mf magazine issue 11

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music .fa

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OscarNunez GaspardYurkievich IlizaShlesinger ChickwithGuns FrightenedRabbit NatashaLeggero MUTEMATH

Zarif

issue 11 fall 2009

$4.50


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WHO WE ARE

CONTRIBUTORS

PAUL SCHEER Paul Scheer is known to the world as Flo-Rida. Hit hits include "In the Ayer" and "Right Round" the later was at the top of the Hot 100 for eleven weeks straight. He is a member of the sketch group Human Giant and can be seen on 30Rock as well as in movies. He is known to frequent the UCB Theater in Los Angeles and you can follow him on twitter @ paulscheer or at paulscheer.com JOSH ELLIOTT Joshua Jay Elliott is a Portland photographer who grew up in the foothills of Tennessee's Appalachian range. His images target collective memories--both those archetypal and culled from popular culture. When not shooting, he surfs and raises chickens. COREY HAYES Nine years ago, Corey moved from Austin, TX, to New York City and has been fortunate enough to pursue photography ever since. He specializes in editorial, music, and celebrity portraits. He is a Corbis Outline photographer, and his work has appeared on MTV and FUSE, as well as Paper Magazine, The New York Times Magazine, California Style, The Austin Chronicle, Paste Magazine, and many others. He had his first book, Nightshift NYC, published in November of 2008. Corey resides in the Northern-most apartment in Manhattan with his wife and spiteful cat. SINA BECKER Basically German born, Dutch raised, London based illustrator/ designer. Currently focusing all my energy in becoming ambidextrous and once I have achieved that I want to travel the world and become famous for my flower arranging skills. DAVID ZANES David is a photographer who has been based out of London until recently when he relocated back to his native New York. He has been published in many of the top international fashion publications as well as having his work featured in two books. David is known for his dramatic imagery where he takes normal situations and heats it up a few degrees, either with the use of strong styling, hair and make-up, or the use creative photographic techniques. David always creates a stunning visual image that embodies the unique personality of the subject whether real as in portraiture or fantasy like in fashion. LARISSA UNDERWOOD Larissa Underwood is a Los Angeles based editorial and commercial photographer. Underwood graduated from Brooks Institute of Photography and went on to specialize in celebrity and music photography.

MARIE SATURN Photographer Marie Saturn is the dynamic behind Saturn Style Studios. Saturn's unique approach to digital photography begins with design and concept discussion, and is complete only when the client has the prints in hand. Her edgy and creative style offers a fresh approach to fashion, commercial, lifestyle and advertising photography. She is able to expose the heart, spirit, and truth of the picture, and let the rest go. She is not satisfied until the client has unique signature images that exceed their original vision.

Erik Schultz

Editor-In-Chief

Emily Peterson Lead Designer

Star Noor

Fashion Editor

Richard S.

Advertising Sales

Richard S.

Marketing/Promotions

Jesse Weed

Website Dude

Corey Hayes Marie Saturn

Fashion Photographers

Larissa Underwood Cover Photographer Sina Becker, Paul Scheer, Lauren Weigle, Michelle Nelson, Dylan Brody, Debaser, Corey Hayes, Dawn West, Maciek Kobielski, Carmouche, Karolina Partyka, Lorraine Godfrey, Shoji Fuji, Valerie Belin, Larissa Underwood, Desirae Cherman, Aaron Fallon, Heather Jones, Josh Elliott, Stacey Myers, Phade Braund, Stephanie Sousa, David Zanes, Pamela Lopez Grant, Monica Alvarez, Sean Costello, Nate Manning, Tina M. Schiro, Kristy Sparow, Lucas Cook, Hidee Mangahas, SE Haas, Shawn Smith, Laura Granlund, Laura Pieroni, Jessica Padykula, Janet Sanders, Jimmy Hall Contributors Reach out and virtually touch us at

info@musicfashionmagazine.com

View our hip internet site

www.musicfashionmagazine.com

Wanna be our friend?

www.myspace.com/musicfashion Follow us on Twitter at www.twitter.com/mfmagazine If you are looking to see your business become fruitfull then you should get your freakin’ ad in our magazine. Send us an email and we will work with you to make that happen. mf magazine is published about four times a year by Spec Media. All material in mf may not be printed without permission from the big chief. The views expressed in these pages are not the views of the magazine but those of the rad people we talk with.

cover Oscar Nunez photo by Larissa Underwood


LETTERS/ART TO THE EDITOR


CONTENTS

Zarif Chairlift LoveGrenades Sonicbids ProjectMyWay OscarNunez IlizaShlesinger MainFashion ElisaOverland ChickwithGuns GaspardYurkievich

10 16 18 20 23 34 38 43 50 52 54


What Those Who Make You Laugh, Find Funny. he following is my ideal comedy mix-tape. The tracks on this list are invaluable T to anyone who wants an overview of the great American humorscape. More importantly, every one of them will offer a really good laugh and who doesn’t want

that? No matter how many times I revise this list, I come up with more tracks I would want to include; more artists I feel should be represented. I want to list tracks from contemporary performers you may never have heard of because they deserve recognition and inclusion and a greater place in the public eye: Jackie Kashian, Maria Bamford, Louis CK, Paul Provenza, Paul Krasner, Richard Belzer. How could some of these people not have found their way onto my list? Ten. I kept myself to ten and I listed only those that I listened to time and again, straining to capture nuance and pacing, the ones that helped to shape my understanding of how a joke works, how jokes fit together into bits, how bits fit together into chunks, how chunks fit together into an act. These are the ten: I also think you should listen to my CDs, every track. And you should buy copies of them for all of your friends and family members. A

1) Groucho Marx“The Safari Monologue”

A

BY -

Comedy Mixtape

.mixtape. 90 Dylan Brody B

2) Abbott and Costello “Who’s on First” 3) Lenny Bruce “Thank You, Mask Man” 4) Bob Newhart “Abe Lincoln vs. Madison Avenue” 5) Woody Allen “Moose” B

6) George Carlin

“Seven Words You Can Never Say on Television”

Pryor“Wino Dealing with Dracula” 7) Richard A random choice. The entire album THAT NIGGER’S CRAZY

needs to be listened to again and again with an ear for dialects, character changes and non-gratuitous use of vulgarity

8) Bill Hicks “War”

90

music fashion

Keillor 9) Garrison “The Tollefson Boy Goes to College”

10) David Sedaris: “Santaland Diaries”

Illustration by Karolina Partyka

Humorist Dylan Brody has 2 new CD’s Brevity and True Enough available at DylanBrody.com


TelegraphCanyon By Michelle Nelson

elegraph Canyon’s new album The T Tide and the Current is nothing short of a masterpiece. The band’s singer

It seems like your band is full of multi-instrumentalists. Is this a correct assumption? Can you expand on the musical background of the members of your Chris Johnson describes their music as, band? Yes, that’s fair to say. Most everyone in the band cur“orchestrated American folk with some rently wears many hats. We’ve always been very abrasive rock elements,” which sums open minded and in fact the main premise of the it up pretty well. Telegraph Canyon is band was to have every instrument that we may want made up of 7 band members who are all to use at our disposal and all be willing to learn and multi-instrumentalists. This can be heard play whatever it took to make this a reality. It took in the immaculately arranged tracks on several years to amass all of these tools and start to them effectively. Andrew (organ, electric guitar, this album, which combine instruments use accordion, piano etc.) had played guitar such as guitar, banjo, pedal steel, piano, mandolin, for several years in jazz, rock, country and hip hop accordion and mandolin…to name a bands and had recently taken up keys when the band few. The album is filled with beautiful was being formed. That gave way to him learning crescendos that may start with the solitary lots of other instruments. Chuck has been playing sound of a piano and explode into a fusion bass and singing since he was a kid and had been of percussion and instruments that evokes in previous bands with me in the past. Tamara is a emotion and literally increases your pulse. classically trained violin player and sings in the band well. Erik had studied as a jazz guitar player for The passion for music and the value of as years prior to TC forming but had leaned patience can be heard in each track of the several hard in the direction of ambient rock guitar. Brian album. Telegraph Canyon’s music is an has played piano since he was a kid and learned auditory representation of why patience is the pedal steel in the last 5 or so years. He can play a virtue. just about anything. Austin plays drums, keys and bells. He’s self taught. I grew up playing guitar and How long has your band been together and how tinkering on many other instruments. I currently play did your band form? banjo, acoustic and electric guitar and harmonica in 3 1/2 years. The band came together the way that the band. I’m self taught as well with no real training many bands do. After playing in several bands you or school. start to get a clear picture of what it is that you do and don’t want to do and you start looking for folks How would you describe your music? who can help turn those ideas into music. Tele- I don’t know that this is for me to decide. But if I graph Canyon was no exception. The original core had to take a crack at it today I’d say it’s orchestrated of musicians were myself, Andrew Skates, Chuck American folk with some abrasive rock elements. I’ll Brown, Erik Wolf and Tamara Cauble who all still change my mind on that by tomorrow. remain today. I had been close friends with all of these people for several years prior to forming Can you tell our readers a little bit about what you the band so when it was time to put this together think it is like to attend one of your shows? I looked to all the people that I had been inspired I think it’s quiet and loud, soft and bombastic. It’s by over the past few years. We later added Aus- probably the kind of show you come to listen to more tin Green on drums and Brian Mcquerquedale on than to dance and rock out to. A little bit of patience pedal steel, piano and percussion to fill it out. may be in order to get what we’re attempting to give.

Who are some of your main influences when writing your music? Both bands and otherwise (ex. Literature, art, life, etc.) I look to our travels to write music. Stories that people tell, paintings and books. Waking up in the redwood forest in the middle of a tour or going for a walk in the rain inspires at times. Love and loss of love. All the things that everyone goes through. I don’t seek things out, I just make myself available to them. What is your band’s process like when writing songs? What is it like writing songs with 7 band members? What does each band member bring to the song writing process? For a large part of the writing process I spend a lot of alone time hashing out lyrics, melody, basic song structure and the general direction of where I think the song/album is headed. From there I demo a simple version out and play it for the band in the studio before we begin to deconstruct it and try to find the most interesting approach. The band has a lot of freedom to create and arrange parts together. A few of the songs on every record we do have been written by myself with Andrew Skates. Austin Green has jumped into this process on the last record with Andrew and I. We get together and just come up with ideas until something inspires us then we take it to the band in the same way as the songs I write on my own. It’s not hard working with seven people since we all have the same goal. Sometimes in bands you get a group of folks together who have different agendas and they start to really push and pull against each other. I never feel that way with our group. We’re all looking for that AH HA! moment when we all know that we’ve landed on what we set out to find. There is never any question in the end or someone feeling like we’ve jumped off at the wrong spot. We just work on it until we’re satisfied. Has the process of writing and recording a record changed for the band since your earlier material? If so, how? Not entirely. Everyone is much more present than on the last record though, and it shows. Much of All the Good News (1st record) was done with Andrew and I in the studio and the band coming down to record on about half of the days. The band is a lot more involved in making decisions and it’s become a large collective effort. It’s more fun to record with everyone around and I think we’ve made a more interesting record because of it. What are some of the key elements that you would say make a great song? Space and dynamics. Do you have any pet peeves that audience members do at concerts during shows? Not at our shows. I love everyone. OK, I don’t like when people clap along off rhythm during a quiet song for no apparent reason. Like anyone that loves music, I like to go to shows when people don’t talk and allow themselves to be a part of a collective experience with everyone else. When you give yourself over to that it’s much bigger than yourself. Why did you decide to name your band Telegraph Canyon? I first heard the name in Southern California on a trip when I was beginning to form the band. I thought it represented what I was going for by referring to communication (telegraph) and a large space (canyon). I started researching it and found out there is a telegraph canyon close to Kerville, Texas where the polls were cut for the first lines of communication in America. I kept digging and found it to be part of a lyric in a Tom Waits song also and by then I was sold. It’s the only band name I’ve ever chosen that I didn’t regret.

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Frightened Rabbit 008 was a great year for Frightened 2 Rabbit. Frightened Rabbit started off as a solo project for the band’s singer By Michelle Nelson Illustration by Sina Becker

Scott Hutchison. Since then, the band has achieved several milestones of success including their well-received performance at the 2007 South by Southwest Music Conference, the success of their first album Sing the Greys, and the even bigger success of their follow-up album The Midnight Organ Fight. Since the days of Scott’s solo project, Frightened Rabbit has grown to a four piece band. With the addition of these band members, Frightened Rabbit’s music has become richer and fuller. The rolling beats and explosions of percussion, the pairing of electric and acoustic guitars and Scott’s raw vocals combines to communicate a feeling of yearning. Scott throws in an occasional cleverly placed cussword in his emotive ballads, which finish off the package perfectly. Hutchison’s songwriting bares raw, emotional content, which is something that takes courage despite the nickname his mother gave him as a child, “Frightened Rabbit.”

Can you share some background information about how your band got started? It’s been a slow process to get to where we are. Since I started out solo about 4 years ago, one new member per year has been added to the band. Still

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need to get this year’s member sorted! I guess it’s been a ridiculously organic process, but I think the slow build makes for the best foundations, as does eating metaphorical shit for a couple of years or so. What is the music scene like in Glasgow? Does the town have a pretty creative environment? Have you been influenced by any other Glasgow bands? I’m kind of behind on exactly what’s happening in Glasgow these days, as I don’t live there anymore, but it’s always been a bit of a hub for the arts in general. Music is no exception, and it was only when I moved to Glasgow to go to college that I started writing, influenced by bands like Mogwai, The Delgados and Belle & Sebastian. I’m still in-

fluenced by newer Glasgow bands such as The Twilight Sad, Errors, We Were Promised Jetpacks and Galchen. I hear the weather is pretty gloomy in Glasgow. Has the weather had an influence on your music? I suppose it encourages me to stay the fuck indoors a lot of the time. It’s really not so bad though, and I always feel that the bad weather makes you appreciate the good days that much more. Why did you decide to call your band Frightened Rabbit?


It’s an old nickname, one which I can still live up to at times. I’m not much of a socializer really, and especially as a child I would simply look terrified when faced with a roomful of potential ‘new friends’.

ing back after lunch. I never expected that I would be in this position, but now that I am I’m not about to waste it - but when it does grind to a halt I’ll hopefully be able to return to drawing, painting and taking photos of furniture to make a sort of living.

ward to visiting? If so, why? Can’t wait to go back to Portland - always have a good time there, and it does feel like a while since we were in Austin. Honestly - the whole thing ought to be splendid.

Can you share some unique stories about recording experiences? I understand that you often record in your houses. We still do. There have been homemade elements on the first two records and again on the new one. It’s nice to have different spaces within one song; otherwise you just get this ‘studiofied’ product. I’m sure some would argue that we do make fairly ‘produced’ records these days, but it’s nice to know there are things I recorded whilst my dad was making soup in the next room.

You attended the Glasgow School of Art. What kind of art were you studying? Can you talk about what your experience was like in art school and why you decided to pursue music? The experience was amazing, start to finish - but by the end I had had my fill of drawing and making visual art. I wanted to see if I could get good at something else. I’m still trying to get there - and I suppose what I learned from the art school is that you never quite get there, but, as Miley Cyrus once said ‘its the climb’.

What are some of your favorite and least favorite parts about touring? Do you all get along pretty well while you are on the road? We have a kind of policy that we don’t really talk during the day, so we rarely get on one another’s nerves. It sounds weird, but I end up getting kind of sick of drinking beer - yet sometimes it feels like the only thing to do. After tour, I still get that ‘6 o’ clock itch’ for a cold beer - I just realized that I may have a problem...

How would you describe your music? How would you describe the lyrical content of your songs? What inspires you to write? I guess I’m intrigued by human behavior - notably relationships on the last two records. On the new one I’ve broadened the themes a lot, and it doesn’t really focus on heartache anymore, just the general ache, struggle and ultimate joy of being a human.

You are coming out with a new album. How long have you been working on this album? How is this album different from The Midnight Organ Fight and Sing the Greys? We’ve been working on it since we came off tour in February – it’s been a quick turnaround, considering I had no songs at all prior to that. I haven’t listened to our first two records for some time, so it’s hard to say how it differs, but it feels more like the album I’ve always wanted to make. I think its bigger sounding - we have some horns and strings on there. Had to get a few moves out of my system - stuff I didn’t have time to do on the last record.

Frightened Rabbit has gained a great deal of popularity over the last two years, especially in the US. Can you describe what the past year has been like for you? It’s been the finest year of my life yet. Too many highlights to write here, but I have been really privileged to get a crack at recording another album. That always makes me extremely happy. Have all of the members of your band always wanted to be musicians? If not, what kinds of careers other than music did you either pursue or want to pursue? What were some of the worst jobs that your band members have had in the past? We’ve never had terrible jobs really. All I can think of was Billy was once asked to sweep raw sewage from a basement floor, and he didn’t bother com-

Who did the cover art for The Midnight Organ Fight and your other records? Can you describe the meaning behind the sketch on the cover of The Midnight Organ Fight? I started doing drawings like that in my final year at college, and it was really a continuation of that - I suppose it’s an exploding heart, which perhaps sums up the content of the record. A little obvious perhaps, but fuck it! You are getting ready for a big US tour. Are there any cities that you are particularly looking for-

Are there any bands that Frightened Rabbit always listens to while on the road? Crystal Castles was a regular last tour. Scottish bands always help with the pangs for home - Idlewild usually does the trick there. Our tour manager usually sneaks some Mountain Goats, Lifter/Puller, Hold Steady, Rock Plaza Central - all of which are most welcome on the stereo. How did you decide to sign with FatCat? They’ve been supporting us since the very beginning. We had a bad run in with a major label, which kind of put us off for life. We made a lucky escape signing to FatCat and we’re really grateful that they stood by us all this time. What was it like working with in-demand producer Peter Katis on The Midnight Organ Fight? What was it like staying at his house while working on the album? His house is so nice, and Peter makes an excellent bowl of chili. Peter has a very subtle hand when it comes to making records, which counteracts my lack thereof quite nicely. We just finished up mixing album no. 3 with Peter and it was such a great experience.


By Janet Sanders

Zarif oulful? Yes. Hipster? Most definitely. The kind of girl you SBritish could see yourself hanging out with. Meet Zarif; She’s the singer-songwriter whos old-school mentality is taking

the modern world by storm. In fact, Billboard Magazine once described her as “Amy Winehouse with Madonna’s pop flair”. She’s performed alongside John Legend and Chris Brown, and recently supported Beyonce’ on her I Am, UK Tour. I chatted with Zarif about her recent collaboration with drum and bass aficionado Danny Byrd, a much anticipated second studio album, and of course…Twitter. So I know you’re touring non-stop right now, just wrapped at V Fest, and supporting Beyonce’ on her UK tour. What’s going to be up to over the next few months? Firstly, I'm putting out a drum and bass remix of my song California with Danny Byrd. Also, now that the festival season is over I'm hanging up my gigging boots for a bit as this year has been mainly spent touring, and I'm going to get back in the studio and do some more writing and recording, which is something I've missed. So are you a spur-of-the-moment songwriter who sleeps with pen and paper bedside? That's me, I always come up with ideas as I’m falling asleep, so there's always a scrap of paper and a pen next to my bed. I tend to come up with song ideas at the most random times and have to quickly jot things down or record them into my phone. I’m psyched to hear your collaboration with Danny. What can we expect to get from that? Also, you’re releasing a new album soon. How’s that shaping up? I’m really excited about the Danny Byrd collaboration as I’ve never really done any drum and bass before. He’s taken California, which is originally

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more of a ballad, and remixed it into a dance tune. I’ve heard it played in a few clubs already so it’s nice to see the reaction to it. The album is going to be very summery, it’s pretty upbeat and is a feel good record. It’s got a classic retro soul sound to it which I’ve mixed in with more modern live and electronic elements. After signing with RCA, you performed with some amazing artists, John Legend being one of my favorites. How was that experience for you? Amazing experience and totally surreal. I had been a fan of John Legend’s for ages, so to suddenly be thrown into singing a duet with him was crazy. I’ve also been lucky enough to support Beyonce on tour, which was even more surreal, and a huge learning experience. And funnily enough, I had even bought tickets to watch the show before I found out I was doing it.


I know one of your main musical influence is the late Michael Jackson. How did he inspire you personally? Do you think the music community will ever see anyone who could possibly live up to his name? He was one of my main influences, alongside Stevie Wonder and Prince. All three of them inspired me because they ultimately made pop music, but not in the manufactured way that it can often be these days. I was so sad when I heard about MJ’s death. It was the night before Glastonbury and there were a whole bunch of us at my house about to leave when we heard. We just stopped and glued ourselves to the TV for hours. I don’t think anyone could ever replace him.

Are you Tweeting yet? Of course I am! Got to keep up with the tides right? Yeah I’ve been getting really into twitter, I tweet all sorts of rubbish, believe me. I’m a Twitter addict! But you’ve definitely not been tweeting rubbish until you start tweeting pictures of food. Do you do that? And the day I update with “Just checked the mail” or “Taking a shower”, I’m deleting my account entirely. Yeah! I know what you mean! When I started I didn’t really get the point, so I was just putting things like “Zarif is on twitter“, “Zarif is still on twitter!” Thankfully I’ve warmed to it more now. I can’t say I’ve tweeted any food pictures yet.


JupiterRising

By Star Noor . Photo by Sean Costello . Makeup by Shelly Samia . Styling by Lux Roy

Spencer - Religion-T-shirt, King Baby-Rings, Cloth Logic-Jacket, Cohesive-Shorts Jessie - Robert Rodriguez-Dress, Christina Bilan Design-Necklace, King Baby/Queen Baby-Ring, 12th Street Cynthia Vincent-Shoes

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he Quite Hype’ is about the best ‘T name Jupiter Rising could have picked for their second album. The

ethereal title is a good way to sum up the big buzz they’ve garnered in the past and the reserved praise they’ve continued to receive. By now you’ve probably heard their music, although you might not know it. Jessie Payo and Spencer Nezey are the stellar duo and their mish mash of synth electropop dance enthused from the whole of the musical spectrum is the most effervescent beats to come out of the electrically charged music world in a long time simply because they do more than play around with a soundboard. “Our music is like a riot of synths and melodies mixed with classic sounds from your favorite rock band,” explains Spencer. Spencer, who is the producer/beatboxer/ mastermind vocalist, begins most every song at his house while Jessie, whose voice lends the main character to many of the songs, helps co-write most of everything. What brought you to decide that Jessie should move into the lead singer role? Jessie: It only made sense to Spencer and I that I would take the lead singer position. Before I was the back up singer in Jupiter Rising, Spencer and I were apart of a crew of friends that were all types of artists and musicians. Spencer knew that I wrote music and handled myself on stage and could easily jump into the position and deliver. I was so ready to be a part of something big! Spencer: When the original signer left. The one thing that the group still needed was a distinct voice that made us unique. And Jessie had the exact tone to her voice. Which made it an obvious choice that it had to be her. Tell me about “LA Girls,” how did the song come about? Spencer: LA Girls originated from all the women I am around every day in L.A. Along with the Los Angeles life style. All the girls I know own every brand in the song. So it just felt right for these girls to have their own anthem. Jessie: We were at a photo shoot and I was toting

a Prada bag. The day prior I had a Louis Vuitton. Spence looked at my Prada bag and was like, “Where are you getting all these bags?” Then on his own in a smaller voice he started saying “Prada Bags, Gucci Shoes, Louis V’s, Jimmy Choo’s”. That night he made that beat and weeks later, he brought it to the studio. LA Girls is ironic because we live and breathe the stereotypes that most people hate on our town. We both love that we come from LA. We have a lot of love for our city. But we can poke fun at it. There is materialism, there is superficiality, but we know that we don’t fall into it. Are there any new acts coming out of other countries that you’re excited about? Spencer: I love Cut Copy right now. And a dope group called Metisse. Jessie: I’m listening to Fever Ray. The lead singer is from the Swedish band The Knife who wrote the amazing electropop hit Heartbeats. And, who did you admire musically that may have influenced your work? Jessie: I would have to say hands down I admire Prince. He’s a musician through and through. His stage presence is killer and he’s got mad swagger. He is also one of the best guitarists out there. His shows are brilliantly musical. His movies are pretty ridiculously amazing, too. What stands out most about recording this album? Spencer: A moment that sticks out to me is jamming out one night at H.O.B. Studios with Mike Shapiro and Mike Garson. Who hadn't jammed together in over 15 years. It was priceless and an honor. Jessie: All I really truly remember is overcoming a lot of self doubt throughout the project. I felt like a lot of what I was writing wasn’t coming through. But after hearing all the songs at the end of each hard work day, when it all comes together, I felt like a really accomplished something. I never wrote a whole album’s worth of material so the album in itself is a true first in my life. What do you like to do to kick back? Jessie: I love dance. I grew up dancing ballet, jazz and hip-hop. I just started getting into being an aerialist where I hang from silk and flip. Spencer: [I like] cooking and making papier-mâché animals while listening to Pink Floyd. If you weren't making music what would you do with your lives?

I’d be a dance/Pilates instructor in the day and a go go/burlesque dancer at night. Spencer: If I wasn't an artist I would live on an island, work at a restaurant and do karaoke every night. Jessie:

What is your favorite city? Jessie: Los Angeles, of course! We’re exposed to all sorts of cultures and lifestyles. I’ve got the beach cities like Santa Monica, Malibu, Venice, and Manhattan Beach. I love downtown and East LA, rich in old school LA culture and all the art shows and artist lofts and communes. There’s Silverlake full of all my bohemian homies. There’s Hollywood with all its wacked out industry peeps at the Roosevelt and Marmont and My House. You gotta love them for it. Go over the hill and you have the sweet suburbs of Burbank and Studio City where the best coffee is made at the Gelato bar near Aroma. There’s good food, fashion, attitude. But, there is also the beach and the glorious mountains and beautiful weather and sunsets. I used to hate on it now I own it! Which track means the most to you on this album? Jessie: The Quiet Hype track means the most to me. We all have something special about ourselves that most of us keep to ourselves; we keep it quiet. I wrote my verse about my father who passed away about three years ago. He was a brilliant man but never quite achieved what he set out to achieve. He was a quiet genius, a renaissance man. Quiet Hype is also what Spencer and I stand for. The hype we’re creating is on the ground level, a quiet buzz that’s soon to explode. Spencer: My favorite song is Follow Me. It was some of the realist stuff I have written to date. I believe it so much that I tatted it to my arm. True story. So, Spencer, why do you admire Pharrell so much? Spencer: Pharrell has never conformed to the world. He has created his own parallel universe and marches to his own drum. Two words…The Man. Tell me something about yourselves that not many know about you. Jessie: I used to work at the Renaissance for 3 or 4 years. Yup, I did that and I loved it. Also I have an alter ego name Lucy Renee Bordeaux who loves musicals, Jell-O pudding and show choir. Spencer: Something people don't know about me is that I am a huge tennis fan and crazy about Bette Midler.


Alright, so I’ve been addicted to your music for the past year now. You’re on repeat 24/7. First time I heard you guys, I’m thinking..How can something like this possibly work? This is like an alien invasion. Where exactly does your sound come from? Exactly. I don’t know. I’m pretty sure no aliens are involved. But don’t hold me to that.

hen I think of MUTEMATH, I think W of controlled chaos. When I think of controlled chaos, I think of blast beats,

mechanically challenged tunes, and one hell of a drummer (who goes by the name of Darren King). I could attempt to explain their sound, but I would never do it justice. I could let out a few smooth adjectives and try my hand at swaying you over to the bright side, but you’d never really be able to feel the full effect of it all until you’ve seen a live show. All you need to know is that they recently released their sophomore album, Armistice, and in support of it, MUTEMATH’s frontman, Paul Meany, answered a few of my questions.

MUTEMATH By Janet Sanders Illustration by Sina Becker

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Your music is an idea I could read on paper.... and it would make absolutely no sense to me. But then you take this artistic audio/visual experience, throw it into a blender, and it all seems to fit together perfectly. You’re a musical genius, Paul. That’s nice of you, but I bet you tell that to all the bands that don’t make sense on paper. You have included some unique instrumentation into the mix including using an Atari. Darren went through a phase where he was dabbling in home-made electronics. We had a run of some early shows using his creations but they broke way too often. We finally hooked up with a guy in New York who was able to make something for us much more stable. Any other new inventions in the works? No...a second record has suited us just fine. Ever had anything go absolutely haywire on stage? Something always goes wrong on stage. I depend on that, actually.

Fill in the blank: Duct tape+ headphones= ________. (Darren should find a way to market that.) Strange balding patterns …and I’m pretty sure we’d never get past the focus group stage of that marketing plan. How did you end up on the Twilight soundtrack? They called. We were in the middle of recording and had just finished Spotlight. Since we were taking forever finishing the rest of the record, this wound up being a convenient way to get some new music out. Who knew that it was going to become what it has. How long in the making was Armistice? Just one year, although it seemed longer. Kind of like riding bikes against the wind. One mile can feel like three. How’s the writing process for you? I travel with two cell phones. So when I get song ideas, I call one of the phones and leave it on the voicemail. Seems to be the most impractical, so it works for me. As far as any new music videos go are you exploring new ideas on that front? Your videos have sort of a cult following now. We’re trying new things... I think we’ve given up on the idea that we can hire “name” directors. We seem to work better with up and comers. It’s more fun to cook when nobody really knows how.


K

nown to his public as Emperor Steele, Luke Steele reigns as front-man to the electronic, indie pop duo Empire Of The Sun. Hailing from Australia, Steele and his partner Lord Littlemore wow listeners with their magical rock melodies and capture their fans with their musical mysticism. After all, their debut album is titled Walking On A Dream and is described by the duo as a “spiritual road movie”. In addition, not only has this album been nominated for Song of the Year at the http://www.apra-amcos.com 2009 APRA Awards, but it also has made top ten on the iTunes charts. When asked how he would describe their style of music, Luke replies, “Probably like a Corvette… with paint just melting…down a huge 20 foot wave.” Empire Of The Sun’s spirituality as a whole is completely reflective of its group members, especially Steele. Steele’s mellow demeanor and artistic personality are just what you would expect of this pleasantly eclectic Australian musician. In his spare time, Steele enjoys doing pretty much any activity that is art-related. For example, he has a weakness for painting, photography, sculpture, and graphic design. Aside from exploring his artistic capabilities, Steele also finds pleasure in embracing his spirituality through surfing. Nonetheless, though one would think that inspiration for all Steele’s mystic songs is derived from all of these soul-soothing pastimes, his actual ideas are stemmed from watching films. Soon Steele plans to bring his psychedelic sounds to the U.S. so that he may perform his musical stylings across the ocean to the other side of the world. Ironically, this is, in fact, exactly where Empire Of The Sun’s songs take you...on an extensive journey to another land. All in all, Empire Of The Sun simply wishes for its fans to take in whatever it is they hope to absorb from the duo’s music, as each individual fan is different.

EmpireofTheSun By Lauren Weigle Image by Debaser

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Chairlift

By Jessica Padykula Photo by Maciek Kobielski

inding success as a band is about FThere’s more than just playing good music. a certain element of strategy

that comes into play, along with talent and, of course luck. Achieving this magical balance of skill, strategy and luck isn’t easy, but it happens. Just ask the members of Chairlift, the Brooklyn-based, by-way-of Boulder, three-piece creating a unique brand of haunting, synth-soaked ambient pop that’s been getting noticed. Aaron Pfenning (guitar, vocals), Caroline Polachek (keyboards, vocals) and Patrick Wimberly (drums) have so far set themselves up for success. A hands-on approach to their music and commitment to overseeing all aspects of their career, combined with a passion for carving out uncharted musical avenues have helped boost them above and beyond where many bands only dream of getting. Pfenning took some time recently to give me a glimpse into Chairlift’s world and offer some tidbits about his band mates, current influences and the group’s upward trajectory.

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What is Chairlift’s back story? How did the three of you meet and come to form the band? I met Caroline in an economics class in Boulder, CO. I invited her over for tea and a few weeks later I invited her to come help me with some solo recordings in LA. She began to contribute more and more to what I was doing to the point where it wasn’t just me anymore so we chose Chairlift as a name. Patrick also went to school in Boulder but I didn’t know him. Patrick and Caroline were both radio djs at the college station so they were friends. I met Patrick one day walking down the street in Manhattan and he came to see Caroline and I play a show that night and he asked to join our band. We said yes. From the move to Brooklyn, to the iPod commercial, to signing with Columbia and reissuing the record, not to mention touring and collaborating with other artists, a lot has been happening for you. How strategic have you guys been about your music career so far and where to take the band next? We’ve had a say in everything so far. We’ve never said yes to something we didn’t want to do, from touring with certain bands to the iPod commercial, etc. We put all our creative energy into this band - writing, recording, artwork, t-shirt design, visual media, music video wardrobe. It all passes through us or is generated by us and we look at and approve anything band related. It’s a really rare and great thing to maintain such control while on a major, but we wouldn’t have signed if we couldn’t continue to generate the ideas we want to make happen. Of course we’ve also chosen to work with an amazing team of professionals who are just as much artists as we are in what they do, they really take care of us and I’m so happy to be working with our manager, booking agents, publicists, and label team. They really get what we’re doing and they know how to handle our business. My respect for our entire team is a fountain, a fountain of respect. What has been the best decision you guys have made as a band so far and why? To eat organic foods. Take care of your body first! What kind of influence has moving to Brooklyn had on your sound and your experience as musicians in general? It’s made me hyper-aware of the doing-ofthings. By that I mean I’ve been able to zero in on what’s important musically to me, and what kind of ideas to communicate to an audience and the kind of “musical” clothes to wear on certain days and for certain occasions. Some days are more pop and some days are more funk. Some days are dark and ambient. What were the biggest influences on the creation of Does You Inspire You? The noise of living in New York, the fast pace and wild screechings of the city made us peel back and hunker down to write more soothing sounding pop music. Other influences included David Lynch’s Twin Peaks, Yerba Matè, soul music and Prince and harvest moons.

Thinking about the influences on that record, what’s currently inspiring and influencing your sound? How will the next record differ from Does You Inspire You? I’m currently very inspired watching Fever Ray perform live, and her command over the audience. Her show is a powerful thing and it’s not so much about the performance as it is the timing of things the lights, the subtle movements, the fashion ideas and wardrobe. I’m fascinated by musicians who don’t need to physically run around and do jumping jacks to entertain and captivate an audience. Our next record will be less plaid and more denim. How do you guys handle any disagreements that arise within the band? Rock, Paper, Scissors? Arm wrestling? What seems to work best? We consult our crystal ball. Seriously. You’ve toured with and been on a bill with some really cool acts. But...If you could create your own, personal ultimate line-up for a mini-festival or show, who would be invited to perform with you? The festival would be a costume party. Like the one in Eyes Wide Shut. And it would be in a forest, in Montana, late summer. (Weather is perfect then). The line-up would be: St Vincent Yeasayer Fever Ray Mitch Hedberg (if he could be there) Crystal Antlers My Bloody Valentine ...and headlining the end of the night for a massive dance party would be The Dream, of course. Everyone strips down and dances with the elk and bears. What personality traits did you exhibit as a child that would make it seem obvious now that you were going to end up in a band? Extreme distraction disorder (EDD), singing in the tub, playing with cats, playing with kids way older than me, playing with fire, performing magic shows in front of my parents friends. Just being curious about everything. I still do all these things I listed. Name one thing you think would really surprise fans about each band member. Patrick: He’s got wild mutant turtles scuttling around his backyard. Scary. Caroline: She’s a great chef. She makes a mean Japanese Cold Noodle dish. Aaron: I own one of the first Ford Model A’s, from the 1920’s. Who would play each of you in a feature film about Chairlift? Patrick: John Travolta Caroline: Christina Ricci Aaron: Jack Nicholson It looks like summer and fall are packed with touring. What are your plans for the winter? We’re getting a house in New Mexico, riding horses, and recording our next album!


LoveGrenades Wight appears to have it Ebandlizabeth together. She fronts up and coming the Love Grenades, who just

happen to be generating buzz wherever they go, writes all her own music and seems to have a refreshingly healthy perspective on life and what it means to do what you love for a living. But she has a vulnerable side, too, and that’s something that makes her all the more relatable to the growing number of fans eager to show their appreciation for her brand of sexed up power punk with a twist of intelligence and generous pinch of lust for life. She recently gave me some insight into who she is and why her band is ready to break into the big time. What kind of influence does living in Los Angeles have on your music? Los Angeles is the setting to almost all of my songs. It’s the backdrop. Everything inspires me about it, from the palm trees and dancing at Punky Reggae to the Downtown L.A. skyline at dawn. It’s where I’m from so I have lots of pride regardless of what transplants think of it. What do you think have been the keys to your success so far? Not knowing what success really is. I pretty much don’t have a concept of when I’ve accomplished so I’m a bit of a workaholic. I’m told I’m a bit hard on myself sometimes but that’s okay. It makes me happy to know I’ll never stop writing at least. How important is it for a musician to cultivate a specific image through fashion to go along with the sound? I think it matters a lot now more than ever because the average person seems to be ruled by images more so than sound. I read an article where Lady Gaga says “When I’m writing music, I’m thinking about the clothes I want to wear on stage.” When I heard that I started laughing, because for me when I’m writing that is the last thing on my mind. Sure, I like wearing nice things but music for me isn’t superficial. Most of the time I just roll out of bed in the morning and work all day in my undies and by the time I go outside I can barely see straight or hold a conversation and I probably look a mess. Some musicians have a stage persona that differs greatly from who they are on a day-to-day basis. How closely does the Elizabeth Wight of stage and videos resemble the real you? Honestly there is no difference between me and the “stage persona.” At least I don’t think so. I’ve gone on dates before where dudes are like “wow I thought you were like really into doing it just based on your lyrics and what you wear when you perform.” And it’s like “duh....sure I like doing it...but not with you, dumbass!” What do you think it is about your music that people are gravitating towards? I’m guessing it’s the dance aspect of it. Or maybe the fact that I write it myself and don’t have hit makers doing the work for me. Actually I don’t know. Lots of people don’t really mind if all they are buying into is a consumer product. So maybe it’s just those who like me have good taste.

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By Jessica Padykula Photo by Erik Schultz

From what I’ve read, part of what drives you is the desire to inspire through music, specifically to create music women can relate to and be inspired by. Why is this so important to you? There aren’t enough women in music and for me that has always been a problem because how can I truly identify with the male perspective if I’ve never been a man? Sure I admire and listen to tons of music by men. However, nothing feels greater than being able to listen to someone who seems to be telling your story. Someone who is going through the same things you deal with. It’s refreshing and for me it keeps me from feeling alienated. How much does the energy and vibe of your music reflect your own life and where you’re at right now? The music wouldn’t sound the way it does if I wasn’t drinking gallons of coffee. So I’d like to thank Lavazza which brings me to life. Vibe is a funny word...like Drew the drummer says, “you can’t put a fence around vibes.” How did you meet and come to collaborate with Sam Sparro? I walked into a cafe to get a job and Sam was behind the counter. The first thing he said was that I looked like a classic Hollywood starlet but I needed a beauty mark. So he put one on me with a sharpie pen. Then I gave him one too. Soon after I got the job and we began showing each other the music we’ve made and started collaborating. I read something in an interview with you where you mention that your age, along with the time we are in is both exciting and tragic at the same time – what did you mean by this and how does that perspective affect your music? Right now I’m kind of at this age where I don’t have too many responsibilities. I don’t have a mortgage or babies. I could basically hop on a plane whenever I like and tell everyone to fuck off. So it’s great and I’m having tons of fun. However the 20s are usually a big roller coaster of emotions because we’re all trying to find our purpose in this great big galaxy. Well, some of us are. So I wind up in these existential debates in my head and I won’t want to leave my house for a week. I get sort of self-destructive but it’s all in my head and it’s so immature. As far as the time we are in. It’s all a big mess really and I’m always trying to find things that are honest and not just a marketing scheme. It’s hard but a challenge and life gets exciting when you have comrades in the struggle that you can get self-righteous with. What you’re doing and the success you’ve achieved so far takes a lot of confidence and certain amount of self-assuredness. What do you do on those days where you may not feel so confident of self assured to talk yourself up and get back on track? On those days I lay motionless in bed and listen to Alice or Pharoah Sanders. I spend hours thinking nobody likes me so I make up in my head that I don’t like anyone either. Then usually my cousin calls me because we got this crazy psychic connection and she convinces me that I should put the pills away. She’s a saint. I’m just a big baby.



The 5 You Need to Know By Lauren Weigle

If you’re surfing the ever-popular wave of networking sites, you’re sure to come across any of Sonicbids latest discoveries. This time around we picked a range from pop to rock to psychedelic folk tunes, reaching far across the map of musical styles. First on the list is the smooth female rock artist Noush Skaugen. With her brand new album released, she expresses herself not only through her music, but through her acting career as well. Then, bringing the pop to the table is indie duo Carmen and Camille with their enthusiastic and youthful approach to making powerful songs that bring out the fun side in their audiences. On the other hand, if you’re looking for an electric jolt of energy, be sure to add the angular rock sounds of the band Overnight to your playlist. They are definitely an up-and-coming band that is set to make a mark on the music industry, playing songs that are complete with many levels of texture and are full of life. Another lively group to look out for is the band Low-fi. Not only is their music pleasing to the ear, but they are just all around great guys who happily take any opportunity they can to meet a fan. Finally, if you ever find yourself wanting to mellow out at the end of a hectic day, you should turn on some of Miranda Lee Richards’ soothing folk sounds. So, if you thirst for new, innovative music, give these artists a listen. mf _ 20

Noush Skaugen Photo by Frank Jonen

Although people in the music industry tend to suffer from its many ups and downs, Noush Skaugen takes in each experience as simply part of the constant rollercoaster ride. Skaugen realizes, “You just have to flow with it, and know that it’s an ocean that can be sweetly still and beautiful and then get stormy the next moment. Being very close to success at any level and it not following through at the last minute is the signature of this industry, but it’s a marathon and the successful ones stay the course whilst being true to their art.” It’s this positive attitude that helps Skaugen to push through any obstacle she may come across, whether in the entertainment industry or in her everyday life. For example, when her mother sadly lost her fight with breast cancer, Skaugen poured her emotions into her music as “therapy instead of paying a shrink.” Furthermore, she donates proceeds from the album to breast cancer research. In addition to the experience Skaugen had in losing her mother, she tends to put all of her life happenings and feelings into her songs as well. She tells me, “Generally, I have to be motivated to write from my guts and something that has moved me. Normally that is from my own life experiences, as with ‘Lost and Found’ being chapters from my life, which I wrote after a break-up and my journey to the states, so many are about love. The forthcoming album I will release later this year, I wrote more from urges that I felt around me and the system that made me want to speak out. With each album, as an artist we want to grow, push ourselves to the limit and keep moving with what is inspiring us at that moment.” Being both an actress and musician, Skaugen yearns to fulfill not one, but two dreams. Her music has been featured on various reality television shows including The Real World and in the movie Road Trip 2: Beer Pong. On the other hand, she has made many small appearances on shows including CSI: Crime Scene Investigation, Entourage, and Passions. Her dreams for her music are actually somewhat surprising as they are to simply tour the world while supporting a larger main act such as “Foo Fighters, Snow Patrol, or Kings of Leon.” On another unexpected note, Skaugen also hopes to one day perform a duet with either Method Man or Lenny Kravitz and to have Crystal Method re-mix atleast one of her songs. In terms of her acting, Skaugen dreams of working with talents such as Christopher Walken, Al Pacino, Meryl Streep, and Anthony Hopkins. She would also love to play a role in an action movie like The Matrix or Kill Bill. In addition, Skaugen would love to appear on the small screen, confessing, “True Blood would be fun, as would Lost or Heroes. A sitcom would also be wicked to be on. I love how casts on TV shows become like a family.” Her ultimate goal concerning her career is to act in a movie, while also performing on the movie’s soundtrack. As one can tell, Skaugen’s dreams and refreshing beliefs are very important to her and, at the same time, are quite enlightening to others. For example, Skaugen deems that, “Tomorrow may never come, so do what you want today. Our only limitations are the ones we place on ourselves. Nothing is impossible.” Noush Skaugen also believes, “Everyone has ups and downs in their life, and the difference between someone who is happy and positive is making the decision to learn from it and savor life. Moments are fleeting, nothing ever stays the same, the people in our lives come and go, but what I have learned from that is to appreciate every second we are here and live to the maximum.” Consequently, Skaugen lives her dreams as not only a music artist, but also as an actress, stepping away from law school, as it was not her great passion. Her key goal was to produce a style of music that was “true, uncensored, and real.” Aside, from her artistic talents though, are her amazing chocolate-eating abilities. Skaugen proclaims, “I can eat chocolate forever. Give me those bags of fun-size party bars and it will be empty shortly after!” It’s fun little quirks like these that make Skaugen such an appealing individual to her listeners… that and the fact that she likes to actively connect with her fans, whether in person or via internet. For instance, Skaugen is known for her immense online fanbase. She uses several internet mediums to open communication with her fans including Twitter, not only using the site for personal updates, but creating live interviews where fans can “tweet” questions. Skaugen expresses to us, “I will be filmed live so fans can watch a live televised interview. Live streamed concerts will be happening also, where fans can possibly request songs as if they were there. This is where for me, although the internet has been the demise of recorded music, it is amazing for the opportunities it has created.”


Carmen and Camille

The history of Carmen and Camille is quite charming. “We met in our mom’s womb. We eventually decided to write and perform together because it has always been a part of our lives. Finally, the time just became right to really go for it. We have always sung together and made music a priority.” In turn, they operate under the philosophy of ‘go big or go home’. Their goals are to shoot for the stars, tour the world with a few hit records, win a Grammy for the best pop album, and continue their careers writing music for others. In the meantime, however, they enjoy beginning each day with a jog. Usually, their days are spent answering fanmail, hanging out at the studio, performing live shows, and writing more music for future albums. Their down-time, on the other hand, is often spent with friends doing “normal things”. All ready this pop-rock duo has accomplished so much, having almost their entire first album feature on the reality series The Hills and appearances on the former show MTV’s TRL. In terms of written press, the two have obtained key recognition in magazines like Elle and Stuff. In the future, nonetheless, they would love to hear their songs on shows like Gossip Girl, The City, and the new Melrose Place. After all, fans of these shows are their chief target audience. Nevertheless, Carmen and Camille live for whenever their music touches any listener, regardless of their demographic. Consequently, they are always eager to endeavor new things or try a variety of styles simply for the pure enjoyment of it. Camille tells me, “Some people will criticize you for that but I think it keeps things interesting. I play guitar so that has always been a part of our style of writing. We’ve just tried to be ourselves which is fun and upbeat, but with depth.” On a more interesting note, are the crazy stories of Carmen and Camille addicts. The fact that the two girls write their

own music and sing from the heart is what attracts fans to them so much. “We’ve had a few marriage proposals when we were up on stage and we’ve signed a few six packs…not complaining about that,” admits Camille. Aside from the many romantic sentiments from their admirers, the two receive much praise and compliments via the internet…just like most bands do today. Carmen emphasizes the importance of connecting with their audience explaining, “Myspace, Facebook, and Twitter are great ways to keep people in the loop. They’re also great for hearing feedback. YouTube is another one. We connect with a lot of people on there.” Whether showcasing their live performances, alerting their fans of upcoming shows, or blogging about random moments in their everyday lives, Carmen and Camille are sure to keep in touch. In terms of advice for the fellow ambitious musicians who contact them online and wish to make their own way in the industry, they encourage these individuals to, “Have a good team of people around you that believe in you. And most importantly, believe in yourself. There are haters. Work hard. That’s a given.” These words of wisdom, however, should resonate with anyone, no matter what they may aspire to be or do.

Overnight Photo by K•Taro

Michael, Philip, Gregg, and Arun all came together to collectively create an “indie-pop rock band with a good appreciation of moody space and the big mysteries.” They live to play with a power in their sound that’s electric and pleasantly reflective of the city they hail from…New York City. The simple tale of the band’s formation is one of serendipity. When Philip and Gregg first met Arun at a show in the city, they knew he had the potential to be a perfect fit for them both musically and as just a nice, laid-back guy. Philip explains, “You know when you know someone is good at something even if you haven’t seen them do it? It was kind of like that. I hadn’t known at that point that he had played with all these big names and done all these world tours, I was just vibing that he was super nice and probably pretty good.” Finally, they met their fourth member Michael through mutual friends, and, after his band The All For Nots had broken up, Overnight was complete. After starting out playing music that was relatively simple, angular rock, their melodic tastes evolved to focus more on the arrangements and textures of each piece. In turn, the band has taken its songs to new levels, expanding its horizons to the fullest extent. This especially refers to their upcoming album These Days Are Over. Spending a year on the project, Overnight really made an effort to set their music off in a whole new direction. Philip goes into detail telling us that, “Lyrically there’s a good deal of anger and vitriol rushing in the veins. Most of it was written before the big world downturn and a lot of it is a sort of a tug on the ear for all the excesses and ridiculousness of New York prior to last year. We didn’t set out to put together some conceptual thing, but it just turned out that most of the songs had similar themes running through them.” In terms of their image and signature sound, again the group has moved forward and continues to do so, proudly maintaining that they are a work in progress, leaving much room for self-improvement. Both Gregg and Philip have always had a “deep love of the sweet stuff. Gregg’s done more of the punk, post-hardcore thing for years, and the guy is a fucking encyclopedia of old dub and garage rock. Also, Arun has been all over the world, having collected one demented effects pedal or synth module from just about every fucking corner. We all appreciate when things screw up or malfunction in some interesting or beautiful way.” This would probably explain why Overnight is able to take its new music to such depths, pushing boundaries, and having the ability to realize their most creative ideas, one after another.


Miranda Lee Richards Low-fi

First and Foremost, Todd, Mike, and Josh would like to give a “shout-out” to “everyone who has been behind our ambitions to become working musicians- they know who they are.” If you like Snow Patrol, The Police, or The Cars, then you better add Low-fi to the top of your playlist. The band itself would describe its sound as landing “somewhere between Weezer and Built to Spill sprinkled with a little Wilco. Low-fi holds its own, however, with effectively dynamic melodies and cool rock sounds. Their influences, like many other musicians are stemmed from songs of their childhood, those to which they grew up listening. In terms of how these musical inspirations shape and influence the band’s song-writing process, Todd explains, “Mostly I just stick with a riff or melody that gets me excited in some way. The lyrics come from different places, it may be something that’s going on in my life currently or an event I may have heard about in the news or something completely abstract. I like to keep the lyrics very minimal at times too. I always try to leave room for the listener to draw their own conclusions about the meaning of the song.” Todd then expands on the subject telling me, “I try to write about a variety of topics, but the Pacific Northwest seems to pop up a lot. I’m really proud to live in this beautiful place and it inspires me quite a bit. I think our upcoming record will reflect that. The one topic I try to stay away from, though, is ‘love’; not so much the emotion itself, because it’s an important once, but the cheesy kind of love songs that are always flooding the airwaves.” Aside from Todd speaking so in-depth about his personal views on the band’s music-writing process, he does also go into great detail about the amazing contributions of each band member and their importance to each musical work. In terms of the powerful effect this band has on its listeners is its amazing ability to turn pretty much any listener into a fan. If you haven’t had the pleasure already, their debut album, Where You Are, is really not one to be missed. The band loves to reach out to new fans. Todd enthuses, “We are always excited to have the chance to play for some new faces.” Then we began talking about the sound systems at certain venues and how the band sometimes needs to bring their own PA system along to gigs, which can be an annoyance. However, he then stressed the band’s appreciation for new listeners once again saying, “If bringing our PA along allows us to play for and possibly make a couple of new fans, we’ll gladly do it every time!” Furthermore, while on the topic of Low-fi’s dedication to their fans, is their efforts to maintain a great connection. Through every network site under the sun including Myspace, Facebook, Twitter, TheSixtyOne, and ReverbNation, the band is determined to keep their aficionados abreast of their goings-on. The band is also completely grounded and eager to meet any Low-fi follower. “We are pretty accessible to fans being that we are still a relatively small unknown NW indie rock band. No one really has to do anything crazy to get our attention other than just walk up to us after a set a say hello.”

Miranda Lee Richards had to travel down a long road in order to be able to live her dream as a soothing, folk rock musician. "I modeled for quite a while, I worked in restaurants, night clubs as a door girl, and I was a cocktail waitress. My best run in that business, though, was when I was living in Los Angeles and working on my music career." Richards took on many odd jobs when she first began pursuing music so that she could afford to play her music above all else. Of course, aside from the initial issue of breaking into the industry itself, there were many "ups and downs" along the way. Richards describes these experiences, telling us that, "There can be a lot of pressure in the music business, which I'm not so keen on, and people can be unforgiving and unappreciative. I mostly try to concentrate on the positive and realize that, even though it may not seem like it at the time, what I put into it, I get back, and that is a really perfect exchange. I love being creative for a living and it is a true honor to share my music with people." Other variables that move her to persevere and keep herself motivated are her love of music as a whole, the messages she wishes to deliver, and the pure joy she finds in performing. In terms of these performances, Richards likes to play and write pieces that express her higher self, while incorporating classic elements in her songwriting. Overall, Richards aims to maintain a life of positivity. "I try to do things that promote well-being and stay away from destructive behaviors and people, but this is not always possible and you can sometimes learn from your darkest moments what you don't want, which is just as important as what you do. I have really been working on being honest lately, both with myself and others, which is very grounding, “says Richards. In addition, she adopts several hobbies as yet another means to keep herself grounded when she has spare time from touring. These hobbies include doing home improvements, shopping in moderation, reading, drinking tea with friends, and spending time with her family. Richards also likes to stand on her hands and whistle between her fingers, but that's another story...

If you would like to submit your band to mf magazine for a possible feature head on over to sonicbids.com/mfmag


.Project.My.Way. Jimmy Pardo .

Photo by

Aaron Fallon

what they wear comedy special

host of the award winning podcast “Never Not Funny,” at the Upright Citizens Brigade Theatre in Los Angeles. Suit: French Eye (London) Shirt: Ecco Socks: H&M Watch: Skagen Belt: Coach Underwear: Gap

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Mary Van Note .

Photo by

Heather Jones

won Best Sketch Comedy Series at the 2009 Aspen Rooftop Comedy Festival and can be seen sporting various vintage looks in her Blog series “Mary Van DAAAMN!”. Dress: Vintage Tights: Rite Aid Shoes: Kenzie Hair Band: Ribbon Store Nail Polish: Mabaline


Kevin Meaney .

Photo by

David Zanes

is an Emmy Award winner that has been one of the country’s most popular standup comedians for more than 25 years. Catch him at a comedy club near you. Jeans: DKNY Shoes: ecco Shirt: Tommy Hilfiger Tie: Tommy Hilfiger Vest: Kenneth Cole


Helen Hong, Joe Devito and Rodney Laney .

Photo by

Corey Hayes


Helen Hong(left) - runs 2 regular comedy shows in NYC called “K-Date Comix” and “Laugh Match” Joe Devito(middle) - has performed on Comedy Central’s “Live at Gotham” and performs regularly at comedy clubs across America. Rodney Laney(right) - has appeared at the prestigious Just for Laughs Comedy Festival in Montreal and can be seen in the new TV series “The Superagent”. Jeans: Earl Jeans Top: Urban Outfitters Shoes: Nine West

Glasses: Giorgio Armani T-shirt: GAP Jacket: vintage knock-off from eBay Jeans: J. Crew Shoes: Kenneth Cole Socks: Nike

Shirt: Banana Republic Pants: Calvin Klein Shoes: Hugo Boss


Nikki Glaser .

Photo by

David Zanes

was just named one of the Top 10 Emerging Comics by Askmen.com and can be seen in comedy clubs throughout America. Top: Urban Outfiters Shirt: Forever21 Jeans: Maui


Bil Dwyer .

Photo by

erik schultz

the star of his own “Comedy Central Presents” special. Suit: Paul Smith Shirt: BCBG Belt: Nike Watch: Swiss Army


Carrie Wiita, Rachel Germaine and Stacy Chbosky .

Photo by

Pamela Lopez Grant . styling by Ivy Thaide


These Three can bee seen at the Sacred Fools Theatre in Los Angeles, where all three perform in the sketch comedy series “Serial Killers.�

Carrie Wiita

(left)

White sequined tanktop: A Common Thread Jeans: Guess Jeans Gold ring: Vintage Earrings: VintageRagsCo.com Rachel Germaine (middle) Purple tank: Ben Sherman Jeans: J Brand Boots: Charles David Silver sequined necklace: TheRavingStitch.etsy.com Jade Bracelet: Vintage Stacy Chbosky (right) Fushia satin tanktop: Banana Republic Navy military jacket: VintageRagsCo.com Necklace: Vintage Vintage clown pin: TheRavingStitch.etsy.com Jeans: Banana Republic Shoes: Converse


Regan Burns.

He starred in the Comedy Central series “Halfway Home.�

Photo by

Aaron Fallon

Shorts: BKE Shirt: Banana Republic Sandals: Kenneth Cole


Natasha Leggero .

Photo by

Josh Elliott . Make-up by Stacey Myers

.

Hair by

Stephanie Sousa

She is a regular panelist on “Chelsea Lately.” Orange Coat: H&M Sunglasses: Gucci


OscarNunez

By Monica Alvarez Photos by Larissa Underwood Make-up by Desirae Cherman

t had just been confirmed minutes before I picked up the phone to call Oscar. Iinterview Michael Jackson was dead. Though it did feel a little weird to be doing an at such a sad moment for a music fan like myself, I thought that maybe

Oscar would bring on the funny and bring some happiness in my life. Instead, I had the chance to speak to Oscar Nunez the man, not the comedian. I was a little bummed at first. Aren’t comedians supposed to be ON all the time? Was it the whole Michael thing? At the end of our conversation I felt privileged to have spoken to him is such a casual manner. Ladies and gentlemen‌Oscar Nunez.

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How’s your day going today? Are you in California? I’m good. I am in California and it’s HOT out. Yeah, it is! It’s nice, but super HOT. Let’s get right into this, shall we? At which point did you know that you wanted to work in the entertainment industry? I think I’ve always enjoyed being an idiot and making people laugh and all that. But I think it was when I was in my early 20’s and it was like, “Wow, this is life and what do you want to do?” And that was when I had finished a dental technology school. I was working as a dental technologist and I said, ‘Ugh, I don’t want to do this. That’s for sure. So what do you really want to do?” Now before that I had gone to FIT and took a couple of course in college and stuff but dental technology stuff was kind of a career and I was like, “Oh, I don’t want to do THIS.” Who would you say has directly influenced you in taking the career path that you’ve chosen? I had a drama teacher in New York, Michael Clayton. He was the director of the first improv troupe that I become a part of back 2000 in New York City. And I guess from people on T.V. Johnny Carson I loved. But people like Seinfeld and Monty Python. Those are good ones. So The Office is returning for its 6th season on NBC this year. You play a character that a lot of us have fallen in love with: Oscar Martinez. Can you tell us a little about what we can expect from your character this season? Oh, I have no idea! They’re writing the scripts and we’ve yet to go back to work…. (Oscar’s phone rings) Uh, Kate Flannery (Meredith from The Office) just called me on the other line. I just called her like two minutes ago and I’m like, “Did Michael Jackson pass away?!” Yeah, I just heard. So sad. Is it true? Yes. Apparently he had a heart attack. [pause] HOLY crap. Farrah passed away also? Farrah passed away earlier this morning? Wow. So that was Kate calling me to verify. I have to call her back after the interview. Fucking bizarre, man. That’s really unfortunate and sad. [back to our original question] I don’t know what they have in store for us this season. I know I trust them and that it will be funny but they’re writing the scripts as we speak. You have had a role in several of your projects as writer and producer and obviously as an actor. Do you plan on taking on any writing roles for The Office? We’ve got plenty of writers. I think they farm out one script a season and there’s a line of people waiting. So…yeah. I don’t foresee that. Now between the roles of writer, director, producer and actor, which of these do you find the most challenging? The most challenging was probably being producer on Halfway Home, then being an actor on the show and then the writing because with the producing part you…well, when you act, that’s when you get to have all the fun because that’s all you have to concentrate on. When you have to think about wardrobe and other people’s egos, or talking to the producer about the tone of the show and all that, it’s a whole other journey. It’s a lot of work. So would you say that you prefer to take on the role of the actor rather than a writer or producer? Yeah, I would prefer it. But you know, it’s great having a show and running a show. Don’t get me wrong. It just, it…your day is much, much longer. I can imagine. And your stress levels are much, much higher... Yeah, and there’s a lot of stuff happening. When you’re producing a show, you’re responsible for the show. Not just your part of role in the show.


Congratulations on winning the four Emmys that you’ve won since you joined the cast of The Office. How important is all of that to you…the whole award show, the ceremonies, the recognition from your peers…where do you hold that as far as level of importance? Thank you. It’s nice, you know. It’s what it is. I think it’s just a nice thing to have a job and to be a regular working actor is fantastic. I guess all that over stuff is just a cherry in the ice cream. I guess. But it’s nice. Definitely. I don’t think it necessarily means that you’re a better actor or whatever, but I think it’s a very nice thing. Do you enjoy attending these shows, walking the red carpet and doing that sort of thing? It’s really hot over here and sometimes you have to stand out there for an hour or whatever but it’s very little to complain about. I’m going to the Bruno premier in about two hours. How fun is that?! That’s exciting! Yeah, I can’t wait to see that. Your latest movie, The Proposal, has been pretty successful in the box office. Some of the film’s fans have already been looking forward to its DVD release. Do we have any witty behind the scenes extras or commentary from you to look forward to? I don’t think so. No, I don’t think so. You gave Current TV a story about you getting the role because your agent lost a bet. Is that really true? Tell me that’s a lie… No. It’s a long standing tradition in Hollywood. I don’t know what he was playing. Either Black Jack or Poker…you know…it turned out for the best. Yeah, no kidding! You played several roles in that movie. Did you feel overworked and under-paid during the making of this film? Yeah, partly because I was a minority and I had to punch a time card. And no one else had that. I was like, “Why? Why do I have to punch a card? And why does no one else have to do it? What the heck is going on here?” Tell me a little bit about the scripts that you are currently working on. I hear you’re doing a lot of writing. Is it safe to assume that these are comedy scripts? Yeah, I’m just messing around a little bit. I’m basically preparing to go back to The Office. There are some things in the works but it’s just too early to talk about them. They’re kinda just ideas that are floating around. So then when you’re on hiatus, what is a day in the life of Oscar Nunez like? Do you have any kind of morning rituals? Do you wake up and have breakfast with the wife? Yeah, pretty much. And sometimes there (are) auditions and you just go back out and audition like before. I still have to audition. Some days, like today, you have these photo shoots. Sometimes I try to go hiking. I went to see my family in Naples, FL. But basically for this particular break I’ve been staying close to home. You’ve mention your family in Florida. Do you still have family in Cuba? I believe we do. Not immediate family but I think my mom has some cousins there. Do you have any desire or plans to return to Cuba for a visit? Yeah, I guess at some point I’ll go back. I know that I’ll go back someday. I know theatre work was a huge part of your early career. Do you have any plans on returning to theatre or writing for the stage? When we’re on hiatus we get together and do improv around town…whoever’s in town (from the cast of The Office). So what kinds of music do you like listening to? When I listen to music I always listen to a compilation of stuff. I guess Radiohead comes to mind. This morning I was listening to music from Il Postino, the movie. And stuff from Moulin Rouge, too. So it’s kind of all over the place.


What was the last concert you attended? The last show I went to was Ricky Gervais at The Hollywood Bowl. I really wanted to see Elvis Costello. And I love David Byrne. Do you ever catch Elvis Costello’s show on Sundance (Spectacle)? Yeah, you’re right. That is on Sundance. There’s an episode where David Byrne is his guest. It’s an awesome show. You should definitely check it out. I saw him years ago. I was bar-back at this bar in town and he showed up with Timothy Leary. That’s pretty awesome. So how do you go about feeding your imagination? It was very cool. Oh wait…I remember what the last concert I saw was. It was Steve Martin, playing banjo. I got to meet him. It was amazing. And actually, that’s how I feed my imagination. I’ll listen to some Steve Martin books on tape. So tell me a little about what you like to wear when you’re not in wardrobe for one of your many projects. Where do you like to shop? I like fashion. I went to FIT after high school. I like Ted Baker. I like hanging out in Tshirts and jeans. I tend to have Lucky Brand and True Religion jeans. Those are the jeans I wear the most.


THEBESTSHOWonWFMU ilarious, Brilliant, Absurdist, H Aggravated, Oddball, Eclectic, Addicting, Unique; It’s hard to exactly

describe THE BEST SHOW on WFMU. Suffice it to say, tuning into this radio show is one the highlights of my week. I love introducing my friends to it and I get excited when I find someone else who listens too, like we are members of a secret club. It’s the type of show where you find yourself not wanting to leave your car once your reach your destination because it’s just too funny and you don’t want to miss anything. So the next time you hear about a father missing his son’s graduation, don’t be too hard on him, maybe he was listening to the Best Show. Granted, the idea of “comedy radio” isn’t always that appealing, it conjures up images of Z-Morning Zoo Crews, lame commercial parodies, lackluster crank phone calls, and a steady playlist of top 20 hits. The Best Show on WFMU drastically deviates from this formula. Every Tuesday night from 8PM-11PM on one of the last free form radio stations in the country, Tom Scharpling, writer and executive producer for the show Monk, takes to the airwaves for “three hours of mirth, music, and mayhem”. One of the highlights of the show for me is Tom’s weekly comedic rants. Aptly called a “young curmudgeon” by Zach Galifinakis, Tom often is upset by the “state of things”. He has been known to focus his wrath on anything from the

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hipsters who play kickball in Prospect Park to the know-it-alls that populate Beatle-Fest. Comedian Paul F. Tompkins explains, “Tom never goes after the little guy. Never. His targets are always thoughtfully chosen, and his reasoning is always empathic. Even if he’s objecting to how some creep has treated him personally, it always seems to be something that the listener can relate to. One of Tom’s goto comedic premises is the notion of “the slobs vs. the snobs,” but it’s not entirely a joke.” Other weekly topics on the show have included “The Fab Five of Jerks” in which he had callers help him create a supergroup of jerks, which included Dustin Diamond, PJ O’Rourke, Ryan Seacrest, Billy Bob Thornton, and Bob Saget. More reflective topics like “Oh Family” had his listeners calling in recounting stories of their relatives run amok. One caller recounted an amazing story about her father’s obsession with Penn State football, which lead him to plan a family vacation near the campus so he could stalk/meet Joe Paterno. When he finally saw the coach, he ran after him with such energy that Joe Paterno took off running, thinking he was going to be attacked by her father. The show also has a wealth of loyal callers. One of my favorites, Spike is always is the first to call into the show. He never speaks to the topic and will

By Paul Scheer with additional material by Omar

from recidivism.org (The home of Best Show recaps)

only engage Tom in discussions about horror films, his hatred of Republicans, and doo-wop music. Thanks to Spike’s gullible nature and the fact that he is completely unphased by Tom’s insults, the discussions between the two men have become a modern day Abbott and Costello routine, that can’t be missed. Then there are also more aggressively odd callers like James, who will engage Tom in conversation then immediately announce, “You got James’d!” and hang up. Tom is often on the lookout for these calls and will try to “James” James. It’s a battle that has been going on for years without showing signs of stopping. One of the most unique elements of the show is when Superchunk drummer Jon Wurster calls into the program as a character, often from the fictional town of Newbridge, New Jersey. These phone calls create some of the funniest comedic sketches in recent memory. Combining elements of The 1,000 Year Old Man, Spinal Tap, Phil Hendrie, and Nichols and May, these 20 minute plus calls are pure genius. Wurster’s characters calls appear normal at first, just another slightly odd caller, but they quickly go down the rabbit hole into the world of the bizarre and hilarious. Over the course of the 10 plus years they’ve been on the air we have heard from such callers as Andy, a fish that lives in a local lake, to Marky Ramone (from the Ramones) explaining his platform


for Governor. We have also heard from a man in a band without any members and been introduced to Philly Boy Roy a borderlinepsychotic whose hometown pride ranges from fierce loyalty to the city’s sports teams to a diet consisting mainly of cheesesteaks, Tastykakes, and Wawa hoagies. A magical collision occurs when these aggressively wrongheaded callers are forced to battle Scharpling, a master of acting surprised as a pragmatic standin for the audience. As a beacon of normalcy, Scharpling’s shocked outrage and lucid questioning serve to illuminate the dynamic at play. David Cross sums up their interactions the best, “In this day ans age with the proliferation of media to be able to still fool and piss unsuspecting listeners is no small feat, and those guys do it better than anyone.” Comedians are often the toughest critics and for them to count this as one of their favorite shows says a lot. Here’s what a few had to say about The Best Show…

Do you remember the first time you heard The Best Show? Bill Hader (Saturday Night Live and Superbad): I remember listening to [The Best Show] with Matt Murray, who was writing at SNL at the time. We were supposed to be working on a sketch, but instead listened to Gas Station Dogs [one the show’s most famous phone calls] over and over again. We were on the floor. What makes Best Show so different than other radio shows, podcasts, etc…? Patton Oswalt (Comedians of Comedy, Observe and Report): The BEST SHOW is un-hurried, nervous, awkward and hilarious. Scharpling and Wurtser are not the new Bob and Ray -- they’re the entire cast and writing staff of SCTV and FERNWOOD 2-NITE. What about the show makes you laugh? Tim Heidecker (Tim and Eric Awesome Show, Great Job!!): Tom has the greatest slow burn out there. I was on a plane recently, listening to Wurster’s call detailing the lineup for a fictitious TV station. It was a long call as they went through one idiotic idea for a show after another and I was just getting to the

point where I thought I knew where it was going when Wurster mentions a “Behind the Music” style profile of the “Back In The Saddle Gang.” Tom (and me) couldn’t quite figure out why we knew that name. When Wurster let it be known that they were responsible for the 80s novelty song “The Curly Shuffle.” I laughed so hard I began crying and losing my ability to breathe. I don’t know why, but it hit me so hard. It was so specific and stupid. Jon and Tom’s calls have that ability to mine into a very small and specific place and slowly roll out characters and ideas that in any other format would not be given the time needed to develop into snot and tear inducing laughter. You’ve been a guest a few times on Best Show, what’s it like? Jon Benjamin (Aqua Teen Hunger Force and Dr. Katz): The first time I did Tom’s show, I loved the whole thing, the whole place, WFMU...it was like visiting Anne Frank’s house...the place was like a precious relic with shelves stuffed with thousands of LPs and an old tattered green room with an arcade game. What makes them work as a duo? Matt Walsh (Upright Citizen’s Brigade/The Daily Show): Tom Scharpling is the best straight man around and Jon Wurster is a genius, his characters never pause for information. They know it all. -This is not just The Best Show on WFMU this is the best show. BEST SHOW ON WFMU can be heard in New Jersey, New York City, and eastern Pennsylvania via radio stations 91.1 FM and 90.1 FM as well as throughout the world via wfmu.org and its podcast, which is also available on iTunes.


ne day, Shlesinger picked up the phone, O called her parents and said, “You know what, I’m quitting my job. I’m going to pursue

comedy. If I’m gonna fail, it’s going to be on my own terms.” After working a “horrible day-job”, Shlesinger would find sanctuary in performing stand-up comedy at night, but it wasn’t enough. Spirited Shlesinger grew up inspired by funny characters from sketch comedy shows like In Living Color, SNL, and The State and not so much by other comedians. However, she does admit to being raised in a highly comical family, which probably made her chosen career path a smoother one to follow. As a result, moving to Los Angeles to carry out her dream after college was always on the table, so when the day finally came, her parents were very supportive and responded with nothing but pride.

IlizaShlesinger By Lauren Weigle Photos by Larissa Underwood

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As the first female and the youngest winner of NBC’s Last Comic Standing, Shlesinger’s career has sky-rocketed. And, though she jokes that she can often be found backstage eating her lobster and caviar, she remains pleasantly grounded and refreshingly real. One of the best qualities about this sincerely funny girl is that she pretty much just says what’s on her mind, whether off or on the stage. For example, when asked about her views on women’s difficulties at excelling in the comic industry, her answer was beyond honest and completely devoid of any bullshit. “Too many women complain when things don’t go their way. The truth is that you just have to work at it. Funny is funny and if you’re not funny, then that’s probably why you’re not doing well. You know, even if you’re not funny, you can be successful. You just have to ask yourself, ‘why?’” Fortunately, straight-forward Shlesinger doesn’t have to ask herself that question. In addition to being able to showcase her talents on Last Comic Standing, she has performed at many popular venues including The Comedy


Store, The Improv, and House of Blues. Shlesinger has also appeared on the E! channel’s The Soup, Last Call With Carson Daly, Chelsea Handler, and Playboy TV’s Gadget or the Girl. Don’t be sad if you’ve missed these appearances though, because you can catch her on Showtime’s Pauly Shore and Friends, Comedy Central’s Live at Gotham, and It’s On With Alexa Chung. Nonetheless, if you really can’t wait to see Shlesinger’s off-the-wall act, you can view her show The Weakly News on www. thestream.tv. She first appeared on the stream as a guest stand-up on the channel’s show LIVE! From the Future…w/Stuart Paap!, and soon after was presented with the opportunity to have her own show on the site. Shlesinger jumped at the chance and The Weakly News was born. Carrying a full load as the show’s writer, director, and host, Shlesinger manages to come up with pure entertainment for her fans every week. Even when she suffers a packed schedule, she never truly feels pressure to be able to deliver successfully each week because she believes, “You’re either funny or you’re not and if you try, you’re not going to be funny.” Viewers thrive on Shlesinger’s outrageous remarks and witty ideas, always awaiting her next big laugh.


In the future, Shlesinger would love to create and star in a feature film to which she would cast all of her own friends as her co-stars. At first, Shlesinger was hesitant to share her ideas with me for her dream film, but then she couldn’t hold back such an original plot. “Ok, the world would be covered in water and me plus two other people would be searching for land,” she explained in excitement. Then I interrupted, “Like the movie Water World?” “Yes!,” she exclaimed with a sarcastic laugh. It’s this fun-loving, playful attitude that makes Shlesinger so watchable and entertaining. I, myself, look forward to watching her on future sitcoms, playing “the house-cat sitting in the background licking its paws.”


SHE

Photographer: Corey Hayes Stylist: Dawn West Make-up: Carmouche Hair: Lorraine Godfrey Top: Nary Manivong Handbag: Back to Noise

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Top, Skirt, Belt, Broach, Bracelet, and Shoes: Vera Wang


Coat and Dress: Back to Noise Belt: Vera Wang Bracelets: Giles & Brother Shoes: Yves Saint Laurent


Jacket and Skirt: Back to Noise Top: Nary Manivong Shoes: Jill Sander


Top: Back to Noise Pants: Nary Manivong Muffler: Vera Wang Bracelets: Giles & Brother Shoes: Jill Sander


Cardigan, Top, Skirt, and Cuff: Vera Wang Shoes: Christian Louboutin



EliseĂ˜verland By Star Noor Photo by Corey Hayes

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Growing up in Norway was the basis of inspiration for you as a designer, what about the place gave you that creative jolt? When I grew up I was surrounded by crazy wild powerful mountains, it made me get drawn to material with substance, function and the sense of Rock n’ Roll. That’s why I used so much leather that molds to your body as a second skin and it had a raw strength to it that chiffon and rayons don’t have. I haven’t lived in Norway for past 20 years and travel a lot so my inspiration has a much more international blend of textures and shapes now. You design with yourself and your friends in mind. What sort of style do these women adhere to? She is any age but has a young attitude towards life and is an international girl. She has a free spirited and sophisticated spirit. She’s aware of fashion but not interested in the latest trend and confident about what she wants and appreciates the quality of well made products. She probably buys to keep and not on impulse. The girl or women who gravitate towards this brand fall into two categories. It’s the young moxy racecar girl that will wear a little silk dress and a shrunken leather jacket, puts her hair back and goes out for the night. Then there’s the more established intellectual customer often in the art scene or an exotic traveler. She will wear perfect tailored laser thin leather coats, leather blazers, kaftans or wrap knit jackets, clothes that have a more hidden luxury. What is your definition of effortless glamour? Effortless glamour is the feeling of being dressed but not dressed up and often can go from day to night without having to change. It’s the combination of the outfit [and it should include] a sense of spontaneity. When you have style the putting together will never be an accumulated chaos but instinctually it will balance together. Glamour to me is the soul, the way you live your life, how you choose to spend your time, travels, stories, music, art, sophistication in presence; it’s more than expensive items. Who is your style icon? I’ve never had a specific style icon I would tape up on the wall. Great style isn’t merely your clothes, but a mix of your clothes, life, taste and insight. I know a lot of great older Indian women tucked in their palaces with a great style, strong spiritual clarity and a hidden glamorous mystic to them.

orwegian Designer Elise N Overland is edgy but honest. Her rock star diva designs are not

about in your face shock therapy, they are about subtle nuances of the psyche, a sort of self gratification. Her talents have led her down a prolific career path where she has acted as custom designer for the likes of Aerosmith’ Steve Tyler, Shakira, and Alicia Keys; eventually leading her to launch her own line in the fall of 2006, when she began her refined self-titled label that has attracted the bold at heart from every walk of life and has caughtathe eye of such fashion divas as Heidi Klum. But, all of this name dropping does not sum up the true talent of this designer on the rise and on our radar. Her talent with all things leather (and everything in between) does, however. In fact Elise’ signature, if you will, has been lasered in the refined primordial material so often paraded in her collections. The beautifully orchestrated pieces are synonymous with Overland and are a testament to the Rock n’ Roll urbanity mixed with the raw forms found in nature which characterize her own personal style as well as the style of her friends whom she reverts to for her musings.

Designers want to push the envelope but always quest to keep a defining aesthetic, how do you think that was achieved for you? I’m emotionally driven and never think of pushing, or what’s right or wrong, I just listen to my instinct and go with it regardless of what response might hit back at me. Eventually the people that operate at the same frequency will find you. Tell about your “Shimmer” collection? My friend gave me a Japanese sushi cooking book to learn the name of the fish. I got obsessed looking at the pictures of how they cut and slashed the fish open in such raw macabre wayslaughtering the dead flesh open for a delicatessen to be served in perfect symmetry on the table as an artistic dish. To me this felt raw, sort of primal. I wanted to translate that into my designs, making the girls tight, sexy and sparkly wrapped pieces out on the catwalk. That’s why I titled the collection “Shimmer”. The same friend also let me borrow his grandfather’, Alexander Calder, jewelry. The large tribal jewelry made the perfect balance for the vision. You’ve dressed many A-listers, who have you not worked with yet that you would like to dress in the future? I love The White Stripes. I made pants for Meg White, but it would be nice to dress them both together. What were some fashion fads in Norway during the years you were in school that did not exist in US during that time? Norway is truly a clean pure country with such honest souls. Then we are known to have the largest emerging groups of Death Metal bands. They are a remote outcast flock not popular nor is there much written about them in Norway. I had a sort of fascination for these dark destructive souls killing each other and drinking the blood of the newly chopped off head. They would exist outside of the city, sadly performing in their parents’ garage and pinching their nerves with the monochromatic noise which has a resemblance to the mantras you hear in the local taxi in India. I got so many requests to dress these people all in black leather. Actually the black over sized Moto vest I used for AW09 was a copy of my biker west I got at a German Motoclub when I was 16 and intended to make for these men. If you were a color in the rainbow which color would you be. It’s hard to choose a color as the aesthetic reference of a color is quite different than the philosophical, historic connotation attached to a color. My first instinct is red- it’s the first color of the rainbow, it’s your first chakra which is the primal survival instinct and root. It’s the color of Love of Passion, fire, anger everything thing hot and strong. Then I thought it was a sort of exhausting and stressful color to be. Green is the color of growth, the forest and life, the heart, and the fourth chakra. To be able to act out of your heart is the most powerful way of communicating and living life. A green light means go. But would it make me colorblind to choose these two colors?


By Star Noor

Chick withGuns

ykke May Andersen has walked Lsuccess the world’s runways. Her immense and love of fashion led her to late night conversations with longtime friends- designer Gabriel Nigro and creative director Jesper Skade- at their shared beach house where they discussed their dream of starting a Danish denim brand. Since 2007 the trio has been able to see that dream come to fruition with the founding of their brand Chick with Guns and their release of their first pair of jeans ‘Mayday’, named after the brand’ supermodel front-woman May Andersen. The designers fuse Rock n’ Roll chic with everyday elegance adhering to the long standing Danish traditions of excellence and timelessness to create the line’ aesthetics.

Out of all of the designers you’ve worked with, who has been the most inspiring in your opinion? John Galliano, just because he is such a wild child! I love his fearless and eccentric way of designing. None of his creations are street friendly, but the fashion shows are fantastic.

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What inspired you to move into the design process? Being a model has been so much fun, I have met so many inspiring people through my work so to move on in some kind of direction inside the fashion industry has always been something I knew I would eventually do. Although creating my own fashion brand was above my expectations, I feel truly fortunate and lucky to be a part of such a cool company. Denim has become iconic, collectible, and an everyday necessity; besides its versatility what do you think makes us obsessed with owning the right pair? I think much of it is because of its ability to improve a woman’s assets; the perfect pair of jeans makes your legs look longer and slimmer. What excites you most about the Copenhagen fashion scene? Danish design stands out because of its purity and love for simplicity, in my opinion Copenhagen is the design center of Scandinavia. The city is covered with fashion conscious people but compared to Paris and New York the atmosphere is very inviting and relaxed. Who is your favorite Danish Designer? I am looking up to Danish designers like Stine

Goya, Camilla Stærk and Henrik Vibskov; they are real artists and their creativity and knowledge is extraordinarily. Even so I prefer wearing Chick with Guns, since I am a part of the design team the line really distinguishes and reflects my style. How would you describe your personal style? I like to mix unique vintage pieces with basic Rock’n Roll stuff. For me details and originality is very important. I always try to have fun with fashion and never be predictable in the sense of my style. One thing I have figured out is not to overdo an outfit, I always think of balance in terms of colors and accessories. What is your favorite article of clothing or an accessory that you own and cannot live without? My black leather jacket from Chick with Guns. What’s next for the brand? People’s reactions towards the brand and our line have been so positive. Girls freak out when they see the AW09 collection and everyone think it’s so cool, that has made me realize that we are on to something with potential to grow big. Our main focus besides the next collection is to expand globally and get in to more cool stores around the world. In a business with such a picky clientele it’s the best feeling in the world when a new hip store puts in an order, it gives us a shot of self-confidence each time.


KarenKaram reakfast at Tiffany’s. It’s very B mention conjures up a multitude of images, songs, art works, and-some By Star Noor

might say most importantly-fashion, fashion, fashion. In fact the film has become synonymous with style and the unforgettable character of Holy Golightly has become a style icon in her own right inspiring designers for nearly fifty years. Karen Karam is no different in her fascination with the character and true to Holy’ form, Karen, has taken the style of an era and has made it her own in this second solo collection. Say hello to your new “little black dress”.

What’s your favorite era in fashion and why? To be quite honest that will be very hard for me to choose. I love all of them for different reasons. I love the esthetics of the 20s (The Great Gatsby style), I love the 50s with the Dior’s new look and the Balenciaga innovations. I love the 80s for all its pop and rock and glam. If I really had to pick one, I’ll probably choose the 20’s. I love the Coco Chanel look, Elsa Schiaparelli’s radical surreal inspiration for fashion, and Jeanne Lanvin’s cuts. It was such an emancipating period for women and the look was so fresh and new. In my research there is always a section about that era. The 20s were a decade filled with individuals and icons that have inspired the rebellious attitudes and styles of millions. I would probably put the 20s and 80s together in a mixing bowl and see what the result would turn out to be. Quite surreal I imagine.

What did you do at McQueen, Chloe, and Galliano? I mostly worked with the design team, helping in research, designing embroidery for the runway collection. A lot of my embroidery designs at McQueen were used for their women’ wear and menswear catwalk show. At Galliano I also did prints for their ready to wear collection.

What’s the one thing in fashion today that makes you want to bitch out? Well, as much as I love the glitz of fashion I have to admit most of the time I don’t understand the hype. Fashion is a great thing and it brings joy to women, but I like my reflective time alone and with friends more than the hype of it all.

What’s your creative routine? First I lay down all my research on the floor. I get my mannequin out, I get my chalk board out and I put some CD on that I am obsessing about in that particular period of time. After I take a long look at my research, I go for a walk around my neighborhood and then I go back home and start working. I get the best ideas when I am walking or just before I fall asleep.

If a car is in essence another fashion accessory, which car would best match your style and why? The Mercedes Gullwing (1952 to 1963). What else! I just love it. It’s such a beautiful car. If I could have any car in the world, I wouldn’t think twice. It’s like a vintage Chanel bag; it goes with anything and is timeless.

What about Holy Golightly, in your opinion, has made her such an iconic figure for women? There is something about Audrey Hepburn’s sophistication that is timeless, and the fact that she has played the role of Holly Golightly, I think, gave

the character an extra edge. The reason why I love that character is that just like her name which is symbolic of her personality she makes a holiday of life, but treads through it lightly, for Holly is a traveler, ever seeking a place that she can call home. Holly clearly represents the theme of the novel, “Home is where you feel at home. I’m still looking,” she says. There is something about her freedom and how she seeks it that touches every woman.

Out of all of the fashionistas in the London scene; who do you consider a modern style icon? Agyness Deyn pops to mind. She is very fresh and has a very modern look and feel about her. She is so British in style and trend. For me though, a fashionista is someone who is stylish but not too much in the contestant limelight. Personally my all time fashionista is Chloe Sevigny.

Tell me about a fashion faux pas in your past. My god! Only one event springs to mind: graduation night 2000. Red dress, red eye shadow, curly hair with hair mousse; do I need to say more? What do you have planned for next season? I am working on SS10 already. I am very excited about this collection. Next season is going to be a combination of many things. I don’t want to give the theme away just yet, but I can say that the U.S. has been an inspiration for me for another season yet.


GaspardYurkievich By Star Noor Runway Photos by Shoji Fuji Gaspard Yurievish photo by Valerie Belin

an international audience, pioneering this type of retail for the French ready-to-wear world. Designing for both men and women, Gaspard’ transformation as a designer from season to season is magically subtle and soaringly alluring. His play of lights (colors), prints perspectives, modern cuts, and artistic detailing are an urbanites wet dream.

G

aspard Yurkievich is a designer celebrating eleven years in the biz in one of the fashion capitols of the world. The Parisian designer’ work is a mecca of omnipresent hyper realistic gene se cous. His work is daring and adventurous and his label a success which has led to his many artist collaborations and co-branding with the likes of Swarovski, MAC Cosmetics, and Evian. But, his success and precision are not the only attributes that Gaspard has lent to the Parisian fashion scene. The award winning designer recently launched his e-shop which opened up his brand to

Tell me a little about what your AW09 collection means to you. It’s masculine and feminine vision of beauty inspired by “the 70’s Deco” and s p e c i f i c a ll y by Bob Fosse and illustrator Antonio Lopez, who were both major creative forces in the 70’s movie and fashion scenes referencing Art Deco. It’s a game of filter because their work is so 70’s. Which

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artist

would you like to collaborate with next? I’ve just worked with Cocorosie and would love to do another project with the girls. Every collaboration is not predicted. It just starts with a friendship and then ends with a special proj-


NYC forever for its energy and the fantasy to live there one day. Who is your favorite writer? I don’t have any but my boyfriend is a big fan of Thomas Mann and I should read it. If you were going to design a slogan t-shirt series what would they say? A drawing; no writings or my name in an ego trip.

ect. They say the French are amongst the most fashionable in the world, why do you think that is? I don’t believe it, but it is a real fantasy and this is the

cliché that drives my work: La Prisienne! What is the most unlikely place that you have found to be extremely fashionable in its own right? I’m in Korea and girls are the most crazy on shoes. Every kind of woman here wears feminine and sexy shoes. What is the one trend or movement whether it’s art, film, music, literature, or politics that you’re most excited about? Recently I’m focusing on Realist paintings from Gerhard Richter and the Andy Warhol’s experiences with T.V. Where is a place you’ve traveled to that has always stuck with you as a well of inspiration? Any place with the view of the sea to regenerate my brain, or

Name a person whose style you find timeless. Cindy Sherman in her civil life. Who are you listening to? The Conception by Bob Fosse and Liza Minelli called “Liza With a Z””. What are you working on for SS10? I want to work on the cross over with Californian estetich with my French couture inspiration; a fusion that I still don’t know how it will be.


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SWAG



CREDITS/SWAG INFO

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SWAG fashion credits Photo by Marie

Saturn

1- Hoodie: Royal Family (areyouroyalty.com) 2- Top: Estate by Robin Forsythe (estatepdx.com)

Earrings: The Raving Stitch (theravingstitch.etsy.com) Tote Bag: M-Horton (m-horton.com) Buttons: Danny Marathon (dannymarathon.com)

3- Shirt: Royal Family (areyouroyalty.com) 4- Shirt: Tea Stain (teastainclothing.com) 5- Shirt: Tea Stain (teastainclothing.com) 6- Shirt: Estate by Robin Forsythe (estatepdx.com)

Earrings: The Raving Stitch (theravingstitch.etsy.com) Necklace: Shelley Loring (shellisxena.etsy) Clutch: AO3 Designs (ao3designs.com)

7- Shirt: M-Horton (m-horton.com) Tights: Pebelle (pebelle.com)

Someone Clothing (someoneclothing.com) 8- Shirt: Shorts: Royal Family (areyouroyalty.com) Estate by Robin Forsythe (estatepdx.com) 9- Shirt: Necklace: Paper Treasure (papertreasure.net)

Bracelet: Teryn Ashley (myspace.com/heavenmeetsglam) Hair Clip: Gypsy Eye Studio (gypsyeye.etsy.com)

10- Art (on wall): Maitejosune Urrechaga (maitejosune.com) You want to win theSWAG from the give-away spread? Simply go to www.musicfashionmagazine.com; fill out the nice little survey; then each week we will draw a winner; you might just get hooked up with some rad clothing.



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