SYMBOLS MICHAEL BOLERJACK
PLANS FOR THE THIRTY YEARS WAR
The Justification Part 1 Otherwise the Key Part 2 Essay for Arrival Part 3 Love of the Poets Part 4 Apocalyptic Grace
_________________ A God of Prophets _________________ _________________ In World Lustrate _________________ _________________ The Justification Part 1 Otherwise the Key
Part 2 Essay for Arrival Part 3 Love of the Poets Part 4 Apocalyptic Grace _________________
_________________ Pages of Eternity _________________
Pages of Eternity
Modalities of Art The Dissemination Limit on Infinity Heidegger Derrida Shakespeare’s Act
Apocalyptic Joyce Transcendentality Edith Stein’s CIT Fiction at an End A Sermon on Peter
The Dissertations
The Law of Return Of Later Prophets Writings for Love Gospel of Arrival The Creative Acts Spirit and Letter Revelation to Art
_________________
The Dissertations _________________
_________________
It Will Have Been Faith in Recovery The Contradiction
For the Catholics I Speak Therefore Of Substantiation Arise for the Day If You Can Arrive Frame and Essence Truth and Fiction Wait at the Altar
A Paradise Throne _________________ _________________ End of the Church 1 The Philosopher 2 The Litterateur 3 Faith Criticism 4 The Apocalyptic _________________ Vocabulary of God 1 Whom We Will Be 2 For Pure People 3 Hagiography Hid _________________
Cross or Crossway
Part 1 From Dusk to Dawn Part 2 Lights of Arrival Part 3 Resource Luminous Part 4 If Ever Fire Rose
Corona El Sol Rey
An Exit Tetralogy Of As It Is To Be
Part 1 From Dusk to Dawn
Part 2 Lights of Arrival
Part 3 Resource Luminous
Part 4 If Ever Fire Rose
Catholic Symphony
Movement 1: From Dusk to Dawn Movement 2: Lights of Arrival Movement 3: Resource Luminous Movement 4: If Ever Fire Rose
_________________ After Church Ends _________________
Age of the Spirit Romantic Attempts Limit on Infinity Anaximander and I The Shakespearean
Apocalyptic Joyce To Be Or As If To Edith Stein’s CIT Soul of the Story
_________________ Awaken the Others _________________ _________________ In a Storied Time _________________ _________________ The Justification Part 1 One Ever in Glory
Part 2 Essay for Arrival Part 3 Love of the Poets Part 4 Apocalyptic Scene _________________ _________________ Plea for a Poetry _________________
Plea to Posterity
Transcendentality The Dissemination Limit on Infinity Heidegger Derrida Shakespeare’s Act Apocalyptic Joyce Metascholasticism Edith Stein’s CIT Apocalyptic Grace A Sermon on Peter
ALL ROADS LEAD TO Part 1: Apostolic Truth and Freedom The Old Testament Truth and Freedom The New Testament The End of Poetry Without Narrative Part 1: 1985-1988 Without Narrative Part 2: 1993-1997 Without Narrative Part 3: 1994-2000 Without Narrative
Part 4: 2001-2010 Part 2: Apostasia The Autobiography of the Individual The Stubborn Mind Must Be Scattered What Love Will Do The Catholic Fate This Coming To Be This Passing Away Gods Will Be Done Globalatinization Faith the Creator Wait on the World
Come Apocalyptica Prophets to Write Neither Glory nor Gain for the Word Offense of Poetry Defense of Poetry Whose Antichrist? Of God and Mammon After Catholicism The Second Coming Resistance to the Matrix of Fascism Disestablishments Transcendentality Of Deconstruction Of Deconsecration Revelation Veiled
The Veils Removed Congregation of a Doctrine of Faith Vatican II Stands Salute Conscience To Be Or As If To Of As It Is To Be Metascholasticism Antedecontaminate Pseudepigraphical Dispassionateness Part 3: Aporetics Approaches to the Remainder: Part 1
Remainder: Part 2 Remainder: Part 3 Remainder: Part 4 Remainder: Part 5 Remainder: Part 6 Remainder: Part 7
_________________ The Necessitation _________________ _________________
The Divine Source _________________ Tribulation To Be Part 1 The Nymphs Tribulation To Be Part 2 The Examen _________________
The Gods Will See _________________
Holy Roman Empire Part 1 The Serene Holy Roman Empire Part 2 The Rivals _________________
The Divine Congee _________________ Incomprehensibles Part 1 The Easter Incomprehensibles Part 2 The Eleven Incomprehensibles Part 3 The Nimbus
_________________ The Approximation _________________ _________________ Apocalypse in Art Part 1 The Essays Apocalypse in Art Part 2 The Poetry The Greatest Good Part 1 The Church The Greatest Good Part 2 The Worlds _________________
_________________ A Perfect Binding _________________ _________________ Part 1 Temptation at the Great Year Part 2 Attainment of the Great Wall _________________
The Three Decades The Approximation Transcendentality Holy Roman Empire A Perfect Binding Lover of the Word The Catholic Mind Truth and Freedom Apocalypse in Art Near to the Ideal
The Divine Source Gods Will Be Done The Divine Congee
Incomprehensibles
IMPLICATIONS Introduction, Part 1: Sheer Introduction, Part 2: Shear Heidegger’s Explication as it was Neither Appropriated Nor Expropriated by Derrida An Implicit Argument Concerning God The Rule of Rules founding Writing and the Consequences for the End of the Common Era Eternity : Exteriority : Effacement
The Theory of Incomprehensibility and Incomprehensibility of Theory Deconsecration, Deconstruction and Decontamination Approaching the Apocalypse of the Roman Catholic Church Conclusion: Can Israel Be True?
EXEMPLIFICATIONS 52 Theses (from the text of my own envois) Reality, Ideality and Actuality Autobiography
Relation of Non-Relation Chance After the French Poets The State-of-Affairs He Gives Speeches Thou Shall Make No Graven Image True Prophet A Portrait of Jack and Jim at the Wake Derriere
Holy Roman Empire Cantos on the Chaos Theses on Moral Beauty Summa Apocalyptica The Acting Pope Fragments of the Closure Incomprehensibles If the Ruins Remain, Part 1 If the Ruins Remain, Part 2
REMAINDER FOR GOD
Preface: The remnant defined as keeping to the opening against closure
I Inalienable Institution and Constitution: The Theory and Practice of Literature as Autobiography in the Developing Crisis of the Church in the World
1 The Frame Coming Into One’s Own
In Aeternum Summa 2 How to Arrive Rites Obloquy
II Incalculable Substitution and Restitution: The Deconstruction and Deconsecration of the Church in the World as Viewed by Shakespearean Temporality
1 The Seeds of Time
The Time is Free 2 Had I But Time
Conclusion: The time of the remnant is the time remaining
_________________ Michael Bolerjack Against Enclosure _________________ Michael Bolerjack Attempts An Abyss Michael Bolerjack Asks Why Not Love Michael Bolerjack At The University Michael Bolerjack At The Apocalypse Michael Bolerjack And His Invention Part 1: The Recto Michael Bolerjack And His Invention
Part 2: The Verso Michael Bolerjack As Irreconcilable Michael Bolerjack Answers Questions _________________
Studies in Preparation for the Apocalypse
Studies in Preparation for the Apocalypse in Outline The Two Part Prelude Volume 1 The Holy Life Volume 2 If This Be Error The Recrucifixion of Christ in the Modern World Volume 1
Knowledge Shall Be Increased Volume 2 A Time of Trouble Volume 3 Shine as the Brightness Volume 4 To Scatter the Power of the Holy People The Three Ply Cord Volume 1 I Gave My Heart Volume 2 Those That Seek Me Volume 3 Set Me as a Seal
The Ideality of the Literary Object Part 1: The Recto Part 2: The Verso The Crisis: There Was a Time Incomprehensible and Irreconcilable Responsibility and Restitution
Introibo ad altare Dei _______________________________________ A Portrait of the Reformer at the Time of Arrival Parts 1 and 2 Abysses Parts 1 and 2 Doublearners Even Hero Exists A Drama
Letters Poems Penance Each The Chamber Muses The Way Kings Realized Work in Progress
----------------------------------------------------Salted With Fire -----------------------------------------------------
A Record of the Discovery of the Papal Antichrist
Volume 1
Michael Bolerjack
----------------------------------------------------Salted With Fire -----------------------------------------------------
A Record of the Discovery of the Papal Antichrist
Volume 2
Michael Bolerjack