Michael Amidon Undergraduate Architecture Portfolio

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MICHAEL AMIDON LEHIGH UNIVERSITY | M.ARCH I CANDIDATE



“Working in philosophy-- like work in architecture in many respects-- is really more a work on oneself. On one’s own interpretation. On how one sees things.” -Ludwig Wittgenstein


Have a Seat

2013 Photography Michael Amidon


Contents

Self-Generated Design Unitary Modulation

Diagrammatic Architectural Design

5 6

13

Lehigh Visitors’ Center

14

One Room Schoolhouse

20

Architectural Design in the Urban Context

29

Urban Infill

30

Bethlehem Riverfront Development

40

Painting

63



Self-Generated Design

“You can’t plan unless you have a basic unit with which you plan… Variety within this unit, tremendous variety, no limitation, and yet [there is] complete order… The idea that there can’t be variety with unity is entirely wrong. There is only chaos without it.” -Ernest Kump

Falling Leaf

2013 Photography Michael Amidon

5


Unitary Modulation Studio 1, Spring 2012

Professor Hyun-Tae Jung

Two-Dimensional System Development Translate

Simple units can be used to identify and formalize patterns. From these patterns, systems of organization can be derived to serve as a foundation for the development of more complex forms. This process teaches one to see form and provides a method to encourage a self-generating approach to design. If this process is further developed, it can later be translated into a procedure for designing architecture.

Rotate

Identify

Cut

The unit was analyzed for expansion. Straight segments were created to allow for connections to other units.

Offset

Isolate

To maximize potential connections to other units, I made a cut in the middle of the unit.

6


Three-Dimensional Unit Development

Mirror

Mirror

Connect

Join Rotate

Each individual volumetric unit has 16 possible connection points allowing for limitless expansion.

Connect

Internal Element Organization

Mirror

Pull

7


System Production

Rather than cut individual units, I cut them out in rows. This increased the efficiency of production and ensured consistent quality by decreasing the number of joints to be glued.

Rotate

Multiply Join

Connect at joints

After the rows were joined together, units were twisted in alternating directions. In this way, neighboring rows were connected to one another. This simple repetition intertwined the rows to create a single fabric.

8

Twist alternating units in opposite directions


System Variation

Isometric View of the Field’s Variation

The variation of this system is subtle due to the delicate nature of the unit’s connection points.

Top, Front, and Right Side View of the Field’s Variation

9


Final Model Photographs 36”x24”, Paper and Glue

Top Left: Detail View Bottom Left: Isometric View Right: Top View

10




Diagrammatic Architectural Design

“Is form really an aim? Is it not instead a product of the design process? Is it not the process which is essential? Does not a small shift in the process's conditions produce an entirely different result? Another form? I would therefore wish that we march on without a flag.� -Ludwig Mies van der Rohe

Drip

2012 Photography Michael Amidon

13


Lehigh Visitor’s Center Studio 1, Spring 2012

Professor Hyun-Tae Jung

Site Analysis I chose the spiral as a diagram due to considerations of view and the centrality of the site. It opens up the sharp corner of the site to all angles and maximizes views (looking in and looking out). The Visitor Center’s site sits on a prominent intersection of campus, and therefore, is very busy with students, faculty, and visitors. The spiral promotes the circulation of these users.

N

Circulation Analysis

Vehicle Circulation Bus Circulation Pedestrian Circualtion

N

Maximization of Views

Diagramming Form Based on Site Analysis

The spiral is straightened to provide suppport, circulation, and program.

14

The bases are connected to form a single band skewed at the angle of a spiral.

The plane divides public and private programs while contrasting the continuity of the established form.

Adjusting the band’s shape offers varied indoor, outdoor, and covered outdoor spaces.


Maginnes Hall F.M.L. Courtyard

FairchildMartindale Library Neville Hall

S.T.E.P.S. Lawn

S.T.E.P.S. Building

dents

Stu

ker Ave.

East Pac

Proposed Site

Faculty

rs

Visito

Studen t

Fa c y ult

s

Vine St.

Program Analysis

ChristmasSaucon Hall

rs sito Vi

Packard Laboratory Packer Chapel

Program Relationships to Users Cafe

Offices

Lounge

Restrooms

Information

The programs of the Visitor’s Center are organized by their users. The programs used by the faculty are dropped to the lower level while student and visitor spaces are raised to the upper level.

N

Site Program Analysis

Recreation Space

Study Space

Classroom Space

Tour Path/Destination

The programs of this site consist mainly of work and study areas. The Visitor’s Center will be built to give students a centrally located place to relax and mingle with prospective students.

The staircase connects the private program below and the public areas above while maintaining continuity in the bend.

15


Program Analysis

Lounge

Offices

Cafe

Information Restrooms

Ground Floor

1st Floor

The floor plan of the program analysis displays the regulating lines used to organize space. Various spaces line up with one another to create a sense of balance through the building. This volumetric study displays the proportion of space devoted to specific programs in relation to each other. Spaces devoted to relaxation, such as cafes and lounges, are intended to promote a sense of calm. Relaxation areas are not common in other buildings surrounding the Visitor’s Center. This is the reason the cafe and lounge occupy the largest area of space in the building.

Information/Reception Cafe/Lounge Restrooms Office Space Vertical Circulation

Volumetric Program Zones

16


Surface Development lic

Pub

te

Priva

Windows were cut out of the surface to provide light

Separation of Public and Private Space

The Visitor’s Center was broken up into public and private sections. The public section contains the entry floor programs and the underpass below the building. The private section contains faculty offices and the bathroom on the ground floor. Lounge

The cut-outs were made according to a predetermined pattern

Final Floor Plans

Offices

Cafe

The bands were scaled and formalized to accentuate the proportions of the building

Restrooms

More public areas contain a denser series of cuts than private areas.

Ground Floor

Information

1st Floor

17


Final Model Photographs 28”x24”, Wood, Acrylic, Foam Board, and Glue

18

Top Left: Underpass Detail Bottom Left: North-East Isometric Right: South-West Isometric


19


One Room Schoolhouse Studio 3, Spring 2013

Professor Hyun-Tae Jung A

The One Room Schoolhouse is intended for use by Lehigh University’s psychology department. Since they will use it to carry out studies of children, the building has to be a stimulating environment to encourage social interaction and development. It is proposed to be built in a site surrounded by buildings of a much larger scale. Its small height relative to other builings made it important to incorporate the roof into the design intention of the schoolhouse’s diagram. I approached its design with the idea that the schoolhouse would become a focal point to anchor the courtyard in which it sits.

Christmas-Saucon Hall

Fritz Lab

Packer Chapel

Proposed Building Site

N

Chandler-Ullmann Hall

Site Plan A’

Site Analysis

Chandler-Ullmann Hall Fritz Lab

Proposed Building Site

A

20

West Site Section and Viewing Paths

A’


Formal Development

The volume of the building takes the form of three cubes at staggering elevations, each representing different programs. The intersecting spaces between the cubes are subtracted to keep a continuous flow in the interior.

Diagrammatic Development

Study Model 1

10”x8”, Foam Board and Tape

Expand the path to move in both the x axis and the y axis.

Branches break off from the singular path to fill more area and allow for a variation of densities.

Study Model 2

14”x10”, Chipboard, Foam Board, and Glue

Folding the surface at various joints turns the surface into volume. These folds can be controlled to create specific forms and spaces.

Study Model 3

14”x10”, Wood, Acrylic, and Glue

21


Program Development Deck General Purpose Large Group

Study Room

22

Restrooms Storage

Reception

Visualization of the Continuous Band Connecting Roof, Floor, and Walls


Design Intention Deck

General Purpose Large Group

Restroom

Reception

Study Room

Restroom

Storage

Final Floor Plan

The path is continuous throughout the entire building and creates the various forms, spaces, and levels. The path is simultaneously the surface and the form of the building. Inserting glass and wood in the open spaces of the path allows for the enclosure of space and the creation of a rhythm throughout the building’s façade. The floor plan shows how the path’s density changes with different programs. The path and inserts combine to define various programs on the outside and the inside of the building.

Expanded Isometric View

23


Final Model Photographs 34”x30”, Wood, Acrylic, Foam Board, and Glue

Right: Site Plan Below (Left to Right): West, South, East, North Elevation

24


Above: Interior Details

25


North-East Isometric View

26

34”x30”, Wood, Acrylic, Foam Board, and Glue


27



Architectural Design in the Urban Context

“To generate exuberant diversity in a city's streets and districts four conditions are indispensable: 1. The district, and indeed as many of its internal parts as possible, must serve more than one primary function; preferably more than two... 2. Most blocks must be short; that is, streets and opportunities to turn corners must be frequent. 3. The district must mingle buildings that vary in age and condition, including a good proportion of old ones so that they vary in the economic yield they must produce. This mingling must be fairly close-grained. 4. There must be a sufficiently dense concentration of people, for whatever purposes they may be there.� -Jane Jacobs

The Hand of Penn 2013 Photography Michael Amidon

29


South Bethlehem Urban Infill Studio 3, Spring 2013

Professor Hyun-Tae Jung

Urban Analysis The urban landscape provides a challenging environment in which to design. The close proximity of buildings to one another creates a unique interaction between adjacent spaces. To be successful, new buildings must maintain their own identities while also accepting the surroundings as a constraint. If used correctly, this environmental constraint can help advance the design of a building. The intention of this project was to create an infill building. Rather than concentrate on form, this allowed me to focus on designing around program, interior circulation, and facade.

Nolli Map of South Bethlehem

hem y thle wa Be reen G Ne

wS

tre

eet

Str

4t h

St re et

et

4th

>4 Stories 3-4 Stories <3 Stories

New

Stre

et

4t

h

St

re

et

Analysis of Building Height Variation

Local Residents Students

30

Analysis of Building Usage

Tourists


Bethlehem Greenway

Bethlehem Greenway

Analysis of Programs Related to Proposed Building

Adams Street

New Street

Adams Street

New Street

N

4th Street

N

4th Street

Analysis of Vehicular and Pedestrian Circulation

Dining/Food Nightlife/Bar Shopping

Vehicle Route Pedestrian Route Heavy Medium Light

4th Street is a main pedestrian and vehicle route through downtown Bethlehem. Residents, students, and tourists converge on this block because it provides a wide variety of programs accessible from the street. This is a prime location for a retail store and restaurant because the program will satisfy the needs of all three demographics.

Bethlehem Greenway

Adams Street

New Street

N

4th Street

The two lower floors of the four-story infill will be a two-story retail store featuring a lofted second floor. The roof of the building provides a unique opportunity for rooftop dining that is not currently available in Bethlehem so the third floor and the roof will be converted into a restaurant.

Analysis of Lighting Around Proposed Building

Program Analysis

Bar 300 SF

Changing Rooms 40 SF

Receiving 64 SF Storage/Freezer 150 SF Pre-Prep 100 SF

Ware Washing 150 SF

Display 800 SF Office 64 SF

Final Prep 300SF

Retail Store Restaurant

Dining Room 50 seats 750 SF

Employee Space

Open Space

Stairs

Elevator

Entry Waiting Area

Restrooms 100 SF

Changing Rooms 40 SF

Bar 120 SF

Service Area/ Pick-up Station 100 SF

Customer Space

Private Space

Rooftop Dining 50 seats 750 SF

Restrooms 100 SF

Customer Service

Display 1,000 SF

Checkout Entry

Offices 128 SF

Receiving/ Inventory 144 SF

Storage 100 SF

31


Skin Development The column is strong and dominant in the building’s composition. I used horizontal bands to ground the column and to emphasize its heaviness. I varied the widths and depths of the bands to display the different floors.

Formal Development

The form of the Urban Infill consists of a heavy column contrasted with a light glass façade. To maintain its integrity, I cut back the glass face from that of the column.

The development of the building’s program allowed me to reduce wasted circulation space. To do this, I used the column as a vertical circulation and utilities hub. The Urban Infill is very narrow so clustering programs on the ends allowed me to create better proportioned open spaces through the middle of the building.

Vertical Circulation

Stairs, Elevators, Landings

Employee

Offices, Storage, Kitchen, Bars

Customer

32

Restrooms

Changing Rooms, Seating


“Every problem has its own solution. Architecture is not just a mold, a formula to be found, but it’s a whole way of thinking.” -Eero Saarinen

Study Model 1

Study Model 2

7”x3”, Chipboard, Paper, and Glue

24”x6”, Chipboard, Wood, and Glue

Final Floor Plans STORAGE/ FREEZER BAR RECEIVING/ STORAGE

OFFICE

CHANGING ROOMS DISPLAY AND SHOW ROOM

CHANGING ROOMS

KITCHEN RESTROOMS

DN

BAR

UP

DISPLAY AND SHOW ROOM

ROOFTOP DINING

RESTROOMS

DINING ROOM CHECKOUT

UP

DN

DN

UP DN

UP

RECEPTION/ WAITING

MAIN ENTRY

FIRST FLOOR

SECOND FLOOR

THIRD FLOOR

ROOFTOP

Path of Circulation

Isometric Circulation Analysis

33


Urban Infill Elevation

Urban Infill Site The elevation of the Urban Infill displays how the context shaped its design. The floor levels and dominating lines are regulated by the lines of the buildings surrounding it. The site section shows the building’s relationship with the slope. The slope allows many of the buildings along the street to line up with the infill.

Urban Infill Section Through Site and Building

34


Site Model Photographs

22”x18”, Chipboard, Paper, Wood, Glue

Above: Back View into Courtyard Top Right: Street View, Facade Bottom Right: Street View, Facade

The model photos explain the building’s relationship with the street and the volumetric spatial qualities of the surrounding buildings.


Sout-East Isometric 24”x6”x12”, Wood, Acrylic, and Glue

36


Final Model Photographs 24”x6”x12”, Wood, Acrylic, and Glue

Above Left: South-West Isometric Above Right: North-East Isometric Left: North-West Isometric

37


Final Model Photographs 24”x6”, Wood, Acrylic, and Glue

38

Left: Rooftop Dining Detail Above: Rooftop Plan View Right: Rooftop Bar Detail


39


South Bethlehem Riverfront Development Studio 3, Spring 2013

Professor Hyun-Tae Jung

Bethlehem Site Analysis The railroad system was once very important to Bethlehem. It ran directly through Bethlehem Steel and required multiple lines running along the Lehigh River. When the steel mill closed, many of those tracks became obsolete. Their footprint has created a long, narrow, undeveloped tract of land along the river that serves to reinforce the division between North and South Bethlehem. The goal of this development is to breathe life back into the Southside and provide attractions for Northside residents so that they can become unified and grow together once again.

City Hall

North Bethlehem

e

ill Bridg

Fahy Bridge

Hill to H Lehigh River Lehigh River

Proposed Development

Undeveloped Land

3rd Street Greenway

N

4th Street

N

South Bethlehem Vehicle Circulation

Heavy Medium Light

Pedestrian Circulation

The heaviest routes of vehicular traffic correspond with the heaviest routes of pedestrian circulation. The two bridges are the only connection of Northside and Southside which makes them dangerous for pedestrians to use.

40

Heavy Medium Light


North Bethlehem

The vegetation dispersal is noticeably uneven between North and South Bethlehem. The predominantly industrial railway in Southside left the riverfront barren. The vegetation provides an example of a general disconnection between the two sides.

Lehigh River

Undeveloped Land

N

South Bethlehem

Vegetation

10 M inu North Bethlehem te W alk 5 Minute Walk

Greenspace

Lehigh River

Undeveloped Land

Greenway

Presently, there are not many attractions in Southside to encourage Northside residents to travel between the two. This lack of circulation through the city is further exaggerated by the dangerous traffic conditions of the bridges which are the only methods of transportion for pedestrians. This has led to an underutilization of Southside despite the short walking distance from one city center to the other.

N

South Bethlehem Walking Distances in Relation to Focal Point of the Site

41


The average household income levels of various zones of both Northside and Southside correlate with the methods of transportation they use to get to work. Areas of higher public transportation, walking, and car-pooling generally have the lowest average incomes.

North Bethlehem

These areas are also the closest to the proposed riverfront development, and therefore, their financial needs should be given appropriate consideration in the design of various programs.

Lehigh River

Average Household Income Per Year ($) 60,000 -- 65,000 50,000 -- 55,000 40,000 -- 45,000

N

South Bethlehem

30,000 -- 35,000 20,000 -- 25,000 10,000 -- 15,000

Average Household Income Levels

Lower income households taking the bus or walking to work often cannot afford cars. Their leisure activities are limited to within walking distance from their homes or along convenient public transportation routes. The various programs of this development should enhance the lives of the residents of the community and provide free alternatives for residents to entertain themselves during leisure time.

Northside

Zone 1

Zone 2

Zone 3

Zone 4

Zone 5

100%

75%

50%

25%

0%

Southside

Zone 1

Zone 2

Zone 3

Zone 4

Zone 5

100%

Car

75%

Car-pool 50%

Walk 25%

42

0%

Bus

Transportation Diversity


Program Analysis Bethlehem has been very proactive in attracting artists from around Pennsylvania to reside and participate in various art programs around the city. There are many art galleries in North and South Bethlehem. Often, events such as First Fridays happen at the same time in both halves of the city, yet there is no way for the participants to interact with one another. This development provides an opportunity for a collaborative effort between the two art hubs, bridging the gap that currently exists so large-scale events can be experienced as one city.

City Hall

Bridge Proposed Development

Fahy Bridge

ill Hill to H Lehigh River

3rd Street Greenway

N

4th Street

Bethlehem Community Program Art Gallery Park/Greenspace

User Categories by Age

0-18 18-40 40-60 60+

Community Oriented Programs Soccer Field Tennis Courts Basketball Courts Running Path Biking Path Pool Sun Bathing Changing Rooms Picnic Area Plaza Green Space Shaded Areas River Access Pedestrian Bridge History Museum Sculpture Garden Amphitheater Gallery

Program Categories

Sports/Recreation Riverfront Development

Municipal Complex Residential Small Business Commercial

Recreation/Fitness

Family/Leisure

The Riverfront Development is a large tract of land that offers many programming opportunities to unite the community. This area consits of a diverse age demographic. I wanted to offer many options for all ages of the community and create separate spaces for people with a variety of interests.

Art/History

43


Formal Development Community Leisure

Art Corridor

Community Fitness/Recreation

The main programs of this site were divided into three sections. Different elevations offset each one from the others. These primary sections were broken up into smaller interacting planes.

The planes were extruded to create solid volumes and the circulation was laid out based on the requirements of specific programs. Structures were added to anchor each section, provide shade, and further program enrichment.

44

Community Fitness/Recreation Art Corridor Community Leisure Circulation Buildings/Pavilions


Circulation was refined and simplified. Ramps were included at the highest circulation densities to increase ease of mobility. Design was clarified and optimized through the definition of a singular circulation path. Sub-sections are accessible to one another through steps and all sections are accessible from the main path.

45


North Bethlehem Lehigh River

Pedestrian Bridge

Tree Sanctuary Sculpture Garden Picnic Pavilion

Basketball Court Tennis Courts Recreation Pavilion

46

Multi-Purpose Field

Museum


Changing Room & Public Restrooms Swimming Pool Picnic/Park Amphitheater The Plaza

South Bethlehem

Buildings/Pavilions Vegetation/Greenspace Circulation Path Seating Light Poles Lehigh River

47


48


Riverfront Development Site View 60”x24”, Wood, Acrylic, Chipboard, Paper, Moss, and Glue

49


Downtown North Bethlehem

North to South Connection

Fahy Bridge

Lehigh River

Hill to H

e ill Bridg

The largest influence of the Riverfront Development on the Bethlehem community is the pedestrian-only connection between North and South Bethlehem. This new foot bridge will reduce pedestrian traffic along Bethlehem’s busiest bridges to make travel safer for both automobiles and pedestrians. The safety resulting from this new traffic pattern will encourage more movement between the two halves of Bethlehem. It will also provide direct access for pedestrians to move between the two centers of Bethlehem.

Pedestrian Circulation Heavy Medium Light

50

Downtown South Bethlehem


Circulation Path Detail

60”x24”, Wood, Acrylic, Chipboard, Paper, Moss, and Glue

51


Final Model Isometric

60”x24”, Wood, Acrylic, Chipboard, Paper, Moss, and Glue

52


Riverfront Development Analysis Vegetation provides the development with much needed shade. The trees offer shade in high activity areas, such as the multi-purpose field and the main circulation path which is used for walking, running, and biking. Vegetation is also used to connect the park areas on the Northside of the river with the new park areas on the Southside.

N

Vegetation and Shadow Analysis

A single circulation path anchors the riverfront development and promotes the North-South and East-West axes. All areas of the development are accessible off of these main axes. Spaces are provided for various sizes of congregations, and secondary circulation allows for visual communication between terraces of different levels.

N

Circulation Analysis

The lighting system is designed to create different atmospheres in different spaces. Some lights provide 360 degree coverage while others are focused to specific directions. For example, smaller lights are used to illuminate and dramatize the trees of covered spaces. N

Lighting Analysis

53


54


55


Changing Room

Picnic/Park Space

Sun-Bathing/Lounge

Community Pool

Riverside Outlook

Community Leisure There are not many spaces for South Bethlehem families to gather. The biggest feature of this section is the community pool providing direct contact with the river. Another attraction of this space is the picnic area. Sitting at a higher elevation, it overlooks the circulation path on one side and the pool and river on the other.

56


Final Model Photographs

60�x24�, Wood, Acrylic, Chipboard, Paper, Moss, and Glue

Left (Left to Right): Changing Room Detail, Sun-Bathing Detail Below: Community Leisure Detail

57


Public Plaza Art & History Museum

Riverside Outlook Sculpture Garden Amphitheater B 12’ 16’

Bethlehem Art Corridor The Bethlehem Art Corridor is an attraction intended to unite North and South Bethlehem. The three focal points are composed triangularly to each other.

Reception DN

Gallery 2

12’

Entry 16’ UP

DN

A

A’

Gallery 1

The Bethlehem Art and History Museum houses the work of local artists and displays the history of Bethlehem.

18’

8’

Level 2

The sculpture garden transitions pedestrians from the bridge to the museum. It is higher in elevation than the museum so it becomes an art piece looking out from the museum.

12’ 16’

The amphitheater provides a large plaza for gatherings and is a spot for outdoor shows and concerts.

Storage

Gift Shop

Restrooms

Gallery 3

UP

A’

A 6’

UP

Gallery 4

Entry 8’

8’

Level 1

58

B’

Museum Floor Plans and Corresponding Elevations


Art Corridor Detail

60”x24”, Wood, Acrylic, Chipboard, Paper, Moss, and Glue

B’

A

Section 1

B

B’

A’

Section 2

Section 3

59


Recreation Pavilion

Multi-Purpose Field

Tennis Courts

Tree Sanctuary

Picnic Pavilion

Basketball Court

Community Fitness/Recreation The Community Fitness/Recreation section encourages Bethlehem residents to be physically active. It provides space for the most diverse group of people because different sports attract different age groups. There are areas to participate in tennis, basketball, and grass sports as well as activities on the field. While participating in these activities, participants can also enjoy the picturesque view of the Lehigh River. The picnic pavilion provides a space for gathering and resting between periods of play.

60


Final Model Photographs

60”x24”, Wood, Acrylic, Chipboard, Paper, Moss, and Glue

Left (Left to Right): Recreation Pavilion Detail, Picnic Pavilion Detail, Sport Complex Detail Above: Community Fitness/Recration

61



Painting

“In creative work, a powerful identification and projection takes place; the entire bodily and mental constitution of the maker becomes the site of the work.” -Juhani Pallasmaa

One Man’s Palette

2012 Photography Michael Amidon

63


Snack-Time Yellow (2013)

18”x18”, Oil Paint, Palette Knife on Wood Panel

Snack-Time Orange (2013)

64

18”x18”, Oil Paint, Palette Knife on Wood Panel


Brunch (2012)

12”x12”, Oil Paint, Palette Knife on Wood Panel Featured in 2013 Lehigh Review

Breakfast (2012)

12”x12”, Oil Paint, Palette Knife on Wood Panel Featured in 2013 Lehigh Review

65


Untitled (2013)

24”x18”, Oil Paint, Palette Knife on Canvas

66


Untitled (2013)

36”x24”, Oil Paint, Palette Knife on Wood Panel

67


Untitled (2013)

24”x18”, Oil Paint, Palette Knife on Wood Panel

68


Unititled (2013)

48”x36”, Oil Paint, Palette Knife on Wood Panel

69



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