Makoto Hayashi Portfolio 2014-2018 ver.3 by mhayashi0209

MAKOTO HAYASHI OBRAS 2014-18

mhayashi0209@gmail.com

-SOBRE MI-

MAKOTO HAYASHI Nacido en Tokio, JAPÓN (9/Febrero/1994), 24 Años Waseda Universidad, Tokio, Máster 2

Me gustaría crear edificios que estén bien armonizados con las características de los lugares. Estoy estudiando aquí porque estoy muy interesado en la historia de Barcelona, especialmente alrededor del siglo XIX, cuando los arquitectos descubieron las características únicas de Cataluña. Me gustaría estudiar la manera de crear una arquitectura única directamente desde arquitectos que trabajan prácticamente aquí.

-CONTACTO-

-ESTUDIOS-

-HABILIDADES-

Teléfono:

2009-11 Nishi Bachillerato Municipal de Tokio

Programa

2012-15 Waseda Universidad/ Departament de Arquitectura 2015

Correo Electrónico: mhayashi0209@gmail.com

Tesis "La relaciones entre las ideas de Gaudí y Juan Martorell"

2016-17 Waseda Universidad/ Máster/ Masayuki Irie y Takeshi Yamamura Laboratorio

Adobe Photoshop Adobe Illustrator Adobe Indesign

2017-18 Escuela Técnica Superior de Arquitectura de Barcelna (ETSAB)

Dirección:

AutoCAD

Vector Works

-EXPERIENCIALaboral, Internships

2015-17 Ishimoto Architectural & Engineering Firm / Maquetas físicas 2015-17 DFI / Dibujos, Maquetas físicas, Concursos etc. 2017 Toyo Ito & Associates, Architects / Maquetas físicas 2018 Flores i Prats Architects / Maquetas físicas, Dibujos, Photoshop etc.

Premiere SketchUp Maquetas Físicas

Personales

Tenacidad

Escrupulosidad Responsable Manita

Workshops Internacionales

Abierto

2016 Masia Workshop /Waseda y ETSAB / Barcelona 2017 Workshop de la Casas Vacías / Waseda y ETSAB / Japón 2017 Workshop de la Persiana /Waseda y ETSAB / Barcelona

-PREMIO2014 Japón Concurso de Novatos Estudiantes de Arquitectura / Finalista

Idiomas

Inglés

Español Japonés

MAKOTO HAYASHI PORTFOLIO

0. Introduction

-Índice0. Introduction

p.2

1. Tensioned Void

p.5

Jackson Pollock Museum 2014, Waseda University 3rd Prize in Waseda University, Japan Architecture Students Newface Award final

2. Transparent Mass

p.13

Can Ricart, Habitatge i Ciutat 2018, ETSAB, The Best Project in the Studio Published on HIC Arquitectura Collaboration with Oana Gramada

3. Sense the City

p.25

Hyper School 2017, Waseda University Work as a teaching assistant

4. A Series of Patios

1. Tensioned Void

2. Transparent Mass

3. Sense the City

4. A Series of Patios

Jackson Pollock Museum

Can Ricart, Habitatge i ciutat

Hyper School

Can Ricart, Habitatge i ciutat

2014

2018

2017

p.5

p.13

p.25

p.35

Can Ricart, Habitatge i Ciutat 2018, ETSAB, The Best Project in the Studio Published on HIC Arquitectura Collaboration with Oana Gramada

5. Wearing the Earth

p.47

Antoni Gaudí Memorial Museum 2016, Waseda University Work as a teaching assistant

6. Discovering the City of Novelists

p.57

Walking around the Familiar City Diploma Project 2015, Waseda University Selected work in Waseda University

7. Internships

p.65

Museum of Soseki Natsume 2015-17, at DFI, Tokyo La Favorita Poble Nou 2018, at Flores i Prats, Barcelona

8. Other Works

p.75

5. Wearing the Earth

6. Discovering the City of Novelists

7. Internships

8. Other Works

Antoni Gaudí Museum

Walking around the Familiar City

2015-18

2014-17

2016

2015

p.47

p.57

p.65

p.75

UrbanísticaV 2017 ETSAB Design Exercise 2013-14 Waseda University

-Tensioned VoidJackson Pollock Museum 2014 Waseda University

FUNCTION: Museum SITE: Shinjuku, TOKYO TERM: May 2014- (2 months) NOTE: 3rd Prize in Waseda University Japan Architecture Students Newface Award Final

MAKOTO HAYASHI PORTFOLIO

1. -Tensioned Void- Jackson Pollock Museum 2014

Pollock's works are consist of the expected element and unexpected element, which come from the relationship between the size of the canvas and his body dimension. To make this character clear, I set up two horizontal planes, one is for visiters with holes, and the other is for the works. I tried to apply this character of his works to the situation of Tokyo today, having produced this small void that has conflicting elements. It seems like a cave but at the same time, like a swing. Pollock's Works

Analysis: Overlay of Pollock's action

Analysis: Extraction of Pollock's handwriting

He struggled to escape from his consciousness but finally he could not escape from his own dimension.

Concept Model

Trying to make spaces that has conflicting elements. Artificial things and nature, cave and

N 0

50 M

Site Plan S=1/2000

swing, tension and relief.

MAKOTO HAYASHI PORTFOLIO

1. -Tensioned Void- Jackson Pollock Museum 2014

MAKOTO HAYASHI PORTFOLIO

1. -Tensioned Void- Jackson Pollock Museum 2014

9500

7000

9500

3500 3500

Toilet

Office/Machine room

3500

10500 10500

3500

Exhibition Room

3500

I designed this museum horizontal planes. Visiters

Entrance

3500

10500

as a composition of three can watch Pollock's works

Storage Room

on a horizontal plane that

Cafe, Shop

3500

allows them to feel his way of drawing and his own

dimension.

N M

Plan S=1/250

MAKOTO HAYASHI PORTFOLIO

1. -Tensioned Void- Jackson Pollock Museum 2014

7200

▽TOP GL+18600

▽1FL GL+10000

3670

1400

▽GL+11400

Exhibition Room

▽BOTTOM GL+5075

5075

1255

▽B1FL GL+6330 ▽GL+5075

▽GL±0

View from sky

9500

7000

9500

10 M

A-A' Section S=1/500

10 M

B-B' Section S=1/500

▽TOP GL+18600

7200

▽GL+11400

1400

Exhibition Room

▽1FL GL+10000

3670

Cafe, Shop

Office

▽B1FL GL+6330 ▽GL+5075

1255

View from Underground

▽BOTTOM GL+5075

5075 ▽GL±0

3500

10500

Interior

3500

10500

3500

10500

All the walls are hunged from the artificial ground

concrete are added to the pre-existing ones. Also I

and they allow to go slight lights and sounds of this

designed interior walls that functions like a ruler and

environment through. Three high pillars made of

they create a transparente interior space.

MAKOTO HAYASHI PORTFOLIO

1. -Tensioned Void- Jackson Pollock Museum 2014

By walking though this city, we can not see the building but we can sense the existence of an extraordinary space that are hidden under the artificial ground though these structures.

-Transparent MassCan Ricart, Habitatge i Ciutat 2018 ETSAB

FUNCTION: Residences SITE: Barcelona TERM: February 2018- (4 months) NOTE: The Best Project in the Studio Published on HIC Arquitectura Collaboration with Oana Gramada

MAKOTO HAYASHI PORTFOLIO

2. -Transparent Mass- Can Ricart, Habitatge i Ciutat 2018

To design a residential building in this site, we tried to connect the mass of the buildings of whole block and at the same time connect the street and the interior of block that has old ruines of Can Ricart. Our solution is to make a transparent mass that is composed of arches that connect each room in diagonal way. 14

2. -Transparent Mass- Can Ricart, Habitatge i Ciutat 2018

20 M

Site Plan S=1/1000

MAKOTO HAYASHI PORTFOLIO

2. -Transparent Mass- Can Ricart, Habitatge i Ciutat 2018

15 M

TF Plan S=1/600

15 M

3F Plan S=1/600

15 M

2F Plan S=1/600

15 M

GF Plan S=1/600

2.5

7.5M

1F Plan S=1/300

MAKOTO HAYASHI PORTFOLIO

2. -Transparent Mass- Can Ricart, Habitatge i Ciutat 2018

10 M

Elevation S=1/500

20 M

A-A' Section S=1/1000

20 M

C-C' Section S=1/1000

20 M

B-B' Section S=1/1000

20 M

D-D' Section S=1/1000

MAKOTO HAYASHI PORTFOLIO

2. -Transparent Mass- Can Ricart, Habitatge i Ciutat 2018

MAKOTO HAYASHI PORTFOLIO

2. -Transparent Mass- Can Ricart, Habitatge i Ciutat 2018

2.5

7.5M

Elevation S=1/300

MAKOTO HAYASHI PORTFOLIO

2. -Transparent Mass- Can Ricart, Habitatge i Ciutat 2018

MAKOTO HAYASHI PORTFOLIO

2. -Transparent Mass- Can Ricart, Habitatge i Ciutat 2018

1F Room Plan S=1/150

5F Room Plan S=1/150

MAKOTO HAYASHI PORTFOLIO

-Sense the CityHyper School 2017 Waseda University

FUNCTION: School SITE: Komae, TOKYO TERM: June 2017- (1months) NOTE: Work as a teaching assistant

MAKOTO HAYASHI PORTFOLIO

3. -Sense the City- Hyper School 2017

Old Tombs

Canals

Green

Roads

Buildings

Stations

Komae city has a lot of abandoned land though they used to be important places such as old tomb, canals, and so on. they are usually changed into roads or buildings that the city demands. I proposed a school that accept the city demands and chose the most suitable function to the each part of the city. I designed it as a circle to connect them. Planning Concept Model: An old tomb cut through for a road and buildings

this way, we can sense the characters of the familiar city.

MAKOTO HAYASHI PORTFOLIO

3. -Sense the City- Hyper School 2017

N 0

10 20

100M

Site Plan S=1/5000

Find the demands and

Plan plazas and apply the

Connect each of the plazas

characters of the city.

most suitable function.

by using them as one school.

MAKOTO HAYASHI PORTFOLIO

3. -Sense the City- Hyper School 2017

MAKOTO HAYASHI PORTFOLIO

3. -Sense the City- Hyper School 2017

Parking

bX 6

bX 5

bX 4

8000

bY3

Gym

bY3

8000

bY2

8000

2.0°

8000

cY14

bY1

2.0°

Truck Yard

8000

cY14

bY1

8000

cY13

2.0°

cY12

1.5°

Garden

8000

cY11

1.0°

8000

2000

cY10

8000

6000

8000

6000

8000

Classroom

±0°

Garden

Special Classroom

aY8

8000

cY11

1.0° 8000

8000

cY10

±0°

cY9

Classroom Teachers Room

-1.0°

Comunity Plaza

aY7

-1.0°

8000

aY7

Classroom

Special Classroom aY9

Garden Special Classroom

aY8

cY12

1.5°

8000

aY10

Classroom

aY9

8000

Garden aY10

cY13

2.0°

Lunch Room

Special Classroom

cY8

Teachers Room

7000

8000

Classroom

8000

aY6

8000

Classroom

cY7 -3.5°

Entrance Plaza

cY6

8000

cY8 -2.5°

8000

aY5

Classroom aY4

-4.5°

7000

8000

cY5

Garden

Material Exhibition Room

cY5

Garden -5.5°

8000

-5.5°

8000

aY3

7000

1000

cY6

Teachers Room

8000

-4.5°

8000

Bus Stop Plaza

Garden

-3.5°

Entrance Plaza

aY4

Teachers Room

8000

cY7

Garden aY5

Material Exhibition Room

1000

-2.5° 8000

aY6

7000

8000

Special Classroom

aY3

Classroom

cY4

8000

Comunity Plaza

cY4

8000

-7.0°

Special Classroom

Classroom

Comunity Plaza

8000

aY2

-7.0°

8000

Special Classroom cY3

Classroom

8000

Teachers Room

Classroom aY1

-8.5°

cY3

Classroom

8000

aY1

-8.5°

cY2

Garden

6800

2000

cY1

Classroom

8000

1200 8000

aX1

-10.5°

aX3

6800

2000

dY3

cY1

Classroom Teachers Room 8000

aX2

-10.0°

8000

aX1

6000

1200 8000

-10.0°

aX2

-10.5°

aX3

6000

dY3

6000

Books Storage

2400

1100

4000 4000

Reading Plaza

6500

cX3

8000

dY2

2400 4000 4000

8000

cX2

dY1

3000 8000

dX1

8000

dX2

6000

dX3

8000

dX2

3000 6000

dX3

8000

dX4

8000

dX5

dX6

3000

8000

0 dX1

3000

6500

cX2 cX1

dY1

8000

1100

cX3

8000

Reading Plaza

8000

cX1

3000

Library/Reading Space

3000 2000

2000

8000

dY2

dX4

dX5

dX6

20 M

2F Plan S=1/1000

N 0

20 M

1F Plan S=1/1000

MAKOTO HAYASHI PORTFOLIO

3. -Sense the City- Hyper School 2017

15 M

East Elevation S=1/600

3360

▼TOP GL+6510

Classroom

▼1FL GL+300

▼BOTTOM GL-1300

Classroom

Teachers room

Bus Stop Hall

8000

6500

cX1

Bus Stop Plaza

300

▼GL±0

1300

▼GL+1050

750

2100

▼2FL GL+3150

cX2

cX3

Classrooms, Exsisting Houses, a Canal and Trees

2.5

7.5M

B-B' Section S=1/300

▼TOP GL+6511

Classroom

Bus Stop Hall

Classroom

Bus Stop Hall

Classroom

▼2FL GL+3150

Teachers Room

▼1FL GL+300 ▼GL±0

Classroom Interior

▼BOTTOM GL-1300

cY2

cY3

cY4

cY5

cY6

cY7

cY8

cY9

cY13

cY12

cY11

cY10

8000

6000

8000

cY1

15 M

cY14

A-A' Section S=1/600

Green Bus Stop Plaza: The east side of this school is facing to the exsisting houses and trees along a canal. The residents are always taking care of this green. Along the canal, there is a road of buses and this connects them to the train station. I designed green bus stop plazas and classrooms along the canal and extended the green to the school. In this site, I expressed many layers of human life that are connected by green, canals, and buses.

MAKOTO HAYASHI PORTFOLIO

3. -Sense the City- Hyper School 2017

15 M

West Elevation S=1/600

4235

8285 4050

Entrance Plaza

Educational Material Exhibition Romm Teachers Room for Special Classes

▼GL+1050 ▼GL±0

▼1FL GL+100

▼BOTTOM GL-1300 8000

1300 100

▼GL+1050

1300 100

▼BOTTOM GL-1300

Special Classroom

▼2FL GL+4150

▼1FL GL+100

▼TOP GL+8385

▼GL±0

8000

aX1

aX2 0

aX1

aX3 2.5

7.5M

8000

aX2

aX3 0

D-D' Section S=1/300

2.5

7.5M

E-E' Section S=1/300

▼TOP GL+8385

Special Classroom

▼2FL GL+4150 Entrance Plaza Special Classroom

▼GL±0

▼BOTTOM GL-1300

8000

aY10

Entrance Plaza, Material Exhibition Room

The View from the Entrance Plaza: There are

and Special Classroom

windows that shows the material exhbition.

Special Classroom

Material Exhibition Room

▼GL+400

▼1FL GL+100

8000

aY9

8000

aY8

8000

aY7

8000

aY6

8000

aY5

8000

aY3

aY4

aY2

aY1

15 M

C-C' Section S=1/600

MAKOTO HAYASHI PORTFOLIO

3. -Sense the City- Hyper School 2017

Entrance Plaza: The west side is facing to a housing coplex where young families live. Many of the people who are living there are new comers and they does not know this city well. I d e s ig n e d la r g e e n t r a n ce fo r t h e m 0

15 M

and next to it, I placed storage rooms for

South Elevation S=1/600

educational materials like an exhibition room

▼TOP GL+12345

3320

of a museum. The rooms show the history, lifestyle, geography of this city.

3000

▼4FL GL+9025 Book Strage

3000

▼3FL GL+6025

Library and Reading Plaza

1300 100 2925

▼2FL GL+3025

▼GL±0 ▼1FL GL+100 ▼BOTTOM GL-1300

Reading Plaza

▼GL+1050

Library/Reading Room

8000

dY1

dY2 0

2.5

dY3 5

7.5M

G-G' Section S=1/300

Reading Plaza: The south side is also facing to a housing coplex but this area is going to be redeveloped and the hight of the building will be 35m.

▼TOP GL+12345

In such situation, I designed a library here because we can use the the shadow for

▼4FL GL+9025

Book Strage Room

reading outside or keeping books in a good

▼3FL GL+6025

▼GL+4230

condition.

▼2FL GL+3025 Library/Reading Room

Schools have a lot of functions and it is

▼GL±0 ▼1FL GL+100

8000

dX1

8000

dX2

6000

dX3

8000

dX4

▼BOTTOM GL-1300

8000

dX5

important to arrange them to the most

dX6

suitable places. 10

15 M

F-F' Section S=1/600

-A Series of PatiosCan Ricart, Habitatge i Ciutat 2017 ETSAB

FUNCTION: Residences SITE: Barcelona TERM: September 2017- (4 months) NOTE: The Best Project in the Studio Published on HIC Arquitectura Collaboration with Oana Gramada

MAKOTO HAYASHI PORTFOLIO

4. -A Series of Patios- Can Ricart, Habitatge i Ciutat 2017

MAKOTO HAYASHI PORTFOLIO

4. -A Series of Patios- Can Ricart, Habitatge i Ciutat 2017

Structure

wall

Buildings of the industrial fabric

1F Installation

Rhythm of Plazas

GF Installation

Diversity of the industrial fabric

攀氀爀椀琀洀漀搀攀氀愀猀瀀氀愀稀愀猀

In this project, we tried to create a new building that are harmonized with the preexisting old ruines Can Ricart. It has a composition of three patios of different sizes. Also we designed the curving facades to generate comfortable public other side of streets.

spaces connecting it with the 0

100

200M

Site Plan S=1/10000

MAKOTO HAYASHI PORTFOLIO

4. -A Series of Patios- Can Ricart, Habitatge i Ciutat 2017

50 M

Site Plan S=1/2000

MAKOTO HAYASHI PORTFOLIO

4. -A Series of Patios- Can Ricart, Habitatge i Ciutat 2017

20 M

GF Plan S=1/1000

MAKOTO HAYASHI PORTFOLIO

4. -A Series of Patios- Can Ricart, Habitatge i Ciutat 2017

20 M

1F Plan S=1/1000

MAKOTO HAYASHI PORTFOLIO

4. -A Series of Patios- Can Ricart, Habitatge i Ciutat 2017

15 M

Section S=1/600

Elevation S=1/600

MAKOTO HAYASHI PORTFOLIO

4. -A Series of Patios- Can Ricart, Habitatge i Ciutat 2017

MAKOTO HAYASHI PORTFOLIO

4. -A Series of Patios- Can Ricart, Habitatge i Ciutat 2017

Room Section S=1/150

Corridor Facade S=1/150

Room Plan S=1/150

MAKOTO HAYASHI PORTFOLIO

4. -A Series of Patios- Can Ricart, Habitatge i Ciutat 2017

0.5

Detail Elevation S=1/75

0.5

Detail Section S=1/75

-Wearing the EarthAntoni GaudĂ Memorial Museum 2016 Waseda University

FUNCTION: Memorial Museum SITE: Aomi, TOKYO TERM: May 2016- (2 weeks) NOTE: Work as a Teaching Assistant

MAKOTO HAYASHI PORTFOLIO

5. -Wearing the Earth- Antoni GaudÃ Memorial Museum 2016

MAKOTO HAYASHI PORTFOLIO

5. -Wearing the Earth- Antoni Gaudí Memorial Museum 2016

As a memorial museum of Gaudí, I tried to create a heterogenity of his buildings. The angles of the views were calculated for each model according to the way that Gaudí did in the design of the facade of Sagrada Familia. Also I intented to generate a new

11.3°

kind of space where we can observe the environment of the site. From outside we can watch his plaster

11.1°

models and from inside visiters can see these observers, trees, sun, and the ocean. Gaudí's works have a

7.4°

kind of universality that was inspired by nature, and geometry. He tried to find out something general from

Site Model

his environment by observing and

20.3°

studying it carefully.

9.1°

5.2°

Analysis: The view angle of each model

Analysis for the view of Sagrada Familia by Gaudí

The Bronze Colum of Sagrada Familia

MAKOTO HAYASHI PORTFOLIO

5. -Wearing the Earth- Antoni GaudĂ Memorial Museum 2016

The main axis of this project is set with the completely right orientation so that each facades has a different relationship with the sun. I created woods and hills as parts of this project. 0

50 M

Site Plan S=1/2500

N 50

MAKOTO HAYASHI PORTFOLIO

Xa1

Xa2

Xa3

4500

2550

5. -Wearing the Earth- Antoni Gaudí Memorial Museum 2016

4500

1950

1350

300

1350

2550

3300

6600

3300

Yb4

6600

3300

Yb3

3300

収蔵庫

3300

Yb2

3300

6600

36 39

15 1

300

Yb1

EV 貨物

15 44

12 30 18

27 00

15 00

Ya5

60 50

37 0

Ya4

Ya3

Ya2

Xb3 00

Xb2

Ya1 Xb1

20 M

B2F Plan S=1/1000

N Xa1

Xa2

Xa3

4500

3000

4500

1500

1350

3000

5700

Yb4 3300

3300

6600

3300

Yb3

6600

展示室

3300

吹き抜け

6600

3300

Yb2

3300

61 15 39 1

1500

Yb1

貨物EV

37 39

12 86

00 33

27 00

15 00

吹き抜け 33

39 57

Ya5

展示室

00 33

事務室

受付

Ya4

エントランスホール

風除室

Ya3

Ya2

Xb3 00

45 00

Xb2

Ya1 Xb1

20 M

B1F Plan S=1/1000

10 M

1F Plan S=1/500

MAKOTO HAYASHI PORTFOLIO

5. -Wearing the Earth- Antoni Gaudí Memorial Museum 2016

In the park, there are eight spaces from that visters can watch the models. Those spaces are opened to the public. The size and the distance of the terrace for the pilar is calcurated carefully following the words of Gaudí. According to him, architecture should be seen in 60º from the exterior, 90º from the interior.

10 M

South Elevation S=1/500

10 M

East Elevation S=1/500

MAKOTO HAYASHI PORTFOLIO

5. -Wearing the Earth- Antoni Gaudí Memorial Museum 2016

In this section, you can see the relationship between the exterior and the interior. From the interior, it is designed to see the observer that are watching the model. The angles of view of each models are well calcurated and they define the distances. The distances define the shape of this building and the topography of the room that are hunged from the exterior wall to the central columns.

鋼板 t=2 野地板 t=10 躯体軽量コンクリートデッキプレート鋼板 t=2 野地板 t=10 躯体軽量コンクリートデッキプレート

フロートガラス t=10

水勾配 1/50

▽TOP GL+3855 H鋼 400×200×8×13 梁 H鋼 100×100×6×8

100

鋼板 t=10 防水シート野地材 t=50

フロートガラス t=10 トップライト

梁 H鋼 200×200×8×12

フロートガラス t=10 3655 3775

屋外鑑賞室

展示回廊

▽GL ±0

200

▽1FL GL+200 200

150 200 50

120

200

H鋼 100×100×6×8

200

5.92°

200

ガラスブロック 145×145×95

200

柱

200 200

150

200

螺旋階段

200

展示室

4000

250 115.5

400

200

石こうボードクロス貼り t=12.5

200

3000

800

7.5M

200

A-A' Section S=1/300

200

2.5

フロアパネル支柱

200

300 25

150 200

250 115.5

400

500

150 200

250 50

▽B1FL GL-3000

150

3000

300

コンクリート打ち放し

800

タイル t=10 モルタル t=20

150 200 30

▽B2FL GL-6000

150

250 115.5

400

500

1400

1806

▽BOTTOM GL-7400 800

1350 1500

Xa2

Detail Section S=1/150

MAKOTO HAYASHI PORTFOLIO

5. -Wearing the Earth- Antoni GaudĂ Memorial Museum 2016

Humans, trees, earth, ocean, the sun, all the elements in the environment are also that of this building, like wearing them.

-Discovering the City of NovelistsWalking around the Familiar City 2015 Waseda University

FUNCTION: Library and Cultural Center SITE: Setagaya, TOKYO TERM: December 2015- (3 months) NOTE: Selected Work in the University

MAKOTO HAYASHI PORTFOLIO

6. -Discovering the City of Novelists- Walking around the Familiar City 2015

Project Model

MAKOTO HAYASHI PORTFOLIO

6. -Discovering the City of Novelists- Walking around the Familiar City 2015

N 0

100

200M

Site Model. The central part is a small valley that is now developed outstandingly.

Site Plan S=1/10000

In this project I tried to generate a building that helps visiters to understand this city physically and philosophically, and make them become interested in the site. In Setagaya, Tokyo many famous novelists were living and created novels (especially philosophical ones) though walking around this city. They discovered a lot of aspects even though they are quite familiar with there and they connected the experiences and Sakutaro Hagiwara(1886-1942)

philosophy. I respect these aititudes to discover their own city.

Riichi Yokomitsu(1898-1947)

I desined a library and small residences for students next to an old temple taking care of the original topography and histrical meaning of this site to present the characteristics of there that they also Models of what they found in the city

experienced, loved and developed philosophically.

MAKOTO HAYASHI PORTFOLIO

6. -Discovering the City of Novelists- Walking around the Familiar City 2015

土嚢ステーション

10000

Ya1

10000

Ya2

Entrance Hall

5000

Yb1

Ya3

10000

5000

Yb2

5000

Yb3 公開保管庫 +210

Yb4

Ya4

公開保管庫 W.C

エントランス GL±0

風除

10000

5000

+210

受付

5000

Yb5

Main Library Ya5

風呂

住居

Yb7

10000

5000

Yb6

住居

+1115

防災備蓄倉庫

Ya6

7400

Xb7

7400

Xb6

7600

Xb5

7600

Xb4

7400

Xb3

5000

7400

Xb2 5000

Xb1 5000

Room for Documents Xa4

Xa2

Xa1

novelists.

topography. This topography is a part of the valley that

The small residences for students have a conference

is quite important for the structure of this city. In the

room so that the students can discuss about novels

garden I made scenes that are discovered by those

produced in this city.

The library has a big roof that connects the original

Xa3

10 M

1F Plan S=1/500

Scenes

MAKOTO HAYASHI PORTFOLIO

6. -Discovering the City of Novelists- Walking around the Familiar City 2015

▽TOP +13820 Ya1

10000

▽TOP +13820

Ya2 GL±0 10000

GL±0

Yb1 5000

資料館重要物保管室 GL-3390

Ya3

Yb2 5000

書庫

10000

▽TOP +13820

Yb3 5000

15 M

West Elevation S=1/600

通路 GL-2790

Ya4

Yb4 5000

W.C 機械室

▽TOP +13820

10000

GL-1875

Yb5

▽TOP +13820 公開保管庫 GL±0

5000

書庫 ▽B1 -2790

Ya5

資料館

7400

10000

5000

Yb6

Yb7

7400

Xb1

7600

Xb2

7600

Xb3

7400

Xb4

Xb5

▽B2 -7160

7400

Xb6

Xb7

GL±0 GL±0

Ya6

7400

Xb7

7400

Xb6

7600

Xb5

7600

Xb4

7400 5000

Xb3

Xa4

7400

Xb2 5000

Xa3

Xb1

5000

Xa2

15 M

West Elevation S=1/600

Xa1

15 M

B1F Plan S=1/600

Almost all the strages are hidden

▽TOP +13820

under ground to keep the form of whole this valley. It helps to store those books under proper

会議室

公開保管庫

▽1F +1115 GL±0

書庫書庫 ▽B1 -2790 ▽B1-3390

資料館

the mt. Fuji because there were a small shrine before.

公開保管庫 GL±0

The highest building is a reading room that are orientated towards

▽2F+3615

住宅

conditiones.

7400

Xb1

7400

Xb2

7600

Xb3

7600

7400

Xb4

Xb5

Xb6

Xb7

15 M

▽BOTTOM -6065

▽B2 -7160

7400

A-A' Section S=1/600

5000

Yb1

5000

Yb2

5000

Yb3

5000

Yb4

5000

Yb5

5000

Yb7

Yb6

15 M

B-B' Section S=1/600

MAKOTO HAYASHI PORTFOLIO

6. -Discovering the City of Novelists- Walking around the Familiar City 2015

In this garden visiters can feel the topography of valley directly. they get some information about this city and novelists in this building, and then they starts another discovery in the city. 62

MAKOTO HAYASHI PORTFOLIO

6. -Discovering the City of Novelists- Walking around the Familiar City 2015

H鋼 300×150×6.5×9 耐火塗料

屋根鋼板 t=6 野地板 t=12 躯体軽量コンクリートデッキプレート

▼TOP +138 3820

7.5 1 900

外壁鋼板 t=6 ALC板 t=100 LGS50型 100 112 石こうボード t=12.5+9.5

900

天井野縁受け [-38×12×16 野縁金属M字バー＠900 石こうボード t=9.0 石綿吸音板 t=9.0

吊ボルト＠900

4085

228

エレベータ

展望室

2900

2850

FIXアルミサッシ製合わせガラス t=17+17

柱 □-300×300×12 耐火塗料

1200

17240 16

900

805

820

15 14

H鋼 300×150×6.5×9 耐火塗料

吊ボルト＠900

天井野縁受け [-38×12×16 野縁金属M字バー＠900 石こうボード t=9.0 石綿吸音板 t=9.0

11 10 9 8

読書室

2555

外壁鋼板 t=6 ALC板 t=100 LGS50型石こうボード t=12.5+9.5

3060

手摺子鋼管25φ

180

H鋼 250×125×6×9 耐火塗料

800

タイルカーペット t=10 均しモルタル t=20

1135

▼4FL +9735

手摺鋼管60φ

柱 □-300×300×12 耐火塗料

7 6 5 4 エレベータ

540

320

540

900

200

75 2500

2180

2020

3060

455

180

タイルカーペット t=10 均しモルタル t=20

土間コンクリート t=150 ポリスチレンフォーム t=30

基礎コンクリート t=200 捨てコンクリート t=50 割栗石 t=150

外壁コンクリート t=400 ポリスチレンフォーム t=30 石こうボード t=12.5

3255

350

柱 □-300×300×12 耐火塗料

読書室

磁器質タイル t=10 均しモルタル t=20

150

シーリング材

2555

900

天井野縁受け [-38×12×16 野縁金属M字バー＠900 石こうボード(910×1820) t=9.0 石綿吸音板(300×600) t=9.0

ドア

400

900

892

200

900

エレベータ

900

吊ボルト＠900

吊ボルト＠900 65

900

150

900

500

350

▼2FL +3615 ▼+3465

風除室

900

2100

100 30 2840

軒樋受金物

500

830 630

270 30

大梁 H鋼 400×200×8×13 耐火塗料

150

大梁 H鋼 400×200×8×13 耐火塗料

125

FIXアルミサッシ製合わせガラス t=17+17

外壁鋼板 t=6 ALCパネル t=100 LGS50型石こうボード t=12.5＋9.5

3 2

900

柱 □-300×300×12 耐火塗料

梁 H鋼耐火塗料

150

大梁 H鋼 400×200×8×13 耐火塗料

900

天井野縁受け [-38×12×16 野縁金属M字バー＠900 石こうボード t=9.0 石綿吸音板 t=9.0

外壁鋼板 t=6 ALC板 t=100 LGS50型石こうボード t=12.5+9.5

3060

屋根鋼板 t=30 防水シートポリスチレンフォーム t=30 躯体軽量コンクリートデッキプレート

375

900

▼3FL +6675

タイルカーペット t=10 均しモルタル t=20

180

13820

H鋼 300×150×6.5×9 耐火塗料

公開保管庫

203

ケーブル φ=50

吹き抜け

Ya5 210

▼1FL +210 ▼GL

400

120

屋根鋼板 t=1 防水シート野地材耐水合板 t=12

シーリング材

330

120

100 97

磁器質タイル t=10 均しモルタル t=30

梁 H鋼 200×200×8×12 耐火塗料

500

外壁コンクリート t=400 ポリスチレンフォーム t=30 石こうボード t=12.5

手摺子鋼管25φ

7 6

400

150

252

400

600

250 250

5000

Yb1

2075

▼BOTTOM -6065

150 50

250 250

▼-3990

150 50

600

支持脚

400

均しモルタル t=40 ポリスチレンフォーム t=50 土間コンクリート t=120 割栗 t=120

250 250

150 50

150

600

150

▼-2790 ▼B1FL -3390

600

325

6272.7

25 325

4 3

400

2790

溶接

600

フロアパネルフローリング仕上げ t=35

600

H鋼 200×200×8×12 耐火塗料

手摺鋼管60φ

ポリスチレンフォーム t=50 土間コンクリート t=120 割栗 t=120

900

書庫

外壁コンクリート t=400 ポリスチレンフォーム t=30 石こうボード t=12.5

150 50

H鋼 150×150×7×10 耐火塗料

2790

1005

250 250

柱 □-150×150×9 耐火塗料

木材保護塗料＋難燃薬剤塗布

5000

Yb2

5000

Yb3

5000

Yb4

Yb5

0.5

Detail Section S=1/100

Other Works 2014-17

MAKOTO HAYASHI PORTFOLIO

-ReversalUrbanĂstica V

8. Other Works 2014-17

FUNCTION: Residences, Industry, Commerce, Offices etc.

TERM: September 2017- (2 months)

SITE: Bordeaux, FRANCE

NOTE: Collaboration with Eric Estrada and Juan Benites

2017 ETSAB This site originally had industrial functions. To transform this into an active space, we proposed to "reverse" it. The old industrial buildings are here outside public spaces because the dimension of these buildings are more proper to the plazas than new buildings. Also with this solution, we successed to keep characteristics of this site.

The plazas have only walls and some roof structures. To characterize those plazas, each plaza has four tall buildings on the coners. They have mixed functions and on the top of them should be restaurants that have nice view.

MAKOTO HAYASHI PORTFOLIO

8. Other Works 2014-17

MAKOTO HAYASHI PORTFOLIO

8. Other Works 2014-17

-ConnectionUrbanĂstica V

FUNCTION: Residences, Industry, Commerce, Offices etc.

TERM: November 2017- (2 months)

SITE: Barcelona

NOTE: Collaboration with Eric Estrada and Juan Benites

2017 ETSAB This site is located in the west side of Barcelona, and now it is an industrial area. We started this project from analyzing the functions of there. To make the part active, we designed five vertical streets that connect the north part ond the south. Each of them has different characteristics that we expected through the analysis.

Abandoned Building

Commerce

Residence

Office

Industry

School

Others

Master Plan

Sections of five different streets

MAKOTO HAYASHI PORTFOLIO

8. Other Works 2014-17

Detail Plan

MAKOTO HAYASHI PORTFOLIO

8. Other Works 2014-17

-Design Exercise2013-14 Waseda University

-Tokyo Era-

-Sections of the season-

MAKOTO HAYASHI PORTFOLIO

8. Other Works 2014-17

-Water House-

-My Favorite House-

-Scenery for Kenji Miyazawa (Novelist)-

-Lamp Shade of Scarpa-

-infuse-Form of Action-

-Minimum Boutique-

-Topography and Action-

Pockets shaped hands

An ideal shoes boutique without shelves.

-Tower-

-Naranja-

ยกMUCHAS GRACIAS!

1 de Septiembre 2018, Makoto Hayashi "MAKOTO HAYASHI OBRAS" Makoto Hayashi's Portfolio ver.3