Michael Grey's Book 5 of Highland Bagpipe Music: Music for Everyone by Dunaber Music

Music for Everyone THE FIFTH COLLECTION OF TUNES FOR THE HIGHLAND BAGPIPE COMPILED BY

MICHAEL GREY

iii

PREFACE Ten years after the publication of my last book of music I’ve finally managed to pull together a few tunes—some my own and some, this time around, from the minds of others. I think you will find this collection of tunes particularly diverse in form and approach. Thanks in large part to the generosity of my fellow composers you’ll find this collection offering up a broad variety of music: there’s hardly a Highland bagpipe tune style overlooked. My sincere thanks to all the composers who allowed for the inclusion of their music; special thanks to Gavin Stoddart: he kindly allowed a number of his father’s tunes to be published. It’s safe to say: we’re all glad of that. Thanks, too, to Iain MacDonald (the one from Saskatchewan) for his eagle eye edits. My biggest debt of gratitude and especially huge thanks to Graham Schmidt: from where I sit today he is surely the world’s most enthusiastic and talented typesetting graphic-designing piper - a name to watch. I hope you enjoy the music. Michael Grey Dundas, Ontario, Canada October 2006

CONTENTS MARCHES Coppermill . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1 Dr. William Speirs Bruce . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9 James Burnet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3 Jennifer Ferrie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6 John Beckwith of Toronto . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 Louise and Norman’s Wedding . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8 Lt. Col. Gerald Carline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10 Major Donald W Scott MBE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7 Miss Grace Cameron . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5 Mrs. Fiona MacLaren . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11 Ragged Cutoff . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12 Return of the Stone, The . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13 Valley Train, The . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6 Young Laird of Brunstane, The . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4

STRATHSPEYS 91st at the Modder River, The . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14 Beaver Street Studio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18 Caroline George (Hatley) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15 Diane Grey . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15 Linda Bradley . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16 Major Brian A S Leishman MBE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18 Miss Senga Auldhouse . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16 Railburn . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17

AIRS Annabel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20 Air for Eileen George . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20 Carloway . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19 Eastern Townships, The . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22 Leaving Ailsa Craig . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21 Like a Hawk . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21 Mull of the Great High Bens . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19 My Hero (Mo Ghile Mear) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23 Scots Wha Hae . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24

JIGS Ann Ierland . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26 Between Hope and Union . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27 Bottler, The . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .37 Catrin Williams’ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28 Foxhunter’s, The . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .37 Golden Jubilee of HM Queen Elizabeth II, The . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34 Iain F. MacLaren FRCS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29 Iain MacInnes’ Jig . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30 Jigs for Jimmy Hutton . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32

v Oban Shouts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31 Owen Pallet’s Lost Djembe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36 Shambolica Jig . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .25 Treacherous Laugh . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36 Well Away . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .35

REELS Argyle Street Taxi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .38 Bouncing Back . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .39 Dr. Alasdair MacKenzie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .38 Fascadale (Fasgadhdail) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .41 Fleshmarket Close . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .43 Gerrard Street Hey Ride . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40 Kismet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46 Old Silver Tongue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .47 Pipe Major Colin MacLellan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49 Sir Brian Vallely of Armagh . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .44 Sorry I’m Late . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50 Two Bars Over the Half Score for Nan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .48 Yellowknife Thea . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .42

HORNPIPES A Cup of Coffee . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .51 Anne Spalding Hornpipe, The . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .54 Beverley’s Wedding . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52 Clyde Built . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53 Doubled Over Happy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .55 Ever-Shrinking Kilt, The . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .63 Holmsen Hornpipe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .57 Maple Leaf Lounge . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50 Morag MacDonald . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .58 Old Man in a Hat (Driving) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .59 Sergeant Malkie Bow’s Consternation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .60 Sliding into Colintraive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .62 Vaporetto . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .56 Tam O’Shanter Suite . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .64

Coppermill

March

MARCH

M. Grey

Michael Grey

- (^ ,U V /6 0] 3 P JO X )U 6 )S W /3 Q )M ? 2 XC )R (^ ,U V /6 0] 3 P JO X )S W /3 Q )M ? 2 XC B_ )S W ^G ,8 P )Y 40\ W JO )S W ^8 6 )S W /3 Q )M ? 2 XC ) S W ^G ,8 P )Y 4 0\ W JO X )S W /3 Q )M ? 2 XC B_ ( )S K )B 1 )B J ^80_ Q JO ^5 &U 6 XA )2 > )M ? 2 XC R ( )S K )B 1 )B J ^8 0_ Q JO X )S W /3 Q )M ? 2 XC B_ )S W ^80^ )0_ 7 /Q V /6 0] 3 Q JO X [U 6 ^8 ]0^ M ? 2 XC ) S W ^8 0^ )0_ 7 /Q V /6 0] 3 Q JO X )S W /3 Q )M ? 2 XC B_

Nothing to do with copper or a mill. â&#x20AC;&#x153;Coppermill Driveâ&#x20AC;? is the street of my parentsâ&#x20AC;&#x2122; home, and the house where I was brought up in sunny Rexdale in the northwest corner of Toronto. Parts one and two first published in Bill Livingstoneâ&#x20AC;&#x2122;s collection.

John Beckwith of Toronto MARCH

Michael Grey

- ) M ? ` > ZM ) ?J ^80_ W /6 Z ) Q J XA ) ?J / 6 W ) P K XC B ) M ? ` > ZM ) ? J ^80_ W /6 Z ) Q J XA ) ?J / 6 W ) P K XC ) R $ /6 0` 4/V / 6 W ) P K XA ) ? 1 ) ) ?J /6 Z /40\ 6 W ) P K XC B ) S W ) M ? /6 0` 4 /V /6 W ) P K XA ) ? 1 ) ) ?J /6 Z /40\ 6 W ) P K XC ) R $ ) ) ? 1 ) A N ) ? 1 ) B ) B J ^8 ]0^ = A ) ?J / 6 W ) P K XC ) R $

tion following the premiere of John Beckwith and Michael Grey at the recep 2003. Johnâ&#x20AC;&#x2122;s composition, A New Pibroch, March

James Burnet

March

MARCH

Pipe Major George Stoddart BEM P/M George Stoddart, BEM

- ) T )EP YI )B 1 \Y T )W0\ A[ )S E ) H)EP ) Y T )E 1 YI @ !C [R ) T )E P YI )B 1 \Y T )W0\ A[ )S E ) H)EP ) Y T )E > YI B_ )Z 3 0_ 40_ W[U )H 1 \Y T )W0\ A[ )S E ) H)EP ) Y T )E 1 YI @!C ) Z3 0_ 4 0_ W [U )H 1 \Y T )W0\ A[ )S E ) H)EP ) Y T )E > YI B_ [ ) T )E P YI )B 1 \Y T )W0\ A[ )S E ) H)EP ) Y T )E > YI B_ YG ? ) H)EP [ S EP \Y T )W0\ A Y T )EP ) H)EP ) Y T )E 1 YI @!CYG ? ) H )E P [S E P \Y T )W0\ A[ )S E ) H)EP ) Y T )E > YI B_ )Z 3 0_ T )EP \Y T )EP \Y T )W0\ A[ )S E 0_ T )EP )Y T )E 1 YI @!C ) Z3 0_ T )E P \Y T )E P \Y T )W0\ A[ )S E ) H)EP ) Y T )E > YI B_ Y G ? ) H )EP [S EP \Y T )W0\ A[ )S E ) H)EP ) Y T )E > YI B^

George Stoddart always enjoyed a close relationship with the Royal Scottish Pipers Society. James Burnet, a former Headmaster of Edinburgh Academy junior school, took a personal interest in the promotion of piping amongst young people. He was Pipe Major of the Society when he inspired the composition of this tune. -GS

The Young Laird of Brunstane

March

MARCH

M. Grey

Michael Grey

- [ ) ! YI)B 1 ]0_ T W)J [ U D )C!A E)B D X> E )Y T )EP \ []0^ ! YI )B 1 ]0_ T W )J [U D )A H )Q V 0_ T )E > YI B_ J )S W )1 E)TV [P W 0_ T )EV [ U D )Z0\ )0\ W )S W [P W !Y T )E 1 ,C D )S W )1 E )T V [P W 0_ T )E V [U D )A H )Q V 0_ T )E > YI B_ ]5 >I )B 1 ) ! ? YG B )E > % D JO )H > )C !A E )Y T )EP \[ > YI )B 1 ) ! ? YG B )E > % D )A H )Q V 0_ T )E > YI B_ 0_ T )EP $ S W )1 E 0_ EP ) W [P E )Z0\ )0\ W )S W [P W !Y T)E 1 ,C P 0_ T )E P $S W )1 E 0_ T )E V [U D )A H )Q V 0_ T )E > YI B_ $S W )1 E )T V [P W 0_ T )E V [U D )A H )Q V 0_ T )E > YI B_ For the one and only Donald McBride

Miss Grace Cameron MARCH

Rob Menzies

- ) ? YI E [S )EP JM T )W0\ @ U)Y 4 0a ,0_ W[S K )D K )H P $P E XC ) ? YI E [S )E P JM T )W0\ @ U)Y 4 0a ,0_ W[S H )?P YI B_ )Y 4 ]0a M W[S E )1 ? )HP 0\ W [U)S K )I!G K [S K )D K )H P $P E XC )Y 4 ]0a M W [S E )1 ? )HP 0\ W [U) ? )HP )J W [S H )?P YI B_ )S K YG ? )1 E[S 2 )J Q )Y )KV [ U)Y 4 0a ,0_ W[S K )D Q )Y T )E 1 ,C )S K YG ? )1 E [S 2 )J Q )Y )KV [ U)Y 4 0a ,0_ W[S H )?P YI B_ )Y 4 0_ K J W)S E %D ? ) E0\ W [U)S K )I!G K [S K )D Q )Y T )E 1 , C ) Y 4 ) ? 0_ K J W )S E %D ? )HP 0\ W [U) ? )HP )J W [S H )?P YI B_ Written for the granddaughter of a paramedic colleague and a friend of mine, Dan Cameron. Prior to his retirement he was a good mentor for a great many paramedics in the British Columbia Ambulance Service, including myself. As far as the tune goes, I have always been a fan of the old style 2/4 marches and wanted to have a go at writing one myself. -RM

Rob Menzies and Miss Grace Cameron

Jennifer Ferie

March

MARCH

Bruce Gandy Bruce Gandy

/ ) D [ $U 0^ A[ R YI > %^ )I J [ 6 0^ @U D ) )U V ]4 A[ P YI X [U D X: [U D XC B > ,I X [ I YI R ) > % X )[ R YI > %^ )I J [ 6 0^ @U D ) ]0a V [ I )[ P YI @ ,: [U D XC B > ,I X [ I The Valley Train

The Valley Train

March

MARCH

M. Grey

Michael Grey

)S X X8 )A F %\ )S X X8 )A F %\ )A F %\

Major Donald W Scott MBE

Major Donald W. Scott MBE

March

MARCH

Major Gavin Stoddart MBE BEM Major Gavin Stoddart MBE BEM

3 _ ) ! )U V 5 0a V )R )O P X 8 /> 5 '[ P L )G R F ) 3 /R ) ! )U V 5 0a V )R )O P X 8 /> 5 '[ P L [U J F JV _ )O V )L ) 3 /R )Y 0^ X )O P X 8 /> 5 '[ P L )G R F ) 3 /R )O V )L ) 3 /R )Y 0^ X )O P X 8 /> 5 '[ P L [U J F JV

A great friend to the composer during their time together in The Royal Highland Fusiliers. Donald was a lively officer always ready to have fun and this small but bright march gives some indication as to his character. -GS

Roddy MacLeod, Gavin Stoddart, and Alasd air Gillies - Seattle, January 2005.

Louise and Normanâ&#x20AC;&#x2122;s Wedding March

Louise and Norman's Wedding March

MARCH

Major Gavin Stoddart MBE BEM Major Gavin Stoddart MBE BEM

3 _ ) ! /8 V R ] 4 A ) J X 0a 3 /X [ $ _ ) ! /8 V R ] 4 A 5 J X /8 V ) R J V 0 V 0 W ) G L [ , /8 V R ] 4 A ) J X 0a 3 /X [ $U ) D L [ , /8 V R ] 4 A 5 J X /8 V ) R J V 0 W $ 5 ! /8 V R ] 4 A 5 J X /8 V ) R J V 0 V

Composed to celebrate the wedding of Louise Dempsey and Norman Phipps on Saturday 11th September 2004; Louise was a friend and neighbour to the composerâ&#x20AC;&#x2122;s stepmother, Margaret Stoddart. -GS

Major Gavin Stoddart MBE BEM - The Lone Piper, Edinburgh Tattoo.

Dr. William Speirs Bruce MARCH

Iain MacInnes

3 J ZO D @ ,: J ZO D @ )V [U D % B D % [U D % B^ J ZO D @ ,: J ZO D @ )O V 0^ G F )U 1 F )[ 1 ,@ ): J ZO D @ )V 5 ?O D @ )O V 0^ >I > % B D % [U D % B^ J ZO D @ )V 5 ?O D @ )O V 0^ G F )U 1 F )[ 1 ,@ ): J ZO D @ ,: W YI > B^ J ZO D @ )U J F )U V !X \[ P L ZO D @ ,C D L YI > B D % )O D @ )U 1 F )[ 1 ,@ ): J ZO D @ )V 5 ?O > F )O 1 0^ >I > % B D % [U D % B^ J ZO D @ )V 5 ?O > F )O 1 0^ G F )U 1 F )[ 1 ,@ ): )O D @ )U J F )[ P L ) ]5 )0a 1 F )U 1 F )[ 1 ,@ ): The tune was written for the Royal Scottish Geographical Society to commemorate the centenary of the 1902 â&#x20AC;&#x2DC;Scotiaâ&#x20AC;&#x2122; expedition to the Antarctic. This was an entirely Scottish-financed expedition, led by the Edinburgh-based scientist Dr. William Speirs Bruce. -IM

Iain MacInnes recording at Ca Va Sound Glasgow, January 2003.

Lt. Col. Gerald Carline

March

MARCH

Iain MacDonald Iain MacDonald

3 )^ !_ [U D )[ J 0^ @U D ) ]4 )I > % X: )^ !_ [U D )[ 0\ )0^ @U D )O V )L )I P )F )A L F %^ ]4 [U D )O > X [U D )V ) W )I > % X: ]4 [U D )O V !X [U D )O V )L )I P )F )A L F %^ )^ !_ [U )D R )Y 0^ )0^ @U D R )[ 0\ )0^ )0a P $R )I > % X: )^ !_ [U )D R ) 5 @U D )O V )L )I P )F )A L F %^ ]4 )Y 0^ )0^ [ J 0^ @U D )[ 0\ )0^ U 0\ )0^ I > % X: ]4 )Y 0^ )0^ [ J 0^ @U D )O V )L )I P )F )A L F %^ I composed the tune to honour band friend Gerry Carline at the time he was sworn-in as Lieutenant Colonel of the Saskatchewan Dragoons. -IM

Iain MacDonald with son Ruaridh and daughter Eilidh.

Mrs. Fiona MacLaren

March

MARCH

Pipe Major George Stoddart BEM P/M George Stoddart, BEM

3 )I !_ ) > ,F )G R 0^ @ J 0a P $R )U 1 F )O D %F X: )I !_ ) > ,F )G R 0^ @ J 0a P $R O @ )^ B^ W )I P $R )O V !X )U 0\ #0^ @ J 0a P $R )U 1 F )O D %F X: W )I P $R )O V !X )U 0\ #0^ @ J 0a P $R O @ )^ B^ ) > ,F YI > F )G F [ J 0a P $R )U 1 F )O D %F X: ) > ,F YI > F )G F [ J 0a P $R O @ )^ B^ )[ 0\ #0^ O V !X )U 0\ #0^ @ J 0a P $R )U 1 F )O D %F X: )[ 0\ #0^ O V !X )U 0\ #0^ @ J 0a P $R O @ )^ B ^ ^

Pipe Major George Stoddart, 1956.

Ragged Cutoff

March

MARCH

M. Grey

Michael Grey

3 ) > ^G / $U J @ )O > ,: _ ) 1 1 % )C J R ) > ^G / $U 0\ )0^ 8 P L [ 5 "G / )C J R $ /8 P )X /8 V )R ) _ )C J R /8 P 0^ )0a 3 /R /8 P 0^ 8 P )L /8 P )X /8 V )R ) _ )C J R /8 P 0^ )0a 3 /R )C J R $ ) _ )C J R )O > ,: )C J @ C J @ 8 P ) ,: ) _ )C J R )O > ,: )C J @ 8 P ) @ C J R $ ^G /U V ! X [ 3 /X /8 V )R ]4 /8 P 0^ )0a 3 /R )C J R ^G /U V ! X [ 3 /X /8 V )R )C J @ 8 P ) @ C J R $ A stock score sheet line in the lingo of the pipe band adjudicator quick to note one of the most obvious failings of a competing pipe band. Iâ&#x20AC;&#x2122;ve both written and received score sheets many times with RCO. The phrase, usually referring to drones heard past the end of the performance, seems more suited to the work of a doctor or carpenter. Regardless, the words have always made me laugh.

The Return of the Stone

The Return of The Stone

March

MARCH

Major Gavin Stoddart MBE BEM Major Gavin Stoddart MBE BEM

3 Y )R JV ^ )A L @ %^ )W -_ ) > L [ $U V )R JV ^ )A O @ %^ )W -_ ) V )R JV 0W ^H ]4 A 0a V L )^ )W -_ ) > L [ $ ^H ]4 A 0a V L )^ )W -_ ) V )R JV 0W $U V )R JV ^ )A L @ %^ )W -_ ) V )R JV 0W Y )R JV 0V )W -_ ) 1 )W -_ ) 3 /X [ $U V )R JV 0V )W -_ ) 1 )W -_ ) V )R JV 0W ^H 5 6_ ) 6_ 5 6_ )O P X )W -_ ) 3 /X [ $ ^H 5 6_ ) 6_ 5 6_ )O P X )W -_ ) V )R JV 0W $U V )R JV 0V )W -_ ) 1 )W -_ ) V )R JV 0V

Composed to mark the return of the Stone of Destiny to Scotland after centuries in England. The tune was first played by the composer on 15th November 1996 as the Stone crossed the Bridge at Coldstream from England to Scotland. -GS

The 91st at Modder River

93rd at Modder River

Strathspey

STRATHSPEY

Trad. Arr. Sean Somers Trad. arr. Sean Somers

D .:YG ) :!C D \[ P)[5 0^ A[ PYI > (^YI >)^! D [U D ]0a P \[ P YG .:YG ):!C D \[ P)[5 0^ A[ PYI > (^YG ) IR0 ^ A[ P YG [ U D ):!C D \ ![ P )IR0 ^ A[ P ]0a V [U D \[ P YI > (^[U 1 )IRX [U D ) D[U D\[ PYG \ ![ P)IR0 ^ A[ P \[ P)[5 0^ A[ PYI > (^YG ) IR0 ^ A[ P YG [ U D ):!C D ):!C D\[ PYG \[ P)[5 0^ A[ PYI > (^YG )IR YG [U D ]0a P \[ P YG ):!C D\[ P YG \[ P)[5 0^ A[ PYI > (^YG ) IR0 ^ A[ P YG [ U D ):!C D )[50 ^ A[ P ]4,0a 3 ]0a V [U D \[ P YI > (^[U 1 )IRX [U D ) D[U D\[ PYG .:YG ):!C D \[ P)[5 0^ A[ PYI > (^YG ) IR0 ^ A[ P YG [U D):!:

Diane Grey

Strathspey

STRATHSPEY

M. Grey

Michael Grey

D )^! > YGR \ ) R $ U 1 YG @ % C P (^)G>% YGR \ ]0a 1 )A F X A B P )^ ! > YG R \ ) R ] 0a 1 YG @ % C P (^)G>% YGR \ ]0a 1 )A F X A B ^ )G,R \ [ P )SX ] 4 )0a V [U 0\ A[ 0\ >GR )G,R \ [ P )SX ] 4 )0a 1 )A F X A B 0\ G ,R \[ P)SX ]4 )0a V [U 0\ A[ 0\ >GR )YPF]0a 1 )IR0 ^ YPF ]0a 1 )A F X A B ^

My sister-in-law said, â&#x20AC;&#x153;Everyone else has a tune; when am I going to get one!?â&#x20AC;? I hope this one suits (Note: â&#x20AC;&#x153;everyone elseâ&#x20AC;? does not have a tune).

Caroline George (Hatley)

Strathspey

STRATHSPEY

M. Grey

Michael Grey

D (^[U J )SX ^ G /8 P )MR . C 1 )A (^ [U J )S X ^G /8 P )MR 6 / ) ( 0^ )46 /R ^G 0\ 6/R ] 0a P )MR ( 0^ )4 6 /R ^G /8 P )MR 6 / ) ( 0^ )46 /R ^G 0\ 6/R ] 0a P )MR ( 0\ 6/R ) P )AL )S5 / AL 6 / ) My cousin, the well-known artist and resident of the village of Hatley, Quebec; Caroline painted the cover to my recording, â&#x20AC;&#x153;Cuts from Traditional Cloth.â&#x20AC;?

Linda Bradley

Strathspey

STRATHSPEY

M. Grey

Michael Grey

D ,IYI >)GR YI ]48 0\ A[ D)SX ,I 1XC 1)GR YI ]0a V[U DXC ) @ ,IYI >)GR YI ]48 0\ A[ D)SX ]0a V[U V\YR YI XC ) )A F \ ]460^ A[ 0\ AYR ]4,4A[ D)SX ]0a 1 G0^ A[ 0\ AYR ]0a V[U DXC ) @ ]460^ A[ 0\ AYR )^! V) X N ]0a V[U V\YR YI XC ) )A F \ Miss Senga Auldhouse

Miss Senga Auldhouse

Strathspey

STRATHSPEY

M. Grey

Michael Grey

D ) 1 _ @ / 8 V [ /60^ ) 0a V [U J )SX ) 1 _ @ 6 /R \ ^8 P\[ JXC ) @ ) 1_ @ /8 V[ /60^ )0a V[U J)SX ^8 PY )L [U J)A ,C 1)AL M [ ^G , 6 /R \ /60^ )0a V /60^ 6 /R ^G , 6 /R ,: ^8 P \[ J XC ) @ ^G, 6 /R \ /60^ )0a V/8 0\ 6 /R ^8 PY )L [U J)A ,C 1)AL M [ Reliable, friendly and always ready to lend a hand, Senga was one of the best staffers Celtworks ever employed. Celtworks was a former business endeavour. -MWG

Railburn

The Railburn Affair

Strathspey

STRATHSPEY

M. Grey

Michael Grey

D YG @ , I >)^! > YG [ U D ]0a 1 )ULF XA5 JO >) 1 XA J O ^8 )UL@ YG @ ,I >)^! > YG [ U D ]0a 1 )ULF XA ^8 J[U 3#AR YG @ , I >)^! P ]0a 1 [U D ]0a 1 )ULF ]0a V[U D]0a 1YG0^ "8 V[U J^8 JXA C:)CFL /8XR )CFL ]0a 1 [U D ]0a 1 )ULF ]0a V[U D]0a 1YG0^ "8 V[U J^8 JXA YG @ , I >)^! P ) >YI >YG ( > YG GP) YGR Y G XA C :XA ) XA J O ^8 )UL@ ) > YI > YG ( > YG GP) YGR Y G XA ) CFL ^8 J XAR YG @ , I >)^! P ]4,0a P ^8 P ]0a 1 [U 0\ >GR ]0a 1)ULF ^G ,8 P JO > ^8 C:)CFL /8XR )CFL ]4,0a P^8 P]0a 1 [U 0\ >GR ]0a 1)ULF ^8 J )CFL /8XR )CFL YG @ , I > )^!^

Major Brian A S Leishman, MBE

Major Brian A S Leishman MBE Strathspey STRATHSPEY

Major Gavin Stoddart MBE BEM Major Gavin Stoddart MBE BEM

D )^! 3Y )L [ (^[U V^8 PM @ )^! 3Y )L [U V ^8 0\ 8 PZO 1)AL [ ]0a 3Y )L [ ,U V^G]0a 3Y )L [ ]0a 3Y )L [U V ^8 0\ "8 PZO 1)AL Major Brian Leishman, ex-Cameronian (Scottish Rifles) was business manager for the Edinburgh Military Tattoo for over twenty years. We became very good friends during my time as Director of Army Bagpipe Music with responsibilities for the massed pipes and drums. I had recently composed a small strathspey and was having difficulty in naming; it struck me that it would make a good tune for Brian. -GS

Beaver Street Studio STRATHSPEY

Sean Somers

) M U @ X A * : J O P ) [ P) S , R Y GR ] 0a P ) M U @ X A * :J O P ) [RL YG ) M U @ X : ) M U @ J O P) [RL YG ) M U @ X A J O P ) ]0a V ) U VZMF ^ ) [RL YG ) M U @ X :

Sean Somers, 2005

Mull of the Great High Bens

Gaelic Song

Arr. Donald McBride

SONG

Arr. Donald McBride

3 )_ JO D @ )^ B_ )[ P )X ]4 )U V )R JV ) ; XC 1 ) > % ) ^H ]4 [S L R )[ P L )A L @ %^ B^ ); JV )^ ; , [U )J X [U J @ ) ]5 @ W XC 1 ) > % ) ^H ]4 [S L R )[ P L )A L @ %^ B^ Carloway

Carloway

Slow Air AIR

Pipe Major George Stoddart BEM P/M George Stoddart, BEM

3 \ [ W ): W X; ^ ) _ ): W \ [ W ): W X; ^ ) _ ): W ]4 [ W ) _ X; ^ ) _ ): W ]4 [ W ) _ X; ^ ) _ ): W

\ 5 @ [ W 0V \ 5 @ [ W 0V

Originally a slow march called Palmerâ&#x20AC;&#x2122;s Cross, this tune was meant for an officer friend of the composer, but he preferred it to be called after his family estate. After hearing it wrongly played as The Battle of Palmerâ&#x20AC;&#x2122;s Cross the composer decided to alter the name. On a visit to Alex MacDonald in Carloway, Isle of Lewis, and wanting to compose something as a thank you to the people for their hospitality, he remembered Palmerâ&#x20AC;&#x2122;s Cross. He decided he had never got it rightâ&#x20AC;&#x201D;especially as it was mistaken for a battleâ&#x20AC;&#x201D;and reworked it as a slow waltz, put a lyric to it, and called it Carloway. -GS

Annabel Berthoff, 2006

Annabel Michael Grey

AIR

3 ) B J ) U J @ X: % _ ) > L [U ) V 5 ]0a 3 /X ) S L @ ) A ) ) > L ) U J @ X: % _ ) > L [U ) V 5 ]0a 3 /X ) S L @ ) ; $ ) B J ) U J @ 8 /3 X ) U J @ XC ) > L ) U J @ 8 /3 X 0a 3 /X [U ) > L ) U J @ 8 /3 X ) U J @ X: % _ )^ B _ ) A L @ ) ; $ My father, William (middle), his mother Margaret and sister Eileen, 1944.

Air for Eileen George AIR

Michael Grey

5 ) > , F )^ B ^ YI ) > F ) J % ^ B ^ [U D @ )^ B ^ ) $U ) D R \ $ ]0a V ) R YI ) ) [ 1 @ ) J % ^ B ^ YI ) > F )^ B ^ XC 1 @ ) J % ^ B ^ 0a V ) R YI ] 4 ) 0a V ) R \ $ 0a V ) R $ _ YI ) > , F ) J : X: ) > , F [ YI ]0a V ) R \ $ 0a V ) R $ _ YI ) S X R ) J % ^ B ^ GREY COLLECTION ÂŠ COPYRIGHT 2006 DUNABER MUSIC

Leaving Ailsa Craig AIR

- ) P $U J ) P $U J [U J [U 3 [U J [U 3

Michael Grey

XC 1 ) A L ) B1 ]0a S V ^8 Y ) J [ XC 1 ) A L [U J XC 1 ) @ X: ]0a 3 0_ 3 /R $U 3 ]0a 3 /S L X: ]0a 3 0_ 3 /R $U J XC 3 Y ) L [ Leaving Ailsa Craig, May 2004

Like a Hawk AIR

Michael Grey

) ): C R ) [ 5 R ) )O @ ,: ;

The Eastern Townships

Eastern Townships

Slow Air AIR

M. Grey

Michael Grey

3 ) > B ) >L [ ] 4 /8 V ) L S ) @ ) > , : ) U J R ) U V 5 ^ J V ; ) U J @ ^ G W ) O V R ) _ ) > B ) > L [ ] 4 /8 V ) L S ) @ )^ B _ ) U J R ) U V 5 ^ J V ; ) U J @ ^ G W ) W $ ) S X /8 V ) L[U 0\ 5 /[ J @ J O ) P X /8 V ) L S ) @ ) > , C ) P X ) A L ) U J @ ) : W ) O > ) ) > L ) U J @ 6 /X R ) O V R ) [ ) > L /8 V ) L [U 0\ 5 /[ J @ J O ) P X /8 V ) L S ) @ )^ B ^ ) U J @ ) : W ) O > ) ) > L ) U J @ 6 /X L ) W $ The view from the Grey cottage, Lake Massawippi, Eastern Townships, Quebec.

My Hero (Mo Ghile Mear) IRISH AIR

D B1 )^ : D B1 )^ : J V O F ): %^ ]4 0a X )V ! [ L 0a X )V O @ % ^ @ )V O @ % ^ @

) O R ) ^ G /[ R [ R ) O R ) ^ G /[ R [ R J V O R ) ^ G ] 2 )4 A [ L ^ G 8 0^ V )\ B ^ ) C X [ V % V O R ) 4 ) 4 0a X )^ B ^ )\ ) T % \ [ V % V ) U X ^ G /[ R [ R ^ G G / ]4 V O )V O )\ B ^ : ) : C 5 ]4 4 GREY COLLECTION Â© COPYRIGHT 2006 DUNABER MUSIC

Arr. Michael Grey

JV : %\ ^ G ) [ JV V ^E / [ V [ ^ G / )\ JV ): %\ ^ G / ) : V ^E

Scots Wha Hae

Arr. Michael Grey Arr. Michael Grey

AIR

D ) > ) ) > J V D ) U V ) S L ]0a 3 / ) [ 0\ @ U J ) M R \[ P ) V % > ) : ) O %1 ) [ !V ) Y R ) [ 3 ]0a V ) O J ) M % ) O P \[ J ]0a V [U J ) M R \[ P ) V % > ) : ) O %1

) C D ) A ) C D J O P ^8 0\ 6 /X /8 0\ A [ 1 ) M @ , C )^ B ^ ) [ 0\ "8 V [ $ ) U $P ) S L ) S X ^ G ) I > , G @ ) G L ) V ) M @ , C )^ B ^ ) [ 0\ "8 V [ $

Shambolica Jig

Jig

JIG

M. Grey

Michael Grey

5 )U % ) RL) $ )^ % R $R/8XL )U % ) RL) $ ) R )UXL)UL@ )U % ) R L ) $ ) @ L )U L @ ^G ) R R U )R $R [ W V _ )C ]4 U0^ )0^ U)R$R ) L L)O0^ )0^ 0^ )0^ )4 U0^ )0^ U)R$R ) R )UXL)UL@ ]4 U0^ )0^ U )R $R ) L L)O0^ )0^ 0^ )0^ 80^ )0^ G5 R0^ G / _ )C ) R )U0^ R) R ) WOR5/O@ ) ) @ %@)CLR (^5G /8RL ) R )U0^ R) R ) WOR5/O@ ) ) @ %@)CLR )V W )C

Recorded in 2001.

Ann Ierland

Jig

JIG

Donald McBride Donald McBride

3 ) ) C @ ) ) U L @ ) ) @ %@ ) C L L ) O R $R ) ) C @ ) R $R ) U L @ ) @ %@ ) C L L O ) L R )^ W 5 8 R ) L P 0a 5 /R @V H /U L @ ) O L L /8 R L P 0a 5 /R 0a ) 0_ ) 0\ ) 0^ ) 0a 5 /R ) O @ %@ ) O @ L O ) L R )^ ( ) @ %@ ) ) U ZO @ ) W @V ) O R $R ( ) C @ ) R $R [U L @ ) @ %@ ZO @ %@ O ) L R )^ 0a ) 0_ ) 0\ ) 0^ ) 0a R $R 0a ) 0_ ) 0\ ) 0^ ) 0a R $R ) @ %@ ) CL L ) SV5R ) O@ %@ ) R ) ( R ) U ) R $R 0a R $R ) @ %@ ) O @ L O ) L R )^ Composed by Donald for his mum, Ann, â&#x20AC;&#x153;daughter of the south Ayrshire coalfields near Dalmellington south of Ayr; married my father and became a pipe band widow, as well as raising four sons.â&#x20AC;? -DM

Donald McBride Edinburgh, January 2004

Between Hope and Union

Jig

JIG

M. Grey

Michael Grey

3 )C L R ) [ )R X )[ R X )C L R ) [ )R X )U L F )C L R ) [ )R X )[ R X ]4 H 8 X R U X !X )U L F )C X !X )[ R X )O R X )U L F )C X !X )[ R X 0a 5 X )U X !X )C X !X )[ R X )O R X )U L F )C L L )O R $R )U X !X )U L F ): _ ^ @ %@ )C L R ): ^ X !X )U L F )C % ) @ %@ )C L @ )O R $ R U X !X )[ R X ]5 ): ]4 4 : 5 4 G ): ]4 4 : 5 4 G )C X !X ) ! [ R L )U L F )C X !X ) ! [ 0^ 5 /[ R L )C X !X N N N N N N )[ R L )U L F ): _ X !X )U L F ): : : : GREY COLLECTION Â© COPYRIGHT 2006 DUNABER MUSIC

Catrin Williamsâ&#x20AC;&#x2122;

Catrin Williams'

Jig

JIG

Donald McBride Donald McBride

3 ) F R )O F ) F R 8 /X 5 0a 5 /R O F L )U F )O @ ) F R )O F ) F R 8 /X 5 0a 5 /R O F L U ) % ) 8 /5 "5 0a )0^ )0^ 8 R L )S 0^ 5 /U F )O @ ) )O R 5 /8 /5 "5 0a )0^ )0^ 8 R L )S 0^ 5 /U F )O @ U ) % ) ) ) @ %@ ) )U F )O @ ) ) @ %@ )O @ ) ) @ %@ ) )U F )O @ ) U ) % ) 8 /X 5 /[ 5 /R /8 0^ )0^ )0a 5 /R 0a 5 /R O F L )U F ) 8 /X 5 /[ 5 /R /8 0^ )0^ )0a 5 /R 0a 5 /R O F L U ) % ) U ) % ) U ) % ) ) ) ) ,^ GREY COLLECTION Â© COPYRIGHT 2006 DUNABER MUSIC

Iain F. MacLaren FRCS

Jig

JIG

Pipe Major George Stoddart BEM P/M George Stoddart, BEM

3 ) )I @ % ) F R \ )[ R F [U F )I @ %@ )C F @ ) )I @ % ) F R \ )[ R F [U F @ )I B^ ]4 )[ R F ) F R \ )[ R F [U F )I @ %@ )C F @ ]4 )[ R F ) F R \ )[ R F [U F @ )I B^ ) F R )U F )O R X [ )[ R F [U F )I @ %@ )C F @ ) F R )U F )O R X [ )[ R F [U F @ )I B^ 0a 5 0^ U )F R )[ L X [ )[ R F [U F )I @ %@ )C F @ 0a 5 0^ U )F R )[ L X [ )[ R F [U F @ )I B ^ ^ An eminent Edinburgh surgeon, Iain MacLaren comes from a family noted for its contribution to Gaelic culture and piping. Willie Ross composed the march Mrs. Pat MacLaren for Iainâ&#x20AC;&#x2122;s mother. George thought that Iainâ&#x20AC;&#x2122;s General Practitioner wife, Fiona (who has stepped graciously into her mother-in-lawâ&#x20AC;&#x2122;s shoes), warranted a tune of her own. Iain is a very enthusiastic country-dancerâ&#x20AC;&#x201D;so he got the jig. -GS

Iain MacInnesâ&#x20AC;&#x2122; Jig

Iain MacInnes' Jig

Jig

JIG

M. Grey

Michael Grey

3 ) L L )O F @ )I %F )C ) L L )O F @ )I )I L R )U X !X )[ R X 0a X !X )U L L )I L R )U X !X )U L F ) [ )X !X )C %@ X )C %@ X )[ !X R )U $R ) [ !X ) R $R )I L R [ )X !X )C %@ X )C %@ X )[ !X R )U $R ) [ !X )U L F ) )C @ @ )C )I @ % )I L R )C @ @ )C F @ )I )I L R )C @ @ )C )I @ % )I L R )C %@ X )[ !X R )U L F ) ]4 [ R $R ]4 [ R F ) R $R )U X !X )[ R $R )I R $R ]4 [ R $R ]4 [ R F ) R $R )U X !X )U L F ) 0a X !X )U X R ) ! )I @ % ) R $R )U X !X )U L F ) Iain is, of course, the maestro piper from Edinburghâ&#x20AC;&#x201D;known, too, for his work with the BBC.

Oban Shouts

Jig

JIG

M. Grey

Michael Grey

3 ) < ; ) C ) ) ) C L R [U L R ) [ R L ) U L @ ) < ; ) C ) ) ) C L R [U L 5 /8 R L [ /8 R 5 /8 R 5 /U L @ ) O @ ) < ; ) C L R ) O @ L ) U X 5 /8 R 5 /8 R 5 /U L @ ) O @ ) < ; ) C L R ) O @ L [ ) ) C L R O O U ) O U ) ) C L R ) ) C L R O O U ) O /8 R L [ [ U X 5 /8 0^ 5 /U 0^ 5 /U L @ ) U X 5 /8 0^ 5 /U L R ) U X 5 0a /8 0^ 5 /U 0^ 5 /U L @ ) < ; ) C L R ) O @ L [

The only shouting at Oban in 1983 was Michael giving his tunes to the famous Major General Frank Richardson, who was judging that year with Andrew MacNeill.

Jigs for Jimmy Hutton JIG

Michael Grey

3 ) ) @ L ) $ U L @ ) $ U L @ )C ) @ ) ) @ L ) $ U L @ ]4 H 8 R L )U L @ )^ %_ ) @ %@ )C L L )O R X )U L @ ) @ %@ )C L L )O R X [U L R ) @ %@ )C L L )O R X )U X 5 /[ 0^ )0^ 8 0^ X )O R L X: )[ 0^ )0^ )4 [ 0^ )0^ [ R L )[ 0^ )0^ O 0^ )0^ [ 0^ )0^ [ R L )[ 0^ )0^ )4 [ 0^ )0^ [ R L ) @ L )U L L )O R L X: 8 G / [ R L )U L @ 8 G / [ 0^ )0^ O R X 8 G / [ R L )U L @ ) @ L )U L L W @V X: ) R $R @ %@ )C L R ) R $R X !X /8 X R ) R $R @ %@ )C L R ) R $R )O R $R )U X !X /8 X R GREY COLLECTION Â© COPYRIGHT 2006 DUNABER MUSIC

Jigs for Jimmy Hutton

Jigs for Jimmy Hutton - page 2 (continued)

) C L R ) C L R ) H 8 X ) R ) C L R ) C L R ) H 8 X ) R ) [ 0^ ) 0^ )4 [ 0^ ) 0^ [ R L ) O X !X ) ) O X !X ] 4 ) [ 0^ ) 0^ )4 [ 0^ ) 0^ [ R L ) O X !X ) ) O X !X ] 4

Jig

) ! [ 0^ 5 ) ! [ 0^ 5 ) [ 0^ ) 0^ O 0^ ) 0^ ) O X !X ) C X !X ) @ L ) U L L )O R X ^G

Michael Grey

/[ 0^ ) 0^ 8 X R /[ 0^ 5 & [ 0^ ) 0^ [ R L ) O X !X ) O @ ) O R L X: ] 4 )

Composed for Jim, the great Scottish drummer and pipe band expert; he played for many years with Shotts & Dykehead and the vintage corps led by Alex Duthart.

The Golden Jubilee of HM Queen Elizabeth II

The Golden Jubilee of H.M. Queen ElizabethMajor II Gavin Stoddart MBE BEM JIG

Major Gavin Stoddart MBE BEM

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

Composed to commemorate the Queenâ&#x20AC;&#x2122;s fifty year reign. The tune was first played when Her Majesty attended a performance of the Edinburgh Military Tattoo in 2002 during her Jubilee tour. -GS

Well Away

Jig

JIG

M. Grey

Michael Grey

3 )I L R ) 5 )[ 5 /[ R $R )I L R )U $R )R $U L F )O F )I L R ) 5 )[ 5 /[ R $R )I L R )U $R L O F )^ [ _ )I L R 0a 5 0^ )0a X !X )U 0^ )0^ 8 0^ )0^ U L F )O F [ _ )I L R 0a 5 0^ )0a X !X )I L R )U $R L O F )^ )I F F )I @ ) % )I L R )I F F ) )U L F )O F )I F F )I @ ) % )I L R )I L R )U $R L O F )^ ]4 )[ 0^ )0^ U 0^ )0^ O 0^ )0^ I 0^ L 0a R 0^ [ 0^ R 0a L 0^ [ 0^ )0^ 8 0^ X 0a )0^ L 0a X 0^ I L R )U $R L O F )^ [ 0^ )0^ U 0^ )0^ O 0^ )I 0^ )0^ I L R )U $R L O F )^ â&#x20AC;&#x153;Well awayâ&#x20AC;? is another phrase from the language of the pipe band adjudicator. Used more in Scotland than elsewhere, the words, I believe, are meant to convey â&#x20AC;&#x153;good startâ&#x20AC;? to the competing band. To me, the beauty of this phrase is its completely nondescript ambivalence.

Owen Palletâ&#x20AC;&#x2122;s Lost Djembe

Owen Pallet's Lost Djembe

Jig

JIG

Michael Grey Michael Grey

3 )[ @ F )I L L [U L R )[ L @ )[ @ F O )L L )U L F X: _ )[ @ F V @W U )R $R ) X !X )[ 0^ )0^ [ 0^ R $U L F X: [ )X !X )[ R L [ )U L F )[ @ F V @W 0a X !X )U L F [ )X !X )[ R L [ )U L F )[ 0^ )0^ [ 0^ R $U L F X: )[ @ F )I L L ) R )U X !X )[ 0^ )0^ [ 0^ R $U L F X: Treacherous Laugh

Pokery

Jig

JIG

M. Grey

Michael Grey

3 ]4 )[ R )I R $R )U F 0a R X )[ R $R )U F ,: ]4 )[ R )I R $R )U F )I R $R )U F R )O @ ) )I )I L F )O R $R )U X 5 0a R X )[ )U F )C @ @ )I )I L F )O R $R )U X 5 0a R X )[ )O @ ) GREY COLLECTION Â© COPYRIGHT 2006 DUNABER MUSIC

The Foxhunterâ&#x20AC;&#x2122;s

The Foxhunter's

Jig

JIG

Arr. M. Grey

Arr. Michael Grey

)I F)I FJV; )I F)I FX:_ )I F)I FJV )UF ) @FX:_ )I0^ F )I0^ F JV ; )I0^ F )I0^ F X: _ )I0^ F )I0^ F JV )UF ) @FX:_ )C @)C @JV_ )C @)C @_^ )C @)C @JV )O@ ) @_^

)I0^ )0^ I0^ FV@W )I0^ )0^ I0^ F:M; )I0^ )0^ I0^ FV@W )UF ) @FX:_ The Bottler

The Bottler

Jig

JIG

M. Grey

Michael Grey

3 ) L L V @W )O R X [U L @ ) L L )O F L )U L F )O X !X ) L L V @W )O R X [U L @ ) L ) X 0a % V @W 0a X ) X !X /8 R ) R $R [ )X !X 8 /5 !5 0a )0^ )0^ [ R L 0a X ) X !X /8 R ) R $R [ )X !X ) 5 0a % V @W

The identity of this â&#x20AC;&#x153;bottlerâ&#x20AC;? is forever a secret. (â&#x20AC;&#x153;Bottlerâ&#x20AC;?: the guy who screws up under pressureâ&#x20AC;&#x201D;like, say, a big or littleâ&#x20AC;&#x201D;pipe band contest)

Argyle Street Taxi

Reel

REEL

M. Grey

Michael Grey

E )CX )X !X8 @5 /[0^ 5X)[ !X )LF )CX )X !X8 @5 /[R )R $R)UX )LF )CX )X !X8 @5 /[0^ 5X)[ !X )LF )CX )X !X8R )XL )U X )L R )I .: )CX0^ @)[5 /@X 8@ )X5/[R )R $R )CX0^ @)[5 /@X /[ R )R $R )U X )L F )C X0^ @ )[ 5 /@ X 8 @ )X 5 /[ R )R $R )C X0^ @ 8 R )X L )U X )L R )I .:

â&#x20AC;&#x153;A few pints, a pipe band's visit to an Indian restaurant, a ÂŁ5 wager and a taxi on Argyle Street in Glasgow are most of the makings behind the title. Recorded on Shambolica!â&#x20AC;? -MWG

Dr. Alasdair MacKenzie

Reel

REEL

Allan MacDonald Allan MacDonald

E )O (^)OR )X0^ )0a X )RX)O@M: )O (^)OR )X0^ )0a X )RX)VOR )[ 0^ L R )[ 0^ L R )[0^ R X )O @ M: )[0^ L R )[0^ L R )[0^ R X )V O R )[ 0^ .4 [ 0^ R X )O X !X R )O @ M: )O (^)OR )X0^ )0a X )R X )T GREY COLLECTION ÂŠ COPYRIGHT 2006 DUNABER MUSIC

Bouncing Back

Reel

REEL

Kyle Warren Kyle Warren

E )CO )[@)O[ )C %@ )C[ ![@/8[ )UX )I0a #0a F)O0a U0^ #0a O %OX)UO )I )C O )[ @ )O [ )C %@ )C [ ![ @ /8 [ )U X )I0a )0a F )O0a U0^ )0a )O F X8 )[0a #0a L)C0a [0^ #0a O )CX ![8 /[R )I0a #0a R$U0a I@ (^ J)UO )IR )[0a #0a L)C0a [0^ #0a O )CX ![8 /[R )I0a )0a F)O0a U0^ )0a )OF X 8 X :)C ) C O YI U )C L [ )[ ![ 5 /[ U )O @ YI 5 U0a #0a F JV )O X )U O )I ) CO YIU )CL [ )[ ![5/[U )O@ )I0a )0a F)O0a U0^ )0a )OF ) CU )O@ X : )OF )C[ ![@)[C )OX )C8 "8@/8C )U5 / U $UL)U IR )O %O )R$U )[L )C [ ![ @ )[ C )O X )C0a [ /5 8 C )[ L ) U $U L )U I R )O U )I ,: )O F )C[ ![@)[ ![ )CX )C8 "8@/8 "8 /C5 / U $U )U $U ) R ) O %OX)U )IL )C [ ![ @ )[ ![ )C X )C0a [ /5 8 C )[ L / U $U L )U I R )O U )I ,: GREY COLLECTION Â© COPYRIGHT 2006 DUNABER MUSIC

Gerrard Street Hey Ride

Reel

REEL

M. Grey

Michael Grey

. )I ) % )IR )R $R)UX]4 IR )RX]4[R)UX )X !X )[ !X )RX]4[R)IR )R $R )UX )X !X)IR )RX)I ) % )I ) % )IR )R $R)UX]4 IR )RX]4[R)UX )X !X )[ !X )R X ]4 [ R )I R )R $R )U X )X !X )[ !X )R X )I ) % )IR )RX]4[R)UX )X !X )IR )RX]4[R)I@ )@ %@ )IR )RX]4[R)UX )X !X )UX)X!X)IR)RX)I ) % )IR)RX]4[R)UX)X!X )UX)X!X0a X)X!X)I@)@%@ )I R )R X ]4 [ R )U X )X !X 0a X )R X ]4 [ 0^ I ) % Gerrard Street (pronounced, “jer-ard”, not “jare-id”) in Toronto’s east end, the home of the city’s original “little India”. The “hey” ride a simple play on words and refer to the shouting kind of “heys” heard on a track from my “Shimla Hum” CD (released 2006).

Fascadale

Fascadale (Fasgadhdail)

Reel

Allan MacDonald

DOUBLE REEL

Allan MacDonald

E )[ (^) @ )LR )[0^ )0^ X)UL )@L )[ (^)[ )LR )[ L0^ X )U X )L R )[ (^ ) @ )L R )[0^ )0^ X)UL )@L )[L@V)UX )L@ ) @ )LX)UX )LR [ )X !X L )U X )L R )[ (^ )C L L )CL L) L @L )[ L0^ X )U X )L R [ )X !X L )U X )L R )[ (^ )C L L )CL@V) @ )LR ) @ )LX)UX )LR [ )X !X L )U X )L R )[ (^ )C L L )CL L) L @L )[ L0^ X )U X )L R [ )X !X L )U X )L R )[ (^ )C L L )CL@V) @ )LR )[L0^ X)UX )LR Near Ardnamurchan point, Argyll, the most westerly point of the Scottish mainland.

Donald McBride and Allan Mac Donald sharing a laugh at Loon Mountain Highland Gam es, with Ronnie McShannon and Jimmy Liddell in the background.

Yellowknife Thea

Reel

REEL

M. Grey

Michael Grey

E ) R $RX ) U $R ) L@ ) R $RX^ G /[R ) L %LR ) IL ) F ) O ) @L[ ) O@ ) R $R X ) U $R ) L @ ) R $R X ^ G /[ 5 ] 4 8 R ) O R ) @ L O R $R L ) C ) % ] 4 8 0^ ) 0a R $R 5 0a R /5 0^ U 0^ 5 R J V 8 L ) U 5 /L R 8 L ) R 5 /O R 5 L ] 4 80^ ) 0a R $R 5 0a R /50^ U0^ 5 R J V 8 R ) O R ) @ L O R $R L ) C ) % ) I ) L ) U $R ) R $R ) IL ) RF ) OR ) F ) O ) R $R ) X !X ^ G /8L ) UX ) L@ ) I ) L ) U $R ) R $R ) IL ) RF ) OR ) F ) O ) R $R ) X !X ) OR ) F )^ B ^ 0a R ) R $R ) U0^ ) 0^ 5 0a ) 0^ R0^ ) 0a 5 /R L 8 L ) R 5 / L L R 8 L ) R 5 /O R 5 L 0a R ) R $R ) U0^ ) 0^ 5 0a ) 0^ R0^ ) 0a 5 /RL 8L ) R5/OR ) @L OR $RL ) C ) % Thea Gillis, Yellowknife, Northwest Territories, Canada, March 2006. She teaches high school in Canadaâ&#x20AC;&#x2122;s north and is a native of Cape Breton island.

Fleshmarket Close

Reel

REEL

Michael Grey Michael Grey

E )CL )U (^) )@L U)R$RL)UL)@ )O ) )O )@L )UL)L%L)UL)@ )U (^ ) )@ L U )R $R L )U L )@ )O )@ L )U L )@ L )U (^ )^ )CL )U (^0a 5 "8 X )U (^ )O ) )O )@L )UL )L %L)UL )@ )U (^ 0a 5 "8 X )U (^ )O )@ L )U L )@ L )U (^ )^ )CL )U (^)C )L )C (^)O )R )O ) ) )@ ) )@ )UL )@ )U (^ )C )L )C (^ )O )R )O ) )U L )@ L )U (^ )\ ]4 8R)OR )R $R )U50^ R0a 5 /RL ^G /UL O ) )U L )L L )U L )@ ]4 8 R )O R )R $R )U 5 0^ R 0a 5 /R L ^G /U L )U L )@ L )U (^ )^ Parts one and two were composed in 1985, and the other two more recently. The close, or alley, is a unique feature of Edinburghâ&#x20AC;&#x2122;s Old Town. I liked the sound of this particular close and the pub, Jinglinâ&#x20AC;&#x2122; Geordieâ&#x20AC;&#x2122;s, thatâ&#x20AC;&#x2122;s located about half way along the close. Parts one and two were first published in Rob MacNeilâ&#x20AC;&#x2122;s collection.

Sir Brian Vallely of Armagh

Kate MacPhee of Sunamol

Reel

REEL

Allan MacDonald Allan MacDonald

E ) @ )L0^ A )UX ) @ )L0^ A[R $RX [U )LX[ ) X [U )LX)UL LR )[ )L0^ A )U X 0a )L R )[ R $R X [U )L X [U YF R ) R YF R )U L L 5 '[ 0^ 5 ' 0a 5 '[ 0^ 5 /[ R $R X [U /5 X [ /8 X [U /5 X )U L L R \[ 0^ 5 ' 0a 5 /[0^ L0^ A[ R $R X [U )L X [U YF R ) R YF R )U L L 5 /[0^ L0^ ( 0a 5 /[0^ L0^ A[ R $R X )U 5 /F 5 T /8 X )U 5 /F 5 @U L L R )[0^ L0^ ( 0a 5 /[0^ L0^ A[ R $R X [U )L X [U YF R ) R YF R )U L L 5 / @ )LXX:) @ ) @ )LX)C @ ) @LX[ )OX )UX )LX)UL LX ) @ )LXX:) @ ZO )@L)[R $RX [U )LX[U YFR ) R YFR)UL LX ) @ )L X P )O X P )O X )U L L X ) @ L0^ ( )O0^ [0^ L X )U L L X ) @ )LXP )OX )UL@V)UX )LX [U )LX[U YFR ) R YFR)UL LR GREY COLLECTION Â© COPYRIGHT 2006 DUNABER MUSIC

Sir Brian Vallely of Armagh (continued)

)[ (^0a )X (^0a )[ R $R X [U (^0a /5 )[ /5 )U L L R )[ (^0a (^ )[ 0^ )[ R $R X [U )L X [U YF R ) R YF R )U L L X ) 0^ X0^ >V0a % 0^ L0^ A[ R $R X ) 0^ R0^ RI0a R $U0^ >F0^ U L L X ) 0^ X0^ >V0a % 0^ X0^ O0^ X0^ U )L X [U YF R ) R YF R )U L L X ) 0^ X0^ >V0a % 0^ X0^ O0^ 0^ [0^ R0^ RI0a R $U0^ >F0^ U0^ >F0^ 0^ X0^ >V 0a % 0^ X0^ O0^ .4 U )L X [U YF R ) R YF R )U L L

Allan MacDonald

Kismet

Reel

REEL

M. Grey

Michael Grey

E [ ) R ]4 8 X ^G /[ R /8 X )R L [ ) R ]4 8 X JV =V )C )@ L [ ) R 0a /5 0^ "G /[ R /8 X )R L [ ) R /8 X )R L .: )O )C L [ [ 8 R JV =V [ 8 R )O )@ L [ /8 R ^G /8 R JV =V =V )C L [ 8 R JV =V [ 8 R )O )@ L [ /8 R 0a 5 /R L .: )O )C L [ )C 5 /X R ^G /[ R ^G /[ R )U $R )X R )C 5 /X R ]4 8 X )U X 5 R =V )C L )C 5 /X R 8 X )R L ^G /[ R )U $R )X R )C )L L )U L 5 X .: )O )C L [ ^G /8 "5 /[ R ^G 8 /5 "5 X /8 X )R L ^G /8 "5 /[ R ^G 8 /5 "5 X /8 X )R JV )C L 8 X [ U )R $R L 8 X )R L [ 8 R JV =V .: )O )C L [

Old Silver Tongue REEL

John Angus Smith

E )[ @ %@ X 8 /@ %@ 5 /[ @ %@ X )U L )F )[ @ %@ X 8 /@ %@ 5 /[ 50^ X )U L )F )[ @ %@ F )I L )L R \ )U L )I R )F )[ @ %@ F )O F L R )[ 50^ X )U L )F )[ @ %@ X 8 /R $R 5 /[ L %L X )U L )F )[ @ %@ X 8 /R $R 5 )[ 50^ X )U L )F 0a X )X0^ C %@ )X0^ O L )X0^ U L )F 0a X )X0^ C %@ )X0^ U $R )F0^ U L )F )O @ %@ X: )O @ %C X: ) )@ R )O @ %@ X: )O @ YI )I R ) @ )F R )[ @ %@ X: )[ @ %C X: /8 @ )R 5 /[ @ %@ X: )[ L [ )I R ) @ )F R )O @ %@ X: )O @ %C X: )[ 5 /X R )O @ %@ X: )O @ YI )I R ) @ )F R )[ @ %@ X: )[ @ %C X: /8 X )R 5 /[ @ %@ X: )[ L [ )I R ) @ )F R )O @ %@ )C @ ,@ 8 John Angus Smith and his mother, Morag, following the London competitions, November 2005.

Two Bars Over the Half Score for Nan

Two Bars Over the Half Score for Reel Nan REEL

Allan MacDonald Allan MacDonald

E ) @)OX!XR )O@%@ )CL)@ ) @)OR)X0^ U X !X L )U L L @ ) @)OX!XR )O@%@ )CL)@ )[ % 0^ % )X 0a % X ) X )R L )O@%@ )C%@ @ %C )@%@)CL)@ )[L LX) % )XL 0a X !X 0^ O X )R L )O@ %@ )C %@ @ %C )@%@)CL)@ )[ % 0^ % )X 0a % X ) X )R L )O0^ XL O L )XL O0^ XL O@)@ ) L @ ) % L@ . %CL % )O@%@ )CL @ E )O0^ XL O L)XL O0^ XL O@)@ )[ % 0^ % )X 0a % X ) X )R L 0a X !X0^ O0^ X !X 0a X )XR)UL L@ )OX)RL)O L)RL . OX)@%@)O@%@ % X)RL E0a X !X0^ O0^ X !X 0a X )XR)UL L@ )[ % 0^ % )X 0a % X ) X )R L

Pipe Major Colin MacLellan REEL

Michael Grey

E (^ ^G /8 X )R 5 8 R )X R /8 X )R L ) R $R 5 /8 X )R L O R )@ ) L )@ R (^ ^G / X !X 8 "5 X ![ R )L @ )^ ,G / X !X 8 "5 X ) L )@ R ,I )I L @V )O R )U X )X R 8 X )R L )C F NI )I L @V )O R )R $R )U L )F @ ,I )I L @V )O R )U X )X R 8 X )R X 8 R )X 5 /U 0^ 5 R 0a 5 /5 X )U X )L @ ) R $R K )[ 8 "5 0^ )0a 5 AX R ) R $R K )[ R )O R )R $R )O R )@ ) R $R K )[ 8 "5 0^ )0a 5 AX R 0a 5 )[ 0^ X 0a )X 0^ U X )L @ ) V )O R $R L @V )O R $U X 5 R ) L )L L )O R $R L )O R )@ ) L )@ R ) V )O R $R L @V )O R $U X 5 R 0a 5 /R 5 /8 L )R L O R )@ ) L )@ R (^ ]4 )0a 5 /R 0^ )0a 5 /R 5 /U 0^ 5 R (^ ]4 )0a 5 /R L O R )@ ) L )@ R (^ ]4 )0a 5 /R 0^ )0a 5 /R 5 /U 0^ 5 R 0a 5 )[ 0^ X 0a )X 0^ U X )L @ Pipe Major Colin MacLellan and Jenny Hazzard at The Bow Bar, Edinburgh 2005.

Sorry Iâ&#x20AC;&#x2122;m Late!

Sorry I'm Late!

Reel

REEL

Allan MacDonald Allan MacDonald

E ) )C )C @)UL)@ @ ) ) @ ) )C ) @) ) @) )UL)@ @ /8 R $R L )U 5 / )A5 /A /8 R $R L )U 5 ]4 80^ )0^ 50a 5 /5R /8R $RL)U5 /X5 /8 X )X R "U L )R X /8 R $R L )U 5 ]4 80^ 50^ )0a 5 /5R /8 R $R L )O 5 / )C5/C A kindly and unnecessary apology for behind-schedule posting of promised tunes for this collection!

Maple Leaf Lounge

Hornpipe

HORNPIPE

M. Grey

Michael Grey

- ) 13 V 1 S )P $PJ)A1 )>J )SJ @L6P )VJ )S 1J)A1 )>J ) 1 3 V 1 S )P $P J )A 1 )> J )S J @L 6 P )V J )A 1 )> J [U $R ( G J )G P $P J ^8 /S 3 ]0a 6 P )M P )> J M P $P J )A )1 P ( G J )G P $P J ^8 /S 3 ]0a 6 P )M P )> J M P $P ) B

Travelers flying Air Canada may have had the good luck to know the Maple Leaf Lounge.

A Cup of Coffee

Hornpipe

HORNPIPE

M. Grey

Michael Grey

/ ) R $U L )U 5 ]4 8 R )O @ ) )O R )C ) L O R )C ) R $U L )U 5 ]4 8 R )O @ ) )O R )C L )U L XC )^ 0a /8 0^ 8 R ) 0^ )0a 5 /U L ^G /U L )C ) 5 "8 )O @ 0a /8 0^ 8 R ) 0^ )0a 5 /U L ^G /U L )C L )U L XC )^ )I ) @ )I )O ) @ )O U ) R $U [ U O )I ) @ )I )O ) @ )O U ) R $U )U L XC )^ ]4 U 0^ F 0a I 0^ F )C R $U X 8 R )C R $U 5 A[ R ]4 U 0^ F 0a I 0^ F )C R $U X 8 X )U L XC )^ â&#x20AC;&#x153;I need a tune name!â&#x20AC;? I say to Andrew Berthoff. â&#x20AC;&#x153;A Cup of Coffeeâ&#x20AC;?, comes back. So, we've long had a cup of tea in the repertoire, now we have coffee. -MWG

Beverleyâ&#x20AC;&#x2122;s Wedding HORNPIPE

Michael Grey

- ) Q $P 2)M ? )1 Q $S 2 )P W /6 Q )J ? ) K %J )A 2 ) ? JO)BJ ) S N )? ) Q $P 2 )M ? )1 Q $S 2 )P W /6 Q )J ? ) ?%> K )S W /3 K XC B_ )S W /6 2 )P W ) Q $P W /6 20\ W/6 Q )J ? ) K %J )A 2 ) ? JO)BJ ) S N )? /6 2 )P W ) Q $P W /6 20\ W/6 Q )J ? ) ?%> K )S W /3 K XC B_ ) Q $P 2 ( )M ? ) Q $P W /6 Q )J ? ) ?%> K )S W /3 K XC B^ ) Q )> Q $S 2 )J Q $S 2 )P W /6 Q )J ? ) K )> K)S K %J ? JO)BJ ) S N )? ) Q )> Q $S 2 )J Q $S 2 )P W /6 Q )J ? ) ?%> K )S W /3 K XC B_ )S W /6 2 )1 W 0_ Q $P W /6 20\ W/6 Q )J ? ) K )> K)S K %J ? JO)BJ ) S N )? /6 2 )1 W 0_ Q $P W /6 20\ W/6 Q )J ? ) ?%> K )S W /3 K XC B_ Beverleyâ&#x20AC;&#x2122;s Wedding - Beverley Rollo and Bruce Gandy, September 1984.

Clyde Built HORNPIPE

Kyle Warren

- )A Y !Y > JO )M P )Y A )M D JO )G J [U V )S G P ZM G M P )Y S M D )A Y !Y > JO )M P )Y A %A )J O )G J [U V )S G P )G M %M 1 ): )C X )A Y !Y > )M Y )A J ) M %M )G M ) J ) S $S V )S G P ZM G M P )Y S M D )AY !Y>)MY )AJ ) M %M )GM ) J ) S $SV)S GP )GM %M1 ) CX ) CMP )Y M A ^3 6 Y )S J )G M %M 1 )C > )G G [P S M )G 1 ZM G M P )Y S M D )Y M A ^3 6 Y )S J )G M %M 1 )C > )G G [P S G P )G M %M 1 ): )C X )A %AY )J %MY )AJ ) M %M )GM J ) S $SV)S GP )M %M )PSYMD )A Y !Y )J M Y )A J ) M %M )D G M ) J ) S $S V )S G P )G M %M 1 ): A tune with attitude; Kyle, too, hails from Helensburgh, Scotland. He happens to be the son of Paul, currently Director of the National Youth Pipe Band of Scotland.

The Anne Spalding Hornpipe HORNPIPE

Michael Grey

- ) ) > %>1 ) M J ) >1 ) AJ ) PV ^8 P/6P ) J> ) AJ ) >J ) S ) 1 ) ) > %> 1 ) M J ) > 1 ) A J ) P V ^8 P ) S $P ) J > ) ) > J [ [ ^8 /6 "3 /6 V ) P J 0_ P /3 P ]0a 6 P [U ) M > XC ^5 /A J ) > J ) S ) P ^8 /6 "3 /6 V ) P J 0_ P /3 P ]0a 6 P ^8 P ) S $P ) J > ) ) > J [ [ [U ) M > [U ) M > , U ) S V ^8 P J O ) A 1 ) M ) 1 %1 ) A J ) > J ) S ) 1 [U ) M > [U ) M > , U ) S V ^8 P ^8 P ) S $P ) J > ) ) > J [ [ H ]0a 30_ 3 /P3 0_ ) 0\ 30\ ) 0_ 3 /PJ ^8 P/6P ) J> ) AJ ) >J ) S ) P ) S ) 1 ]0a 3 0_ 3 /P 3 0_ ) 0\ 3 0\ ) 0_ 3 /P J ^8 P ) S $P ) J > ) ) > J [ [ Anne Spalding - March to the Games, Argyllshire Gathering 2002. From Broughty Ferry, Scotland, Anne has had a huge positive impact on piping in the east of Scotlandâ&#x20AC;&#x201D;and beyondâ&#x20AC;&#x201D;thanks to her dedicated teaching and playing.

Doubled Over Happy

Hornpipe

HORNPIPE

M. Grey

Michael Grey

- )Y P JO) V)M1)>J ) J )VJ0_ 3 /VJ [S )>3AY>3V [S )D>) 3 AVP JO ) V )M 1 )> J ) J )VJ0_ 3 /VJ [S>3>) 3 AVJ [S J )D @V )Y 3 0_ 10\ V0\ J )Y0\ 1V0_ 3 AVJ 6 > ) 3 AY > 3 V [S )D>) 3 AVP 0_ 1 0\ V 0\ J )Y0\ 1V0_ 3 AVJ [S>3>) 3 AVJ [S J )D @V ) > )M1 )V1) J %J1 )M 1 )V 10_ 1 V 1 [S131) P $P1 [S 1 V 1 6 1 V 1 )M 1 )V 1 ) J %J 1 )M 1 )V 10_ 1 V 1 [S>3>) 3 AVJ [S J )D @V )Y 3 ]0a Y0\ AYJ0\ J )Y0\ JV0_ 3 AVJ 6 > ) 3 AY > 3 > [S )D>) 3 AVP ]0a Y 0\ AY J 0\ J )Y0\ JV0_ 3 AVJ [S>3>) 3 AVJ [S J )D @V JO ) V )M V )P 3 /Y30\ 3/YP ZJ> [S>3>) 3 AVJ [S J )D @V GREY COLLECTION © COPYRIGHT 2006 DUNABER MUSIC

Vaporetto HORNPIPE

Michael Grey

- ) B ) G > 1 ) > A D %D P ) Y P $P V ]0a S0\ Y P D ) > A D %D P ) Y P ) V0\ B ) G > 1 ) > A D %D P ) Y P $P V ]0a S 0\ Y P D ) > A D %D P ) B ]0a S0\ ) 0_ 30\ ) 0\ 6 ) P $S V ) D > 0_ 1 D0\ A [ ) R ) A D %D P ) Y P ) V 3 ]0a S 0\ ) 0_ 3 0\ ) 0\ 6 ) P $S V ) D > ]0a S 0\ Y P D ) > A D %D P ) B ]0a S0\ ) 0_ 30\ ) 0\ 6 ) P $S V ) D > ]0a S V [ ) Y D ) A D %D P ) Y P ) V0\ B ) G > 1 ) > A D %D P ) Y P $P V ]0a S 0\ Y P D ) > A D %D P ) B

The "Vaporetto" is the name given the famed Venice water taxis. I wrote this tune while listening to the hypnotic workings of the boat’s engine… (joking - did nothing of the kind). I think I wrote this tune in my kitchen - a tune for a pipe band. I recommend Venice; a fantastic place.

The Venice water taxi, the vaporetto, here at the Rialto stop.

Holmsen Hornpipe

Hornpipe

HORNPIPE

M. Grey

Michael Grey

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his hornpipe was composed to commemorate the Golden Wedding anniversary of lifelong friends of my parents, the Oslo-based Holmsens.

Morag MacDonald

Hornpipe

HORNPIPE

Pipe Major George Stoddart BEM P/M George Stoddart, BEM

- 0_ 4 'Y Q )Y Q )M Q ZM ? ) ? )M 2XC )M ? ) B K 1 ) BJ ? )Y Q $S W[U0_ 4 'Y Q )Y Q )M Q ZM ? ) ? )M 2XC )M ? ) B K 1 ) BJ ? )S K %J Q JW ) K )Y 0] 6 W[S K > K ) W )P KXC )M ? ) B K 1 ) BJ ? )Y Q $S W [U ) K )Y 0] 6 W [S K > K ) W )P KXC )M ? ) B K 1 ) BJ ? )S K %J Q JW 0_ 4 'Y Q )Y Q)M Q ZM ? ) ? )M 2XC )M ? ) B K 1 ) BJ ? )S K %J Q JW )M ? ) K %M Q ZM ? ) ? ) ?%A K ) )M ? ) ?%A K %M ? %A K )Y Q $S W [U)M ? ) K %M Q ZM ? ) ? ) ?%A K ) )M ? ) B K 1 ) BJ ? )S K %J Q JW )Y 4 0a (1 )[ (1 ) ?%A K ) )Y 4 0a (1 )[ (1 )A Q $S W [U ) Y 4 0a (1 )[ (1 ) ?%A K ) )M ? ) B K 1 ) BJ ? )S K %J Q JW )M ? ) K %M QZM ? ) ? ) ?%A K ) )M ? ) B K 1 ) BJ ? )S K %J Q JV Morag MacDonald is a well-known and loved lady from the Island of Lewis. Her husband Alex is prominent in civic affairs in the Highland Region. The friendship with the Stoddarts began when sons Calum and John came for piping tuition. The tune is excellent for highland dancing: the phrasing follows the steps of the Sailorâ&#x20AC;&#x2122;s Hornpipe almost note for note. -GS

Old Man in a Hat (Driving)

Hornpipe

HORNPIPE

M. Grey

Michael Grey

- 0_ V )S1 )D>)G 1 )DP )Y0\ AVPYI )SV )Y> %> D)SV )DP )YP )V3]0a 6V )S 1 )D > )G 1 )D P )Y0\ AV P YI )S V )Y0\ AV D )S V )1 D )C F @ ) B_ ) D %GP $PV) P )VP $SD %DP) P )VP 0_ V )V0\ SV0\ V 0_ V )V0\ SV0\ V )G P $P V ) P )V P $S D %D P ) P )V P 0_ V )V0\ S V0\ D )C F @ ) B D %G P $P V ) P )V P $S D %D P ) P )V P 0_ V )V0\ S V0\ V 0_ V )V0\ S V0\ V )S 1 )D > )G 1 )D P )Y0\ AV P YI )S V )Y0\ AV D )S V )1 D )C F @ ) B_

Sergeant Malkie Bow’s Consternation

Sergeant Malkie Bow's Consternation Hornpipe HORNPIPE

M. Grey

Michael Grey

- _ ,I )G>) 0\ AVP ) 0\ 30\ Y0\ PD )GJ )J J)Y0\ AVP 0_ V )V !V)S0\ AVP ) D )>D) 0\ AVP ) D )D %D)GJ )PD )GJ )J J)Y0\ AVP )G P )M D > %^ )S1 )DP)AD %D> )S1 )DP)GJ )PD )Y1 )JV) V )V !V 0_ V )V !V)S0\ AVP )S 1 )D P )A D %D > )S 1 )D P )G J )P D )G J )J J )Y0\ AV P )G P )M D > %^ ( ) >)A %> )D1 ) P )DP( )SD )GJ JD@O )GJ MD @L)Y0\ AVP ( ) > )A %> )D 1 ) P )D P ( )S D )G J )J J )Y0\ AV P )G P )M D > %^ ]0a G0\ )0_ D0\ )0\ G0\ P0\ G0\ 10\ M0\ )0\ J0_ )0\ P V 0_ P V0\ G0\ > 3 ]0a G0\ )0_ D0\ )0\ G0\ P0\ G0\ 10\ G J )J J )Y0\ AV P )G P )M D > %^ ]0a G 0\ 0\ > 0\ 6 0\ V 0\ S 0\ J 0\ G J )J J )Y 0\ AV P )G P ) M D > %^ Currently Detective Malkie Bow, Peel Regional Police (west of Toronto), Malkie’s consternation was, from time to time, the PRP pipe band at the time he was manager—and I was Pipe Major. Parts one through four were first published in my fourth book.

Sergeant Malkie Bow’s Consternation

Sergeant parts 5-8 Hornpipe (Parts 5-8) Malkie Bow's Consternation

M. Grey

S )P $P J )G P $P 1 U )S 1 )G P $P 1 K[ )Y P ) V !V 1 0_ 3 /V 30_ 3 /V J S )P $P J )G P $P 1 U )S 1 )G P $P 1 K[ )Y P )Y0\ AV P )G P )M D > %^ [U ]0^ P $P 1 )G > %1 )P 10_ 3 /V P )Y 1 ( ) P V 1 0_ 3 /V 30_ 3 /V J [U ]0^ P $P 1 )G > %1 )P 10_ 3 /V P )Y 1 ( )Y0\ AV P )G P )M D > %^ NI )F ) D %D 1 NI ) D %G P )D 1 )Y 1 3 1 0_ 1 3 1 Y 1 P 1 M 1 D 1 NI )F ) D %D 1 NI ) D %G P )D 1 )Y 1 )J V )Y0\ AV P )G P )M D > %^ 0_ 1 /3 0\ 3 0\ 1 /6 0\ 1 3 0_ 1 /3 0\ 6 )V 3 V 3 )Y 3 V 6 )V 3 /S 1 ( )G 1 )J 1 )G > %1 )P 1 ) P )D 1 )Y 1 3 10_ 1 3 1 Y 1 P 1 M 1 D 1 ]0a G0\ )0_ D0\ )0\ G0\ P0\ G0\ 10\ M0\ )0\ J0_ )0\ P V 0_ P )V0\ G0\ > 3 ]0a G 0\ 0\ > 0\ 6 0\ V 0\ S 0\ D 0\ G J )J J )Y 0\ AV P )G P ) M D > %^ GREY COLLECTION © COPYRIGHT 2006 DUNABER MUSIC

Sliding into Colintraive

Hornpipe

HORNPIPE

Michael Grey Michael Grey

- )SV )V1)AJ )1J )M1 )>J) J )VJ 6> )>3/A3 /V> 0_ 3 /3 V /6 V )P J )S V )V 1 )A J )1 J )M 1 )> J ) J )V J 6 > )> 3 /A 3 /V > 0_ 1 )P D )G J )J J )S V ( ) P )J > )S V ( ) P $P V 6 1 )V 3 V 3 1 )Y 3 "3 V /6 V )P J )S V ( ) P )J > )S V )1 P Y 1 )P V 6 > )> 3 /A 3 /V > 0_ 1 )P D )G J )J J )SV )PV)SV )V !V )SV )PV)SJ )> 1 )Y3 /V3/6 "3 /V3 /Y3 /3 "3/6V )PJ )SV )PV)SV )V !V )SV )PV)SJ )> 1 )Y3 /V3/A3 /V> 0_ 1 )PD)GJ )J J ]0a V /60\ X Y0\ )0\ V /60\ 3 V 6 /> %> V ) %1 P ) P $P V /6 V )P J ]0a Y 30_ V /30\ Y0\ )0\ V /60\ 3 V 6 /> %> V ) %1 P 0_ 1 )P D )G J )J J ]0a V /6 0\ X Y 0\ )0\ V /6 0\ 3 V 6 1 V 1 S 1 D 1 M 1 P 1 Y 1 3 1 ]0a Y 30_ V /30\ Y0\ )0\ V /60\ 3 V 6 /> %> V ) %1 P 0_ 1 )P D )G J )J J GREY COLLECTION © COPYRIGHT 2006 DUNABER MUSIC

The Ever-Shrinking Kilt HORNPIPE

Andrew Smith

- ) OF ) C D ) MD ) JP ) YP ) D> NI ) G> ) > 0 ) GPPR ) GP0\ D ) S0\ ) 0\ D ) S0\ D 1 - OO ) M D ) C D ) M D ) J P ) Y P ) J D S ) P $P J YG P 0\ P ) G > ) D J ) : 0_ ) 0\ ) 0\ > ) G J ) @ OO ) M > ) G J ) P0\ G0\ >0\ > G0\ 6 ) G > ) D J ) S V ) P D 0_ ) 0\ ) 0\ > ) G J ) > D 0_ > D0\ G0\ > D S ) P $P J YG P0\ P ) G > ) D J ) :

When my Grandfather, Joe Jackson, passed away, he left me his kilt. At the time he was a larger man than I was so I had the kilt tailored. Unfortunately, it was altered too small and Iâ&#x20AC;&#x2122;ve been trying to fit into it ever since. -AS

Andrew Smith - Calgary, AB

Tam Oâ&#x20AC;&#x2122;Shanter Suite Michael Grey One of the most challenging and satisfying musical projects Iâ&#x20AC;&#x2122;ve ever been involved in was recording this composition with string arrangement alongside members of the Canadian Opera Company orchestraâ&#x20AC;&#x201D;recorded for â&#x20AC;&#x153;Shambolica!â&#x20AC;?

Part A

(solo piper)

M.M. . = 76

Tam O'Shanter â&#x20AC;&#x153;While we sit bousing at the happy...â&#x20AC;?

Part I (intro)

3 ) D R ]4 H A[ P 0^ @U D @ ) D R ]4 H A[ P 0^ @ )[ 0\ X [U D R \[ P F )C D R ) D R ]4 J )C D @ % ^ ^ Part B

M.M. . = 84

Tam O'Shanter

Part 2

â&#x20AC;&#x153;Whare sits our sulky, sullen dame / Gathering her brows like gathering storm / Nursing her wrath to keep it warm.â&#x20AC;?

5 )C D @,I I _ )C D @,I I _ )C D @ ,I \ )I > ,I I _ )O D @ [ _ )O D @ [ _ )O D @[U JF\ 5 8 V )L \ _ Pipers â&#x20AC;&#x153;fade outâ&#x20AC;? / drop away 2 at a time playing line 1 again.

Part C

M.M. . = 88-90

Tam Part 3 â&#x20AC;&#x153;The nightO'Shanter drove on wiâ&#x20AC;&#x2122; sangs and clatter / And ay the ale was growing better.â&#x20AC;?

3 0a 3 /X ^G 5 A[ P L [ )O D @ ,I )I > ,: )C D L YI %_ )C D L )G R F )O D @ [ )O D @ )U V 5 0a 3 /X ^G 5 A[ P L [ )O D @ ,I )I > ,: )C D L YI %_ )C D L )G R F )O D @ [ )O D @ ) 'G Part D

M.M. = 100-104

â&#x20AC;&#x153;But pleasures are like poppies spread / you seize the flower, its bloom Tam O'Shanter Partis 4shed.â&#x20AC;?

]4 0a V /80^ A U V )O @ ,I I P )O @ )I R )O @ ,I 8 ) [ > )O R JV ): ,I I > 8 X [ U D 8 X )U 5 /[ 5 ]4 8 R ) )C L YI I 1 )C L )I R \ )C L YI I 1 )C L )I R\ 8 X [ U D 8 X )U 5 ]4 8 X ) 8 X [ U D 8 X )U 5 )V 8

Thunder: 2nd line played only once, then back to line one with final two bars played gradually slow & open.

Part E (strathspey)

Tam O'Shanter Part 5 and witches in a dance...â&#x20AC;? â&#x20AC;&#x153;She ventured forward on the light; And wow Tam saw an unco sight / warlocks

D ) F Y I > )GR Y ) ) F Y I > )GR \ ]0a 3 /Y0^ S X ) Y YI >) >)GR \ ]0a 3 /Y0^ S X S ) ]0a 3/Y0^ 60^ >I ]0a 3 /Y0^ S X S ) YI >) >)GR \ ]0a 3 /Y0^ S X S ) ]0a 3/Y0^ 60^ >I ]0a 3 /Y0^ 1 )AL /8 V[U J)AL [ ) > ^G /8 V )S L ) @ ^ 8 P /60^ @ ) >^G/8 V )SL XC 1 )A ) AL [ Part FO'Shanter Tam Part 6 â&#x20AC;&#x153;The piper loud and louder blew; the dancers quick and quicker flew.â&#x20AC;?

/ ) R $U L )U 5 ) R $U L )U 5 ) F %I )I %F )U % R ) %

/U L @V )C /U L @V )C ) F %I )O %L )U % R )[ !X

) R $U 5 0a L ) R $U 5 0a L ) F %I )I %F )U % R ) %

) L %O R )C L /8 0^ 8 R )O R ) @ %C ) @ )O X ![ L )U X

Tam O'Shanter * Half pipe section stops *

) R 8 )U 5 /C R 8 @ )U 5 / R 8 )U 5 ]4 8 X )U L [ )O @ )

Part 6 - continued

/ R 8 )U 5 /C R 8 @ )U 5 / R 8 )U 5 ]4 8 R )O R [ )O )

/ R 8 )U 5 /I R 8 F )U 5 /C R 8 @ )U 5 ]4 8 X )U L [ )O @ )

/ R 8 )U 5 /I R 8 F )U 5 /I R 8 F )U 5 )C R $U X 8 R )U % @ )O

** Half pipe section comes in on repeat *** Following the last E on this repeat, go to a high A doubling and hold two slow jig beats before going into slow jig.

Part G

M.M. . = 88 (slow & open)

Tam O'Shanter

Part 7

â&#x20AC;&#x153;And now Tam stood, like one bewitchâ&#x20AC;&#x2122;d / And thought his very een enrichedâ&#x20AC;?

***

Part H â&#x20AC;&#x153;Now do thy speedy utmost Meg / And win the key-slane oâ&#x20AC;&#x2122; the Brig...â&#x20AC;?

Tam O'Shanter

Part 8

3 0a X L 0a X L ) @ L ) @ L ) F R 8 R F 0a X L 0a X L ) @ L ) @ L ) F R 8 R F )[ 0^ )0^ O 0^ X 8 )C 5 "5 /[ L L 0a L L /[ 0^ )0^ O 0^ X 8 )C 5 "5 /[ L L 0a L L )C @ @ )C 5 "5 /C X @ 8 /@ X )I F F )I 0^ )0^ ]4 ^G \ W )U F ) F R 8 R F ]4 4 4 4 4 /8 X R )C L @ )C L @ )C R @ )C R @ 4 /8 X R ) F R 8 R F )O X R ) V T GREY COLLECTION ÂŠ COPYRIGHT 2006 DUNABER MUSIC

)O X R [ )X !X )O X R O )L L )[ 5 X )U X 5 )U L F O )L L I 5 F 0a F 5 )O X R O )L L )[ R L )U F )[ R L )U F Return to line 1 of part D.