The Two Siblings

Page 1

Michael Goodman

The Two Siblings

for alto saxophone and euphonium

(2012)


© 2012 Unanimous Productions (ASCAP)

Contact Information

Michael Goodman 2300 Oakdale Rd #17 Modesto, CA 95355 Cell #: (517) 256-3197 Email: michaelgoodman9@gmail.com michaelgoodmanmusic.com


Instrumentation E b Alto Saxophone Euphonium

Program Notes This duet for saxophone and euphonium characterizes a relationship among "The Two Siblings". In three movements, you will witness emotions that occur when siblings interact: happiness as if you are playing a game until one of you becomes jealous of your brother/sister which leads to an argument and ends in reconciliation. Highly recommended for siblings and best friends.

This score is transposed. Duration ca. 10 minutes



The Two Siblings

Transposed Score

I. Excitement

Excited  = 85

Alto Sax.

Euphonium

6

11



        

  Œ   

‰   

      

      

      

rit.

  

3

 

  ‰ Œ 

 

 

‰    

17 a tempo

       

Ó

 

    

13

 





 

Ó

Œ

  

     ‰    ‰    ‰    ‰  21

Œ Ó Ó Œ ‰            ‰  ‰  ‰   ‰ ‰    ‰           

19



     

      

3

3

 

15

   

3

 

3

3

Œ

Œ  

3

   Œ     

 Œ   

 22 Œ       3 2  2 

Michael Goodman





 

    

   

      ‰    ‰      ‰  ‰   

© 2012 Unanimous Productions (ASCAP). All rights reserved.


2 23

 

         



    ‰  ‰    ‰      

27

           ‰   ‰  ‰  ‰  ‰         ‰  ‰  ‰  ‰  ‰  

 

39

 

Œ

30

  

           



 ‰ 

34



 ‰  

         ‰   ‰   ‰   ‰   Œ        ‰   Œ Œ

        ‰  ‰  ‰ 

    

 ‰                        ‰    ‰   ‰  

31

 

22

𝆜𝆜𝆜𝆜𝆜𝆜𝆜𝆜𝆜𝆜𝆜𝆜𝆜𝆜𝆜𝆜𝆜𝆜𝆜𝆜𝆜𝆜𝆜𝆜𝆜𝆜𝆜𝆜𝆜𝆜𝆜𝆜𝆜𝆜𝆜𝆜𝆜𝆜𝆜𝆜𝆜𝆜𝆜𝆜𝆜𝆜𝆜𝆜𝆜𝆜𝆜𝆜  

    

 

  

     3 ‰ ‰       4     22    ‰    ‰        

   ‰     ‰     

35

43



        ‰ ‰   

  

   

 

         ‰ ‰    



 

          3 ‰   22 4         3 2     4 2


3

 22

43

2 2

47

  

   ‰   ‰   

   

51

 Ó 

      ‰ ‰   

 

       ∑ ‰ ‰           Œ   57

Ó Ó

   

   ‰ Œ Ó      ‰    ‰   ‰ Œ Ó    

    

52             Œ                       ∑ ‰ ‰ ‰ ‰ ‰   ‰        

    ‰ Œ    ‰ Œ    

    

     ‰   ‰ 

55

59

             ‰ ‰ ‰  ‰                   45

Ó

      ‰ ‰  

   

      ‰ ‰ 

 

   

     ‰   ‰    

 

           ‰  ‰  ‰  ‰  

 


4 63

 

68





 



  

   

    ‰ ‰      ‰ ‰  

65

     ‰  ‰ 

 Œ





(cresc.)



78



 Œ   (cresc.)

83

  

 



  3 Œ       

   





   

     

3

     3      

3

3

 

3

3



Œ

    3



3                   

cresc.

3

3

 cresc.

76

(cresc.)

3

cresc.

 

Ó

 

3





    Œ 

a tempo

Œ    3

Ó

  

71

(cresc.)

73

cresc.

 

(cresc.)

    ‰      ‰   

               ‰  ‰  ‰  ‰  ‰   ‰ ‰  cresc.                 ‰  ‰  ‰  ‰  ‰   ‰ ‰ 

      

 

                 3 3        3

3

3

  3


5 * 87 a tempo            86    ‰   3 3 3          ‰     

90

 

  

94

 

           ‰  ‰  ‰  ‰  ‰  ‰ 

 

  ‰  Œ  

accel.                  ‰  ‰ ‰  ‰  ‰                    ‰ ‰  ‰           

  

  Œ

     Œ

Ó Ó

  

‰ Œ

Ó

‰ Œ

Ó

* no break; hold the note into the downbeat of the next measure.

Œ

 

    ‰  ‰ 

       ‰  ‰       ‰     ‰       


6

II. Rivalry Lyrical  = 80

 44

4 Œ   4   *



43

44

3  4 

  4  4 

∑ 

‰    

∑  

 

7

3 4

 

12

 



3 4 

  

4   4   

  

4 4







∑     

 

 

 43

 



         

44



 

 



    

 



Œ



* multiphonics; play the bottom note, sing the upper notes.



 

 

 

3 4 43

     



21 Like "Excitement" but slower  = 80

2 Œ     2  3 , 2  2  

 



    

19

  

 

                  

  

           44  43 

 

16

 

‰   

Œ Œ

Œ Œ

11

 Œ    3

cresc.


7

 Œ  

23

 

         

‰ Œ  

3

(cresc.)

  

raw

27

 



3

 32

31

34

 



   

Œ

3





Freely

4 ‰ 4  

3

    Œ   

, ‰ 

3

    ,

3

          ∑

3

  

3

 

 ∑

 

 

  ‰ Œ

Ó

‰     



         3 3  ∑

            22



45 45

3

3

     Œ 

44

 

  

  



30 Freely

3

3

38

   



   

   

 

44    4 4

3

  

26 Mysterious  = 80

rit.

 æ   æ 

,     3    4     



32

     

32

Œ

3

37 Tempo II 3

Œ 

    

 3 4  æ  43 @ ‰

‰ Œ

4 4

44

   

4    4   


8 accel.

 44  

49

,          ,    

  Œ ‰        

Delicate  = 80

  22  ‰ Œ Ó   2   Œ Ó 2 

59

∑ 

2 4

 24

65

  ‰ Œ Ó



Œ

 Ó

71 Light, slowly  = 60

 



  ‰   ‰      ‰  ‰   

75

‰ Œ Ó  Œ 

Ó

        2 ‰    ‰ ‰  3    2    8       22 Œ ‰  Ó 38   ‰ ‰    

      Œ ‰ ‰  ‰ Œ                 ∑

70

*                        

54



* smear into the highest pitch possible. ** slap tongue.

 ‰  

 

Ó

    ‰ 

   ‰ 

     



22

 

22





    Ó Œ ‰   ‰  ‰   ‰ Œ 42   2 ‰ Œ Ó Ó  Œ 4  

  ‰  

   

 

 2 Œ  ‰ Œ 2         22 ‰    a tempo      Œ ‰  ‰    Ó 

**

 

 ‰         Œ   ‰      æ  æ      Œ  ‰ Ó Œ ‰    Œ

78 Delicate  = 80

∑   ‰ ‰       


9

      Œ    ‰   Ó 3      ‰    ‰   ‰          accel.

79

             

82

3

‰

85

 

3

3

3

   ‰    ‰   ‰

   

 

   ‰     ‰       e= e

 68

88

     

   6     8   e= e

 



  ‰ 

 



           

    ‰           3    ‰  ‰  ‰  ‰

 

 ‰    ‰ ‰   

 

       

 

   ‰    ‰ ‰     

   ‰     ‰     



 6  8



  ‰ ‰  68        

            6  2   2   ‰     ‰   8       2      6 ‰  22 4  8     90

24

   2  4

6 8 

2 4 

       

3

83 Fast, but not insane  = 95

 6      8

92

     

94

2   2   ‰  22   ‰     ‰     

3 4  3 4 

 

2 2

   22  


10

                   43 ‰  ‰   22   ‰    ‰       2     ‰ ‰   ‰  43    2              

96

3 2

100



Ó

2 2  22

 

     3  4            ‰ ‰  ‰  3  ‰    ‰   4     110

22

 Œ Œ   3 114

 





109

 2   2    22      ‰    ‰   ‰    

Ó

           3 3  

 32 Ó

103

101 a tempo

rall.

  

2 Ó 2





 

Œ

      ‰ 32  2 2

Œ

 2   2    3

 

3

Œ Œ

  Œ Œ

  Œ Œ     Œ Œ 3

3

Œ

Œ

cresc.

 

 

      Œ   Œ   Œ   Œ   Œ   Œ     3 3 3 3 3 3



‰          *      3 3  * gradually play as low as possible. ** gradually play as high as possible.

 

** 

 

  

3



 

∑ ∑

 

Œ

Œ

Ó Ó

 

 



cresc.



32

106 a tempo

3 4    Œ  43




11

III. War and Peace Very Alert  = 70

 22



o **

 2 Œ     ‰ Œ 2   7

*** 

 æ

 æ

∑  æ



(cresc.)

 ≈≈≈≈    



o

 Œ  ‰  ‰  ‰  ‰  ≈≈≈≈     

∑ 10

   

 

 

23

  

*   

∑ 

   

* 

  ‰ Œ 

28          ‰    

27

*

 ** from nothing *** growl

  *  *   *         ‰ Œ Ó ∑  

* *       

  

Ó

                  *

 ∑

   

   

*

20

Í

17

cresc.

* *    

‰ 

  ‰ Œ Ó   *

‰ 

   

*  

‰ Œ

*

    Œ É 

 

Ó

      Ó

* quarter-tone E b (C) fingering


12 33

30

*

‰

*

‰ Œ

Œ

loco



Ó

     *       

38

    



 

  3

3 2

48

  

44

 

 

   

3  2

           ‰         ‰                        

34

 

  *  *                Œ ‰              

       *

 

*

*

*

                3 3 

42

3 4 

 

2  2

         3 2  2   4  Í

cresc.

cresc.

    32     ‰     ‰    

       ‰ Œ        ‰        

 



‰   

 e= e

  

 

  6  ‰ ‰ Œ ∑ 8              68                       

49

3 2


13 53

51

                     56

 

  





      Œ

   



  

                                        

66

                 ‰ ‰ Œ   

70

            ∑

   

     

              

  

 

         

    

                 

               



   ‰ ‰ Œ          

 

   



         

 ‰                                       

  



63

61



                              

         

       



 

            

 


14

         

74

79

            

 



       

  

84

 

 

              

loco

              

                                        

    



                                 

 



raw smear

 22

91

2 2



 

  

44

Ó ,

  

 

 

 

93 With Sorrow  = 70

97

                                          

 

* lowest note possible.

4 4

∑ *

 

        

    



    





 

    





 

2 2 22

54 Œ Œ     , 5 4    



    

44  4 4

 

rall.

3  4



  

103 Freely

 Œ 44 ‰     43 

stagger breathe opt. 3 Œ    43    44  4    


15

 3 5 3                        4 4 2  3 5 3 4  4  2  

rit.

3

104

   

4   4         44     

108

 

3 4 

   

43 

    

118

 ,  4       4  , 4     4 



123



  

 34   ,    , 3  4  



44

    4 4

 

107 Tempo II

  45  

    

  

 43

  44 



   



3

3

3

3

  

44

   

          4 4

3  4

44

           

 

                



5 4 

 Œ Ó

‰   

115

113





   



o o


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