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FACEBOOK: SANTACRUZWEEKLY | TWITTER: @SANTACRUZWEEKLY | WEB: SANTACRUZ.COM | JANUARY 16-22, 2013 | VOL. 4, NO. 37

The Crash of the Flying Cigar What does Le Cigare Volant’s closing mean for the future of fine dining in Santa Cruz?

JANUARY 16-22, 2013

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Contents

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Photograph by Dan Pulcrano

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House Rules

Loan Rangers

Couching Tiger

Re: “Stacks of Troubleâ€? (Currents, Jan. 9): Having worked in the Central lobby bookstore for four years, I witnessed first hand the awkward scenarios involving library staff and troublesome “streetâ€? patrons. Library users’ attitudes toward the homeless range from heartfelt sympathy to disgust and anger. Perhaps those who use these daytime shelters might liken it to visiting someone’s home‌ dozing off or eating food on the floor in this culture is not kosher; it’s disrespectful. Contrary, unruly behavior salted with foul language creates a threatening, disruptive atmosphere unacceptable, if not illegal, in public arenas.

Re: “Stacks of Trouble�: A few times a month, I pop into the Santa Cruz Main Branch Library (downtown Santa Cruz) to browse and also to use my laptop to write in a (relatively) quiet place. I typically set up shop right near the library checkout desk for two reasons: 1. I feel safer in the library when I am stationed closer to a row of workers! Further back in the library, well, it can feel like being in a homeless shelter! 2. It is amazing people-watching to see the variety of folks who come through those doors. I would never want to work there, and admire those who do. I have long observed that the job of librarian, at least in that location, seems to now require advanced sociology skills to cope with the customers as well as traditional library skills.

Re: “The Last Troubadour� (Cover, Jan. 9). I have had the honor to see John several times this year. He is a true talent and great entertainer. He has only landed on our sofa once, but is always welcome.

KATHY CHEER

KAREN KEFAUVER

MICHELLE ROGERS

Johnny, Be Good Re: “The Last Troubadour.� Great article! It has all the stuff that make a dad (who enjoys the gigs immensely) proud of what his son is doing—and a parent (who loves his son fiercely) worried about what his son is going to do. JACK CRAIGIE “Proud Father of John�

Control Issues Gun control...what a great idea, Mr. President. Why does it take a tragedy in Connecticut to instigate this action? Why did nothing happen after Columbine? Surely it was just as tragic! And will you extend this gun control onto our military industrial complex? I mean we are by far the biggest supplier of arms to the world as a whole; especially favoring certain countries with despot leaders bent on conquering anything that stands in the way of getting whatever it is they want! I’m quite certain that there are more than 20 children murdered daily around the world by guns which came from the good ole US of A. Children who were just trying to live their lives as normally as they possibly can, given their circumstances. Just trying to learn how to read and write, like the kids in Connecticut. Please tell me Mr. President, why are our children’s lives worth more than those from another country? MARC GROAH

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JANUARY 16-22, 2013

Currents

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BRIGHT LIGHTS, OUR CITY The difference between the brighter new streetlights and the older ones can clearly be seen in this shot from Laurel Street.

Glowing Pains From Live Oak to Santa Cruz, the spotlight is on public lighting BY GEORGIA PERRY

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n a wooden fence surrounding a Live Oak neighborhood, residents tacked up hand-written posters: “Move the Target sign. It’s too bright!� and “You have neighbors!� Seventy residents signed an online petition calling for Target to turn off or dim its large bulls-eye sign, which faces a residential area. “Would LOVE to get to sleep at night without the BRIGHT RED LIGHT shining through my bedroom window. Really too old for a night light,� wrote resident Lynette Whaley on the petition. Another

resident, John Silva, boarded his bedroom window with plywood so the light wouldn’t shine in. At a community meeting held by Supervisor John Leopold last week, Silva played a 90-second video he had created with footage of the sign scored by Sting’s “Roxanne.� The 25 residents in attendance nodded in solidarity. While 25 Live Oak residents seeing red may not seem like much, it is just one example of how light can affect a community. The city of Santa Cruz has about 3,000 street lights, over half of

which have been converted to lightemitting diode (LED) since August of 2011. And it has been a long time in the making. Santa Cruz Director of Public Works Mark Dettle says the city began thinking about LED street lights two or three years ago, and watched other cities to see how the technology developed. With a lifespan of 10 years compared to just two years on the city’s existing bulbs, Dettle expects the LED lights will save Santa Cruz $260,000 in maintenance costs over that time. A longer lifespan also means less landfill waste. Plus,

LED lights don’t contain hazardous waste, so they can be completely recycled. Dettle says the city’s main impetus for switching to LED lights was a lower cost and a reduced carbon footprint. Aesthetics and public safety were also taken into account, he says. LED lights emit a crisp white color compared to the previous streetlights, which appear more yellow. “It’s more efficient light,� says Dettle, who believes brighter, whiter light makes pedestrians feel safer and provides a more accurate portrayal of surroundings. “Now, when you see the colors of cars and other things at night, they’re truer to what they look like during the daytime,� he adds. “If you have to identify a vehicle you can tell the true color of the vehicle much easier now.� Beyond just a feeling of safety, certain types of public lighting can actually save lives. For example, in 2000, the city of Glasgow, Scotland introduced blue street lighting in certain neighborhoods. Whether because blue is calming, or because it is a color commonly associated with the police, it was credited with a drop in crime in those areas. A few years later, a train station in Yokohama, Japan installed blue lighting on railroad platforms to curb the number of people committing suicide by jumping in front of trains.

Dark Side of Lights The effects of public lighting on humans aren’t all positive, though. “Bright white light suppresses melatonin, the hormone that regulates tumors,â€? reported researchers from Carnegie Mellon University’s Remaking Cities Institute in a recent report. “Blue light wavelengths are to blame, because they ‘reset’ the circadian clocks of humans‌This might

Briefs

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Yay for Nerds

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The tech revolution is finally changing the way Santa Cruz does business. Or at least that’s what city leaders might call a best-case scenario. The city launched its new OpenCounter software last week with the help of San Franciscobased Code for America. Economic development coordinator Peter Koht hopes it will make life easier on starry-eyed Santa Cruz entrepreneurs, who want to start businesses but might otherwise get bogged down in bureaucracy. “We’re taking four years’ worth of people coming to me and saying, ‘I’m confused, and don’t know what to do,’ and we built a software application that tries to answer those questions for them,� Koht says. Koht was involved in the city’s application to Code for America, which he affectionately dubbed “Americorps for nerds.� The new website, opencounter. cityofsantacruz.com, allows businesses to get their permits out of the way in one place online, instead of lurking around various city offices like the Planning Department and Finance Department. The open source software asks users questions like what kind of business they want to start and what the address is of their prospective place. And after a series of steps similar to Amazon.com, applicants get their permits in and find out what exactly what they’re in for—a large planning project requires a lot of staff time and a city hearing could run an applicant $1700. Santa Cruz was the smallest city ever selected for a Code for America project, but the nonprofit’s executive director Jennifer Pahlka says the city “has so much innovation and so much energy.� Koht hopes the site will help a wide range of local entrepreneurs streamline a process that used to take hours into a matter of minutes, but the economic development department doesn’t yet know how many applications to expect. 0

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account for the significantly higher rates (30-60%) of breast and colorectal cancer in night shift workers.â€? Those wavelengths are also one reason not everyone is happy with the city’s switch to LED. “The blue-white LED lights are too bright. If a less blue LED color could be used, the lights would be much easier on the eyes,â€? says Santa Cruz resident Mark Buxbaum, an environmentalist and amateur astronomer whose license plate frame reads, “For Starry Nights Dim Outside Lights!â€? And the impact of public lighting reaches far beyond the lives of us mere mortals. Jack Sales, California chapter leader of the International Dark-Sky Association, says light disrupts nocturnal animals and can affect their foraging, mating and navigation, causing some species “not to be as robust as they might normally be.â€? City lights also limit astronomy, both in the backyard and professional sense, says Sales. “Public lighting today is the biggest threat to astronomy and the dark night sky,â€? he says, adding that he has more hope for an LED-lit future since most LED street lights are more directional and efficient, while the alternative high-pressure sodium lights tend to let unnecessary amounts of light escape from the sides and tops of lamps. Still, Sales says we waste thousands of gigawatts of light each year in California. “From an educational standpoint, we’re destroying a free resource.â€? When it comes to astronomical exploration, astronomers are “restricted in the methods they can use for finding extraterrestrial planets and stars. They can’t do direct observing like they used to do.â€? When asked if the extreme brightness of earth makes it easier for extraterrestrials to find us instead, Sales laughs. “Well, that could be. The thing is, light travels essentially forever. That light that comes out of an outdoor lamp can travel forever‌ Photons keep going.â€? However, our future alien overlords will have to look elsewhere for their beacon to the Capitola Mall—at last week’s community meeting Target agreed to turn off its sign. 0

JANUARY 16-22, 2013

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Final Flight The high-profile closure of Le Cigare Volant raises the question: What will it take for high-end dining to survive in Santa Cruz? BY STEVE PALOPOLI

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yan Shelton remembers the first weekend that Le Cigare Volant was packed three nights in a row while he was executive chef.

“It was the first time that we were busy Friday, Saturday and Sunday. That Sunday, we did 70 people, but we turned away 100,� says Shelton. “We expected to do a hundred, hundred, hundred, but we did 130, 150, and then by Sunday I was like ‘I don’t have any more food left.’ I think we had 10 orders of salmon at the end of Sunday. But all the beef was wiped, all the chicken was wiped. We were

down to two appetizers. I think I even sold out of all the salads. We wiped that place.� Unfortunately, the place was already wiped. Its first busy weekend was also its last weekend in existence, as Randall Grahm’s ambitious bid for a destination dining spot in Santa Cruz closed at the end of December. Steeped in natural foods culture and surrounded by grazing lands, small farms, the Pacific Ocean, wine regions and Northern California’s wealthiest county, Santa Cruz County would seem perfectly positioned to become the next Napa Valley. So why

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did the one restaurant that had attracted national attention—including a feature in the New York Times—struggle to find its footing? After opening the restaurant three years before as the Cellar Door with superstar chef David Kinch as an advisor—part of a million-dollar-plus, ultramodern tasting space on the West Side—Bonny Doon Vineyard’s iconoclastic owner Grahm renamed it Le Cigare Volant last spring, shortly after bringing in Shelton. At the time, Grahm was famously quoted as saying “we want to have the best restaurant in Santa Cruz.� 10

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MIDDLE PERIOD Jarod Ottley (in background) was the second chef at Cellar Door, taking over from Charlie Parker in 2010. Ottley was replaced by Ryan Shelton shortly before the name was changed to Le Cigare Volant.

Check Out Our Racks Our striking new boxes make Santa Cruz Weekly easier to find and impossible to resist. Look for them every week at locations around the county.

The reviews suggested that they were definitely in the running, as when the San Francisco Chronicle’s Michael Bauer called Shelton’s menu “fresh and sophisticated� (though he declared his favorite Santa Cruz spot to be Patrice Boyle’s La Posta). And yet, something didn’t click. The initial rush from the media attention wore off, with occasional bumps when a new feature or review would come out. Graduation weekend briefly moved the needle, but things only got slower from there. By October, the restaurant was barely doing half-capacity on a Saturday night. By the end of the year, just nine months after the re-launch, it was gone. By that point, even Shelton, who came over from Palo Alto’s Michelin-starred Baume to run his first signature kitchen, couldn’t be surprised or even devastated. “It was a relief, basically,� he says. “I hated to see it struggle.�

Epic Fails So what happened, and what does it say about the outlook for destination dining in Santa Cruz? And, though they weren’t on the same level, what about the recent closing of longtime fine dining spots Peachwoods and (at least temporarily) Casablanca, or Pacific Avenue’s Aqua Bleu? Before attempting to answer such questions about the local restaurant scene, it’s important to address two

variables that are not unique to here. First, there’s the issue of the restaurant attrition rate in general: it is notoriously high. The National Restaurant Association, perhaps wisely, does not track the failure rate of restaurant start-ups. Nor, it seems, does anyone else. In the absence of hard facts, a lot of high numbers are regularly tossed out, but the most famous is probably the most ridiculous: in 2003, on his NBC reality-television show The Restaurant, chef Rocco DiSpirito declared that 90 percent of new restaurants fail in their first year. In an article—“Restaurant Failure Rates Recounted: Where Do They Get Those Numbers?�—author G. Sidney was able to calibrate the percentages more carefully, based on a 10-year academic study by Cornell and Michigan State universities: after one year, 27 percent of restaurant startups failed; after five years, 50 percent of the restaurants studied were no longer in business; after 10 years, 70 percent of them had shut their doors. There’s no denying it is a brutal business. The second issue is what constitutes “destination� or “highend� dining in the first place. It’s a subjective notion, and ironically one with which several Santa Cruz restaurateurs told me they try to avoid being tagged, since it can lead to the perception that they are strictly for “special event� dining—

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San Francisco definitely plays a role in some of the issues faced by Santa Cruz restaurant owners. One is the matter of perception. “The thing about Santa Cruz is all our food costs are the same as San Francisco, or higher,� says Jozseph Schultz, owner of India Joze. “It’s just as expensive to live here as it is in San Francisco, basically. But you go to San Francisco and you expect to pay—it’s a big city, you’re going to pay for it. Somehow people have this idea that, ‘Well, I’m in Santa Cruz, so I shouldn’t have to pay so much for a dinner.’ I know that all the high-end places that have ever been in Santa Cruz are always fighting that.� Schultz revolutionized the dining scene here in the ’80s and ’90s with the original India Joze, but gave up on the idea of high-end dining—partly for practical reasons, partly for political ones—after he sold the restaurant in 1996. He opened a new India Joze on Front Street in 2010. “I sort of felt that I couldn’t maintain the accoutrements of what

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Do the Math

fine diners expect. I couldn’t do that and still keep prices in a reasonable range. I mean, I still get everybody in India Joze, because I have that history,â€? he says. “But at this point, the market for restaurants—and everything else—is very stratified. You have very niche marketing. You don’t see this mixing of different socioeconomic groups that you used to see. It’s a breakdown of community. Right now, I have people who won’t come into India Joze because the silverware doesn’t match, or whatever it is.â€? Paul Cocking, who has run Gabriella CafĂŠ for 20 years, says Santa Cruz restaurant owners are also up against basic arithmetic. “A lot of people say ‘why is San Francisco so busy? Why do restaurants with much higher prices exist there, and they can’t exist here?’ But just look at the population they have to draw on,â€? says Cocking. “We have a half-dozen decent restaurants within a couple of miles of downtown. But how many people are within driving distance? A couple hundred thousand? In San Francisco, they’ve got millions of people within a half an hour, and maybe 12 restaurants that we talk about here. Places like Delphina are busy every night. Saturday night is probably a three-week book. A16, same deal. â€? Cocking remembers what Charlie Deal, who founded Oswald, told him about the local scene several years ago. Deal had moved on from the high-end Oswald at the time, and was about to go in a totally different direction with the Asian-street-food spot Charlie Hong Kong, despite many people telling him he should open another fine dining restaurant. “Charlie told me he didn’t think there were enough people in Santa Cruz to fill a large high-end restaurant. I think that’s the biggest challenge for tablecloth restaurants: there are just so few people here that eat out often enough on Tuesday nights and Wednesday nights and Thursday nights. They go out on weekends. But to succeed in this business, you need to be busy every night.â€? There’s also the issue of the recession, which hit Santa Cruz

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the same way that even some affluent diners will only consider going to Los Gatos’ Manresa once a year, or once a lifetime. In Santa Cruz, a restaurant’s customer base needs to be much broader. Patrice Boyle, owner of two of the area’s most popular top-tier restaurants, Soif and La Posta, says the reason Soif celebrated its 10th anniversary last August has much to do with its diverse clientele of both locals and tourists. “You need the entirety of the community,� she says. “You need people who are passing by, people who go out once every six months and people who go out every night. We have some clients who are here at least twice a week. We’re their spot, we’re their ‘regular,’ if you will. You need all of that to survive.� The “destination� perception is one that may have hurt Le Cigare Volant. “The whole ‘special occasion’ thing, I don’t know that we shouldn’t have been charging $100 per person for Cigare Volant, because people treated it like we were,� says Shelton. “And if we were in San Francisco, we probably would have.�

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restaurants even harder than most people probably realize. “In ’07, when the stock market crashed, business fell off dramatically,� says Cocking. “I probably did half in ’07 what I was doing in ’05, almost. In restaurants, when you’re operating on—I think the industry average is 10 percent profit margin, which is pretty hard to achieve, really—you drop business in half and it’s pretty hard to survive.�

A Different Scene That was about the same time that Boyle started La Posta, which celebrated its sixth anniversary in December. “We struggled for a couple of years,â€? says Boyle. “The first three years, frankly, were a big struggle. But when Katherine [Stern, the current chef] moved in, it was smooth sailing.â€? Perhaps the reason Boyle wasn’t afraid of failure at her second location was that few people had faith in her first: “A lot of people told me that I would fail miserably when we opened Soif. They said ‘you are completely nuts.’ I thought, ‘Well, maybe we are. We’ll see. I hope not.’â€? Instead, Soif was an instant success. “It was definitely a gamble. But there was nothing like it. The food is great, the wine list has always been really, really good. But it’s fairly causal. We have a real mixed clientele. People who are off to the movies, people who want a snack, people who want to sit at the bar and geek out about wine, people who are here for a date and are dressed up and want the ‘dining experience.’ There’s nothing else quite like that, so we didn’t have the same kind of competition,â€? says Boyle. Perhaps no descriptor comes up in a conversation about what works in Santa Cruz dining as often as “casual.â€? It’s a big part of CafĂŠ Cruz’s successful 18-year run, says Nikki Wilson, who co-owns it with her husband Steve. “Santa Cruz is a pretty casual place. That’s part of our culture here. There are still people who like all the nuances of high-end dining. But there are a lot of people here who don’t think it’s that important,â€? she says. Wilson thinks there’s a strong market for fine dining here—as long it has that element of accessibility. “Santa Cruz is such an up and

coming place. People are coming to Santa Cruz for a lot of reasons, and that creates a lot of opportunities for restaurants,� she says. It’s telling to note the biggest changes that Oswald manager Keet Beck-Brattin sees between the last incarnation of the restaurant (with which he was also involved) and the current one. He calls the new Oswald “surprisingly casual.�

Surrounded by grazing lands, small farms, the ocean, wine regions and Northern California’s wealthiest county, Santa Cruz would seem perfectly positioned to become the next Napa Valley. “We’re not really trying to be fancy,� he says. There’s now a bar, which BeckBrattin says has boosted the energy level in the restaurant. “Our quality of food and beverage remains consistent, but I think in its most recent incarnation it’s a fun, lively place for people to go.� Cindy Geise, who owns Ristorante Avanti with her husband Paul, says ultimately the key to making a restaurant work in Santa Cruz at any level may not be all that different from anywhere else. After 25 years in the same location on Mission Street, the Geises moved Ristorante Avanti just a couple of blocks to a new location last year, and opened the new Pizzeria Avanti in their old spot.

13 “There’s definitely a secret to success: it’s called work hard every day, and improve your business every day,� says Cindy Geise.

Sourcing of Pride

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Crashed Cigare As to the whys behind the failure of Le Cigare Volant, everyone on the local scene seems to have a different opinion. Not enough time to succeed, lack of a consistent direction for the restaurant, poor location—the list of speculative factors goes on and on. “Randall has a tendency to change focus a lot, and I think that’s very hard on a restaurant,� says Boyle, who was general manager at Bonny Doon Vineyard for 12 years before she opened Soif. “It’s hard enough in any business. But for a restaurant I think it’s really, really hard. You can make little tweaks and changes, but I think making big changes is sometimes perilous.� “His intentions were very good,� says Charlie Parker, who was the restaurant’s first executive chef, back when it was Cellar Door. Parker left in 2010, and is now chef at the gastropub Freddy Smalls in L.A., but he still sees huge potential here. “Santa Cruz is the most amazing place to have a restaurant,� he says. It’s clear that high-end dining is not going to continue to succeed here without what Schultz calls “buy in� on the part of the community— supporting what the restaurant owners and chefs they like are doing, even if it isn’t always perfect. “The thing that’s so sad about the upper-end places like Le Cigare Volant is it was a beautiful place to go, it felt great,� he says. “You can argue about was the food worth it or not. I don’t know. But you can’t have a space like that unless you support it. Because a slight downturn, 10 percent off, and suddenly none of your numbers are working anymore. It could be a lot of things—the weather’s bad, there was a power outage. What we need to do is think of the value of a restaurant not in the specific experiences, but the existence of the restaurant at all. Whether it’s Taqueria Vallarta or whether it’s Soif, it’s a part of your life.� 0

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If it’s true, as many restaurant owners claim, that the local scene is crowded, what makes so many people want to have a restaurant in Santa Cruz? “The people who have restaurants there must really want to be in the area,� says Shelton. “There’s been no one even doing a second location in Los Gatos, or doing a second location in Half Moon Bay. It’s all still Santa Cruz. Clearly, those people want to be in Santa Cruz.� But he prefaces all of his comments by saying that however difficult highend dining can be in Santa Cruz, he enjoyed working here and completely understands why chefs, owners and other restaurant types want to be here. “It’s cool, Santa Cruz itself. It has the reputation,� he says. “When I was using N-A Ranch Beef, people would say, ‘Oh, you’re using Tommy’s beef?’ I was like ‘oh my god, you know the first name of my friggin’ rancher? How do you know that?’ People get it there. You’re not on a soapbox shouting to no one. You’re basically preaching to the choir. Everyone there, they know. That’s how they shop at home, that’s the only restaurants they go to. That’s the why of being a restaurateur there. It’s almost a fake utopia thing. It’s Michael Pollan Land, where everything is real.� “It has an extraordinary base of great food and great base materials— seafood, vegetables, fruits—that is really amazing,� says Boyle of Santa Cruz. “It’s a fabulous place to live. We’re in this great little spot, so people want to be here. Where we’re located is I think pretty good, even with the hill. We could definitely maybe use a few more higher-end hotels, but that’s probably a lot like the restaurant business—really hard.� While working in Santa Cruz, Shelton says he’d go to other places in the Bay Area he liked— “places that are supposed to work really hard to source farms�—and feel like, comparatively, none of it was good enough. “I was like, ‘this is not local, this is not special! This is standard!’ They’re

trying, but it’s so hard there. It’s good enough for people in the East Bay or San Francisco, even the South Bay. It’s good enough to see standard stuff, as long as it’s not crap. But in Santa Cruz, when I say something is Dirty Girl shelling beans, people go ‘I didn’t see it at the market today.’�

HOST AN INTERNATIONAL STUDENT EARN UP TO $1,200 STUDENTS ARE COMING FROM ALL OVER EUROPE AND ASIA

The Experience of a Lifetime 100 International students ages 14-17 will be in Santa Cruz this summer to study English and American culture.

Can you provide a safe, caring home for 3 weeks between July 17th and August 5th, 2013? • Students are kept busy 8 am to 5:30 pm with English Classes held at Santa Cruz High & other activities • Students arrive with their own spending money and insurance

• Bus service is provided from your community to the students school

Please call TODAY! Natalie Kostich • 1-800 521-0083 lt.usa@ef.com • www.efhomestay.org

JANUARY 16-22, 2013

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was right. That was quite a lesson for a young perfectionist.

CLASSIC HELL MUSIC Oakland string metal trio Judgement Day open for Pinback at the Catalyst Friday.

String Fellow UCSC grad Anton Patzner of Judgement Day talks string metal BY ANTHONY PRESTI

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akland’s Judgement Day has been wreaking beautiful havoc on the music scene since 2002, creating a hybrid of classical and metal music dubbed “string metal.� With three albums under their belt, the band has slowly transformed from metal into an experimental rock project. With Judgement Day set to open for Pinback at the Catalyst Friday, we talked with violinist and UCSC graduate Anton Patzner about his thoughts on other string bands, the end of the world and his random musical encounter with Lou Reed. SCW: Where did you grow up and when did you start playing music?

ANTON PATZNER: I grew up in Oakland. I went to college at UC Santa Cruz and lived in LA for little over a year. It was cool, but I didn’t like having to spend so much time in my car. I took private lessons growing up. I started on piano when I was five and took one lesson a week and practiced every day. When I was in fourth grade, I took to violin and went to Crowden middle school in Berkeley where they practice two hours of classical music daily. Since then, I’ve been playing in bands. Is it true that Cursive recruited you for a tour with Bright Eyes? How did that happen? We used to play outside of concerts when they were getting out. We did that

for Cursive, and the band came out and watched. That was exciting, because we were big fans. We kept in touch and their cello player was touring with Bright Eyes and she recommended me. The best part about touring with Bright Eyes was the musical lessons that I learned. One time we had Lou Reed join us as a special guest. We didn’t practice, he just showed up for soundcheck, and we ran through his song twice. The first time he stopped us after about 20 seconds. One of the chords was wrong, so he showed us the right chord. The second time we played through the entire song and afterwards he said, “Well, I don’t think we want it to sound any better than that.� He

What does the name Judgment Day mean to you as a group and how does it reflect upon your goals as musicians? Basically, it’s the end of the world. It’s the most epic thing we could think of. We started the band halfway as a joke. Every song on our first album has joking references to the end of the world or hell. I never really realized we would make multiple records. I just thought we’d be always making ridiculous metal albums as a novelty, but when time came to make the next record we wanted to escape that novelty. In some ways, I wonder if we should have created a new name, but it’s who we are and there’s an upside to the name because whenever there’s a predicted apocalypse we get thousands of new followers on Facebook. The downside is that one can’t find us on Google. And yes, we are huge Terminator 2 fans. We’ve busted into the theme song a few times at our shows. Where do you see Judgement Day going from here? We don’t have any plans for a new record. I just need to take a break from trying to make “strings-only� records. I really cannot stand some of the pop string stuff that has come out in the last few years, like 2Cellos, who do metal covers of pop songs and Linzi Stoppard, who dances a jig while she plays violin solos over techno beats. I just think that stuff is wrong, and I don’t want to be a part of it. There’s definitely a way to make good music with strings. Andrew Bird is an example of a good violin player who is also an artist. His records aren’t just violin all the time, they’re legit and worth listening to. I even still think it’s possible to make a great record with just violin, cello and percussion. But goddamn, it’s difficult.

Judgement Day With Pinback The Catalyst, Jan. 18

15

List your local event in the calendar! Email it to calendar@santacruzweekly.com, fax it to 831.457.5828, or drop it by our office. Events need to be received a week prior to publication and placement cannot be guaranteed.

Stage THEATER 42nd Street

Menopause The Musical

Short Play Festival “8 Tens @ Eight� is an annual festival of tenminute plays. www.sccat. org. Thurs, Fri and Sat at 8pm; Sat and Sun matinees at 3pm. Thru Jan 27. $20 general. Center Stage, 1001 Center St, Santa Cruz, 831.425.7529.

CONCERTS Santa Cruz Chamber Players “Transcriptions and Transgressions� features music ranging from Baroque to contemporary by such composers as Mozart and Schubert, with the players changing the pieces’ original instrumentation. www. santacruztickets.com Sat, Jan 19, 8pm and Sun, Jan 20, 3pm. $25 general. Christ Lutheran Church, 10707 Soquel Dr, Aptos, 831.420.5260.

Art MUSEUMS CONTINUING Santa Cruz Museum of Art and History Spotlight Tours. Bringing the artists’ voices directly to visitors. Go behind the scenes and museum-wide exhibitions. Third Sat of every month, 11:30am12:30pm. Museum hours Tue-Sun, 11am-5pm; closed Mon. 705 Front St, Santa Cruz, 831.429.1964.

“Resolutions� is a show where artists share their creative resolutions for the new year. Opening reception to meet the artists, plus refreshments. Fri, Jan 18, 68pm. 831.336.4ART. Wed-Sun, noon-6pm. 9341 Mill St, Ben Lomond.

CONTINUING Felix Kulpa Gallery “Neon Art�: A sculpture show by Brian Coleman with brightly colored pipes and more. Thru Jan 20. Free. 107 Elm St, Santa Cruz, 408.373.2854.

R. Blitzer Gallery A 100-piece retrospective of Fuzie Nutzle’s black inked drawings and paintings. Thru Jan 26. Gallery hours Tue-Sat, 11am-5pm. 831.458.1217. Mission Extension and Natural Bridges, Santa Cruz.

Santa Cruz County Bank “Painting Our Parks.� Plein air oil paintings of county state and national parks in California. Twenty percent of sales benefit Friends of Santa Cruz State Parks. Mon–Thu, 9am–5pm & Fri, 9am–6pm, thru Jan 18. 831.457.5003. 720 Front St, Santa Cruz.

Events LITERARY EVENTS Author Event: Rebecca Thistlewaite The author of “Farms with a Future: Creating and Growing a Sustainable Farm Business� discusses the tools necessary to run an effective small to mid-scale farm. Tue, Jan 22, 7:30pm. Capitola Book Cafe, 1475 41st Ave, Capitola, 831.462.4415.

Book Discussion Group A discussion of a new book each month, with copies available at the branch circulation desk. Email harbisons@santacruzpl. org for more information. Third Thu of every month, 1pm. Free. Santa Cruz Central Branch Library, 224 Church St, Santa Cruz, 831.427.7700x7616.

Community Poetry Circle Poetry writing workshop led by Magdalena Montague, local poet and teacher. Sat, Jan 19, 2-4pm. Scotts Valley Library, 230-D Mt Hermon Rd, Scotts Valley, 831.427.7717.

Storytime Former Shakespeare Santa Cruz actress Billie Harris and

LECTURES Cooking with Herbs & Spices A lecture by Chef Zachary Mazi about what herbs and spices can help the body thrive during times of reduced heat and light. Preregistration required. Thu, Jan 17, 6-8pm. $25. New Leaf Market Westside, 1101 Fair Ave, Santa Cruz, 831.426.1306x0.

Science Sunday: Humpback Whales A talk by marine ecologist Ari Friedlaender about the underwater behaviors of whales, a species that spends over 90 percent of its life underwater. Sun, Jan 20, 1pm. Free with museum admission. Seymour Discovery Center, 100 Shaffer Rd, Santa Cruz, 831.459.3800.

The Untold Story of Gluten Nutritionist and author Rebecca Rovay-Hazelton presents a lecture covering precautions to take when ingesting a gluten-free diet, plus how to get tested for gluten allergies. Preregistration required by phone. Wed, Jan 16, 6-7:30pm. Free. New Leaf Market Westside, 1101 Fair Ave, Santa Cruz, 831.426.1306x0.

NOTICES Beginners Bridge Class A beginners’ class in the popular card game. Partners not required. Call or email nlmbridge@yahoo.com to reserve a spot. First class is free. Mon, 6:30-8:30pm. Thru Feb 25. Santa Cruz Bridge Center, 2450 17th Avenue, Suite 200, Santa Cruz, 831.465.1234.

Computer Class Led by Computer Dave, this beginner-friendly class lets group participants pick the topics themselves. Third Wed of every month, 4-5:30pm. free. Santa Cruz Central Branch Library, 224 Church St, Santa Cruz, 831.427.7717.

A Course In Miracles Study Group A weekly meeting on learning how to forgive and live in peace. Drop-ins are welcome. Thu, 7-9pm. The Barn Studio, 104b Park Way South, Santa Cruz, 831.272.2246.

Eating Disorders Resource Center Meeting Groups will be led by Kimberly Kuhn, LCSW and Carolyn Blackman, RN, LCSW. Third Fri of every month, 6-7:30pm. Sutter Maternity and Surgery Center, 2900

Chanticleer Ave, Santa Cruz, 408.559.5593.

Freedom Forum: Government s 4th Branch “The Hidden 4th Branch: A Corrupt Government’s Worst Nightmare� is a talk by author Kelly Z. Mordecai about the legal avenues for using the Grand Jury for both defense and offense against a corrupt government. Wed, Jan 16, 7pm. Free/donation. Live Oak Grange, 1900 17th Ave, Santa Cruz.

Friday Shakespeare Club The club is seeking new members to join them in the study of the Bard’s plays. www.fridayshakespeare.org. Fri, Jan 18, 10am-12:30pm. First Congregational Church of Santa Cruz, 900 High St, Santa Cruz, 831.421.0930.

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“Menopause the Musical� is a comedy set in a department store about women undergoing “the change.� With parodies of 1960’s rock and roll songs, the show was reportedly “inspired by a hot flash and a bottle of wine.� www.santacruztickets. com $47-$120. Santa Cruz Civic Auditorium, 307 Church St, Santa Cruz, 888.686.8587x8.

OPENING Santa Cruz Mountains Art Center

Book Cafe manager Jill Rose perform animated readings of children’s stories. Mon, 11am. Capitola Book Cafe, 1475 41st Ave, Capitola, 831.462.4415.

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All About Theatre presents this classic musical tale of Broadway dreamin’ starring a bunch of 9 to 13-year-olds and a live orchestra. www. allabouttheatre.org. Fri, Jan 18, 7pm and Sat, Jan 19, 7pm. $16 general. Louden Nelson Community Center, 301 Center St, Santa Cruz, 831.345.6340.

GALLERIES

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Insight Santa Cruz Meditation sits, talks and discussions every day of the week. Learn the formal practice of meditation and engage with a community dedicated to reducing suffering by cultivating compassion. Visit www. insightsantacruz.org for specific times and more information. Ongoing. Insight Santa Cruz, 1010 Fair Avenue, Suite C, Santa Cruz, 831.425.3431.

Miracle Working Spiritual teacher Dominique Free leads a weekly class on cultivating the consciousness to heal, overcome, succeed and create miracles. Thu, 7-8pm. Conscious Lounge, 1651A El Dorado Av @ Capitola Rd, Santa Cruz, 831.359.0423.

Overeaters Anonymous Sundays 9-10:15am at 2900 Chanticleer Ave, Santa Cruz. Wednesdays noon-1pm at 49 Blanca Ln #303, Watsonville and 6:30-7:30pm at 335 Spreckles Dr, Ste A, Aptos. Thursdays 1-2pm at Louden Nelson Community Center, Room 5, 301 Center St, Santa Cruz. Fridays noon-1pm at 49 Blanca Ln, #303, Watsonville. Wed-Fri-Sun. 831.429.7906.

Qigong Flow Led by Bonnie Eskie, MFT. Tue, 10-11am. $10-$12. Louden Nelson Community Center, 301 Center St, Santa Cruz, 831.515.4144.

Santa Cruz Performing Arts Currently enrolling kids for 2013 classes in singing, acting and dancing, and holding auditions for the main stage production of “The Wizard of Oz.� www. santacruzperformingarts.org. 831.334.2121.

Serenity First— Pagans in Recovery A 12-step meeting with a Pagan flair where guests are free to discuss their naturebased, goddess-centered

Film Screening: ‘Where Heaven Meets Hell’ In case you missed it at the Pacific Rim Film Festival, this showing is the last opportunity to see this moving film about the life-risking work of sulfur mining in Indonesia on the big screen. The screening is a benefit for the miners and their families. Saturday, Jan. 19 at 2pm at the Rio Theatre, 1205 Soquel Ave., Santa Cruz. Tickets $10. spiritual paths. Sun, 7pm. The Sacred Grove, 924 Soquel Avenue, Santa Cruz, 831.423.1949.

Support and Recovery Groups Alzheimer’s: Alzheimer’s Assn, 831.464.9982. Cancer: Katz Cancer Resource Center, 831.351.7770; WomenCARE, 831.457.2273. Candida: 831.471.0737. Chronic Pain: American Chronic Pain Association, 831.423.1385. Grief and Loss: Hospice, 831.430.3000. Lupus: Jeanette Miller, 831.566.0962. Men Overcoming Abusive Behavior: 831.464.3855. SMART Recovery: 831.462.5470. Trans Latina women: Mariposas, 831.425.5422. Trichotillomania: 831.457.1004. 12-Step Programs: 831.454.HELP (4357).

Writing Contest Santa Cruz Reads is sponsoring a writing contest inspired by John Steinbeck’s “The Grapes of Wrath.� Entries should involve issues prominent in today’s political, cultural or social landscapes that parallel those from the past. Categories in fiction, poetry/song lyrics and essay/op-ed for adults, high school students and middle school students. www.santacruzreads.org. Entries accepted thru Jan. 16. Santa Cruz High School, 415 Walnut Ave, Santa Cruz, 831.429.3960.

Yoga Instruction Pacific Cultural Center: 35+ classes per week, 831.462.8893. SC Yoga: 45 classes per week, 831.227.2156. TriYoga: numerous weekly classes, 831.464.8100. Yoga Within at Aptos Station, 831.687.0818; Om Room School of Yoga, 831.429.9355; Pacific Climbing Gym, 831.454.9254; Aptos Yoga Center, 831.688.1019; Twin Lotus Center, 831.239.3900. Hatha Yoga with Debra Whizin, 831.588.8527.

Zen, Vipassana, Basic: Intro to Meditation Zen: SC Zen Center, Wed, 5:45pm, 831.457.0206. Vipassana: Vipassana SC, Wed 6:30-8pm, 831.425.3431. Basic: Land of the Medicine Buddha, Wed, 5:30-6:30pm, 831.462.8383. Zen: Ocean Gate Zendo, first Tue each month 6:30-7pm. All are free.

AROUND TOWN Chocolate Festival A silent auction, wine testing and cupcake decorating plus chocolate of all types to taste. Put on by the UCSC Women’s Club, proceeds support re-entry student scholarships. www. santacruzchocolatefestival. org. Sun, Jan 20, 1-4pm. Cocoanut Grove Ballroom, 400 Beach St, Santa Cruz.

Families in Nature: Winter Adventure A winter field trip to Moore

Creek Preserve with hands-on activities. Register online at www.santacruzmuseums. org. Sat, Jan 19. $10 adults; $5 kids. Santa Cruz Museum of Natural History, 1305 E Cliff Dr, Santa Cruz, 831.420.6115.

Martin Luther King Jr. Celebration Weekend

and hip-hop concerts plus workshops and youth activities. Full schedule available online at www.rcnv. org. Fri, Jan 18, 7:30pm, Sat, Jan 19, 10am-9pm and Sun, Jan 20, 1-5pm. Resource Center for Nonviolence, 612 Ocean St, Santa Cruz, 831.423.1626.

A weekend of folk, gospel

San Francisco’s City Guide

The Budos Band Deep funk and double-crossing horn arrangements from Daptone heavyweights. Jan 19 at Mezzanine.

Yo La Tengo Sinatra left Hoboken for fame and fortune; they only leave to go to the record store. Free in-store Jan 19 at Amoeba SF.

Femi Kuti The most talented of the many, many offspring of the polygamist and musician Fela Kuti. Jan 19 at the Fillmore.

Quicksand Q. How long ago were Quicksand a thing? A. They headlined the very ďŹ rst Warped Tour. Jan 21 at Regency Ballroom.

Mistah F.A.B. & Talib Kweli Fabby hosts birthday celebration as Talib Kweli spins DJ set and Souls of Mischief wreck shop. Jan 21 at the More San Francisco events at www.sfstation.com.

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MICHAEL HURLEY Cat Power has done some of the most gorgeous cover songs ever recorded, and two of her most obscure are “Werewolf� and “Sweedeedee.� They’re both songs by Michael Hurley, one of the most entertainingly eccentric folk singers of the modern era. Those who only know the cover of what was originally titled “The Werewolf Song� may be surprised to know it was originally recorded in 1964 for Hurley’s first album. It still seems decades ahead of its time, looking forward to an era when outsider artists would be celebrated for their bizarre and often dark perspectives on the facts and fantasies that make up our collective culture. Almost 50 years later, Hurley’s seem as unique as they ever did. Don Quixote’s; $12; 8pm. (Steve Palopoli)

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BOOSTIVE

local outfit, Boostive brings the party with them, fusing electronica, soul, rock and hiphop to create a high-energy sound that has solidified them as one of the area’s most innovative and magnetic acts. Moe’s Alley; $5; 8:30pm. (Cat Johnson)

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PINBACK San Diego’s Rob Crow is known for doing pretty much whatever he wants. This includes bands that only the hippest of the hip have even heard of, and for all most of us know, may or may not have existed in our own space-time coordinates: Heavy Vegetable, Optiganally Yours, Physics Thingy, Other Men, Goblin Cock (okay, the last one actually plays some pretty entertaining doom metal). On his last tour through Norcal, Crow fronted the DevFits, a band that mashes up Misfits and Devo songs. Basically, he’s a crazy man. And how does he support his craziness habit? With his most popular band, Pinback, in which he

Boostive is one of those bands that has the capability to turn a sleepy room into a jumping party, complete with head-bobbers, dancers, appreciative music lovers and exhilarated onlookers. I’ve seen it happen. People are drawn, like children to the Pied Piper, to the deep and trippy grooves, tight horns, skillful delivery and positive lyrics of this band. A fast-rising

PINBACK IN BLACK Rob Crow and Armistead Smith perform at the Catalyst as Pinback.

forgoes all of the experimentalism to remind fans he can deliver tight, well-crafted indie rock. Catalyst; $15/$18; 9pm. (SP)

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COCO MONTOYA I know he’s from L.A., but can we just go ahead and adopt Coco Montoya already? I know the guy wants to live here, because he is the unofficial hang-out king of the Santa Cruz Blues Festival—comes early, stays late and acts as a kind of celebrity guest host in between. And really, could we ask for a better blues ambassador? From his days learning under legends Albert Collins and John Mayall through his years pioneering the blazing sound of West Coast new blues, Montoya has been, and continues to be, en fuego. Moe’s Alley; $17/$20/9pm. (SP)

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DAVINA & THE VAGABONDS Hailing from Minnesota’s Twin Cities by way of Key West, Florida, pianist/singer/songwriter Davina Sowers has earned her reputation as “the hardest working blueswoman in frigid Minnesota� the hard way: by hitting the road, playing an average of 300 dates a year with

her top-notch, horn-driven band, the Vagabonds. Garnering comparisons to Etta James, Amy Winehouse, and even Louis Armstrong, the classically trained Sowers has serious piano chops, great American music sensibilities and a big, soulful voice that she wraps effortlessly and stylishly around jazz, Dixieland, the blues and ragtime. Kuumbwa; $15 adv/$18 door; 8pm. (CJ)

! 4@72/G j &

Celebrating Creativity Since 1975

SLIME GIRLS

Thursday, January 17 U 7 pm

ERIK DEUTSCH BAND Former Charlie Hunter keyboardist with funky grooves! Friday, January 18 U 8 pm

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R&B/swing/blues...part Bonnie Raitt... part Etta James DANCE SPACE! Monday, January 21U 7 pm

FREDDY COLE QUARET

“A true gentleman of song.� –JazzTimes

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Monday, January 28 U 7 pm

JOE LOVANO US FIVE featuring

JAMES WEIDMAN, ESPERANZA SPALDING, OTIS BROWN III & FRANCISCO MELA No Comps

Tuesday, January 29, 5:30 - 9 pm DINE FOR JAZZ EDUCATION AT SHADOWBROOK RESTAURANT Music by Kuumbwa Jazz Honor Band Call 475-1511 for reservations Thursday, January 31 U 7 and 9 pm

BILLY COBHAM’S “SPECTRUM 40� featuring JERRY GOODMAN,

DEAN BROWN, GARY HUSBAND & RIC FIERABRACCI No Comps Saturday, February 2 U 7 pm

BUSKER’S SHOWCASE featuring Rainbow Girls, The Juncos & Maple Street Five Tickets at the door

BONDAGE Davina brings her Vagabonds to Kuumbwa.

Monday, February 4 U 7:30 pm Australian Guitar Wizard

TOMMY EMMANUEL

At the Rio Theatre | No Comps Tuesday, February 5 U 7:30 pm

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LEDWARD KAAPANA One of the most recognized of the contemporary slack key guitarists, Ledward Kaapana is also an ambassador of traditional Hawaiian music and culture. Growing up on the Big Island, Kaapana didn’t have a television or radio, but he did have access to music, and lots of it. He tells stories of backyard family gatherings that consisted of so many hours of music that he would go to sleep and when he woke up in the morning, the music would still be going. A celebrated multi-instrumentalist, Kaapana has released dozens of albums, played with a diverse roster of musicians that includes Dolly Parton and Chet Atkins, and raked in numerous awards and Grammy nods along the way. Don Quixote’s; $16 adv/$18 door; 7:30pm. (CJ)

RAY WYLIE HUBBARD

Tickets: Snazzyproductions.com Wednesday, February 6 U 7 pm | FREE MASTER CLASS: RENATA BRATT “Deep Rhythmic Motifs to create an Improvised Solo� 2/7 ANN WHITTINGTON QUINTET 2/11 ALLEN TOUSSAINT 2/14 VALENTINE’S EVENING WITH TUCK AND PATTI GOLD CIRCLE Special Jazz & Dinner Package! SOLD OUT! 2/15 HABIB KOITE & ERIC BIBB BROTHERS IN BAMAKO 2/20 ROBERT RANDOLPH PRESENTS THE SLIDE BROTHERS At the Rio Theatre 2/22 ROBBEN FORD Unless noted advance tickets at kuumbwajazz.org and Logos Books & Records. Dinner served 1-hr before Kuumbwa presented concerts. Premium wines & beer. All ages welcome.

320-2 Cedar St [ Santa Cruz 831.427.2227

kuumbwajazz.org

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As if being Nat King Cole’s brother isn’t enough of a feather in jazz pianist and vocalist Freddy Cole’s musical cap, there’s also the fact that as a youngster, he and his family played host to traveling musicians including a couple of guys named Duke Ellington and Count Basie. Apparently, the young Cole was paying attention and picked up a few things from the musical goldmine he found himself in. He has had a long, storied career and established himself as an international jazz sensation with impeccable timing, a fine sense of groove and a smooth, smoky voice. Kuumbwa; $25 adv/$28 door; 7pm. (CJ)

DAVINA & THE VAGABONDS

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Pedro Silva sees chiptune music as the electronic punk rock. From his bedroom in San Juan Bautista, he started putting together songs inspired by the video game music he grew up with. But as his band has evolved into an actual band—driven in proper 8-bit style by guitars, drums and a Game Boy—he’s moved away from emulating the video-game style and into something new. He still likes the chip genre, but his music isn’t about the typical chiptune gaming nostalgia, it’s about creating something entirely new. He’ll be joined at the show by another evolving chip artist, Crashfaster. Crepe Place; $8; 9pm. (SP)

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clubgrid

KEEP UP WITH THE LOCAL ACTION:

LIKE US ON FACEBOOK AT 831 BEER SCENE

WED 1/16

THU 1/17

FRI 1/18

Honky Tonk Night

DJ AD

DJ Mikey

Rainbow Lounge

Cruzing

SAT 1/ 1/19

J A N U A R Y 1 6 - 2 2 , 2 0 1 3

SANTA CRUZ BLUE LAGOON

Live Comedy

DJ Tripp

923 PaciďŹ c Ave, Santa Cruz

BLUE LOUNGE 529 Seabright Ave, Santa Cruz

BOCCI’S CELLAR

Sarah Mays

Nancy Cassidy

Big Bambu

Blazin’ Reggae

Lecherous Gaze

Steve Abrams

Fidlar

The OTS Trio

Slime Girls

Miss Lonely Hearts

Johnny Neri

Extra Large

Stormin’ Norman &

140 Encinal St, Santa Cruz

DJ Don~ette G

THE CATALYST ATRIUM 1101 PaciďŹ c Avenue, Santa Cruz

THE CATALYST

Slightly Stoopid

1011 PaciďŹ c Ave, Santa Cruz

CREPE PLACE

Water Tower

1134 Soquel Ave, Santa Cruz

CROW’S NEST

Yuji Tojo

2218 East Cliff Dr, Santa Cruz

Band

The Cyclones

DAVENPORT ROADHOUSE

Esoteric Collective

1 Davenport Ave, Santa Cruz

FINS COFFEE

Gene Fintz

1104 Ocean St, Santa Cruz

HOFFMAN’S BAKERY CAFE

Preston Brahm Trio

Mapanova

Isoceles

1102 PaciďŹ c Ave, Santa Cruz

with Gary Montrezza

KUUMBWA JAZZ CENTER

Erik Deutsch

Davina & the

320-2 Cedar St, Santa Cruz

Band

Vagabonds

Boostive

Coco Montoya

MOE’S ALLEY

Sophistafunk

Sanchez

1535 Commercial Way, Santa Cruz

MOTIV

Space Bass!

Libation Lab

1209 PaciďŹ c Ave, Santa Cruz

THE REEF

DJ Sparkle

Wild Nick G.

Adrien Janiak

George Orwell

with Sam F & Ruby Sparks

Santa Cruz Waves

Something Collective

120 Union St, Santa Cruz

Experience

RIO THEATRE

Film Screening

1205 Soquel Avenue, Santa Cruz

SEABRIGHT BREWERY

Where Heaven Meets Hell

The Joint Chiefs

519 Seabright Ave, Santa Cruz

OTTER PRODUCTIONS PRESENTS

TICKETS ON SALE NOW!

FEBRUARY 2, 2013 • 7:30 PM Santa Cruz Civic Auditorium

Tickets available through SantaCruzTickets.com, at the Civic Box OfďŹ ce, or by calling (831)420-5260 For special benefit seating, please visit www.guacfund.org www.jacksonbrowne.com

Produced by Otter Productions, Inc. • www.OtterProductionsInc.com

19 Like STELLA ARTOIS

SUN

1/20

MON

1/21

TUE 1/22 SANTA CRUZ

The Box

Turtle Rising

BLUE LAGOON

Neighborhood Night

BLUE LOUNGE

J A N U A R Y 1 6 - 2 2 , 2 0 1 3

DJ Mikey

831.423.7117 831.425.2900

Calination

Margie Wong

BOCCI’S CELLAR 831.427.1795

THE CATALYST ATRIUM 831.423.1338

THE CATALYST 831.423.1336

Lucy Michelle

Movie Nite

The Hot Toddies

Bottle Rocket

CREPE PLACE 831.429.6994

Live Comedy

CROW’S NEST 831.476.4560

Sherry Austin Band

DAVENPORT ROADHOUSE 831.426.8801

Three Left

FINS COFFEE 831.423.6131

Dana Scruggs Trio

Joe Leonard Trio

Barry Scott

HOFFMAN’S BAKERY CAFE

& Associates

831.420.0135

Freddy Cole

KUUMBWA JAZZ CENTER

Quartet

831.427.2227

Eric Sardinas

MOE’S ALLEY 831.479.1854

Rasta Cruz Reggae

Eclectic by

Foreplay by

Primal Productions

DJ AD

The Troubadours

MOTIV 831.479.5572

THE REEF 831.459.9876

RIO THEATRE 831.423.8209

SEABRIGHT BREWERY 831.426.2739

Sleeker. Sharper. Smarter. Now 100% glossy newsprint.

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1011 PACIFIC AVE. SANTA CRUZ 831-423-1336

clubgrid

>LKULZKH` 1HU\HY` ‹ AGES 16+

SLIGHTLY STOOPID and

plus Karl Denson also Marlon Asher Boostive !DV $RS s P M P M

Thursday, January 17 ‹ In the Atrium s AGES 21+

LECHEROUS GAZE

plus Wild

Eyes SF also HowDareYou and HORNSS $RS s P M P M

J A N U A R Y 1 6 - 2 2 , 2 0 1 3

-YPKH` 1HU\HY` ‹ AGES 16+

PINBACK

plus

WED 1/16 \ APTOS / RIO DEL MAR / SOQUEL

LIKE US ON FACEBOOK AT 831 BEER SCENE

THU 1/17

THE FOG BANK

Judgement Day

!DV $RS s $RS P M 3HOW P M Friday, Jan. 18 ‹ In the Atrium s AGES 21+ STEVE ABRAMS & THE CHILE CON SOUL BAND $RS ONLY s $RS P M 3HOW P M

3ATURDAY *ANUARY ‹ In the Atrium s AGES 16+

FIDLAR

KEEP UP WITH THE LOCAL ACTION:

plus Pangea also Meat

Market !DV $RS s $RS P M 3HOW P M

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AC Myles

After Sunset

211 Esplanade, Capitola

MANGIAMO’S PIZZA AND WINE BAR

David Paul Campbell

David Paul Campbell

George Christos

Roberto-Howell

Duo Brothers

Lenny’s Basement

Spigot

783 Rio del Mar Blvd, Aptos

MICHAEL’S ON MAIN 2591 Main St, Soquel

PARADISE BEACH GRILLE

Stella by Barlight

215 Esplanade, Capitola

SANDERLINGS

In Three

1 Seascape Resort Dr, Rio del Mar

SEVERINO’S BAR & GRILL

Don McCaslin &

7500 Old Dominion Ct, Aptos

The Amazing Jazz Geezers

Tsunami

Kaye Bohler Band

Joe Ferrara

Bebop

DJ Dex

Joint Chiefs

Locomotive Breath

Bass Goddess

HENFLING’S TAVERN

The Koz &

Anthem

9450 Hwy 9, Ben Lomond

Paperplanes

SHADOWBROOK 1750 Wharf Rd, Capitola

THE UGLY MUG

The Learning Center

4640 Soquel Dr, Soquel

ZELDA’S

Curt Stockdale

203 Esplanade, Capitola

Trio

SCOTTS VALLEY / SAN LORENZO VALLEY DON QUIXOTE’S

Red Molly

Michael Hurley

6275 Hwy 9, Felton

WATSONVILLE / MONTEREY / CARMEL CILANTRO’S

Hippo Happy Hour

1934 Main St, Watsonville

MOSS LANDING INN

Mariachi Ensemble

KDON DJ Showbiz

& KDON DJ SolRock

Open Jam

Hwy 1, Moss Landing

Unless otherwise noted, all shows are dance shows with limited seating. Tickets subject to city tax & service charge by phone 877-987-6487 & online

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THE FOG BANK 831.462.1881 831.688.1477

Kevin McDowell

MICHAEL’S ON MAIN 831.479.9777

X-Lounge

Yuji

PARADISE BEACH GRILLE 831.476.4900

SANDERLINGS 831.662.7120

Danceland

SEVERINO’S BAR & GRILL 831.688.8987

SHADOWBROOK 831.475.1511

Open Mic

THE UGLY MUG

with Mosephus

831.477.1341

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MANGIAMO’S PIZZA AND WINE BAR

ZELDA’S 831.475.4900

SCOTTS VALLEY / SAN LORENZO VALLEY Ellis Paul

Muriel Anderson

Ledward Kaapana

DON QUIXOTE’S

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HENFLING’S TAVERN

831.603.2294

The Spokesmen

831.336.9318

WATSONVILLE / MONTEREY / CARMEL Santa Cruz Trio

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CILANTRO’S 831.761.2161

MOSS LANDING INN 831.633.3038

SPECIAL PRESENTATION BY

FRANS LANTING & CHRIS ECKSTROM SATURDAY, JANUARY 26, 2013 3:00 PM & 7:00 PM RIO THEATRE, SANTA CRUZ $23 general admission; $18 Seymour Center members Tickets available at the Seymour Center at Long Marine Lab or online at http://seymourcenter.brownpapertickets.com The Seymour Center is dedicated to educating people about the role scientiďŹ c research plays in the understanding and conservation of the world’s oceans. More information available at (831) 459-3800 or http://seymourcenter.ucsc.edu

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22

VENGEANCE IS HERS Jessica Chastain’s Maya devotes herself, body and soul, to the capture of Osama bin Laden in ‘Zero Dark Thirty.’

Valkyrie

No cost is too great—up to and including torture—to get bin Laden in Zero Dark Thirty BY RICHARD VON BUSACK

J

OHN WAYNE’S Genghis Khan once told Susan Hayward’s pagan princess, “You’re beautiful in your wrath.� Kathryn Bigelow’s lauded-to-the-stratosphere Zero Dark Thirty has a rage-crush on Jessica Chastain—she of flaming hair, sturdy cheekbones, huge wounded mouth and brimming eyes. Maybe the people who thought Chastain’s mother in The Tree of Life was too symbolic to live will be happier this time; now she plays all three of the Furies at once. If 9/11 was personal to anyone, it’s the spook known only as “Maya� (if that’s really her name; when someone goes around named after the Veil of Illusion, that’s a symbol). Weaker men might have moved on and let a cornered Osama bin Laden die slowly by kidney

failure—but not Maya. Zero Dark Thirty takes place over a decade, between 9/11 and the ďŹ nal killing of the madman in 2011. Maya has no personal life (“I’m not the girl who fucks,â€? she says, as if meaningless sex or Christian warrior chastity were the only options). She has no backstory. Maya is contrasted with the ďŹ lm’s only other woman, a much warmer CIA associate named Jessica (Jennifer Ehle). Jessica is shrewd enough, but she has a soft little chin made for the tickling, and she’s even planning to bake a cake as a treat for a key informant. Is it possible to ďŹ ght a war on terror without monomania? Zero Dark Thirty says no, and Jennifer goes out of the picture in an unsurprising way, to winch up Maya’s need to soldier on. Zero Dark Thirty’s opening torture

scenes have rustled up plenty of controversy. I, however, see no controversy: Zero Dark Thirty is clearly in favor of torture. The rough stuff is phased out because of Obama, and when Maya and her team get the news from 60 Minutes, you can detect the sinking feeling in the room. Later, there are lines about the impossibility of conďŹ rming the bin Laden location with the prisoners: Gitmo internees are allowed to lawyer up nowadays. Until then, Zero Dark Thirty indulges Cheneyian fantasies about the effectiveness of enhanced methods, complete with the bad-movie scene of the prisoner’s deďŹ ance: “You’re just a garbage man in the corporation,â€? shouts the Arab who needs a lesson in manners from the Ph.D. (in torture?) who is racking him. Zero Dark Thirty

saves its own face by insisting on the cost of torture—the cost to Maya, that is. Bigelow keeps cutting to the shock and sadness on her actor-surrogate’s face until you barely know who’s getting it worse: the suspect or the duty-bound woman. Bigelow deserves her reputation as an action director in this very long ďŹ lm’s centerpiece: the helicopter mission into Pakistan on bin Laden’s compound. This is expert work. Cutting across from our expectations, the SEALS are as hairy as bears instead of the shaven-headed musclemen we expect from Michael Bay movies. Bigelow alternates intense shots of the airborne ambush with night-vision footage, swirling with gold embers. The armored ďŹ ghters are crowned with rows of lenses; it’s an outer-space invasion, conducted around a maze of wailing children and wives. The pity and lunacy of war become clear; it’s the ďŹ nest part of a movie that sprawls terribly. This payoff is postponed, but various other terror attacks keep the ďŹ lm rolling. Composer Alexandre Desplat arranges some John Barry horns to remind us we’re watching a spy movie instead of ordinary people tapping at keyboards and ignoring their lunches. New ďŹ gures emerge (such as Mark Strong and Mark Duplass), while the old cycles continue. There’s always a forlorn Christmas tree in the officer’s club, and the muezzins in Pakistan seem to wail 24 hours a day. The ďŹ lm’s numbskull side manifests itself when it implies that no one else remembers September 11 except for Maya and that the attack’s casualties (heard calling 911 during the ďŹ lm’s beginning) all wanted bloody revenge. “Kill him for me,â€? Maya tells the SEALS. The last bathetic shot of Maya facing a world without her quarry could be scored to Peggy Lee’s hit: Is that all there is to an assassination? Is that all there is?

ZERO DARK THIRTY >ZOga 1]c\bgeWRS

Film Capsules New

it was psycho thriller. Matthias Schoenaerts plays Ali, a street fighter who bonds with her after a shocking accident. (Opens Fri at the Nick)

Reviews ARGO (R; 120 min.) Actors play CIA agents all the time, but CIA agents playing actors? You know Hollywood’s gonna love that. So now we have actors playing CIA agents playing actors in this new film based on an actual 1979 event (the

“Canadian caper,� as it’s now known) in which operatives pretended to be movie-biz types making a film called Argo, in order to rescue diplomats trapped in Iran. Ben Affleck directs and stars. DJANGO UNCHAINED (R; 147 min.) Quentin Tarantino uses the ’50s version of the Columbia Lady in his pretitles, but Ride Lonesome was a mere 73 minutes long, while the unkempt sprawl of Django Unchained exceeds the bounds of the Western movie/slavesploitationers that

Showtimes are for Wednesday, Jan. 16, through Wednesday, Jan. 23, unless otherwise indicated. Programs and showtimes are subject to change without notice.

APTOS CINEMAS 122 Rancho Del Mar Center, Aptos 831.688.6541 www.thenick.com

Lincoln — Daily 1; 4:10; 7:30. Zero Dark Thirty — Wed-Thu 1:15; 4:30; 7:45; Fri-Wed 1:15; 4:30; 7:45.

CINELUX 41ST AVENUE CINEMA 1475 41st Ave, Capitola 831.479.3504 www.cineluxtheatres.com

Django Unchained — Wed-Thu 11:45; 3:15; 7; 10:30. Gangster Squad — Fri-Wed 11:30; 2:10; 4:45; 7:30; 10:10. The Hobbit: An Unexpected Journey — Wed-Thu 11; 2:45; 6:30; 10:15. Les Miserables — Daily 11:30; 3; 6:45; 10:15. Silver Linings Playbook — Fri-Wed 1; 4; 7; 10.

DEL MAR 1124 Pacific Ave, Santa Cruz 831.426.7500 www.thenick.com

Argo — Wed-Thu 3:30; 8. Cirque du Soleil — Wed-Thu 2:15; 4:30; 7; 9:20; Fri-Wed 1:30; 6. The Impossible — Daily 1:45; 4:15; 6:45; 9:10 plus Sat, Mon 1:45pm. Les Miserables — Daily 12:30; 4; 7:30. National Theatre Live: The Magistrate — Sun 11am.

Jack Reacher — Wed 12:25; 3:15. Life of Pi 3D — Wed-Thu 12:40; 3:45; 6:45; 10:10; Fri-Wed 1; 3:50; 6:55; 10:10. Promised Land — Wed-Thu 1:30; 4:30; 7:15; 9:45. Skyfall — Wed-Thu 12:15; 6:30. Texas Chainsaw 3D — Wed-Thu 12:20; 2:40; 5; 7:20; 10:05; Fri-Wed 12:40; 3:10; 5:35; 7:55; 10:30.

MET Opera: Maria Stuarda — Sat 9:55am. MET Opera Encore — Wed 1/23 6:30pm.

CINELUX SCOTTS VALLEY STADIUM CINEMA 226 Mt Hermon Rd, Scotts Valley 831.438.3260 www.cineluxtheatres.com

Broken City — (Opens Fri) 11:10; 1:45; 4:30; 7:30; 10:10. The Last Stand — (Opens Fri) 11:20; 2; 4:45; 7:20; 10. Mama — (Opens Fri) 11:40; 2:10; 4:40; 7:10; 9:40. Django Unchained — Wed-Thu 11:15; 3; 6:45; 10:15. Gangster Squad — Wed-Thu 11:20; 2; 4:45; 7:30; 10:15; Fri-Wed 11:45; 2:20; 4:55; 7:40; 10:15. (No Sat 11:45; 2:20)

The Hobbit: An Unexpected Journey — Wed-Thu 11:45; 3:30; 6:30; 7:30; 10; Fri-Wed 1:30; 9.

Rust and Bone— (Opens Fri) 2; 4:30; 7; 9:40 plus Sat-Mon 11:30am. (No Mon 7pm) Argo — Fri-Wed 12; 2:30; 7:15. (No Tue 7:15pm) Hyde Park on Hudson — Daily 12:20; 2:20; 4:40; 6:50; 9. Lincoln — Daily 12:10; 3:20; 6:30; 9:30. Not Fade Away — Wed-Thu 5; 9:40. Silver Linings Playbook — Daily 1:20; 4; 6:40; 9:10.

The Hobbit 3D — Fri-Wed 5:15pm. The Impossible — Fri-Wed 11; 1:40; 4:20; 7; 9:45. Jack Reacher — Wed-Thu 1; 4; 7; 10; Fri-Wed 4; 7; 10. Les Miserables — Daily 11:30; 3; 6:30; 9:55. Life of Pi — Wed-Thu 4:40pm; Fri-Wed 6:45pm. Monsters, Inc. 3D — Wed-Thu 11:20; 1:45; Fri-Wed 11:10am. Parental Guidance — Wed-Thu 11:40; 2:10; 4:10; 7; 9:30; Fri-Wed 11; 1:30; 4. Promised Land — Wed-Thu 7:20; 9:55. Silver Linings Playbook — Fri-Wed 12:45; 3:45; 6;45; 9:30. Zero Dark Thirty — Wed-Thu 11:10; 1:15; 2:45; 4:45; 6:45; 8:15; 10:10; Fri-Wed

RIVERFRONT STADIUM TWIN

Gone With the Wind — Thu 7pm; Sat 11pm.

NICKELODEON Lincoln and Cedar streets, Santa Cruz 831.426.7500 www.thenick.com

155 S River St, Santa Cruz 800.326.3264 x1701 www.regmovies.com

This Is 40 — Wed-Thu 12:45; 3:45; 6:30; Fri-Wed 6:30; 9:20. Wreck-It Ralph — Fri-Wed 3:45pm plus Fri-Sun 12:45pm. Zero Dark Thirty — Wed-Thu 12:30; 4; 8; 9:10; Fri-Wed 4; 8 plus Fri-Sun 12:30pm.

SANTA CRUZ CINEMA 9 1405 Pacific Ave, Santa Cruz 800.326.3264 x1700 www.regmovies.com

Broken City — (Opens Fri) 1:10; 4; 7; 10. The Last Stand — Fri-Wed 1:20; 4:20; 7:10; 9:45. Mama — (Opens Fri) 12; 2:30; 5; 7:45; 10:20. Django Unchained — Wed-Thu 12:05; 3:35; 7:05; 10:35; Fri-Wed 1:30; 6; 9:30 plus Sat 2pm. (No Sat 1:30pm)

Gangster Squad — Wed-Thu 12; 2:45; 3:20; 5:20; 7:55; 10; 10:30; Fri-Wed 12:10; 2:45; 5:20; 8; 10:40. A Haunted House — Wed-Thu 12:50; 3; 5:10; 7:30; 9:50; Fri-Wed 12:20; 3; 5:10; 7:30; 9:50. (No Wed 5:10; 7:30; 9:50) The Hobbit: An Unexpected Journey — Wed-Thu 12:30; 4:10; 8:15.

11:30; 6;30; 9:30; 10.

GREEN VALLEY CINEMA 8 1125 S Green Valley Rd, Watsonville 831.761.8200 www.greenvalleycinema.com

Broken City — (Opens Fri) 1:15; 3:45; 7; 9:30 plus Sat-Mon 10:45am. The Last Stand — (Opens Fri) 1:15; 4; 7; 9:30 plus Sat-Mon 10:55am. Mama — (Opens Fri) 1:05; 4; 7:15; 9:45 plus Sat-Mon 10:55am. A Haunted House — (Opens Fri) 1; 3; 5:05; 7:15; 9:45 plus Sat-Mon 11am. Gangster Squad — Daily 1:15; 3:45; 7:15; 9:45 plus Sat-Sun 10:45am. Les Miserables — Wed-Thu 12:20; 3:30; 6:45; 10; Fri-Wed 1; 9. The Hobbit: An Unexpected Journey — Wed-Thu 2:45; 6:25; 10. Parental Guidance — Wed-Thu 4:10; 6:45. Promised Land — Wed-Thu 1:15; 3:45; 7:10; 9:30. Texas Chainsaw — Wed-Thu 5:05pm. Texas Chainsaw 3D — Wed-Thu 11; 1; 3; 7:15; 9:45; Fri-Wed 7:15; 9:30. Wreck-It Ralph — Fri-Wed 1:15; 4 plus Sat-Mon 10:55am. Zero Dark Thirty — Daily 12:15; 3:30; 6:45; 10.

Tarantino is raiding. Django Unchained sits solidly in Tarantino’s comfort zone, with a combination of low-key speechifying and big payback. It is, however, Samuel L. Jackson who catalyzes everything Tarantino has to say about slavery. GANGSTER SQUAD (R; 119 min.) Josh Brolin is the leader of a group of vigilante cops on the trail of 1940s LA thug Mickey Cohen (played by a minion-killing, roast peacockeating Sean Penn—beaky, foreshortened and looking like a Rondo Hatton bobblehead). As Chief Parker, Nick Nolte sounds like a laryngectomy patient, though his Parker reminds us of what a racially harmonious place LA in the 1940s was by approving this mixed-race band (including a too-sensitive Ryan Gosling, Michael PeĂąa and Anthony Mackie) to get the goods on the megalomaniac Mickey. Ultimately, trick gunplay fit to make John Woo cry meets plotting to make James Ellroy cry, vow to quit and enter the priesthood. (RvB) THE GUILT TRIP (PG-13; 95 min) Barbra Streisand and Seth Rogan star in this comedy about a dysfunctional mother and son on a road trip. A HAUNTED HOUSE (R; 95 min.) Co-writer and star Marlon Wayans is a long way from the glory days of the first, ingenious Scary Movie (a franchise which, despite never having had a watchable sequel, is also returning this year). Apparently, he couldn’t even get his brothers on board for this similarly themed parody of current horror films (mainly Paranormal Activity). If Keenen and Shawn are okay with the atrocious Dance Flick, but not this‌that’s just scary. (SP) HITCHCOCK (PG-13; 98 min) Anthony Hopkins plays the master of suspense in this biopic based very loosely on the Stephen Rebello book about the making of Psycho. Helen Mirren plays his wife Alma, and Scarlett Johansson is Janet Leigh. LIFE OF PI (PG; 127 min.) Not content to be absolutely phantasmagorical, Life of Pi claims it will also make you believe in God. A little more modestly, the computer graphics represent a milestone of the technique, and although the film comes with a heavy wowfactor, it’s not lobotomized like Avatar. One can take it straight as a hell of a rousing open-boat adventure. It’s like “The Rime of the Ancient Marinerâ€? with a splendid tiger in it, a beast all the more splendid for being nothing but a figment of pixels. (RvB)

LINCOLN (PG-13; 158 min.) After the huge outcry from undead moviegoers over Abraham Lincoln: Vampire Hunter, Steven Spielberg attempts to bring audiences together for some healing with a Lincoln biopic that completely ignores the 16th president’s unrepentant hate crimes against the living-impaired, instead focusing on his fight to free the slaves and hold the Union together as the nation is ravaged by civil war. MONSTERS INC. (G; 98 min.) The most underrated Pixar flick? (Wall-E lovers are shaking their heads disapprovingly, but, hey, that was at least the first animated movie to get a Best Picture nom). Despite the fact that this was about monsters and featured an all-star cast, there was something low-key about its charm, making it less flashy than say, The Incredibles. But its maybe the sweetest of the studio’s stories, thanks to its bond between Sulley (voiced by John Goodman) and the two-year-old Boo. It’s being re-released in 3D, and will get a prequel next year about Sulley and Mike’s college years NOT FADE AWAY (R; 112 min.) Sopranos creator David Chase sticks with New Jersey and Italian Americans, but this time goes for a flashback rock and roll story with this film (featuring his Sopranos leading man James Gandolfini) about friends trying to make it big as a band. TEXAS CHAINSAW 3D (R; 92 min.) Hilariously halfthought out sequel manages to be that rare example of a film so bad it’s entertaining. The main character was supposedly born shortly before the events of the first TCM film in 1973, and yet in the modern setting of the film (which features a character using an iPhone), she looks to be in her early 20s rather than almost 40. It also makes a big deal about subplot setups, like infidelity between characters, and then just completely drops them. What could have been interesting new plot elements like revenge are so overplayed they make the main character seem like an idiot sociopath, shifting her behavior radically despite everything we’ve seen from her making us think she’d act exactly the opposite. Leatherface (who I guess is supposed to be a senior citizen in this—we never see him without his mask) gets a couple of good scenes, but mostly he just runs around waving his chainsaw. It’s really terrible. And kind of a hoot. (SP) ZERO DARK THIRTY (R; 157 min.) See review, page 22.

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S H O WT I M E S

Super-creepy-looking horror flick from director Andres Muschetti (with a stamp of approval from producer Guillermo de Toro) tells the story of a young couple charged with raising two girls who were left alone in the woods for five years. RUST AND BONE (R; 120 min.) Marion Cotillard plays Stephanie, a trainer of killer whales in this acclaimed romantic drama from director Jacques Audiard—although with so many people using the phrase “killer whale trainer� without a hyphen, you’d think

Movie reviews by Steve Palopoli and Richard von Busack

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BROKEN CITY (R; 115 min.) Mark Wahlberg plays an ex-cop named Billy Taggart (duh!) out for revenge after he’s double-crossed and framed by Russell Crowe as a corrupt mayor. Just picture the exciting final confrontation: “Hi, mayor, you’re the mayor! How’s that working out for you? Say hi to your mother for me!� (Opens Fri at SC 9, Scotts Valley and Green Valley)

THE LAST STAND (R; 113 min.) Korean director Jee-woon Kim, who was responsible for the amazing I Saw the Devil, gets his first shot at a Hollywood film. Not just any Hollywood film, but a Hollywood action film, starring Arnold Schwarzenegger. This time, Sheriff Arnie and his less-than-exemplary deputies are the only thing standing between an escaped drug lord and the Mexican border. (Opens Fri at Cinema 9, Scotts Valley and Green Valley) MAMA (PG-13; 106 min.)

23

JANUARY 16-22, 2013

?A

CURRY UP Assistant chef Uttam Maharjan of Aptos’ Ambrosia India Bistro.

Spice Island in Aptos BY CHRISTINA WATERS

W

e’ve been fans of the plush and well-seasoned Indian cookery at Ambrosia India Bistro in Aptos since it opened. On the site of the former Bleu Spoon (and before that a locally beloved pancake house), Ambrosia offers a long list of tandoori classics, a wide range of naans and plenty of curries—vegan and vegetarian as well as lamb, chicken and beef. But I had never sampled the popular lunch buffet until I met my lovely Capricorn buddy Meri for a joint birthday feast that ranged

from salads and exotic toppings to classic tandoori, curry and masala specialties. And all for $8 each! The restaurant calls its fare “Indian Frontier Cuisine,� involving a blend of authentic regional dishes from the Mughal north to the southern Indian seacoast. Meri led the way to the long buffet table laden with copper dishes and incredible aromas. The salads are terrific, she assured me, as she helped herself to mixed baby greens and a minty vinaigrette. I loved mine with the tamarind sauce and especially an incredible relish of

pickled carrots. Meri told me I would love this carrot relish, and she was right. So bright and piquant, it made everything zing. And then it was on to the huge cauldron piled high with steaming tandoori potatoes tossed with slabs of bell pepper, cloves of garlic and broccoli. Along with the addition of fragrant basmati rice and some creamy Baigan masala eggplant, I could have stopped right there. But then I wouldn’t have sampled the rest of the dishes. A generous portion of warm soft naan arrived just as we sat down. After the

sandwich as much as the next ravenous lunchtime diner, and in my ongoing quest I have gathered a few favorites. Let me share: The Buttery Bakery on the Eastside makes many colossal sandwiches to order, but it also has a nice array of pre-made sandwiches you can just snap up without waiting. Our favorite is the well-packed 8]S¸a 4Od]`WbS, loaded with black forest ham, pickled red onions, provolone and tomatoes on an onion roll. Another winner is the @cS AO\ReWQV at Kelly’s, composed of swiss cheese and ham on a very chewy, very slender, buttered baguette roll. The baguette, as every Kelly’s fan knows, offers an addictive exercise in chewiness, like singing “Aidaâ€? with your jaws wired shut. Also utterly wonderful is the bc\O aOZOR aO\ReWQV custom made by the team at New Leaf Market on Fair on the Westside. I love the tiny grated carrots, celery and miniscallions dotting the tuna, which is added along with heaps of sunflower sprouts, pepperoncini and anything else you can think of. We like ours on 9-grain bread. Of course, Gayle’s is practically a sandwich Valhalla unto itself, with its chicken tarragon croissant and its turkey on crunchy roll, and everything in between. We’re devoted to the fabulous b`W bW^ `]abW filled with chive cream cheese and tomatoes. All of these great sandwiches run between $4.25 and $7. Living in Santa Cruz has its rewards.0

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=< / @=:: I love a well-made

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Epicure

first plates, which we joined with tall glass tumblers of hot black tea, we moved onto a fine chicken curry, and an even finer Tandoori chicken. Glistening with red garam masala, ginger and garlic tandoori spices, the chicken was succulent and tender inside. And yes, I did add more of that incredible pickled carrot relish to this, too. We ate and talked and ate some more, and ended up happily full for $24 total. That’s multiple trips to the buffet, plus mega-sized black tea, for $12 each, including tax. And Ambrosia is a perfect dining pitstop for a wet winter day. It’s located at 207 Sea Ridge Road in Aptos—a block away from Manuel’s and just up the hill from Seacliff State Beach. For reservations, call (831) 685-0610.

26

Diner’s Guide Our selective list of area restaurants includes those that have been favorably reviewed in print by Santa Cruz Weekly food critics and others that have been sampled but not reviewed in print. All visits by our writers are made anonymously, and all expenses are paid by Metro Santa Cruz.

Symbols made simple: $ = Under $10 $$ = $11-$15 $$$ = $16-$20 $$$$ = $21 and up Price Ranges based on average cost of dinner entree and salad, excluding alcoholic beverages

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APTOS $$ Aptos

Ambrosia India Bistro Indian. Authentic Indian dishes and specialties served in a 207 Searidge Rd, 831.685.0610 comfortable dining room. Lunch buffet daily 11:30am-2:30pm; dinner daily 5pm to close. www.ambrosiaib.com

$$ Aptos

Britannia Arms

$ Aptos

Heather’s Patisserie

$$$ Aptos

Severino’s Grill

$$ Aptos

Zameen Mediterranean

8017 Soquel Dr, 831.688.1233

7486 Soquel Dr, 831.662.3546

7500 Old Dominion Ct, 831.688.8987

American and specialty dishes from the British and Emerald Isles. Full bar. Children welcome. Happy hour Mon-Fri 2-6pm. Open daily 11am to 2am. Bakery and deli. f. A wide variety of Parisian style pastries, breads and American baked goods baked fresh on site daily. Hot breakfast and lunch available daily. Enjoy with our organic coffee and espresso. Delicious, custom built wedding cakes available. Open 6am Mon - Fri, 7am Sat - Sun. Continental California cuisine. Breakfast all week 6:30-11am, lunch all week 11am-2pm; dinner Fri-Sat 5-10pm, Sun-Thu 5-9pm. www.seacliffinn.com.

Middle Eastern/Mediterranean. Fresh, fast, flavorful. Gourmet 7528 Soquel Dr, 831.688.4465 meat and vegetarian kebabs, gyros, falafel, healthy salads and Mediterranean flatbread pizzas. Beer and wine. Dine in or take out. Tue-Sun 11am-8pm.

CAPITOLA $$

Geisha Sushi

Capitola

Japanese. This pretty and welcoming sushi bar serves 200 Monterey Ave, 831.464.3328 superfresh fish in unusual but well-executed sushi combinations. Wed-Mon 11:30am-9pm.

$$$

Shadowbrook

Capitola

1750 Wharf Rd, 831.475.1511

$$$

Stockton Bridge Grille

Capitola

231 Esplanade, 831.464.1933

$$$ Capitola

Zelda’s

California Continental. Swordfish and other seafood specials. Dinner Mon-Thu 5:30-9:30pm; Fri 5-10pm; Sat 4-10:30pm; Sun 4-9pm. Mediterranean tapas. Innovative menu, full-service bar, international wine list and outdoor dining with terrific views in the heart of Capitola Village. Open daily.

California cuisine. Nightly specials include prime rib 203 Esplanade, 831.475.4900 and lobster. Daily 7am-2am.

SANTA CRUZ $$$ Le Cigare Volant Santa Cruz 328 Ingalls St, 831.425.6771

Featuring vibrant, seasonally driven cuisine that pairs effortlessly with Bonny Doon Vineyard wines. Menu changes weekly to spotlight the freshest, local, organic and biodynamic ingredients. Bring friends, meet new ones, and dine ensemble, while embracing community and cuisine.

$ Charlie Hong Kong California organic meets Southeast Asian street food. Organic Santa Cruz 1141 Soquel Ave, 831. 426.5664 noodle & rice bowls, vegan menu, fish & meat options, Vietnamese style sandwiches, eat-in or to-go. Consistent winner “Best Cheap Eats.� Open daily 11am-11pm $$ The Crepe Place Crepes and more. Featuring the spinach crepe and Tunisian Santa Cruz 1134 Soquel Ave, 831.429.6994 donut. Full bar. Mon-Thu 11am-midnight, Fri 11am-1am, Sat 10am-1am, Sun 10am-midnight. $$

Crow’s Nest Seafood. Fresh seafood, shellfish, Midwestern aged beef, pasta Santa Cruz 2218 East Cliff Dr, 831.476.4560 specialties, abundant salad bar. Kids menu and nightly entertainment. Harbor & Bay views. Breakfast, lunch & dinner daily. Gabriella Cafe $$ Santa Cruz 910 Cedar St., 831.457.1677

Califormia-Italian. Fresh from farmers’ markets organic vegetables, local seafood, grilled steaks, frequent duck and rabbit, famous CHICKEN GABRIELLA, legendary local wine list, romantic mission-style setting with patio, quiet side street.

Hindquarter Americana. Ribs, steaks and burgers are definitely the stars. $$ Santa Cruz 303 Soquel Ave, 831.426.7770 Full bar. Lunch Mon-Sat 11:30am-2:30pm; dinner Sun-Thu 5:30-9:30pm, Fri-Sat 5:30-10pm. $$ Hoffman’s California/full-service bakery. Breakfast, lunch, dinner. “Best Santa Cruz 1102 Pacific Ave, 837.420.0135 Eggs Benedict in Town.� Happy Hour Mon-Fri 5-6pm. Halfprice appetizers; wines by the glass. Daily 8am-9pm. $$

Hula’s Island Grill ’60s Vegas meets ’50s Waikiki. Amazing dining experience in Santa Cruz 221 Cathcart St, 831.426.4852 kitchy yet swanky tropical setting. Fresh fish, great steaks, vegetarian. Full-service tiki bar. Happy-hour tiki drinks. Aloha Fri, Sat lunch 11:30am-5pm. Dinner nightly 5pm-close.

India Joze

Santa Cruz 418 Front St, 831.325-3633

$$ Johnny’s Harborside Santa Cruz 493 Lake Ave, 831.479.3430

Eclectic Pan Asian dishes. Vegetarian, seafood, lamb and chicken with a wok emphasis since 1972. Cafe, catering, culinary classes, food festivals, beer and wine. Open for lunch and dinner daily except Sunday 11:30-9pm. Special events most Sundays.

27

Seafood/California. Fresh catch made your way! Plus many other wonderful menu items. Great view. Full bar. Happy hour Mon-Fri. Brunch Sat-Sun 10am-2pm. Open daily.

La Posta Italian. La Posta serves Italian food made in the old style— $$$ Santa Cruz 538 Seabright Ave, 831.457.2782 simple and delicious. Wed-Thu 5-9pm, Fri-Sat 5-9:30pm and Sun 5-8pm. Silk road flavors. Fresh, nourishing and delectable Mediterranean cuisine with a unique Afghan twist. Patio dining. Open daily for lunch 11:30-3pm & dinner at 5pm.

Louie’s Cajun Kitchen $$ Santa Cruz 110 Church St., 831.429.2000

Laissez les bons temps rouler at this cool, funky N’awlins-style celebration of food, libations and bluesy sounds. Start with a Hurricane as you peruse our menu of serious cajun goodness.

$$ Olitas Fine Mexican cuisine. Opening daily at noon. Santa Cruz 49-B Municipal Wharf, 831.458.9393 $$ Pacific Thai Thai. Individually prepared with the freshest ingredients, Santa Cruz 1319 Pacific Ave, 831.420.1700 plus ambrosia bubble teas, shakes. Mon-Thu 11:30am-9:30pm, Fri 11:30am-10pm, Sat noon-10pm, Sun noon-9:30pm.

Ristorante Italiano

Santa Cruz 555 Soquel Ave, 831.458.2321

Authentic Hawaiian Island Cuisine! Featuring “The Reef� tropical bar. Large outdoor patio. Variety of poke, wraps, salads, vegetarian, all entrees under $10! “Aloha Fridays,� Hawaiian music and hula! Open 11-10pm Sun-Wed,11-11pm Thur-Sat!

Italian-American. Mouthwatering, generous portions, friendly service and the best patio in town. Full bar. Lunch Mon-Fri 11:30am, dinner nightly at 5pm.

$$ Santa Cruz Mountain Brewing California / Brewpub. Enjoy a handcrafted organic ale in the Santa Cruz 402 Ingalls Street, Ste 27 taproom or the outdoor patio while you dine on Bavarian pretzels, 831.425.4900 a bowl of french fries, Santa Cruz’s best fish tacos and more. Open everday noon until 10pm. Food served until 7pm.

Soif Wine bar with menu. Flawless plates of great character and $$ Santa Cruz 105 Walnut Ave, 831.423.2020 flavor; sexy menu listings and wines to match. Dinner MonThu 5-9pm, Fri-Sat 5-10pm, Sun 4-9pm; retail shop Mon 5pmclose, Tue-Sat noon-close, Sun 4pm-close. $$ Stagnaro Bros. Seafood and more. Family owned since 1937. Fresh seafood, Santa Cruz 21 Municipal Wharf, 831.423.2180 pasta and steaks . Kid friendly. Panoramic ocean views from the main dining room and Upper Deck Lounge. Large outdoor fish market on site with 20+ types of fresh fish. Open daily at 11am. $$ Woodstock’s Pizza Santa Cruz 710 Front St, 831.427.4444

Pizza. Pizza, fresh salads, sandwiches, wings, desserts, beers on tap. Patio dining, sports on HDTV and free WiFi. Large groups and catering. Open and delivering Fri-Sat 11am-2am, Mon-Thu 11am-1am, Sun 11am-midnight.

SCOTTS VALLEY $ Heavenly Cafe American. Serving breakfast and lunch daily. Large parties Scotts Valley 1210 Mt. Hermon Rd, 831.335.7311 welcome. Mon-Fri 6:30am-2:15pm, Sat-Sun 7am-2:45pm.

Jia Tella’s $ Scotts Valley 5600 #D Scotts Valley Dr, 831.438.5005

Cambodian. Fresh kebabs, seafood dishes, soups and noodle bowls with a unique Southeast Asian flair. Beer and wine available. Patio dining. Sun-Thu 11am-9pm, Fri-Sat 11am-10pm.

!

Pono Hawaiian Grill $ Santa Cruz 120 Union St, 831.426.pono

8/<C/@G $

Laili $$ Santa Cruz 101B Cooper St, 831.423.4545

JANUARY 16-22, 2013

?H

Free Will

Rob Brezsny

Astrology By

29

For the week of January 16

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JANUARY 16-22, 2013

30

Classifieds PLACING AN AD BY PHONE

BY FAX

BY MAIL

IN PERSON

EMAIL

DEADLINES

Call the Classified department at 408.298.8000 Monday through Friday 9am to 5pm

Fax your ad to the Classified Department at 831.457.5828

Mail to Santa Cruz Classifieds, 877 Cedar St, Suite 147, Santa Cruz, CA 95060

Visit our offices at 877 Cedar St, Suite 147, Santa Cruz Monday through Friday 10am to 4:30pm

classifieds@metronews.com. Please include your Visa, MC, Discover or AmEx number and expiration date for payment.

For copy, playment, space reservation or cancellaion: Display ads: Friday 12 noon, Line ads: Friday 3pm

Loan Processor

EMPLOYMENT Admin Assistant Tax Firm In Santa Cruz, 8am-5pm M-F $12-15 per hour, Jan-April 2013 Greet customers, multiline phones MS Word and Excel Math/Accounting Background a Plus! KELLY SERVICES, 425-0653 e-mail: 1471@kellyservices.com *Never A Fee*

Marketing Assistant In Santa Cruz 2-3 months, possible long term Real Estate license helpful KELLY SERVICES, 425-0653 e-mail: 1471@kellyservices. com *Never A Fee*

QC Inspector PCB In Scotts Valley 6am-2:30pm M-F $14-$17 per hour Temp-to-Hire IPC-A-610 or J-STD-001 required 1st Article inspections 5 years experience required

KELLY SERVICES, 425-0653 e-mail: 1471@ kellyservices.com *Never A Fee*

$20-$22 per hour Full Time Long Term At Reputable Bank in Santa Cruz 4-5 Years Experience Preferred Disclosures, Credit Checks, Escrow KELLY SERVICES, 425-0653 e-mail: 1471@kellyservices.com *Never A Fee*

$$$HELP WANTED$$$ Extra Income! Assembling CD cases from Home! No Experience Necessary! Call our Live Operators Now! 1-800-405-7619 EXT 2450 www.easyworkjobs.com (AAN CAN)

Production Workers Wanted! Food production in Watsonville Day and Swing Shifts Available Must have a flexible schedule Fluent in English required Must have reliable transportation & pass a drug test Temp-To-Hire $8.50/hr. KELLY SERVICES, 425-0653 e-mail: 1471@kellyservices.com

Homes Hom mes REAL EST ESTATE AT E SALES S ALES Beautiful cr creek eek front front setting with a pretty pretty meadow y, happy meadow.. Sunny Sunny, place to gar den Bit of a den. garden. rrough ough road road getting there there and off the grid. Shown by appointment only. only. Broker Broker will help show. show. Offered Offered at $157 7,000. , Call Debbie @ $157,000. Call Donner Land & Homes, Inc. 408395-5754 408-395-5754 www .donnerland.com www.donnerland.com

GARDEN DELIGHT WITH AN OCEAN VIEW Permits appr Permits approved oved ffor or 2,500 SF house & work shop. p Create Create your y workshop. dr eam home in a good dream Peacefully neighborhood! Peacefully private, pretty pretty Meadowlike setting. Potential Potential horse property. property. Good well with solar pump. Close to Aptos Village. Good A ccess, Easy terrain. terrain. Access, P ower at street. street. Private: Power LLocked ocked gate. Shown by appointment only. only. Broker Broker will help show. show. Offered Offered at $396,000. Call Debbie @ $396,000. Call Donner Land & Homes, Inc. 408395-5754 408-395-5754 www .donnerland.com d l d www.donnerland.com

Ow Owner wner Financing on this Fu ully P ermitted, Log Log House Fully Permitted, on n 40 A cres. Private, Acres. Su unny & Secluded. BackSunny upp pr opane gener atorr, propane generator, pr ropane heat & hot water, water, propane w ell w/electric pump & well w orking windmill pump. working In ternet ser vice available. Internet service Co ompletely off the grid. Completely Of ffered at $595,000. Offered $595,000. Sh hown by appointment Shown on nly. Br oker will help only. Broker sh how. CCall all Debbie @ show. Do onner Land & Homes, Inc. Donner 40 08-395-5754 408-395-5754 w ww.donnerland.com www.donnerland.com

Santa S t Cruz C C Classifieds To T o Advertise call 408/200-1329 or visit s santacruzweekly.com

A better paper.

We’ve taken smudges out of local journalism.

Free F ree Real Real Estate Estate C ounseling! Counseling! JANUARY 16-22, 2013

CREEK FRONT SETTING SETTING

RIDGE TOP LOG R C CABIN

Wheels W Whee els

31

Take T a k e tthe h e ffirst i rs t sstep te p ttoward o wa w rd a ssolution o lu t io n Call C all a qualified, qualified, certified certified team team Wee clean, ORGANIZE W cleean, stage, stage, O RGANIZE & offer helpful financial advice. off ffeer h elp pful fin ancial ad vice.

First Friday

Over 40 op open pen houses

February 1st 877 Cedar Street

6-9pm

iin one o spot... t

Cruzio ruz zio

OPEN HOUSEE

EXTRAVAGANZA AGANZAA

Cruzioworks

First Friday

IWhy Wait for Beauty School? Start your career now at TheCosmoFactory Cosmetology Academy, the only NACCASaccredited beauty school in the county. There’s always something exciting happening at the Factory… Come see for yourself what everyone’s talking about! Finacial Aid upon approval. TheCosmoFactory Cosmetology Academy 131-B Front St, Santa Cruz 831.621.6161 www.thecosmofactory.com

Food Drinks Jobs

Solutions for the Food and Drink Industry

PoachedJobs.com

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