michela stamin architecture portfolio
C U R R I C U L U M V I TA E
Name: Birth date: Birth place: Residence: Adress: Nationality: E-mail: Phone:
Stamin Michela 14/11/1995 Reggio Emilia (RE) Via Gaetano Donizetti 10/2, Reggio Emilia (RE) Via Evangelista Torricelli 9, Milan (MI) Italian michela.stamin@live.it 3475733999
EDUCATION 2009 - 2014
Liceo Classico Ariosto Spallanzani - Reggio Emilia Bilingual scientific diploma
2014 - 2017
Politecnico of Milan - Milan Bachelor’s Degree in Architectural Design
2017 - in progress
Politecnico of Milan - Milan Second Level Degree in Architecture-Built EnvironmentInteriors
2019 - in progress
Accademia Adrianea - Rome Itinerant Master in Itinerant Architecture, Archaeology and Museum Design
3
WORK EXPERIENCES 2017 - 2018
Studio Caruzzo e Associati - Milan Extracurricular Stage and University Tutor
2017
Studio Licari - Milan Curricular Internship
2017
Participation in the course “Earthquakes. Design in security” - Milan
2017 - in progress
Juul - Reggio Emilia Temporary work for the marketing
2017 - in progress
Company Paride Vitale and Giangiacomo Postir Discovered Brands - Milan Collaborator for the creation of Brochures, international customer service and “on the job” coaching
2016 - in progress
Ita Agency Company - Reggio Emilia Collaborator for Brochures creations, customer service and “on the job” coaching
WORKSHOP AND COMPETITIONS 2018
Biennale of Venice - Venice , Presentation at Biennale of “A new theatre for Longarone”
2018
Accademia Adrianea Piranesi Prix de Rome XVI edition - Villa Adriana, Tivoli Honorable Mention
2019
Workshop of “Roma Caput Voluta” - Rome
2019
Workshop of “Museumsinsel” - Berlin , David Chipperfield Architects
4
DIGITAL SKILLS MICROSOFT ADOBE AUTODESK
Word , Excel , Power Point , Sketchup Photoshop , InDesign , Illustrator Autocad
ACCA
Termus Educational
GRAPHISOFT
Archicad , Artlantis
GOPRO DESIGN 3D
Gopro Grasshopper , Rhino
GIS
QGis
CHAOS GROUP
VRay
LANGUAGE KNOWLEDGE Italian
|| native
English
|| First Certificate Of English (Passed at Grade C) Toeic (Passed at grade B2)
5
CONTENTS 01.
FORI IMPERIALI Tutor : Pier Federico Caliari , Roma Metropolitane , Soprintendenza Speciale Archeologia , Belle Arti e Paesaggio
02.
NEUE MUSEUM Tutor : David Chipperfield Architects Berlin
12
03.
PIRANESI PRIX DE ROME XVI EDITION Tutor : Pier Federico Caliari , Accademia Adrianea
16
04.
EDEN DOME Tutor : Simone Giostra
22
05.
A NEW HOSTEL Tutor : Cino Zucchi
26
06.
NEW TRAIN STATION Tutor : Andrew Whalley , Paolo Vimercati (Grimshaw Architects)
32
07.
NEW PERFORMANCE SPACE Tutor : Peter Beard
36
08.
RELATION WITH THE VILLA Tutor : Letizia Caruzzo
42
09.
RELATION WITH THE MUSEUM Tutor : Valerio Tolve
48
10.
EXTERNAL WORKS 10.01 : Extracurricular Intership 10.02 : Course ”Earthquakes. Design in safety” 10.03 : Exposition at Biennale of Venice “A new theatre for Longarone”
7
8
54 56 57
ITINERANT MASTER - Rome Architecture and Design Museum for Archeology. Strategic planning and innovative management of archeological heritage Workshop of “Roma Caput Voluta� , Fori Imperiali.
top view elevations
8
section
section and plans
10
ITINERANT MASTER - David Chipperfield Architects Architecture and Design Museum for Archeology. Strategic planning and innovative management of archeological heritage Workshop of “Museumsinsel� , David Chipperfield Architects
top view
sections
12
details
14
PIRANESI PRIX DE ROME XVI EDITION Villa Adriana International Architecture and Museography Seminar Design Competition “Giambattista Piranesi” Villa Adriana, Tivoli Honorable Mention
top view
16
plan floor 0
plan floor -1
section
elevation
18
section
section
section
19
EDEN DOME - Giostra Simone Rezzato, Brescia Tutor : Simone Giostra, Hope Strode Master’s Degree | 2^ academic year
The are of the project is rezzato (brescia). The project is part of a large complex, consisting of a wine cellar and an area dedicated to vineyards along the quarry steps. The project foresees an “eden dome� that is a building containing a botanical garden, capable on the one hand of guaranteeing energy to the entire complex, on the other hand of creating an attractive point in the area. Through an accurate analysis carried out with software such as Grasshopper and Qgis, the building was created by superimposing the solar analyzes, wind analyzes, and the presence of water in the quarry. Thanks to this, the decision to create two different gardens was particularly important: the garden with a tropical climate, and the garden with a Mediterranean climate. It represents an important node for the entire quarry, as it allows internal connectivity and continues the external flow with the vines, giving continuity to the entire system My proposal is to create a building capable of guaranteeing the perfect climate standards for plants and for the people who populate the area, but at the same time capable of changing over time, regenerating and expanding.
22
23
24
25
26
27
A NEW HOSTEL - Cino Zucchi Porta Genova, Milan Tutor : Cino Zucchi, Carolina Pacchi, Stefano Tropea Master’s Degree | 1^ academic year
The site is located in the city of Milan, in an unused part of Porta Genova train station, closed into a boundary wall. This neighborhood is characterized mostly by residential buildings made in the 60s. Our planning strategy is to use the space to maintain the original alignment of the buildings in the context, by giving a different perception of the location. To support this idea we have hypothesized the demolition of the wall to increase the permeability of the area. Requirement was to design a hostel with a maximum of 200 beds and a multi-purpose space in an autonomous pavilion. After studying the context, analyzing it from the different facets, we have decided to use three main words to design the space: - maintenance of pre-existence, - linearity, - permeability. The most important thing was to give a visual importance to the added part, which was possible by highlighting the conjunctions with the pre-existence, creating a connection between the streets, and modifying the materials of the open space. In fact, we decided to create a mighty base, made of stone panels, surmounted by a ventilated facade made of sandstone panels. Addressing the question of the relationship between the preexistence and the innovation is a high level of cultural commitment, regardless of the scale or the consideration of the existing in terms of importance. This challenge exists because there is a multidisciplinary and multilingual meeting, that is always contemporary through the ways and the knowledge paths. In this contraposition, the past and the new must merge, creating critical connections always unreleased and increasingly effective in ensuring conservation and history.
28
5
0
0
10
10
etr 20 m
res 20 met
es
masterplan 1:1000
north
nort
h
1.
north
top view | 1:1000
29
29
30
REALIZZATO CON UN PRODOTTO AUTODESK VERSIONE PER STUDENTI
NEW TRAIN STATION - Grimshaw Architects Porta Genova, Milan Tutor : Andrew Whalley (Grimshaw Architects), Paolo Vimercati, Antonio Capsoni Master’s Degree | 1^ academic year
The area of the project is Porta Garibaldi. Our proposal is to make simplier and more safe overcrossing the railway. We have developped a project with an integration of different areas, using elements that give a new character to the neighborhood. The project plans a big slab on the railway hat will be divided into three small parts. There are some access points in some important nodes in the area: these connect the level of the street to the big slab, with staircases and lifts. For the internal connectivity the streets continue the flow of the city path, to give a continuity with the historic trace. The scheme of plazas showsthe open and common space that is cut by some voids that allow air and light to enter down to the railway. The shading sistem brings all the main passage that is a diagolan that overcross the whole area. This is made by lamellas thata in some part become closer and in other parts opened, to see up. We have taken the function of the project of the Cavalcavia Bussa to continue the sport district inside the first parr of our area. Our proposal is to create different zones of density inside the area, divided by green areas and strees. So, the fist part close ti Cavalcavia Bussa, has two sport fields woth bleachers and a triangular playgroung for children. The filter zone is a green area woth banches and trees that create shades. On the main passage, we have designed an open market with triangular pavillions that sell vegetables, fruits and fresh products. These pavilions have the shape of flowers, with the counter in timber that runs all around the space. The roof is curved, made by steel. The triangular form is the better shape for internal flows of people. All the market is closed by curtain wall and a big roof that reprends lamellas of the middle roof. The taller building is for offices, the middle part is more connected to the station below and the last part is a serra. This is connected to the use of the open market. Finally in front of the serra there is a bloom garden that could be carried on by all citizens. The last important element in this area is the water flow that passes through all the landscape and is con- nected at the water tower near the site. 32
33
plan | 1:1000
34
35
36
31
33
30
37
A NEW PERFORMANCE SPACE - Peter Beard Belluno, Veneto Tutor : Peter Beard, Elisabetta Rotta Master’s Degree | 1^ academic year
The site is in the city of Castellavazzo, in an abandoned and characteristic cement factory. Our planning strategy is to use as best all the spaces to mantain the original composition of the buildings, by giving a different perception of the location. Requirement was to design a house for 20-25 actors and performance space for 50-300 people. We wanted to give visual importance to the three silos, highlighting the conjunctions between what we added, making them move forward with respect to the silhouette of the three silos, and modifying the internal materials. In fact, we decided to use wood, with a triple function: acoustic, thermal and visual value. We built the theater structure, that is emblematic because it exploits the full height of the silos and is suitable for hosting many people. This structure is made by scaffolding and consists of a metal net, which supports horizontal wooden panels. Also important are the horizontal passages, which connect the theater to the residences, through the direct connection of the internal structure of the theater with the built used as a residence. Studing the facade, we decided to hide the core of the structure near the boundary, with precast concrete panels, interropted by windows as big as the wall. On the ground floor and on the first floor the building is completely opened, in order to make only the internal structure visible. The rooms are placed in the other three floors, where there is a corridor on which the rooms and the common bathroom overlook. Important is the use of the loggia, used in the rooms to create a common space on each floor, then resumed in the upper part of the residences. On the top floor there is in fact the common part of the project, in which are located the kitchen, the drying space, and a public space used for eating and resting. Here the loggia is important for two factors: on the one hand it is a climatic heat filter, and at the same time allows the passage of air as it is open; on the other side it acts as a common open space for the warmer seasons.
38
A
B
C
3.
1. 2. 4.
plan level 1 | 1:200
0
0
PLAN LEVEL 1
1.200 @ A2
A
B
C
3.
1. 2. 4.
plan level 0 | 1:200
PLAN LEVELnorth 0 1.200 @ A2
0
0
10
10
20 metres 0
20
39
10
20 metres
0
10
1. 2. 3. 4.
theatre main Nentrance residences retained facade
20 metres
3. 4
1.
2.
3
2
1
0
section b-b | 1:200
00
55
10 metres
10
40
1. theatre 2. residences 3. common space
3.
4 1.
3
2.
2
1
0
section c-c | 1:200
41
1. theatre 2. residences 3. common space
RELATION WITH THE VILLA - Caruzzo Letizia Lake of Geneva, Geneva Tutor : Letizia Caruzzo, Irene Pasina, Mauro Fabbro Bachelor’s Degree | 3^ academic year
The project involves the restoration of a villa of an art collector on Lake Geneva. We intervened by implementing a new architectural body alongside the pre-existing Villa, of which, in turn, only the original external appearance was maintained, and only the existing interiors were demolished. From the main entrance, located on the North-West side, there is an optical cone towards the lake: in fact, nothing stands in the way of the visitor’s gaze, addressed, indeed, on the one hand thanks to the positioning of works of art in the midst of the large open spaces , which mark out and divide the space; on the other thanks to the large sliding glass doors located to the south. The villa’s supporting skeleton is the double-height equipped wall, which contains some works of art, and serves as an emblematic connection between the lower and upper floors. All the rooms are located on the first floor: the existing building space has been made available to the two children, while the entire new body houses the master bedroom and guest rooms.
42
no
rt
h
top view | 1:500
43
north elevation | 1:250
ground floor plan | 1:500 south elevation | 1:250
44
east elevation | 1:250
first floor plan | 1:500 west elevation | 1:250
45
46
RELATION WITH THE MUSEUM - Tolve Valerio Lake of Como, Como Tutor : Valerio Tolve, Luisa Ferro Bachelor’s Degree | 3^ academic year
The project involves the construction of a new building to house a new museum and ateliers for emerging artists. The conception of the Museum stems from the desire to create a continuity with the pre-existence, being the continuation of the old Garibaldi Museum, which generates the planimetric layout, and to which it is connected through the construction of an “arm” that starts from the main volume. In fact, here a demolition of the existing building was mitigated, to later construct a new building to complement the pre-existence. Its location aims to mark the transition between the Garibaldi Museum and the new volume: the new building develops parallel to the historic wall, and is a completely new block, inserted into the natural embankment. The scheme adopted in the planimetry assumes particular importance in the functional organization of the building, developed on different levels in which the two blocks were built, creating a terrace effect: the volume of the entrance atrium establishes a relationship between the New Museum, with the classrooms of the laboratories and the vertical connections, and the second volume composed of a museum room. The ground floor includes a large museum room, multi-purpose exhibition areas and technical rooms, a bar, and finally a service block. The upper floor houses the continuation of the exhibition itinerary and direct access to the terrace. The building is conceived as a succession of portals that support the real envelope and articulate the internal rhythm, dividing the building and creating “naves”. The only volume that comes out of the main building, thus breaking its linearity, is the glass showcase, conceived as the thematic anticipation of the exhibition that can be supposed to be set up inside the Museum. The building’s layout is reminiscent of Romanesque basilicas, being ideologically made up of three naves, studied according to a golden ratio, and a semicircular apse, dug out of the embankment, formed by tiers.
48
20 metres 10 0 north
top view | 1:1000
49
ground floor | 1:500
section | 1:500
50
first floor | 1:500
section | 1:500
51
ground floor plan | 1:250
section | 1:500
west elevation | 1:500
section | 1:500
east elevation | 1:500
52
first floor plan | 1:250 east elevation | 1:250
west elevation | 1:250
section | 1:250
south elevation | 1:250
53
EXTERNAL WORK Extracurricular Internship Studio Caruzzo e Mauro Architetti Associati
The undersigned Michela Stamin declares to have carried out the Internship activity at the Studio Caruzzo and Mauro Architetti Associati, in Via Ricotti 22 in Milan. The hours were exhausted in the months of October, November and December, and were used to carry out various types of study activities, ranging from the preparation of preliminary technical drawings aimed at preparing the building practice of a villa, to the creation of brochures . Going more specifically, I initially carried out activities for the presentation of a brochure, including definitive graphical drawings, which could summarize some projects taken on by the Firm. Since the studio was aware of my desire to devote myself to the design of an architectural interior, I was subsequently asked to work on a project to renovate an apartment in London, creating constructive tables. By issuing tables to be submitted to construction technicians. It was also important to dedicate myself to rendering the interiors of another project in Milan, in order to verify the spatial choices and the proposed materials. It was also interesting to elaborate the construction of a threedimensional model of an armchair for industrial construction, also implementing a verification of the executive details. It was particularly important for me to carry out this internship due to several factors: I came into contact with a large reality in Milan, and I was able to make myself known and appreciated. Participating in projects with tight and well-defined deadlines I had to apply myself with perseverance and attention, I was constantly followed and I always enjoyed the necessary support.
54
Questo progetto di una mostra per l’Hangar Bicocca è composto da cinque nuclei, cioè da cinque parti tra loro concatenate ma al tempo stesso autonome per contenuti e forme, che si dispongono lungo tutti gli spazi dell’Hangar Bicocca, denominati “navata” e “cubo”, posti lungo il sedime ad est della grande halle dei Sette Palazzi Celesti di Kiefer. La disposizione delle cinque parti - vestibolo / ansa / navata / teatro della festa / sfera per l’installazione multimediale – descrive un filo narrativo ma ogni parte ha propri identità e ruolo: non c’è gerarchia tra le parti ed il flusso delle persone e la loro percezione seguono le strade che ognuno deciderà di percorrere, libero di tornare sui suoi passi, come in una monumentale piazza di città. 1
L’allestimento infatti è, esso stesso, allegoria dello spazio urbano: le sue forme definiscono luoghi fisici concatenati che accolgono e intrecciano architettura, arte e musica.
Procedendo dall’ingresso, ci si troverà all’interno del bianco traliccio cilindrico che, evocando il gasometro e l’archetipo della rotonda, fa da vestibolo di “straniamento”: è questo il luogo dei progetti per Milano e per il suo territorio, proiettati sul diorama di garza leggera a tutta altezza, posta all’interno della incastellatura. Anche i modelli di architettura abiteranno questo luogo. A terra un circolare piano di LETIZIA CARUZZO E MAURO Career Service - Stage 2 proiezione accoglierà gli sguardi d’autore: le immagini di un corale reportage fotografico FABBRO ARCHITETTI ASSOCIATI che descrive i luoghi e i comportamenti della città. VIA RICOTTI 22 POLITECNICO DI MILANO Sospesa un’installazione luminosa volumetrica rischiarerà lo spazio circolare. 20158 MILANO Leonardo da Vinciche 32descrive a terra una La totalità della rotonda saràPiazza intersecata da una incastellatura TEL 0236632140 Milano parabola : è questo il luogo 20133 dei disegni di architettura (dei maestri Guido Canella e Aldo caruzzofabbro@gmail.com Rossi, e di molti altri), a descrivere un archivio di conoscenza e figurazione, costruito nel tempo, attraverso il quale far emergere l’identità fisica e culturale di Milano e della sua area metropolitana. L’esposizione e l’ installazione occupano tutta la navata a doppia campata e lo spazio
gigantesco del “cubo” , che misura circa 26 metri di lato. Modello di Relazione conclusiva da compilare a cura del tutor aziendale Tutto lo spazio della colossale “navata” è abitato da un semplice dispositivo espositivo: anse curvilinee creeranno mobili e leggeri diaframmi, che conterranno le opere degli artisti; al di là della loro mutevole presenza ci sarà una rampa in esile carpenteria metallica che permetterà di guadagnare quota fino a raggiungere un percorso aereo che 3 connette altri spazi espositivi: da esso si potrà guardare dall’alto, come da un loggione, LETIZIA CARUZZO E MAURO FABBRO ARCHITETTI ASSOCIATI 1 Giuseppe Spagnulo “rosa dei venti”, 2012 gli eventi che si svolgono nel teatro della festa; da questa quota inusuale sarà anche 2 Alik Cavaliere, “grande cespuglio”, 1965, Milano possibile contemplare i Sette Palazzi Celesti di Kiefer, che da terra avremo già scorto 3 Nanni Valentini, “la casa di Hestia ” nella navata occidentale dell’Hangar.
DATI ANAGRAFICI AZIENDA Ragione Sociale
Responsabile del tirocinio LETIZIA CARUZZO CONSUNTIVO DATI TIROCINIO
Cognome e Nome del tirocinante STAMIN MICHELA Matricola n. 829900
L’ansa di apertura (2) sarà dedicata ai disegni meravigliosi e agli abiti – costume di Gianfranco Ferrè. Nella navata saranno visibili le opere degli artisti di oggi ma anche quelle dei maestri del nostro recente passato: Venanzio Alberti, Paola Brusati, Claude Adrian Caponnetto, Nicola Console, Azelio Corni, Giuseppe Di Napoli, Valerio Gaeti, Ernesto Galimberti, Lino Gerosa, Paolo Mazzuferi, Antonio Mottolese, Margherita Palmero, Luca Rendina, Corrado Spataro, Valerio Tedeschi, Antonio Triacca, Marco Viganò. I maestri: Egidio Bonfante, Giancarlo Bulli, Alik Cavaliere, Pietro Coletta, Dadamaino, Luciano Fabro, Lucio Fontana*, Franco Fossa, Francesco Somaini, Pino Spagnulo, Jorrit Tornquist, Nanni Valentini.
Luogo di effettuazione del tirocinio VIA RICOTTI 22 20158 MILANO Area / Funzione aziendale di inserimento:
............................................................................................Progettazione architettonica/progetto grafico Periodo: dal
23/10/2017 al 23/12/2017
Tipologia del tirocinio Tutor aziendale:
4
OBBLIGATORIO
LETIZIA CARUZZO
Nelle due ultime campate della grande navata è collocato un teatro circolare (di circa 24 metri di diametro), con spazio scenico posto nella circonferenza centrale, camminamento perimetrale in rilevato e altissimo e mediano arco di proscenio costituito dalla titanica incastellatura metallica presente nella penultima campata della “navata”: X FACOLTATIVO un congegno drammaturgico archetipico che si porrà come luogo per la musica e per la danza, luogo del corpo e del sentimento; ma anche come luogo della festa – concerto: qui si diffonderanno sonorità e melodie molteplici, tante quante le differenti culture che lo identificano, corpi in movimento nello spazio per la danza contemporanea, per l’improvvisazione jazz, per il ballo spontaneo innescato dalla musica dal vivo… E quando gli artisti non saranno presenti, saranno le loro proiezioni (o gli ologrammi) ad abitare lo spazio del teatro della festa…
Descrizione analitica delle attività in cui la tirocinante è stato coinvolta 5
- Progetto di ristrutturazione di appartamento in duplex a Londra: redazione di tavole
Il teatro della festa è separato dal “cubo” dal grande portone metallico scorrevole che sarà visibile la grande sfera, che apparirà in tutta la sua icastica e lunare lucentezza, contenuta da uno spalto anteriore pensato
costruttive: in particolare tavola delle demolizioni e costruzioni. sarà tenuto semiaperto; varcando la soglia
- Progetto di ristrutturazione di appartamento a Milano: renderizzazione degli interni per come una sorta di baluardo composto di blocchi che evocano una cava di marmo di verifica scelte spaziali e dei materiali proposti.
Candoglia e da uno posteriore costruito come una centina lignea cinquecentesca.
La sfera evoca la purezza programmatica dell’architettura di epoca neoclassica, - Progetto di prototipo di elemento di arredo: costruzione modello tridimensionale di una quando il processo di trasformazione della città venne perseguito attraverso l’idea di magnificenza civile, e lo poltrona per costruzione industriale, con verifica dettagli esecutivi. 6
sviluppo fisiocratico della città si arricchì di edifici utilitari dolcemente monumentali (porte e giardini ma anche teatri, musei e biblioteche…), intesi
serene allegorie suo volto civile. 4 Egidio Bonfante, “il palazzo di gentile bellini” - Progetto di mostra per l’Hangar Bicocca: redazionecome di brochure didelpresentazione del progetto. 5 Dadamaino, “il movimento delle cose” 6 Jorrit Tornquist
*in attesa di conferma
Risultati pratici conseguiti L’allieva ha affrontato con efficacia il tema della razionalizzazione dello spazio nell’ambito della ristrutturazione di edilizia residenziale.
55
EXTERNAL WORK Participation in the “Earthquakes. Design in safety “
”Earthquakes: planning in safety” is a course organized by the Foundation of the Order of Architects PPC of the Province of Milan with the aim of proposing an overview of the very current issue of securing the building stock in a country characterized by a high degree of seismicity. The main objective of the course was to give a concrete idea about the professionalism working for anti-seismic design: the building system must in fact guarantee a lucid contribution to the territorial protection policy, and the ability, at the same time, to foresee possibilities of improving the environment. From emergency intervention, to asset security, to prevention, the course has retraced the steps of a seismic event, from the beginning to the reconstruction, trying to highlight the different professional skills that are activated to give a technical answer to the needs. Finally, ample space has also been given to the landscape aspects, since the overcoming of the damages of an earthquake is not only important from the point of view of building reconstruction, but also to obtain a reorganization of the territory.
ATTESTATO DI PARTECIPAZIONE Evento formativo proposto dalla Fondazione dell’Ordine degli Architetti PPC della Provincia di Milano
Si attesta che MICHELA STAMIN ha partecipato al corso
Terremoti. Progettare in sicurezza della durata di 12 ore tenutosi in modalità Frontale
(codice accreditamento CNAPPC ARMI04082017122230T01CFP01200 ), ai sensi dell’art. 7 del DPR n. 137/2012.
Milano, 14 Novembre 2017
Il Presidente Dr. Arch. Valeria Bottelli
EXTERNAL WORK Presentation at Biennale Of Venice “A new theatre for Longarone” https://www.lablog.org.uk/2018/07/10/biennale-sessions_2018-6-8jul-a-new-theater-for-longarone/
57
thank you email : michela.stamin@live.it telephone : 3475733999