716/@2 D=< 0CA/19 (richard@santacruzweekly.com) CONTRIBUTING EDITOR 16@7AB7</ E/B3@A POETRY EDITOR @=03@B AE/@2 EDITORIAL INTERN ;/G/ E339A CONTRIBUTORS @=0 0@3HA<G >/C: ; 2/D7A ;716/3: A 5/<B /<2@3E 57:03@B 1/B 8=6<A=< AB3>63< 93AA:3@ 83AA71/ :G=<A A1=BB ;/11:3::/<2 AB3D3 >/:=>=:7 >/C: E/5<3@

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BC@<3@¸A BC@< A FRIEND sent me a copy of your Feb. 9 issue and I want to compliment you for the nice profile of John Laird (“Mr. Secretary,â€? Currents) and especially for the Tessa Stuart piece about Jeff Turner (“Crazy for You,â€? Cover story). Jeff used to stop in at the Pacific Avenue bureau of the Mercury News when I was in Santa Cruz and I always thought his story was, well, unusual. Unfortunately, this was at a time when some (or most) of my editors not only lacked the vision to understand why Jeff was a good subject for a profile but were worried that such a profile could lead to litigation. I’m happy to see

that your paper had the good sense to write about Jeff and his inexplicable obsession with Tiffany—although I still, many years later, have almost no idea who she is! Lee Quarnstrom

La Habra, Calif.

:/41=¸A AB/<2 AS ANALYZED by Michael Klare in the novel Resource Wars, war and conflict in this century will stem from the demand for resources, a struggle that will escalate as necessity increases for finite supplies that can only be stretched so far. Though I’m positive Santa Cruz is safe from the occurrence of such tragedies, the Local Agency Formation

Commission wisely decided to adopt a stronger water policy at a hearing earlier this month. This resolution couldn’t come at a better time, as UCSC is currently in the planning stages of an expansion that will drain 50 percent or more of the Santa Cruz’s remaining water supply. Despite heavy opposition from both the university and the city, LAFCO took a step in the right direction toward protecting the community’s shared resources and avoiding our own small-scale “resource war.� Scott Pressman Santa Cruz

FROM THE WEB

A/19 B63 0/5 0/< RE “The Defender,� Currents, Feb. 16, a “single use� plastic bag ban is not attacking the real problem of over-packaging and use of plastics in nearly all our products. Banning these multi-used “single-use� bags will cause heavier and larger plastic bags to be used, which will send the wrong message to the industry of providing more product and add significantly more to this dilemma. I’m still waiting to be convinced why using CFLs (which contain mercury, and are not easily recycled) are much better for our environment. Vern

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0/5 0/< / 0/<2 /72 I AGREE. While it may appear to be a goodhearted gesture, I find it dubious that it will impact our trash problem to a significant degree. We could use biodegradable bags. But the point is, there are larger sources of plastics that present a more alarming problem to our environment that will take years to disperse. Ever think why your cell phone is so light, but durable? Ever think twice before you accept a free toy from a fast food franchise? Ever stop to think to not buy those cheap plastic toys during holidays? We need to start thinking for the long haul and not reach for a quick Band-Aid to make us feel better. Michelle


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SA N TAC RU Z .C O M f e b r u a r y 2 3 - m a r c h 2 , 2 0 1 1 L O C A L LY

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TEN QUESTIONS

C RU Z S C A P E S

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The Jazz Vipers at the Spotted Cat on Frenchman Street in New Orleans, between a huge gumbo dinner and an after-midnight dessert of beignets and sweet cafĂŠ au lait.

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Stupid questions.

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Freshly cooked Thai jasmine rice, with a Thai omelette that’s been fried in lard until fluffy and crisp at the edges, and loads of Sriracha sauce, the real stuff, as in actually from Sriracha, Thailand, and not Rosemead, Calif. 4Od]`WbS AO\bO 1`ch a^]b-

Capitola counts, yes? I’m loving Mr. Kebab & Falafel in Capitola so much right now. I go there for proper mezze and falafel. They do it right. The other falafel places in town are just pretending.

MUSCLE BOARDS Pre-1980 surfboards (no leashes) lined up at Pleasure Point on Feb. 13 during the St. Valentines Day Massacre Surf Shoot-Out. Photo by Shawn Hatjes. ) Submit your Cruzscapes photo to publiceye@santacruz.com (

STREET SIGNS

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A drizzly Thursday thrashed by some bad gusts and downpours but calming down as the sun goes down and gray clouds grow dark over downtown where a young medium with a tight quartet is channeling Thelonious, just what I needed, a monastic reminder that a slight madness can be insanely sane, cracked with contagious syncopation that’s sophisticated like a big city with its dark lights and bright darknesses, its red streaks creating loud traffic that stops and starts, sort of honks like black and white swans or ducks, dances in sound, until the power lines and the piano strings can hardly be

told apart. I celebrate the rain by taking my muse to hear a few blue notes she can groove to, an absurd beauty not unlike Beckett, a let us say philosophical angle on melody, a bit offbeat, slightly cubist, subtly ironical, a tone of puzzlement and wonder at the pervasive strangeness. Empty storefronts recede into abstraction, mere economics, while here we gather in transcendence, a sanctuary of improvisation, temple of cool communion, mosque of unspeakable gods more powerful than movies or computers, their wonders wordlessly, uselessly gorgeous like all those non-native eucalypts festooning the surprised landscape with their silvery-green leaves. Have I forgotten anything—that dark green smell filling the farmers market? The light green honeysuckle

tricked by a fake spring into shedding its scent above the recycling bins? The green-eyed cats that use the hill behind our house for a hunting ground? The one time I saw Monk and heard him alive he was so stoned or zoned out he just sat there nodding at the piano, maybe banging out a chord now and again but mostly just keeping the beat in some inner space only he could navigate. His sound is singular, inimitable, invented within a sphere of deep genius, one of a kind. Now again he can be heard and the sky is sobbing in response after all those warm sunny days, reservoirs filling and the city’s gutters running, storm drains flowing to the ocean rhythmical as rivers. Stephen Kessler


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S A N T A C R U Z . C O M f e b r u a r y 2 3 - m a r c h 2 , 2 0 1 1

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Make Your Ad

1 10 Our high quality color printing will give your message added impact. 831.457.9000


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5@/<2 1:=A7<5 Borders opened its Santa Cruz store amid controversy in 2000. The chain announced its bankruptcy on Feb. 16.

Word Out

Borders’ closure signals more bad news for print

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AT CLOSING time on Sunday evening, Feb. 20, the checkout line at Borders in downtown Santa Cruz snaked past Romance and all the way to Home at the back wall, with the tail end in Pets. Everywhere bright posterboard signs proclaimed savings of 20, 30, even 40 percent off. Borders Books and Music, which once employed 30,000 workers at more than 600 stores, is bankrupt. On Feb. 16 the chain announced it is closing 30 percent of its stores. And even after these massive cuts, analysts say, Borders is probably doomed. The next time you walk past the empty ghost store where your local Borders used to be, you may ask yourself: Are we becoming a postliterate society?

BY TED RALL

Everywhere you look the printed word is under economic siege. Despite a 20 percent increase in demand in recent years, libraries are laying off, closing branches and reducing hours. Newsweek, one of the most venerable titles in magazine history, was recently sold for a buck (plus a promise to assume tens of millions in debt). Twitter is priced at $3.7 billion, nearly twice the public enterprise value of The New York Times ($2.03 billion). The key word, of course, is the one in front of the word “word�: “printed.� We are reading more than ever. Just not in print. According to a fascinating new study conducted by the University of Southern California, 94 percent of all data is now stored in digital form. Thanks to the Internet and various

gadgets, we read about 4.3 times more words each day than we did 25 years ago. The more words we read, however, the less we want to pay the people who write them. The Times of London lost 90 percent of its online readership after it put its website behind a $4-a-week pay wall. Why does this matter? Quality. The Huffington Post, recently sold to America Online for $315 million, points to a possible future in which the rewards go to ruthless aggregators who cater to Google common search phrases with slideshows about kittens and Lindsey Lohan. They rely on free blogs for most of their content. We’re getting exactly what they pay for: crap. If you think journalism is bad now, it’s going to get even worse. The message is as loud and brassy as Arianna: real journalism doesn’t pay. Inevitably the best and brightest are gravitating to other fields. Another unintended consequence of the digital revolution is lower memory retention. Norwegian researcher Anne Mangen told Boston Globe columnist Alex Beam about a paper she published in The Journal of Research in Reading. Mangen believes that we remember more of what we read in print than on a computer screen. This additional retention is due to variables that serve as unconscious memnonic devices: fonts, position of text, images, paper texture, etc. “The feeling of literally being in touch with the text is lost when your actions—clicking with the mouse, pointing on touch screens, or scrolling with keys or on touch pads—take place at a distance from the digital text, which is, somehow, somewhere inside the computer, the e-book, or the mobile phone,� argues Mangen. “Materiality matters. One main effect of the intangibility of the digital text is that of making us read in a shallower, less focused way.� My personal experience convinces

me that there is a difference. On the Kindle, everything looks and feels the same. When I read the Times on newsprint, part of what helps me remember a story is the ad that ran next to it and the photo underneath. It is hard to quantify the value of a country’s intellectual life. But as Americans read more and more, less of it printed, it is difficult to avoid the conclusion that we are losing something precious and irreplaceable.

The Mediocre Way So what’s the solution? European booksellers, publishers and newspapers receive generous government subsidies. Here in the United States, where pseudo-free markets are a national religion, the feds bail out billionaire bankers, not bookstores. In order to successfully compete with online sales and e-books, brickand-mortar retailers will have to learn the lesson of Borders: middle of the road equals mediocre. Beginning at least 10 years ago Borders buyers began eschewing risks. Buying into the “blockbuster mentality� of stocking stacks of surething bestsellers, they stocked fewer books by midlist authors—profitable, but not bestselling, titles. Browsers found fewer surprises at Borders. As for top-selling books, they’re cheaper at Costco and on Amazon. Barnes & Noble has been struggling too, but their strategy seems to stand a better chance than Borders’. B&N’s inventory is wide as well as deep. The fronts of their stores feel “curated,� the way good independent stores bring in customers with the promise of discovery and serendipity. If consumers want something obscure, odds are there’s a copy or two in the back, spine out. It’s a frightening thought: America’s intellectual future may depend on the fate of a superstore. /RRWbW]\OZ `S^]`bW\U Pg B`OQW 6cYWZZ

C U R R E N T S february 23-march 2, 2011 S A N T A C R U Z . C O M

Currents.

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Flip Side The annual heart-thumping, adrenaline-pumping Banff Mountain Film Festival has a few stories to tell

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“LUCKILY I didn’t hurt myself seriously,� Ueli Steck tells the camera after a 65-foot fall down a cliff. This calculating speed climber is the star of The Swiss Machine, the opening film at Santa Cruz’s Banff Mountain Film Festival. “I was pissed about myself because I fell off. That’s an error.� The mountaineering Alps expert goes on to scale the north face of Switzerland’s Eiger peak in three hours and 50 minutes, breaking the previously unshatterable record by an hour, then retreats to a year of training for his next task. He wants to do it faster. When the Rio Theatre’s red curtain opens for the touring Banff Film Festival this Friday, it will reveal both athletes like Steck and details of their obsessions. Since 1993 the festival, which visits 345 other cities worldwide, has sent Santa Cruzans’ minds parasailing over tropical rain forests and arctic

glaciers even while keeping them riveted to the edges of their seats. This weekend The Swiss Machine and 12 other documentarythrillers pack the two-night annual adrenaline bonanza, which benefits scholarships for UC–Santa Cruz’s Wilderness Orientation backpacking program. After The Swiss Machine, next in the lineup is Chimera, a mind-numbing, slowed-down 1,000-frame-per-second montage of skiers in action. After that comes Crossing the Ditch, the story of a nauseating, not to mention deadly, 1,400-mile two-person kayak trip from Australia to New Zealand. The dangerous paddle across the treacherous Tasman Sea puts two risk-loving brothers in delirious isolation until the sight of a stranded buoy hits them like the gift of a newborn puppy on Christmas. The kayaks continue their journey through the festival with WildWater, a philosophical

examination of why professional thrill-junkies float through towering plumes of white foam that link mountainous peaks to the sea. When it’s time for a breather, Still Motion pulls together a relaxing mix of acoustic guitars and black and white time lapses of cougars, curious fawns and elk jumping in and out of the frame. After that fades, the theater will stay pitch black for Into Darkness. This story of bonecrushing claustrophobia chronicles cavers who wiggle through small cracks like camels through the eyes of proverbial needles. They close their eyes and twist their heads, attempting to squeeze their arms, chests, legs and ears through tiny gaps. One shifting rock in a tight passage could close a door, sealing their exit and their fate. ¨ !

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B A N F F F I L M F E S T I VA L On a lighter note, Aptos native Cam McCaul teams up with a few mountain biking buddies–turned–cowboy renegades in Life Cycles, Friday night’s closing film. The wheeling wizards go soaring over cornfields and derelict tractors, leaping out of barnyard windows in tiptoe-slow motion. The adventure doesn’t miss a beat on Saturday night, kicking off with another kayak thriller in Dream Result,

which features a world recordbreaking 189foot, four-second waterfall plunge. But the audience can relax. In Kranked Kids, a mountain bike parody for the ages, a small gang of 5-yearolds steals Dad’s pickup truck in search of mudsloshing cyclable downhills. The festival reaches new heights with The Asgard Project

Freedom’s other stars sling skis over

their shoulders instead of rifles and hit the slopes. According to the film, the freedom of adventure draws eager foreigners, thanks to guides like Bakshi. And the tourism business is revitalizing Kashmir’s economy. In the spirit of travel, the film festival ends in China, where The Longest Way’s Christoph Rehage measures his one-year walk from Beijing to Urumqi in kilometers and entertaining self-portraits of his limitless beard growth. As one climber tells the audience from his narrow cliffside camp in The Asgard Project, “This has been a hard experience. . . . Everything about it has been fraught with problems. It’s so cool and relentless and grueling up here. Part of the cool thing about expeditions is wanting to get home, and you appreciate life so much more.� Luckily for viewers, the Banff Mountain Film Festival promises to send audiences over daunting waterfalls, rapids and mountains while still returning them safely to their seats so they can get home by 10:30pm and not have to snooze on a 3-foot stone ledge hundreds of feet above the rest of the world.

As one climber tells the audience from his narrow cliffside camp in ‘The Asgard Project,’ ‘It’s so cool and relentless and grueling up here. Part of the cool thing about expeditions is wanting to get home.’

as climbers drag themselves up the almost vertical Mt. Asgard in Canada’s Arctic circle. The good-humored bunch celebrates a birthday with a cake made out of a mountainous clump of granola gruel and plays chess with misshapen obsidian and sandstone. The freezing, exhausting search for meaning keeps them sleeping on 3-foot ledges as they chase a base-jumping freefall to end all others. From Kashmir, it’s off to New Zealand for Last Paradise, a surf film with four themes, according to director Clive Neeson (see story, page 14): adventure, science, sustainability and sports innovation. After 26 minutes in Paradise, India awaits in the politically charged region of Kashmir, which President Clinton once called the most dangerous place in the world. Billa Bakshi and AZADI:

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S A N TA C R U Z . C O M february 23-march 2, 2011 C O V E R S T O R Y

14 B A N F F F I L M F E S T I VA L

Taste of Paradise Longtime Santa Cruz surfer Pat Farley takes a star turn in film about surfing’s history

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EVER SINCE Pat Farley stood up on a surf board at Cowell’s Beach in 1959, it was the only thing he wanted to do. “That’s it. Nothing else,� says Farley, grinning, during a recent conversation near the San Lorenzo Rivermouth, his favorite spot in the 1970s. “Nothing else ever interested me. I’m not interested in football or baseball or basketball or tennis. Or anything else!� Farley’s surfing knowledge landed him a spot in Last Paradise, a New Zealand film about the sport’s evolution since the 1960s. It’s slated to hit Santa Cruz’s shores this fall, says director Clive Neeson. In the meantime, a shortened version will screen at the Banff Mountain Film Festival on Saturday night. “I love the footage,� Farley says of the film’s sun-tinged shots of surfing and the origins of modern wake boarding. Last Paradise, which

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will not include Farley’s interviews in Saturday’s night’s shorter Banff version, also tackles changes in surf society that parallel Farley’s own observations. The movie covers disastrous ecological transformations in coastal Bali, New Zealand and Australia from silent villages and dirt roads into packed tourist destinations. It’s part of a larger, unfortunate evolution Farley witnessed firsthand as surfing gained momentum. Farley, a Vietnam War veteran, saw tourism take off in Mexico’s Puerto Escondido and in coastal Washington. Closer to home, he witnessed an explosion in surfing during the economic boom of the 1990s that crowded 38th Avenue and Pleasure Point and frustrated his friends into water retirement. Elfin Schaeffer, a fellow surfer and advertising manager for O’Neill,


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corroborates the change, having seen it from both a surfing perspective and a retail one. Today, Farley serves as Sergeant of Arms for the Santa Cruz Surf Club Preservation Society, which is in a fundraising climb to keep the Santa Cruz Surfing Museum open. (He says he couldn’t be vice president because meetings often conflict with good waves.) And in an attempt to slow the erosion of surfing manners, Farley sometimes “barks� at risky, selfish surfers who cut the others off. “I’ve never heard anything negative about his etiquette in the water,� says Schaeffer of O’Neill. “He wants people to respect the culture and the surf spots.� The Last Paradise star and avid

surfer fears Santa Cruz County’s North Coast is doomed to suffer the overdeveloped fate that Puerto Escondido did if no one intervenes. “There needs to be a moratorium: no building between here and Half Moon Bay. Period,� says Farley, his blond locks blowing in the wind and occasionally straying into the corners of his mouth. And just leave it. Because if they don’t, we’re never going to see it again.� —Jacob Pierce

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:7AB G=C@ :=1/: 3D3<B 7< B63 1/:3<2/@ Email it to calendar@santacruz.com, fax it to 831.457.5828, or drop it by our office. Events need to be received a week prior to publication and placement cannot be guaranteed.

2/<13 Dance Around the World Tandy Beal is mentoring 32 young adults to teach arts in the schools to 250 children from Bayview and Del Mar Elementary Schools; this production is the culminating event of a monthlong residency. Featuring Polynesian dancer Lorraine Kinnamon’s group, Te Hau Nui, Esteban and Elda Ortiz’s Corazón en Flor, a company of young folklorico dancers will perform as well as Surya (Bali), Kum-Hee Park (Korea), Neha Nayak (India) and UCSC tango dancers directed by Conor McClure in Tangroupe. Sat, Feb 26, 1pm. $5-$8. Porter College Theater, UCSC, Santa Cruz.

B63/B3@ Bitter the Fruit

Fifth Annual Broadway Cabaret A variety show featuring the talents of Andrew Ceglio, Ariel Buck, Brie Michaud and Christina Cree from Cabrillo Stage; Lee Peterson and Sandi Stollencamp from the Santa Cruz Follies; Joyce Michaelson, Karen Stebbins and Cindy Gorski from previous SVPA productions and talented youth performers from SVPA’s Youth Shakespeare program. Sat, Feb 26, 8pm. $15-$20. Louden Nelson Community Center, 301 Center St, Santa Cruz, 831.420.6177.

The Ibsen Follies A rollicking, award-winning comedy of literary rivalry, thwarted love and Norwegian brooding by local playwright Skot Davis. Directed by Cabrillo’s Robin Aronson. Proceeds to benefit Save Our Shores. Fri-Sat, 8pm and Sun, 3pm. Thru Feb 27. $15-$20. West End Studio Theatre, 402 Ingalls St #3, Santa Cruz, 831.476.5643.

Mummified Deer A family drama about the immediate life and death choices one family must make for its ailing and secretive

Pippin Pippin, featuring the music and lyrics of Stephen Schwartz, opened on Broadway in 1972. Set in Charlemagne’s France, the show’s themes and message are still strikingly relevant to today’s audiences: coming of age, rites of passage and the quest to find fulfillment. Fri-Sat, 7pm. Thru Mar 12. $10$12. San Lorenzo Valley High, 7105 Hwy 9, Felton.

A Tribute to ‘O Brother, Where Art Thou?’ A live musical tribute deals with the adventures of Everett Ulysses McGill and his companions Delmar and Pete in ‘30s Mississippi. Fri-Sat, 8pm. Thru Feb 26. $20-22. Paper Wing Theater, 320 Hoffman Ave, Monterey, 831.905.5684.

1=<13@BA Nonsemble 6 A group of recent graduates of the SF Conservatory master’s

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A story of resistance by the pickers, the public and the United Farm Workers union to the use of methyl bromide (and later methyl iodide) on strawberry crops. Presented by Workers Theater Company as a fundraiser for the children farm workers. Fri-Sat, 8pm. Thru Feb 26. $5-$20 donation. Broadway Playhouse, 526 Broadway, Santa Cruz, 831.234.2067.

In collaboration with ShinshoMugen Daiko and LightSpeed Martial Arts Academy. Sat, Feb 26, 8pm. $10-$15. Cabrillo College Theater, 6500 Soquel Dr, Aptos, 831.479.6100.

matriarch, a survivor of the genocide of the Yaqui Nation in northern Mexico. Written by Luis Valdez and directed by his son Kinan Valdez, the play is a highly personal exploration of family themes and conflict played out in the context of history and social struggle Thu-Sat, 7pm and Sun, 3pm. Thru Mar 6. $12-$15. UCSC Mainstage Theater, 1156 High St, Santa Cruz, 831.459.2159.

program, including soprano Amy M. Foote; pianist Ian Scarfe, soloist in Symphony Parnassus’ Beethoven Piano Concerto no. 4; flutist Justin Lee, winner of the SF Conservatory concerto competition; Annie Phillips (clarinet); Kevin Rogers (violin) and Anne Suda (cello). The concert is of 20th century French works by Debussy, Ravel and Messiaen and includes works of art by Olivia Lam commissioned especially for these performances. Sun, Feb 27, 3pm. $12-$15 suggested donation. Christ Lutheran Church, 10707 Soquel Dr, Aptos, 831.688.5727.

47:; 9,000 Needles After suffering a massive stroke and having reached the confines of the American health care system, Devin Dearth, a former bodybuilder, takes an unconventional journey to China in search of the care he needs and a fighting chance at recovery. Director Doug Dearth will be hosting a Q&A session after the screening. Sat, Feb 26, 11am. Del Mar Theater, 1124 Pacific Ave, Santa Cruz.

Art ;CA3C;A 1=<B7<C7<5 Santa Cruz Museum of Art and History Lawrie Brown: Photographs From the Trash Series. Thru Mar 13. $2-$5. The Association of Clay and Glass Artists of California. A juried exhibition featuring 59 ceramists and glass artists. Also featuring a display by Anne Morhauser of AnnieGlass. Thru Mar 13. Museum hours Tue-Sun, 11am5pm; closed Mon. 705 Front St, Santa Cruz, 831.429.1964.

Santa Cruz Museum of Natural History

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! B6 /<<C/: 1:/; 16=E23@ 1==9 =44 Now that the wave of unseasonably warm weather is but a misty memory, impatience is growing for all the things summer brings—the opening of the Beach Boardwalk most of all. For an early treat, head down to the amusement park’s bivalve battle of the chefs, now in its 30th year. More than 85 professional chefs, amateurs and companies will compete to have their chowder crowned the tastiest in their field. Saturday, Feb. 26, 10am–5pm. Free, but tasting kits are $8. Beach Boardwalk, 400 Beach St., Santa Cruz. 831.420.5273.

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Stage

Fourth Annual Evening of World Theatre With Watsonville Taiko

Bones: an Inside Look at Nature. Offering an “inside look� at adaptation and biodiversity. Thru Feb 26. TueSun, 10am-5pm. 1305 E. Cliff Dr, Santa Cruz, 831.420.6115.

5/::3@73A =>3<7<5 Pajaro Valley Arts Council A Harvest of Images: Pajaro Valley Impressions. Using traditional and experimental processes, 48 Monterey Bay area printmakers have created over 100 images that speak to the geography, history, agriculture, labor, cultures and habitats of the Pajaro

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B63 0/@03@ =4 A3D7::3 Even without Bugs Bunny and Elmer Fudd in the starring roles, Rossini’s hilarious opera about two lovers duping the lady’s boorish fiancÊ with the help of the ingenious miscreant Figaro (the titular barber, pictured) is about as unstuffy as you can get. And Opera San Jose’s cast works it with comic gusto and vocal virtuosity. Bonus: the first act ends with a sight gag that—we would not lie—can be nothing less than a tribute to Bugs himself. Thursday, Feb. 24, at 8pm, Saturday, Feb. 26, at 8pm and Sunday, Feb. 27, at 3pm at the California Theater, 345 S. First St., San Jose. Tickets $51–$101 at www.operasj.org. Valley region. Artist reception Sunday, Mar 13, 2-4pm. Feb 24-Apr 17. Free. 37 Sudden St, Watsonville, 831.722.3062.

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by artists of Monterey Bay Metal Arts Guild. Pieces in a wide range of styles will be available for purchase. Thru Feb 28. Free. Daily 10am6pm. 510 Bay Ave, Capitola, 831.475.2500.

Cabrillo College Gallery

Masaoka Glass Design

Insistence of Memory. The artwork of David Linger and Randy Hussong, screen printing on porcelain and mixed media. Thru Mar 11. Free. 6500 Soquel Dr, Aptos, 831.479.6308.

Bella Amore. Includes the glass work Alan Masaoka, Nick Leonoff, Nancy Francioli, Jennifer Horning, Eloise Cotton, Todd Moore, Mark Abildgaard and Chris Tedesco, with paintings by Gerrica Connolly and Ellen Henrici. Thru Mar 12. 13766 Center St, Carmel Valley.

Davenport Gallery Figure Show. Featuring the work of Lisa Silas and Jonathan Chorn, Ray Ginghofer, Linda Levy, Ray Gwyn Smith, Alanni Winkler, Barbara Downs, Susana Arias, Ingrid Marianne, Lila Klapman, Pru Masseth,Pru Masseth and Bruce Lee. Thru Feb 27. Free. 450 Hwy 1, Davenport, 831.426.1199.

Felix Kulpa Gallery Gloria K. Alford—A Selected Retrospective, 1974-present. Mixed media, acrylic and paper from the mid-’70s to present day. Thru Feb 27. Free. 107 Elm St, Santa Cruz, 408.373.2854.

Freedom Branch Library Freedom Exhibits Ageless Art. Featuring artwork created by residents at care facilities throughout Santa Cruz County. Thru Feb 28. Free. 2021 Freedom Blvd, Freedom, 831.763.4141.

Many Hands Gallery Capitola Made With Love. With work

series. Thru Feb 28. Free., SantaCruzRehearsalStudios. com. 118 Coral St, Santa Cruz.

Sesnon Gallery Chip Lord: Public Spaces. Chip Lord has dedicated much of his practice to the changing landscape of urban and video projects including Awakening From the 20th Century, Movie Map and AirSpaces. Thru Mar 5. UCSC, Porter College, Santa Cruz, 831.459.2273.

Events

Michaelangelo Gallery Close to Home. Local plein air painter Charles Prentiss. Thru Feb 28. Free. Sat-Sun, 11am-5pm; weekdays by appointment. 1111 River St, Santa Cruz, 831.426.5500.

Santa Cruz Mountains Art Center In the Creative Spirit. Featuring pieces in a variety of media, from handmade scarves, jewelry, glass, ceramics, paintings, prints, baskets, sculpture, textiles. Wed-Sun, noon-6pm. Thru Apr 26. Free. 9341 Mill St, Ben Lomond. 831.336.3513.

Santa Cruz Rehearsal Studios In Love With the Natural World. Plants and animals are the subject matter for artist Mari Stauffer. Her watercolor and acrylic paintings range from more representational depictions of flora and fauna, to her whimsical “Endangered Spacies�

075 23/:A Big Sur Chanterelle Festival Features a Fun-gus hunt, cook-off and silent auction to benefit photographer Rachael Short, who suffered a spinal injury in a car accident. Sat, Feb 26, 12-3:30pm. $30$50. Pfeiffer Big Sur State Park, Highway 1, Big Sur, 831.667.0241.

Monterey’s Spectacular Spring Bridal Show Plan your entire wedding in just one day. Sun, Feb 27, noon-4pm. $5-$10. Hyatt Regency Monterey, 1 Old Golf Course Dr, Monterey, CentralCoastBride.com.

30th Annual Clam Chowder Cook Off & Festival The competition has featured participants dressed as scuba divers, mermaids and even as

a “Clam Fairy� in the past. Top awards include cash prizes, roundtrip tickets courtesy of Continental Airlines and more. The Cook Off is the major annual fundraiser for the city of Santa Cruz Parks and Recreation Department. Sat, Feb 26, 10am-5pm. Admission is free; tasting $8. Santa Cruz Beach Boardwalk, 400 Beach St, Santa Cruz, 831.420.5273.

33th Annual Pajaro Valley Quilt Show There will be over 400 quilts and 40 vendors offering the latest fabrics, quilt supplies and wearable art and providing quilt appraisals, but main attraction might be Sunday’s quilt auction. Sat, Feb 26, 10am-5pm and Sun, Feb 27, 10am-4pm. $6-$8. Santa Cruz County Fairgrounds, Hwy 152/East Lake Ave, Watsonville, 831.426.8517.

/@=C<2 B=E< Ask a Vet and Adopt a Pet Day Bring your questions to veterinarian Sheena Logothetti, DVM of Capitola Veterinary Hospital, for information and advice. Santa Cruz County Animal Services will also be on hand with dogs and cats for adoption. Wed, Feb 23, noon-3pm. Free. Capitola New Leaf Community Markets, 1210 41st Ave, Capitola, 831.426.3250.

Business Networking Mixer Scotts Valley Chamber invites


Community Drum Circle Percussionist and drumming educator Jim Greiner will conduct a benefit community drumming events for the Unity Temple Santa Cruz. Instruments will be provided, but you are welcome to bring your own. All ages and levels of experience are welcome. Sat, Feb 26, 7-9pm. $10. Unity Temple of Santa Cruz, 407 Broadway, Santa Cruz, 831.462.3786.

Shimmer and Shine: a Santa Cruz Dyke March Event Wine and beer; party like it’s 1969! Sun, Feb 27, 4-6pm. Engfer Pizza Works, 537 Seabright Ave, Santa Cruz, 831.429.1856.

Social Security Income Benefits Class Frank Horath, owner of ClientFirst Financial in Aptos, will explain steps that married couples 62 and older can take to potentially maximize their Social Security income and survivor benefits and also how to amend a previous choice that was made incorrectly which may create a potential tax credit. Seating is limed to 20. Wed, Feb 23, 7pm. $5. Marie Callender’s, 3400 Clares St, Capitola, 831.607.4554.

Transition Santa Cruz Potluck: Focus on Local Food How can neighborhoods develop their local food resources and build community too? Find out at this potluck, featuring the Santa Cruz Fruit Tree Project, TerraGnoma Demonstration Garden, Food in the Hood, Food Not Lawn and more. Bring a dish to share. Wed, Feb 23, 6:30-9pm. Free. Live Oak Grange, 1900 17th Ave, Santa Cruz, 831.427.9916.

:7B3@/@G 3D3<BA Community Book Group: The Lotus Eaters Bookshop Santa Cruz’s next Community Book Group selection is one of our favorite novels of last year. We invite you to join us for a facilitated discussion of the sweeping debut novel about an American female combat photographer in the Vietnam War. Thu, Feb 24, 7pm. Free. Bookshop Santa Cruz, 1520 Pacific Ave, Santa Cruz, 831.460.0900.

Jasmin Darznik A richly detailed memoir, The Good Daughter weaves the stories of three generations of Iranian women into a tale of one family’s twisted path to freedom. Darznik relates the secret story of her family’s true origins in Iran: her mother’s marriage at 13, her troubled history of abuse and a daughter she was forced to abandon. Mon, Feb 28, 7:30pm. Free. Capitola Book Cafe, 1475 41st Ave, Capitola, 831.462.4415.

John Steinbeck’s 109th Birthday The Steinbeck Center celebrates by offering birthday cake and free admission to Monterey County residents. Local author Adrienne Momi will also read from her recently released children’s book The Amazing Adventures of Radish Toe. Sun, Feb 27, 10am-5pm. Free. National Steinbeck Center, 1 Main St, Salinas, 831.796.3833.

Marc Shargel and Fred Keeley Marc Shargel, sea life photographer and author of the Wonders of the Sea coffee-table book series on marine life of the California coast, joins former legislator and current County Treasurer Fred Keeley for an evening of beauty and wonder and an opportunity to explore and appreciate the life in our marine ecosystem. Wed, Mar

2, 7pm. Free. Bookshop Santa Cruz, 1520 Pacific Ave, Santa Cruz, 831.460.3232.

Peggy Orenstein Orenstein will read and sign copies of her book, Cinderella Ate My Daughter: Dispatches From the Front Lines of the New Girlie-Girl Culture, in which she ventures to the land of Disney and American Girl Place, braves a Miley Cyrus concert, ponders the meaning of child beauty pageants and seeks out girls’ virtual presence online. Wed, Mar 2, 7:30pm. Free. Capitola Book Cafe, 1475 41st Ave, Capitola, 831.462.4415.

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Valley, Scotts Valley, Pacific Collegiate, Delta and Cypress Charter High Schools, as well as Cabrillo and UCSC students. Students must plan to attend a public college or university in California. Contact your school’s counseling office or Omega Nu Scholarship Chairperson, Patty Locatelli. Thru Mar 31. 831.332.6431.

Support/Recovery Groups Alzheimer’s: Alzheimer’s Assn., 831.464.9982. Cancer: Katz Cancer Resource Center, 831.351.7770; WomenCARE, 831.457.2273. Candida: 831.471.0737. Chronic Pain: American Chronic Pain Association, 831.423.1385. Grief and Loss: Hospice, 831.430.3000. Lupus: Jeanette

Miller, 831.566.0962. Men Overcoming Abusive Behavior: 831.464.3855. SMART Recovery: 831.462.5470. Trans Latina women: Mariposas, 831.425.5422. Trichotillomania: 831.457.1004. Women’s Bipolar/Depression Peer Support: 831.345.7190. 12-Step Programs: 831.454.4357.

Touched by Adoption Group Adoptive families, adult adoptees, families waiting to adopt and birth parents meet monthly to connect in a safe, confidential setting. Last Sat of every month, 10am-noon. Free. Live Oak Family Resource Center, 1438 Capitola Rd, Santa Cruz, 1.866.219.1155.

Yoga Instruction Pacific Cultural Center:

35+ classes per week, 831.462.8893. SC Yoga: 45 classes per week, 831.227.2156. TriYoga: numerous weekly classes, 831.464.8100. Also: Yoga Within at Aptos Station, 831.687.0818; Om Room School of Yoga, 831.429.9355; Pacific Climbing Gym, 831.454.9254; Aptos Yoga Center, 831.688.1019; Twin Lotus Center, 831.239.3900.

Zen, Vipassana, Basic: Intro to Meditation Zen: SC Zen Center, Wed, 5:45pm, 831.457.0206. Vipassana: Vipassana SC, Wed 6:30-8pm, 831.425.3431. Basic: Land of the Medicine Buddha, Wed, 5:30-6:30pm, 831.462.8383. Zen: Ocean Gate Zendo, first Tue each month 6:30-7pm. All are free.

A Conversation with Shakespeare Santa Cruz’s Marco Barricelli Baricelli, artistic director of Shakespeare Santa Cruz, will introduce the 2011 season and share his behind-the-scenes insights. Discover what goes into building a season and the process of putting on a show. Light refreshments will be served. Sun, Feb 27, 2pm. Free. Temple Beth El, 3055 Porter Gulch Rd, Aptos, 831.479.3444.

<=B713A Red Cross Mobile Blood Drives Drives occur at several locations countywide each month; for schedule and locations call 800.733.2767.

SC Diversity Center The Diversity Center provides services, support and socializing for lesbian, gay, bisexual, transgender, intersex and questioning individuals and their allies. Diversity Center, 1117 Soquel Ave, Santa Cruz, 831.425.5422.

Sigma Alpha of Omega Nu Scholarships Applications are now available to seniors graduating from Aptos, Harbor, Santa Cruz, Soquel, San Lorenzo

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;][ da bVS >`W\QSaa ;OQVW\S PEGGY Orenstein admits that her behavior on the subject of princess culture has been “hypocritical, inconsistent, even reactionary.� But she didn’t take it kindly when her expensive pediatric dentist asked her 3-year-old daughter to “sit in my special princess throne so I can sparkle your teeth.� Orenstein began to wonder and worry. One of her daughters’ classmates showed up to school every day dressed in a Cinderella gown with a bridal veil. If this was going down in Berkeley, what was happening in the real world? How could imitating The Little Mermaid, who gives up her voice to be with a man, empower her daughter? On the other hand, perhaps girl power is simply girl power, and her little girl would have it all: brains, beauty and the approval of men. What’s a mother to do? Orenstein, who chronicled her quest to become a mother in the bestseller Waiting for Daisy, wrote up her concerns for The New York Times Magazine, but she couldn’t stop after asking “What’s Wrong With Cinderella?� Disney’s Princesses line alone pulls in some $2 billion a year. She saved the sparkles from her daughter’s teeth, and now they’re on the cover of Cinderella Ate My Daughter: Dispatches From the Front Lines of the New Girlie-Girl Culture, a compelling, funny and often frightening look into the transformation of little girls from children on a playground into the targets of high-powered merchandising campaigns.

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' <332:3A Acupuncture cures a former bodybuilder whose disability following a massive stroke confounds Western doctors. Filmmaker Doug Dearth hosts Q&A following the screening. Saturday, Feb. 26, at 11am at the Del Mar, 1124 Pacific Ave., Santa Cruz. Free.

Orenstein’s frank, hilarious narration functions as a guide to the insidious world of girlie marketing. From “classic board games, each of which appears to have been dipped in Pepto-Bismolâ€? to Miley Cyrus in “booty shorts with a sparkly tank slit up the sides to expose her bra,â€? Orenstein takes you to the sickly sweet heart of outside-in girlhood. She’s smart, funny and coming to town on March 2. Bring your own sparkles. (Rick Kleffel) >355G =@3<AB37< `SORa T`][ ¡1W\RS`SZZO /bS ;g 2OcUVbS`¸ ESR\SaROg ;O`QV Ob %(! ^[ Ob 1O^Wb]ZO 0]]Y 1OT{ "%# " ab /dS 1O^Wb]ZO 4`SS

17 S A E february 23-march 2, 2011 S A N TA C R U Z . C O M

you to attend its February mixer. Join us as we spotlight Professional Touch and their Hertz Rental Services. Bring your raffle items to showcase your business and plenty of business cards for networking. Thu, Feb 24, 5:30-7pm. Free. Professional Touch Auto, 5500 Scotts Valley Dr, Scotts Valley.


S A N TA C R U Z . C O M february 23-march 2, 2011 B E AT S C A P E

18 Jazz Presenters since 1975

Thursday, February 24 U 7 pm

JOHN DONALDSON QUINTET PLAYS THE MUSIC OF Amazing talent! BHEKI MSELEKU Concert: $12/Adv $15/Door Jazz & Dinner: $24.60/Adv Monday, February 28 U 7 pm

FREDDY COLE Masterful vocalist and pianist $23/Adv $26/Door Thursday, March 3 U 7 pm

REBECCA COUPE FRANKS QUARTET Concert: $12/Adv $15/Door Jazz & Dinner: $24.60/Adv

Monday, March 7 U 7 & 9 pm

AL DI MEOLA WORLD SINFONIA Pursuit of Radical Rhapsody Tour 2011 $28/Adv $31/Dr, No Jazztix/Comps Sponsored by Universal Audio, Inc.

Thursday, March 10 U 7 & 9 pm

SFJAZZ Collective The Music of Stevie Wonder

$28/Adv $31/Dr, No Jazztix/Comps Sponsored by A Train Law Group

Monday, March 14 U 7 pm

STEVE COLEMAN AND FIVE ELEMENTS

$22/Adv $25/Door Pre-concert talk at 6:30 pm 1/2 PRICE NIGHT FOR STUDENTS 3/21 Jim Hall Quartet featuring Greg Osby, Steve LaSpina & Joey Baron 3/24 Quincy Jones Presents: The Alfredo Rodriguez Trio 3/28 Linda Tillery & the Cultural Heritage Choir 3/31 Robben Ford & Jonathan McEuen w/special guest Anne Kerry Ford Dinner served Mondays & Thursdays beginning at 6pm. Serving premium wines & microbrewed beers. Snacks & desserts available all other nights. All age venue. Advance tickets at Logos Books & Records and online at kuumbwajazz.org. Tickets subject to service charge and 5% S.C. City Admissions Tax.

INDEPENDENTLY PRODUCED EVENTS Friday, February 25 U 8 pm

FLAMENCO DIRECT FROM SEVILLE, SPAIN

General: $25/Adv $30/Door Premium: $40/Adv $45/Door Tickets at: brownpapertickets.com Saturday, February 26 U 8 pm UĂŠ$20

SONY HOLLAND

“...smooth delivery, lyrical pleasure, and heartfelt emotion...� – KCSM Tickets at: brownpapertickets.com Info: (408) 888-4784 320-2 Cedar St s Santa Cruz 427-2227

kuumbwajazz.org

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The great B. B. King dispels all rumors to the contrary this Wednesday, Feb. 23, at the Catalyst.

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Every time B.B. King comes through town I go see him because it may be the last time he tours. Then another year or two goes by and he hits the road for another tour. Then another couple of years go by and he tours again. I marvel at the fact that he still has the energy and drive to continue his seemingly endless world tour. I guess if you don’t slow down, then you never have to stop. The Rock & Roll Hall of Famer has been out and about playing music for over 60 years. He has a pile of Grammys and a list of honors too numerous mention. He is every bit a living legend of the blues, and to see him perform is to be a part of something extraordinary and finite. Maybe. Catalyst; $64 adv/ $69 door; 7:30pm. (Cat Johnson)

Despite a recent run-in with the law, Justin Townes Earle is still going strong. The songwriter’s masterful take on folk, classic country and Western swing has earned him a considerable following in Americana circles over the past few years, culminating in his most recent release, 2010’s Harlem River Blues. The album proved both a musical and commercial success, hitting the Billboard charts and demonstrating Earle’s widening scope. The album finds him abandoning the rustic concerns of his earlier albums and shifting his focus to the big city. Doing so, he sets a blueprint for a new version of urban country that is as contemporary as it is effortlessly classic. Rio Theatre; $18 adv/$22 door; 8pm. (Paul M. Davis)

While one might think that no pop punk band with its roots in reggae could outshine Sublime, Pepper certainly puts up some stiff competition. With funky guitar riffs, distinct reggae beats and songs that allude to swimming, Pepper reminds us that summer is not so far away after all, and that even if it’s February, we can still party like it’s July in Kona. The band’s laid-back, quintessentially West Coast sound guarantees a good time; for sheer dumb dub fun, little can match catching this trio on tour celebrating their most recent EP, Stitches. Catalyst; $25; 8pm. (Maya Weeks)


19

8=6< 2=</:2A=< One of the most gifted and exciting jazz pianists to come out of Britain, John Donaldson has quietly been crafting a first-class career for himself that includes playing with jazz greats Freddie Hubbard, Art Farmer and Eddie Henderson and studying under legendary saxophonist Joe Henderson. His latest project is a tribute to the memory of Donaldson’s friend and collaborator Bheki Mseleku, who remains among the most widely celebrated South African jazz musicians of his generation. Alongside his band, Donaldson pays personal and musical respect to the rhythmic sophistication and meditative grace of Mseleku’s music while illuminating the instrumental and bandleading techniques that make him one of the finest in his field. Kuumbwa; $12 adv/$15 door; 7pm. (CJ)

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850 E7B6 ;3:D7< A3/:A One of countless finer ensembles carrying on the long, magic dragon tail of Jerry Garcia and the Grateful Dead, Melvin Seals and the JGB are

direct descendants of Garcia’s musical family tree. The San Francisco–born keyboardist started his career playing the organ in church, went on to play professionally with Chuck Berry, Elvin Bishop and many more and eventually landed a spot in the Jerry Garcia Band, where he spent 15 years playing alongside the legendary frontman of the Grateful Dead. With Garcia’s passing in 1995 Seals took hold of the reins, changed the name to JGB, and set out on a path to honor and continue Garcia’s legacy. Don Quixote’s; $20 adv/$25 door; 9pm. (CJ)

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@71673 A>713 Richie Spice has a voice like honey, and he uses it to spread messages to empower vulnerable youth, paying homage to the loves of his life (both women and God) via socially conscious roots reggae. This righteous fighter from Kingston, Jamaica, is an artist on not only an international but also spiritual journey. Accompanied by a full live band, he is currently on tour promoting his fifth album, Book of Job, which comes out March 15. The self-proclaimed prince of fire’s smooth lyricism goes down easy—and loosens up the listener as effectively—as Jamaican rum. Moe’s Alley; $25 adv/$30 door; 9pm. (MW)

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the Jerry Garcia Band, take Felton back this Friday.

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B63 5@=E:3@A The music of Costa Mesa’s Growlers defies easy categorization. A melange of psychedelia, warped surf rock and ’60s pop that is somehow far darker than those influences suggest, the Growlers have a fiercely realized vision for such a young band. The band is scrappy and rough around the edges, but in the best, most iconoclastic way. Crepe Place; $10 adv/$12 door; 9pm. (PMD)

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4@322G 1=:3 It’s tough to establish your own voice when you’re the sibling of an iconic figure—particularly if the figure you share a family and a voice with is the incomparable Nat King Cole. Despite that considerable challenge, Nat King Cole’s younger brother Freddy has made a notable career for himself with talent and grace, leaving a body of work with its own idiosyncratic character. Cole boasts a smoky baritone evocative of late-night lounges and exquisite melancholy, making Freddy Cole Sings Mr. B, his 2010 tribute to the romantic balladeer Billy Eckstine, an inspired choice. Kuumbwa; $23 adv/ $26 door; 7pm. (PMD)

B E AT S C A P E february 23-march 2, 2011 S A N TA C R U Z . C O M

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POWER STRIP plus The Recognition

also Circle

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3(33(5

Acoustic Show! $25 Adv./$25 Drs. • Drs. 7 p.m./ Show 8 p.m. -YP -LI ‹ AGES 16+ ‹ Numbskullshows.com presents

STREETLIGHT MANIFESTO

plus Terrible Things also A Loss For Words and Lionize $15 Adv./$17 Drs. • 6:30 p.m./ 7:30 p.m. Friday, February 25 ‹ In the Atrium ‹ AGES 21+ FRIDAY NIGHT FUNCTION: DJ Aspect DJ Tone Sol, Nima Fadavi NO COVER • 9 p.m./ 9 p.m. :H[\YKH` -LIY\HY` ‹ AGES 21+

ROBIN TROWER

$33 Adv./$39 Drs. • Doors 7 p.m./ Show 8 p.m. Saturday, Feb. 26 ‹ In the Atrium ‹ AGES 16+

MIKE PINTO plus The Melodramatics $10 Adv./ $12 Drs. • Drs. 8:30 p.m./ Show 9 p.m.

Tuesday, March 1 ‹ In the Atrium ‹ AGES 21+

RASTA CRUZ REGGAE TUESDAYZ with DJs Don-ette G & Lion-S + weekly guests DJs Models/Dancers No Cover • Show 9 p.m.

Mar 2 Burning of Rome Atrium (Ages 21+) Mar 3 Cyberpunkers Atrium (Ages 18+) Mar 5 Porter Robinson (Ages 18+) Mar 9 Andre Nickatina (Ages 16+) Mar 11 Vital SC: Excision (Ages 18+) Unless otherwise noted, all shows are dance shows with limited seating. Tickets subject to city tax & service charge by phone 866-384-3060 & online

www.catalystclub.com

february 23-march 2, 2011 S A N TA C R U Z . C O M

>LKULZKH` -LIY\HY` ‹ AGES 21+

B.B. King

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Rhythms R Rh hythm hhy y tthhhm m s off L ms Life Li iifffee ON THE ROAD Joan (Anne Heche) sets her sights on Tim (Ed Helms) at a sales convention in ‘Cedar Rapids.’

Breaking Away Midwestern yearnings in ‘Cedar Rapids’ BY

RICHARD VON BUSACK

A

NNE HECHE has made wonderful copy offscreen, outcrazying very stiff competition in Southern California. Still, as three separate family memoirs by the Heches make clear, it was in the God-fearing Midwest that the trouble began. And the new film Cedar Rapids is all about how deranged the Midwest can be. With long, glossy red hair and a fiery wardrobe, Heche plays Joan OstrowskiFox, an insurance saleswoman. The highlight of her sedate year is the annual convention in that Iowa city of 120,000. It’s her time to cut loose. Miguel Arteta’s comedy shares Foxy’s worldly viewpoint in favor of the pleasures of the flesh. Based on a robust script by Phil Johnston, Cedar Rapids shows us some captivating alliances during the course of the convention. Ed Helms (The Hangover) is the film’s actual hero. He plays Tim Lippe, a salesman from the BrownStar Insurance Company of Brown Valley, Wis. The Best Westernish business hotel looks like Xanadu to Tim, who has never left his hometown. He soon meets his new roommates: Ronald (Isiah Whitlock Jr.) and the life of the convention, Dean Ziegler (John C. Reilly). When Ziegler turns up, slapping backs and roaring (“You got any honey

on your stinger yet?�), it’s clear that the joke about “BrownStar� isn’t going to be the only hint of anality in the film. Reilly, who seemed at first to be headed for Rod Steiger roles, did a 180-degree turn to become one fantastically adept comedian (Walk Hard, Step Brothers). Reilly is so beautifully obscene, tilting his low forehead, standing, paunchy and boxer-short-clad, delivering a latenight speech about how a businessman has to “dance with the tiger.� Ziegler, however, is not monotonous. During a night of drinking, he snaps into lucidity to give Tim some important advice. The small-town naif needs to know that the convention is not on the level and that the churchly head of the organization (Kurtwood Smith) is hardly as pious as he seems. Cedar Rapids is not perfect. It tries to get away with a kind of small-businesstriumphant ending that we can barely accept in Frank Capra movies. But Cedar Rapids is ultimately humane, always diverting and consistently ticklish. Just remembering Joan swimming up to Tim in the hotel pool, like an anaconda gliding toward a floating baby bird can make you really feel good about things. Cedar Rapids @) &$ [W\ /b bVS 2SZ ;O`

An educational concert that’s fun for the whole family! S U N D AY, M SUNDAY, MARCH ARCH 6 2 PPM M :HU[H *Y\a *P]PJ (\KP[VYP\T :HU[H *Y\a *P]PJ (\KP[VYP\ \T Concert C oncert sponsored sponsored bbyy Rowland Rowland & Pat Pat Rebele R bele

BERNSTEIN B ERN E R N S TTE E IIN N O Overture verttu urre e to to Candide Candide SAINT-SAENS SAINT-S S A I N T- S A AENS ENS B Bacchanale Ba accha cchanalle e ffrom rom

‘Samson ‘S Samson amson and an a nd Delilah’ Delilah’ ELIZ E ELIZONDO LIZOND DO O E Estampas sta amp mpa pas Mexicanas Mexica Me an na ass SOUSA SOUS SA A W Washington Wa assh hiin ngto on nP Post o st M Mar March arch PECK P ECK T The he TThrill hrill h riillll of of the the Or O Orchestra rche esssttra TTickets icketss $ $8/10 8/10 8/ aadvance, d nce, ce, e $10/12 $10// day $10 $1 d y of da o show. w Call orr w www.SantaCruzTickets.com Caa 420-5260 42 2 20 anta ntaCru aCr Cru Cr ruuzT zT .co cooom John Larry Granger, ge Mu Music usic u si Dire D Director ire ec or With special Wi ec cial ci cial al guests: uests u ts: t s:: s

Season S eason ason Media edia dia Sponsor: S Sponso

Santa C Cruz County Co C Youth Yout Symphony Symph mpho phony pho a r ll l t Theatre Th tre re e • ZunZun Z n Santa Cruz Ballet

25 F I L M february 23-march 2, 2011 S A N TA C R U Z . C O M

Sa nt a Cr u z C ou nt y

FILM


S A N TA C R U Z . C O M february 23-march 2, 2011 F I L M

26

Film Capsules <3E DR. STRANGELOVE (1964) The classic black comedy that captured and ridiculed Cold War hysteria. Peter Sellers plays three parts in Stanley Kubrick’s film about a rogue Air Force general who releases a nuclear air strike on the Soviet Union while the president of the United States and the Joint Chiefs of Staff scramble to prevent the total destruction of the world. (Plays Sat and Sun 10:45am at Aptos.) DRIVE ANGRY (R; 104 min.) Nicolas Cage plays a soul who has escaped from

Hell on a mission to exact revenge from the men who killed his daughter and who kidnapped, and plan to sacrifice, his granddaughter. The man, Milton, is trailed by a Satanic operative known as the Accountant (William Fitchner), who the Prince of Darkness has charged with bringing Milton back to the underworld before he unleashes too much hellfire on the living. (Opens Fri at Santa Cruz 9 and Green Valley.)

HALL PASS (R; 105 min.) When two wives (Jenna Fischer and Christina Applegate) grow weary

SHOWTIMES

Movie reviews by Tessa Stuart and Richard von Busack

of their husbands (Owen Wilson and Jason Sudeikis) ogling other women, they hatch an unorthodox fix for their relationship troubles. The women decide to give their fellas a “hall pass�— meaning the guys are welcome to engage in any extramarital activities they please for one week—but things go awry when the men realize that the pass works both ways. (Opens Fri at 41st Ave, Santa Cruz 9, Scotts Valley and Green Valley.)

“The Met: Live in HD,� is the opera by Gluck based on Euripides’ reimagining of a Greek legend. In classic Greek mythology, Agamemnon sacrifices his daughter Iphigenia before the Trojan War to ensure the gods are on the Greek’s side, but in Euripides’ play the goddess Diane saves Iphigenia, spiriting her away to distant Tauride, where she serves as a high priestess to the goddess though her family believe her dead. (Plays Sat 10am at Santa Cruz 9.)

IPHIGENIE EN TAURIDE (Unrated; 165 min.) This week’s presentation of

A MAN FOR ALL SEASONS (1966) The biopic of Thomas Moore (Paul Scofield), Lord

Chancellor of England in the 16th century, who defied King Henry VIII over his religious convictions. The king asked Moore to petition the pope to annul his marriage to Catherine of Aragon in order to marry Anne Boleyn. The film won six Academy Awards the year of its release, including Best Actor to Scofield and Best Picture. (Plays Thu 8pm at Santa Cruz 9.)

9,000 NEEDLES (Unrated; 83 min.) When the American health care system fails to give Devin Dearth, a 40year-old retired bodybuilder, the help he needs to recover

Showtimes are for Wednesday, Feb. 23, through Wednesday, March 2, unless otherwise indicated. Programs and showtimes are subject to change without notice.

/>B=A 17<3;/A 122 Rancho Del Mar Center, Aptos 831.688.6541 www.culvertheaters.com 5\][S] O\R 8cZWSb — Wed-Thu 2:20; 4:10; 6; 9:30; Fri-Wed 2:20;

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10:05 Fri-Wed 12:10; 2:40; 5:15; 7:45; 10:10 plus Fri-Sun 12:10pm. 7 /[ <c[PS` 4]c` — Wed-Thu 2:15; 4:50; 7:30; 10:05; Fri-Wed 2:05;

4:20; 7:10; 9:45.

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23: ;/@

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" AB /D3<C3 17<3;/ 1475 41st Ave., Capitola 831.479.3504 www.culvertheaters.com 6OZZ >Oaa — (Opens Fri) 11:55; 2:20; 4:55; 7:30; 10. 7 /[ <c[PS` 4]c` — Wed-Thu 11:10; 2; 4:40; 7:20; 10; Fri-Wed 11:30;

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1124 Pacific Ave., Santa Cruz 831.426.7500 www.thenick.com

226 Mt. Hermon Rd., Scotts Valley 831.438.3261 www.culvertheaters.com

0O`\Sg¸a DS`aW]\ — Daily 1:10; 4; 6:40; 9:20. 1SRO` @O^WRa — Daily 2; 4; 6; 8; 10 plus Sat-Mon noon. BVS 9W\U¸a A^SSQV — Daily 1:40; 4:20; 7; 9:30 plus Sat-Sun 11:15am. H]]ZO\RS` — Fri-Sat midnight. ' <SSRZSa — Sat 11am.

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Fri-Wed 3:20; 7:15. =aQO` <][W\ObSR AV]`b 4WZ[a :WdS /QbW]\ — Wed-Thu 1:30; 5:15;

Fri-Wed 5:15 plus Sat-Sun 11am.

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7:20; plus Fri-Sun 11:30am; 9:55pm. 5\][S] O\R 8cZWSb — Wed-Thu 1:10; 3:10; 5:10; 7:10; 9:10; Fri-Wed

2:20; 4:40; 6:45; 8:55 plus Fri-Sun 11:55am. 8cab 5] EWbV 7b — Wed-Thu 2:10; 4:45; 7:20; 10; Fri-Wed 1:45; 4:20; 7 plus Fri-Sun 11:10am and 9:45pm. 8cabW\ 0WSPS`( <SdS` AOg <SdS` !2 — Wed-Thu 1:30; 4; 6:30; 9. C\Y\]e\ — Wed-Thu 2; 4:30; 7; 9:30; Fri-Wed 2; 4:30; 7 plus Fri-Mon 11:30am; 9:30pm.

5@33< D/::3G 17<3;/ & 1125 S. Green Valley Rd, Watsonville 831.761.8200 www.greenvalleycinema.com 2`WdS /\U`g !2 — (Opens Fri) 1:30; 4:30; 7; 9:25 plus Sat-Sun 11:05am. 6OZZ >Oaa — (Opens Fri) 1:05; 3:15; 5:20; 7:30; 9:30 plus Sat-Sun 11am. 0WU ;][[Oa( :WYS 4ObVS` :WYS A]\ — Daily 1:05; 3:10; 5:15; 7:15;

9:25 plus Sat-Sun 11am. BVS 3OUZS — Wed-Thu 1:30; 4:25; 7; 9:20. 5\][S] O\R 8cZWSb — Daily 1:15; 3:15; 5:15; 7:15; 9:15 plus Sat-Sun 11:15am. 7 /[ <c[PS` 4]c` — Daily 1:25; 4:30; 7:05; 9:20 plus Sat-Sun 11:10am. 8cab 5] EWbV 7b — Daily 1:30; 4:30; 7; 9:25 plus Sat-Sun 11:05am. 8cabW\ 0WSPS`( <SdS` AOg <SdS` !2 — Daily 1:05; 3:10; 5:15; 7:20; 9:25 plus Sat-Sun 11am. BVS @]][[ObS — Wed-Thu 1:05; 3:10; 5:15; 7:20; 9:25. C\Y\]e\ — Daily 1:05; 3:10; 5:15; 7:20; 9:30 plus Sat-Sun 11am.


27

ZOOLANDER (2001) Derek Zoolander (Ben Stiller) is a really, really ridiculously good-looking male model at the top of his game until an upstart named Hansel (Owen Wilson) comes onto the scene and steals Zoolander’s title as VH1 Model of the Year. Zoolander suffers a nervous breakdown and is drawn into the seedy underbelly of the fashion world, where he stumbles upon a sinister plot hatched by the evil designer Mugatu (Will Ferrell) to kill the Prime Minister of Malaysia. (Plays Sat-Sun midnight at Del Mar.)

@3D73EA ANOTHER YEAR (PG-13; 129 min.) As suffused with harmony as a great work of Asian art, alive with the wit and compassion that have made Mike Leigh a master director of comedies. It’s a study in dichotomy: an aging, hard-working couple (Ruth Sheen, Jim Broadbent) in the suburbs of London contrasted with the life of their high-maintenance friend Mary (Lesley Manville). If Another Year is a fourpaneled study instead of a wide canvas like Secrets and Lies, the figures are deep and well conceived, perhaps idealized but not sweetened. (RvB) BARNEY’S VERSION (R; 134 min.) Paul Giamatti is Barney Panofsky, an irascible Montreal man recalling the demise of his three marriages and reflecting on the different reasons behind each. Also starring Dustin Hoffman as Panofsky’s father and Minnie Driver as one wife. This Canadian film premiered at the Venice Film Festival in 2010 after 13 years of development. BIG MOMMAS: LIKE FATHER, LIKE SON (PG-13; 107 min.) In the third installment of the Big Momma’s House crime comedy series, FBI agent Malcolm Turner

F I L M february 23-march 2, 2011 S A N TA C R U Z . C O M

after a massive stroke, Dearth travels to China to explore the options holistic practitioners can offer. The screening, presented by Five Branches University, will be followed by a question and answer session with director Doug Dearth. (Plays Sat 11am at the Nick.)

(Martin Lawrence) is on assignment when his son Trent (Brandon T. Jackson) unwittingly pays him a visit and becomes witness to a murder. Both Turners are forced undercover at an allgirls performing arts high school—the elder pulling his undercover persona Big Momma out of retirement and the younger donning a butter yellow dress and the alias Charmaine Daisy. Hijinks, naturally, ensue.

BIUTIFUL (R; 147 min.) In Barcelona’s Santa Coloma district, Uxbal (Javier Bardem) has learned that he has stage-four prostate cancer. His estranged wife, Marambra (Maricel Ă lvarez), is a promiscuous bipolar case who is too close to Uxbal’s brother, Tito (Eduard FernĂĄndez). His two children are growing up neglected. Seeing the end in sight, Uxbal works night and day. The beauty of anything but rot is either missing or bruised in director Alfonso GonzĂĄlez Iùårritu’s film. There is no fun for the poor in a neighborhood IĂąarritu rhapsodizes about, neither in color itself nor in sex. At a strip club, with mutant dancers decorated with extra nipples on their asses, Biutiful goes beyond its belabored world-isa-ghetto point right into straight disgustorama. (RvB) CEDAR RAPIDS (R; 86 min.) See review, page 25. THE EAGLE (PG-13; 114 min.) (PG-13, 118 min.) One thing to praise: the unusual attempt by Kevin Macdonald (The Last King of Scotland) to bring a small and unbraced camera style to the ancient world. It’s based on a 1954 novel about the historical disappearance of the Roman Ninth Legion. Caesar’s soldiers vanished; so did their sacred golden standard, the gilded, carved replica of an eagle. Here, Marcus Aquila (Channing Tatum), the noble son of the Ninth’s commander, crosses into modern-day Scotland to pursue the artifact. With him comes Esca (Jamie Bell), a slave. The Celt is possibly untrustworthy. More than even the MPAA-required cutting, the sleek, bland Tatum is the film’s main drawback; at 30, Tatum doesn’t have any tinge of mortality, and he can’t

>/AA 4/7:!Pxfo!Xjmmtpo!)mfgu*!boe!Kbtpo!Tvefjljt!Ă&#x;oe!pvu!uibu!gsffepn!!

gspn!nbssjbhf!jt!opu!fwfszuijoh!uifz!jnbhjofe!jo!ÕIbmm!Qbtt/Ö make you feel his pain. Solid work by Donald Sutherland and Mark Strong can’t overcome the kind of plotting that makes people leave this kind of adventure in their childhood: the astonishing coincidence, the timely bout of unconsciousness, the luck of being ambushed by savages and taken as a hostage to the exact spot where you wanted to go. (RvB)

THE FIGHTER (R; 115 min.) Road-crew laborer and striving boxer Micky Ward (Mark Wahlberg) of Lowell, Mass., has been training all his life with his elder half-sibling, Dicky Eklund (Christian Bale). One little problem with the elder half-brother’s work: he’s a hopeless crack addict. One evening, Micky meets a weary bartender, Charlene (Amy Adams), Charlene is tough enough to fight off Ward’s overprotective family: a gaggle of seven high-haired, sharp-nailed sisters, mothered by Alice (Melissa Leo). Wahlberg, a child of a family of nine, couldn’t have been better cast. Bale has to jump around a bit more; this is not his milieu or his accent, and his acting gets a bit more flamboyant. As the generic title indicates, this is a boxing film, and director David O. Russell has to depend on some necessities of the genre, including the slo-mo, sweat-splashing punch to the jaw. As usual in a boxer’s biopic, the height of the career arc, the

narrowness of the victories and even the size of the opponents are exaggerated. If the facts are slightly fast and loose, so, blessedly, is Russell’s direction. (RvB)

I AM NUMBER FOUR (PG-13; 110 min.) The film, based on a popular science fiction novel by the same title, tells the story of nine aliens forced to flee their home planet when it is attacked by an invading species, the Mogadorians. They seek refuge on Earth, and upon arrival they are given numbers, in which sequence they can be killed by the Mogadorians. Numbers One, Two and Three bite the dust, but Number Four (Alex Pettyfer), living as a high school student in Midwestern America, plans to assemble the others to stage a resistance. THE ILLUSIONIST (PG; 80 min.) It is a pretty thing, but can you call The Illusionist Jacques Tati? Sylvain Chomet directs this animated feature based on an unproduced script by the auteur of M. Hulot’s Holiday and others. Compared with Chomet’s The Triplets of Belleville this new film seems underpowered and faint. It’s hard to make an entire movie out of wistfulness. Tatischeff (Tati’s real name) is an aging stage magician who holes up in a theatrical hotel with other smalltimers. But Tatischeff has company: a young girl who believes that his conjuring tricks are authentic magic.

The cityscapes glow enchantingly; the tinted melancholy seascapes show that if 2-D animation is really on its way out, Hayao Miyazaki won’t be its only pallbearer. (RvB)

THE KING’S SPEECH (R; 118 min.) Colin Firth gives a deeply affecting portrayal of a shame-wracked man born and bred to be a spokesman, yet who is handicapped with a crippling stammer. In the 1930s, Firth is the Duke of York, a family man with two daughters and a wife named Elizabeth (Helena Bonham Carter). The stammering Duke, known to his family as “Bertie,� is the official spare to the heir, next in line to the Prince of Wales. A superlatively cast Guy Pearce embodies this Edward’s upper-class shadiness and monstrous entitlement. The Prince is the love slave of a twicemarried American named Simpson; his affair and his indifference to world troubles are pushing events to a constitutional crisis. The man tapped to solve it is Lionel Logue (Geoffrey Rush), an Australian speech therapist tasked with helping the Duke find his voice on the eve of England’s entry into World War II. Rush’s wit and nimbleness counterpoints this story of majesty, which is almost exactly as tragic as it is comic. (RvB) NO STRINGS ATTACHED (R; 108 min.) Street credless but not so bad romcom is a strong comeback for

Ivan Reitman, despite how he stalls it out with delays and uncomfortable slang. Can we believe that Natalie Portman is a beautiful L.A. physician who works like a maniac and wants a sex life with no demands? Why not. Can Ashton Kutcher play Adam, a likable but not brilliant aspiring TV scriptwriter who lucks into meeting the demands of the above-mentioned Emma? Naturally. Can both of these status-crossed lovers be linked by issues about their respective fathers, which would give them a lack of trust? Simplicity itself; Alvin’s dad here is a former ’80s sitcom star played ably and wickedly by Kevin Kline. Reitman cast half the under-30 standup comedians in L.A. to show up in bit parts. (RvB)

OSCAR NOMINATED SHORT FILMS, ANIMATED (Unrated; 85 min.) A screening of the five films in contention for this year’s Academy Award for Best Short Film, Animated. OSCAR NOMINATED SHORT FILMS, LIVE ACTION (Unrated; 106 min.) A screening of the five films in contention for this year’s Academy Award for Best Short Film, Live Action. TRUE GRIT (PG-13; 128 min.) Mattie Ross (Hailee Steinfeld), a self-assured 14-year-old, arrives in Fort Smith, Ark., in the early 1880s to track down Tom Cheney (Josh Brolin), the hired hand who murdered her father. The sheriff lists

some U.S. marshals who could track him. Mattie chooses Reuben “Rooster� Cogburn (Jeff Bridges): ruthless and dead to fear, if often dead to the world. Mattie offers the marshal a $50 reward to cross into the Choctaw lands to retrieve Cheney. While waiting for his decision, Mattie encounters LaBoeuf (Matt Damon), a fancy, buckskin-covered ranger who is seeking Cheney for a previous murder down in Texas. The three, reluctantly matched, draw closer to the killer but feud along the way. Bridges lulls us with his take on the part, doing things that John Wayne wasn’t capable of as an actor, expressing the desperate underside of a bluff, a rowdier level of buffoonery and a quitter’s despair. The Coens have the bravery to deliver the downbeat coda to this story left out in 1969. It increases the stature of this film, its depth, beauty and sadness. (RvB)

UNKNOWN (PG-13; 113 min.) Liam Neeson stars as a man on a business trip to Europe with his wife (Mad Men’s January Jones) who’s involved in a car accident and falls into a coma. Upon waking, he realizes that his identity—marriage, job, everything—has been assumed by an unknown party. With the help of the enigmatic young cab driver (Diane Kruger) who was at the wheel during the accident, he sets out to find who is responsible and take back his life.


S A N T A C R U Z . C O M f e b r u a r y 2 3 - m a r c h 2 , 2 0 1 1

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ChristinaWaters

8]g^hi^cV LViZgh

BY

BLACK GOLD Thomas Fogarty’s 2008 Pinot is a keeper.

Terroir in a Bottle

F

4=5/@BG¸A 47<3 Wine lovers have learned to expect the best from BV][Oa 4]UO`bg eW\Sa, and the Palo Alto–based winery’s outstanding & AO\bO 1`ch ;]c\bOW\a >W\]b <]W` is no exception. With winemaker ;WQVOSZ ;O`bSZZO at the helm, the 30-year-old winery has a reputation for

vintages bearing distinctive vineyard characteristics and consistency. But who knew that a pinot for just over $20 could be rife with not only varietal signature—black cherries, cola and sassafras—but a complexity already well developed for such a young wine? In the time/space continuum, this pinot offers both duration (thanks to the optimum 14.1 percent alcohol) and breadth in a nimble arpeggio of middle notes and a long, slow finish. For those of you who, like me, crave a substantial partner for salmon and pork yet recoil from the over-oaked California pinots of (hopefully) the past, this lovely creation, at $21-22, will surprise and delight. Buy some to drink immediately and a few more to put away for another year.

2=::/@ B/1=A A3@7=CA:G There’s a new taqueria in Watsonville—no surprise there. But the new :O 0cS\O BO_cS`WO at 1425 Main St. is deliciously determined to stay authentic and traditional while taking all taste buds for a spicy ride. La Buena has one of those seductive salsa bars from which you can choose the exact degree of heat for your tacos, quesadillas and burritos, thanks to homemade condiments and sauces. My money’s on the carnitas made from crisp braised pork tenderloin. Maybe the best introduction you can have to Watsonville’s newest taqueria is to stop by on a Tuesday, when the tacos are a rock-bottom $1 all day long. Yes, I did say one dollar. To find out more, call 831.722.1000. =< =C@ >:/B3 The other night Angie and I sampled a plate of beautifully roasted rare venison atop a reduction of chocolate-spiked pinot noir—the sauce actually worked—served with polenta and baby carrots over at the Cedar Street Grill. It was the centerpiece dish of 8OYS 5O\R]ZT]’s big new idea for Ac\ROg Ac^^S`a (and with dinner we enjoyed the aforementioned Thomas Fogarty Pinot Noir). . . . The other great plate of the week was dinner chez moi of buttery pork loin from 3Z AOZQVWQVS`] roasted, sliced and partnered with organic garnet yam and braised chard. My home chef whipped up a killer sauce of hot red chile jelly (thanks, Mateo!) and Dijon mustard to spike the splendid pork. AS\R bW^a OP]cb T]]R eW\S O\R RW\W\U RWaQ]dS`WSa b] 1V`WabW\O EObS`a Ob fbW\O.Q`chW] Q][ @SOR VS` PZ]U Ob Vbb^( QV`WabW\OeObS`a Q][

P L AT E D february 23-march 2, 2011 S A N TA C R U Z . C O M

Plated

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S A N TA C R U Z . C O M february 23-march 2, 2011 D I N E R ’ S G U I D E

30

Diner’s Guide

Our selective list of area restaurants includes those that have been favorably reviewed in print by Santa Cruz Weekly food critics and others that have been sampled but not reviewed in print. All visits by our writers are made anonymously, and all expenses are paid by Metro Santa Cruz. AG;0=:A ;/23 A7;>:3( + C\RS` + # + $ + O\R c^

Price Ranges based on average cost of dinner entree and salad, excluding alcoholic beverages />B=A $$ Aptos

/;0@=A7/ 7<27/ 07AB@=

$$ Aptos

0@7B/<<7/ /@;A

$$$ Aptos

207 Searidge Rd, 831.685.0610

8017 Soquel Dr, 831.688.1233 :/ 03::/ D7B/ 07AB@=

257 Center Ave, 831.685.8111

Indian. Authentic Indian dishes and specialties served in a comfortable dining room. Lunch buffet daily 11:30am-2:30pm; dinner daily 5pm to close. www.ambrosiaib.com American and specialty dishes from the British and Emerald Isles. Full bar. Children welcome. Happy hour Mon-Fri 2-6pm. Open daily 11am to 2am. Italian. Ambience reminiscent of a small trattoria in the streets of Italy, serving handmade lasagna, pasta dishes, gnocchi and fresh fish. Wed-Sun, Lunch 11am-2pm, Dinner 5-9pm.

$$$ Aptos

A3D3@7<=¸A 5@7::

$$ Aptos

H/;33< ;327B3@@/<3/< Middle Eastern/Mediterranean. Fresh, fast, flavorful. Gourmet

7500 Old Dominion Ct, 831.688.8987

7528 Soquel Dr, 831.688.4465

Continental California cuisine. Breakfast all week 6:30-11am, lunch all week 11am-2pm; dinner Fri-Sat 5-10pm, Sun-Thu 5-9pm. www.seacliffinn.com.

meat and vegetarian kebabs, gyros, falafel, healthy salads and Mediterranean flatbread pizzas. Beer and wine. Dine in or take out. Tue-Sun 11am-8pm.

1/>7B=:/ $ Capitola

104 Stockton Ave, 831.479.8888

>/@/27A3 ACA67

Capitola

1/43 D7=:3BB3

All day breakfast. Burgers, gyros, sandwiches and 45 flavors of Marianne’s and Polar Bear ice cream. Open 8am daily.

Japanese. This pretty and welcoming sushi bar serves 200 Monterey Ave, 831.464.3328 superfresh fish in unusual but well-executed sushi combinations. Wed-Mon 11:30am-9pm.

A6/2=E0@==9

Capitola

1750 Wharf Rd, 831.475.1511

California Continental. Swordfish and other seafood specials. Dinner Mon-Thu 5:30-9:30pm; Fri 5-10pm; Sat 4-10:30pm; Sun 4-9pm.

AB=19B=< 0@7253 5@7::3 Mediterranean tapas. Innovative menu, full-service bar,

Capitola

231 Esplanade, 831.464.1933

international wine list and outdoor dining with terrific views in the heart of Capitola Village. Open daily.

$$$ Capitola

H3:2/¸A

203 Esplanade, 831.475.4900

California cuisine. Nightly specials include prime rib and lobster. Daily 7am-2am.

A/<B/ 1@CH $$ Santa Cruz

$ Santa Cruz

$$ Santa Cruz $$ Santa Cruz

/1/>C:1=

1116 Pacific Ave, 831. 426.7588

16/@:73 6=<5 9=<5

1141 Soquel Ave, 831. 426.5664

1:=C2A

110 Church St, 831.429.2000 B63 1@3>3 >:/13

1134 Soquel Ave, 831.429.6994

1@=E¸A <3AB

Santa Cruz

2218 East Cliff Dr, 831.476.4560

$ Santa Cruz

460 Seventh Ave, 831.477.2908

4/<2/<5= ;3F71/<

$$ Santa Cruz

67<2?C/@B3@

$$ Santa Cruz

6=44;/<¸A

303 Soquel Ave, 831.426.7770

1102 Pacific Ave, 837.420.0135

6C:/¸A 7A:/<2 5@7::

Santa Cruz

221 Cathcart St, 831.426.4852

Mexican/Seafood/American. Traditional Mexican favorites. Best fajitas, chicken mole, coconut prawns, blackened prime rib! Fresh seafood. Over 50 premium tequilas, daily happy hour w/ half-price appetizers. Sun-Thu 11am-10pm, Fri-Sat 11am-11pm. California organic meets Southeast Asian street food. Organic noodle & rice bowls, vegan menu, fish & meat options, Vietnamese style sandwiches, eat-in or to-go. Consistent winner “Best Cheap Eats.� Open daily 11am-11pm American, California-style. With a great bar scene, casually glamorous setting and attentive waitstaff. Full bar. Mon-Sat 11:30am-10pm, Sun 1-10pm. Crepes and more. Featuring the spinach crepe and Tunisian donut. Full bar. Mon-Thu 11am-midnight, Fri 11am-1am, Sat 10am-1am, Sun 10am-midnight. Seafood. Fresh seafood, shellfish, Midwestern aged beef, pasta specialties, abundant salad bar. Kids menu and nightly entertainment. Harbor and Bay views. Lunch and dinner daily. Mexican. Serving breakfast all day. Popular for our street tacos and handmade Salvadorian pupusas. Vegetarian options made w/ local fresh vegetables & organic tofu. Daily 9: 30am-9:30pm. Americana. Ribs, steaks and burgers are definitely the stars. Full bar. Lunch Mon-Sat 11:30am-2:30pm; dinner Sun-Thu 5:30-9:30pm, Fri-Sat 5:30-10pm. California/full-service bakery. Breakfast, lunch, dinner. “Best Eggs Benedict in Town.� Happy Hour Mon-Fri 5-6pm. Halfprice appetizers; wines by the glass. Daily 8am-9pm. ’60s Vegas meets ’50s Waikiki. Amazing dining experience in kitchy yet swanky tropical setting. Fresh fish, great steaks,


vegetarian. Full-service tiki bar. Happy-hour tiki drinks. Aloha Fri, Sat lunch 11:30am-5pm. Dinner nightly 5pm-close.

$$ Santa Cruz

7 :=D3 ACA67

516 Front St, 831.421.0706 8=6<<G¸A 6/@0=@A723

493 Lake Ave, 831.479.3430

:/ >=AB/ $$$ Santa Cruz 538 Seabright Ave, 831.457.2782

$$ Santa Cruz $$ Cruz

Japanese Fusion. Sushi bar, sake bar, vegetarian, seafood, steak in fun atmosphere; kids play area; karaoke every night. Open seven days 5-10pm; Mon-Fri 11:30am-2:30pm. Seafood/California. Fresh catch made your way! Plus many other wonderful menu items. Great view. Full bar. Happy hour Mon-Fri. Brunch Sat-Sun 10am-2pm. Open daily. Italian. La Posta serves Italian food made in the old style— simple and delicious. Wed-Thu 5-9pm, Fri-Sat 5-9:30pm and Sun 5-8pm.

Fine Mexican cuisine. Opening daily at noon. 49-B Municipal Wharf, 831.458.9393

=:7B/A

>/17471 B6/7

1319 Pacific Ave, 831.420.1700

@7AB=@/<B3 7B/:7/<=

Santa Cruz

555 Soquel Ave, 831.458.2321

$$ Santa Cruz

1220 Pacific Ave, 831.426.9930

$$ Santa Cruz

105 Walnut Ave, 831.423.2020

@=A73 ;11/<<¸A

A=74

$$ Cruz

C>>3@ 1@CAB >7HH/

$$ Santa Cruz

E==2AB=19¸A >7HH/

2415 Mission St, 831.423.9010

710 Front St, 831.427.4444

Thai. Individually prepared with the freshest ingredients, Santa plus ambrosia bubble teas, shakes. Mon-Thu 11:30am-9:30pm, Fri 11:30am-10pm, Sat noon-10pm, Sun noon-9:30pm. Italian-American. Mouthwatering, generous portions, friendly service and the best patio in town. Full bar. Lunch Mon-Fri 11:30am, dinner nightly at 5pm. Irish pub and restaurant. Informal pub fare with reliable execution. Lunch and dinner all day, open Mon-Fri 11:30ammidnight, Sat-Sun 11:30am-1:30am. Wine bar with menu. Flawless plates of great character and flavor; sexy menu listings and wines to match. Lunch Wed-Sat noon2pm; dinner Mon-Thu 5-10pm, Fri-Sat 5-11pm, Sun 4-10pm; retail shop Mon 5pm-close, Tue-Sat noon-close, Sun 4pm-close. Pizza. Specializing in authentic Sicilian and square pizza. Santa Homemade pasta, fresh sandwiches, soups, salads and more. Hot slices always ready. Sun-Thu 10am-9:30pm, Fri-Sat 10am-11pm. Pizza. Pizza, fresh salads, sandwiches, wings, desserts, beers on tap. Patio dining, sports on HDTV and free WiFi. Large groups and catering. Open and delivering Fri-Sat 11am-2am, Mon-Thu 11am-1am, Sun 11am-midnight.

A/< :=@3<H= D/::3G $$ Felton

@32E==2 >7HH3@7/

6205 Hwy 9, 831.335.1500

Organic Pizza. Everything organic: pizza, lasagna, soup, salad, beer and local wine. Always organic, local produce. Party room seats 32. Weeknights 4-9pm (closed Tue), Fri 4-10pm, Sat 1-10pm, Sun 1-9pm. See menu at www.redwoodpizza.com.

A1=BBA D/::3G $ 63/D3<:G 1/43 American. Serving breakfast and lunch daily. Large parties Scotts Valley 1210 Mt. Hermon Rd, 831.335.7311 welcome. Mon-Fri 6:30am-2:15pm, Sat-Sun 7am-2:45pm. $ 87/ B3::/¸A Scotts Valley 5600 #D Scotts Valley Dr, 831.438.5005

Cambodian. Fresh kebabs, seafood dishes, soups and noodle bowls with a unique Southeast Asian flair. Beer and wine available. Patio dining. Sun-Thu 11am-9pm, Fri-Sat 11am-10pm.

A=?C3: $$ Soquel

3: 167>=B:3 B/?C3@7/

4724 Soquel Dr, 831.477.1048

Mexican. Open for breakfast. We use no lard in our menu and make your food fresh daily. We are famous for our authentic ingredients such as traditional mole from Oaxaca. Lots of vegetarian options. Mon-Fri 9am-9pm, weekends 8am-9pm.

D I N E R ’ S G U I D E february 23-march 2, 2011 S A N TA C R U Z . C O M

$$ Santa Cruz

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0g @]P 0`Sha\g

For the week of February 23 seemingly, to discriminate between a bicycle accident and the collapse of civilization,� said George Bernard Shaw more than six decades ago—and it’s still true. It’s very important that you be more discerning than newspapers in the coming weeks, Aries. You can’t afford to confuse a minor mess with a major snafu; it would be a big mistake to treat a small temporary detour as a permanent loss of momentum. Please keep your melodramatic tendencies in check, even as you appreciate the entertainment value of your ever-shifting story.

TAURUS (April 20–May 20): I know many Tauruses who are skilled at selling products and services, but less adept at presenting themselves. They don’t mind being pushy and strategic when it comes to shaping the opinions of others, as long as they can remain a bit shy about showing others exactly who they are. If this is true about you, I propose that you work on changing it. The coming weeks will be an excellent time for you to be bold about expressing the totality of your beauty and making sure that everyone who matters to you gets to see it in its full glory.

GEMINI (May 21–June 20): You’re not scared of acquiring more clout and luster, right? You won’t get nervous if you suddenly have to deal with more success than usual, right? You won’t run away if a power spot you’ve been cultivating for yourself finally starts providing you with the opportunities and responsibilities you’d been hoping for, right? I just hope you’re ready to handle the good stuff that’s available, Gemini. Please don’t confuse this enjoyable stress with the other kind.

CANCER (June 21–July 22): In her essay “The Possible Human,� Jean Houston describes amazing capacities that are within reach of any of us who are brazen and cagey enough to cultivate them. We can learn to thoroughly enjoy being in our bodies, for example. We can summon enormous power to heal ourselves; develop an acute memory; enter at will into the alpha and theta wave states that encourage meditation and creative reverie; cultivate an acute perceptual apparatus that can see “infinity in a grain of sand and heaven in a wild flower;� and practice the art of being deeply empathetic. Guess what, Cancerian: The next six months will be one of the best times ever for you to work on developing these superpowers. To get started, answer this question: Is there any attitude or belief you have that might be standing in the way? (Here’s Houston’s essay: tinyurl.com/PossibleHuman.) LEO (July 23–Aug. 22): The depths are calling to you, Leo. Can you hear their subtle melodies? Don’t worry: I’m not referring to the icky, stinky, creepy depths; I don’t mean that you’ll have to lose yourself in a chaotic miasma, or wander speechless in a claustrophobic maze. No: The deep place I’m talking about is maybe the cleanest, most well-lit abyss you’ve ever had the complicated pleasure to explore. I’m not saying there’ll be no hairy riddles to deal with; but I am saying that even the hairy riddles will be interesting, at least a little fun, and helpful in your efforts to purify yourself.

VIRGO (Aug. 23–Sept. 22): I’m no fan of the climate change that’s rocking every corner of the planet. In fact, I oppose it; I protest it; I resist it. However, I do need to acknowledge that there is at least one upside: The world is becoming more fragrant. Scientists say that as carbon dioxide levels rise, plants will release more aromatic chemicals known as “biogenic volatile organic compounds.� The smell of growing vegetation could intensify by as much as 40 percent in the coming decades. This situation is not a precise metaphorical match for your upcoming destiny, Virgo, but I do see some similarities. Things are going to be getting hotter for you, emotionally speaking—and that will be stimulating, often even pleasurable, to your senses.

your own life right now, Libra. If you’re afraid that you’re in danger of repeating yourself, start playing more. Look for what amuses you, for what scrambles your expectations in entertaining ways. Decide that you’re going to put the emphasis on provoking delight in yourself, not preserving your image.

SCORPIO (Oct. 23–Nov. 21): I am a big fan of your analytical intellect, and would never advise you to shove it out of the way so that your emotional intelligence can rule uncontested. But this is one time when I think the latter needs to get more say than the former; your emotional intelligence has license to take precedence over your analytical intellect. In that light, please consider the following counsel from my Facebook friend Sophia Veleda: “I do not consider emotions to be the dirty redheaded stepchild of the frontal cortex. Our emotional selves are more intuitive, faster, smarter (by means of being able to take in more data at once), and just as capable. The frontal cortex is as likely to make errors due to data omission as the emotional center is likely to get a degree of magnitude wrong.� SAGITTARIUS (Nov. 22–Dec. 21): There are thousand of things in the world that provide you with only mediocre nourishment; the influences that deeply enrich you with their blessings are much smaller in number. To say it another way: You derive a bare amount of inspiration and teaching from the great majority of people, songs, images, words, stories, environments, and sights; whereas you draw life-sustaining illumination and spirit-ennobling motivation from just a precious few. Your task in the coming weeks, Sagittarius, is to identify that special minority, and to take aggressive steps to be in more ongoing communion with it.

CAPRICORN (Dec. 22–Jan. 19): Research suggests that more and more American high school students are getting good grades every year. The number of A’s doled out has been going up steadily. Does that mean kids are getting smarter or that teachers have relaxed their standards? I don’t have a definitive answer for that. But I do have a theory that all over the world, the Capricorn tribe has been growing more intelligent in recent years. Your increase in 2010 was especially notable. There may have been a bit of tapering off lately, but I expect that to change soon. The omens say you’re due for another growth spurt in your ability to understand how the world works.

AQUARIUS (Jan. 20–Feb. 18): Is there anything you tend to hoard, Aquarius? Anything you store up in excessive amounts? Are there emotions you cling to past the time they’re doing you any good? Do you notice yourself feeling pangs of acquisitiveness when in the presence of particular treasures or symbols or pretty things? If so, this is an excellent time to work on dissipating those fixations. In the coming days, you will have cosmic assistance whenever you exert your willpower to undo your fanatical attachments to just about anything. PISCES (Feb. 19–March 20): I’m hoping that you will grant your ego more permission to shine in the coming weeks, Pisces. I’m hoping you will allow it to unveil more flash, feel more zeal, and exert more force. After all your earnest bouts of self-sacrifice, you deserve a poetic license to brag like a hip-hop millionaire. After putting in such tireless devotion to maintaining an oceanic sense of self, you have every right to bust out a crisp, ferocious blast of “I am!�

Homework: Though sometimes it’s impossible to do the right thing, doing the half-right thing may be a viable option. Give an example from your own life: www.freewillastrology.com.

LIBRA (Sept. 23–Oct. 22): An interviewer asked me, “What is the most difficult aspect of what you do?� Here’s what I said: “Not repeating myself is the hardest thing. And yet it’s also a lot of fun. There’s nothing more exciting for me than to keep being surprised by what I write. It’s deeply enjoyable to be able to feed people clues they haven’t heard from me before. And when I focus on doing what gives me pleasure, the horoscopes write themselves.� I hope this testimony helps you in

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S A N T A C R U Z . C O M f e b r u a r y 2 3 - m a r c h 2 , 2 0 1 1

34

CLASSIFIED INDEX

PLACING AN AD

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BY PHONE

BY MAIL

EMAIL

Call the Classified Department at 408.298.8000, Monday through Friday, 8.30am to 5.30pm.

Mail to Santa Cruz Classifieds, 115 Cooper St, Santa Cruz, CA 95060.

classifieds@metronews.com Please include your Visa, MC, Discover or American Express number and expiration date for payment.

Employment Classes & Instruction Family Services Music Real Estate

g Employment

Jobs

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34 34 34 34 35

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g Work at Home

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g Adult Services

Adult Entertainment

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IN PERSON BY FAX Fax your ad to the Classified Department at 831.457.5828.

Visit our offices at 115 Cooper St, Monday through Friday, 8.30am to 5.30pm.

CONTACTING US

DEADLINES For copy, payment, space reservation or cancellation: Display ads: Friday 12 noon Line ads: Friday 3pm

Santa Cruz Weekly Classifieds 115 Cooper Street, Santa Cruz, CA 95060 Monday to Friday, 8.30am – 5pm Charge by phone, fax or email 24 hours a day  831.457.9000 PHONE

√ 831.457.5828 FAX

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Family Services Adoptions

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g Professional Services Financial Services

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g Resume/Writing

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gg Music

Adult Massage

Rehearsal/Recording

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AshleyMadison.com looking to have a Discreet Affair. With over 7 million members, we Guarantee you’ll have an Affair or your money back! Try it FREE today. As seen on: CNN, FOXNews & TIME. (AAN CAN)

Advertise Your Services in the Santa Cruz Weekly!

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g Services

Need Music?

Advertise in the Santa Cruz Got Music? Weekly and your ad will autoCheck out the Santa Cruz matically run online! Print plus online. A powerful com- Weekly’s music section. To bination. Call 831.457.9000! advertise call 831.457.9000

g Real Estate Services Services

WHAT’S NEW ON THE MARKET? Check out our website and sign up for alerts to brand new listings as they hit the market! www.townandcountrysantacr uz.com (831) 335-3200

g Miscellaneous

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35

Homes Under $600K

Boulder Creek a beautiful building site in the sun. Half acre. Private gated road. Easy location. All utilities in place. Plans included, too. Excellent neighborhood. Owner financing. $249,000. Donner Land & Mortgage Co., Inc. www.donnerland.com 408-395-5754

Felton Secluded Setting 4Bd 2Ba Home with HEATED 2 Car Garage $405,000 Over 2200 sqft. Situated on 3/4 of an acre with creek down below. Listed by: Town and Country Real Estate Call Josh for more info (831) 335-3200

WatsonvilleThe Wow Factor! 3Bd Home $287,500 This one is move in ready, everything has been repaired, replaced, painted, planted, fertilized, watered, and it sparkles. List-

Westside - Santa Cruz GREAT NEW PRICE! Sweet, charming bungalow with period charm on the upper west side, 1725 Bay Street. Large corner lot. 2 br, 1 ba, remodeled kitchen, hardwood floors. $479,500. Listed by Terry Cavanagh and Tammi Blake 831-471-2424.

g Out Of Area Under $500K

Own 20 Acres. Only $129/mo. $13,900 near growing El Paso, Texas (safest city in America!) Low down, no credit checks, owner financing. Free map/ pictures 866-257-4555 www.sunsetranches.com

g g Homes

Boulder Creek 290 acres ! Run your dirt bikes or quads or take a hike and have a lot of fun on the 11 parcels ranging in size from 1840 acres. Santa Clara county. Sun, Views, Spring, Creek. Off grid. Excellent Owner financing. $1,150,000. Donner Land & Mortgage Co., Inc. www.donnerland.com 408-395-5754

Land

Los Gatos Mountains

4 acres. A perfect spot for the home you have been dreaming of. Incredible view and Full Sun. Shared well. Power at lot line. Some reports. Paved access. Plans included. Owner financing. $450,000. Donner Land & Mortgage Co., Inc. www.donnerland.com 408-395-5754

Boulder Creek

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AGENTS OF FORTUNE-

YOUR HOME HEREList with Town and Country Real Estate and we will showcase your home here till we get it sold! www.townand countrysantacruz.com (831) 335-3200

g Real Estate Rentals Shared Housing

ALL AREAS ROOMMATES.COM Browse hundreds of online listings with photos and maps. Find your roommate with a click of the mouse! Visit: www.Roommates.com.

g Miscellaneous

84 PERCENT According to statistics that’s the number of buyers searching for homes online. Call Town and Country Real Estate to hear about our online marketing strategies. www.townandcountrysantacr uz.com (831) 335-3200

w Ne g tin Lis A Touch of Country Asking $449,000 • Located in unique Big Trees Manor • Beautiful setting, only 5 min from town • 3 Bedrooms, 1.5 bath, 2 car garage • Freshly painted inside and out • Wave at Roaring Camp Train as it passes • Good sun exposure, large deck • Very Private, end of the road Judy Ziegler CRS, GRI, SRES ph: 831-429-8080 cell: 831-334-0257 www.cornucopia.com

AN EXPERIENCED

TEAM

for buying, selling and

managing property in

Search the Entire MLS Just Like The Realtors Do!

Santa Cruz County

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C O V E R S T O R Y f e b r u a r y 2 3 - m a r c h 2 , 2 0 1 1 S A N T A C R U Z . C O M

g Real Estate Sales

ed by: Town and Country Real Estate Call Josh for more info (831) 335-3200


THE FUTURE IS IN YOUR HANDS, SHIFT GEARS! RIDE A BIKE

DOWNTOWN SANTA CRUZ 831.429.6062 SPOKESMANBICYCLES.COM

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