EDITOR’S NOTE
What a year it has been! We are excited to unveil our new brand with the fresh look of the magazine. This rebranding has been in the works for over a year, developed with the help of our talented university partners from University Marketing and Communications. Our staff, students, volunteers, campus partners, faculty, donors, and the Art Museum's Membership Steering Committee contributed to our new look. Attendees of our annual members meeting in April got a sneak peek of our new brand, launching with the Fall 2024 exhibitions season. I'd like to thank some key individuals for their professionalism and creativity, particularly Miami's Director of Creative Services John Rizzo, Associate Art Director Daniel Cimino, and our own Graphic Design Student Assistant Macey Chamberlin. Impressively, Macey's design was chosen from over 30 concepts developed by the team.
Mentoring students through hands-on experiences is a highlight of my role, and this branding project is a perfect example of the win-win opportunities we offer at the Art Museum. With the final design selected, we are now updating ALL of our materials to reflect the new branding.
Throughout 2024-2025, we hope our new brand identity strengthens the museum's presence and helps increase awareness, attendance, and memberships. Remember, we are FREE and OPEN to ALL! Located on Miami's Oxford Campus, our unique building, designed by Walter Netch, reflects his field theory with its many angles and varied views. Our new brand captures this edgy spirit. Explore what’s inside RCCAM and enjoy our diverse collection of over 17,500 works!
<< Here I am with recent graduate Macey Chamberlin ('24) who designed our new brand concept as one of her final projects at RCCAM before graduating.
Sherri Krazl, Editor Marketing/Communications
VAAM
the
of
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Exhibition: ARTificial Intelligence: A Student Response
Exhibition: Through Their Lens: Photographing Freedom Summer
Exhibition: Collections Highlights: Recent Acquisitions 17 Ongoing Exhibitions
18 Upcoming Exhibitions 20 Hiestand Galleries
24 Exhibitions and Programs at a Glance
Visual Arts at Miami (VAAM) is a bi-annual publication of the Richard and Carole Cocks Art Museum (RCCAM) showcasing visual arts and museums at Miami University for members and the community.
Distributed to the sustaining members of the Art Museum and placed in coffee shops and arts centers, Visual Arts at Miami (VAAM) is also available digitally through the companion blog at blogs.MiamiOH.edu/ VisualArts.
Check the back cover (page 26) for a detailed map, contact information and hours.
On the Cover: Herman Wessel (American, 1878-1969); Day at the Beach (detail), ca. early 20th century; Watercolor and gouache on paper, 8 1/2 x 11 3/4 inches; Bequest of Frank Jordan, Jr.; 2022.44
FROM THE DIRECTOR
Welcome to our magazine, which includes an eyecatching new identity that references our unique architecture. This Fall, we continue to present dynamic exhibitions and program, allowing us to continue to engage in dialogue with and about global visual culture. The College of Creative Arts welcomes our new dean Ryan Fisher, who joins us from the University of Memphis. Fisher, an active choral conductor and music education researcher, is a strong advocate for the arts with experience in building partnerships across academic programs, curricular development, and arts-related community engagement. We thank John Weigand for his contributions and support as interim dean over the past two years. We look to the future with the support of the Richard and Carole Cocks Fund and Miami University, in addition to other anticipated funding, we work towards a future vision: becoming a destination, creating an education center, expanding our exhibitions space, and developing a new facility for collections and research.
This year marks the 60th anniversary of Freedom Summer ‘64, when hundreds of volunteers trained at the Western College for Women, now Miami University's Western campus. Trainees helped Black Americans register to vote and peacefully resist violence that would be encountered in the South. Three young civil rights workers who were in Oxford — James Chaney, Andrew Goodman, and Michael Schwerner — were murdered in Mississippi that summer. Miami honors them with a memorial on Western Campus. As part of this commemoration of Freedom Summer ‘64, exhibition this Fall, Through Their Lens: Photographing Freedom Summer, part of FotoFocus Cincinnati’s Biennial "Backstories," will raise awareness of this important moment in history and its continued relevance today.
Collections Highlights: Recent Acquisitions presents thirty-five artworks that recently joined RCCAM’s collections. We continue to celebrate artistic diversity through traditional and contemporary acquisitions, through purchase, donation, and bequest. Included works come from Richard and Carole Cocks, Jeffrey L. Horrell ‘75 and Rodney F. Rose, and the late Frank Jordan. From ancient China to present day Cincinnati
and Mexico, we’re proud of the collections' strengths, including works by living artists.
Miami students respond creatively to the Student Response Exhibition on ARTificial Intelligence, which connects with the university’s FOCUS theme of AI, led by Emerging Technology in Business and Design (ETBD) within the College of Creative Arts. Artists share their hopes and fears for the future and explore what it means to be human within this ever changing world. While AI challenges us to ask better questions to find the answers we seek, it also allows us to reconsider creativity and authenticity within the visual arts.
We are grateful for the support of our members and patrons, our Miami University partners, grant-giving organizations, and many others. Your generosity enables us to be Free and Open to All and to build a stronger future. Please consider ways to support us as we continue to serve Miami University and the wider community. If you haven’t already, please become a member, or consider making an online gift today. We look forward to seeing you at RCCAM this Fall!
John (Jack) D.M. Green
Jeffrey L. Horrell ’75 and Rodney F. Rose Director and Chief Curator of the Richard and Carole Cocks Art Museum
Photo by Sherri Krazl
The Richard and Carole Cocks Art Museum (RCCAM), completed in 1978 as the Miami University Art Museum, was designed by Walter Netsch of Skidmore, Owings, and Merrill in Chicago, and is situated on three acres of scenic sculpture park grounds. It houses five galleries of changing exhibitions and a growing permanent collection of more than 17,500 artworks. The museum is accredited by the American Alliance of Museums (AAM) and is a proud member of the North American Reciprocal Museum Association (NARM).
Where is the Art Museum on Campus?
For starters, you can’t miss the large, industrial red sculpture by Mark di Suvero on the front lawn. The Art Museum is also just a 7-minute walk from the Armstrong Student Center, diagonally across from Tappan Hall, at the intersection of S. Patterson Ave. and Chestnut St., right when you enter Oxford off of State Route 27.
What can the Art Museum do for Students?
Lots of things! The Art Museum is a great place to see diverse exhibitions and explore outstanding works of art. You can also work, intern, volunteer, join the Art Museum Student Organization (AMSO), and attend lectures and social events.
What can the Art Museum do for the Public?
The Art Museum and Sculpture Park are FREE AND OPEN to ALL and is an excellent venue for exploring arts and culture from around the world. Membership in support of programs and exhibitions is available at varying levels. Each one offers a higher level of engagement with the museum via special-invitation-only events and special programs. More information on the member program is available on our website via the Members link.
Jack Green, Jeffrey L. Horrell ’75 and Rodney F. Rose Director and Chief Curator
Hope Cook, Senior Program Assistant
David Dotson, Preparator/Building Manager
Sherri Krazl, Marketing/Communications
Jennifer Laqualia, Collections Manager and Registrar
Jason E. Shaiman, Curator of Exhibitions
Stevie Woolf, Administrative Assistant
AND CONTACT
Richard and Carole Cocks
ArtMuseum@MiamiOH.edu LOCATION
Art Museum at Miami University 801 S. Patterson Ave. Oxford, OH 45056 (513) 529-2232
HOURS
Facebook.com/MiamiOHArtMuseum
Instagram.com/MiamiOHArtMuseum
YouYube.com/@miamiohartmuseum linktr.ee/MiamiOHArtMuseum
tiktok.com/@miamiohartmuseum
Tuesday–Friday: 10 A.M.–5 P.M.
Saturday: 12–5 P.M.
Second Wednesdays: 10 A.M.–8 P.M.
Closed: Sunday, Monday, national holidays, university closures, and during installation (more info on website.)
Members receive invitations to special events throughout the year. (Levels start at $50 year.)
Reciprocal level members ($100/year) gain free/ discounted access to over 1,300 museums in North America.
Memberships support programs, exhibitions, and member activities. TO JOIN OR LEARN MORE, VISIT tinyurl.com/JoinRCCAM, CALL (513) 529-1887, OR STOP IN AT 801 S. PATTERSON AVE
MUSEUMS MIAMI
Miami University has many museums, galleries, libraries and collections across all campuses (Oxford and Regionals) and all are free resources for exploration, enjoyment and research.
MUSEUMS MIAMI is a collaboration of these collections and galleries.
RECOGNIZING EXCELLENCE
During the 2023-24 Richard and Carole Cocks Art Museum Annual Members Meeting, staff recognized key individuals and organizations who made major contributions to the museums and our community.
VOLUNTEER OF THE YEAR
LEADERS OF THE YEAR
FACULTY LEADER OF THE YEAR
Our Faculty Leader of the Year award was presented to Harvey Thurmer, Associate Professor of Music at Miami University. Thurmer is a strong supporter of the Art Museum and engagement with students in the Department of Music. In partnership with the museum over the past two years, he has encouraged and supported student musicians as they seek out opportunities to perform in our Auditorium and Gallery spaces. Students gain experience in front of a live audience, which has also helped boost visitor engagement. This has developed into a new program called Music at the Museum held every third Saturday in the Fall and Spring semesters.
Curator of Exhibitions, Jason E. Shaiman presented Volunteer Docent, Ellen Buerk with the Volunteer of the Year Award. This award was given to Ellen for her significant contributions as a volunteer docent over the past three semesters in leading the initiative for our revived Girl Scouts program. It’s important to acknowledge that Ellen is not alone in this effort, as she has received much support from fellow docents and volunteers, Ann Bell, Marcia Perry, Ruth Overly, Rene Potter, Layne Listerman, Sue Jones, Jan Suding, intern Ellen Long, as well as Katie Wilson of the Girl Scouts.
COMMUNITY PARTNER OF THE YEAR
The Community Partner of the Year award was presented to Talawanda/Ross District Girl Scouts Troop Leader, Katie Wilson by the Jeffrey L. Horrell '75 and Rodney F. Rose Director and Chief Curator, Jack Green. Katie did a huge amount in planning, coordinating, and leading of dozens of Girl Scouts to the museum for our Kiwanis Club sponsored program. Katie, who has served for many years as Director of the Armstrong Center at Miami University, recently took a new position with Oregon State University. We look forward to working with fellow Troop leader Laura Desmond in the coming year.
Experience the Moments at the Art Museum blog at sites.MiamiOH.edu/art-museum
STUDENT LEADERS OF THE YEAR
Student Leader awards were presented to two individuals who have contributed significantly to the Art Museum in varied capacities over multiple years. Both exhibit strong leadership in support of the arts and the Art Museum, and recently graduated from Miami University.
Jillian Schwab ('24) received a Student Leader of the Year Award presented by Collections Manager and Registrar Jenn Laqualia. Jillian, who majored in Anthropology with minors in Fashion and Museums and Society, served as the inaugural Frances McClure Textile Fellow between Fall 2022 and Fall 2023. She played a key role in documenting and rehousing of our textile collection. Jillian also served as a Student Assistant on our front desk as part of our Visitor Services team.
Macey Chamberlin ('24) studied Communication Design with a minor in Fashion and Studio Art with a printmaking concentration. She has worked at the museum as a Graphic Design Student Specialist since September 2021. In her role she worked with the Marketing and Communications team creating graphics that are used in the exhibitions such as titles, text panels, gallery guides and catalog sheets, as well as graphics used in the promotion of the museum, our exhibitions and programs. We are extremely grateful that in her last semester she was able to be a part of the rebrand project rolling out this Fall.
RICHARD COCKS NAMED PHILANTHROPIST OF THE YEAR
Art Museum Major Benefactor Richard Cocks has received Miami University’s 2023 award for Philanthropist of the Year. The award is for an alumnus or other friend of Miami who has made a noteworthy, university-wide impact or has supported or directed fundraising for a specific major university priority project –someone who has gone above and beyond to make Miami a force for good, for decades to come.
Richard Cocks has been a longtime supporter of the arts. He and his late wife, Carole, began donating artworks to RCCAM in 1983. In 2022, Richard made a transformational private gift to the Art Museum, the largest in its history, resulting in the naming of the Richard and Carole Cocks Art Museum. Artworks were gifted to the museum, some of which are on view in this Fall’s Collections Highlights exhibition. The gift also established the Richard and Carole Cocks Fund, which is being used to support the museum, including renovation and expansion of the building, as well as the acquisition and maintenance of collections. In 2023, Miami University engaged Craig Hartman of SOM to develop a concept plan for future renovation and expansion of the building. With support of the Richard and Carole Cocks Fund, Miami University, and other anticipated funding, work is underway towards a future vision for RCCAM with a focus on the creation of an education center, development of a new facility for collections and research, expanded galleries, and enhanced spaces for events.
Richard Cocks (center) with Miami University President Gregory Crawford (right) and Jeffrey L. Horrell ‘75 & Rodney F. Rose Director & Chief Curator Jack Green (left) with the award, January 2024. Photos: Scott Kissell.
MIAMI STAFF SPOTLIGHT SCOTT KISSELL
The Art Museum is fortunate to have incredibly talented professionals on our museum team and across the University including Scott Kissell, University Photographer. Scott has helped capture not only hundreds of Art Museum events and exhibitions but also thousands of exhibition object images which are needed for our collections records and for use in print and online exhibition materials. His decades of experience as a professional photographer in settings ranging from news photographer early in his career to portrait and freelance photography serve him and the museum well! Thank you Scott for sharing your talents with us!
Earlier this year Scott spent some time sharing his career experiences, with highlights and tips for some of the Art Museum students on the Marketing and Communications team who are aspiring photographers.
sites.MiamiOH.Art-Museum
Photo: Sherri Krazl
ART AND ITS MARKETS COURSE ENHANCES
ART MUSEUM’S COLLECTIONS WITH FOCUS ON WOMEN ARTISTS
The Richard and Carole Cocks Art Museum (RCCAM) at Miami University recently acquired three artworks thanks to successful acquisition proposals presented by students in the Spring 2024 Art and Its Markets class (ART230D). The program is offered by the Department of Art and taught by Laura Stewart, Adjunct faculty, and Registrar and Collection Manager at the Taft Museum of Art in Cincinnati.
On May 2, RCCAM staff heard from six students, who through a series of proposal presentations at the Art Museum, provided convincing reasons for the museum to select and purchase new artwork for its collections. Over the course of the semester, students applied their humanities research skills to works on loan from Thomas French Fine Art Gallery (Akron, Ohio). Students took into account the art historical value of the work while also considering the Museum’s needs, including its dedication to teaching, commitments to Diversity, Equity, Accessibility, and Inclusion, current collection holdings, various university courses and programs, as well as future exhibitions that might make use of the artworks. In this respect, the Museum became a laboratory for student inquiry as well as a space for gaining hands-on, pre-professional skills.
After listening to the pitches presented by students, RCCAM Director and Chief Curator, Jack Green, Curator of Exhibitions, Jason E. Shaiman, and Collections Manager and Registrar, Jenn Laqualia, each of whom worked with the class during the semester, selected three proposals for acquisition. The selection of works consisted of three woodcuts, all by women artists; all by women artists: Elizabeth Catlett, Clara L. Deike, and Mabel A. Hewit.
The three students whose art acquisition pitches were chosen are pictured below left to right: Millie West, Kenneth DeCrosta and Josephine Durst. To read the full story visit tinyurl.com/RCCAM-News.
A donation to the Orpha Webster Art Fund at www.tinyurl.com/RCCAM-Giving would support this amazing program into the future.
Photos: Sherri Krazl
SMITH ADDS DREW WORK TO CAMPUS ART
A new sculpture, Number 381 by Brooklyn based artist, Leonardo Drew, was recently installed and dedicated at Young Hall on Western Campus at Miami University, Oxford.
A gift of RCCAM Major Benefactor and Miami Alumnus, Thomas W. Smith ‘50, the sculpture is Leonardo Drew’s first bronze sculpture intended for permanent outdoor installation. The sculpture’s unveiling and dedication, followed by a Contemporary Art Forum talk by Drew, took place on May 2, 2024. This vibrant new artwork provides an example of Drew’s ability to transform raw materials into sculptures and installations that explore the relationship between chaos and order. RCCAM team members worked with Heidi McWilliams (of McWilliams Art Advisory), and assisted the President's Office and Department of Physical Facilities in bringing this painted bronze sculpture to Miami University. The sculpture is one of four gifted by Smith to Miami University. Smith also donated Mark di Suvero’s For Kepler, installed in RCCAM’s Sculpture Park; Ursula von Rydingsvard’s Heart in Hand, located in Schiewetz Fine Arts Plaza; and Jun Kaneko’s Capturing the Scent of Rain, which resides behind Benton Hall in Miami’s North Quad.
WE WANT YOU!
TO BECOME A VOLUNTEER DOCENT AND HELP FULFILL THE EDUCATIONAL MISSION OF THE ART MUSEUM
The Art Museum Docent Program organized in 1980, continues to support the museum’s educational programs for school and community groups. Docents — all volunteers — lead interactive tours, conduct talks and offer a wide range of activities that connect art to our daily lives.
Docents are actively involved in our third Saturday Tour and Explore offering where guests can drop-in and engage with them in the galleries. They also are involved with many programs throughout the year including a Girl Scouts program, school group tours and many other activities that involve our exhibitions, programs, and events.
Docents and staff meet regularly and complete training at the beginning of each semester. With this in mind, we are seeking to identify volunteers who have a genuine interest in art of all kinds and enjoy working with people of all ages and backgrounds. Volunteers will learn to lead tours in the gallery, learn about the museum’s permanent collection and study visual/material culture and contemporary art. No previous experience or training is required.
For additional information, please email us at artmuseum@MiamiOH.edu
Artist Leonardo Drew, left, and donor Tom Smith '50 stand in front of Number 381 at the dedication ceremony on May 2. © Leonardo Drew 2023. Photo: Scott Kissell
THE ROLES OF WOMEN IN ART: MINNA WRIGHT CITRON
By Jenn Laqualia, Collections Manager/Registrar
The Richard and Carole Cocks Art Museum has seen a lot of exciting acquisitions this past year, with a continuing goal of acquiring more artwork from female artists as part of our DEAI commitments. This past spring, with support from the Helen Kingseed Art Acquisitions Fund, the museum purchased an artist portfolio including eight etchings by Minna Wright Citron (1896-1991), a prolific American painter and printmaker in the early-mid 20th century. These eight prints depict women, men, and children in various daily activities, such as a child reading a book, a man lounging in a chair, and a woman reading a newspaper. The featured artwork here, titled Dancer (1945) depicts a woman, possibly a ballet dancer, lounging in a chair.
As a local from New Jersey and a student at both the Brooklyn Institute of Arts and Sciences and the New York School of Applied Design for Women, Citron was known for her satirical depictions of city life in New Jersey and New York in the 1930s and 1940s, and considered herself part of the urban realism movement in her works. Citron’s work was heavily influenced by the feminist movement, and focused on gender and societal constructs.
Citron was also a member of Studio Atelier 17 in New York, which was temporarily moved from Paris shortly after WWII and was known for its fine art printmaking including aquatint, color offset printing, etching, line engraving and other techniques. In the Spring of 2023, Miami University studio art major, Mary Visco, created a mini exhibition in RCCAM’s library space that highlighted the Atelier 17 Studio in New York.
Two out of eight of Citron’s prints from RCCAM’s collection will be on display this fall in our Collections Highlights: Recent Acquisitions exhibition. For more information on our extensive collection of over 17,500 works of art, visit our website at MiamiOH.edu/ArtMuseum. If you would like to arrange a meeting to study works not on display, contact the Collections Manager/Registrar Jenn Laqualia at (513) 529-2235 or laqualj@miamioh.edu.
Minna Wright Citron (American, 1896-1991), Dancer, 1945. Etching with aquatint on paper. 5 ½ inches x 4 ⅞ inches. Museum purchase through the Helen Kingseed Art Acquisition Fund, 2023.5.8
Explore our Collections online at MiamiOH.edu/ArtMuseum/Collections
LEARNING FROM VIRTUAL TECHNOLOGIES: PAST, PRESENT AND FUTURE
Patterson Lorenzetti, ('91), (MS ‘93) Administrator & Curator, McGuffey House & Museum
When I took the job of curator at the McGuffey Museum, one of the first artifacts that grabbed my attention was the nineteenth century stereoscope we have in the parlor. The device takes advantage of the binocular vision that most human beings have to allow two flat photographs to appear to be a 3D image. It accomplishes this feat by using cards called stereographs that are divided into two sides, each showing the same scene from a slightly different angle. Your brain combines these images to trick you into thinking you are seeing things in three dimensions. You can date yourself by asking if you think of this more like a View-Master or an Oculus Rift.
The stereoscope caught on almost immediately, fueled in part by the craze that was leading more people to travel to countries other than their own. It was also used a fair amount for comedic and entertaining industries. However, it was the travel aspect that caused both anticipation and concern among the commentators of the day. Oliver Wendell Holmes envisioned a day when “a man who wishes to see any object, natural or artificial, will go to [the nearest] Stereographic Library.” Another unnamed commentator was afraid of exactly this outcome: “[will it] be any use to travel now that you can send out your artist to bring home Egypt in his carpet bag to amuse the drawing room with.”
The fact is, human beings have long been afraid of seeing reality replaced by the creations of machines. The 1927 movie Metropolis tells a dystopian tale of working class men condemned to a life in thrall to the machines that made upper class life one of leisure. In 1968, no less of a philosopher than Star Trek’s Mr. Spock opined “Computers make excellent and efficient servants, but I have no wish to serve under them.”
This year, Miami’s FOCUS area is Artificial Intelligence. I expect we will see many thoughts and interpretations of this set of tools, ranging from new ways to analyze data to explorations of how AI impacts art and music. We will see excitement and trepidation, probably in equal measure, while our society struggles with how we will integrate these technologies into our lives without losing what it means to be human.
In the meantime, I invite you to visit the McGuffey House & Museum and take a look at our stereoscope. I would try to explain it further, but it really is something you must experience for yourself.
Designate your gift at tinyurl.com/mmblockerfund
Photo: Jennifer Lorenzetti
Artificial Intelligence (AI) is perhaps the fastest growing trend today in the world of computers and technology. AI is becoming a ubiquitous term and widely explored. It offers a multitude of opportunities benefitting the medical field, aiding in scientific research, problem solving, and enabling greater efficiencies in production. While many artists explore technology in the preparation and creative process of making art, it is, perhaps, no surprise that AI has made its way into the art world.
What does this mean for artists today? What about the next generation of artists who are currently university or college students? Perhaps, it is too soon to tell. If the Fall 2024 Student Response Exhibition is any indication, AI has an uncertain future in the art world. Miami University students have a lot to say about AI, including ways it is used and concerns about the process of making AI art.
Artificial Intelligence is blurring lines in art, often begging questions such as: What is art? What is real? What is original? Is AI art? As the rising guard of the next generation of artists, students are responding to such prompts through interpretations based on personal perspectives, major/minor, year of study, culture, age, and experiences. Ultimately, they are exploring what AI means to them and its applicability in the art world.
Support for this ninth juried Student Response Exhibition (SRE) is provided by the ETBD (Emerging Technology in Business and Design) program and Miami University’s FOCUS program. This topic is presented in connection with Miami University's 20242025 FOCUS theme of Artificial Intelligence.
PROGRAM
ARTIFICIAL INTELLIGENCE: STUDENT RESPONSE
RECEPTION AND AWARDS PROGRAM
WED, NOV 13, 5-7 P.M.
Art Museum supporters and student artists join in a celebration of their work on display in this special exhibition. Viewers choice cash award winners are announced during the awards ceremony portion of this event. Open and free to all.
Supported by the Art Museum Membership Association, the Art Museum Student Organization (AMSO), and Miami University’s FOCUS theme program.
Exhibition Graphics: Macey Chamberlin ('24) | Photos: Sherri Krazl
June of 2024 marked sixty years since the beginning of the Mississippi Summer Project, more widely known as Freedom Summer. Over a two-week period, two training sessions took place on the grounds of the former Western College for Women in Oxford, Ohio. During that time, approximately 800 volunteers came to prepare before going into the deep South. To document the training in Oxford and the real work in Mississippi, photographers took thousands of pictures capturing a stunning telling of Freedom Summer Through Their Lens. Those behind the camera are often just a credit line. Their stories are told through an individual and collective lens as the Richard and Carole Cocks Art Museum (RCCAM) commemorates this pivotal time in the Civil Rights Movement.
Forty photographs taken by seven of the more than a dozen photographers who documented Freedom Summer are shown in the exhibition. Featured are images by Bob Fletcher, George Richmond Hoxie, Danny Lyon, Ted Polumbaum, Herbert Randall, Steve Schapiro and Tamio Wakayama. Not all were in Oxford, nor in Mississippi, and not all were hired by the Congress of Racial Equality (CORE) or the Student Nonviolent Coordinating Committee (SNCC), the partnering organizations which developed Freedom Summer.
Collectively their photographs piece together their role in the project and how they helped shape the narrative we know today. Some of the photographers wrote or spoke about their work, their experiences, and of specific moments that inspired them to click the shutter and capture the image. For others, we are left to read into the photographs and conclude what the images tell us through the lens of what we now know about the photographers.
Exhibition and Program sponsors:
FotoFocus Cincinnati
Miami University partner sponsors include: Menard Family Center for Democracy; Department of Media, Journalism & Film: Diana Stark Speaker Series in Journalism; and Office for Transformational and Inclusive Excellence; Miriam W. Howard Art Museum Fund
Exhibitor Level Supporters: Richard and Susan Momeyer
FEATURED PROGRAMS
OCTOBER FILM SCREENINGS
Visitors are encouraged to view the following films in our Auditorium, visit the special exhibition Through Their Lens: Photographing Freedom Summer, and the Freedom Summer ‘64 Memorial on Western Campus. No pre-registration necessary.
Training for Freedom | FRI, OCT 4, 3 P.M.
This short film (PBS/Miami University 2022, 27 mins) presents the history and personal stories of those who came together in Oxford, OH, as they prepared to help register Black voters in the deep south during the historic 1964 Freedom Summer campaign.
Reading Freedom Summer | FRI, OCT 11 & 25, 3 P.M.
This short film (2019, 31 mins) was directed by Andy Rice, Assistant Professor of Media, Communication and Film Studies at Miami University, in collaboration with students and community members. Reading Freedom Summer is a reflection on youth, risk, and and activism through intergenerational reading and reflections on letters written by the 1964 Civil Rights Movement volunteers
BACKSTORIES & INSIGHTS: HERBERT RANDALL ON FREEDOM SUMMER
WED, OCT 9, 5–7 P.M.
Commemorating the 60th anniversary of Freedom Summer 1964, photographer Herbert Randall shares backstories and insights on his documentary work behind the lens for the historic Civil Rights project. Randall, who is one of the last surviving Freedom Summer photographers, documented the second week of training on the campus of the Western College for Women in Oxford, Ohio, and a myriad of activities in Hattiesburg, Mississippi. Randall will appear on screen in front of a live audience at RCCAM's auditorium for this in-person program moderated by Ann Elizabeth Armstrong of Miami University.
SPOTLIGHT TOUR: FREEDOM SUMMER ‘64 PHOTOGRAPHY — DANNY LYON
WED, OCT 16, 12–12:20 P.M.
with Jason E. Shaiman, Curator of Exhibitions
See page 15 for more information.
KEEPING FREEDOM SUMMER ALIVE WEBINAR
TUES, OCT 22, 12–1 P.M.
With Jacky Johnson, Ian Polumbaum, and moderated by Jason Shaiman Please join us for a conversation with Jacky Johnson (Miami University Archivist), and Ian Polumbaum (Asst. District Attorney and son of Freedom Summer photographer Ted Polumbaum), as they discuss perspectives and the responsibility of portraying historical events through various lenses. This webinar delves into the ethical and practical dimensions of archival work in today’s digital age when working with sixty year old analog documents used in recording, preserving, and presenting truth through first person narrative. In association with the Miami University Alumni Association: www.alumlc.org/miamioh/upcoming
Exhibition Graphics: Art Museum Student Assistant David Shuppert
Danny Lyon
Ted Polumbaum
Herbert Randall
Collections Highlights: Recent Acquisitions
With nearly 200 works accessioned between 2021 and 2023, The Richard and Carole Cocks Art Museum’s upcoming exhibition, Collections Highlights: Recent Acquisitions, represents just a fraction of the museum's extensive collection of approximately 17,500 objects. We are eager to celebrate our generous donors in the upcoming exhibition. Whether through direct donations, bequests, or museum gift fund purchases, their contributions have significantly enriched our collection. Collections Highlights: Recent Acquisitions not only showcases new additions to the museum’s holdings, but also reflects on our commitment to expanding the narrative of art history by highlighting women artists, Indigenous creators, artists of color, and diverse cultural periods.
This exhibition features 35 works by notable artists including Joseph Albers, Alexander Calder, Francisco José de Goya y Lucientes, Edward Henry Potthast, Cal Kowal, Frank Duveneck, Marcantonio Raimondi, and Richard Diebenkorn. For the first time, the collection also includes work by regional and internationally recognized artists Angela Bing Jansen, Minna Citron, Romare Bearden, Shiko Munakata, Barbara Gonzalez, Richard Hamilton, Saad Ghosn, Julie Lonneman, Darius Steward and Rosemary Burkholder.
Collections Highlights: Recent Acquisitions is a series of exhibitions that the museum organizes every few years to present our growing collection. The exhibition invites audiences to explore and engage with artworks that celebrate creativity across different backgrounds and historical contexts, promoting a richer understanding of our shared experiences.
FEATURED PROGRAMS SPOTLIGHT TOURS
A TANG DYNASTY HORSE SCULPTURE
WED, SEP 18, 12-12.20 PM
Jack Green, Jeffrey L. Horrell ‘75 and Rodney F. Rose Director and Chief Curator
PAINTINGS BY FRANK DUVENECK
Top right: China, Tang Dynasty Horse, 618-907 CE; Ceramic with pigment, 11 3/4 x 12 1/2 x 4 inches; Gift of Barbara Fahs Charles, in memory of her great aunt, Abbie Lyon Sharman, and her grandmother, Sophia Lyon Fahs; 2021.12
Lower left to right: Works by Frank Duveneck American, 1848-1919: Sketch for Reading of Tasso [detail], ca. 1884; Oil on canvas; 17 x 29 inches; Bequest of Frank Jordan, Jr.; 2022.39. Italian Girl, ca. 1885; Oil on canvas, 24 1/8 x 20 inches; Gift of Richard and Carole Cocks; 2022.17.
WED, NOV 20, 12-12:20 PM
Jenn Laqualia, Collections Manager and Registrar
FOR MORE INFORMATION SEE OPPOSITE PAGE
SPOTLIGHT TOURS
RCCAM staff share insights into one or more artworks on display in the galleries. Attendees are welcomed to ask questions and engage in dialog. Gallery seating is available. All are welcome to bring lunch to eat in our auditorium afterwards, and continue the conversation (through 1 P.M.).
WED, 12-12:20 P.M. SEP 18 | OCT 16 | NOV 20
Learn more at: tinyurl.com/RCCAM-fa24-ST
Darius Steward, American, 1896-1991; Today’s Sketches for Tomorrow, #2, 2020; Watercolor on paper, 10 1/ x 7 1/16 inches; Art Museum purchase through the Robert B. Sinclair Memorial Art Acquisition Fund; 2022.11
Joseph Albers; American, b. Germany, 1888-1976; SK-ED, 1972; Serigraph on paper (number 43 of an edition of 100), 14 x 14 inches; Gift of Jeffrey L. Horrell ‘75 and Rodney F. Rose; 2023.9
CONTEMPORARY
ART FORUM
All ARTIST talks are on Thursdays in ART 100 unless noted
SEP 5 | 5:50 P.M. | Eric Ruschman, Ruschman Art Gallery.
SEP 12 | 5:50 P.M.
Sharareh Khosravani: Make Meaning
SEP 19 | 5:50 P.M.
Britny Wainwright: Floral Resistance
OCT 3 | 5:50 P.M. | Annie Dell’Aria
OCT 17 | 5:50 P.M. HIESTAND
Anna Kell: Sleepless Numbers
SATURDAYS
OCT 24 | 5:50 P.M.
Robyn Winkler: Visionaries + Voices: Empowering Artists through Progressive Art Studios
NOV 7 | 5:50 P.M.
Ishita Islam: MFA Candidate
NOV 14 | 5:50 P.M.
Josie Roebek: Stories of Remembrance
NOV 21 | 5:50 P.M.
Brian Harper: Art, Community, and Our Clay Commons
Music at the Museum | 1-2 P.M.
THIRD SATURDAYS, SEP 21 | OCT 19 | NOV 16 Art Explorers | 2-3:30 P.M. SATURDAYS, SEP 14 | OCT 12 | NOV 2
Docent Drop-In Tours | 2-4 P.M.
THIRD SATURDAYS, SEP 21 | OCT 19 | NOV 16 Final Saturday | Dec 14, 12-5 P.M. Reception, Refreshments, Tours, and Activities
EXHIBITIONS ONGOING
ART HISTORY AT A GLANCE (GOODYEAR GALLERY)
A glimpse into the evolution of Western art from the 15th to 20th centuries. Selected works from the RCCAM’s collection represent prominent art movements with examples of Renaissance, Baroque, Neoclassicism, Romanticism, Impressionism, Expressionism, Abstract Expressionism, Surrealism, Pop Art, and Contemporary works. Art movements exist through multiple conversations relevant to their respective cultures and times. Many major art movements emerge as artists respond to societal changes, religion, science, technology, war, politics, or by rejecting or adapting earlier styles and the tastes set by patrons or art schools. View online at sites.MiamiOH.edu/muam-arthistory
GLOBAL PERSPECTIVES (WEBSTER GALLERY)
Global Perspectives weaves together nearly 5,000 years of cultural, religious, political, social, economic and communication systems from seventeen world cultures. From diverse regions, nations, and time periods, these cultures comprise only a fraction of a larger, complex world united by core practices used in the creation of or adoption of art and material culture. Whether original to a culture or assimilated during times of conquest, the creative endeavors explored by people around the world speaks volumes about the fundamental need to express individual and collective identities.
CHARLES M. MESSER LEICA CAMERA COLLECTION (GOODYEAR GALLERY NICHE)
Between 1970 and 1978, Charles M. Messer of Cincinnati's Messer Construction Company donated his personal collection of German produced Leica brand cameras. Totaling more than 1,200 pieces, this is the largest privately assembled collection of Leica cameras, accessories and literature in the US. A small sample of the collection is displayed highlighting innovations in photographic technology from the mid-1920s through the late 1970s.
SCULPTURE PARK (ART MUSEUM GROUNDS)
The Art Museum’s collection of public sculpture evokes many of the movements in art that characterized the 20th century, and examples of geometry, materials, and expressionism are found in all the pieces located on over three acres of scenic Sculpture Park grounds. Key works include StarCrossed by Nancy Holt (1979), Hybrid Construction by Richard Hunt (1983), For Kepler by Mark di Suvero (1995), and A Tribe Named Miami, A Surveyor’s Stake, A Town Named Oxford by Eugene Brown (2008). The Sculpture Park is open to all, and can be experienced all year round. As well as being a place of natural beauty and quiet reflection, the park includes a popular disc golf course on Miami University’s campus.
EXHIBITIONS UPCOMING
COLLECTIONS SELECTIONS (DOUGLASS GALLERY)
This semi-permanent exhibition features a selection of key works to further demonstrate the diversity and expansiveness of the museum’s collection. Featured works by acclaimed artists include Louise Nevelson, Ferdinand Bol, Francesco Solimena, Alfred Eisenstadt, Robert Indiana, Margaret Bourke-White, and selections of Native American, African and Eurasian art and material culture.
Louise Nevelson (American, b. Ukraine 1899-1988); Rain Garden Zag IX, 1978; Wood with paint, 9 x 45 1/2 x 71 1/2 inches; Gift of Western College Alumnae Association, Inc.; 1980.37
TOOLING AROUND WITH JIM DINE (MCKIE GALLERY)
Jim Dine was on the periphery of the Pop Art movement in the 1960s, during which time he created prints and sculptures depicting and interpreting utilitarian, and often viewed mundane objects. He created several series of prints reflecting on tools connected with his childhood and a family-owned hardware store. Featured in the exhibition are ten of Dine’s tool prints included in the museum’s permanent collection. Dine’s monochromatic printing creates striking contrasts of light and dark, while emphasizing the aesthetic appreciation of the shapes and contours of each tool.
Jim Dine (American, b. 1935); Ten Winter Tools: Scissors, 1973; Lithograph on paper, number 5 of an edition of 10, 30 x 22 inches; Gift of Jeffrey L. Horrell '75 and Rodney F. Rose; 2023.24
ART & ARCHITECTURE HISTORY SENIOR CAPSTONE (FARMER GALLERY)
Each Spring semester, an Art History Capstone exhibition presents the work that Art & Architecture History students undertook during their preceding Fall ART498 course. The Spring 2025 exhibition will be the result of work developed in collaboration with Dr. Jordan Fenton, Associate Professor of Art & Architecture History. This Capstone exhibition will provide an exploration of the rich history and aesthetics of African textile creation from the museum’s collection. Students will develop the overarching scope of the exhibition, select objects to display, and research and contextualize textiles.
Unknown Artist (Asante, Ghana); Kente (man's wrap), 20th century; Woven and dyed cotton, 126 x 74 inches; Gift of Ralph ('65) and Barbara Drake ('68) Bresler; 1982.102
400 S. Patterson Ave., Oxford, OH 45056
THRU–SEP 3 | Katrina Shafor
SEP 5–30 | Casey Dresell
OCT 1–14 | Art Education
OCT 15–31 | Monsters 2
NOV 4–24 | Saturday Art
Hall
about Architectire and Interior Design programs and Cage Gallery exhibits by
OPENING WEEKEND PROGRAM: SEP 26–28
2024 FotoFocus Biennial: backstories is an ambitious collaboration between FotoFocus and the region’s museums, galleri es, universities, and non-traditional spaces. The FotoFocus Biennial is a month-long celebration of photography and lens-based art.
Steve Schapiro, Woman and Flag, 1963. Silver gelatin print, 20 x 16 inches. Courtesy of the artist and Richard and Carole Cocks Art Museum.
SEPTEMBER 4 - OCTOBER 23
GROUND, APPARENT, AND TRUE
Reception: Thursday, September 5, 4:30-5:30 P.M.
Ground, Apparent, and True is an exhibition featuring a selection of works by the second and third year Master of Fine Arts candidates in the Department of Art at Miami University. As the artists navigate through the graduate program, they continuously adjust and adapt to the pressures and influential forces that are guiding their expanding studio practices. Each artwork represents a different perspective from each artist’s journey as they reconcile innumerable factors, both current and forthcoming.
Exhibiting Artists: Sabrina J. Barilone, Bubly Barna, De-Graft Boateng, Kelley Booze, Ryan Kerr, and Fatemeh Shekarforoush.
NOVEMBER 14 – DECEMBER 6
BFA/BA CAPSTONE EXHIBITION
Reception: Tuesday, November 19, 4:30–5:30 P.M.
Department of Art senior studio majors participating in the semester long Capstone course feature their latest visual investigations in ceramics, printmaking, painting, metals and jewelry, photography, sculpture and digital media.
GALLERY HOURS: MON-FRI, 9 A.M.-4:30 P.M.
Hours may vary with restrictions; other hours available by appointment—(513) 529-1883
ALL RECEPTIONS ARE IN THE LOBBY OF HIESTAND GALLERIES | GALLERIES LOCATED ON LEVEL 1.
AUGUST 26 – SEPTEMBER 20
ISHITA ISLAM: ON THE SAME EARTH MASTER OF FINE ARTS THESIS EXHIBITION
Reception for the Artist: Friday, September 20, 4–7 P.M.
Being from a country that is highly vulnerable to climate change, environmental geopolitics, and natural disasters, the atmosphere inspired Ishita Islam to bring the ecological transformation of the world into her work. Through the process of recycling and utilizing abandoned and natural materials she expressed her ideas about land use, ecosystems, societal histories, and geo-cultural aspects of The Earth. As the abstract landscapes hold the footprint of constructed structure, alternating maps, history of marginalization and migration, segregation of ecology by borders; her show conveys the message of reminding us that we all breathe on the same earth.
SEPTEMBER
27 – OCTOBER 29
ANNA KELL: RECENT WORK
The Department of Art welcomes back alumna, Anna Kell, Miami, Class of 2005 with this exhibition of recent works. Kell, currently Associate Professor at Bucknell University, Lewisburg, Pennsylvania received her Master of Fine Arts from the University of Florida, Gainesville. Recent exhibitions include, Sleep Numbers, Milton Art Bank, Milton Pennsylvania and inclusion in the juried exhibition, 14th Annual Figurative Art Exhibition at the Lore Degenstein Gallery at Susquehanna University.
HIESTAND HALL | 401 Maple St., Oxford, OH 45056 MiamiOH.edu/hiestand-galleries
Ann Taulbee, Director (513) 529-1883 | taulbeae@MiamiOH.edu
Galleries will be closed: During exhibition installation and Jan 1–31, Mar 25–29, and May 17–Sep 5.
MEMBERSHIP AT A GLANCE
FRIEND
: FREE
• Member Insider Emails
• Link to online version of Visual Arts Magazine
• e-Invite to Friends Events
CONTRIBUTOR : $50+ / $35+ FOR MIAMI STUDENT, FACULTY, STAFF
Friend Level benefits in addition to:
• Membership card
• Invitations to Annual Member Meeting and Reception
• Exhibition Previews / Opening Receptions
• Visual Arts at Miami Magazine mailed twice annually
• Access to the College and University Art Museum (CUAM) Reciprocal Program
• Discounted Facility Use
RECIPROCAL : $100+
• Contributor Level benefits in addition to:
• Admissions and discounts to 1300+ Museums through North American Reciprocal Museums (NARM) Program
• Access to Miami Alumni Travel/Tour Programs
ENTHUSIAST : $250+
Reciprocal Level benefits in addition to:
• Guest Passes to VIP Previews
• Invitation to Local Excursions with Director or Curator (Up to 2/Year)
Are you already a member?
If so - we thank you for your support! We hope that you may consider renewing or upgrading your membership or encouraging a friend to join also!
DISTINGUISHED:
$500+
Enthusiast Level benefits in addition to:
• Pair of Courtesy Tickets to a Select Performing Arts Series Event and Reception
• Coffee with the Curator Event Invitation
• Invitation to Donor Appreciation Event
• Exhibition Catalog (When Produced)
DIRECTOR’S
CIRCLE : $1000
Distinguished Level benefits in addition to:
• Invitation to Private Events Tied to Exhibition/ Programs
EXHIBITOR
: $2500
Director’s Circle benefits in addition to:
• Sponsorship of Program, Event or Exhibition with Acknowledgment (enquire with Director)
• One Day Auditorium Rental Fee Waived
PARTNER: $5000
All Exhibitor Level benefits in addition to:
• Dine with the Director
Gifts to RCCAM may be tax-deductible, however the deductible amount may be reduced by the value of any benefits not otherwise waived. Please consult with your tax advisor regarding deductibility.
MiamiOH.edu/cca/ art-museum/support-us
4th Annual Electric Root Festival
AUGUST
AUG 26–SEP 20
Ishita Islam | on the same EARTH Hiestand
AUG 27–DEC 14
ARTificial Intelligence: A Student Response Exhibition; Collections Highlights: Recent Acquisitions; Through Their Lens: Photographing Freedom Summer Art Museum
AUG 27–DEC 14
Art History at Glance; Global Perspectives; The Charles M. Messer Leica Camera Collection Art Museum
SEPTEMBER
THRU SEP 3
Katrina Shafor | exhibition Art Building Lobby
SEP 4–OCT 23
Sabrina J. Barilone, Bubly Barna, De-Graft Boateng, Kelley Booze, Ryan Kerr, and Fatemeh Shekarforoush | Ground, Apparent, and True Hiestand
SEP 5 | 4:30 P.M.
Artist Reception – Ground, Apparent, and True Hiestand
SEP 5 | 5:50 P.M.
Eric Ruschman Art 100
SEP 5–30
Casey Dressel | exhibition Art Building Lobby
SEP 10 | 3 P.M.
Steve Conn: Thinking with Things: A History of Miami University in 40 Objects. McGuffey House & Museum / RCCAM joint program Art Museum
SEP 11 | 5-7 P.M.
RCCAM Open House and Reception Art Museum
SEP 12 | 5:50 P.M.
Sharareh Khosravani: Make Meaning Art 100
SEP 18 | 12 P.M.
Spotlight Tour: A Tang Dynasty
Horse Sculpture with Jack Green Art Museum
SEP 19 | 5:50 P.M.
Britny Wainwright: Floral Resistance Art 100
SEP 20 | 4 P.M.
Artist Reception – Ishita Islam, on the same EARTH Hiestand
SEP 27–OCT 29
Anna Kell | Recent Work Hiestand
OCTOBER
OCT 1-14
Art Education | exhibition Art Building Lobby
OCT 3 | 5:50 P.M.
Annie Dell’Aria Art 100
OCT 4 | 3 P.M.
Film Screening: Training for Freedom Art Museum
OCT 9 | 5 P.M.
Backstories & Insights: Herbert Randall on Freedom Summer with Ann Elizabeth Armstrong
Art Museum
OCT 11 | 3 P.M.
Film Screening: Reading
Freedom Summer
Art Museum
OCT 15-31
Monsters 2 | exhibition Art Building Lobby
OCT 16 | 12 P.M.
Spotlight Tous: Freedom Summer
‘64 Photography - Danny Lyon, with Jason E. Shaiman
Art Museum
OCT 17 | 5:50 P.M.
Anna Kell: Sleepless Numbers
Art 100
OCT 18 | 3 P.M.
Film Screening: Training for Freedom Art Museum
OCT 22 | 12 P.M. VIRTUAL
Keeping Freedom Summer Alive Webinar with Jacky Johnson, Ian Polumbaum, and moderated by Jason E. Shaiman.
OCT 24 | 5:50 P.M.
Robyn Winkler: Visionaries + Voices: Empowering Artists through Progressive Art Studios
Art 100
OCT 25 | 3 P.M.
Film Screening: Reading
Freedom Summer
Art Museum
NOVEMBER
NOV 4-24
Saturday Art | exhibition Art Building Lobby
NOV 7 | 5:50 P.M.
Ishita Islam: MFA Candidate Art 100
NOV 13 | 5-7 P.M.
ARTificial Intelligence: Student Response Exhibition Reception and Awards Art Museum
NOV 14 | 5:50 P.M.
Josie Roebek: Stories of Remembrance
Art 100
NOV 14–DEC 6
BFA/BA Capstone Exhibition Hiestand
NOV 19 | 4 P.M.
Artist Reception – BFA/BA Capstone Hiestand
NOV 20 | 12 P.M.
Spotlight Tour: Paintings by Frank Duveneck with Jenn Laqualia Art Museum
NOV 21 | 5:50 P.M.
Brian Harper: Art, Community, and Our Clay Commons Art 100
NOV 26–JAN 29
David Dotson | exhibition Art Building Lobby
DECEMBER
DEC 14 | 12-5 P.M.
Final Saturday Reception, Refreshments, Tours, and Activities Art Museum
ART MUSEUM PROGRAM SERIES
MUSIC AT THE MUSEUM
Join student musicians in an informal afternoon of music in the galleries. In partnership with the Department of Music at Miami.
1-2 P.M. Third Saturdays SEP 21 | OCT 19 | NOV 16
For more information visit: MiamiOH.edu/cca/events
DROP-IN TOUR & EXPLORE
Tour and Explore and learn about the artworks on exhibit! Join one of our Volunteer Docent tours of current and ongoing exhibitions.
2-4 P.M. Third Saturdays SEP 21 | OCT 19 | NOV 16
ART EXPLORERS (Ages 3-7)
Join us for story time & an art activity - register at www.lanepl.org
2-3:30 P.M. Saturdays SEP 14 | OCT 12 | NOV 2
SECOND WEDNESDAYS
Our galleries are open late every second Wednesday until 8 P.M. See program calendar for events.
5-8 P.M. Second Wednesdays SEP 11 | OCT 8 | NOV 13
SPOTLIGHT TOURS
Join us for a brief tour led by Art Museum staff focused on several works now on view, 12-12:20 P.M. Wednesdays SEP 18 | OCT 16 | NOV 20
MUSEUM AND GALLERY INFO
RICHARD AND CAROLE COCKS ART MUSEUM
801 S. Patterson Ave., Oxford, OH 45056 (513) 529-2232
ArtMuseum@MiamiOH.edu MiamiOH.edu/ArtMuseum
Gallery hours:
Tuesday–Friday: 10 A.M.–5 P.M. Saturday: Noon-5 P.M.
Second Wednesdays: 10 A.M.-8 P.M.
MCGUFFEY HOUSE AND MUSEUM
401 E. Spring St., Oxford, OH 45056 (513) 529-8380
McGuffeyMuseum@MiamiOH.edu MiamiOH.edu/McGuffey-Museum Museum hours: Thursday–Saturday: 1–5 P.M.
CAGE GALLERY
101 Alumni Hall, Oxford, OH 45056 (513) 529-7210
archid@MiamiOH.edu Arts.MiamiOH.edu/architectureinterior-design
HIESTAND GALLERIES
401 Maple St., Oxford, OH 45056 (513) 529-1883
sfagallery@MiamiOH.edu MiamiOH.edu/HiestandGalleries
Gallery hours: Mon-Fri, 9 A.M.-4:30 P.M.
ART BUILDING (LOBBY GALLERY & ART 100)
400 S. Patterson Ave., Oxford, OH 45056
MORE MUSEUMS AND COLLECTIONS
For more Museums and Collections on campus check out tinyurl.com/MuseumsMiami
MCGUFFEY MUSEUM HIESTAND GALLERIES
ART BUILDING
AND
CAGE GALLERY IN ALUMNI HALL
RICHARD
CAROLE COCKS ART MUSEUM