Text & Image: Rina Smit
Photography Being a photographer trains you to look at the world around you and really ‘see’. Inspiration and information are essential ingredients for photography improvement. Combine it with technique and creativity, and you are ready to capture incredible moments. 97
TR AV E L
A Specialised industrial photographer in Gauteng Pretoria –
Neil
Weidemann Text & Images: Neil Weidemann
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ou are a successful photographer. Did you attend any photographic courses to learn photography? I bought secondhand photographic magazines by the kilogram and studied them every waking moment… does that count?
Did your early photographic goals include earning a living from photography, or did it start initially as a way to express yourself creatively? My goal was to make enough money through photography to pay for studies and eventually get a real job. You will notice from my work that I gravitate towards the “Big Rigs” and can quite comfortably conclude from that occurrence that I should have been an Engineer or something along those lines. I would have been a good Engineer, but not a happy one as photography has seeped into my being. When did you know you finally "made it" as a professional? You will probably never “make it” in the full sense of the word and as far as I am concerned, that day will be the end of your personal growth. It is quite important to mention that a healthy dose of insecurity will drive you to new grounds and help you discover awesome gems about light and it’s deep secrets. Do you remember your first photography sale? My first sale was a photographic service rather than a photographic product, this was long ago and therefore not a lot of creativity to be found in the actual images, but I comfort myself in the fact that
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I had to employ large amounts of creativity in order to get strangers to buy photographs that they did not need. I can still remember that first wedding, with a borrowed camera and nervous as hell, I just had to follow my dream. I am sure that first couple will forgive me eventually…but for that price…! Many photographic magazines have applauded you for your versatility in many genres. Tell us more about these photographic genres you excel in… Heavy industrial photography will always challenge me and a challenge I except with eagerness as the contrasts of size, risk and dimensions seem to energize me on a subatomic level which is the only way to describe it. Negotiating through the red tape, dangers, safety parameters and human ability, whilst shooting tons of moving earth and equipment, leaves one deeply content and satisfied when these efforts turn up great images You have received numerous awards, commendations and honorable mentions over the years. Could you tell us more of your achievements? I absolutely avoid public participation, but have been recognized by my clients when they settle their invoices, but seriously, you might find some of my latest (very public) awards in the June/July 2010 issue of Pix magazine as I recently won 10 awards, 1 bronze, 5 silver and 4 gold at the 2009 Profoto Awards (but don’t tell anyone). What do you like MOST about your professional life? There is nothing as satisfying as handing images over to someone who appreciates the technical barriers one had to scale in order to render a product on time and delivering on all of their expectations. It will be wrong however, to ignore the intellectual stimulation there is to be found in the immensely diverse encounters and conversations from every sector of the food chain, this is what I love about my professional life…people!
What do you like the LEAST about running your professional life? There is an anomaly that seems faint in comparison to the “real” problems in life, but I crave routine, just for a couple of months. I would deeply enjoy a strong routine where it is possible to plan recurring activities like going to gym after work, walks with the family, following a TV series, etc. We all know I will give it up in just three months, but for now, that is what I still have to experience in life.
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One of the questions we sometimes hear is this: Is it really possible to learn Photoshop in an Online course? Can you share your thoughts? The sum total of my Photoshop knowledge I acquired from reading, experimenting and applying these new found techniques. I guess what I am implying is that it is possible to master Photoshop within realistic parameters if you apply yourself diligently. What quick advice do you have for someone who simply wants to improve his or her photography skills? Use your camera on its manual setting, it will wake up your brain and force you to “focus”. Teach yourself small lessons and repetition should then become your friend. Your camera should never leave your side; take it to bed if you must! At Ray Magazine, we often get questions from people who want to become "Professional Photographers" What advice do you have for someone who says they want to pursue a career in photography? Before you take any steps towards becoming a Pro, you need to work out your own hourly rate. This will be a very sobering experience if you do it right and you will subsequently help the Pro’s by not undercharging out of ignorance. Once you have worked out what equipment, photographic education, mobility (vehicles), presentability, future training, equipment replenishment, depreciation, insurance and above all this, what life will cost you per month, then you divide that cost through the sellable hours per month that you would not spend in postproduction, you get yourself an hourly rate that no client wants to pay. Therefore, the business’ side will require more creativity than the photographic side if you want to be sustainable as a businessperson. Your photographic equipment consists of? Any brands that you irrevocable belief in? Nikon and on and on and on…! Give me a good lens on any old camera and I’ll be happy. Most of the magic happens in your head, doesn’t it? Are there any other professional photographers in your immediate family? No Who in this industry’s work do you admire the most? We all still have a lot to learn and you will not find any big names in my list of icons as I am always searching for that unique space in my mind and cannot afford to be influenced by someone else’s idea of the perfect image. Where can the public purchase your work? Not for sale if you don’t have really big things to be photographed! Do you have any dreams that you still like to pursue? Any destinations or objects that you still like to photograph? I’ve been 3km’s underground, I have taken my camera high up in the sky and under water, I have met leaders and masters that have inspired me, I’ve done photography on 3 continents, I’ve taken photos in 7 countries but still there is so much I have to learn as a person and singling out any one thing would be irresponsible as my dreams are entwined with personal and professional goal posts
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that shift all the time. What would you do if you could take a year’s break from society? Routine, routine, routine Neil is one of our most inspiring photographers. If you want to hire Neil to do assignment shoots for you, you can be sure that he will deliver. Ray highly recommend Neil and Objektiv Photography for all your industrial photography.
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You can contact Neil for assignment shoots 1230 Cunningham Ave, Waverley, Pretoria, 0186 Cell: +27 (0) 83 307 6753 Email: neil@obj.co.za Web: www.obj.co.za Neil - Photography & Videography
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HEIN
A Specialised Photographer in Southern Africa –
Welman Visions of Nature
Text & Images: Hein Welman
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apturing images of nature’s beauty and awesome power is Hein’s ultimate goal. “Mother Nature is not always easy to put on film, but I love a challenge! When light, composition and time of day all come together, I become fully engaged, and the magic of the moment consumes me. Sometimes for an image it is being in the right place at the right time and at other times, that image takes careful planning and you return time and time again to the scene” Please tell us about yourself, your background. I was born in Benoni (and no, I do not know Charlize Theron), and grew up in Centurion, Pretoria. I had thoughts of becoming a marine biologist but got inspired by Photography in the meanwhile. After school I went to study for a 4-year photography diploma. But unfortunately gave up after 6 months for a reason I call immaturity stupidity illness. I left for the United Kingdom and worked abroad for about 2 years and returned to study Architectural Draughting. Currently I’m working in an architectural department for an international engineering company. Mainly involved in BIMS (building information management system) and 3D Modeling. When did you decide to become a photographer? I got inspired on my very first trip to Koakoveld in Namibia by Wayne Matthews, a well-known ecologist and photographer. Only started taking photographs the next year on a trip to Savuti, Botswana. I stopped taking photographs for the time I went overseas and gladly resumed photography 5 years ago, but in a total different way. Digital. What does photography mean to you? At first it was a way to enforce my memories from my trips in Southern Africa. But lately became more than that. As a nature lover it became a very emotional thing to me. Linked to what’s busy happening to our world and our influence towards it. One is also getting to know yourself better by observing the resulting image and realized the situation you were in while taking the photo.
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Can you recall the first photo you took that made you go WOW? Yes, it was a shot of a Black-Backed Jackal at a watering hole in the Kalahari Transfrontier Park? It cost a lot of patience and time. But sure it’s always worth it. How technical is your photography? I think personally above standard. I believe the saying “Know your tools” really does pay off. I guess knowledge is power but useless without practice. Where is your favourite place to live and work as a photographer in the World and why? Well as I am not a fulltime photographer, yet. And I believe I will be fortunate enough to be one in the near future. I think my first choice will be the Kalahari Desert. Warm summer days with dark blue thundering clouds on the horizon. It gives me thrills down my spine. Define the word "beauty"! Beauty isn’t just vibrant sunset colours and perfect proportions. I believe it is the emotional connection a photograph, object or person that gives you that slight uncontrollable smile of satisfaction. What is your most favourite and least favourite word in photography or life? How do they make you feel? Least: Key wording or the sound of my alarm during weekdays. Most: Not really a word, but the sound of the Ultra Sonic Motor inside my Canon 70-200mm F2.8 IS Lens. How does your personality change when you look through the camera? I get silent and peaceful; resulting in getting totally lost in the scene and it’s like my senses opening up in a calm way. Making me appreciate the environment even more. I guess I am at peace then. Who / what are your influences? The above-mentioned Ecologist and Photographer, Wayne Matthews and his endless knowledge of the natural world. What is your favourite image, either your own or someone else's
or both? Describe its creation or meaning to you? A Photograph of Frans Lanting called “Elephants in mist”. It takes my mind back to the book covered in school “Kringe in die bos” by South African writer Dalene Matthee.
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What are the biggest personal or professional challenges you face on a daily basis? To be on time for work during the cold winter season. Tell your funniest, scariest, most bizarre, most touching story from a photo shoot! Was on my very first photography Trip to Botswana. We were on our way back to camp on the Chobe river shores where we spotted a pride of 7 lions stalking up towards a herd of nearly 500 buffalo. Stopped the car on a bend about 10 meters from the water and waited. Eventually the lions started a chase and the herd of buffalo ended up stampeding through this 10-meter gap between our car and the water. Excited by the event and scenes of young lions getting thrown by agro buffalo’s, I eventually got on the passenger seats window sill to get a better view for my camera over the car’s roof. Every time a buffalo made a stand and reversed the chase, the lions used our car as an obstacle against the furious buffalo. When the scene passed I realized how close one lion got to me while I was totally exposed outside the car. Made me realize getting lost in a scene can have deadly consequences. What types of assignments are you attracted to mostly? Travel Photography mainly. People and wildlife in a total natural environment. Dislike people posing for a photo. To be honest, I am really bad in photographing people on a set up scene. Example: weddings Do you think of yourself as an artist and what do you think of the word artist? Yes I do. I believe it’s a way of communicating to people and by expressing the way you see and experience objects around you with the help of light.
That connection and satisfaction that I also call beauty is called art. What has been the most surprising or most predictable reaction to your photographs? The most surprising was when I played around with a shot of a lagoon in Mozambique in Photoshop. Just for fun. I totally pulled out false colours. Desaturating the photo and only saturating the lagoon to a dark blue. And WOW. The result blew me away and every one loves it. Even when I confess it’s a total false representation. Tell a little secret about you that no one knows... What you see is what you get. And those things you can’t see are meant to be a secret. Who or what would you love to shoot that you haven't already? Ring-tailed Lemurs! I am fortunate enough to do just that the end of this year on a trip to Madagascar. How do you feel about digital manipulation and to what extent do you utilize it? Up to an extent where everything in the photograph stays real. I normally use post editing to enhance light. Working mostly with the highlights, mid tones and contrast that push up the clarity. I will use vibrancy and sometime saturation. Depending on how I experienced
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the scene at the given time and how I want to express it in the end result. Tell us about the photographic equipment you use? Canon, Canon and Canon. Who in this industry’s work do you admire and why? Frans Lanting. He’s passion and knowledge towards nature alone is an inspiration to me. His photographs resemble the perfect way to remember these animals to eternity when they might disappear of this planet for good. Where can the public obtain your photographs or get in touch with bookings / assignments etc? Through my website: www.visionsofnature.co.za contact page by using the quick connect function. Alternatively one can drop me email: hein@visionsofnature.co.za or Tel: +27 82 6996 522. Any comments or positive critics about my work or website are more than welcome. Will soon fit in a guestbook on my site. My work is sold on Photographers Direct and under the World Photography Collection. Numerous other fair trade sites also host some of my photographs. All the links will be available on my website.
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Carlos Carvalho
Director of Photography Text & Images: Carlos Carvalho
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arlos Carvalho received a National Diploma in Photography from the Port Elizabeth Technikon. After graduating in 1992 he started working his way up the camera department in the South African film industry reaching full time DOP (Director of Photography) in 2003.
His knowledge extends from stills and stop-frame animation to filming lions. Adding to his versatility are his EU and SA Passports and his impressive list of accolades‌ LIST OF INTERNATIONAL AND SOUTH AFRICAN AWARDS **1999 Avanti Lighting Award **2003 Silver Lion at Cannes **2003 Vuka Best Animation **2003 Vuka Best Overall **2003 Best Music Video, SA Music Awards **2004 Gold Visible Spectrum Award
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Please tell us about yourself, your background? I am fortunate to be able to do both motion picture and still photography. Having originally studied photography I assisted stills for a while and commenced as a runner in the film industry, working my way to director of photography.
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When did you decide to become a photographer? During Matric after a hippy art student introduced me to her photographic gadgets – I was gripped!
What does photography mean to you? Photography is a time-distance capsule – there are places we have never been to, yet we know what the people and the place look like. The name Tibet conjures up certain images in your mind immediately. You can look at photographs of past advertising and you can see the aspirations of that time. Can you recall the first photo you took that made you go WOW? It was whilst in Portugal, using an instamatic camera, I took a photo of a castle wherein all the elements came together and it captured the essence of the subject well. How technical is your photography? Photography in itself is technical. The camera is a technical tool. Composition can be achieved mathematically with shapes; using the exposure scale to technically achieve your mood, and knowing the correct lights to use, which enable you to mould your subject. However I like to spend time post-processing to grade the photos to get the right look for the photo.
Where is your favourite place to live and work as a photographer in the world and why? In a national park in the midst of beauty and natural splendour, where one mentally takes a photograph every breath of the day.
Define the word "beauty"! Beauty is what inspires your soul to glow from within with happiness. In a word: ‘Nature’. What is your most favourite and least favourite word in photography or life? How do they make you feel? My least favourite word is greed, not for the word, but for what it does to people, cultures and civilization as a whole.
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My most favourite word is tolerance; there is not enough of it. We tend to place each other in convenient boxes and not allow freedom of life. How does your personality change when you look through the camera? You see the world through a ground glass and you stop at nothing to achieve the image, so I become single-minded. Who / what are your influences? Ansel Adams, Edward Weston, Andre Kartesz, Elliott Erwitt, Obey Oberholzer, Renoir, Rembrandt, the Flemish and Dutch painters, Picasso’s blue period. My greatest influence would be nature and people who are part of nature. What is your favourite image, either your own or someone else's or both? Describe its creation or meaning to you? A photo of my children happily in the garden, and Moonrise, Hernandez, New Mexico by Ansel Adams. One has to see his photograph in a gallery not just in a book to understand its power. They are emotionally stirring. Describe a day in your personal or professional life. Yes, no, to the left… to the right… a little bit more up… look to the light… close your eyes… open your eyes… pan the light left… no, no, too much pan right again... What are the biggest personal or professional challenges you face on a daily basis? My beautiful wife. What are your favourite subjects to photograph? If it catches your eye it is worth photographing, as for favourite subjects: People in their own environment and magnificent locations on our planet. Tell your funniest, scariest, most bizarre, most touching story from a photo shoot! We were filming a roaming lion from within a cage, when the lion saw his own reflection in the filters in front of the lens. Unknown to us he sneaked around the back of our cage, and with my eye still to the eye-piece, he struck out with his paw hitting the mat box, wherein the filters lay, trying to knock his adversary out. The only thing he managed to do is knock my heart out. What types of assignments are you attracted to mostly? I am attracted to assignments that have a long-term sustainability benefiting both mankind and the planet. Describe what black and white photography means to you? Black & white is the original medium of photography and it maintains to be the art version of photography
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Do you think of yourself as an artist and what do you think of the word artist?
How do you feel about digital manipulation and to what extent do you utilize it?
Artist is an overused word with a watered-down meaning. I think quantum physicists are artistic with creative solutions. To be artistic one has to be creative. To be creative one has to look at things from an individual point of view.
We are in the digital age and we have always manipulated, whether in the darkroom or in front of the lens. I avoid compositing images, but I do like grading to achieve the right colours and the right look.
How do you describe your photographic style?
What other thoughts would you like to share?
I would say witty. What would you say?
Really SEE what you are photographing.
What has been the most surprising or most predictable reaction to your photographs?
Tell us about the photographic equipment you use? Nikon D 300; Nikon F3 and FM2; Toyo View 4x5 Monorail with 6x9 back.
‘Did you take this photo?’ Tell a little secret about you that no one knows... I carry my homemade sandwiches wherever I go… Who or what would you love to shoot that you haven't already? Where should I start? West Norwegian Fjords in Norway; Yosemite National Park in USA; Pudacuo National Park in China; Town of Ouro Preto Brazil; Old Havana Cuba and Tsingy de Bemaraha Strict Nature Reserve of Madagascar. The list goes on…
Who in this industry’s work do you admire and why? It would have to be Ansel Adams and Edward Weston. It is not only their photographs, but also their attitude to life that I admire. Weston did not even drive a car, yet he took the most beautiful photographs. Where can the public obtain your photographs or get in touch with bookings / assignments etc?
What would you have done differently during your photography career so far and could this be an advice to others? To enjoy every photograph and every project.
For motion picture work, documentaries, commercials, portraiture and landscapes Email me: mail@carlosdop.com or Call: +27 847413114. For prints of my work view my website: www.carlosdop.com and let me know. Facebook: http://www.facebook.com/profile. php?id=100000961413729
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Santjie Viljoen Art is not a thing; it’s a way Text & Images: Santjie Viljoen
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“rt is not a thing; it is a way. ~Elbert Hubbard”
Santjie Viljoen was given her first camera at the age of seven, by her dad. It is a little Olympus 35mm film camera, which she still sometimes carries around with her today. She grew up on a 29ft Astove Sailing Yacht called Impala, with her family traveling the world. She loves the ocean and nature, traveling is in her blood, and her eyes are her best way of communicating with the world. In this interview Santjie shares her passion for photography with our readers… What does photography mean to you? To me it is a way of expressing myself as I’m an introvert. Photography gives me a way of communicating with the world. Can you recall the first photo you took that made you go WOW? I am not easily impressed with my own work. I am always looking for mistakes to be able to better myself. I have yet to take a photo that will make me go WOW. Do you have any formal training regarding photography? Yes, I did a short course in photography at the Ruth Prowse School of Art in Cape Town; thereafter I did the three-year diploma course at the University of Technology, also in Cape Town. How technical is your photography? I have always thought that my photography wasn’t very technical, but most of my photographer friends tell me that I am very technically orientated. I don’t think I realize that I am thinking technically when I am shooting, technical info just seem to stick to my brain though, a bit like a magnet for technical stuff that interests me. Where is your favourite place to live and work as a photographer in the world and why? Anywhere really, I love variety and traveling. I get bored very quickly so I try to go all over the world, when I can afford it☺, I
do love Cape Town though, the ocean is close, so that keeps me happy. Define the word “beauty”! Beauty is something that stimulates a particular human’s senses in such a way that an overwhelming feeling is created. It could be a feeling of joy or sadness that can make you smile or cry. Like the Afghan girl by Steve Mcurry, that is a beautiful photograph, but some days she makes me want to cry. What is your most favourite and least favourite word in photography or life? How do they make you feel? Favourite word is probably wind! South East sounds pretty good too, because that means I can go kiting! I don’t think I have a word that really irritates me. How does your personality change when you look through the camera? Well, I am a pretty easy going, relaxed, laid back fun loving sort of person, but when I pick up a camera I am focused, no pun intended, and diligent. I don’t care how much work it takes to make it perfect. It has to be as perfect as I can get it and this does not neccessarily apply to the rest of my life. Who / what are your influences? Quite a few artists, the old masters, Turner, van Gogh, Da Vinci,
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Vermeer, Klimt. Photographers would be; Bill Brandt, William Albert Allard, Steve McCurry, Henri Cartier Bresson, Ansel Adams… The list goes on but you get the idea and I have to add that the ocean has played a huge part in influencing me; I can sit and stare at it forever. What is your favourite image, either your own or someone else’s or both? Describe its creation or meaning to you? Without a doubt the Afghan girl by Steve McCurry. It is a great photograph that means something, this photo has made a difference to you when you have looked at it. She exhibits all of man’s fear, hope, vulnerability, angst, pain, pride and strength and makes you think not of yourself, but of the world’s people who go through these feelings everyday. Describe a day in your personal or professional life. I have a pretty good life I must say; I have a small studio in Woodstock. In Summer I will get up at about five o’clock and go see if there is any potential for landscapes. If there is, I will take my camera and tripod and go driving. I get back at about nine o’clock, go to my
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What are your favourite subjects to photograph? I adore landscapes, anything to do with nature.
from a photo shoot! Last year I had to do some photographs for engineering company’s yearbook and one of my assigned projects was an electrical substation. The engineering company had forgotten to organize for anyone to let me into the premises so I had to climb over with all my gear. I got stuck at the top, after about 15 minutes struggle with my camera bag’s strap I got over only to be met on the other side with alarm triggers and huge high voltage signs.
Tell your funniest, scariest, most bizarre, most touching story
I managed to scoot around without tripping the alarm or getting
studio and do a shoot in studio or on location depending. Process and Photoshop takes the rest of the day! Peaceful!! What are the biggest personal or professional challenges you face on a daily basis? Having to market myself.
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fried. I can imagine that it must have looked pretty funny seeing a small blond climbing walls with all that gear. What types of assignments are you attracted to mostly? I like variety. Anything outdoors I love, but I find in studio work challenging, I have to think and plan. The fact that I am in total control of the lighting in studio is very intriguing and a little bit daunting to me. I like to challenge myself, always something new to learn! Describe what black and white photography means to you? Well my first love was black and white photography. In my final year I specialized in B&W art photography and darkroom
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techniques. My happiest memories are in the darkroom. B&W photos can convey the soul and essence of a subject like no other medium, a bit like chalk sketches it eliminates the unnecessary and focuses the eye on the message that you want conveyed. Do you think of yourself as an artist and what do you think of the word artist? Yes I suppose I do. I have found that during the unhappiest times of my life it has always been art that has pulled me through and heeled me. I have learned that I cannot function if I am not allowed to draw, paint and photograph. “Art is not a thing; it is a way. ~Elbert Hubbard� How do you describe your photographic style?
Well, that is something that I am still working on, still figuring it out. I have a wide variety of photographs sporting a variety of styles, always trying something new, but I have yet to be able to define my style. What has been the most surprising or most predictable reaction to your photos? I am always surprised if people like my photographs. I tend to always criticize and see where I can better my technique, but every once in a while I get a person who seems to be truly blown away by my work and this is always a surprise to me. Who or what would you love to shoot that you haven’t already? Portraits, I want to do a series of portraits of the homeless. I would like to bring them to my studio and do a real Yousuf Karsh portrait with a homeless subject. Show them the pride and beauty that is within them, but has been neglected or forgotten. What would you have done differently during your photography career so far and could this be an advice to others? Don’t stand back and say I can’t, someone else can do it better. I used to be really shy, but with age I have learnt that if I put
enough focus into my work and I work hard enough I don’t have to stand back for anyone. I can do it just as well, maybe differently but just as well. If you want to make a success you have to trust yourself and your instincts. How do you feel about digital manipulation and to what extent do you utilize it? Digital works different from film in that you have a lot less leniency for error, a bit more like slide film. So you have to find ways to get around this, sort of like in B&W film when you expose for the shadows and print for the highlights. Manipulation has its merits. I try to refrain as far as possible from using any manipulation that will change the essence of the shot. I used to
do a lot of darkroom manipulation so I am not opposed to it. I do however believe that all newspaper photographs should have a rule against being manipulated, sure do a bit of brightness and contrast, but to change a whole scene for dramatic effect, there is no truth in that.
Tell us about the photographic equipment you use? At the moment I have a Canon 50D and a variety of lenses. My dream is to get a Hasselblad with an interchangeable digital back though!! All in good time!! Where can the public obtain your photographs or get in touch with bookings / assignments etc. I have a website www.santjiephotography.co.za where anyone can order prints or book a shoot by contacting me on my email address: santjie@santjiephotography.co.za. Or alternatively go to Facebook: http://www.facebook.com/pages/Santjie‐Photography
Dale Morris
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Visions from a marvelous world
Text & Images: Dale Morris
ale Morris, a UK escapee, is a dedicated naturalist, and as such is most happy when lurking around in the bush shoving his lens in the faces of insects, snakes and elephants.
In search of biological diversity and improved weather conditions, Dale left the cloudy confines of England and has since traveled to some of the world’s wildest and most fascinating places. His love for nature has led him to work with Thailand’s Gibbons, Costa Rica’s Monkeys, Nigeria’s Chimpanzees and Ecuador’s Marine Turtles to name but a few. These days though, he spends his time tracking down interesting people and projects for magazines such as CNN traveler, BBC Wildlife, and National Geographic. His mission in life is to highlight the wonderment of nature and to support through writing and images the sterling work being undertaken by the world’s conservationists. Dale now lives in Wilderness in the Western Cape with his wife, two kids and one Border collie.
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