“AMALGAMATION OF PAST ARCHITECTURE WITH THE PRESENT SCENARIO BY RETAINING THE HISTORICAL FABRIC”
DESIGN INSPIRATION DRAWN FROM:
RECALL FOSTER
HISTORY
CULTURE
CONSERVE
PLANNING ASPECT
HERITAGE CULTURE PROJECT
• • •
HERITAGE PRESERVE
A cultural-heritage perspective is outlined in my design which would allow me to conceive the historical memory as an inextricable part of an overarching historical discourse, the discourse of cultural-heritage memory. In order to achieve this conception of my design, a historical memorial and work of art is combined under one roof. Thus my design would create a symbolic space for learning, conserving , preserving and remembering our rich cultural-heritage from historical period ,where the past and present are continuously recombined.
H E R I TAG E
Tangible heritage includes buildings and historic places, monuments, artifacts, etc., which are considered worthy of preservation for the future. These include objects significant to the archaeology, architecture, science or technology of a specific culture. Objects are important to the study of human history because they provide a concrete basis for ideas, and can validate them. Their preservation demonstrates recognition of the necessity of the past and of the things that tell its story. Preserved objects also validate memories; and the actuality of the object, as opposed to a reproduction, draws people in and gives them a literal way of touching the past.
Historical town planning of Tamil Nadu is taken as an influence for the design where the entire town is divided by fortified walls with CONCEPTUAL PLANNING CONCEPTUAL high rising gopuras amidst. OF SRI RANGAM PLANNING OF MADURAI
With the inbuilt mass gopuram becomes analogous to the entire built complex and With evolving scales and mass gopurams can become visual reference and physical link
Interior spaces are distinguished by various level differences inside the fortified wall thus maintaining various spaces in an enclosure
Multiples intermittent gopuras between inner and outer denotes the hierarchy of spaces. Gopuram punctures in the barriers distinguish the spaces. Four cardinal points are marked by a doorway (gopuras). The interior spaces remain a treasury till one enters inside and explores various spaces.
CONCEPTUAL ZONING OUTER CIRCULATION
SYMBOLISM OF TAMIL NADU
Pedestrian movement within the complex will bisect the planes at every point of interest in the complex where the sense of interest and excitement is created to plunder the complex further and further . Thus keeping the interest sustain throughout
C U LT U R E Culture (INTANGIBLE) is the legacy of physical artefacts and intangible attributes of a group or society that are inherited from past generations, maintained in the present and bestowed for the benefit of future generations. The culture of Tamil Nadu (i.e.)literature , dance , song ,drama , arts etc…are in the verge of extinction or practiced in meagre scale in few parts. Industrialisation Technological era Fast urbanisation Westernizing Change in life style
INNER CIRCULATION
These factors has left to the NEGLIGENCE of Tamil culture practiced from the sangam era. Artists doing the traditional arts forms are getting DECREASED DAY BY DAY and some art forms are out of the present scenario(EXTINCT). The TOURIST who are coming to Tamil Nadu to experience the myriad cultural forms are left untold or they will have to travel to various places to experience the culture of Tamil Nadu. Its high time to understand the DEGRADATION OF OUR CULTURAL HERITAGE and REJUVENATE the culture of traditional Tamil Nadu ENLIVENING CULTURAL HERITAGE
Gopuram becoming the point of entry from one realm to another ,thus accentuating the transition from in to out –heaven to earth and vice-versa . The central gopuram will serve as a focus for the pedestrian bridge
ENLIGHTENING THE LIVES OF VARIOUS ARTIST
CONCEPT
CONCEPTUAL SKETCHES
Gopurams at four cardinal points are designed as watch towers to view the entire complex DETAIL OF PEDESTRIAN DECK
TRAPEZOIDAL GOPURAM
PYRAMIDAL VIMANA
Design inspiration drawn from various temple gopura forms for entrance and other highlighting elements in the complex
CONCAVE GOPURA
TEMPLE CHARIOTS DESIGN EVOLUTION
HEXAGONAL UMBRELLACONETHIRUVARUR CHIDAMBARAM
STEPPED PYRAMIDKANCHI
CHARIOTS
Either side of pedestrian bridge is lined with lotus shaped craft bazaars,thus denoting the lotus pond in temples. The waiting kiosk at the entrance is designed like a open madapa with small shrines inside (serves as shelter for the visiors.)this structure raises in three diminishing tiers with columns of three styles of Dravidian architecture.
DETAILING OF WALL WITH RESPECT TO THE SOLID VOID COMPOSITION WATCH TOWER \AS FOCUS
HALL FOR
FORM ASPECT
CONNECTIVITY OF VARIOUS SPACES
GROWTH IN HEIGHT OF GOPURAS(CANOPY)
ADDITION OF MANDAPAS
FORTS TEMPLES PALACES BUILT HERITAGE The hall for forts , temples ,palaces and built heritage is shaped like a fortress and the interiors are shaped like a temple gopura .the natural history museum in the basement flows with this space, the entire area is scooped from the ground and the same is used for shaping the earth walls
WALL MASSING MANDAPAS
NATURAL HISTORY MUSEUM
SOLID AND VOID COMPOSITION WITH STONE CARVING AND SCULPTURAL MOTIFS
Large courtyard surrounded by mandapa (forts)
WAITING KIOSK
ENTRANCE GATEWAY DETAIL
The pedestrian bridge is designed like a two tier mandapa structure which serves as a watch deck by itself. This watch dck is designed like a flower opening out to a central pond holding watch tower amidst.
CRAFT BAZAAR
ENTRANCE GATEWAY CONNECTIVITY WITH THE CENTRAL FOCUS
PEDESTRIAN BRIDGE
The pedestrian bridge will serve as a viewing deck for the entire complex connecting various areas visually . The entire planning will reflect the temple towns of Tamil Nadu and the interior movement will be concentric realms of baffle plane.
Temple well
DETAILING OF MANDAPAS AFOR THEATERICAL PERFORMANCE AND RECREATIONAL WELLS
The stage for theatrical performances are designed like a chariot floating in water ,the wheels of the chariot act as the columnar supports which goes into the ground and looks like floating
Instrument artist shaped like veena
MULTIPURPOSE HALL
THEATRICAL ARENA
Basket weavers arena shaped like a basket with bamboo and coir .
This is deign by tucking in ground which is designed in all aspects to recall the street theatres . Earth serves as ground and wall. Tribal arts & gypsies arena designed like a open structure as they mostly prefer working in informal environment. Weavers arena is shaped arena like a rectangular blocks wined together
This block is designed amidst the sculptor school which tries the maximum to catch the winds flowing from south-west and north-east. This is the highest point in the sculptor complex appears like enshrined my sculptures around it.. The sculptor school as a whole looks like a sculptor os life scale to bring in the theme of sculptor school. And it is designed in oneness with nature to give a good working environment for the sculptors.
Artisan village is designed along with water element and by retaining the traditional village street concept of providing pedestrian lanes where exhibition of artisans are carried out for visitors . Thus artisans village recalls the village cluster of artist in olden days
ARTISAN VILLAGE
The seating area is atop of the whole structure viewing the stage and the water behind it .
SCULPTORS RESIDENCE
The concept of rathas is tried to achieve in all the aspects of design like the columns and in the ornamentation
Sculptor accommodation is designed like a small domical clusters . Each cluster is provided with a workspace and the entire cluster is focussed to a central pavilion where mess facilities are present . The panning concept resembled the village cluster where the central focus will be a Asoka tree with gathering space underneath.
LIBRARY & DOCUMENTATION CENTRE
This theatrical arena is designed in the edge of water body to enhance the concept of temple mandapas
• • • • •
Palai region is designed to resemble a sand mound and the rustic feel is maintained with material used and the space around the museum is filled with sand to bring in the feel of arid regions. Mullai region is designed like a cave dwelling in a cluster pattern where each museum focuses on various living and culture of those regions. Marutham region is designed along with the flow of a water channel in a semi open museum space where the flow of water is continuously seen and felt to enhance the theme The neydal region is designed in the shape of sea waves and the interiors are also the same form is maintained with the fell so water waves inside the complex with an artificial water body around the complex. Kurinji regions are enhanced with the theme of hilly regions with the form . The three conical complex will reflect various hilly regions in the state. PALAI-arid regions
Jewellery artist arena is designed like an ornament with bamboo and stone.
•
S TAG E : 1
Stone carvers arena is designed along with a rocky element with working kiosks around the mountain
D E S I G N D EVE LO PM E NT
• •
•
MULLAI-forest regions
Space
MARUTHAM-fertile regions Backwater Theatrical space Vegetation Museum space Rocks Accommodation space
KURINJI-hilly regions NEYDAL –coastal regions
ZONING D E S I G N D EVE LO PM E NT •
Museum hall of each region is designed in accordance with their local architecture and in union with their built heritage and natural landscape present in that region
•
• • •
FERN solar plants are designed to gently sway at a minimum of three meters above the ground to provide cover from the sun and add to the visual beauty of the landscape. The FERN leaf/solar panel is a semi-transparent and flexible solar cell that gives a gentle light and provides a friendly space. FERN is designed to artfully follow the movement of the sun at all times. FERN casts wide shadows during the daytime, it gradually stands vertical in the evening and then lights up to the sky for the night
• •
•
VIEWING DECK EVENING SUN NOON SUN MORNING SUN
10 M
This is designed more like an open space with arbours and its present on a water body which raises in roof for different heights
FERN
ACTIVITY HALL
O P E N S PA C E S & A L L E Y S
The form evolution inspired from the study of fort architecture , palatial architecture and temple architecture of Tamil Nadu with contemporary blend. Rustic perception is brought into design by using natural rock and stone for construction Monumental scale is aimed to perceive at low profile without affecting the skyline of the heritage precinct (10 m max) The visual sense is directed horizontally and visual interaction at various levels around.
GROUND LEVEL
S TAG E : 2
Potters arena designed like a pot in earth in introverted structure and extroverted structure.
AYINTHINAI MUSEUM COMPLEX
•
It was essential to preserve certain areas on site to bring in the built structure in complementary to the nature i:e to retain the site in its original form. The site is naturally divided into two halves with the backwater running across the site so this can be effectively used for segregating spaces. The museum space and theatrical space are segregated on either side of the backwater so that the theatrical space can open to the public only in the evening whereas the museum space will be open throughout the day. Viewing decks are created above the backwater to create vistas around the site and off site heritage precinct. Since the backwater mouth to the sea is very adjacent to site extra planning measures are taken to avoid the run off water into the site hence embankments are created which also visualises the major rivers of Tamil Institutional Nadu.
SITE PLAN
GENERATED SITE VIEW FROM NORTH-EAST
N 1
TOURIST CLUSTER UNIT
8 2
5 4
6
3
7
9
11 10 12
19
SITE MODEL ARTIST RESIDENCE
20
23 24 14
21
13
ADMIN
TOURIST CLUSTER UNIT SECTION 15
MULTIPURPOSE HALL
22
GUEST HOUSE
23
AMENITIES
KEY PLAN
18
MID GOPURA
PEDESTRIAN BRIDGE
24
ENTRANCE GOPURA
17
MID GOPURA
MID GOPURA
CENTRAL WATCH TOWER
MID GOPURA
The entrance gopura is connected by a row of colonnades and mandapas to the mid-gopura and in turn to the consecutive gopuras and central watch tower
CENTRAL TOWER
MID GOPURA
ENTRANCE GOPURA MID GOPURA CENTRAL WATCH TOWER
M O D E L
1-PARKING 16 2-TICKET COUNTER 3.MULTIPURPOSE HALL 4-WAITING KIOSK 5-AMENITIES 6-ADMINISTRATIVE OFFICE 7-BOAT JETTY 8-SCULPTOR SCHOOL 9-SCHULPTOR’S HOSTEL 10-FOOD COURT 11-ARTIST VILLAGE 12-OAT 13-HALL OF LIVING HISTORY 14-THEATERICAL SPACES 15-TEMPORARY ARTIST KIOSK 16-ARTISANS RESIDENCE 17-GUEST HOUSE 18-TORUIST VILLAGE 19-KURINJI COMPLEX 20-MULLAI COMPLEX 21-MARUTHAM COMPLEX 22-NEYDAL COMPLEX 23-PALAI COMPLEX 24-PEDESTRIAN BRIDGE
GUEST HOUSE SECTION
ENTRANCE GATEWAY
MID GOPURA
ENTRANCE GOPURA
The pedestrian bridge will serve as a viewing deck for the entire complex connecting various areas visually . The entire planning will reflect the temple towns of Tamil Nadu and the interior movement will be concentric realms of baffle plane. Gopurams at four cardinal points are designed as watch towers to view the entire complex
KURINJI MUSEUM
N
MULLAI MUSEUM
ENTRY 6M
2.2 M
2.2 M
MUSEUM SPACE
A
ELEVATION
MUSEUM SPACE
Bamboo supports for display area Vault created with earth 6M
A
2.2 M
MUSEUM SPACE
FLOOR PLAN
FLOOR PLAN SECTION-BB
10M
6M
DETAIL
GL
ELEVATION Bamboo reinforcement for earth walls
DETAIL
Stone decking
6M
VIEW OF THE MULLAI COMPLEX
4M
GL
SECTION-AA
VIEW OF THE KURINJI COMPLEX
MARUTHAM MUSEUM
N
NEYDAL MUSEUM
6M
6M
3M
GL 3M
DISPLAY DECK
6M
DISPLAY DECK
4M
C
6M
DISPLAY DECK
SECTION-CC ARTIFICIAL LAKE
ENTRANCE HALL
ENTRY
DETAIL
ELEVATION
DISPLAY DECK
C
INTERIOR 3M
FLOOR PLAN
DISPLAY DECK
6M
DISPLAY DECK
6M
D
-6M DISPLAY
+6M
DISPLAY
+6M -6M
ELEVATION
DISPLAY
Boulder stone as wall (interlocked)
DISPLAY
Natural grass thatched roof
+6M
DISPLAY
-6M
Bamboo and pole rafters FLOOR PLAN
6M
GL
3M
12M
6M
6M
D
SECTION-DD EXPLODED VIEW
DETAIL
PALAI MUSEUM
E
F
HALL OF LIVING HISTORY
ENTRY
N
DISPLAY AREA
HALL OF PALACES
A
A
DISPLAY AREA
8M
RAMP UP
HALL OF PALACES
HALL OF TEMPLES
SECTION-EE
B
E
B
6M
2M
7M
FLOOR PLAN
NATURAL HISTORY MUSEUM
3.5M
GL
4M
ELEVATION HALL OF FORTS
SECTION-AA
8M
HALL OF TEMPLES
NATURAL HISTORY MUSEUM
GL DISPLAY AREA
NATURAL HISTORY MUSEUM
FLOWING WATER STREAM
3M
ENTRANCE DOORWAY
HALL OF BUILT HERITAGE DISPLAY AREA
SECTION-BB
DISPLAY PAVILIONS
F FLOOR PLAN ENTRY
HALL OF PALACES
HALL OF TEMPLES
N
HALL OF FORTS HALL OF BUILT HERITAGE
2.7M
2.7M
2.7M
8M
5M
INTROVERT PLANNING RECALLING FORT ARCHITECTURE
NATURAL HISTORY MUSEUM
EXTROVERT PLANNING RECALLING TEMPLE ARCHITECTURE
SECTION-FF OPEN PLANNING WITH ARCH OPENINGS DENOTE THE WATCH TOWER AND AIRY PAVILION CONSTRUCTION GREEN RAMPS REGULATES THE FLOW ON EITHER SIDE
VEGETATION FLOWS INTO THE TUNNEL AND GROWS FROM WALLS
NATURAL HISTORY MUSEUM EXPLODED VIEW TUNNEL RUGGED UNDERNEATH THE HALLS AND THE SAME EARTH USED FOR CASTING WALLS AROUND IT
DETAIL
BAMBOO DECK FOR DISPLAY
DETAIL
COLUMN DETAIL
CIRCULAR RAMP AROUND THE CENTRAL CORE INFLUENCED FROM GOPURA CONSTRUCTION
WATER SWIRL CREATED FROM THE HALL OF LIVING HISTORY IS ALLOWED TO FLOW INTO THE NATURAL HISTORY MUSEUM AND THE SAME IS MET AT THE TIME OF RAIN
ARTISANS VILLAGE
N
ACTIVITY HALL TRIBAL & GYPSIES ARENA
TANJORE ARTIST ARENA INSTRUMENT ARTIST ARENA
BASKET WEAVERS ARENA
BASKET WEAVERS ARENA
POTTERS ARENA
JEWELLERY ARTIST ARENA INSTRUMENT ARTIST ARENA
EXHIBITON PAVILION
TRIBAL & GYPSIES ARENA WOOD CARVERS ARENA
POTTERS ARENA STONE CARVERS ARENA WEAVERS ARENA WEAVERS ARENA TANJORE ARTIST ARENA
EXHIBITION PAVILION
3M
STONE CARVERS ARENA PEDESTRIAN LANE
JEWELLERY ARTIST ARENA WOOD CARVERS ARENA ACTIVITY HALL
SECTION THROUGH ARTISAN COMPLEX +3M LVL ACTIVITY HALL +1M LVL EXHIBITIN PAVILION
-1M LVL ARTISANS COMPLEX
N
LIBRARY AND DOCUMENTATION CENTRE
6M
6M
SCULPTOR SCHOOL OUTDOOR WORKSHOP
6M
SCULPTOR STUDIO 5
SCULPTOR STUDIOS SCULPTOR STUDIO 4
ELEVATION EXPLODED VIEW
SEMINAR HALL
OUTDOOR WORKSHOP LIBRARY & DOCUMENTATION CENTRE
Thatched natural fiber roof
SCULPTOR STUDIO 3
SEMINAR HALL
Pole and bamboo framework Stone supports
LIBRARY &DOCUMENTATION CENTRE
FLOOR PLAN
Jaali wall made out of Bamboo pieces
READING AREA
6M
SCULPTOR STUDIO 1
4M
SCULPTOR STUDIO 2
Stone columns INTERACTION ZONE
DETAILING OF BAMBOO AND STONE WALL
Earth scooped out and earth is decked to serve as a classroom and indoor workshop stone framework and bamboo fit into the frame by screwing it together
GL
OUTDOOR WORKSHOP
VIEW OF THE STUDIO FROM LIBRARY
6M
12 M
VIEW OF THE SCULPTOR COMPLEX
N SCULPTOR’S HOSTEL C 6M
B COVERED PAVILIONS
4M
A
SECTION-AA
SEMI COVERED PAVILION
B
C
CENTRAL COURTYARD COVERED WITH THATCHED ROOF SUPPORTED BY POLES
DINING AND HALL FOR INTERACTION
PAVILION FOR SHORT TERM COURSES IN SCULPTOR SCHOOL
KITCHEN
Domical room made by earth and crushed stone with natural stone supports tucked in ground
4M
FLOOR PLAN
3M
4M
A
UNIT SECTION
ELEVATION BAMBOO STONE
EARTH
VIEW INTO THE HOSTEL CLUSTER
MANDAPAS FOR INTERACTIVE CLASSES
3M
PAVILION FLOATING PARTIALLY IN WATER
2.4M
6M
SECTION-CC
Bamboo supports the hanging thatched wall which shads the harsh sun rays in east-west direction
N THEATRICAL ARENA
The theatrical stages are shaped in the form of rathas parked in water adjacent to it ,this design was inspired from the floating mandapas and combining the temple architecture and the local rock cut architecture in local.
B
12M
3M
6M
A
A
Giant scale simha is seen in the theatrical space and all the columns in the complex are shaped like pallavan columns with a lion base.
ELEVATION
B VIEWS
6M
FLOOR PLAN
Stone vault on earth and stone frame work
OPEN AIR THEATRE
6M
LASER SHOW ARENA
Floating theatre Central core acts as structural support
SECTION-BB
GALLERY PUPPET SHOW THEATRE
Entire structure supported by pier foundation
4M
6M
Earth forms wall GALLERY
5M
GALLERY
FLOOR PLAN 6M
SECTION-AA
Floating open theatre denotes the blooming of a flower and this complex is constructed with boulder, stone and earth.
ENTRY
N ADMIN BLOCK A THEATRICAL AUTHORITY ROOM
MUSEUM AUTHORITY ROOM
ACCOMMODATION AND ENQUIRY ROOM
ELEVATIONS ENTRY
CONFERENCE AND MEETING ROOM
CENTRAL CONTROL ROOM HERITAGE AND CULTURAL TRUST
Earth stabilized framework 8.2M
4 .7M
3.2 M
FLOOR PLAN
Central canopy serves as a waiting lobby
5.2M
DINING HALL
2.7M
STAFF ROOM
Thatched covering with earth reel roof
SECTION-AA A
Toilet
10M
MULTIPURPOSE HALL B
Toilet Toilet Toilet
6M
2M
Toilet Toilet
SECTION-BB
Bamboo and pole framework
GENTS
LADIES
urinals
Toilet
Janitors store
Nursing room
AMENITIES BLOCK
B Earth reel roof
Earth cut small projections and niches
Exploded view of the multipurpose hall
N BOAT JETTY
ENTRY
•Stone jaali wall supported by poles and stone columns •Interior mass is a gopura structure which shows rigdity in the exterior and hollow in the interior ,thus enabling 3M free flow inside •Double deck space
Entrance foyer
3M 6M
Waiting area
Waiting area
Electric panel room
Toilet Toilet
4.5.M Generator room
3M 4.5.M
Water treatment room
Store room
Boarding deck
SIDE ELEVATION 6M
3M
FOOD COURT
FRONT ELEVATION
B
A
Cold storage
Preparation area
Live kitchen
1M
1M
A
Cash counter
4.2M
VIEW OF THE FOOD COURT 5M 7M 4.2M
Natural stone column plastered with earth in bright colors
The base of the dining area unit is scooped from ground and the roof is formed from earth and crushed stone
SECTION-BB PREPARATION AREA
2M
B
12M
Dining areas tucked at different levels in ground with respect to the contours present on site
4.2M 2.27M
SECTION-AA
N WAITING KIOSK
13M
A
7M
9M
ROOFING IN EARTH AND POLE
3M
3M
SECTION-AA
2.3M
GROUND FORMS THE SEATING
FLOOR PLAN
DETAILING OF THE INTERIOR SEATING VIEW FROM THE ENTRANCE A
TICKET COUNTER 4M
5M 3M
B GL
Toilet Toilet
VIP ROOM
TICKET COUNTERS
GL
SECTION-BB
TRAVEL GUIDE TICKET COUNTERS
CLOAK ROOM
Toilet Toilet
5M
GENERAL ENQUIRY ROOM
TTDC OFFICE
3M
B
GL FLOOR PLAN
ELEVATION
NATURAL STONE WINDOW DETAIL
COURTYARD ROOF DETAIL
N
TOURIST VILLAGE CLUSTER
BED ROOM
ARTIST VILLAGE CLUSTER
A
TOILET TOILET
DINING HALL
Courtyard
BED ROOM
KITCHEN ENTRANCE FOYER
A
VIEW OF THE TOURIST VILLAGE HUT
GUEST HOUSE DOUBLE BEDROOM COTTAGE 3M
B
5M
TOILET
DINING HALL TOILET
FOYER
BED ROOM
KITCHEN Courtyard
BED ROOM
FOYER
ENTRANCE FOYER
B
SECTION-BB
SINGLE BEDROOM COTTAGE
AERIAL SECTION
ARTIST RESIDENCE 4M
3M
COMMON WORKSPACE COURTYARD
SECTION-AA
ARTIST RESIDENCE
UNIT PLAN VIEW OF THE GUEST HOUSE
ARTIST RESIDENCE
ECR M AIN R OAD FROM CHENN AI
600
3m
4m
PARK ING E XIT
3m
2m
2m
5m
R RO AD
5m 4m
ECR MAIN ROAD TO MAHABALLIPURAM
5m S E R V I C E R O A D
EN TR
TO
SC UL P
TO R
CTO
Y
PARKING ENTRY
SC
COLL E
HO O
RAM
L
LLIP U
SCULPTOR SRI VIDYA
Y
NTR NE RIA
EST
6m AMENITIES
WAITING KIOSK
5m 4m
ADMIN BLOCK
WAITING KIOSK
MUTIPURPOSE HALL
BOAT JETTY
ITY
AC
HA
LL
SCULPTOR HOSTEL
TIV
3m PAVILION
ARTISANS VILLAGE
3m
ARTISANS VILLAGE
FOOD COURT
AI
DICH ERR Y
TT
A KK
LU
KO
3m
ARD S
AMENITIES
A
3m
10m
570
PON
11m
IES NIT ME
OAT NIT AME
IES
TOW
KURINJI HALL
ECR MAIN ROA D
AMENITIES
5m S E R VICE R OAD
MARUDHAM HALL
4m MARUDHAM HALL
5m 6m 10m AND ARENA THEATERICAL ARTS
11m 7m 5m S E R V ICE ROA D
PALAI HALL
2m
2m TOILET
11m 10m
AMENITIES
7m 6m 10m 6m 11m 5m 2m 2m 4m 11m
5
43
3m 3m
3m 11m 3m 4m 5m CE ROAD 5m S E R V I
6m 7m 8m 9m
744
8m
4 36
7m
3m
6m
10m 4m 10m 5m 10m
SCALE 1:1000
117
SANGAKOORAI-HERITAGE VILLAGE @ MAHABALLIPURAM 11m 16
7
M.MICHELLE FINAL YEAR B.ARCH THESIS 2014
MAH
ABA
PED
N
DETAILING OF THE CENTRAL BRIDGE A 1.ENTRANCE GOPURA
THE ENTRANCE GOPURA IS CONNECTED BY A ROW OF COLLONNADES AND MADAPAS TO THE MID GOPURA AND IN TURN TO THE CONSECUTIVE GOPURAS AND CENTRAL WATCH TOWER
2.MID-GOPURA
3.END-GOPURA
DETAIL EARTH WALL WITH BAMBOO REINFORCEMENT AND STONE DECKING
SECTION-AA
CENTRAL WATCH TOWER
EARTH 3.END-GOPURA SECTION-AA
BAMBOO
DETAIL 2.MID-GOPURA
1.ENTRANCE GOPURA
A
VIEW OF THE SKY BAZAAR IN THE FORM OF LOTUS WHERE FEW FLOATS IN THE WATER STREAM THOUGH SITE