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The Nucle Nuclear ear Terminator Terminator e r p6 | Public S Safety Fix? p77 | National Poetry Poe etry Month p15

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ON THE COVER

Photo of Neal Cassady and Jack Kerouac by Carolyn Cassady.

POSTS 4 CURRENTS

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COVER STORY A&E

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STAGE/ART/EVENTS 16 BEATSCAPE 18 CLUB GRID 20 FILM 24 EPICURE 26 ASTROLOGY 31

Dr. Holly German, N.D., Dr. Tonya Fleck-D Andrea, N.D., Dr. Irene Valencia, N.D., Dr. Juli Mazi, N.D.

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Contents

A locally-owned newspaper

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Messages & Send letters to Santa Cruz Weekly, letters@santacruz.com or to Attn: Letters, 877 Cedar St., Santa Cruz, 95060. Include city and phone number or email address. Submissions may be edited for length, clarity or

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factual inaccuracies known to us. EDITORIAL EDITOR AB3D3 >/:=>=:7 spalopoli@santacruzweekly.com

STAFF WRITERS 53=@57/ >3@@G gperry@santacruzweekly.com

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CONTRIBUTING EDITOR 16@7AB7</ E/B3@A PHOTOGRAPHER 167> A163C3@

Best Around Re: “Big Ideas� (Cover, March 20): The Santa Cruz Museum of Art and History is one of the best museums I’ve ever been to. I don’t know what it was like before Nina Simon, but I was there last weekend and it was great. We went to a trivia night that was a lot of fun, and the visitor experience was well, well, well worth the $5 admission. Do yourself a favor and go there. Wish I lived closer.

EDITORIAL INTERN 8/<3::3 5:3/A=< CONTRIBUTORS @=0 0@3HA<G >/C: ; 2/D7A ;716/3: A 5/<B 8=3 5/@H/ /<2@3E 57:03@B ;/@7/ 5@CA/CA9/A 8=@G 8=6< 1/B 8=6<A=< 93::G :C93@ A1=BB ;/11:3::/<2 /D3@G ;=<A3< >/C: E/5<3@

ART & PRODUCTION DESIGN DIRECTOR 9/@/ 0@=E< PRODUCTION OPERATIONS COORDINATOR ;3@1G >3@3H GRAPHIC DESIGNER B/07 H/@@7<<//: EDITORIAL PRODUCTION A3/< 53=@53 AD DESIGNER 27/<</ D/<3G193

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PUBLISHER 83/<<3 6=E/@2

PRESIDENT & EXECUTIVE EDITOR 2/< >C:1@/<=

JIM CUPPLES Springfield, Or.

Art Equals Change Re: “Slow Start� (Briefs, March 6): The Artspace Tannery is an amazing achievement for Santa Cruz. There is an incredible diversity of very high quality art available from the Artspace

Tannery Artists. The problem lies with the fact that most Americans do not buy art. It isn’t just that people buy very little art, it is that they refuse to spend any money on original art at all. If people would just take a chance and actually buy something from a living artist, maybe our society would be a kinder, gentler place. If we keep saying we want less violence in our community, but refuse to support the arts, we are lying to ourselves. O. WILDER Santa Cruz

Root of Violence Re: “The Battle Over Santa Cruz� (Cover, March 6): Although I’m sure the huge outpouring of grief for the slain police officers in this community is real, and the fear of violence in this community is real, I wonder why the death of these two officers is more tragic than the murder of a private citizen by another private citizen, or the killing of a private citizen by a

police officer. Isn’t all human life equally valuable, and each violent death equally tragic? Why isn’t there a vast sense of pain and loss whenever there is death by gun violence, no matter who is doing the shooting, and no matter who gets killed? Why isn’t there outrage for the other types of violence, including the violence that is inherent in a hierarchal society based on the exploitation of the economically disadvantaged for the benefit of the economically privileged? Why aren’t there massive demonstrations against all war, all the time? We will only be able to successfully deal with violence when we all recognize the violence that is in our own hearts, which is rooted in our own insecurity and fear and hatred of the demonized “other.� There is no enemy to hate and fear, there is only a collective and individual shadow that needs healing, understanding and integration. ERICH J. HOLDEN Santa Cruz

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Not Amused I’m just wondering why you feature Tom Tomorrow. Most political cartoons extend false logic to a familiar scenario in order to illustrate how ridiculous the logic is. His cartoons distort the logic and apply it to equally ridiculous scenarios for who knows what end. I’m almost always left understanding his point, but being neither intellectually or comically amused. Which begs the question: why the illustration and punch line, if you’re just providing droll, trite commentary? JONATHAN ZWART

CORRECTION Last week, we reported that Take Back Santa Cruz was planning a march to City Hall April 26. The event happened Tuesday, March 26. We regret the error.

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The votes are in. The count is done. The results will be published.

The 2013 Gold Awards Coming April 3

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to the California Supreme Court over their fiscal analysis of the bill. By the time the court declined to hear the case, Davis had already filed the initiative three times. By the fourth though, the state owned up to a drastically reduced price tag. “The fiscal analysis changed not because the facts changed, but because the evidence changed,� says Davis. “That is unprecedented, as far as I know.�

Unlikely Activist

NUCLEAR REACTOR Santa Cruz’s Ben Davis Jr. led the successful fight to close Rancho Seco, and now he’s going after the state’s remaining nuclear power plants.

Approaching Shutdown Santa Cruz’s ‘nuclear terminator’ is out to close the state’s last two plants for good BY SALLY NEAS

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any locals know Ben Davis Jr. as a painter, the resident artist at Santa Cruz’s Sones Cellars. His work is so colorful and bright it almost seems to glow. But as he sits in the Sones Cellars tasting room, sipping a glass of Cancion Del Mar, he has an entirely different kind of glow on his mind. As he speaks about the dangers of nuclear power, his other passion—one that has put him in the national spotlight— takes over. “It is just wrong on so many levels,� says Davis. Davis was recently nicknamed “the Nuclear Terminator� by Forbes magazine, and he’s living up to the billing. He first made his mark leading the successful ballot-initiative

campaign to close the Rancho Seco nuclear power plant in 1989, and now he’s going after the two remaining nuclear power plants in the state with the California Nuclear Initiative. The ballot measure, which is currently gathering signatures, prohibits California nuclear power plants from generating electricity until the federal government approves a plan for permanently disposing of nuclear waste or reprocessing of fuel rods. It would effectively shut down California’s existing nuclear power plants, San Onofre and Diablo Canyon. For Davis, this has been a long battle. He originally proposed the initiative to close all of the state’s nuclear power plants in the late 1980s, but at the time the state said that it would cost $5

billion to shut them down. “Back then, that was such a big price tag that I couldn’t get any grassroots support,� he says. He set aside the campaign for two decades. Then in 2011, the earthquake and tsunami in Japan triggered a nuclear meltdown at the Fukushima I Nuclear Power Plant, the largest nuclear catastrophe since Chernobyl in 1986. With public sentiment toward nuclear power shifting drastically, Davis renewed his push to close California’s plants. But just like when he filed his initiative 20 years ago, the state came back at him with a huge price tag, claiming it would cost tens of billions of dollars annually to close the plants. Suspecting he was being duped, Davis eventually took the state

With no formal education in law, environmental science or justice, Davis may seem like an unlikely activist. However, when asked about how he found himself almost single-handedly trying to close down all the nuclear power plants in California, Davis smiles. “I was into anti-growth in our community back in the 1970’s. I grew up on the [Sacramento] river, and they were chopping up the river bank. It started becoming clear to me that something was wrong with what they were doing to these natural beautiful areas,â€? he remembers. As his interest in nuclear activism and knowledge of the law grew, Davis took on what would be a landmark victory: the fight to close down the Rancho Seco nuclear power plant. “ After Three Mile Island, Sacramento County was required to adopt an evacuation plan for the city in case of a nuclear accident‌They tried to adopt that without environmental review, and I had learned just enough about environmental law to know what they were trying to do was just silly.â€? Davis is also currently sponsoring a ballot initiative that would turn the entire state of California into an electrical utility district. By creating a publicly owned utility, he hopes to reduce the price of electricity 10-20 percent. Still, his anti-nuclear work remains his most personal project. “Of all the environmental issues to fight, this one attracted me the most,â€? he says. “In fact, to some degree, it feels like it chooses me as much as I choose it.â€? 0

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Briefs Cutting Remarks

Friday Night, No Lights In towns across the country, there’s only one place to be on a Friday night in autumn: the local high school football stadium. The week is over, the sun is down and the energy is through the roof. But around here, not all local high schools get to play in the limelight—or any light, for that matter. While Santa Cruz High, Aptos High and Soquel High all have stadium lights that allow them to play night games, Harbor High has come up a few yards and a lot of kilowatts short. It’s not easy to rush for eight-and-a-third yards per carry when you can’t see your own cleats, which has limited the school’s team to totally uncool day games. “The bottom line is, kids want to play Friday night,� says Harbor High School Athletic Director Steve Kopald. “It’s a whole different vibe.� He says administrators have been pushing for lights since the school was built in 1974, but various impediments, such as permits and environmental considerations—and, of course, money— have always halted the project’s progress. This year, Kopald has joined forces with Carol Godsave, a local resident whose granddaughter is a cheerleader at Harbor, with the intention of raising the $250,000 needed to install field lights in time for the first game of next season: September 6, 2013. Godsave and Kopald have contracted with the state architect to complete all the permits required to revamp the field. “The only hurdle now is raising the money,� says Godsave. They are hoping for donations from the community to reach the amount. The Sunrise Rotary Club spent 12 years putting on charity bike rides to raise $500,000 to redo and add lights to Santa Cruz High’s stadium, which were completed in 2010. “We would not like to diminish Santa Cruz High in any way, but step up and say, ‘Maybe it’s Harbor High’s time,’� says Godsave. Those interested in supporting Harbor’s cause may send checks made out to Harbor High with “field lights� in the note, sent to the attention of Athletic Director Steve Kopald. 0

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It’s much too soon, Vice Mayor Lynn Robinson says, to discuss any cuts to the Homeless Services Center’s day programs. The Santa Cruz Sentinel reported last week that Robinson “will consider calling for the reduction or elimination of $42,000 in city funding for the facility’s day services.� Robinson, who serves on the city’s community programs committee, which makes funding recommendations for social services, told us she carefully considers funding every year and has heard a lot of hoopla lately about cuts to the center. “I look at that paragraph, and this has got to be the hot paragraph that got rearranged in everyone’s mind,� Robinson says of the Sentinel’s story. “I’m not in a position to talk about funding right now.� Robinson originally wrote Homeless Services director Monica Martinez last month, as the Sentinel reported, saying she could longer support “business as usual,� based on incidents she observed near the shelter. Robinson says politics from public safety hawks played no role in her position. “I’m focusing on getting positive outcomes out of the programs the city funds,� she says. Claudia Brown, president of the center’s board of directors, says the shelter was built to deal with homeless issues, not create them. “There were problems that we have solved like soup kitchens down on Pacific Avenue for example, where business leaders wanted us to make sure people were fed away from downtown,� Brown says. Analicia Cube, co-founder of Take Back Santa Cruz, has supported changes to the center and says the city needs to start weeding criminals out of the larger population and thinks a reform could be part of that. She hopes any cuts would be reinvested in keeping the Harvey West neighborhood safe. “I can’t speak for the councilmembers, but there needs to be a change at the center in regards to safety and policy,� says Cube. Inbal Yassur works for the River Street Shelter, which shares the Coral Street Campus with the city’s Homeless Services Center and the county’s Homeless Person’s Health Project. She doesn’t think Homeless Services cuts that send at-risk people to the streets

will do Santa Cruz any favors. “Cutting budgets will just make this worse,� Yassur says. “That’s not the solution.�

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‘On the Road’ Again A beat revival is brewing, beginning with the new film of Jack Kerouac’s masterpiece BY RICHARD VON BUSACK

‘WHITHER GOEST THOU, AMERICA, IN THIS SHINY CAR?’ Out ‘On the Road’ with Sal Paradise (Sam Riley, left) and Dean Moriarty (Garrett Hedlund).

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hen I interviewed John Cassady last year in connection with the documentary The Magic Bus, I was surprised at his enthusiasm. Now living in the Santa Cruz Mountains, John is the son of Beat legend Neal Cassady, known both for his own writings and as the model for the Dean Moriarty character in Jack Kerouac’s On the Road.

Commonly, the children of bohemian types grind an axe about how they suffered from the absenteeism and the bad behavior. Cassady said, “Are you kidding? My upbringing was the complete opposite. I had an idyllic existence. I felt like a rock star—my father was not famous, he was infamous. I loved the attention. To this day, it’s like, don’t get me started.� “That’s what he told me, too,� says Garrett Hedlund, who portrays Dean Moriarty/Neal Cassady in director Walter Salles’ new film adaptation of On The Road, “that he couldn’t wait for his father to get home from work, that all the kids would be hanging on Neal’s biceps.� The actor joined the Cassady family at Skywalker Ranch for the preview screening of On the Road: “It was one of my fave screenings. They were there, so was Jerry Cimino of the Beat Museum in San Francisco, as well as Jack’s biographer Gerry Nicosia.� Hedlund had read On the Road in high school. “I started with Fitzgerald and Salinger—I moved on to Kerouac, Bukowski and those cats,� he told me.

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Carolyn Cassady

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ROAD WARRIORS Jack Kerouac (right) with Neal Cassady, circa 1952.

“For the role, I read On the Road, Dharma Bum, Visions of Cody. I read a third of Neal’s book, a big diary of the childhood formative years, the published letters and Carolyn Cassady—and I listened to the jazz, Slim Gaillard, Dexter Gordon, Dizzy and Miles. I was fascinated by the spontaneous prose and the thought process—reading about getting out and living life. Of course, you’re reading it, and you’re still in high school and you have a curfew. You get jealous.�

Kerouac Revival On the Road spearheads a small wave of Kerouac adaptations. Coming soon is Michael Polish’s version of Big Sur—the story of an alcoholic breakdown previously described in Curt Worden’s 2008 documentary One Fast Move or I’m Gone. This new take on Big Sur uses the real names of the characters; Josh Lucas is billed as Neal Cassady. Daniel “Harry Potter� Radcliffe plays Ginsberg in Kill Your Darlings, a

movie about a key event in Kerouac’s life: the time the author (played by Jack Huston) was nearly arrested as a accessory after the fact to a murder. It all starts with Salles’ long-delayed film of Jack Kerouac’s famed novel. Produced by Napa’s own Francis Ford Coppola, the film has been 50 years in the making, not counting some reediting and time on the shelf after its debut in May 2012 at the Cannes Film Festival. It’s been a long road. Right after the novel’s 1957 publication, Kerouac claimed to friends that Marlon Brando was interested. Brando’s people passed, however. Years later, Gus Van Sant was interested—a seeming natural to direct the adaptation, particularly in light of My Own Private Idaho. Rumors blue-skied Johnny Depp as the Kerouac figure, Sal Paradise, with Brad Pitt as Kerouac’s solar-deity/car thief Moriarty. Billy Crudup and Colin Farrell were also proposed as Sal and Dean.

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It’s been a long road. Right after the novel’s 1957 publication, Kerouac claimed to friends that Marlon Brando was interested. Years later, director Gus Van Sant was interested. The filmmakers borrowed and rented cars from collectors of the since-vanished Hudson. The California desert town of Twentynine Palms doubled for Silicon Valley’s Campbell, where Kerouac once did a stint of manual labor loading boxcars back when the region was devoted to orchards instead of chips.

‘Road’ Work Via phone, director Salles says, “You know, this was ultimately an eight-year search. We interviewed the persons who inspired the characters in the book in San Jose and Los Gatos, [including] several members of the

Neal Cassady family. And we met with Al Hinkle, who is Ed Dunkle in the book. “This in-depth research process allowed us to understand the complexity, the social and cultural background of the book. The late 1940s and early 1950s were very hard times to live. A generation was seeking to redefine their future. The book is at once an ode to freedom, an ode to youth and an ode to literature.� From the start, this version of On the Road added biographical behavior to Kerouac’s fictional surrogates. “We were so informed about the real stories that we were able to somehow improvise their logic,� Salles says. “The book is so rich and polyphonic that you can actually select the leitmotifs. First is the search for the father at the beginning. Later comes the difficulty these young men have in being fathers themselves. Dean has kids, but the restlessness propels him forward. Sal is trying to father a novel. “This is a narrative about the transitional years from youth to adulthood. You also have to face pain, and we wanted that to be part of the film. There are moments in the narrative that are extremely painful, and Dean generates some of that pain. “I wanted the film to carry that ambivalence. Therefore, you soon understand that Dean gives as much as he takes. The jazz-infused letters Neal wrote altered Kerouac’s position on literature. It’s not difficult to understand why Neal’s life was so resonant to Jack.� Before the filming, Hedlund came to the South Bay to talk to some of the survivors who remember the real men and women behind the fictional alter-egos. It was “a wonderful experience,� says the 28-year-old actor. First in Montreal, which doubled for post– World War II New York City, Hedlund went through what he described as “Beatnik Boot Camp,� reading and listening to tapes of LuAnne Anderson and Jack and Neal Cassady. “Then I flew to San Francisco,� he continues. “While I was here, I also got over to Berkeley to meet Michael McClure—that was incredible. I met with John Cassady, and heard a lot of anecdotes. I realized how the Cassady

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Hedlund told me that a version with Paul Newman—at about the time Newman starred in Hud—would have been the one he wanted to see. Salles directed the Great (South) American road movie, The Motorcycle Diaries, clearly influenced by the Kerouac frame of mind. Making On the Road, this seemingly unmakable movie, Salles spent many years and what he claims were 60,000 miles hunting for the kinds of locations Cassady and Kerouac would have seen from their car windows in the late 1940s.

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Final Celebration Event Woody Guthrie Dust Bowl Band Montage Celebration Month in Review Depression Era Photos Door Prize

Mar. 27, 5:30-8pm Museum of Art & History WITH 20 + EVENTS

www.santacruzreads.org

FEBRUARY 27 — MARCH 27

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BEING THE BEATS Kristen Stewart and Garrett Hedlund in ‘On the Road.’ Playing the character based on Neal Cassady, Hedlund met with members of his family while shaping his portrayal. family wanted their father perceived, how great a father he was and how much his family loved him.�

A Classic on Film At long last, On the Road—linked with Twain and Whitman as quintessential Yankee literature—has been achieved with a Brazilian director, a Puerto Rican–born scriptwriter named Jose Rivera and a British actor as Sal Paradise (Sam Riley, star of the Ian Curtis biopic Control). As Moriarty, Minnesota’s Hedlund excels in depicting radiating sexuality and lightninglike motion; he’s introduced in a balletic slamming of cars into the tight spaces of a New York City valet parking lot. Sometimes, the other characters

carry baggage from previous acting work. Kirsten Dunst’s Camille is based on Carolyn Cassady, a former local who has been trying for decades to set the record straight about her years with Kerouac and Cassady. Camille is introduced by Carlo as “Helen of Troy with a fucking brain.� A description like that is hard to live up to, and Dunst must also compete with memories of Sissy Spacek in the 1980 film Heart Beat, with Nick Nolte as Neal and John Heard as Jack. Kristen Stewart, who filmed this between her two last Twilight movies, is maybe not as naive and sad as the real life LuAnne Henderson, known to posterity as Marylou, the barely legal Mrs. Moriarty. I mean “naive and sad� compared to the way Henderson comes off in Jack’s Book, an indispensable oral history edited by

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Vocational V ocational o Training Train a ning for for Life fo 0DVVDJH 3UDFWLWLRQHU +RXUV 0DVV VVDJH 3UDFWLWLRQHU +RXUV Barry Gifford. That said, decadence is a good look for Stewart—the darker the circles under her eyes, the better she delivers. Viggo Mortensen plays the mad, bad and dangerous-to-know Burroughs character, tending his weird Louisiana citrus farm. Sturridge successfully avoids Jiminy Cricketism as Carlo. He’s a mentor, not a sidekick—the symbol not just of the beatitudes to be experienced on the road but also of the hard work “Sal Paradise� is going to need to do to become a writer. After such a lengthy build-up, the movie won’t please everyone, but it’s made with freshness, pleasure and unpretentiousness by a director who blends in autobiographical material with the fiction. Salles confronts perhaps the

number-one problem with a movie of On the Road: that is, Sal Paradise’s tendency to adore Dean Moriarty, who, as his fictional name suggests, is both a teacher and a criminal. The sheltered writer learns from proscribed people—from homosexuals, drug addicts, jazz musicians. Since the film is more intense about Moriarty’s own exploits (including a little hustling with a moist-eyed trick played by Steve Buscemi), the movie is ultimately more broadening and frank than the book. It’s less careful than, say, the screen version of Naked Lunch.

Jack’s Demons No need to revise the standard view of Kerouac as a tragic figure, to

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ignore the surfeit of drink that diluted a writer’s talent. Whether he liked it or not, Kerouac was the front man for “The Beat Generationâ€?—a marketers’ wet dream of pointy beards, berets and septic (and overpriced) coffeehouses. Thus Kerouac was often too popular to be respected, and was a piĂąata to be walloped by rival literary figures from John Updike to Steve Allen. Less well-known than the famous thirst is Kerouac’s achievement at being an ESL writer, since he was French-speaking until deep in his childhood. Happily, the film emphasizes the serious prose apprenticeship, the love for Thomas Wolfe and Marcel Proust, which preceded Kerouac’s scatting and bopping in print. There are those who still those who say Kerouac’s Wolfe-influenced novel The Town and the City is his best. Kerouac’s grim side was worsened by the idea that “the wrong son died,â€? as the running joke in the movie Walk Hard has it. He was haunted by his brother’s death at an early age. He was a born-again Buddhist who never shook the old-school Catholic worship of (in his words) “little lamby Jesus.â€? He dwelt in the shadow of his bigoted French-Canadian mother, a woman as tough as the army boots she used to make in the factory. Kerouac was a football player who dropped out, a macho with a taste for bisexual experimentation. He was, above all, a sufferer of the typical malaise of Depression-era kids who went into the arts: the inner terror that he was, despite all the admiration and all the love, at bottom, a bum. The movie mentions Paradise’s father scorning him on his deathbed for having uncalloused hands. On The Road covers a small period in the late 1940s when Kerouac crisscrossed the United States by thumb, or more often by bus or drive-away rental: New York/Bay Area/Mexico City via Denver and New Orleans. These were the freest years in Kerouac’s life, before mad fame, the final crash and the sodden last decade in Florida. The other day, a fellow fan and I were wondering why The Dharma Bums, one of Kerouac’s best books, never made it to screen. It could be

shot for cheap in the Sierra Nevada; moreover, of all Kerouac’s mentors, the poet Gary Snyder (called “Japhy Ryder� in the book) is perhaps the least ambiguously admirable. Kerouac’s books are still carried by travelers, who can read the rapid prose and marvel at the eye and ear, the ebullience and the sorrows. We’re already nostalgic for the time and space of the pre–Interstate America. Odd that John Waters’ new book is going to be about hitchhiking across the United States. Maybe there’ll be a re-exploration of the land by literary travelers.

The other day, a fellow fan and I were wondering why The Dharma Bums, one of Kerouac’s best books, never made it to screen. The writers in Kerouac’s circle were very taken with Oswald Spengler’s Decline of the West, the concept of “the fellaheen�—the humble souls at the center of things who would endure no matter what upheavals happened. It’s a romantic and preDeliverance notion. Who goes out there now? Today’s hip writers are more certain they’ll be the prey of toothless cannibals in the hinterlands, rapacious yokels ready to punish weirdoes. The Fort Sumter of the Culture War may have been the 1978 deregulation of airlines, making airfares cheap and making the restless want to go airborne, changing what once was the Heartland into what is now Flyover Country. The film of On the Road, done at last after so many false starts, recovers the beauty of speeding over land, heading no place in particular. ‘On the Road’ plays at the Del Mar.

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AISLE BE SEEING YOU Patrice Vecchione went from hiding poetry books on the wrong shelves in Bookshop Santa Cruz to writing them.

Confessions of a Poetry Junkie Patrice Vecchione kicks off Bookshop’s salute to National Poetry Month BY AARON CARNES

P

oetry has been a lifelong obsession for Patrice Vecchione. Back in the 70s, while still in high school, she desperately wanted to buy the poetry anthology Reflections On a Gift of a Watermelon Pickle that she saw at Bookshop Santa Cruz. Fearing someone else would get it, she hid it in the Economics section until she earned enough money from babysitting to buy it. “The poems spoke to the place where I lived, which was beyond things like what I was going to wear to school that day, or whether I was going to pass my

history final,� says Vecchione. “They spoke about deep matters of life. For fiction, you have to get at least a good 10 pages in. In poetry, so much can happen in such a short space.� Her first connection to poetry goes all the way back to her mother reading poems to her when she was an infant, so perhaps it makes sense that Vecchione, who lived in Santa Cruz for 30 years before moving to Monterey, would grow up to one day be a poet herself. Her first collection, Territory of Wind, was released in 1998. In between editing nine anthologies, she has completed her second, The Knot Untied,

which came out in March. On Tuesday, April 2, Vecchoine will go back to the place where she once stashed poetry books to kick off Bookshop Santa Cruz’s celebration of April as National Poetry Month. Through the years, Vecchione’s poetry has utilized a very simple, concise selection of words that draw the reader in by accessing the five senses, which she uses to express abstract emotions and complex ideas. “For me, writing a poem is about taking something that is not primarily located in language and locating that thing in language,� Vecchione says.

As she got more serious about writing poems in high school, she found that the process of putting pen to paper provided an emotional outlet. “It was the way that I could get the world to hold still for a few minutes. My home life was quite turbulent as a girl, so writing served me emotionally, and I found that you could take something lousy that happened and you could turn it into something that was positive,� Vecchione says. As she’s gotten older, she writes less about her own stories, and focuses on more broad stories, and also writing about nature. Her love affair with nature began only in recent years, after an accident left her unable to do the longdistance bike trips she enjoyed. She took up walks in nature for her exercise. Now she finds herself inspired by these walks, and often writes while in nature. “What I love about the natural world is it takes us as we are. The trees don’t say ‘you can’t be here.’ If you want to walk quickly, it will accept your step. If you want to walk slowly, it does the same. I like how nature is not judgmental, it’s just nature. It just is itself,� Vecchione says. Besides writing her own poems and editing anthologies, she also runs poetry workshops and teaches poetry to children and public schools as a guest poet. She wrote and starred in the one-woman play titled A Woman’s Life in Pieces, and has been working for the last decade-and-a-half on the nonfiction book Writing and the Spiritual Life. “Writing allows us to access not only what we know, but also the collective unconscious,� she says. “When one writes, one is able, through the nonlinear process of writing poetry, to access the greater knowing that exists inside us. I tell my writing students, ‘You know more than you know you know.’�

Patrice Vecchione Bookshop Santa Cruz, April 2

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List your local event in the calendar! Email it to calendar@santacruzweekly.com, fax it to 831.457.5828, or drop it by our office. Events need to be received a week prior to publication and placement cannot be guaranteed.

Stage DANCE M A R C H 2 7 - A P R I L 2 , 2 0 1 3

Falling Up A multi-part dance show with music by the North Pacific String Band and Coda in Blue, choreographed by Santa Cruz Fringe Festival director Dixie Mills. Fri, Mar 29, 8pm, Sat, Mar 30, 8pm and Sun, Mar 31, 8pm. $12$15. 418 Project, 418 Front St, Santa Cruz, 831.466.9770.

Felix Kulpa Gallery Ignited by the Masters: The gallery’s newest show. Thru March 30. 107 Elm St, Santa Cruz, 408.373.2854.

Santa Cruz County Bank In Dreams. Six local artists present their viewpoints on dreams and surrealism through a variety of media. At Santa Cruz County Bank locations in Aptos, Capitola, Santa Cruz, Scotts Valley and Watsonville. Mon-Thu, 9am5pm & Fri. 9am-6pm, Thru April 26. Free, 831.457.5003. 720 Front St, Santa Cruz.

CONCERTS Ayla Nereo

AS FUNNY AS HE INKS HE IS? Sammy Obeid wants to get something on his chest.

Laugh Track For Sammy Obeid, comedy isn’t a sprint—it’s a marathon BY JACOB PIERCE

S

ammy Obeid decided two years ago to do stand-up comedy for 1,000 consecutive days. If all goes according to plan (no panic attacks, measles, etc.), his Tuesday show at the Blue Lagoon will be number 829. The show is part of a new weekly comedy showcase hosted by local comedian DNA. We caught up with Obeid on the phone before a show at the Laugh Factory in Long Beach, Calif. SCW: Do you play any instruments? SAMMY OBEID: I’ve been playing guitar since I was 11. Everyone was like, “You’re going to be an amazing guitar player. Keep doing it.� I really looked up to Jimi Hendrix, but then someone told me Jimi Hendrix started playing guitar when he was four. I figured he had a seven-year lead on me, so I gave up. Last year, I looked it up on Wikipedia. He actually started when he was 15. So always check your facts. Are we living in a postapocalyptic society, or were the Mayans wrong? As far as I’m concerned, my career died last year. I’m headlining the Blue Lagoon. Does the Laugh Factory manufacture laughs? Every comedy place has its name. There’s The Comedy Store, where you buy comedy. There’s the Laugh Factory, which is

wholesale. Then there’s the Improv, where the comedy just comes so easily, but you still have to pay for it. I think all comedy clubs should change their names to You Pay Us Money, We Try to Make You Laugh. That would be more honest. What will the FBI do now that you’ve teamed up with Ahmed Ahmed of the ‘Axis of Evil’ tour? The FBI follows me around all day because I’ve teamed up with the Axis of Evil. They always overlook that “Comedy Tour� part at the end. They just focus on the Axis of Evil part, but they’re onto something. If you won the lottery, would you keep touring? It depends on how much money I would win. Is it more than $50? Then, yes. As much as I enjoy it, I would rather be playing my guitar for free—try to catch up with the late Jimi Hendrix. I guess I never realized that Jimi Hendrix died at 27. So if even if he would have started at four, I would have had seven years after him to catch up. I could have been as good as him by 34 and still been alive.

4BNNZ 0CFJE April 2, Blue Lagoon

Timeless and modern layered songs created with loop pedals and a variety of instruments and vocal harmonies. Marya Stark will also headline this show. Fri, Mar 29, 8pm-12am. Divinitree Yoga, 1043b Water Street, Santa Cruz, 831.421.0518.

Saturday s People The church’s “jazz on high� band backs Lori Rivera, Tammi Brown and Rabbi Paula Marcus for an evening of jazz music and spoken word. www.ticketriver.com. Sat, Mar 30, 7pm. $15-$20. First Congregational Church of Santa Cruz, 900 High St, Santa Cruz, 831.423.1626.

Tracy Parker Parker, of Sherry Austin’s Henhouse band, will join other local musical stars in a benefit concert for Project Purr, a feral cat protection and advocacy group. Sat, Mar 30, 8pm. $18-$20. Kuumbwa Jazz Center, 320-2 Cedar St, Santa Cruz, 831.427.2227.

Arts GALLERIES 23(1,1* Santa Cruz Mountains Art Center SC Mountains Art Center. Resolutions: A collection of paintings, sculpture, jewelry, ceramics, wood, glass, textiles and more by over 30 local artists. www. mountainartcenter.org. Thru April 6. 831.336.3513. WedSun, noon-6pm. 9341 Mill St, Ben Lomond.

&217,18,1* Cabrillo College Gallery Cabrillo Gallery. Tribute: Work by Jamie Abbott and Ron Milhoan, artists with a combined 70 years of teaching for the Cabrillo Art Department. Gallery hours: Mon-Fri, 9am-4pm & Mon, Tues 7-9pm. Thru April 26. 6500 Soquel Dr, Aptos, 831.479.6308.

Events LITERARY EVENTS Author Event: Natalie Goldberg Author and writing coach Goldberg is a believer in the “shut up and write� school of thought. She will read from her book, The True Secret of Writing: Connecting Life with Language, which focuses on connecting with the truth each moment. Sat, Mar 30, 4pm. Capitola Book Cafe, 1475 41st Ave, Capitola, 831.462.4415.

Author Event: Patrice Vecchione Santa Cruz native and published poet Vecchione will read from her new book of poems for all ages: The Knot Untied. Tue, Apr 2, 7:30pm. Bookshop Santa Cruz, 1520 Pacific Ave, Santa Cruz, 831.423.0900.

Author Event: Ruth Gunn Mota Former Peace Corps volunteer and author of Heads, Hearts and Handcuffs: Tales of Santa Cruz Activists, Mota will give a presentation on local peace activists. There will also be a performance by the Raging Grannies. Thu, Mar 28, 6-8pm. Free. Watsonville Public Library, 275 Main Street, Watsonville, 831.768.3419.

LECTURES Find Your Joy Workshop “Find Your Joy in the Middle of the Mess�: A workshop by Nicola Walker, Inner Wisdom Coach, about finding joy throughout the challenging circumstances of life. RSVP required. www. nicolawalkercoaching.com. Thu, Mar 28, 7-9pm. $10. Room for Growth, 9 Camp Evers Lane, Scotts Valley, 415.342.7088.

Human Resources Association A skill-building workshop titled, “Moving from Cost Center to Strategic Partner,� which teaches participants to establish strategic leadership roles in business. www. nchra.org. Wed, Mar 27, 7:309:30am. $35. Graniterock, 350 Technology Dr., Watsonville, 415.291.1992.

Obamacare Talk Speakers including Former Santa Cruz Mayor Mike Rotkin, Congressman Sam Farr and State Senator Bill Monning will discuss the opportunities and challenges that come with the implementation of the Affordable Care Act. Thu, Mar 28, 7-9pm. Free. Santa Cruz Police Department Community Room, 155 Center Street, Santa Cruz.

The Art of Producing Events “Nuts & Bolts�: In this talk, Ana Elizabeth will share the process of turning ideas into performances. Sat, Mar 30, 24pm. 418 Project, 418 Front St, Santa Cruz, 831.466.9770.

NOTICES Beat Sanctuary A dance class for exploring authentic movement as connection, exercise, prayer and spiritual practice. Wed, 7:30-9:15pm. $15. A weekly class for exploring exercise and spirituality through dance. Wed, 7:30-9:15pm. $15. Santa Cruz Yoga, 402 Ingalls Street, Santa Cruz, 585.278.0080.

Storytime

Compost Workshop

Former Shakespeare Santa Cruz actress Billie Harris and Book Cafe manager Jill Rose perform animated readings of children’s stories. Mon, 11am. Capitola Book Cafe, 1475 41st Ave, Capitola, 831.462.4415.

At the workshop, “Compost for the Home Garden and Orchard,� participants will learn the ins and outs of making quality compost. Register online at compost. bpt.me. Sat, Mar 30, 10am1pm. $30 general; $20 members; $5 UCSC students. Alan Chadwick Garden, UCSC, Santa Cruz, 831.459.3240.

Unchained Writers Local literary elite such as bestselling author Laurie R. King and Poetry Santa Cruz director Len Anderson will read from their own works in a benefit for UnChained (livingunchained.org), a nonprofit that pairs at-risk youth with shelter dogs. Thu, Mar 28, 7:30pm. Capitola Book Cafe, 1475 41st Ave, Capitola, 831.462.4415.

Creative Resistance to Rape Culture A collaborative, multi-media event to address rape culture with food, a raffle and resource tables, put on by Project Regeneration. Fri, Mar 29, 6:30pm. $5-$15 donation. Resource Center for Nonviolence, 612 Ocean St., Santa Cruz, 831.423.1626.

Dog Hikes Santa Cruz International Dog Owner’s Community hosts a weekly one-hour, easy hike along the beach for dog lovers and their pets. www. newdogsintown.com Mon, 8:45-9:45am. Free. Aptos Beach staircase, 1049 Via Palo Alto, Aptos.

Insight Santa Cruz Meditation sits, talks and discussions every day of the week. Learn the formal practice of meditation and engage with a community dedicated to reducing suffering by cultivating compassion. Visit www. insightsantacruz.org for specific times and more information. Ongoing. Insight Santa Cruz, 1010 Fair Avenue, Suite C, Santa Cruz, 831.425.3431.

Job Finding Workshop PROFILE of Santa Cruz offers ongoing workshops on resume writing, communication and interview skills for those who need help finding a job. www. SantaCruzPROFILE.org. Mon, 9am-12:30pm. Free. Capitola Career Center, 2045 B 40th Ave, Capitola, 831.479.0393.

Marriage Equality Rally Lighting the Way to Justice: A solidarity rally and march put on by the GLBT Alliance and the Diversity Center. Wed, Mar 27, 5:30pm. Free. Superior Court, 701 Ocean St, Santa Cruz, 831.425.5422.

Peace Camp Scholarships A portion of participating diners’ bills will be donated toward scholarships for local children to attend Jane Addams Peace Camp this summer. To participate, download a flyer at saturncafe.com and bring it in. Wed, Mar 27, 11-12am. Saturn Cafe, 145 Laurel and Pacific Ave, Santa Cruz, 831.566.2227.

Red Cross Mobile Blood Drives American Red Cross will be hosting several mobile blood drives in Santa Cruz County throughout the months of March and April. March 28 at 255 Swift St., Santa Cruz. April 1 at 585 W. Beach St., Watsonville. Visit redcrossblood.org to schedule an appointment. Various sites, NA, Santa Cruz, 1-800RED-CROSS.

Serenity First— Pagans in Recovery A 12-step meeting with a Pagan flair where guests are free to discuss their nature-based, goddesscentered spiritual paths. Sun, 7pm. The Sacred Grove, 924 Soquel Avenue, Santa Cruz, 831.423.1949.

The Speaker’s Gym Instructor Noel Murphy provides leadership coaching and public speaking

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Falling Up One would imagine that experiencing a mid-life crisis, a separation and a 70-pound weight loss would inspire‌something. For choreographer Dixie Mills, the result is a funny and inspiring dance show featuring a live DJ mixing the bluegrass gems of North Pacific String Band with classical and 90’s pop tunes. There will be a fat suit, and, according to Mills: “Imagine a bizarre strip-tease where the pieces hit the floor with a resounding thud.â€? (!!) Friday, March 29, Saturday, March 30 and Saturday, April 6 at 8pm at the 418 Project, 418 Front St., Santa Cruz. Tickets $15/$12 for students. skills every week. www. thespeakersgym.com. Wed, 7-9:30pm. Discovery Gym, 75 Mt. Hermon Rd., Scotts Valley, 831.238.1234.

Touched By Adoption Group Adoptive families, adult adoptees, families waiting to adopt and birth parents meet monthly to connect in a safe, confidential setting. Last Sat of every month, 10am-12pm. Free. Live Oak Family Resource Center, 1438 Capitola Rd, Santa Cruz, 1.866.219.1155.

Yoga Instruction Pacific Cultural Center: 35+ classes per week, 831.462.8893. SC Yoga: 45 classes per week, 831.227.2156. TriYoga: numerous weekly classes, 831.464.8100. Yoga Within at Aptos Station, 831.687.0818; Om Room School of Yoga, 831.429.9355; Pacific Climbing Gym, 831.454.9254; Aptos Yoga Center, 831.688.1019; Twin Lotus Center, 831.239.3900. Hatha Yoga with Debra Whizin, 831.588.8527.

AROUND TOWN Candle Dipping A drop-in family craft where participants can hand-dip wax candles in the Mission’s garden courtyard. Fri, Mar 29, 1-4pm. free. Santa Cruz Mission State Park, 144 School St, Santa Cruz, 831.425.5849.

Comedy Showcase A weekly comedy night featuring Bay Area talent.

Lineup changes every week. Wed, 7pm. Cafe iVeTA, 2125 Delaware Ave, Santa Cruz, 831.713.0320. A new comedy showcase hosted by DNA featuring a different Bay Area headliner each week. Tue, 8:30pm. $5. Blue Lagoon, 923 Pacific Ave, Santa Cruz, 831.423.7117.

English Country Dance

Sparring With Beatnik Ghosts A “poetry music art super show� featuring poets and artists such as Rich Ferguson an Bo Blount. www. sparringwithbeatnikghosts. com. Sat, Mar 30, 7pm. Unity Temple of Santa Cruz, 407 Broadway, Santa Cruz, 831.251.0225.

Second and fourth Thursdays of each month; beginners welcome. Fourth Thu of every month. $5-$7. First Congregational Church of Santa Cruz, 900 High St, Santa Cruz, 831.426.8621.

Footsteps of the Founders A moderate five-mile loop hike through the redwoods with Docent Doreen Devorah, who will share stories of the park’s first human homesteaders. Sat, Mar 30, noon-4pm. Big Basin Redwoods State Park, Hwy 236, Boulder Creek, 831.338.8883.

Make a Luminaria A drop-in family craft day for making tin luminaria lanterns. Sat, Mar 30, 1-4pm. free. Santa Cruz Mission State Park, 144 School St, Santa Cruz, 831.425.5849.

RetroFuture Costume Party A massive “Ruperts Party� future-themed costume party for up to 300 guests featuring music by Nora Cruz and Vinny Johnson. www.rupertsparty.org. Sat, Mar 30, 6pm-12am. $15$20. Portuguese Hall, 216 Evergreen St, Santa Cruz.

Film Santa Cruz Film Festival The November 2013 Santa Cruz Film Festival is now accepting submissions. Information available at www.withoutabox.com/ login/3747. Various sites, NA, Santa Cruz.

San Francisco’s City Guide

George Clinton Grandfather of G-funk appears with Parliament Funkadelic for three nights. Mar 27-29 at Yoshi’s Oakland.

Anthrax It’s like 1989 never left when thrash icons play with Exodus opening. Mar 28 at the Regency Ballroom.

Major Lazer Now Switch-less, Diplo forges on with dancehall avor and opener Lunice. Mar 28 at the Independent.

Lindsey Stirling YouTube sensation combines classical violin, modern dance and the Legend of Zelda. Apr 3 at the WarďŹ eld.

Low Minneapolis trio set to release ‘The Invisible Way.’ Apr 3 at Great American Music Hall. More San Francisco events at www.sfstation.com.

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BASTARDS OF JUNG Let the Heartless Bastards bring out your shadow archetypes Monday.

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LIVIN NG COLOU UR There was so much about Living Colour that made them seem cheesy when they came out in the late ’80s—the actor for a frontman, the emphasis on hair (and wet suit), the fakey social critique of their big hit “Cult of Personality� (ooh, what if Stalin and Ghandi are really the same?), the goofy “Glamour Boys.� I don’t know, though, 20 years of pondering Vernon Reid’s guitar chops will make a believer out of anybody. If Vivid seemed like pure product at the height of their success, today it sounds like one of the best pop records from that decade. Since Corey Glover obviously doesn’t need the money, maybe they reunited just to remind people they kick ass. Catalyst; $19/$24; 8pm. (Steve Palopoli)

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TOM M RIG GNEY & FLA AMBE EAU Hailing from the Bay Area, violinist and composer Tom Rigney has, over a 35-year career in music, firmly established himself as one of the great roots fiddlers. At home playing bluegrass, western swing, country and more, Rigney shines playing Cajun and Louisiana dance music. He even spent a year touring with the legendary Queen Ida; not bad for a child of the West Coast. He and his band, Flambeau, have a reputation for getting dance floors jumping with a mixed bag of Southern music from Cajun, zydeco and New Orleans groove to waltzes and boogie-woogie. Don Quixote’s; $12 adv/$15 door; 8pm. (Cat Johnson)

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The members of Audiafauna are doing what they can for Santa Cruz, headlining benefits to keep the Mission open, teaching biology at UCSC, bringing glorious tunes to the ears of many. Their music provides a kind of ebb and flow, like waves rolling on and off the shore. The smooth and lively instruments and vocals of each song burst with a genuine passion, and take on a life of their own. Strong female vocals accompany a set of powerful strings to create a feeling of welcome that wraps you in its arms, spins you around and lets your feet dangle in the crisp air. The Crepe Place; $10; 9pm. (Melanie Ware)

Who died and made T.J. Cowgill king of dudeness remains a secret, and finding an answer may very well involve staring down Satan in a graveyard, if King Dude’s songs are any indication. The Prince of Darkness gets many a shout-out from Cowgill and his Seattle band, though I seriously doubt Lucifer has much use for folk music. And for all its gothy trappings, that’s absolutely what this is. King Dude is the black metal of Americana, or maybe the Americana of black metal. Catalyst; $10/$13; 9pm. (SP)

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! Celebrating Creativity Since 1975

Thursday, March 28

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CHIHIRO YAMANAKA TRIO

Like Hiromi ...Chihiro Yamanaka brings FIRE to the world of Jazz piano! 1/2 PRICE NIGHT FOR STUDENTS

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Saturday, March 30

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JAN NIS S IA AN Janis Ian is coming to town. For those in the know about such things, the weight of this is obvious. For those who don’t, I’m not sure where to begin. I could tell you that she just won a Grammy for her audio autobiography, beating out Bill Clinton, Michelle Obama, Rachel Maddow and Ellen DeGeneres in the process. But the heart of Ian’s story lies in her tackling of charged subjects including interracial romance, homosexuality, domestic violence and the Holocaust. Still in her teens when she became a breakout star in the 1960s, Ian was met with threats, intimidation, bans and boos, but she courageously sang her songs, night after night. On Sunday, Ian brings her music and her story to Santa Cruz. Kuumbwa; $25; 7pm. (CJ)

JIMM MY THA ACKE ERY

Monday, April 1

When playing guitar, Jimmy Thackery says he feels an electricity travel from his mind to his heart to his fingers, and he has to remind himself to breathe. Or at least that’s how it feels to listen to him. It’s not easy to contain oneself from rocking out on air guitar, trying to find a way to let that pulsing electricity that darts out of each rip and twang of guitar string escape them. Though he is best known as a blues singer and guitarist, the man still has a soft spot and affection for surf and spy music. He plays true to his roots, melding all the genres together to create original songs that personify him as a musician. Moe’s Alley; $15 adv/$20 door; 4pm. (MW)

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7 & 9 pm

PHAROAH SANDERS QUARTET No Comps

If their band name brings up images of a drunk Flogging Molly-type band then you’re in for a shock. With Erika Wennerstrom, the blonde front-woman whose deep, provocative vocals create quite a distinctive sound, and a talented supporting band whose energetic instruments evoke a western rock ‘n’ roll feel, their music doesn’t necessarily lend itself to a sloppy mosh-pit of spilled beer. After touring together and being favorites at the South By Southwest music festival in their hometown of Austin, they all seem to be on the same colorful wavelengths. They aren’t heartless; their crisp and raw sound brings out soul and blues with some funk. And they aren’t bastards—at least not that we know of. Don Quixote’s; $18 adv/$20 door; 9pm. (MW)

Monday, April 8

In the early 1960s, tenor saxophonist Pharoah Sanders was playing at the Village Gate in New York. John Coltrane, who was in the audience, liked what he heard from the young Sanders and invited him to sit in with his band. For the next several years, until Coltrane’s death in 1967, Sanders regularly played alongside, and learned from, the jazz great. Known for his fierce and passionate approach to playing, his mastery of the unrestrained, free-jazz style and the spiritual undertones of his music, Sanders is one of the most extraordinary artists and composers of his time. Kuumbwa; $25 adv/$28 door; 7pm & 9pm. (CJ)

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LAVAY SMITH AND HER RED HOT SKILLET LICKERS Swingin’ the Blues: The Kansas City Sound

Thursday, April 4

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7 pm

Tickets: Pulseproductions.net

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Wed. April 3

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A beneďŹ t for Project Purr Tickets: brownpapertickets.com

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TRACY PARKER & FRIENDS

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ALL KING DUDE WANTED WAS HIS RUG BACK It really tied the room together.

9 pm | $5 at door

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CLUB KUUMBWA: Nikki Mokkover Quartet feat. Tobin Chodos

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7 pm

ALONG CAME BETTY

Champions of hard-bop return with brand new CD! U

7 pm

RAY CHARLES PROJECT feat. CHRIS CAIN, TONY LINDSAY, DAVE MATHEWS, GLENN WALTERS, DWAYNE PATE & DESZON CLAIBORNE Thursday, April 11

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7 pm

ALLISON MILLER BOOM TIC BOOM

1/2 PRICE NIGHT FOR STUDENTS Monday, April 15

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7 pm

CLAUDIA VILLELA QUARTET Thursday, April 18

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7 pm

JIM CAMPILONGO TRIO with Chris Morrissey & Ethan Eubanks

“...seductive country-swing to atmospheric jazz and well beyond. “ – Time Out NY Monday, April 22

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7 pm

ANAT COHEN QUARTET Monday, April 29

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7 pm | No Comps

THE BAD PLUS CIRCLE Tues. April 30 U 7 & 9 GOLD pm | No Comps SOLD OUT! INTERNATIONAL JAZZ DAY! MONTEREY JAZZ FESTIVAL ON TOUR: DEE DEE BRIDGEWATER, CHRISTIAN McBRIDE, BENNY GREEN, LEWIS NASH, CHRIS POTTER & AMBROSE AKINMUSIRE Unless noted advance tickets at kuumbwajazz.org and Logos Books & Records. Dinner served 1-hr before Kuumbwa presented concerts. Premium wines & beer. All ages welcome.

320-2 Cedar St [ Santa Cruz 831.427.2227

kuumbwajazz.org

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Concerts

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1011 PACIFIC AVE. SANTA CRUZ 831-423-1336

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Thursday, March 28 ‹ AGES 21+

Living Colour !DV $RS s $RS P M 3HOW P M Thursday, March 28 ‹ In the Atrium s AGES 21+

KEEP UP WITH THE LOCAL ACTION:

THE REDLIGHT DISTRICT

plus Tiger Radio also Ocean Aboriginal $RS ONLY s $RS OPEN P M 3HOW STARTS P M

M A R C H 2 7 - A P R I L 2 , 2 0 1 3

Friday, March 29 ‹ In the Atrium s AGES 16+

BLUE LAGOON

3ATURDAY -ARCH ‹ In the Atrium s AGES 16+

BLUE LOUNGE

3UNDAY -ARCH s !GES

TECH N9NE

!PR Trinidad James (Ages 16+) !PR The Weeks Atrium (Ages 16+) Apr 4 Dash Rip Rock Atrium (Ages 21+) Apr 5 Zion I/ The Grouch/ Eligh (Ages 16+) Apr 5 A Band Of Orcs Atrium (Ages 16+) Apr 6 Mochipet/ Zoogma Atrium (Ages 18+) !PR Unnatural Ways Atrium (Ages 21+) Apr 12 E 40 (Ages 16+) Apr 15 Dropkick Murphys (Ages 21+) Apr 16 Twiztid (Ages 16+) !PR Hieroglyphics (Ages 16+) Apr 25 Andre Nickatina (Ages 16+) May 15 Big Boi (Ages 16+) May 19 Tyler The Creator new show! (Ages 16+) May 22 Cold War Kids (Ages 16+) May 26 Opeth/ Katatonia (Ages 16+) June 5 New Found Glory (Ages 16+) June 29 Streetlight Manifesto (Ages 16+) July 16 Black Flag (Ages 16+) Unless otherwise noted, all shows are dance shows with limited seating. Tickets subject to city tax & service charge by phone 877-987-6487 & online

www.catalystclub.com

WED 3/27

THU 3/28

FRI 3/29

SAT 3 3/30

The Glorious Veins

Live Comedy

DJ Tripp

Graves at Sea

DJ AD

DJ Mikey

Rainbow Lounge

Cruzing

SANTA CRUZ

GRIEVES plus The MC Type IN !DV $RS s $RS P M 3HOW P M Bane Shows presents KING DUDE plus Of The Wand And The Moon also A Story Of Rats IN !DV $RS s $RS P M 3HOW P M

LIKE US ON FACEBOOK AT 831 BEER SCENE

923 PaciďŹ c Ave, Santa Cruz

Honky Tonk Night

529 Seabright Ave, Santa Cruz

BOCCI’S CELLAR

Streuth Blues Band

Fish Hooks

140 Encinal St, Santa Cruz

Chris Rene

Blazin Reggae

Leukemia BeneďŹ t

THE CATALYST ATRIUM

Redlight District

Grieves

King Dude

1101 PaciďŹ c Avenue, Santa Cruz

THE CATALYST

Living Colour

1011 PaciďŹ c Ave, Santa Cruz

CREPE PLACE

Natural Child

The OTS Trio

Feral Fauna

McCoy Tyler Band

West Coast Soul

Jim Lewin Band

Joint Chiefs

Dub FX

1134 Soquel Ave, Santa Cruz

CROW’S NEST 2218 East Cliff Dr, Santa Cruz

DAVENPORT ROADHOUSE

Esoteric Collective

1 Davenport Ave, Santa Cruz

FINS COFFEE 1104 Ocean St, Santa Cruz

HOFFMAN’S BAKERY CAFE

Preston Brahm Trio

Mapanova

Isoceles

Chihiro Yamanaka

Nikki Mokover

Tracy Parker

1102 PaciďŹ c Ave, Santa Cruz

with Gary Montrezza

KUUMBWA JAZZ CENTER 320-2 Cedar St, Santa Cruz

Trio

Quartet

Good Gravy

Beaver Fever

Broken English

MOTIV

DassWassup!

Libation Lab

Bozak

1209 PaciďŹ c Ave, Santa Cruz

by Zagg

with Sam F & Ruby Sparks

THE REEF

Blues Crewz

MOE’S ALLEY

Prezident Brown

1535 Commercial Way, Santa Cruz

120 Union St, Santa Cruz

RIO THEATRE 1205 Soquel Avenue, Santa Cruz

SEABRIGHT BREWERY 519 Seabright Ave, Santa Cruz

Aloha Friday

Luke Kinney & Co.

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SUN

3/31

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4/1

TUE 4/2 SANTA CRUZ

The Box

BLUE LAGOON

Neighborhood Night

BLUE LOUNGE

831.423.7117 831.425.2900

Frootie Flavors

Greg Gibson

BOCCI’S CELLAR 831.427.1795

THE CATALYST ATRIUM 831.423.1338

TECH N9NE

THE CATALYST 831.423.1336

Widowspeak

7 Come 11

CREPE PLACE 831.429.6994

Live Comedy

CROW’S NEST 831.476.4560

Erica Sunshine Lee

DAVENPORT ROADHOUSE 831.426.8801

Geese in the Fog

FINS COFFEE 831.423.6131

Dana Scruggs Trio

Joe Leonard Trio

Barry Scott

Janis Ian

Lavay Smith

Alan Evans Trio

Steve Kimock

The Skaflaws

Eclectic by

Foreplay by

Primal Productions

DJ AD

& Associates

HOFFMAN’S BAKERY CAFE 831.420.0135

KUUMBWA JAZZ CENTER 831.427.2227

M A R C H 27-A P R I L 2 , 2 0 1 3

DJ Mikey

MOE’S ALLEY 831.479.1854

Jazzy Sundays

MOTIV 831.479.5572

THE REEF 831.459.9876

RIO THEATRE 831.423.8209

SEABRIGHT BREWERY 0831.426.2739

Rasta Cruz Reggae

22

clubgrid

KEEP UP WITH THE LOCAL ACTION:

M A R C H 2 7 - A P R I L 2 , 2 0 1 3

WED 3/27 \ APTOS / RIO DEL MAR / SOQUEL

LIKE US ON FACEBOOK AT 831 BEER SCENE

THU 3/28

FRI 3/29

SAT 3 3/30

Orgy in Rhythm

After Sunset

BRITANNIA ARMS

Karaoke

110 Monterey Ave., Capitola

with Eve

THE FOG BANK 211 Esplanade, Capitola

MANGIAMO’S PIZZA AND WINE BAR

David Paul Campbell

David Paul Campbell

George Christos

Roberto-Howell

Choice Karaoke

Extra Lounge

Lara Price

Famdamily

Sambasa

In Three

783 Rio del Mar Blvd, Aptos

MICHAEL’S ON MAIN 2591 Main St, Soquel

PARADISE BEACH GRILLE

Vinnie Johnson

215 Esplanade, Capitola

SANDERLINGS 1 Seascape Resort Dr, Rio del Mar

SEVERINO’S BAR & GRILL

Don McCaslin &

7500 Old Dominion Ct, Aptos

The Amazing Jazz Geezers

SHADOWBROOK

Mark Harvey Band

B-Movie Kings

Joe Ferrara

BeBop

1750 Wharf Rd, Capitola

THE UGLY MUG

FireWitch

4640 Soquel Dr, Soquel

ZELDA’S

Kurt Stockdale Trio

Marshall Law Band

The Joint Chiefs

Midyne Spear

Tom Rigney &

Poor Man’s Whiskey

Dead Men Rocking

Hot Fuse

Secret Service

Mariachi Ensemble

KDON DJ Showbiz

203 Esplanade, Capitola

SCOTTS VALLEY / SAN LORENZO VALLEY DON QUIXOTE’S 6275 Hwy 9, Felton

Flambeau

HENFLING’S TAVERN 9450 Hwy 9, Ben Lomond

WATSONVILLE / MONTEREY / CARMEL CILANTRO’S

Hippo Happy Hour

1934 Main St, Watsonville

& KDON DJ SolRock

GOLDEN STATE THEATRE

InďŹ nitee &

417 Alvarado St, Monterey

MOSS LANDING INN

the Jazz Cats

Open Jam

Hwy 1, Moss Landing

You Know Your Business. We Know Ours. RESULTS-DRIVEN DIGITAL MARKETING • E-mail marketing campaigns Reach beyond your existing customer list • Lead generation Build your current e-mail distribution list • Online promotion Reach 35,000 unique users monthly

Call Brandon at 831.239.4152 877 Cedar Street Suite 147, Santa Cruz

Mirth ‘o’ Matics

Peter Case

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TUE 4/2 APTOS / RIO DEL MAR / SOQUEL BRITANNIA ARMS 831.688.1233

Pam Hawkins

Karaoke with Eve

THE FOG BANK 831.462.1881

MANGIAMO’S PIZZA AND WINE BAR 831.688.1477

MICHAEL’S ON MAIN 831.479.9777

Lara Price

Ken Constable

PARADISE BEACH GRILLE 831.476.4900

SANDERLINGS 831.662.7120

SEVERINO’S BAR & GRILL 831.688.8987

SHADOWBROOK 831.475.1511

Open Mic

THE UGLY MUG

w/ Mosephus

831.477.1341

ZELDA’S 831.475.4900

SCOTTS VALLEY / SAN LORENZO VALLEY Heartless Bastards

M A R C H 27-A P R I L 2 , 2 0 1 3

Songwriter Showcase

DON QUIXOTE’S 831.603.2294

Karaoke with Ken

HENFLING’S TAVERN 831.336.9318

WATSONVILLE / MONTEREY / CARMEL Santa Cruz Trio

KPIG Happy Hour Happy hour

KRS-ONE

CILANTRO’S 831.761.2161

GOLDEN STATE THEATRE 831.372.3800

Karaoke

MOSS LANDING INN 831.633.3038

Michael Martin Band

M A R C H 2 7 - A P R I L 2 , 2 0 1 3

24

FILM

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Hour of the Wolff BY RICHARD VON BUSACK

D

R. BARBARA WOLFF (Nina Hoss), late of Berlin, arrives at a hospital in a backwater near the Baltic coast. The title character of Barbara is a handsome, cold woman at the end of her 30s, a blonde with a domed forehead and the rigid posture of an ex-ballet dancer. She’s a seether. The humane, literate Dr. AndrĂŠ (Ronald Zehrfeld), who runs the hospital, knows a little about Barbara’s plight. It’s 1980; the German Democratic Republic will be in existence for one more decade; and the legions of squealers and secret police are making the most of the time remaining. It turns out that Dr. Wolff is in the provinces because she’s just out of political prison, although when she bitterly quotes a Communist Party motto about the debt intellectuals need to pay to the farmers and workers, Andre says, “That’s actually not incorrect.â€? A line like that is proof that Barbara isn’t just communistmartyr lore. Christian Petzgold’s film functions on all levels. It is an intelligent, mature love triangle with well-picked citations of Rembrandt and Turgenev to deepen the film’s frame of reference. It works as drama, too, about the slow melting of a secretive woman of quality and character. It also functions as a tense,

rarified thriller about escape from a police state. In the mysteries these doctors have to solve, Barbara also functions as the kind of medical procedurals audiences gorge upon. The tough doctor is softened by the compassion for her patients, particularly one scruffy girl (Jasna Fritzi Bauer) who doesn’t hide her contempt for what she calls “this schiessland.� Moviegoers of today might not know what it’s like to have their room searched by the police, or to see an officer beckoning, while slapping on a pair of rubber gloves. (Rather a lot do, considering the size of the United States’ prison population.) However, the omnipresence of rot and the desire to run away to some paradise instead of staying here and fighting for the weak—that is something the West would know about. If Barbara has a problem, it’s that the resolution of the conflict turns up right at the too-perfect moment, which gives the arm of coincidence a near dislocation. Otherwise, this is a delicately detailed yet strongly moral film, dense enough to see more than once.

#"3#"3" Plays at the Nick.

Film Capsules New

S H O WTI M E S

dolls, which is actually what eventually put this movie in the black, as it took a while for it to be recognized as a great film). (Play Fri and Sat at midnight at the Del Mar). TYLER PERRY’S TEMPTATION (PG-13; 117 min.) If Tyler Perry’s temptation was to stop making 150 movies a year, we’d suggest he take it. Alas, the title refers to writerdirector Perry’s latest story about a married woman tempted into an affair with a billionaire—and the fallout. (Opens Fri at Green Valley.)

Movie reviews by Steve Palopoli and Richard von Busack

Reviews ADMISSION (PG-13; 113 min) Director Paul Weitz has made movies as good as About a Boy and as bad as Little Fockers. He certainly has made more interesting films than his debut American Pie allowed anyone to expect. This time around, he teams two heroes of geek culture, Tina Fey and Paul Rudd, for a comedy about an uptight Princeton admissions officer (played by—oh, c’mon, guess who!) whose life is shaken up by a devil-

may-care alternative school principal (again, guess who) and a student who might be the son she gave up for adoption. BARBARA (PG-13; 105 min.) Attention: movies set in the ’80s are now officially “period� pieces. But unlike the ones fixated on hair, summer camp or Tony Wilson, this German film offers a glimpse into a culture cut off from the Western world, with its story of an East German doctor trying to avoid the Stasi and defect after being banished

Showtimes are for Wednesday, March 27, through Wednesday, April 3, unless otherwise indicated. Programs and showtimes are subject to change without notice.

APTOS CINEMAS 122 Rancho Del Mar Center, Aptos 831.688.6541 www.thenick.com

Admission — Wed-Thu 2:20; 4:40; 7; 9:15; Fri-Wed call for showtimes. The Incredible Burt Wonderstone — Wed-Thu 2; 4:15; 6:30; 8:45; Fri-Wed call for showtimes

CINELUX 41ST AVENUE CINEMA 1475 41st Ave, Capitola 831.479.3504 www.cineluxtheatres.com

G.I. Joe Retaliation — (Opens Fri) 11; 1:40; 4:20. G.I. Joe Retaliation 3D — (Opens Fri) 7:20; 10. The Croods — Wed-Thu 11:30; 2; 4:30; 7; 9:30; Fri-Wed 11:10; 1:40; 4:10; 6:45; 9:15. The Croods 3D — Wed-Thu 12:15; 2:45; 5:15. Fri-Wed 11:45; 2:15. Oz the Great and Powerful — Wed-Thu 11:55; 3:30; 6:45; 9:45; Fri-Wed 11:55; 3:30; 6:45; 9:45.

DEL MAR 1124 Pacific Ave, Santa Cruz 831.426.7500 www.thenick.com

On the Road — Wed-Thu 1:40; 4:20; 7; 9:40; Fri-Wed call for showtimes. Dead Man Down — Wed 2; 4:30; 7; Thu 2; 4:30; 9:20; Fri-Wed call for showtimes. Emperor — Wed-Thu 1:40; 4:10; 6:45; 9; Fri-Wed call for showtimes. Stoker — Wed-Thu 2:50; 5:10; 7:30; 9:; ; Fri-Wed call for showtimes. My Neighbor Totoro — Fri-Sat midnight.

NICKELODEON Lincoln and Cedar streets, Santa Cruz 831.426.7500 www.thenick.com

Olympus Has Fallen — Wed 3/27 1:10; 4:20; 7; 7:50; 9:40; 10:40; Thu call for showtimes; Fri-Wed 1:10; 4:20; 7:50; 10:40. (No Wed 3/27 7pm)

The Incredible Burt Wonderstone — Wed 3/27 12:10; 2:40; 5:05; 7:40; 10:05; Thu call for showtimes; Fri-Wed 10pm. Life of Pi 3D —Wed 3/27 12:40; 3:50; 9:50. Oz the Great and Powerful — Fri-Wed 1; 4:10; 7:10. Oz the Great and Powerful 3D — Wed 3/27 12; 1; 3; 4; 6:30; 7:10; 9:50; 10:10; Thu call for showtimes; Fri-Wed 11:45; 2:50; 6:45; 9:45. Spring Breakers — Daily 12:50; 3:10; 5:30; 8:10; 10:35. (No Wed 4/3 5:30; 8:10; 10:35) Warm Bodies —Wed 3/27 12:05; 2:30; 4:50; 7:20; 9:55. The Great Gatsby — Thu 9pm.

CINELUX SCOTTS VALLEY STADIUM CINEMA 226 Mt Hermon Rd, Scotts Valley 831.438.3260 www.cineluxtheatres.com

G.I. Joe Retaliation — (Opens Wed 3/27 7pm) 11:15; 2; 4:45; 7:30; 10:15. G.I. Joe Retaliation 3D — (Opens Wed 3/27 7pm) Thu 11:55; 2:45; 5:30; 8:30; Fri-Wed 11:15; 2:45; 5:30; 8:30.

The Host — (Opens Fri) 11; 1:45; 4:40; 7:30; 10:15 Admission — Daily 11; 1:30; 4:20; 7; 9:40. The Croods — Daily 11:10; 12:15; 1:40; 2:45; 4:10; 6:45; 9:15. The Croods 3D — Daily 11:40; 2:20; 4:55; 7:30; 10. Olympus Has Fallen — 11; 11:30; 1:45; 2:30; 4:30; 5:15; 7:20; 8:15; 10:10. The Call — Wed-Thu 12:15; 2:45; 5:15; 7:45; 10:15. Oz the Great and Powerful — Wed-Thu 11:45; 12:30; 3; 3:45; 6:30; 7; 9:30; 10;

Barbara — Wed-Thu 1:45; 6:45; Fri-Wed call for showtimes. NO — Wed-Thu 1:30; 4; 6:30; 9:15; Fri-Wed call for showtimes. A Place at the Table — Wed-Thu 1:15pm; Fri-Wed call for showtimes. Side Effects — Wed-Thu 4:15; 9; Fri-Wed call for showtimes. Silver Linings Playbook — Wed-Thu 2; 4:30; 7; 9:40; Fri-Wed call for showtimes. War Witch — Wed-Thu 3:15; 5:15; 7:15; 9:30; Fri-Wed call for showtimes.

Fri-Wed 11:45; 3:15; 6:30; 9:30.

RIVERFRONT STADIUM TWIN

G.I. Joe Retaliation — (Opens Wed 7pm) Thu 1:30; 7; Fri-Wed 1:45; 7:15 plus

Butch Cassidy and the Sundance Kid — Thu 7pm. The Sound of Music — Sat 11am.

GREEN VALLEY CINEMA 8 1125 S Green Valley Rd, Watsonville 831.761.8200 www.greenvalleycinema.com

155 S River St, Santa Cruz 800.326.3264 x1701 www.regmovies.com

Sat-Sun 11:15am.

The Admission — Wed-Thu 2:30; 5; 7:30; 10; Fri-Wed call for showtimes. The Call — Wed-Thu 2:45; 5; 7:15; 9:30; Fri-Wed call for showtimes.

G.I. Joe Retaliation 3D — (Opens Wed 7pm) Thu 4; 9:30; Fri-Wed 4:15; 9:45. The Host — (Opens Fri) 1:35; 4:10; 7; 9:35 plus Sat-Sun 11am. Tyler Perry’s Temptation — (Opens Fri) 1:30; 4; 7:15; 9:45 plus Sat-Sun 11:15am. Admission — Daily 1:45; 4:15; 7; 9:30 plus Sat-Sun 11:15am. The Croods — Wed-Thu 1:15; 7:25; 9:30; Fri-Wed 1:15; 7:25; 9:30 plus Sat-Sun 11am. The Croods 3D — Daily 3:15; 5:15. Olympus Has Fallen — Daily 1:35; 4:10; 7; 9:35 plus Sat-Sun 11am. 21 and Over — Wed-Thu 9:45pm. The Call — Daily 1:15; 3:15; 5:15; 7:25; 9:45 plus Sat-Sun 11am. The Incredible Burt Wonderstone — Wed-Thu 1:45; 4:15; 7; 9:30. Oz the Great and Powerful — Daily 1:40; 4:20; 7; 9:45 plus Sat-Sun 11am. Oz the Great and Powerful 3D —Wed 3/20 1:55; 4:35. Snitch — Wed-Thu 1:30; 4; 7.

SANTA CRUZ CINEMA 9 1405 Pacific Ave, Santa Cruz 800.326.3264 x1700 www.regmovies.com

G.I. Joe Retaliation — (Opens Wed 3/27 7pm) Thu call for showtimes; Fri-Wed 1:20; 4; 7; 9:50; G.I. Joe Retaliation 3D — (Opens Wed 3/27 7pm) Thu call for showtimes; Fri-Wed 12:40; 3:40; 7:20; 10:10. The Croods — Wed 3/27 12:15; 2:45; 5:15; 7:35; 10; Thu call for showtimes; FriWed 12; 2:30; 5:05; 7:30; 9:55. The Croods 3D — Wed 3/27 12:30; 3:15; 5:40; 8:05; 10:30; Thu call for showtimes; Fri-Wed 12:30; 3; 5:35; 8; 10:25.

to a rural clinic. THE CALL (R; 100 mi.) Brad Anderson, the director of two very trippy, Twilight Zone-type films (Session 9 and The Machinist), helms this story of a 911 operator (Halle Berry) who gets way too involved with her job after getting a call from a girl who’s been abducted. THE CROODS (PG; 98 min) Sort of like The Flintstones for the deconstructionist 21st century, this animated family flick has a prehistoric clan leaving the safety of their cave for the proverbial incredible journey. With lots of hip modern references of course, and Nick Cage as father Grug. DEAD MAN DOWN (R; 118 min.) From the director of the Girl With the Dragon Tattoo trilogy (the Swedish one), a New York City enforcer (Colin Farrell) and a blackmailer team up to take on a crime boss (Terrance Howard). EMPEROR (PG-13; 114 min.) Should a beloved Japanese ruler be tried for war crimes? That’s the question Gen. Douglas MacArthur (Tommy Lee Jones) and his aide (Matthew Fox) try to answer in this WWII drama. THE GATEKEEPERS (PG-13; 95 min.) Members of Israel’s secret service open up about controversial tactics and tough decisions in this new documentary about the Shin Bet. More than a documentary, this is an exploration in morality for the 21st century. THE INCREDIBLE BURT WONDERSTONE (PG-13; 107 min) Building on Adam McKay and Will Ferrell’s Mediocre American Man trilogy (Anchorman, Talladega Nights, Stepbrothers), Steve Carrell fashions his own over-the-top character in the form of Burt Wonderstone, an egotistical superstar illusionist desperate to stay in the limelight. JACK AND THE GIANT SLAYER 3D (PG13; 114 min.): The classic tale of “Jack and the Beanstalk� is revisited with the tagline “If you think you know the story, you don’t know jack.� In this version, Jack climbs a towering vine, not in search of treasure, but in an attempt to save a kingdom, and its princess. IDENTITY THIEF (R; 117 min.) Bridesmaids’ breakout

star Melissa McCarthy gets her own comic showcase playing a woman who steals Jason Bateman’s identity (made possible because his character’s name is “Sandy,â€? see? Er‌). Seth Gordon, who made his debut with the I-can’t-believe-this-mademe-care-about-video-games documentary The King of Kong, directs. ON THE ROAD Director Walter Salles (of Mortorcycle Diaries fame) adapts Jack Kerouac’s beat classic. OLYMPUS HAS FALLEN (R; 120 min) The director of Training Day, who hasn’t made a good movie since, returns with this Gerard Butler actioner about a disgraced federal agent who must save the president when he’s trapped in a terrorist attack on the White House. OZ THE GREAT AND POWERFUL (PG; 130 min.) When three of Oz’s witches first meet Kansas transplant Oscar Diggs (James Franco), they’re disappointed. This, they worry, can’t possibly be the great wizard everyone’s expecting. Can he prove them wrong before the magical land’s epic problems spiral out of control? SPRING BREAKERS (R; 94 min) The fact that Harmony Korine is still making movies after Gummo is amazing. The fact that he’s making a subversive spring break flick featuring co-eds who rob a restaurant to pay for their partying, and then get mixed up with drug dealers, is downright awesome. STOKER (R; 98 min.) Chan-wook Park, the visionary director of Oldboy and the Vengeance trilogy, returns to some of his freakiest themes with this Nicole Kidman thriller about a young girl (Mia Wasikowska) who develops an unhealthy relationship with her malevolent uncle after he comes to live with her and her mother. WAR WITCH (NR; 98 min) Acclaimed film about an African teenager abducted from her village and drafted into a rebel army, whose fellow soldiers come to believe is a powerful witch. 21 AND OVER (R; 93 min.): The night before his medical school exam, Jeff Chang celebrates his 21st birthday with his best friends. But what was only going to be a few beers turns into a booze cruise, with a vomiting scene atop a mechanical bull.

; / @ 1 6 % / > @ 7 : !

G.I. JOE: RETALIATION (PG-13; 110 min.) For this sequel to the original G.I. Joe movie you already forgot happened, the producers hired the director of the Step Up movies and the writers of Zombieland. Nobody saw that coming, that’s for sure. The cast of Dwayne Johnson, Bruce Willis, Channing Tatum and RZA, however, suggests more of the original’s almost-as-lifelike-as-thetoys approach. (Opens Wed

at Santa Cruz 9, Scotts Valley, Green Valley.) MY NEIGHBOR TOTORO (1988) In honor of From Up on Poppy Hill, the new film created by Hayao Miyazaki (and directed by his son Goro), this week’s midnight movie is one of the legendary Japanese animator’s early classic. It’s about‌well, have you ever tried to describe what a Miyazaki movie is about? But rest assured a young girl meets up with an adorable spirit creature she calls Totoro (you’ve definitely seen the

25

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even the volcanic soils of Italy to taste and discuss? A mere $20 per person allows you to learn by tasting. It doesn’t get much better. Contact Alyssa@soifwine.com to reserve a place, or call Soif at (831) 423-2020. TOP NOTCH: Last weekend Bonny Doon Vineyard founder Randall Grahm was honored with a Lifetime Achievement Award 1VW^ AQVScS`

; / @ 1 6 % / > @ 7 : !

26

for significant contributions to Rhône-style winemaking. The firstever award was presented by the Rhône Rangers, an influential band of 150 wineries specializing in wines in the style of France’s Rhône district. Grahm’s signature Le Cigare Volant wine, by the way, is a famous blend of the grapes of the Rhône —grenache, syrah, mourvedre and occasionally a splash of roussanne. Congratulations to Grahm for another well-deserved nod from his peers. WINE OF THE WEEK: It’s a mouthful, both in name and in flavor. The 2010 Bengoetxe Getariako Txakolina Hondarribi Zuri/Petit Corbu, is an exciting elixir of elusive spices that pivot briskly into a long salty finish. Utterly mineral bouquet, from Spain’s Basque Country. The best $7.50 glass you’ll taste in a long time. Look for it on the current listing @ Soif.

HEADING UP TALKS Santa Cruz Mountain Brewing’s Emily Thomas spilled her secrets at the Craft Brewers Conference in Washington, D.C.

COMPOST, ANYONE?: Make

U.S. Craft Brewers Look to Santa Cruz BY CHRISTINA WATERS

E

mily Thomas, owner and brewer at Santa Cruz Mountain Brewing, was selected by the Brewers Association to speak at the annual Craft Brewers Conference last week in Washington, D.C. Thomas, a top micro-brewing entrepreneur, talked at the brew-expo about creative fundraising, something she has done with flair at her popular brewery in the Ingalls Street complex. Take, for example, the “Thank You Thursday� concept, which gives a local non-profit $1 of every beer sold on Thursdays. The success of this program has raised over $20,000 so far. Another one of Thomas’

successful fundraising efforts has been the Copper Club Experiment, started to help raise the needed capital to upgrade key equipment. If you’ve visited the Santa Cruz Mountain Brewing’s Taproom recently, you’ve seen the gigantic copper tree draped with engraved mugs emerging from the wall and ceiling. Each mug represent $1000 “club membership,� which entitles devoted fans to their name on a mug, a beer every day for the rest of their lives, and special discounts on beers and seasonal ales. “We’ve always conducted our business without accepting private investment or

acquiring debt. We incorporated the copper tree art installation as a way to engage club members in a creative brewing, beer-loving community,� says Thomas. Thirsty regulars make regular pilgrimages to this only-inSanta-Cruz shrine of artisanal beer. WINES OF EASTERN EUROPE:

You suspect you’ll love them, but you’ve never tasted many of them. What to do? How about stopping by Soif Wine Bar on Saturday, March 30 at 2pm, when Frank Dietrich from the Blue Danube Wine Company will bring delicious curiosities from Croatia, Slovenia, Hungary and

time to come and learn the finer points of making quality compost at the upcoming Compost for the Home Garden and Orchard

workshop. The event will take place on Saturday, March 30, 10am–1pm at the Alan Chadwick Garden on the UC Santa Cruz campus. Led by the incomparable Chadwick Garden manager Orin Martin, and Zoe Hitchner and Sky DeMuro of Everett Family Farm, the workshop will cover the basics of choosing materials for your pile, how to balance “greens� and “browns� to get the right blend of nitrogen and carbon, how to build and maintain your compost pile, and how to use finished compost in your garden or orchard. $30 for the general public, $20 for Friends of the UCSC Farm & Garden, a mere $5 for UCSC students. For details call (831) 459-3240. 0

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FO O D IE FIL E

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UNBREAKABLE Even the ‘89 quake couldn’t stop Little Shanghai.

Jack Chiao Co-owner, Little Shanghai Little Shanghai, co-owned by Jack and Sue Chiao, has for years been a downtown Santa Cruz destination for fresh-tasting Chinese food made with local vegetables. Jack and Sue moved to Albuquerque from Taiwan in 1977, and then to Santa Cruz in 1986, three years before the Loma Prieta earthquake forced them to make big changes to their fledgling restaurant. We talked to Jack Chiao as he and Sue prepared to open for dinner. A1E( EVOb O`S g]c [OYW\U-

JACK CHIAO: Shanghai Shrimp. It has snow peas, eggplant, zucchini and red bell peppers. EVg R] g]c ZWYS Wb-

It’s healthy. It has a lot of vegetables, lots of color and a light sauce.

INTEGRATIVE BODYWORK WITH

KECIA FOWLER, CMT

6]e R] g]c USb acQV O PWU TZO[S-

This [stove] has a four-inch pipe. Usually at home, you have a half-inch or three quarters. I have four inches because the flame makes the outside crunchy and the insides still good. 6]e RWR g]c ZWYS aS`dW\U W\aWRS bVS bS\b OTbS` bVS ¸&' SO`bV_cOYS-

It was just like a circus—those big tents. It had a few different kinds of restaurants inside. Everybody had small spots. We were in there for a couple years‌We were pretty happy. You got to talk to your neighbors— “Hey, what’s going on?â€? We made lots of friends. 7\ eVOb eOga R]Sa AO\bO 1`ch `S[W\R g]c ]T BOWeO\-

I was born by the ocean, just like Sue. A small town—it’s just like Santa Cruz. When you grow up, you miss it a little bit. EV]¸a O PSbbS` Q]]Y g]c ]` AcS-

It’s hard to say. At home she is. At the restaurant, I am. I say it that way. If not, I might get popped in the ear. Jacob Pierce

• STRESS RELIEF • PAIN RELIEF

40% OFF FIRST 3 MASSAGES

FOR A LIMITED TIME—NEW CLIENTS ONLY Student discounts available Major credit cards accepted

(831) 345-8399 healnhanz@gmail.com KeciaFowlerCMT.com

28

Diner’s Guide Symbols made simple: $ = Under $10 $$ = $11-$15 $$$ = $16-$20 $$$$ = $21 and up Price Ranges based on average cost of dinner entree and salad, excluding alcoholic beverages

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APTOS $$ Aptos

Ambrosia India Bistro Indian. Authentic Indian dishes and specialties served in a 207 Searidge Rd, 831.685.0610 comfortable dining room. Lunch buffet daily 11:30am-2:30pm; dinner daily 5pm to close. www.ambrosiaib.com

$ Aptos

Heather’s Patisserie

$$$ Aptos

Severino’s Grill

$$ Aptos

Zameen Mediterranean

7486 Soquel Dr, 831.662.3546

7500 Old Dominion Ct, 831.688.8987

Bakery and deli. f. A wide variety of Parisian style pastries, breads and American baked goods baked fresh on site daily. Hot breakfast and lunch available daily. Enjoy with our organic coffee and espresso. Delicious, custom built wedding cakes available. Open 6am Mon - Fri, 7am Sat - Sun. Continental California cuisine. Breakfast all week 6:30-11am, lunch all week 11am-2pm; dinner Fri-Sat 5-10pm, Sun-Thu 5-9pm. www.seacliffinn.com.

Middle Eastern/Mediterranean. Fresh, fast, flavorful. Gourmet 7528 Soquel Dr, 831.688.4465 meat and vegetarian kebabs, gyros, falafel, healthy salads and Mediterranean flatbread pizzas. Beer and wine. Dine in or take out. Tue-Sun 11am-8pm.

CAPITOLA $$ Capitola

Geisha Sushi

$$$

Shadowbrook

Capitola

1750 Wharf Rd, 831.475.1511

$$$

Stockton Bridge Grille

Capitola

231 Esplanade, 831.464.1933

$$$ Capitola

Zelda’s

Japanese. This pretty and welcoming sushi bar serves 200 Monterey Ave, 831.464.3328 superfresh fish in unusual but well-executed sushi combinations. Wed-Mon 11:30am-9pm. California Continental. Swordfish and other seafood specials. Dinner Mon-Thu 5:30-9:30pm; Fri 5-10pm; Sat 4-10:30pm; Sun 4-9pm. Mediterranean tapas. Innovative menu, full-service bar, international wine list and outdoor dining with terrific views in the heart of Capitola Village. Open daily.

California cuisine. Nightly specials include prime rib 203 Esplanade, 831.475.4900 and lobster. Daily 7am-2am.

SANTA CRUZ $ Charlie Hong Kong California organic meets Southeast Asian street food. Organic Santa Cruz 1141 Soquel Ave, 831. 426.5664 noodle & rice bowls, vegan menu, fish & meat options, Vietnamese style sandwiches, eat-in or to-go. Consistent winner “Best Cheap Eats.� Open daily 11am-11pm $$ The Crepe Place Tunisian Santa Cruz

Crepes and more. Featuring the spinach crepe and 1134 Soquel Ave, 831.429.6994 donut. Full bar. Mon-Thu 11am-midnight, Fri 11am-1am, Sat 10am-1am, Sun 10am-midnight.

$$ Crow’s Nest Seafood. Fresh seafood, shellfish, Midwestern aged beef, pasta Santa Cruz 2218 East Cliff Dr, 831.476.4560 specialties, abundant salad bar. Kids menu and nightly entertainment. Harbor & Bay views. Breakfast, lunch & dinner daily.

Gabriella Cafe $$ Santa Cruz 910 Cedar St., 831.457.1677

Califormia-Italian. Fresh from farmers’ markets organic vegetables, local seafood, grilled steaks, frequent duck and rabbit, famous CHICKEN GABRIELLA, legendary local wine list, romantic mission-style setting with patio, quiet side street.

Hindquarter Americana. Ribs, steaks and burgers are definitely the stars. $$ Santa Cruz 303 Soquel Ave, 831.426.7770 Full bar. Lunch Mon-Sat 11:30am-2:30pm; dinner Sun-Thu 5:30-9:30pm, Fri-Sat 5:30-10pm. Hoffman’s California/full-service bakery. Breakfast, lunch, dinner. “Best $$ Santa Cruz 1102 Pacific Ave, 837.420.0135 Eggs Benedict in Town.� Happy Hour Mon-Fri 5-6pm. Halfprice appetizers; wines by the glass. Daily 8am-9pm. $$ Hula’s Island Grill ’60s Vegas meets ’50s Waikiki. Amazing dining experience in Santa Cruz 221 Cathcart St, 831.426.4852 kitchy yet swanky tropical setting. Fresh fish, great steaks, vegetarian. Full-service tiki bar. Happy-hour tiki drinks. Aloha Fri, Sat lunch 11:30am-5pm. Dinner nightly 5pm-close.

India Joze $ Santa Cruz 418 Front St, 831.325-3633

Eclectic Pan Asian dishes. Vegetarian, seafood, lamb and chicken with a wok emphasis since 1972. Cafe, catering, culinary classes, food festivals, beer and wine. Open for lunch and dinner daily except Sunday 11:30-9pm. Special events most Sundays.

Johnny’s Harborside $$ Santa Cruz 493 Lake Ave, 831.479.3430

Seafood/California. Fresh catch made your way! Plus many other wonderful menu items. Great view. Full bar. Happy hour Mon-Fri. Brunch Sat-Sun 10am-2pm. Open daily.

$$$ La Posta Italian. La Posta serves Italian food made in the old style— Santa Cruz 538 Seabright Ave, 831.457.2782 simple and delicious. Wed-Thu 5-9pm, Fri-Sat 5-9:30pm and Sun 5-8pm. $$ Laili Santa Cruz 101B Cooper St, 831.423.4545

Silk road flavors. Fresh, nourishing and delectable Mediterranean cuisine with a unique Afghan twist. Patio dining. Open daily for lunch 11:30-3pm & dinner at 5pm.

$$ Louie’s Cajun Kitchen Santa Cruz 110 Church St., 831.429.2000

Laissez les bons temps rouler at this cool, funky N’awlins-style celebration of food, libations and bluesy sounds. Start with a Hurricane as you peruse our menu of serious cajun goodness.

29

$$ Olitas Fine Mexican cuisine. Opening daily at noon. Santa Cruz 49-B Municipal Wharf, 831.458.9393 $$ Pacific Thai Thai. Individually prepared with the freshest ingredients, Santa Cruz 1319 Pacific Ave, 831.420.1700 plus ambrosia bubble teas, shakes. Mon-Thu 11:30am-9:30pm, Fri 11:30am-10pm, Sat noon-10pm, Sun noon-9:30pm. Authentic Hawaiian Island Cuisine! Featuring “The Reef� tropical bar. Large outdoor patio. Variety of poke, wraps, salads, vegetarian, all entrees under $10! “Aloha Fridays,� Hawaiian music and hula! Open 11-10pm Sun-Wed,11-11pm Thur-Sat!

$$ Ristorante Italiano Santa Cruz 555 Soquel Ave, 831.458.2321

Italian-American. Mouthwatering, generous portions, friendly service and the best patio in town. Full bar. Lunch Mon-Fri 11:30am, dinner nightly at 5pm.

$$ Santa Cruz Mountain Brewing California / Brewpub. Enjoy a handcrafted organic ale in the Santa Cruz 402 Ingalls Street, Ste 27 taproom or the outdoor patio while you dine on Bavarian pretzels, 831.425.4900 a bowl of french fries, Santa Cruz’s best fish tacos and more. Open everday noon until 10pm. Food served until 7pm.

Soif Wine bar with menu. Flawless plates of great character and $$ Santa Cruz 105 Walnut Ave, 831.423.2020 flavor; sexy menu listings and wines to match. Dinner MonThu 5-9pm, Fri-Sat 5-10pm, Sun 4-9pm; retail shop Mon 5pmclose, Tue-Sat noon-close, Sun 4pm-close. $$ Stagnaro Bros. Seafood and more. Family owned since 1937. Fresh seafood, Santa Cruz 21 Municipal Wharf, 831.423.2180 pasta and steaks . Kid friendly. Panoramic ocean views from the main dining room and Upper Deck Lounge. Large outdoor fish market on site with 20+ types of fresh fish. Open daily at 11am. $$ Woodstock’s Pizza Santa Cruz 710 Front St, 831.427.4444

Pizza. Pizza, fresh salads, sandwiches, wings, desserts, beers on tap. Patio dining, sports on HDTV and free WiFi. Large groups and catering. Open and delivering Fri-Sat 11am-2am, Mon-Thu 11am-1am, Sun 11am-midnight.

SCOTTS VALLEY $ Heavenly Cafe American. Serving breakfast and lunch daily. Large parties Scotts Valley 1210 Mt. Hermon Rd, 831.335.7311 welcome. Mon-Fri 6:30am-2:15pm, Sat-Sun 7am-2:45pm.

Jia Tella’s $ Scotts Valley 5600 #D Scotts Valley Dr, 831.438.5005

Cambodian. Fresh kebabs, seafood dishes, soups and noodle bowls with a unique Southeast Asian flair. Beer and wine available. Patio dining. Sun-Thu 11am-9pm, Fri-Sat 11am-10pm.

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$ Pono Hawaiian Grill Santa Cruz 120 Union St, 831.426.pono

M A R C H 27-A P R I L 2 , 2 0 1 3

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