St. Charles Gallery - April 2-3, 2011 by New Orleans Auction Galleries, Inc.

– AUCTION – Saturday, April 2, 2011 Lots 1-750

Sunday, April 3, 2011 Lots 751-1340

– Exhibition – Wednesday, March 23 through Friday, April 1 9:00 a.m. to 5:00 p.m. (excluding Sundays) Late-Evening Preview Wednesday, March 30 5:00 p.m. to 8:00 p.m.

Featuring Property From: The Choctaw Plantation, Natchez, Mississippi - and Numerous Southern Estates and Private Collections

1330 St. Charles Avenue New Orleans, Louisiana 70130 (504) 586-8733 Fax (504) 586-8841 Website: www.stcharlesgallery.com E-Mail: info@stcharlesgallery.com La. Lic. Vidos #1015 La. Lic. Steinkamp #1265

journal Arts Quarterly, taught continuing education programs at the University of New Orleans and Tulane University, and wrote numerous exhibition catalogues as well as articles for such national publications as The Magazine Antiques, Veranda and Southern Living. Amid all this, he also wrote tens of thousands of catalogue descriptions for us. Glass, porcelain, mirrors, boxes, lamps, bronzes, frames, tapestries, continental furniture: his expertise was limitless. It is no exaggeration to say that it has taken half a dozen people working overtime for weeks, poring over books and scouring the Internet, to accomplish for this sale what Mr. Keefe could have done in a few nights, equipped with no more than a pen and his encyclopedic knowledge. (That, and a steady supply of Chinese food and Coke Zeros.)

In Memoriam John Webster Keefe (1942-2011) The staff of New Orleans Auction Galleries, Inc. joins the city’s art and antiques community in their shock and sadness upon the sudden death last month of John W. Keefe, curator of decorative arts at the New Orleans Museum of Art and long-time cataloguer of the same for the New Orleans and St. Charles Auction Galleries. Mr. Keefe (he was never addressed otherwise here at the galleries – a sign of the innate respect he engendered) was a native of Somers, New York, and educated at Deerfield Academy (1959) and Yale University (B.A., 1963; M.A., 1965). He held posts at the Toledo Museum of Art, the Art Institute of Chicago and the Grand Rapids Art Museum, before coming to New Orleans in 1983 to serve as the RosaMary Foundation Curator of the Decorative Arts at the New Orleans Museum of Art, a position he held until his death. During his time at NOMA, he organized 112 exhibitions, wrote over 120 articles for their

But connoisseurship was merely one of his gifts. He was extraordinarily generous with his expertise, ever-ready to share his great wealth of knowledge with any and all, to instruct and to enlighten. He saw the history of the world in its decorative arts, and he was eager to share that history. He was also generous with his time, somehow nearly always managing to accommodate the frequently preposterous deadlines of the auction business despite his already busy schedule. No one who knew Mr. Keefe, though, can speak of him without mentioning his great sense of humor. Sharp and sophisticated, his quick mind served a wit that was, by turns, whimsical (a dirty polishing cloth accidentally left on a table was dutifully catalogued as “a soiled terrycloth towel dating from the imprisonment of Queen Marie-Antoinette of France in the Conciergerie, Paris, fourth quarter 18th century, hurled into a corner by the enraged Queen and then retrieved by a loyalist charwoman”), arch (a bit of Art Deco excess was assigned the spurious provenance “Norma Desmond, Hollywood, California”), and bawdy (Grand Tour obelisks were not safe from description in terms, politely put, less than wholesome). His ability to write about objets d’art in a style both grand and graceful (and occasionally gelastic) will not soon be equaled. We would like to extend our sincere condolences to Mr. Keefe’s family, his friends and to the staff of New Orleans Museum of Art. We share your feelings of unutterable sadness on his passing, and know too well the void his death leaves behind. He was our colleague and our friend, and we will miss him. Goodbye and thank you, Mr. Keefe.

Session I

Saturday, April 2, 2011 10:00 a.m. (Lots 1-750)

264

7 Group of Five Chinese Export Blue and White Porcelain Dishes, late 18th century, dia. 6”. [350/500]

8 Franco-Belgian Machine-Woven Tapestry Panel, first quarter 20th century, depicting “The Card Players” in the manner of David Teniers the Younger (Flemish, 1620‑1690), fitted with a linen rod sleeve at the upper edge and accompanied by a later bronzed metal rod with fleur-de-lys finials, h.53”, w. 47”. [200/400] 9 Rustic Pine Side Table and Conforming Mirror, mid‑19th century, the rectangular top with molded edge, raised on canted square legs joined by end stretchers, the whole retaining traces of polychromy, h. 33‑1/2”, w. 53‑1/2”, d. 22”, surmounted by a mirror framed en suite, h. 39‑1/4”, w. 39‑1/4”. [200/400]

1 Elizabethan-Style Oak Hall Chair, fourth quarter 19th century, the elaborately carved crest centered by a knight profile medallion carrying over into a paneled and dragoncarved back, joined to the cushioned seat by lion-carved arms and turned uprights, raised on turned legs joined by a box stretcher and ending in bun feet, h. 47‑1/2”, w. 21‑1/2”, d. 22”. [300/500] Illustrated 2 Pair of Medieval-Style Oak Sidechairs, fourth quarter 19th century, each with a floral-carved crest over a queencarved splat, above a stylized angel-carved seat, raised on carved square legs joined by a box stretcher, h. 50”, w. 18‑1/2”, d. 14”. [400/700] Illustrated 3 Jacobean-Style Stained Walnut Occasional Table, first quarter 20th century, the rectangular top with a molded edge, over a recessed patera- and guillochecarved frieze, raised on baluster-turned legs joined by a box stretcher and ending in block feet, h. 22‑1/2”, w. 21‑1/2”, d. 14”. [100/200] 4 Rustic Oak Wood Shaver, late 19th century, fitted with three blades, w. 49”. [40/70]

5 Continental Carved Oak Looking Glass, mid‑19th century, possibly Black Forest, the rectangular plate surrounded by an elaborately carved naturalistic frame with side star accents, h. 42”, w. 33‑3/4”. [200/400] 6 Jacobean-Style Walnut and Burl Walnut Chest-on-Stand, first quarter 20th century, the rectangular top over a conforming case fitted with three long drawers, one fitted for silverware, above a carved skirt, raised on turned acanthine-carved legs joined by a serpentine-carved H-form stretcher and ending in a trestle base, h. 37‑1/2”, w. 38‑1/2”, d. 19‑1/2”. [300/500] Illustrated

10 Twelve-Piece Collection of Chinese Export Blue and White Porcelain, including three teacups without handles, mid‑20th century; a small shallow dish of like date; a small teapot with dragon decor, early 20th century; a small creamer of like date; a sake pitcher, mid‑19th century; a squat teapot, early 19th century; a contemporary baluster-form vase; a small cobalt blue vase, early 20th century; a ginger jar, late 19th century; and a snuff bottle, early 20th century; the largest h. 8”, dia. 6”. [700/1000]

16 English Oak Sidechair, mid‑19th century, the shaped back pierced and with foliate carving, the shaped seat raised on angled turned and bulbous legs joined by an Hform stretcher, h. 38”. [75/125] 17 Large Gustav Becker Regulator Wall Clock, late 19th century, having a circular porcelain dial and two brass weights, h. 41”, w. 18‑3/4”, d. 7‑1/2”. [300/500] Illustrated 18 Chinese Blue and White Porcelain Bowl, in the 19thcentury export style, h. 5”, dia. 12”. [400/700] Illustrated 19 Elizabethan-Style Elmwood Blanket Chest, first quarter 20th century, the planked top opening to reveal a deep storage space above a carved and paneled case, raised on square feet, h. 27”, w. 44‑1/2”, d. 21”. [300/500]

11 Group of Three Chinese Export Blue and White Porcelain Bowls, mid‑19th century, dia. 9”. [300/500] 12 Japanese Gold Imari Porcelain Floral-Painted Vase, late 20th century, of baluster form and having a flared lip, h. 9‑1/2”, dia. 6”. [75/125]

20 Chinese Blue and White Porcelain Umbrella Stand, of cylindrical form, the body decorated with panels of scrolling floral and foliate designs, h. 18‑1/2”, dia. 8‑1/2”. [100/200] 21 Renaissance-Style Stained Walnut Bench, first quarter 20th century, the padded rectangular seat raised on shaped foliate- and armorial-carved supports joined by an H-form stretcher, h. 20”, w. 40‑1/2”, d. 16”. [300/500]

13 Jacobean-Style Oak Console Table, first quarter 20th century, the long rectangular planked top over a recessed frieze, raised on bulbous, turned legs joined by a box stretcher and ending in bun feet, h. 37”, w. 96”, d. 25‑3/4”. [400/700] 14 Harlequin Suite of Nine English Windsor-Style Elmwood Captain’s Chairs, ca. 1900, h. 31”, w. 28”, d. 20”. [500/800] 15 Jacobean-Style Walnut, Burl Walnut and MarbleTop Sideboard, first quarter 20th century, the long rectangular Egyptian marble top over a conforming case fitted with two drawers, separated and flanked by scrolling foliage-carved stiles, over a carved skirt, raised on turned and acanthine-carved legs joined by an H-form stretcher and ending in a trestle base, h. 36‑1/2”, w. 78”, d. 22”. [700/1000] Illustrated

22 Large Chinese Blue and White Porcelain Tree Tub, late 20th century, the body with dragons and clouds above stylized ocean waves, h. 19”, dia. 21”. [1200/1800] 23 Large Continental Ebonized Oak Cabinet, ca. 1900, of Elizabethan design, having an arched top with a central carved cartouche over three beveled and leaded glass doors flanked by large spiral columns, over a base with two drawers and two cabinets below, h. 88”, w. 67”, d. 25”. [1000/1500] Illustrated previous page 24 Large Leather-Bound Volume of The Boydell Shakespeare Gallery, 1874, published by Gebbie and Barrie, Philadelphia, h. 14”, w. 11‑1/2”, d. 2‑1/2”. [200/400]

30 25 Seven Reference Books on Antique Furniture and Decorative Arts, including William Chaffers, Marks and Monograms on European and Oriental Porcelain and Pottery (14th ed.), Elizabeth Norfolk, ed., Miller’s International Antiques Price Guide (21st ed., 2000), Rachel Field, Macdonald Guide to Buying Antique Furniture, Huon Mallalieu, ed., Illustrated History of Antiques, Paul Atterbury & Lars Tharp. ed., Bullfinch’s Illustrated Encyclopedia of Antiques, and Judith Miller, Miller’s Antique Encyclopedia and A Closer Look at Antiques. [40/70] 26 Twenty-Five-Volume Collection of Cloth-Bound Books by Mark Twain, Harper Brothers Edition, published by P. F. Collier & Son Co., New York, 1920, w. 8”, d. 5”. [100/200] 31

27 First Edition Two-Volume Set of Thomas E. Watson’s The Story of France, The MacMillan Company, New York and London, 1909, both volumes in gold-stamped crimson cloth bindings and in generally good condition, h. 8‑1/2”, w. 6”, d. 2”. [10/20] 28 Collection of Twenty-Five Volumes of The Works of Washington Irving, the Bibliophile Edition, limited to one thousand copies of which this is number 545, h. 9”, w. 6”, d. 1‑1/2”. [100/200]

38 39

29 L. Frank Baum (1856‑1919), Two “Oz” Books, including The Wizard of Oz, 2nd edition, 2nd state, Indianapolis: Bobbs Merrill, 1904‑1913, large quarto, full blue cloth boards stamped with black and gold, two-color endpapers and illustrations by W. W. Denslow, with 16 fullcolor plates, 9‑1/4” x 7”; and The Tin Woodman of Oz, the “Popular” edition, Chicago: Reilly & Lee, 1940‑1955, large quarto, quarter blue cloth with applied full-color illustration on the front board and yellow paper on the back, the spine stamped with black lettering, with black and white illustrations by John R. Neill, 9‑3/4” x 7‑1/4”. [75/125]

37 British School (Late 19th Century) “Classic Dawn”, watercolor on paper, signed and dated in pencil on the mount lower left “Wm Underdown Sep 1898”, titled on the mount lower center, sheet 12” x 18‑1/2”. Glazed, handsomely matted and framed. [100/200] 38 George IV Sterling Silver Teapot, hallmarked London, 1828‑1829, by Thomas Streetin, in the chinoiserie taste, serpentine lobed with floral repousse and a floral finial, h. 6‑1/2”, w. 11‑1/2”, d. 7”, 29.60 t. oz. [1500/2500] Illustrated

30 Follower of Sir Peter Lely (British, 1618‑1680) “Portrait of a Lady with Pearl Jewels”, oil on canvas, unsigned, 50” x 40”. Presented in a rococo-style giltwood and gesso frame. [700/1000] Illustrated

39 William IV Sterling Silver Teapot, hallmarked London, 1830‑1831, by Edward Barnard & Sons, in the chinoiserie taste, serpentine-lobed and having a figural finial, h. 5”, w. 8‑1/2”, dia. 5”, 14.70 t. oz. [1400/1800] Illustrated

31 British School (Second Quarter 19th Century) “A Dream”, oil on panel, unsigned, 12” x 10”. Glazed and presented in a molded giltwood frame. [300/500] Illustrated

40 English Sterling Silver Cigarette Box, hallmarked London, 1956‑1957, by Mappin and Webb, h. 2”, w. 8”, d. 3‑3/4”. [450/700] Illustrated

32 Edward Matthew Ward (British, 1816‑1819) “Charles II at Hampton Court”, oil on canvas, initialed lower left, 19‑1/2” x 29‑1/2”, stretcher verso affixed with a “Kurt E. Schon, Ltd.” gallery label. Presented in a Louis XV-style giltwood and gesso frame. [3000/5000] Illustrated

41 American Silverplate Tea Caddy, first quarter 20th century, h. 6”, w. 3‑1/4”, d. 3‑1/4”, 10.05 t. oz. [200/400] Illustrated 42 Samuel Kirk and Son Old Baltimore Standard (.917) Silver Waiter, fourth quarter 19th century, Baltimore, Maryland, in repousse floral decor, dia. 6‑1/2”, 6.70 t. oz. [600/900] Illustrated

33 Henry Stephen Ludlow (British, 1861‑1925) “My Mistress Wants a Chair”, monotone watercolor on paper, signed lower left “Hal Ludlow”, sight 12‑1/4” x 9”. Glazed, matted and framed. [150/300]

34 British School (Fourth Quarter 19th Century) “Skye Terriers” and “Irish Terrier”, two chromolithographs from Cassell’s Illustrated Book of the Dog, sight 7‑1/2” x 9‑1/2”. Both glazed, French matted and presented in weathered molded frames. [75/125] 35 After Joseph Edmondson (British, 18th Century) “Coat of Arms of George Baron Lyttelton and George Baron Vernon”, pair of hand-colored engravings, sight 18” x 11”. Both glazed, matted and framed. [500/800]

36 P. Fletcher Watson (British, 1842‑1907) “St. Wolfron’s Abbeville”, watercolor on paper, signed, titled and dated “1899” lower left, sight 17” x 11”. Glazed, French matted and presented in a molded silvered frame. [450/700]

46 Collection of Thirty-One Sterling Silver Demitasse Souvenir and Other Shell Spoons, consisting of six Whiting wavy-handled demitasse spoons, six Reed and Barton “Harlequin” demitasse spoons, a Whiting “Louis XV” demitasse spoon, two British souvenir spoons, a German enameled souvenir spoon, three Canadian souvenir spoons, seven American souvenir spoons, three Alaskan totem-handled souvenir spoons, a Princeton football souvenir spoon and a salt spoon, the largest l. 4”. [300/500] 47 Queen Anne-Style Mahogany Drop-Leaf Table, late 19th century, the rectangular top with two ovoid drop leaves, raised on tapering circular legs ending in pad feet, h. 27”, w. 42”, d. 18”, extended l. 54‑1/2”. Provenance: Countryside Antiques, Waveland, Mississippi. [300/500]

43 Early George III Sterling Silver Sweetmeat Basket, hallmarked London, 1760‑1761, no maker’s mark, with reticulated sides, cast floral-scroll rim and swing handle, h. 6”, w. 7”, d. 5‑3/4”, 6.85 t. oz. [700/1000] Illustrated 44 Rare English Victorian Silverplate Rotating Tantalus, third quarter 19th century, each corner housing an etched glass bottle with stopper and the flanking niches fitted with two liqueur stems each, the large finial at the top turns to open and close the rotating doors, h. 21”, w. 10‑1/2”, d. 10‑1/2”. [1500/2500] Illustrated 45 Collection of Nine Silver, Porcelain and Enamel Bottle Tags, including two floral-enameled “Scotch” and “Rye” examples on gilt metal; an enameled porcelain “Vodka” example; two silver “Scotch” and “Whiskey” examples; and a rare set of four sterling silver “Port”, “Vodka”, “Sherry” and “Brandy” examples from the Concorde, hallmarked Birmingham, 1986, by British Airways; the largest l. 5”. [200/400]

48 Suite of Eight Chippendale-Style Mahogany Dining Chairs, consisting of two armchairs and six sidechairs, each with a serpentine-carved crest over a pierced splat, above a padded seat, raised on cabriole legs headed by acanthine carving and ending in ball-and-claw feet, h. 39”, w. 23”, d. 19”. [1000/1500] Illustrated

49 Large George III-Style Mahogany Dining Table, late 20th century, the elongated oval top having a gadrooncarved edge and raised on cabriole legs ending in ball-and-claw feet, h. 31”, w. 43”, l. 120”. [800/1200] Illustrated

50 George III-Style Mahogany Sideboard, second quarter 20th century, the molded cornice centered by a pierced quatrefoil carving, above a top with rounded projecting ends, over a conforming case fitted with a central drawer and a pair of doors flanked on both sides by a narrow drawer and a bank of three graduated drawers, above a gadrooned and acanthine-carved skirt, raised on cabriole legs headed by like carving and ending in ball-and-claw feet, h. 42”, w. 72”, d. 22”. [700/1000] Illustrated

53 54 51 Two Chinese Export Porcelain Dinner Dishes, late 19th/early 20th century, each of flattened circular form and decorated in the “Rose Medallion” pattern with alternating figural and floral designs against a white ground, dia. 9‑3/4” and 10‑1/8”. [500/800] Illustrated

52 Two Chinese Export Porcelain Dinner Dishes, 20th century, each decorated in famille rose enamels with central designs of figures in domestic settings surrounded by rim borders of reserve panels of flowers against scrolling foliate grounds, dia. 9‑1/2”. [500/800] Illustrated

53 Chinese Export Porcelain Covered Teapot, second half 19th century, decorated in the “Rose Medallion” pattern, of cylindrical form with original cover and rattan handle, h. 5‑1/2”, w. 6”, d. 4‑1/2”. [400/700] Illustrated

54 Chinese Export Porcelain Covered Coffeepot, first half 20th century, after a European model, of tapered form with high domed cover, spout and handle, richly decorated in the “Rose Medallion” pattern with shaped reserve panels of figural and naturalistic scenes against a dense and elaborate floral ground, h. 9‑1/2”, w. 6‑3/4”, l. 10‑1/4”. [1000/1500] Illustrated

55 Good Chinese Export Porcelain Sugar Container, fourth quarter 19th century, of bombe form with applied strap handles and conforming lid, decorated in high detail in the “Rose Medallion” pattern, h. 5‑1/2”, w. 6”, d. 4‑1/2”. [600/900] Illustrated

56 Group of Seven Pieces of Chinese Export Porcelain, 20th century, comprised of two dinner plates, a soup bowl, a luncheon plate and three saucer dishes, all decorated in the “Rose Medallion pattern”, dia. 4” to 9‑1/2”. [200/400]

57 Unusual Set of Ten Chinese Export Porcelain Covered Soup Bowls, first half 20th century, each of small size with two handles and conforming footed covers, each monogrammed with the letter “S” in reserve circles and decorated in the “Rose Medallion” pattern, h. 3”, dia. 4”. [1200/1800] Illustrated 58 Thirty-Four-Piece Set of Chinese Export Porcelain Demitasse Cups and Saucers, first half 20th century, each of European shape and delicately decorated in the “Rose Medallion” pattern, comprised of twelve handled demitasse cups, h. 2‑1/2”, dia. 2‑3/4”, ten saucers with central “S” monograms, dia. 5‑1/4”, and twelve saucers without monograms, each piece with intricate decoration, the monogrammed saucers probably intended for tea biscuits. [800/1200] Illustrated 59 George III-Style Mahogany Fold-Over Games Table, first quarter 20th century, the rectangular carved lift-top over a cushioned frieze centered by an urn-with-flowers inlay, raised on cabriole legs headed by acanthine and bellflower carving and ending in ball-and-claw feet, h. 30”, w. 38”, d. 20‑1/2”, extended l. 41”. [200/400]

60 George III-Style Mahogany Bedside Commode, second quarter 20th century, the rectangular carved and galleried top over a case fitted with three drawers, raised on cabriole legs headed by acanthine carving and ending in hoof feet, h. 27”, w. 18”, d. 13”. [200/400]

61 Queen Anne-Style Cherrywood Side Table, late 20th century, the rectangular top with a molded edge over a conforming case fitted with four long drawers, three fronted as a bank of three short drawers, above a serpentine skirt centered by a shell carving, raised on cabriole legs ending in paw feet, h. 37”, w. 25”, d. 16”. [200/400] 62 Twelve-Piece Collection of Waterford Crystal, consisting of two decanters with stoppers, an ice pail, eight tumblers, and a circular tray, the largest h. 13”, dia. 4‑1/4”. [200/400] Illustrated 63 Four-Piece Collection of Wedgwood and Adams Jasperware, 20th century, in cobalt blue, including a teapot, h. 6”, w. 6‑1/4”, d. 10”, and matching creamer, h. 5”, dia. 3”, both marked “Wedgwood, England”; and a pair of silverplate-lidded sugar basins, marked “Adams Tunstall England”, h. 4‑1/2”, dia. 4”. [200/400] 67

64 Ridgway Blue TransferDecorated Stoneware Plate, third quarter 19th century, in the “Giraffe” pattern, dia. 10”. [50/80] 65 George III-Style Mahogany Wing Chair, the serpentine padded back joined to the cushioned seat by outscrolled, closed arms, raised on cabriole legs headed by cartouche carving and ending in ball-andclaw feet, h. 41”, w. 31”, d. 35”. [200/400]

66 Chinese Export Porcelain Oval Platter, 20th century, decorated in the “Rose Medallion” pattern with alternating reserve panels of figural and naturalistic scenes against a ground of scrolling foliage, flowers and butterflies, with a central medallion of a bird among flowers, w. 8‑5/8”, l. 11‑5/8”. [400/700] Illustrated

67 Pair of Chinese Export Porcelain Dinner Dishes, 20th century, each of circular outline and decorated in the “Rose Medallion” pattern with alternating reserve panels of figural and naturalistic scenes against an elaborate foliate and butterfly ground, dia. 9‑5/8”. [700/1000] Illustrated 68 Eighteen-Piece Chinese Export Porcelain Luncheon Service, for four persons, 20th century, comprised of four luncheon plates, four dessert plates, four teacups, four saucers, a cream pitcher and a covered teapot, all decorated in the “Rose Medallion” pattern, the largest dia. 8‑1/2”. [300/500]

71 George III-Style Mahogany Dining Table, the oval banded, string-inlaid and gadroon-edge top over a recessed frieze, raised on cabriole legs headed by acanthine carving and ending in ball-and-claw feet, h. 30”, w. 45”, l. 91”. [500/800] 72 Carved and Parcel-Gilt Mahogany Looking Glass, mid‑20th century, in the Chippendale taste, the piece-cut crest with a carved and gilded phoenix bird, the frame with floral-carved sides and scalloped lower valance, h. 46”, w. 27”, d. 1”. [200/400] 73 Good English Hepplewhite Mahogany Cylinder Roll Desk, first quarter 19th century, having a fitted interior with inset leather blotters and pull-out writing surface, the base with two side-by-side drawers above two long drawers, raised on splayed feet, h. 40‑1/2”, w. 45”, d. 23‑1/2”. [1000/1500] Illustrated

69 Pair of Chinese Porcelain Planter Saucers, 20th century, each the under-saucer of a flower pot, enameled in pale blue with flowering wisteria vines and roses after designs favored by Cixi, The Dowager Empress, dia. 9‑1/4”. [500/800] Illustrated 70 Good Set of Six Chinese Porcelain Tea Cups, second half 19th century, each of conventional form and decorated in underglaze blue and famille rose enamel with delicate decoration of a peony and orchid and foliage with a pair of butterflies, the base with a four-character “hallmark” in underglaze blue, h. 2‑1/4”, dia. 3‑1/8”. [200/400] Illustrated

74 Fine Central Scientific Company, Chicago, Jeweler’s Scale, second quarter 20th century, composed of wood and glass, the slide-front two-pan scale accompanied by a boxed set of Central Scientific Company weights, the case lid with an embossed brass signature plaque, h. 16‑1/4”, w. 16‑1/2”, d. 9”. Provenance: Finlay-Dicks and Co. Ltd., the La Vallerie Co., 433 Bourbon Street and 315 Royal Street, French Quarter, New Orleans, Louisiana. [150/300] 75 Framed Collection of Various French Foliate Specimens, including seed pods, dried flowers, foliage and fungi, all compartmented into a quarter-sunburst pattern, h. 28”, w. 20”. [50/80] 76 English Polychromed Black Lacquer Tray Table, early 20th century, the square tray with a full raised edge, and featuring a gilded and polychromed scene of ducks in an aquatic garden, in the chinoiserie taste, raised on a collapsible black-painted wooden stand with shaped legs, h. 22”, w. 21”. [150/300]

80 Attractive Chinese Export Black-Lacquered and GiltDecorated Jewel Cabinet, third quarter 19th century, the case fitted with two doors in “Mandarin Garden” decor and opening to an interior fitted with five long drawers, h. 15‑1/2”, w. 14”, d. 8”. [700/1000] Illustrated 81 George III-Style Mahogany and Marquetry Lady’s Desk, second quarter 20th century, the rectangular top over a drop front opening to reveal a writing surface, two cubbyholes and two small drawers, above a block-front case fitted with two long drawers, raised on cariole legs ending in peg feet, the whole with neoclassical-style urn-and-foliage inlays, h. 34‑1/2”, w. 33”, d. 13‑1/4”. [150/300] 82 Queen Anne-Style Mahogany Low Table, second quarter 20th century, the rectangular string-inlaid top with rounded corners, over a carved skirt, raised on cabriole legs ending in pad feet, h. 20”, w. 32”, d. 20”. [200/400] 80

77 Imposing Pair of Kuang Hsu Blue and White Porcelain Garniture Vases, fourth quarter 19th century, of tall-neck globular form, each with “rose ombre”-glazed bas-relief ornament of “Celestial Dragons and The Flaming Pearl”, the underglaze blue decoration of swirling heavenly clouds, h. 21‑1/2”, dia. 15‑1/4”. [800/1200] Illustrated 78 Large Pair of French Cast-Plaster Figures of Recumbent Whippets, in the Restauration style, each deep ivory-painted canine modeled with a buckled collar and surmounting an oblong plinth with beveled upped edges, h. 13”, w. 15”, l. 35”. [400/700] 79 Pair of George III-Style Mahogany Drop-Leaf GateLeg Tables, second quarter 20th century, each with a rectangular top and two drop leaves, raised on a spindled gate-leg base joined by a box stretcher and ending in turned feet, h. 27‑1/4”, w. 27”, d. 10”. [300/500]

83 George III-Style Mahogany Wing Chair, the serpentine padded back joined to the cushioned seat by like arms, raised on cabriole legs headed by shell and scroll carving and ending in pad feet, h. 44”, w. 26‑1/2”, d. 26”. [200/400] 84 Seventeen-Piece Staffordshire Partial After-Dinner Coffee/Chocolate Service, for ten persons, second quarter 20th century, the gold-trimmed white porcelain comprised of nine cylindrical coffee-chocolate cups, h. 2‑5/8”, dia. 2‑3/8”, and eight saucers, dia. 4‑3/4”, all fully backstamped in underglaze green transfer print. [20/40]

85 Blue and White Porcelain Umbrella Stand, late 19th century, unmarked, having a royal blue ground and featuring two white herons by the waterfront, with gilt highlights, h. 22‑1/2”, dia. 12”. [200/400] Illustrated 86 Large Art Pottery Blue-Glazed Jardiniere, early 20th century, each side decorated with a pair of swans in flight, h. 11”, w. 15”, d. 11‑1/2”. [50/80] 87 Continental Tortoiseshell Tea Caddy, third quarter 19th century, the interior fitted with two compartments (one lacking a lid), raised on turned ivory feet, h. 5”, w. 6‑3/4”, d. 4‑1/2”. [1200/1800] Illustrated 92 88 George III-Style Mahogany Camel-Back Sofa, fourth quarter 19th century, the serpentine padded back joined to the cushioned seat by like outscrolled arms, raised on cabriole legs headed by acanthine carving and ending in ball-and-claw feet, h. 34”, w. 75”, d. 33”. [300/500] 89 George III-Style Mahogany Tilt-Top Table, the circular top over a turned and carved pedestal raised on three cabriole legs ending in ball-and-claw feet, h. 28‑1/4”, dia. 30‑1/8”. [150/300]

90 92 George III Banded Oak and Inlaid Tallcase Clock, early 19th century, having a swan-neck bonnet top with brass rosettes, the case with fluted corner pilasters and having a molded base, the time-and-strike movement lacking the key and weights, h. 83”, w. 20”, d. 20”. [800/1200] Illustrated

90 George III Mahogany Chest on Chest, ca. 1800, in two parts, the upper section having two side-byside drawers over two long drawers, the lower case with three long drawers, h. 61”, w. 44‑1/2”, d. 20”. [600/900] Illustrated

91 Suite of Four Mahogany Nesting Tables, of George III inspiration, each with a rectangular banded top over a satinwood string-inlaid frieze, raised on like-inlaid tapering square legs, the largest h. 23‑1/2”, w. 22‑1/2”, d. 14‑1/4”. [200/400]

93 George III-Style Mahogany Tea Table, second quarter 20th century, the trefoil-shaped top raised on a balusterturned standard ending in three splayed legs on brass paw feet, h. 26”, w. 23”, d. 21”. [100/200]

94 Chinese Export Porcelain Shaped Canape Dish, 20th century, of oval outline with pierced handles, decorated in famille rose enamels on a white ground with a central avian medallion and four reserve panels of flowers, birds and butterflies, w. 7‑3/4”, l. 10‑1/2”. [200/400]

100 Pair of George III-Style Mahogany Armchairs, fourth quarter 19th century, each with a shaped crest centered by a foliate carving, above a pierced splat, joined to the padded seat by acanthine-carved arms, raised on square legs joined by an H-form stretcher, h. 37‑3/4”, w. 24”, d. 18”. [400/700] 101 Chinese Export Porcelain Covered Soap Dish, late 19th century, of rectangular outline with canted corners, with conforming cover with finial and interior pierced drain, lightly decorated in famille rose enamels with figures, fish, antiques and scenes of exotic birds in flowering branches, h. 2”, w. 6”, d. 4‑1/2”. [200/400] Illustrated 102 Nice Set of Chinese Export Porcelain Covered Jarlets, 20th century, in graduated sizes, each of cylindrical shape with conforming lids, each decorated in the “Rose Medallion” pattern with reserve panels of figural and naturalistic scenes on a floral ground, the largest h. 3”, dia. 3‑7/8”. [800/1200] Illustrated

95 Large Chinese Export Porcelain Charger, 20th century, decorated in famille rose enamels with a central scene of birds and butterflies among bamboo, flowering plants and rockwork, and a large border of birds in a garden scenes and dense decoration of squirrels among fruiting grapevines, dia. 15”. [1500/2500] Illustrated 96 Unusual Chinese Export Porcelain Fish Server and Drainer, first half 20th century, of elongated oval outline with fitted, pierced drainer, decorated in the “Rose Medallion” pattern, the dish with alternating reserve panels of figures and naturalistic scenes, the drainer with overall floral decor, w. 5‑7/8”, l. 13‑3/4”. [700/1000] Illustrated

103 Chinese Export Porcelain Pencil Holder, 20th century, of small size and molded and pierced cylindrical form with lightly molded figural reserve panels against a ground of Buddhistic symbols, with a floral and butterfly medallion border at the base, h. 4‑1/4”, dia. 2‑3/8”. [200/400] Illustrated 104 Chinese Export Porcelain Reticulated Fruit Basket and Stand, 20th century, each of oval outline with reticulated piercing and decorated in bright famille rose enamels in the “Rose Medallion” pattern, basket h. 5‑1/8”, w. 8‑3/4”, l. 10”, stand w. 8‑5/8”, l. 10‑1/4”. [800/1200] Illustrated

97 Group of Ten Chinese Export Porcelain Articles, late 19th/early 20th century, composed of four rice bowls, dia. 4‑1/2”, and covers, five porcelain soup spoons, l. 6”, and an elegant western-style teapot, h. 7‑1/2”, all decorated in famille rose enamels in the Rose Medallion pattern. [150/300] 98 Fine Set of Four Chinese Export Porcelain Mille-Fleur Luncheon Plates, 19th century, each exuberantly decorated in famille rose enamels with a myriad of overlapping flowers in dense concentration, the reverse with a central medallion of a cluster of grapes and a border of two sprays of peonies, dia. 9”. [600/900] Illustrated 99 Queen Anne-Style Mahogany Dining Table, late 20th century, the rectangular top with molded edge and rounded corners, raised on cabriole legs ending in pad feet, h. 30‑1/2”, w. 43”, l. 54”. [200/400]

105 Chinese Export Porcelain Covered Vegetable Dish, 20th century, of rectangular outline with indented corners, the conforming cover with a fruit-form finial, decorated in the “Rose Medallion” pattern with alternating figural and naturalistic scenes against a floral ground, h. 5”, w. 7‑3/4”, l. 9”. [1000/1500] Illustrated

102

103

101

106 Group of Sixteen Chinese Export Plates and Saucers, early 20th century, each of Western style decorated in Rose Medallion pattern, consisting of five dinner plates, six dessert plates and five saucers, largest dia. 9‑1/2”, h. 1”. [300/500]

112

107 Chinese Export Porcelain Squared Serving Dish, 20th century, decorated in famille rose enamels with a central scene of flowers, fruits and butterflies, and bordered with reserve floral panels on a dense ground of butterflies and gilding, w. 9‑1/8”, l. 9‑3/8”. [700/1000] Illustrated 108 Chinese Export Porcelain Luncheon Plate, 20th century, decorated in the “Rose Medallion” pattern with a central scene of four ladies playing Go on a garden terrace, surrounded by a border of butterflies and roses, the reverse with rice grain inserts, dia. 9‑1/8”. [300/500] Illustrated

107

109 Group of Ten Chinese Export Porcelain Articles, late 19th/early 20th century, composed of a pair of fluted tea cups and saucers, dia. 6”, and six salad/desert plates in butterfly decor, dia. 8‑1/2”, all decorated in famille rose enamels in Rose Medallion and Rose Canton patterns. [200/400]

108

110 George III-Style Mahogany Console, first quarter 20th century, the demi-lune top over a conforming frieze fitted with a central urn- and swag-carved drawer, flanked to one side by a door, raised on tapering square legs ending in spade feet, h. 32‑1/2”, w. 48‑3/4”, d. 21‑5/8”. [300/500] 111 George III-Style Mahogany Dumbwaiter, first quarter 20th century, the three graduated circular shelves joined by a fluted turned standard ending in three splayed legs on brass casters, h. 44”, dia. 26”. [150/300]

104 105

112 Pair of Chinese Export Porcelain Tazzas, first half 20th century, each of circular plate form on slightly splayed bases, decorated in the “Rose Medallion” pattern with central naturalistic medallions surrounded by alternating figural and naturalistic reserve panels against a floral and butterfly ground, h. 4‑7/8”, dia. 10‑1/2”. [2000/4000] Illustrated

113

115

114

117 Eight-Piece George III-Style Mahogany Dining Room Suite, second quarter 20th century, comprised of a rectangular extension dining table, h. 30”, w. 45”, l. 65”, six balland-claw dining chairs, h. 39”, w. 23”, d. 20”, and a serpentine-front sideboard, h. 36‑3/4”, w. 35‑1/4”, d. 21‑3/4”. [800/1200] 118 Regency-Style Mahogany Breakfront, second quarter 20th century, having a serpentine front with four conforming curved glass doors and a base with a central bank of drawers and cabinets on either side, h. 75‑1/4”, w. 59‑1/8”, d. 14‑1/2”. [400/700]

120 121

119 George III-Style Mahogany Slant-Front Desk, second quarter 20th century, the rectangular top over a banded drop front, opening to reveal a tooled leather writing surface and a variety of cubbyholes and drawers, above a case fitted with four graduated drawers, raised on bracket feet, h. 38‑1/2”, w. 29”, d. 17”. [200/400]

113 Elaborate Chinese Export Porcelain Shrimp Dish, late 19th century, of quatrefoil shape with flattened floraldecorated handle rim, decorated in the “Rose Medallion” pattern with a central medallion of a duck among lotus surrounded by alternating reserve panels of figures and naturalistic scenes against a floral and butterfly ground, and framed with borders of crossed rice grain decoration, w. 9‑7/8”, l. 10‑1/2”. [700/1000] Illustrated 114 Chinese Export Porcelain Gu-Shaped Vase, first half 20th century, decorated in the “Rose Medallion” pattern with alternating reserve panels of figural and naturalistic scenes, h. 12‑1/2”, dia. 8‑1/2”. [700/1000] Illustrated 115 Unusually Large Chinese Export Porcelain Footed Serving Dish, 20th century, of shaped oval outline and raised on a slightly splayed foot, decorated in the “Rose Medallion” pattern with a central rose medallion surrounded by alternating reserve panels of floral and naturalistic designs, h. 3‑1/4”, w. 11‑3/8”, l. 15”. [800/1200] Illustrated 116 Chinese Export Famille Rose Porcelain Bowl, 20th century, decorated in strong enamels with a central medallion of roses on the interior, the exterior decorated with a continuous scene of flowers, birds, butterflies and fruit, dia. 10”. [100/200]

126

125

129

120 Unusual Chinese Export Porcelain Milk Pitcher, first half 20th century, decorated in the “Rose Medallion” pattern, of octagonal ribbed outline with a continuous scene of figures in a domestic setting, h. 6‑3/4”, w. 5”, l. 7‑1/4”. [400/700] Illustrated 121 Good Chinese Export Porcelain Handled Mug, late 18th century, of cylindrical form with a dragon handle, decorated with reserve panels in the “Mandarin” pattern against a molded “Chicken Skin” ground, h. 4‑5/8”, dia. 4”, l. 5‑1/2”. [600/900] Illustrated 122 Chinese Famille Rose Porcelain Bowl, late 19th century, h. 3”, dia. 6‑3/4”. [500/800] 123 Group of Seventeen Pieces of Chinese Export Porcelain, 20th century, comprised of three scalloped luncheon plates and seven cups with handles, a small teacup and six saucer dishes, all decorated in the “Rose Medallion” pattern, dia. 5‑1/2” to 8‑1/2”. [300/500] 124 Group of Twenty-Two Chinese Export Cups and Saucers, early 20th century, consisting of ten cups and twelve saucers, all in the “Rose Medallion” pattern, cup h. 2”, saucer dia. 5‑1/2”. [300/500] 125 Pair of George III-Style Mixed Woods End Tables, each with a banded rectangular top above a conforming case fitted with two banded drawers, raised on tapering square legs, h. 28”, w. 18‑1/2”, d. 13”. [300/500] Illustrated 126 George III-Style Mahogany Partner’s Desk, first quarter 20th century, the gilt-stenciled tooled leatherinset rectangular top over a frieze fitted with four drawers, raised on two pedestals, each fitted on one side with four drawers, the other side with a door, raised on tapering square feet, h. 30”, w. 66‑3/4”, d. 43‑3/4”. [500/800] Illustrated 127 Queen Anne-Inspired Louis XV-Style Mahogany Dining Table, ca. 1900, the circular top opening to accommodate leaves (none present) and supported by carved cabriole legs, h. 31”, dia. 54”. [75/125]

128 Attractive Anglo-American Double Standish, fourth quarter 19th century, composed of verdigris-detailed reticulated cast-iron in the Aesthetic taste, fitted with the period pair of square melon-ribbed glass ink bottles with hinged cast-iron covers and a stationery rack at the rear edge, h. 5‑1/4”, w. 8‑1/2”, d. 4‑3/4”. [200/400] 129 Fifteen-Piece Collection of Various Carnival Glass, fourth quarter 20th century, consisting of a five-piece Fenton citron hobnail water set, a seven-piece opalescent ice blue hobnail water set, an opalescent ice blue hobnail epergne, a small opalescent green hobnail condiment dish, and an opalescent ice blue fishtail pitcher, the largest h. 10”, dia. 10”. [200/400] Illustrated 130 Fifteen-Piece Collection of Various Pink and Lilac Carnival Glass, fourth quarter 20th century, including four baskets of various size and designs, one signed on the bottom “Bill Fenton”, an “Open Rose” covered butter dish, a Fenton “Jack in the Pulpit” bud vase, a Fenton “Rose”stamped footed vase, a Fenton “Carnival Holly” ruffle-edge bowl, a covered hen, rooster and camel, a “Peacock on a Flowering Branch” vase, a “Vintage” handled cookie server, a Fenton dinner bell, and a Fenton small nut dish, the largest h. 12”, w. 6”, l. 10”. [150/300] 131 Twenty-One-Piece Collection of Various Iridescent Ruby and Marigold Carnival Glass, fourth quarter 20th century, all with “Near-Cut” designs, including a sevenpiece water set, eight punch cups, a basket, and matching open sugar and creamer, and three bowls, the largest h. 8‑1/4”, w. 5‑1/4”, l. 8‑1/4”. [125/250] 132 Thirty-Two-Piece Collection of Marigold Carnival Glass fourth quarter 20th century, consisting of a thirteenpiece “Vintage” punch service, a set of four “Vintage” tumblers, a “Fruit Salad” cup, four “Apple Tree” tumblers, a “Hobnail” footed compote, a “1971 American Carnival Glass Association”, a Fenton “Woodland World Wide Carnival Glass Association” candy dish, a “Near-Cut” rose bowl, an open sugar and creamer, two bowls, a swanshaped bonbon dish, and a nautilus-shaped toothpick holder, the largest h. 7”, dia. 12”. [100/200]

138

132A Thirty-One-Piece Collection of Various Blue and Green Carnival Glass, second half 20th century, consisting of a “Near-cut” pitcher, a covered hen, a heartshaped box with a hummingbird motif, a “Heavy Grape” plate, a “Scroll Embossed” candy bowl, a circular plain bowl, a “Near-cut” nut dish, a pair of “Near-Cut” salt and pepper shakers, a Dugan Glass Company “Good Luck” dinner bell, a “butterfly” ornament, three various sized and colored swan-shaped nut dishes, a small figure of a frog, a figure of a duck and a robin, a double-elephant toothpick holder, a slipper-shaped candy dish, a small ring holder, a miniature five-piece water set, and five various cups, the tallest h. 8‑1/2”. [100/200] 133 Nineteen-Piece Collection of Iridescent Red Carnival Glass, fourth quarter 20th century, consisting of a Fenton rococo-style brass-mounted lamp, a signed and hand-painted vase, a Fenton flared-edge bowl, a footed compote, a ribbed rose bowl, an acorn-shaped footed bowl, a dinner bell, a Fenton “butterfly” ornament, a pair of leaf-shaped candle holders, a small “Near-Cut” plate, and eight various cups and tumblers, the tallest h. 10”. [100/200] 134 Seventeen-Piece Collection of Iridescent Ruby Carnival Glass, third quarter 20th century, including a tall ribbed vase, the base with a “Vintage” motif, two “Windmill and Flowers” candy dishes, a set of eight Fenton “Apple Tree” tumblers, and a set of six “Stork and Rushes” tumblers, the tallest h. 13‑1/2”. [100/200] 135 Eleven-Piece Collection of Marigold Carnival Glass, fourth quarter 20th century, consisting of a Northwood “Fine Rib” vase, a Northwood “Tree Trunk” vase, a “Ripple” vase, a “Leaf Column” vase, a “Swirl” ribbed vase, an “April Showers” vase, a ruffle-edge bowl, a “Coin Spot” bowl, a “Coin Spot” plate, a small “Louisa”-patterned oval footed dish, and an “Acanthus” ruffle-edge bowl, the largest h. 11”, dia. 4‑1/4”. [150/300

136 Eighteen-Piece Collection of Iridescent Marigold Carnival Glass, fourth quarter 20th century, consisting of a large “Vintage” open footed compote, two “Basketweave”-patterned tall vases, a tall “Plume Panels” vase, a smaller “Feathers” vase, a small “Diamond Point Columns” vase, a Basketweave” basket, a “Basketweave” cream pitcher and open-edge open sugar basin, two “Vintage” candy dishes, a small “Basketweave” open-edge bonbon dish, a “Fishscales”-patterned bonbon dish, a “Vintage” ruffle-edge tri-footed bowl and another similar bonbon dish, and a “Heavy Grape” plate, the largest h. 8‑1/2”, dia. 8‑1/2”. [150/300] 137 Nineteen-Piece Collection of Iridescent Marigold Carnival Glass, third quarter 20th century, consisting of a six-piece butterfly-shaped condiment set, three-tall flareedge vases, a finely ribbed vase, a “Diamond”-patterned ruffle-edge short vase, a tri-footed rose bowl, a tri-footed “Butterfly”-stamped bowl, a pair of candle holders with a scrolling foliage design, a paneled candlestick, a “Scroll Embossed” bowl, a “Round-Up” opalescent plate, and a “Pine Cone” small plate, the largest h. 13”. [100/200] 138 Seventeen-Piece Collection of Marigold Carnival Glass, including a vintage “Golden Wedding” flask, a later “Near-Cut”-pattern and metal pedestal compote, a seven-piece “Floral and Near-Cut” water set, a “NearCut” open sugar basin, a pitcher, a square bonbon dish, a circular scallop-edge bowl, two ruffle-edge plates, a condiment dish, and a tri-footed “Berries and Butterflies” paneled bowl, the largest h. 10‑3/4”, dia. 10”. [125/250] Illustrated 139 Seventeen-Piece Collection of Various Iridescent Marigold Carnival Glass, fourth quarter 20th century, consisting of a “Marigold Windmill” pitcher and eleven tumblers of various designs, and a punchbowl with four matching cups in “Waffle Block” decor, the largest h. 9‑1/2”, dia. 10‑1/2”. [100/200]

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140 Twenty-Three-Piece Collection of Various Iridescent Ruby Carnival Glass, fourth quarter 20th century, consisting of a water pitcher, a smaller pitcher, a cylindrical vase, nine punch cups, and eleven tumblers, all in various “Near-Cut” designs, the tallest h. 8”. [100/200] 141 Monumental Continental Silverplate Urn, third quarter 19th century, the traditionally shaped body raised on a square plinth, with a domed lid, large toupie finial and twisted ring handles with mascaron mounts, h. 31”, dia. 16”. [400/700] Illustrated

147 Pair of Austro-Hungarian Silverplate Three-Light Candelabra, fourth quarter 19th century, of small size in relief strapwork decor, detach at the centers to form a pair of single-light candlesticks, h. 12‑1/2”, w. 9”, d. 4‑1/2”. [600/900]

148 Pair of Continental Silverplate-Mounted Garniture Vases, composed of matte terra cotta-painted metal in the neoclassical taste, of covered and two-handled form, raised on tall pedestal bases of square section, the facades of each pedestal base centered with a silverplate beribboned three-quarter wreath, h. 14‑1/2”, w. 10‑1/4”, d. 7‑1/2”. [200/400]

142 International Silver “Royal Danish” Sterling Silver Salt and Pepper Shakers, the pattern introduced in 1939, Meriden, Connecticut, h. 4‑1/2”, 4.40 t. oz. [300/500] 143 Royal Danish U.S.A. International Sterling Silver Tray, of triangular form with three pierced handles, dia. 11‑1/2”, 22.25 t. oz. [1200/1800] Illustrated 144 Royal Danish U.S.A. International Sterling Silver Footed Bowl, of triangular form with three pierced handles, h. 3”, dia. 7”, 10.60 t. oz. [500/800] Illustrated 145 Royal Danish U.S.A. International Sterling Silver Tray, of oblong form with four pierced handles, w. 12‑1/2”, d. 8‑1/2”, 27.35 t. oz. [1500/2500] Illustrated

141

146 German .800-Standard Silver-Mounted Glass Decanter, first quarter 20th century, the ewer-form decanter composed of brilliant-cut glass in “Buzz” pattern, retains the period “Buzz”-cut spherical glass stopper, h. 11”, w. 6‑1/2”, d. 4‑1/4”. [500/800]

149 Louis XV-Style Three-Piece Polychromed and Parcel-Gilt Bedroom Suite, second quarter 20th century, consisting of a bedstead, vanity and armoire, the bedstead with an oval caned panel-inset headboard and footboard with elaborate floral carving, flanked by turned and carved columnar supports, the headboard surmounted by flame finials, raised on acanthine-carved turned legs on bun feet, h. 67”, inside w. 54”, l. 84”, outside w. 60‑1/2”, l. 89”; the vanity with a carved superstructure centered by an oval mirror within a wreath-carved frame, surmounted by a ribboned rose swag and wreath crest, above a kidneyshaped glass top and a carved and skirted frieze fitted with a central drawer, raised on cabriole legs joined by an X-form stretcher, h. 65”, w. 46”, d. 24”; the tripartite armoire with a central domed, elaborately carved crest surmounted by flame-carved finials, over a conforming case fitted with a central beveled mirror door, flanked by a door on each side, each inset with an oval caned and flower basket-carved panel over a grille inset long oval panel, raised on a fluted, patera and beribboned swag-carved base ending in turned and carved tapering feet, h. 102”, w. 81”, d. 21”. [2500/4000] Illustrated

149 three-piece suite

150 Louis XVI-Style Composition and Giltwood Looking Glass, of oval form and having a ribbon-form crest and a beveled plate glass mirror, h. 31‑1/2”, w. 23”, d. 2‑1/4”. [300/500] Illustrated 151 Patinated Bronze and Cast-Iron Armchair, of Savonarola form with a concave slat back issuing downswept arms joining a slat seat, the seat fitted with a loose tassellated strie fabric cushion in shades of champagne, rose, aqua and red, h. 40”, w. 23‑1/2”, d. 18”. [75/125]

149 three-piece suite

154

153 Pair of Polished Brass and Iron Andirons, in the Louis XVI taste, each in the form of a ribbon-turned torchere on a shell and paw-footed base, h. 20‑1/2”, w. 8”, d. 13‑1/2”. [200/400] 154 Louis XVI-Style Beechwood Three-Fold Dressing Screen, early 20th century, the central panel slightly domed and inset with a mirrored plate, with a ribbon crest and overlain floral garland, flanked to each side by a mirrored panel fitted with a projecting shelf with an inset Breche d’ Aleps marble top and a small lower drawer, the whole raised on tall toupie feet, h. 27”, w. 57‑1/2”, d. 17”. [1500/2500] Illustrated 155 French Gilt-Brass-Mounted Crystal Table Lamp, of “Fluted Column on Pedestal” form in the Louis XVI taste, h. 31‑1/2”. [150/300]

150

152

152 Large Pair of Cast-Brass Three-Light Appliques, third quarter 20th century, in the Louis XVI taste, the backplate in the form of a ribbon and the arms draped by a wreath, h. 28”, w. 13‑1/2”, d. 8”. [200/400] Illustrated

156 Five-Piece Louis XVI-Style Fruitwood Parlor Suite, second quarter 20th century, consisting of a settee, h. 37”, w. 60”, d. 21‑1/2”, and four fauteuils, h. 37”, w. 24”, d. 21‑1/2”, each with a slightly domed crest centered by a floral-spray carving over a padded back, joined to the like seat by open reeded arms, above a ribbon- and beadcarved skirt, raised on fluted tapering circular legs ending in toupie feet, upholstered in machine-made Aubussonstyle needlepoint fabric depicting a courting couple. [1000/1500] Illustrated following page

156

157 Pair of Old Paris Porcelain Garniture Vases, third quarter 19th century, each with a grotesque-mask handle with floral garlands, formerly mounted as lamps and having a later brass ring added at the mouth, h. 14”, dia. 4‑1/2”. [500/800] Illustrated

158 Attractive French Faience Double Encrier, fourth quarter 19th century, in the 18th-century style, retains the period ink wells and domed covers, the nibs and pen wells decorated with galants figures in rural landscapes, h. 3”, w. 7”, d. 5”. [100/200] 157

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159 Louis XVI-Style Polychromed and Parcel-Gilt Oak Cocktail Table, late 19th century and later, the rectangular parquetry oak top over a paneled frieze with applied gilt lotus accents, raised on fluted tapering square legs ending in spade feet, h. 18”, w. 59‑1/2”, d. 21‑1/2”. [300/500]

161

160 French Patinated Brass and Cut Glass Eight-Light Chandelier, second quarter 20th century, in the Louis XVI style, richly dressed with colored glass fruit and pendant drops, h. 33”, dia. 23”. [700/1000] Illustrated 161 Neoclassical-Style Bronze and Marble Five-Light Candelabrum, second quarter 20th century, depicting a maiden holding a torchere aloft, her other hand gripping a wreath, on a columnar alabaster pedestal with stepped base, electrified, h. 40”, dia. 8”. [300/500] Illustrated

166

162 Pair of American Gilt-Brass and Tole-Peinte FourLight Appliques, in the Restauration style, ca. 1900, each backplate marked “Crescent B.M. Co., Pat’d. No. 015”, h. 10‑3/4”, w. 12”, d. 13‑1/2”. [300/500] Illustrated 163 Louis XVI-Style Polychromed and Gilded Composition Supra Porta Panel, of rectangular form and centered by a ribbed urn issuing bellflower garlands, h. 12”, w. 39”, d. 1‑1/2”. [30/50]

162

165 Impressive Louis-XVIStyle Carved Giltwood Floor Lamp, early 20th century, the fluted standard having a Corinthian capital and mounted to a circular footed base, h. 71‑1/2”, dia. 16”. [500/800] Illustrated

165

166 Louis XVI-Style Polychromed and MarbleTop Console, the shaped variegated cream marble top over a conforming frieze with scrolling foliage-molded gilt-brass mounts, raised on tapering circular legs ending in brass-capped toupie feet, h. 36‑1/2”, w. 70”, d. 15‑3/4”. [600/900] Illustrated

167

164 Ninety-Two-Piece Collection of American Glassware, mid‑20th century, with gilt rims, consisting of ten iced beverage goblets, eleven port/sherry glasses, twelve iced seafood coupes with removable ramekins, twelve red wine goblets, twelve sparkling wine goblets, eleven white wine goblets and twelve dessert coupes, the largest h. 6‑1/2”, dia. 3‑3/4”. [150/300]

167 Pair of Gilt-Metal-Mounted Polychromed CobaltGround Porcelain Lidded Urns, late 20th century, of large size in the Louis XVI Sevres taste, the reserves depicting courting couples, h. 39”, w. 14”, d. 9”. [800/1200] Illustrated previous page

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170

172 Large Pair of Belle Epoque-Style Brass and Iron Andirons, in the Louis XVI taste, each of columnar form with flame finials adorning tapering columns with Corinthian capitals, h. 40‑1/2”, w. 25‑1/2”. [500/800] 173 Louis XVI-Style Gilt-Brass-Mounted Mahogany and Marquetry Occasional Table, first quarter 20th century, the circular banded top with a pierced brass gallery over a recessed frieze, above a shaped, galleried lower shelf, raised on tapering circular legs ending in gilt-brass sabots, the whole with gilt-brass mounts, h. 28”, dia. 15‑1/4”. [100/200]

168 Large Louis XV-Style Giltwood Overmantel Mirror, mid‑20th century, the carved and pierced crest with a central flower basket and applied carved corners, h. 96”, w. 50‑1/2”. [1000/1500] Illustrated 169 Pair of Third Republic Gilt-Brass Five-Light Candelabra, late 19th century, in the neoclassical taste, each urn-form standard on a ram’s-head support, electrified, h. 21”, w. 7‑1/4”. [500/800] Illustrated 170 Pair of Contemporary Giltwood and Composition Pedestal Cabinets, each having glazed sides and doors, the tops fitted with a mirror, h. 29”, w. 13”, d. 13”. [200/400] Illustrated 171 Pair of Louis XVI-Style Gilt-Brass Andirons, each in the form of an urn issuing bellflower swags and raised on a pierced base to fluted toupie feet, joined by a paneled and scroll-pierced fender, h. 16‑1/2”, w. 52”, d. 5”. [300/500]

169

174 Pair of Louis XVI-Style Marquetry and MarbleTop Bedside Commodes, fourth quarter 19th century, each with a shaped, galleried and variegated salmon marble top over a drawer with floral inlays, above a pair of doors fronted as book spines, raised on cabriole legs ending in brass sabots, h. 29”, w. 14‑1/2”, d. 11‑1/2”. [400/700] Illustrated 175 Decorative Giltwood Wall Mirror, late 20th century, the top with a molded crown, the frame with rope details and floral corners, h. 45‑1/2”, w. 28‑3/4”. [100/200] 176 Louis XVI-Style Mahogany and Marble-Top Occasional Table, the kidney-form top with ormolu banding and three-quarter pierced brass gallery surrounding a Breche de Benou Jaune marble top, above a conforming frieze fitted with a single drawer and brass-bound panels, joined to a like-shaped lower galleried shelf by fluted uprights, the whole raised on ormolu-mounted cabriole legs ending in sabots, h. 30”, w. 27‑1/2”, d. 17”. [500/800]

178

177 Attractive Pair of French Gilt-Brass and Wrought-Iron Chenets, second quarter 20th century, in the Louis XVI style, composed of gilt-brass vases surmounting arched addorsed scroll feet of blackened wrought iron, h. 16‑1/4”, w. 8‑1/4”, d. 22‑1/4”. [600/900] 178 French Ormolu-Mounted Mahogany Vitrine, early 20th century, in the transitional Louis XV into Louis XVI taste, the rectangular top with a three-quarter pierced brass gallery and projecting center section above a conforming case fitted with a central frieze drawer over three doors, all inset with glazed beveled panels, raised on cabriole legs ending in sabots, the whole accented with ormolu mounts and millwork, with one conforming glass shelf, h 49”, w. 50‑1/2”, d. 17”. [3000/5000] Illustrated

174

179

179 Opulent French Nine-Light Chandelier, of cage form in the Bagues, Paris, style, composed of gilded wrought-iron dressed with rock crystal and green quartz pendalogues in four sizes, emerald green and colorless glass flowerheads, and peridot and colorless glass fleurettes, electrified, modeled as eight outer lights enframing a center light and fitted with buff faux-wax candles, h. 33”, dia. 32”. [4000/7000] Illustrated

180 Attractive Four-Piece Louis XVI-Style Bedroom Suite, first quarter 20th century, by Ameublement Poulin, Paris, the gilt-brass-mounted mahogany and parquetry suite consisting of an armoire with a bonnet crest over a conforming case with two mirrored doors, h. 98”, w. 55”, d. 22”, a bedstead with an arched paneled headboard and footboard, joined by molded rails, h. 67‑1/2”, w. 60‑3/4”, d. 79”, a lady’s desk with a rectangular shaped top over a skirt fitted with one drawer, raised on fluted tapering circular legs on toupie feet, h. 30‑1/4”, w. 35‑1/2”, d. 21‑1/2”, and a chair with a carved crest over a pierced splat, above a padded seat, raised on fluted tapering circular legs ending in toupie feet, h. 36‑1/2”, w. 16‑1/4”, all five pieces with parquetry inlays and wreath, foliage and patera gilt-brass mounts. [1500/2500] Illustrated

180 four-piece suite

184 Set of Six Porcelain Covered Pots de Creme and an Underplate, late 20th century, the lids with rose floral handles and gold transfer decoration throughout, cup h. 4”, dia. 3”, underplate dia. 10” (13 total pieces, including lids). [50/80] 181 French Gilt-Brass-Mounted Onyx Table Lamp, in the Louis-Philippe neoclassical taste, the standard of candlestick form on a tall gilt-brass pedestal of square section, each facade set with a hipped onyx boss, h. 29”. [300/500] 182 Louis XVI-Style Mahogany and Onyx-Top Console Table, 20th century, the rectangular onyx top with rounded corners, over a conforming frieze fitted with three banded, string-inlaid drawers, raised on fluted tapering circular legs headed by gilt-brass mounts and ending in brass caps, h. 32‑1/4”, w. 40‑1/2”, d. 12”. [150/300] 183 Sevres-Style Porcelain and Brass-Mounted Vase/ Table Lamp, late 19th century, of tall size, the porcelain having a a burnt orange ground with a central painted scene of a courting couple in a garden and bearing the artist’s signature “A. Robin”, h. 33”, w. 9”, d. 5‑1/2”. [250/400]

185 Louis XVI-Style Circassian Walnut Commode, the shaped rectangular top surmounted by a like backsplash, over a conforming case fitted with four long drawers, raised on fluted tapering circular legs ending in toupie feet, h. 33‑1/4”, w. 54”, d. 25‑1/4”. [300/500] 186 Pair of Lacquered Composition Covered Urns, in the Louis XVI taste, each with a gilt-stenciled lid over a fauxmarble body fitted with neoclassical masque handles, raised on a square pedestal ending in scroll feet, h. 16”, w. 9‑1/2”, d. 7‑3/4”. [300/500] 187 French Four-Fold Shadowbox Screen, early 20th century, composed of alternating ebonized and natural wood shadowbox frames, each containing a collection of moths or leaves, h. 43‑1/4”, w. 48”. [250/400]

194 Pair of Syrian Silver-Inlaid Brass Long-Neck Vases, fourth quarter 19th century, of inverted pyriform with multiple relief tracery reserves, now mounted as table lamps on brass bases of flat disc form, h. 20‑1/2”, dia. 8”. [600/900] Illustrated 195 Chinese Export Sterling Silver-Clad Quadruple Decanter, second quarter 20th century, Hong Kong, the French-made four-in-one glass decanter bottle of ovoid form with straight neck, clad in a reticulated silver jacket decorated with chased dragons, pagodas and junks on a background of flowers, bamboo and clouds, with four large open panels to view the four different cordials within, all surmounted by four small spouts with horn-shaped silver stoppers, h. 13”, dia. 5”. [500/800]

188 188 Continental School (First Quarter 20th Century) “Portrait of a Gypsy Girl”, oil on canvas, signed upper right “E. Pilz 1920”, 32” x 23”. Handsomely framed. [900/1200] Illustrated

194

189 Jean de Saulx (French, 1853‑1931) “The Blue Cravat”, oil on canvas, a portrait of a self-assured mustachioed man wearing a blue cravat set with a pearl stick pin, signed lower left, 28” x 23”. Presented in a carved oak frame in the Regence style. [150/300] 190 After Jacques-Louis David (French, 1748‑1825) “Madame Recamier”, oil on canvas, unsigned, 28” x 41”. Presented in a molded giltwood frame. [300/500] 191 After Charles Steueben (French, 1788‑1856) “Napoleon et Son Fils”, color engraving, sight 20” x 16‑1/2”. Glazed, attractively matted and framed. [200/400] 192 French School (21st Century) “Dionysian Head Studies”, after an Antique, pair of giclee prints, sight 10‑1/2” x 9‑1/2”. Double matted and presented in elaborate giltwood frames. [100/200] 193 Elaborate Franco-Italian Design Drawing of a Japanese Cloisonne Vase, fourth quarter 19th century, sight 10‑1/2” x 7‑1/2”, presented in a crimson-banded ivory French mat within a gilt-edged, black-lacquered wooden frame in the neoclassical taste and glazed, 19‑1/4” x 17‑1/2”. [75/125]

196 Two Neolithic Tang Dynasty Pottery Figures, (618‑907 A.D.), both retaining traces of colorful decoration and accompanied by a fitted box, h. 3”. [250/400] 197 Suite of Four Chinese Terra Cotta Figures, in the T’ang Dynasty style, consisting of an alert caparisoned horse, h. 15”, w. 5”, d. 12‑1/4”, and three figures of a charging bull, h. 10”, w. 5”, d. 14‑1/2”, all with polychromed accents. [250/400]

198 Chinese Peasant Ware Serving Bowl, first half 20th century, of circular outline with unglazed interior, the exterior glazed in white with underglaze blue characters and linear borders, h. 3”, dia. 7‑1/4”. [300/500] Illustrated

211 212 210

199 Chinese Glazed Porcelain Bowl, 19th century, the interior bottom and outside retaining decorative elements, h. 3‑1/2”, dia. 8”. [700/1000] Illustrated

200 Chinese Famille Rose-Decorated Porcelain Vase, 20th century, of baluster form with flared lip rim, decorated in soft enamels with a scene of figures of an adult and children in a garden setting, h. 9‑1/4”. [75/125] 201 Assorted Four-Piece Group of Chinese Glazed Stoneware, mid‑19th century, comprised of a pair of bowls of modified clover-leaf form, a tapering cylindrical vessel, and a hexagonal tea caddy, the largest h. 6‑1/2”, dia. 5”. [150/300] 202 Group of Three Chinese Export Earthenware Serving Pieces, including a cylindrical lidded teapot, h. 6‑1/2”, dia. 5”, and a pair of covered tureens, h. 4‑1/2”, w. 8‑1/2”, d. 7”. [300/500]

208

199

198

203 Chinese Carved Pale Gray Jade Scholar’s Desk Boulder, in the Ch’ien Ling style, featuring an elderly mandarin and his pet monkey in the garden below a country villa, the outer layer of the boulder in polished caramel jade, presented on a Chinese custom-carved hardwood stand of cushion form, h. 6‑1/2”, w. 3‑3/4”, d. 2‑1/2”. [150/300]

204 Interesting Three-Piece Collection of Chinese Carved Jade, second/third quarter 19th century, comprised of an oblong toggle carved in bas-relief with a pair of ducks and lotus; a carved white pendant in the form of a bat, the body and spread wings bas-relief carved with a stylized celestial dragon and a phoenix, in the Ch’ien Lung style; and a stylized ecru/ivory shaded oblong sash plaque similarly carved, with a small hole drilled at either end for fixing the piece to a fabric support; each piece accompanied by a small modern plexiglass display stand, the largest w. 2‑7/8”, l. 2‑3/4”. [150/300] 205 Chinese Carved Jade Figure of a Man with a Backpack, l. 1‑7/8”. [40/70] 206 Large Kuang Hsu Patinated CastIron Table Leg, fourth quarter 19th century, now mounted as a striking table lamp on a custom wrought-iron base, h. 28‑1/2”. [200/400] 207 Near Pair of Chinese Provincial Weathered Wood Fence Posts, second quarter 19th century, each slotted for three rails, now mounted on custom black-painted stepped wood slab bases, h. 53” and 48”. [100/200] 208 Elaborate Carved Giltwood and Polychromed Opium Bed Panel, mid‑20th century, featuring multiple tiers of bridges, trees, mountains and figures, h. 19”, w. 12”, d. 3”. [400/700] Illustrated 209 Elaborate Chinese Carved and Glazed Satinwood Panel, late 19th century, the scene depicting several tiers of people, buildings and trees carved in great detail and housed in a stained oak frame, h. 35‑1/2”, w. 21”. [500/800]

219

210 Interesting Pair of Carved Ivory Foo Dogs on Stands, second quarter 20th century, each with a ball in its mouth and having one leg elevated, h. 2”. [300/500] Illustrated 211 Carved Ivory Figural Group on Stand, early 20th century, depicting four circus figures, h. 5‑1/4”, w. 2”, d. 2”. [300/500] Illustrated 212 Group of Four Small Carved Ivory Figures on Stands, mid‑20th century, the largest h. 3‑1/2”, dia. 2”. [200/400] Illustrated 213 Set of Three Kuang Hsu Porcelain Stacking Food Bowls, fourth quarter 19th century, in “Bird and Flowering Branch” decor, each bowl with a calligraphic stanza in overglaze black on the reverse, the domed porcelain cover lacking, dia. 6‑1/2”. [50/80] 214 Chinese Celadon Porcelain Vase, second quarter 20th century, the outer body of reticulated foliate design and having an additional inner care vase, h. 11”, dia. 3‑1/2”. [600/900]

215 Large Pair of Chinese Porcelain Garden Seats, of drum form in the Ch’ien Lung style, each in yellow and white “Celestial Dragons and Celestial Pearl” decor on mirror black grounds, each side fitted with a diminutive finger hold, h. 18‑1/2”, dia. 14”. [100/200] Illustrated 216 Framed Chinese Porcelain Pictorial Plaque, 20th century, of rectangular form and decorated in famille rose enamels depicting three ladies in a garden setting with rockwork and a flowering cherry tree, a calligraphic inscription in the upper right corner and border in iron red with a ruyi lappet border, now framed in a black and gilt key-fret-carved frame, h. 14‑3/8”, w. 10‑3/4”. [200/400] 217 Oriental Carved and Stained Mahogany Stand, late 20th century, the top of octagonal form and having floralcarved aprons joining the cabriole legs, h. 36”, dia. 13”. [100/200] 218 Kuang Hsu Bronze and Champleve Enamel Brazier, fourth quarter 19th century, h. 9”, w. 13‑1/2”, dia. 9”. [50/80]

215

223 Large Asian Champleve-Enameled Bronze Vase, fourth quarter 19th century, the body depicting Asian figures and the under-base retaining its wax seal, h. 13‑5/8”, w. 5‑5/8”. [700/1000] Illustrated

221

224 Asian Champleve-Enameled Bronze Vase, fourth quarter 19th century, the shoulder featuring applied masks and the enameled body with dragon motifs, the underside of the base retaining its wax seal, h. 13”, dia. 3‑1/2”. [600/900] Illustrated

220

222

219 Kuang Hsu Cabinet a Deux Corps, fourth quarter 19th century, composed of polychromed, parcel-gilt and red-lacquered wood, modeled as a tall two-door cabinet surmounting a horizontal paneled four-door cabinet, its panels decorated with dragon masks, the lower cabinet fitted with a single transverse shelf, h. 41‑1/4”, w. 43‑1/2”, d. 17”. [500/800] Illustrated previous page

225 Asian Champleve-Enameled Bronze Vase, fourth quarter 19th century, the body depicting a variety of flowers and butterflies and fitted with dragon-form handles, the underside of the base retaining its wax seal, h. 12”, dia. 4”. [600/900] Illustrated

227

220 Asian Champleve-Enameled Bronze Vase, fourth quarter 19th century, having incised decorations, mask handles with drop rings and retaining its wax seal on the base, h. 12”, dia. 4”. [600/900] Illustrated 221 Large Asian Champleve-Enameled Bronze Incense Burner, fourth quarter 19th century, having a Foo dog seated on the lid and mounted with dragon-form handles, h. 24”, dia. 8‑1/2”. [1000/1500] Illustrated 222 Two Asian Champleve-Enameled Bronze Urns, fourth quarter 19th century, the tall example having embossed and incised banding and retaining its wax seal on the bottom, the other retaining one of its handles and having circular vent holes below the rim, the largest h. 9‑1/2”, dia. 3‑1/2”. [700/1000] Illustrated

223

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225 226

226 Asian Champleve-Enameled Bronze Lidded Jar, fourth quarter 19th century, the body designed to simulate stacking jars with protruding handles, the base retaining its wax seal, h. 10”, dia. 7”. [800/1200] Illustrated

230

227 Rare and Fine Japanese Meiji Carved Ivory Group, late 19th century, depicting an extremely detailed village hut with a removable roof exposing an interior with people and sliding paneled doors, the exterior with various villagers and a large tree outgrowth wrapping around the front of the hut, the removable side door bearing a carved signature, h. 4‑1/4”, w. 4‑1/2”, d. 4”. [5000/8000] Illustrated

233 Fine Japanese Carved and Polychromed Ivory Figure, mid‑20th century, depicting a young maiden holding a rose in one hand and a fan in the other, mounted to a wooden base, h. 11”, w. 4”, d. 3‑1/2”. [200/400] Illustrated

229

228 Chinese Carved Ivory Medicine Lady, early 20th century, depicting a recumbent nude with one arm behind her head, w. 1‑3/4”, l. 6”. [400/700] Illustrated 229 Pair of Japanese Carved Ivory Figures, first half 20th century, one depicting a shellfish seller with a basket of clams and a spear, h. 7‑1/4”, and the other a turtle hunter holding a single turtle and a long tool for digging out his prey, h. 8‑3/4”. [500/800] Illustrated 230 Japanese Carved Ivory Model of a Five-Storied Pagoda, late 19th/early 20th century, modeled as a five-storied building rising from a galleried platform, the lowest story carved with a Buddhist shrine with a Buddha attended by two acolytes, the other stories carved with closed shrines, the sides carved with panels of Buddhist saints and symbols, the roof panels carved with scrolling foliate symbols and butterflies, the roof topped with a pierced double gourd, h. 26‑1/4”. [2500/4000] Illustrated 231 Indian Carved Ivory Group, mid‑20th century, in the form of a cylindrical tower depicting a jungle scene with elephants, lions, giraffes and trees, h. 11‑1/2”, dia. 4‑1/2”. [200/400] Illustrated

234 Group of Two Japanese Meiji Provincial Glazed Stoneware Storage Jars, fourth quarter 19th century, the shoulders with rows of stamped barred decoration, h. 19‑1/2”, dia. 13‑1/2”. [125/250] 235 Large Chinese Richly Glazed Covered Jar, second quarter 20th century, the facade featuring a pair of phoenix birds amidst a field of flowers, h. 19”, dia. 5”. [150/300]

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232

232 Chinese Carved and Stained Ivory Figure of Shou Xing, mid‑20th century, the God of Longevity modeled with his attributes, signed on the underside, h. 8”, w. 4”, d. 3‑1/2”. [200/400] Illustrated

236 Japanese Meiji Satsuma Pottery Cylindrical Cachepot, fourth quarter 19th century, polychromed and parcel-gilded in “Chrysanthemum” decor, the base with a circumscribed X in black and a calligraphic signature in overglaze gold, h. 11”, dia. 8‑1/4”. [75/125] 237 Japanese Meiji Porcelain Vase, first quarter 20th century, of “ginger jar” form in the Imari palette, the blue ground with numerous richly gilded and polychromed figural reserves of varying form, the circular cover lacking, h. 10”. [50/100] 238 Japanese Carved Hardstone Six-Panel Hinged Table Screen, mid‑20th century, h. 14‑1/2”, w. 30”, d. 1”. [1200/1800] 239 Johann Hermann Knoop (Dutch, 1700‑1769) “Study of Pears”, pair of hand-colored copper engravings from Pomologia, sight 12” x 9”. Both glazed, French matted and presented in giltwood frames. [500/800] Illustrated 240 After George Brookshaw (British, 1751‑1823) “Green Apples”, hand-colored engraving from Pomona Britannica; or A Collection of Most Esteemed Fruits, sight 12” x 10”. Glazed, French matted and presented in a fauxweathered molded frame. [400/700] 241 William Sharp & Son (American, Second Quarter 19th Century) “Three Pears and an Apple”, suite of four chromolithographs from Fruits of America, sight 10” x 6‑1/2”. All glazed, double-matted and presented in molded giltwood frames. [150/300] 242 Two Contemporary Blown Glass Vases, both of urn form, the larger in mottled lime green and terra cotta on a blue ground with iridescent amethyst decoration, and the smaller example with a clear glass casing over a marbled pink and white coloring, the largest h. 12”, dia. 5‑1/4”. [100/200] 243 Collection of Three Orrefors, Sweden, Crystal Bowls, including a “Marin Vertical Cut” bowl, a “Zodiac” bowl, and a “Plain Marin” shallow bowl, the largest h. 3”, dia. 9”. [100/200] 244 Twenty-One-Piece Continental Blown Glass Partial Stemware Service, first quarter 20th century, in the 18th-century style, the service consisting of twelve white wine goblets with pale green bowls, h. 3‑7/8”, dia. 2‑7/8”, and nine red wine goblets in colorless glass, all on ball stems above circular colorless glass feet, h. 5‑3/8”, dia. 3‑4/8”. [100/200] 245 Suite of Six Glass Paperweights, 20th century, consisting of four mille fleur examples, one with encased bubbles, and one with encased pink swirl patterns, accompanied by six acrylic display stands, the largest paperweight h. 3”. [500/800]

239 pair 246 Venetian Blown Glass Figural Group of a Pheasant, 20th century, h. 9”, l. 21”. [100/200] 247 Vetri Artistici Murano Blown Glass Amber Vase, fourth quarter 20th century, of unusual form, the tortoiseshell pattern interspersed with multicolored murrines, h. 14‑1/4”, w. 15”. [100/200] 248 Three-Piece Group of Art Glass, fourth quarter 20th century, consisting of an amethyst cylindrical vase with applied rose ribbon bands, an etched ruby vase, and a multicolored vase of ovoid form with white horizontal bands, the largest h. 14”, dia. 3”. [100/200] 249 Continental Emerald Glass Vase, mid‑20th century, of cylindrical form with applied swirling trails of the same color, h. 12‑1/2”, dia. 6‑3/4”. [100/200] 250 African Carved Wooden Ashanti-Style Staff Finial, depicting a standing male figure and a stylized leopard on an oval platform with segmented standard, now mounted on a contemporary black wooden base, h. 21”. [250/400] 251 African Carved Wooden Senufo-Style Standing Male Figure, with platform feet beneath short bent legs and a protruding navel framed by abstract angular arms emanating from square shoulders, the diminutive angular facial features surmounted by a single crested backswept coiffure, h. 27”. [250/400] 252 African Carved Hardwood Sculpture, early 20th century, depicting a tribesman with a headdress, h. 22”, w. 12”, d. 11”. [100/200]

253 Pair of Carved and Polychromed Ceremonial Masks, mid‑20th century, each depicting a stylized elephant’s head, h. 7”, w. 7‑1/2”, d. 8”. [100/200] Illustrated

254

255 257

254 Two Carved and Polychromed Ceremonial Masks, mid‑20th century, one depicting a dragon’s head with long beak and teeth, h. 8”, w. 7”, d. 13”, and the other depicting an Asian dragon, h. 12”, w. 8”, d. 5”. [100/200] Illustrated 255 Pair of Large Carved and Polychromed Ceremonial Masks, mid‑20th century, depicting a stylized clown’s face, largest h. 14‑1/4”, w. 9”, d. 4”. [100/200] Illustrated

253 256

256 Two Interesting Carved and Polychromed Ceremonial Masks, mid‑20th century, one of geometric Aztec influence, h. 11”, w. 12”, d. 2”, and the other multifaced with two noses, two mouths and three eyes, h. 10”, w. 9”, d. 5‑1/2”. [100/200] Illustrated

264

258 Two African Tribal Dyed Hand-Woven Baskets, including a Swazi sisal example, dia. 8‑1/4”; and a wedding trinket basket of Navajo design, dia. 7‑1/2”. [20/40] 259 Suite of Six Various African Hand-Woven and Dyed Trays, consisting of four Pima design examples, a Zulu example and a Nigerian flat example, the largest dia. 12‑1/2”. [50/80] 260 Striking Set of Four Graduated Vellum Drumheads, now mounted on matching custom wrought-steel display stands, overall h. 16” to 24‑1/8”, dia. 11‑1/2” to 18”. [200/400] 261 Two Vietnamese Bamboo Root Sculptures, comprised of a table sculpture of a smiling Buddha, h. 15”, w. 11”, d. 4”; and a wall-mounted example of a bearded sage, h. 13”, w. 7”, d. 3‑1/2”. [30/50]

265

262 Neoclassical-Style Gilt-Iron Center Table, the glassinset top over scroll-accented sides, raised on tapering circular legs ending in pad feet, h. 30”, w. 54”, d. 30”. [400/700] 263 Brass-Mounted Cedar Blanket Chest, ca. 1900, of dovetailed construction with brass bands, handles and corner brackets, h. 19”, w. 39‑1/2”, d. 20‑1/4”. [150/300]

257 Two Carved and Decorated Ceremonial Masks, mid‑20th century, one depicting a female with horns, h. 10”, w. 7”, d. 4‑1/2”, and the other depicting a cow’s head, h. 10”, w. 7”, d. 7‑1/2”. [100/200] Illustrated

264 Italian Tiger Maple Violin, first quarter 20th century, marked “Nicolaus Amatus, Fecit in Cremona 1645”, presented in the original case, h. 1‑3/4”, w. 6‑1/2”, l. 21”. [200/400] Illustrated 265 A Heinrich T. Heberlein Tiger Maple Violin, first quarter 20th century, labeled “Heinrich Th. Heberlein, Jr. Markneukirchen 1927”, cased and accompanied by a mother-of-pearl and ivory handle bow, w. 7‑1/2”, d. 2”, l. 23‑1/2”. [800/1200] Illustrated

267

266 English Brass-Mounted Mahogany Campaign Butler’s Desk/Chest, third quarter 19th century, the rectangular top with brass caps above a conforming case fitted with a drawer opening to reveal a tooled leather writing surface and a variety of cubbyholes and drawers, over two short above two long drawers, raised on bracket feet, h. 36‑1/2”, w. 41”, d. 19”. [700/1000] Illustrated

269

267 Suite of Four Cast-Iron Figures of “The Four Seasons” on Stands, each gray-painted figure raised on a cream-painted stand with wreath decor, h. 70”, w. 22”, d. 22”. [1000/1500] Illustrated

268 Campaign-Style Brass-Mounted Mahogany Coffee Table, the rectangular brass-bound and “World Map”inset top raised on brass-inlaid square legs, h. 18”, w. 43”, d. 33”. [200/400] 269 Pair of Mixed Marble Sandaled Feet, modeled after the Antique, the sandals of Notre Dame marble, the feet of Brignoles Violet marble, h. 9”, w. 7”, l. 16”. [2000/4000] Illustrated 270 Large Composition Figural Bracket, the upper torso supporting a shelf and the lower body terminating into an acanthus leaf and scrolled support, h. 53‑1/2”, w. 15”, d. 16”. [150/300] 266

272 Dutch Walnut Secretary Bookcase, late 20th century, the arched and broken pediment with a pierced design, above a case fitted with two doors, each inset with a mirrored panel featuring etched figures of courtiers, opening to a shelved interior with a lower drawer, the lower section fitted with a slant paneled front with a carved foliate banding, opening to a variety of drawers and cubbyholes surrounding a central cupboard and three long drawers, all banded and with shaped fronts, raised on carved bracket feet, h. 91”, w. 45”, d. 23”. [1400/1800] Illustrated

271

270

271 Pair of Carved and Painted Lion-Masque Bracket Shelves, 20th century, each depicting a lion’s head and acanthuscarved detail supporting a shaped shelf, h. 22”, w. 11‑1/2”, d. 9”. [200/400] Illustrated

272

273 Hepplewhite Mahogany Linen Press, first quarter 19th century, in two parts, the upper case fitted with sliding shelves and the base with a pair of drawers over two long drawers, raised on splayed legs, h. 80”, w. 48”, d. 21‑1/2”. [800/1200] Illustrated 273

274 Country Regency-Style Stained Pine Bookcase, the molded cornice over a pair of glazed and grille-inset sliding doors flanked on both sides by Corinthian pilasters, above a lower case fitted with two short drawers and two paneled doors, raised on a plinth base, h. 96”, w. 40‑1/4”, d. 14”. [800/1200] Illustrated

275

275 Group of Six Japanese Imari Porcelain Ribbed Saucer Bowls, first half 20th century, each of circular outline with ribbed body and slightly scalloped rims, and decorated in dark underglaze blue polychrome enamels and gilding with a central peach medallion surrounded by floral reserve panels against an elaborate brocade ground, the base with an underglaze Arita mark and outer border of underglaze blue and iron-red stylized Buddhistic symbols, h. 1‑7/8”, dia. 6‑1/8”. [1200/1800] Illustrated

276 277

276 Set of Eight Japanese Imari Porcelain Saucer Dishes, first half 20th century, each of circular outline with unturned rims and decorated in dark underglaze blue and polychrome enamels with a central peach medallion surrounded by alternating reserve panels of gardens with bamboo and diamond medallions on a brocade ground, the reverse with an underglaze blue border of abstract designs, dia. 6‑3/4”. [1500/2500] Illustrated 277 Group of Four Japanese Imari Porcelain Saucer Dishes, first half 20th century, each of circular form with slightly flared sides and decorated in underglaze blue and polychrome enamels with a central peach medallion surrounded by a floral border and a diamond hatch demiborder with polychrome reserve panels, each base with an underglaze blue Arita mark and a border of underglaze Buddhistic symbols, dia. 5‑1/4”. [250/400] Illustrated 278 Group of Eight Japanese Imari Porcelain Saki Cups, 20th century, each of conventional form with elaborate exterior decoration in underglaze blue and polychrome enamels of Buddhistic conch shells against a delicate floral ground bordered by underglaze blue, the bases with four-character underglaze blue pseudo reign marks, h. 2”, dia. 2”. [800/1200] Illustrated 279 Group of Eight Japanese Imari Porcelain Saucer Bowls, first half 20th century, each of circular outline with lightly scalloped rims and decorated in underglaze blue and polychrome enamels with a central underglaze blue four-armed cross medallion bordered by floral and brocade patterns, h. 1‑3/4”, dia. 6”. [1200/1800] Illustrated 274

279

283 Regency-Style Mahogany Plant Stand, the circular turned top mounted to a tri-legged base with a central triangular stretcher, h. 40‑1/2”, dia. 12”. [75/125]

278

280

284 Pair of French Gilt-Brass Three-Light Bouillotte Lamps, fourth quarter 20th century, each with a red and parcel-gilt tole-peinte shade, French horn-shaped arms fitted with bone-white faux candles and a circular tray base, h. 24‑1/2”, dia. 13”. [500/800] Illustrated

280 Attractive Set of Ten Japanese Imari Porcelain Covered Bowls, 20th century, each richly decorated in underglaze blue, polychrome enamels and extensive decoration of zodiac hares in gilt against a polychrome brocade ground with chrysanthemums on the interior of both the bowls, the base of both the bowls and covers with four-character underglaze marks, bowl h. 2‑5/8”, dia. 4‑5/8”, cover dia. 4‑1/4”. [5000/8000] Illustrated 281 Pair of Brass-Mounted Black Granite Oviform Table Lamps, of Regency inspiration, each example banded with a central brass ribbon and mounted to a cast-brass base of woven basket form and a black granite plinth, h. 26‑1/2”, w. 9‑1/2”. [500/800] 282 Regency-Style Mixed Woods Occasional Table, first quarter 20th century, the circular inlaid top over a frieze fitted with a drawer, raised on saber legs joined by a basket-form shelf stretcher and ending in hoof feet, h. 28‑1/2”, dia. 20”. [150/300] Illustrated

284

282

285 285 Pair of French Gilt-Brass Three-Light Bouillotte Lamps, fourth quarter 20th century, each with a red and parcel-gilt tolepeinte shade, French horn-shaped arms fitted with bone-white faux candles and a circular tray base, h. 24‑1/2”, dia. 13”. [500/800] Illustrated

286 Pair of Late Victorian Patinated Brass Three-Light Sconces, ca. 1900, of neoclassical inspiration, each in the form of a fluted column with a Corinthian capital, previously electrified, h. 15”, w. 12”. [200/400]

289

287 Pair of Continental Faux-Ostrich Egg Garnitures, the white-painted wooden eggs raised on circular dished and footed ebonized wooden stands, overall h. 14”. [50/80] 288 Regency Rosewood Tripod Table, second quarter 19th century, the tilting octagonal top banded and with a molded edge, raised on a fluted columnar standard to a circular base raised on three scrolling legs, the whole with inlaid brass stringing and ormolu mounts in the Empire taste, h. 29”, dia. 33”. [900/1200] Illustrated

291 Group of Ten Japanese Imari Porcelain Shaped Condiment Dishes, first half 20th century, each of rectangular outline with indented corners and decorated in underglaze blue, polychrome enamels and gilding with unusual diagonal designs of a flowering ancient tree, plum blossoms and peacock feathers, the borders with panels of feathers, seashells and flowers, the reverse with an underglaze blue Arita mark and a border of stylized Buddhistic symbols, w. 5”, l. 6‑5/8”. [1500/2500] Illustrated

288

292 Set of Six Japanese Arita Ware (Imari) Condiment Dishes, 20th century, each of scalloped floral form and richly decorated in underglaze blue and polychrome enamels in a chrysanthemum form with alternating petals of brocade pattern and floral design, dia. 3”. [300/500] Illustrated 293 Contemporary Forty-Piece Imari-Style Dinner Service, for eight persons, consisting of eight dinner plates, dia. 10‑1/2”, eight salad plates, dia. 7‑1/2”, eight soup bowls, h. 1‑3/4”, dia. 7‑3/4”, eight cups, h. 2‑1/2”, dia. 3‑1/2”, and eight saucers, dia. 6”, the bottoms marked “Gump’s since 1861, made in Japan”. [400/700] Illustrated

289 Fine Pair of George IV Three-Light Candelabra, second quarter 19th century, composed of bronze-patinated and parcelgilt brass and cut glass in the neoclassical taste, each brass bobeche domed and dressed with cut glass spears pendant from cut jewels, the standards centered by gilt displayed eagles, each example on a stepped square base, h. 17”, w. 19”. [3000/5000] Illustrated 290 Cast-Iron and Metal-Slatted Conservatory Bench, of modified klismos form, the black-painted surface offset by a tubular brass casing to each scrolling arm, fitted with a deep black muslin cushion, h. 26”, w. 66”, d. 27”. [200/400] Illustrated

290

291

293

294 Group of Fifteen Chinese “Rose Medallion” Porcelain Serving Pieces, consisting of a large oval platter, two cream jugs, six cups and six saucers, all highly decorated in traditional patterns, the largest h. 5‑1/2”, w. 15”, d. 12‑1/4”. [600/900] Illustrated 295 Regency-Style Mahogany Sidechair, ca. 1900, with stylized shaped and carved back, the floral tapestry seat raised on slender cabriole legs, h. 33”, w. 20”, d. 15”. [100/200]

296 Pair of Late Regency Mahogany Sidechairs, second quarter 19th century, the backs with an oval paneled crest and reeded crown, having slip seats and raised on turned legs joined by an X-form stretcher, h. 34‑1/2”, w. 18‑1/2”, d. 17”. [100/200]

294

292

301 Good Set of Eight Japanese Imari Porcelain Saucer Bowls, first half 20th century, each of large circular outline with shaped rims and richly decorated in underglaze blue, polychrome enamels and gilding with a central quatrefoil lotus-leaf medallion surrounded by alternating circular medallions of phoenix birds and floral sprays against an elaborate brocade ground, the base with a central glazed circle surrounded by an unglazed base and blue border of scrolling foliage, h. 2‑1/4”, dia. 7‑1/2”. [3000/5000] Illustrated 302 Three-Piece Group of Japanese Imari Porcelain, 20th century, consisting of two saucer dishes, h. 2”, dia. 8‑1/2” and h. 2”, dia. 6”, and a rice bowl, h. 3”, dia. 4”, each decorated in underglaze blue and polychrome enamels in traditional Imari designs, the colors in the saucer dishes bold, in the rice bowl muted. [400/700] Illustrated

297 297 Regency-Style Mahogany and Burl Breakfront Bookcase, the ogee-molded cornice above a case fitted with four astragal-glazed doors, the lower section fitted with four inset doors, each with a raised panel, the whole raised on a plinth base, h. 82”, w. 68‑1/2”, d. 18”. [800/1200] Illustrated 298 Regency Mahogany Double-Pedestal-Form Sideboard, second quarter 19th century, the large, complex molded backsplash above a thick deck fitted with three ogee-form side-by-side drawers, the pedestals each fitted with a framed cabinet door, flanked by large scrolled pilasters, h. 49‑1/2”, w. 79‑3/4”, d. 26‑1/2”. [1000/1500] Illustrated

303 Group of Eight Japanese Imari Porcelain LuncheonSize Plates, first half 20th century, each with lightly scalloped rim and decorated in dark underglaze blue, polychrome enamels and gilt with a central peach medallion surrounded by alternating reserve panels of bamboo, flowers and stylized chrysanthemum blooms with gilt floral scrollwork on a dark blue ground, the base with an underglaze blue Arita mark with a border of stylized Buddhistic emblems, dia. 8‑3/8”. [1800/2500] Illustrated 304 William IV Mahogany Library Table, second quarter 19th century, the oval, tooled leather-inset top raised on a bulbous, turned standard to a concave base ending in scroll-carved feet, h. 29‑1/2”, w. 56”, d. 42”. [300/500]

299 Japanese Meiji “Brocade” Imari Porcelain Shallow Bowl, fourth quarter 19th century, of stylized flowerhead form, signed on the base in underglaze blue calligraphy, dia. 9‑5/8”. [75/125] 300 Good Set of Eight Japanese Imari Porcelain Tea Bowls, first half 20th century, each of conventional form and elaborately decorated in underglaze blue and polychrome enamels, the interiors with a central peony medallion with rice grain borders and brocade lip rim decoration, the exteriors decorated with reserve panels of peonies, wisteria and insects against a brocade ground, h. 2‑3/4”, dia. 3‑3/4”. [1500/2500] Illustrated

298

305 Diminutive Classical-Style Giltwood Convex Mirror, early 20th century, the circular frame with twelve turned spheres and a reeded ebonized liner, h. 2‑1/2”, dia. 15‑1/4”. [100/200]

301 300

306 Empire-Style Mahogany-Stained, Ebonized and Parcel-Gilt Desk, the tooled leather-inset top with a rope-molded edge above a frieze fitted with three drawers, raised on carved and splayed legs joined by an H-form stretcher and ending in paw feet, h. 30‑1/2”, w. 64”, d. 30”. [500/800] 302

307 Large German Black-Patinated Bronze Figure of an Athlete, the crouched nude male figure presented on an oblong polished verde antico marble base, h. 29‑1/4”, w. 22”, d. 12”. [200/400] Illustrated

307

308

303 308 Large French Verdigris-Patinated Bronze Figure of a Male Dancer, the kneeling nude figure presented on an oval polished verde antico marble base, h. 19‑3/4”, w. 25‑3/4”, d. 16”. [300/500] Illustrated

309 Large Patinated Bronze Figure of Bacchus, late 20th century, the horned figure draped in grapes and holding a scroll, and mounted to a square granite base, h. 29‑1/2”, w. 12”, d. 12”. [300/500] Illustrated 310 Japanese Meiji Imari Porcelain Planter, late 19th century, of ribbed circular form, the raised lip above a body decorated with elaborate polychromed scenes of children among flowering patterns, h. 9”, dia. 12”. [600/900] Illustrated 311 Japanese Meiji Imari Porcelain Covered Vase, first quarter 20th century, of “Temple Jar” form, presented on a later oriental mahogany footed stand of the traditional type, h. 21”, dia. 11”. [150/300] 312 Pair of William IV-Style Mahogany Hall Chairs, each with a scrolling modified shield-form back above the wooden seat, raised on turned and tapering bulbous legs ending in toupie feet, h. 32‑1/2”. [200/400]

309 313 Regency Banded Rosewood and Cherry Tea Caddy, early 19th century, the lifting top opening to reveal two lidded compartments, the rectilinear body of tapering form, raised on gilt-metal winged paw feet, h. 6”, w. 5‑1/2”, d. 10”. [150/300]

314 William IV Mahogany and Upholstered Fainting Couch, mid‑19th century, one end padded and outscrolled, the long padded seat raised on tapering circular feet ending in casters, h. 28‑1/2”, w. 28”, l. 71”. [200/400] Illustrated 315 William IV Mahogany Sidechair, second quarter 19th century, the arched back centered by a padded panel, the padded seat raised on barley-twist legs ending in toupie feet, h. 35‑1/2”. [50/80] 310

316 Seventy-Two-Piece Group of English “Blue Willow” Dinnerware, most marked “Churchill England”, consisting of thirteen cups, fourteen saucers, four additional saucers, thirteen dinner plates, eight small bowls, eight soup bowls, eight salad plates, a serving bowl, a creamer, a lidded sugar bowl, and a gravy boat, the largest dia. 10”. [300/500] 317 Two-Piece Royal Crownford Blue and White Ironstone Toilette Service, first quarter 20th century, in “Prunus” decor, comprising a toilette ewer, h. 12”, and a matching basin, h. 5”, dia. 15”, each piece fully marked on the base. [100/200]

324

318 Fifty-Nine-Piece Spode “Blue Colonel” Partial Dinner Service, for ten persons, consisting of ten dinner plates, dia. 11”, ten salad plates, dia. 8”, ten bread-andbutter plates, dia. 6‑1/2”, ten soup plates, dia. 9‑1/4”, ten cups, h. 2”, dia. 3‑3/4”, and nine saucers, dia. 5‑1/2”. [200/400]

325 Pair of Campaign-Style Brass-Mounted Mahogany Bedside Tables, second quarter 20th century, each with a brass-bound tooled leatherinset top over a case fitted with two drawers, raised on tapering square legs, h. 28‑1/2”, w. 15‑1/2”, d. 12‑3/4”. [400/700]

329

319 Two-Piece Grimwade, Staffordshire, Flow Blue Pottery Toilette Service, fourth quarter 19th century, in the “Poppea” pattern, comprised of a toilette ewer, h. 12‑1/2”, dia. 9”, and a large matching basin, h. 5‑1/2”, dia. 17”, both pieces fully marked on the base in underglaze blue transfer-print. [300/500] 320 Large English Blue Transfer Ware Oval Platter, third quarter 19th century, the reverse side stamped “Porcelain Opaque J. Jamieson & Co.”, h. 2”, w. 15‑1/2”, l. 19”. [100/200] 321 Brown-Westhead, Moore and Company Blue and White Transferware Pitcher and Basin, fourth quarter 19th century, in the “Teutonic” pattern and so marked on the base, pitcher h. 10‑1/2”, w. 8‑1/2”, l. 9”, basin h. 5‑3/4”, dia. 15‑1/2”. [150/300] 322 Set of Six B.P. Co. Gray-Transfer Ironstone Soup Plates, mid‑19th century, in the “Rhine” pattern, dia. 10‑1/2”. [150/300] 323 Regency Mahogany Shaving Mirror, second quarter 19th century, having a rectangular string-inlaid tilting mirror above a base fitted with two rows of three drawers each and raised on turned ball feet, h. 27‑1/4”, w. 26‑1/4”, d. 9”. [150/300] 324 Pair of CampaignStyle Brass-Mounted Mahogany and MarbleTop Bedside Commodes, first quarter 20th century, each with a variegated green marble top over a tooled leather surface above a case fitted with a dressing slide drawer and three drawers, raised on bracket feet, h. 31”, w. 19‑1/2”, d. 12‑1/2”. [400/700] Illustrated

326 Campaign-Style Brass-Mounted Mahogany Dresser, second quarter 20th century, the rectangular top with brass-capped corners over a case fitted with two drawers over a tooled leatherinset brushing slide drawer and three lower graduated drawers, the sides of the case fitted with brass handles, the whole raised on block feet, h. 47”, w. 21‑1/2”, d. 17”. [300/500]

327 Campaign-Style Brass-Mounted Marquetry Chest, second quarter 20th century, the rectangular top with brass-capped corners, over a case fitted with four drawers, the sides mounted with brass handles, raised on bracket feet, h. 30‑1/2”, w. 23‑1/2”, d. 14”. [200/400] 328 Regency-Style Plank and Cast-Iron Bench, the plank backrest and seat joined to a trio of cast-iron supports, each with open arms terminating in griffin supports, raised on a curule-form base, h. 28‑1/4”, w. 105”, d. 20”. [300/500] Illustrated 329 Anglo-Indian Rosewood Writing Desk, third quarter 19th century, the rectangular tooled leather-inset top with an egg-and-dart-carved edge above a shaped frieze centered by a foliage-carved drawer, raised on pierced and carved supports ending in acanthine-carved splayed legs with scroll feet, h. 30”, w. 53”, d. 23”. [1000/1500] Illustrated

328

332 334

336

341

330 Pair of Czechoslovakian Gilt-Brass and Glass TwoArm Sconces, each now dressed in colored and colorless glass fruit and leaves, h. 15”, w. 10‑1/4”, d. 7”. [300/500] 331 Persian Hamadan Runner, 4’ 11” x 9’ 5”. [200/400] 332 Persian Kashan Carpet, 9’ 5” x 12’ 10”. [600/900] Illustrated 333 Karaja Runner, 3’ 5” x 9’ 3”. [300/500] 334 Persian Heriz Carpet, 8’ x 11’ 3”. [1800/2500] Illustrated 335 Peshawar Sultanabad Carpet, 8’ 2” x 10’. [500/800] 336 Agra Serapi Carpet, 6’ 1” x 8’ 9”. [700/1000] Illustrated

344

337 Kilim Carpet, 9’ x 14’ 6”. [150/300] 338 Indo-Heriz Carpet, 8’ x 8’. [350/500] 339 Pair of Agra Serapi Carpets, 3’ 1” x 5’ 3” and 3’ x 5’ 1”. [400/700] 340 Chinese Carpet, 3’ 8” x 5’ 1”. [75/125] 341 Semi-Antique Persian Mashad Carpet, 9’ 9” x 13’ 6”. [1500/2500] Illustrated 342 Turkish Oushak Carpet, 6’ 3” x 9’ 1”. [600/900] 343 Afghan Belouchistan Carpet, 3’ 6” x 6’ 10”. [200/400] 344 “Portugallia et Algarbia quae olim Lusitania”, Joan and Willem Blaeu (Dutch, 17th Century), handcolored map of Portugal with sailing ships and Neptune seated on a dolphin in the Oceanus Occidentalis with an armorial at both upper corners, the cartouche flanked by Arabic figures of navigators with instruments, presented in a giltwood frame, neatline h. 15”, w. 19‑3/4”, overall h. 22‑3/4”, w. 28‑1/2”. [300/500] Illustrated 345 After Michel-Ange Challe (French, 1718‑1778) “Study of a Portico” and “Study of a Window of the Palais des Conservateurs in Rome”, pair of black and white engravings, sight 7‑3/4” x 5‑1/2”. Both glazed, attractively matted and framed. [350/500]

349 346 French School (Fourth Quarter 19th Century) “Architectural Rendering for the Proposed Entrance to the Louvre”, black and white engraving, sight 8” x 15‑1/2”. Glazed, matted and presented in an ebonized and parcelgilt frame. [500/800] 347 Trio of Hand-Colored Engravings, by Carrington Bowles and Bowles and Carver, London, consisting of “The Drawbridge Canal and Great Orphan House of the Hague”, “A General View of Constantinople”, and “A General View of the City of London”, all fourth quarter 18th century, sight 10‑3/4” x 16”, titled in English and French, the frame backs with the printed gold foil labels of “The Antiquarium Antique Print and Map Gallery, Houston”. Presented in beaded giltwood fillets within carved and ebonized wood frames in the neoclassical taste and glazed. [200/400]

348 Pair of Colored Lithographs, Oxford Smith and Company, St. Albans, England for the proprietors of The Illustrated London News of “Her Majesty’s Glorious Jubilee”, one showing Coronation scenes, the other Parliament interiors, sight 15” x 11”, both with multiple portraits of notables in the margins, the notables of the borders and the double center scenes fully identified on the reverses of the frames. Handsomely presented in giltwood fillets, scarlet-bordered and gilt-edged black mats within cordovan lacquered mahogany frames and glazed. [150/300] 349 Gaston Anglade (French, 1854‑1919) “Paysage de Bruyeres”, oil on canvas, signed lower right “Gaston Anglade”, 18‑1/2” x 22”, also signed on canvas verso, the stretcher affixed with a “Kurt E. Schon, Ltd.” gallery label. Presented in a giltwood and gesso frame affixed with a brass plaque inscribed with the artist’s name. [1000/1500] Illustrated previous page 350 Continental School (Third Quarter 19th Century) “Moonlit Lake Scene”, oil on canvas, unsigned, 14” x 20”. Presented in a silvered frame. [100/200] 351 Paul B. Pascal (American/French, 1832‑1903) “Peasant Riding a Mule Along a North African Coast”, watercolor and gouache on paper, signed and dated lower left “P. B. Pascal, 1899”, sight 13” x 17‑1/2”. Glazed and presented in a molded and parcel-gilt frame. [400/700]

356

353 Continental School (Fourth Quarter 20th Century) “Still Life of Mediterranean Pots and Pans”, watercolor on paper, signed and dated lower left “F. Zellote ‘94”, sheet size 22” x 29‑1/2”. Glazed and framed. [75/125]

359

352 Continental School (Fourth Quarter 20th Century) “Albanian Street Scene”, watercolor on paper, signed and dated “F. Zellote ‘94”, sheet size 22” x 29‑1/2”. Glazed and framed. [75/125]

354 Spanish School (Fourth Quarter 20th Century) “Rooftops”, ink on paper, signed and dated lower right “Silvio Bonilla G. ‘92”, sight 23‑1/2” x 16”. Glazed, matted and framed. [50/80] 355 Continental School (Late 19th/Early 20th Century) “Mountainous Landscape with Rushing Stream”, oil on canvas, indistinctly signed lower right, 17‑3/4” x 14”. Framed. [200/400]

358

356 Victorian Robert Garrard Sterling Silver Punchbowl, hallmarked London, 1948‑1850, by Robert Garrard II, of hemispherical form with gadrooned calyx, h. 8”, dia. 13‑1/2”, 59.90 t. oz. [3500/5000] Illustrated 357 Pair of English Silverplate Candlesticks, mid‑20th century, in the Adam style, having fluted standards above oval fluted bases, h. 12‑1/2”, w. 6”, d. 4‑1/4”. [100/200]

365 358 Pair of William IV Old Sheffield Plate Candelabra, second quarter 19th century, with tapering standards, gadrooned banding and thistle-form nozzles, h. 22”, w. 17”, dia. 6”. [1000/1500] Illustrated

359 Pair of William IV Old Sheffield Plate Sauce Tureens, second quarter 19th century, of lobed oval form, with shell and gadroon rim, bearing a crest of a “pelican in her piety”, h. 6”, w. 8”, d. 6”. [800/1200] Illustrated

363

360 Pair of Victorian Electroplate Three-Light Candelabra, third quarter 19th century, with tapering lobed standards and acanthus-scroll arms; can be converted to a pair of candlesticks or a single five-light candelabrum, h. 20”, w. 19”, dia. 5‑1/2”. [200/400] 361 Large Victorian Electroplate Tureen, third quarter 19th century, the lid and bowl with heavily embossed floral designs, h. 10”, w. 15”, d. 9”, 114.10 t. oz. [600/900] Illustrated 362 Regency Sterling Silver Teapot, hallmarked London, 1819‑1820, by Solomon Rogers, with floral engraving and pricked banding, h. 6‑1/2”, w. 11‑1/2”, d. 5‑3/4”, 14.80 t. oz. [1000/1500] Illustrated 363 Continental Brass-Bound Abalone Scent Coffer, 19th century, the rectangular case with brass banding and corner mounts with a central band and latch in the form of a belted buckle with side and lid handles, opening to an interior fitted with three stoppered gilt-accented scent bottles, raised on an annulated base, h. 3‑1/2”, w. 5‑1/2”, d. 3‑1/4”. [700/1000] Illustrated

364 Berlin KMP Porcelain Covered Potpourri Vase, first quarter 20th century, in the Louis XVI style, each facade with hand-painted oval reserves depicting country cottage and garden scenes, with gilt and pale violet accents, the base with a blue scepter underglaze mark and a black “C.J 15/6 1926” overglaze mark, h. 10”, dia. 2‑3/4”. [300/500] 365 Seven-Piece L. Strauss and Sons, Austria, Porcelain Fish Service, fourth quarter 19th century/first quarter 20th century, consisting of an oval platter, w. 9‑1/2”, l. 22”, and six plates, dia. 8‑1/4”, all with richly decorated green and gold borders interspersed with floral medallions. [500/800] Illustrated

361 362

366 Three-Piece Group of Continental Porcelain Items, comprised of a Germano-Bohemian porcelain cabinet ewer in the rococo taste, with handpainted floral decoration by Edna Jones (American, ca. 1882‑1940) and dated April 1902; and a two-piece Limoges porcelain footed cream and sugar set, also hand-painted in “Rose Garlands” decor, first quarter 20th century; all three pieces with gilded handles, the largest h. 10”, dia. 3‑1/4”. [100/200]

369 Vienna-Style Art Nouveau Porcelain Covered Box, first quarter 20th century, of oval form with richly gilt floral decoration in relief on an apple-green ground, the lid painted with a scene of a long-haired beauty looking at butterflies, h. 3‑1/2”, w. 6”, d. 4‑1/2”. [400/700] Illustrated

367

370 Continental Porcelain Covered Dresser Box, late 19th century, of circular form, the lid with a family portrait, the sides depicting an expansive country estate, the underside bottom bearing a blue pseudoSevres mark, h. 1‑3/4”, dia. 4”. [600/900] Illustrated 371 German Floral-Painted and Gilt-Decorated Porcelain Hinged Box, late 19th century, of urn form with an openwork lid, the underside of the foot bearing a pseudo Royal Meissen blue underglaze mark, h. 5”. [200/400]

367 Pair of Continental Polychromed Porcelain Lidded Urns, early 20th century, featuring elaborate floral sprays on the front and reverse, signed “A. J. Capey”, and with applied scrolling and bellflower-modeled handles, the waisted standard raised on a gilt-accented square base, h. 14”, dia. 5”. [1500/2500] Illustrated

368

368 Two Pieces of Meissen Porcelain, ca. 1900, both richly gilt and floral polychromed in the early 19th-century neoclassical taste, comprising a paneled coffeepot, h. 10‑1/4”, and a matching octagonal sweetmeats serving plate, w. 8”, each piece marked on the base with the crossed Meissen swords in underglaze blue. [500/800] Illustrated

370

369

376

372 Pair of Continental Oval Portrait Miniatures on Ivory, late 19th century, one depicting a lady with large plume hat, and the other a female draped in jewels, both signed illegibly and having ebonized frames, w. 5”, l. 6‑1/2”. [350/500]

380

373 Continental Oval Portrait Miniature of Karoline Theer, first quarter 20th century, signed lower center “Datly”, presented in a copper silk velvet mat within an antique ivoryenameled and parcel-gilt wooden frame, the portraitminiature with convex glazing, h. 6‑1/2”, w. 5‑1/2”. [100/200]

376 Pair of German Hand-Painted and Parcel-Gilt Porcelain Figures, first quarter 20th century, in the Meissen taste, each in the form of a putto atop a floralmolded circular base, above a square blue and white pedestal, h. 11‑1/2”, w. 4‑1/2”, d. 4”. [200/400] Illustrated 377 French Ivory-Framed Celluloid Portrait Miniature, depicting a Victorian lady of fashion, h. 6”, w. 6”, d. 5‑1/4”. [150/300] 378 Royal Bavarian Porcelain Manufactory White Biscuit Vase, second quarter 20th century, of upright oblong form in bas-relief “Lowing Stag in the Forest” decor, the base fully marked in green transfer-print, h. 9‑1/4”, w. 6‑1/2”, d. 3‑1/2”. [50/80] 379 Austro-German Carved Oak Stool, third quarter 19th century, the circular padded needlework seat with a spiraling adjustable mechanism, raised on four supports naturalistically rendered to simulate branches, h. 19”, dia. 15‑1/2”. [150/300] Illustrated 380 Black Forest-Style Stained Walnut Cuckoo Clock, mid‑20th century, the crest with a central stag’s head and crossed rifles, the case with a nature morte rabbit and fowl, h. 22”, w. 14‑1/2”, d. 10‑1/2”. [300/500] Illustrated 381 Lenzkirch, Germany, Gilt-Brass and BronzePatinated Spelter Medallion Wall Clock, first quarter 20th century, of lobed dish form in the Baroque style, the circular dial enameled in pale blue with bas-relief black enamel Roman chapters, the everted rim set with six bronze-patinated bas-relief putto medallions, the interior backplate touchmarked “Lenzkirch/branch/A.G/U”, dia. 17‑1/2”. [400/700] 382 Pair of Bohemian Etched Ruby Glass Garniture Vases, fourth quarter 19th century, of baluster form, each depicting a stag-in-the-forest scene in ruby-over-frosted overlay glass, h. 13”, dia. 3‑1/2”. [600/900] Illustrated

379

383 382

374 Continental Oval Portrait Miniature on Ivory, late 19th century, depicting a female subject with flowers in her hair and set within an ornate Louis XVI-style gilt-brass frame of easel form, w. 4‑1/2”, l. 6”. [100/200] 375 Continental Oval Portrait Miniature on Ivory, fourth quarter 19th century, depicting a woman with floral garlands, signed “Dupre”, presented in an oval aperture within an ivory-veneered frame, w. 5”, l. 6”. [200/400]

383 Bohemian ParcelGilt Ruby Glass Decanter, fourth quarter 19th century, of paneled form with a pyramidal stopper, the whole with hand-painted gilt arabesques, h. 12”, w. 3‑1/2”, d. 3‑1/2”. [500/800] Illustrated previous page

386

384 Collection of Nine Bohemian Colored Overlay Wine Goblets, second quarter 20th century, including four greenover-clear examples, two ruby-over-clear examples, two amethyst-over-clear examples, and one dark purple-overclear example, all with a “Vintage and Hobstar”-cut design, the largest h. 8‑1/2”, dia. 3”. [100/200]

385 Good Three-Piece Collection of Bohemian Cut Overlay Glass, first quarter 20th century, comprised of a white-over-clear bell-form cologne bottle with polychrome floral decoration, a white-over-ruby tumble-up (night carafe with tumbler as cover) of like date, and a parcel-gilt white-over-cranberry vase of baluster form, the largest h. 10” (four total pieces). [400/700] 386 Black Forest-Style Stained Walnut Cuckoo Clock, mid‑20th century, the crest with a stag’s head and the face flanked by two carved standing stags, h. 21‑1/2”, w. 16”, d. 13”. [300/500] Illustrated 387 South German Provincial Carved Lindenwood and Walnut Console Shelf with Integral Looking Glass, third quarter 19th century, in the Schwartzwald style, the shelf supported on the wings of a displayed eagle, the looking glass crested by a similar smaller eagle, both eagles fitted with amber and black taxidermist’s glass eyes, h. 38”, w. 18”, dia. 9‑1/2”. [250/400] Illustrated 388 English Oak Refectory Table, late 19th century, in the Elizabethan taste, the rectangular top with two draw ends, raised on a pair of large reeded acanthine-carved cup-andcover supports, each terminating in four splayed feet, h. 29‑1/2”, w. 39”, l. 96”, extended l. 168”. [1800/2500] Illustrated

388

389 Pair of Bohemian Glass Garniture Vases, fourth quarter 19th century, in white-over-green overlay glass, with richly painted floral bouquets on pink-ground reserves, h. 13‑1/2”, dia. 5”. [800/1200] Illustrated 390 Two Bohemian Overlay Glass Lustres, third quarter 19th century, one example with white and gilt overlay over a ruby and gold-painted ground, the rim with “Floral Medallions”; the other example with white and gilt overlay over a green and gold-painted ground, and having an acanthine-painted lip; the largest h. 12‑1/2”, dia. 6‑1/2”. [300/500] Illustrated 391 Set of Six Bohemian Sparkling Wine Goblets, second quarter 20th century, composed of cut garnet overlay and colorless glass, having panel-cut stems, h. 6‑1/2”, dia. 4”. [75/125]

392 Pair of Bohemian White-Cased Cut-to-Clear Glass Vases, second quarter 20th century, of baluster form, the underside of each example etched “Made in Czechoslovakia” within a circle, h. 9‑1/4”. [100/200]

387

393 Group of Two Bohemian Cased Glass Table Articles, third quarter 19th century, consisting of a perfume bottle with a paneled stopper and a rectangular covered box, both with white overlay over gilt-accented clear glass, with hand-painted floral sprays, the largest h. 8‑1/4”. [100/200]

389

394 Bohemian-Style Cut Glass Vase, mid‑20th century, of tapering cylindrical form, with cobalt blue-to-clear alternating chrysanthemum and bull’s-eye decoration, h. 14‑1/4”, dia. 9”. [100/200]

395 Bohemian White Cut-to-Cobalt Glass Flared Vase, fourth quarter 19th century, the central body with three oval reserves with floral bouquets, h. 15”, dia. 4‑3/4”. [500/800]

397

396 Fine Imperial German Blown Glass Pokal, fourth quarter 19th century, probably the Heckert Glassworks (active 1866‑1923, Warmbrun, Silesia) parcel-gilded and enameled in the late 17th-century style, the facade emblazoned with a gold and black crowned imperial German eagle, the domed cover with a prominent oviform finial, h. 17‑3/4”, dia. 5”. Reference: R. & D. Truitt, Bohemian Glass, 1880‑1940 (Kensington, MD: B. & D. Glass, 1995), p. 70‑71. [500/800]

390

397 Pair of Brass, Wood and Pressed Glass Lamps, third quarter 20th century, each with a gilt and etched glass baluster-form standard with a pink ground, the wooden base foliate carved, h. 26”, w. 5”, d. 5”. [400/700] Illustrated 398 Six-Piece Continental Enameled Cobalt Blue Glass Liqueur Service, for four persons, fourth quarter 19th century, consisting of a circular tray with gallery rim, dia. 6‑5/8”, a ringed decanter, h. 6‑1/2”, dia. 2‑1/2”, and four small goblets, h. 3”. [200/400] 399 Pair of Franco-Bohemian Porcelain Griffin-Handled Garniture Vases, fourth quarter 19th century, of attenuated pyriform, the bodies richly decorated with polychromed floral sprays and galants reserves depicting Napoleonic courting couples, with gilt accents, h. 16”, w. 11”. [500/800] Illustrated following page

403 Pair of Aerozon, Germany, Perfume Lamps, first quarter 20th century, in the form of brightly painted and parcel-gilt elephants, fitted with gilt-brass caps, the bases marked in red “Aerozon D.R.G.M. Germany”, h. 7”, w. 4”, d. 5‑1/2”. [500/800] 404 Continental Stained Pine Hutch, ca. 1900, having an overhanging cornice molding and two glass doors above a pair of framed and paneled blind doors, raised on bun feet, h. 84”, w. 41”, d. 22”. [500/800] 405 German Polychrome-Enameled and Gilded Porcelain Lidded Vase, early 20th century, the body modeled with floral blooms, twining branches and a pair of canaries, h. 8‑1/2”, dia. 6”. [300/500]

399

410

400 Italian Capodimonte Porcelain Desk Box, early 20th century, the coffered lid centered by an elaborate medieval procession, the sides with scenes of knights at battle, each corner featuring a crowned and plumed female warrior, the whole raised on scrolled toes, the underside with an underglaze crowned “N”, h. 6‑1/2”, w. 10”, d. 6”. [200/400]

401 Continental Mahogany and Walnut Armoire, third quarter 19th century, the domed and molded cornice above an oval paneled pediment, above a case fitted with a single mirrored door over a base with a single paneled drawer, raised on toupie feet, h. 100”, w. 41‑1/2”, d. 21”. [600/900] 402 Impressive Colorfully Glazed Majolica Centerpiece, early 20th century, the side panels formed of flared peacock tails, the interior of the bowl in sky-blue glazing, h. 10”, w. 17”, d. 10”. [200/400]

406 One Hundred Four-Piece Assembled China Partial Dinner Service, for twelve persons, second quarter 20th century, all in “Indian Tree” decor, consisting of eleven Lenox dinner plates, three John Maddock and Sons luncheon plates, nine Edwin M. Knowles China Co. salad plates, eleven Edwin M. Knowles China Co. soup bowls, three John Maddock and Sons bread and butter plates, nine Edwin M. Knowles China Co. bread and butter plates, twelve Edwin M. Knowles China Co. dessert bowls, two John Maddock and Sons demi-tasse cups and saucers, nine John Maddock and Sons coffee cups and twelve saucers, three John Maddock and Sons teacups, six unmarked teacups, and twelve Edwin M. Knowles China Co. saucers, the largest dia. 11”. [300/500]

409

415 Contemporary Polychromed and Patinated Bronze Figural Group, depicting a pair of birds in flight over a foliate and marble base, h. 17”, w. 22”, d. 7”. [300/500] Illustrated

412 411 413

416 Continental Porcelain Figure of a Bathing Beauty, early 20th century, the figure seated on a rocky outcrop, the verso indistinctly signed, h. 21”, w. 8‑1/2”, d. 8‑1/2”. [300/500] 417 Continental Polychromed and Parcel-Gilt Porcelain Long-Neck Vase, early 20th century, in the Anglo-Japonesque taste, h. 15”, dia. 4”. [100/200]

407 Forty-Seven-Piece Schumann Bavarian Porcelain Partial Luncheon Service, comprised of eleven luncheon plates, dia. 8”, fourteen cups, h. 2‑1/2”, dia. 4”, and twenty-two saucers, dia. 5‑1/4”. [200/400]

415

408 Russian Enameled Brass Circular Plaque, third quarter 20th century, the central motif depicting a colorful bird against an orange background, dia. 7”. [150/300] 409 Pair of Continental Maple and Elm Pedestals, early 19th century, composed of antique elements of a book press, each with an octagonal top supported by a standard of spiraled-screw form, raised on a paneled octagonal base to shaped and ribbed toes, h. 58”, w. 22”, d. 22”. [800/1200] Illustrated 410 Hans Keck (German, First Quarter 20th Century), a patinated bronze figure of a classical sculptor, signed at the base, on an octagonal marble base, h. 12”, w. 5‑1/4”, d. 5‑1/4”. [800/1200] Illustrated 411 American School (20th Century), a diminutive patinated bronze figure of a boy playing with toy soldiers, signed at the base “Becky Davis”, h. 5‑1/2”, w. 5‑1/2”, d. 5”. [150/300] Illustrated 412 Continental Patinated Bronze Figure of a Boy Playing with a Hat, first quarter 20th century, signed at the base “F. Jffland”, h. 14‑1/4”, w. 5‑1/4”. [100/200] Illustrated

418 After Henryk De Kossowski (b. Poland, Worked in Paris, 1815‑1870), a large gold/brown bronze-patinated spelter group of L’Abundance bearing a laurel wreath and a cornucopia and attended by a pair of putti, fourth quarter 19th century, signed at the rear of the plinth, presented on a turned red mahogany lacquered wood base with an engraved brass title plaque, h. 27‑1/4”, w. 12‑3/4”, d. 8‑1/4”. [300/500]

413 After Alfred Barye (French, 1839‑1882), a patinated bronze figure of two frolicking colts, signed at the base “Barye 1886”, h. 5‑3/4”, w. 9‑1/2”. [200/400] Illustrated

419 Attractive Three-Light “Vintage” Table Lamp, composed of brass, wrought-iron and colored glass, the glass shades modeled as clusters of grapes and raised on shaped tubular iron supports adorned with brass leafed vines and colored glass morning glory blooms, h. 26”, dia. 23”. [200/400]

414 Bronze-Patinated Cast-Metal Figure of a Newfoundland Dog, h. 6”, w. 9”. [50/80]

420 Royal Copenhagen Porcelain Group, depicting a pair of playful ducks, h. 9”, w. 12”, d. 8”. [100/200]

423 British School (Fourth Quarter 20th/First Quarter 21st Century) “Portrait of a Jockey on a Black Stallion”, oil on canvas, unsigned. Framed. [200/400] 424 British School (Fourth Quarter 20th/First Quarter 21st Century) “Getting Ready for the Race”, oil on canvas, unsigned, 30” x 40”. Presented in a giltwood frame. [200/400] 425 British School (Fourth Quarter 19th Century) “Mountainous Landscape with Two Hunters”, oil on canvas, signed and dated lower right “G. Grant 1892”, 16” x 24”. Presented in a Louis XV-style giltwood and gesso frame. [500/800] Illustrated 421

426 Twenty-One-Piece Collection of Various Iridescent Green Carnival Glass, second quarter 20th century and later, consisting of a Northwood “Grape and Cable” small compote, a “Persian Medallion” shallow dish, a Northwood “Grape and Cable” cream pitcher, a “Blackberry Spray” footed miniature tazza, a small “Robin” nut dish, a “Zippered Heart” nut dish, a “Pinecone” candy dish, a “Wreathed Cherries” oval candy dish, a like-patterned center bowl, a tri-footed “Orange Tree” bowl, a “Blackberry Spray” flared dish, a “Grape and Cable” bowl, a footed compote with a modified “Basket” pattern, a “Scroll Embossed” plate, a “Peacock Tail” hat-shaped dish, a “Coin-Dot” flare-edge bowl, a “Strawberry”-patterned bowl, a “Three Fruits” footed plate, a “Hen” covered dish, a “Windmill and Flowers” bowl, and a “Floral”-patterned bowl, the largest h. 4‑1/2”, w. 8‑3/4”, l. 12”. [200/400] Illustrated

422 421 Sylvester Martin (British, 1856‑1906) “The Hunting Party”, oil on canvas, signed and dated lower center “S. Martin 1885”, 20” x 30”. Presented in a Louis XV-style giltwood and gesso frame. [2000/4000] Illustrated 422 John Frederick Herring, Sr. (British, 1815‑1907) “A Gray, Bay, Black Blaze and Two Foals at Fence”, oil on canvas, signed lower center “J. F. Herring”, 16” x 16”. Presented in a giltwood frame. Provenance: Purchased in London in the 1950’s by the parents of the present owner. This painting was originally executed for a frame with a round liner. The four corners were later professionally painted in order to frame this piece in a later square frame without the round liner. A faux signature was then added to the lower right corner (in a more prominent place). The original signature is concealed in the contour of the foreground in the lower center of the canvas. [3000/5000] Illustrated 425

426

427 Twenty-Five-Piece Collection of Iridescent Cobalt Blue Carnival Glass, fourth quarter 20th century, consisting of two Imperial “Robin” water pitchers and six matching tumblers, three Imperial whimsical elephanthandled mugs with five-story book motifs, a seven-piece “Field Flowers” water set, a covered dish in the shape of a basket of eggs, an “Imperial Grape” covered compote, a tri-handled swan vase, a tall “Near-Cut” basket, two Fenton bicentennial souvenir plates, and a “Hobnail” and ribbed decorated footed vase, the largest h. 12‑1/2”, w. 12”, d. 6”. [100/200] 428 Twenty-Six-Piece Collection of Various Iridescent Carnival Glass, third quarter 20th century, consisting of nineteen Fenton collector’s plates, a “Hobnail” dinner bell, a Fenton hand-painted “Christmas” dinner bell, and five tumblers of various design, the largest h. 6‑1/2”, dia. 9”. [100/200] 429 Sixteen-Piece Collection of Various Blue Carnival Glass, fourth quarter 20th century, consisting of a thirteen-piece clear blue “Fruit Salad” punch service, a pair of iridescent blue covered hens, and an iridescent blue “Open Rose” tri-footed bowl, the largest h. 6”, dia. 10‑1/4”. [150/300] 430 Thirteen-Piece Collection of Iridescent Amethyst Carnival Glass, fourth quarter 20th century, consisting of a pair of Imperial “Loganberry” water bottles, a “Vintage” decanter, a “Daisy and Buttons” ruffle edge bowl, a “Near-Cut” tapering cylindrical bowl, an “Open Rose” trifooted bonbon dish, an “Inverted Strawberry” vase with flared edge, a “Floral”-patterned rose bowl, a numbered Westmoreland glass mug, a “Native American”-centered plate, two candle holders and a table bell, the largest h. 10”, dia. 5‑3/4”. [150/300]

431 Ten-Piece Collection of Iridescent Amethyst Carnival Glass, fourth quarter 20th century, consisting of a seven-piece “Cherry and Cable” water set, a “Cherry and Cable” covered jar, a Fenton “Iris”-patterned garniture vase with ruffled edge, and a “Daisy and Buttons” deep bowl, the largest h. 11‑1/2”, dia. 7”. [150/300] Illustrated 432 Six-Piece Collection of Various Iridescent Carnival Glass Bowls, second quarter 20th century, consisting of a Northwood amethyst tri-footed “Fine-Cut and Roses” example, an amethyst ruffle-edge “Feathered Serpent” example, a green “Acorn” example, an amethyst “Butterflies” handled example, a “Strawberry” handled example, and a cobalt blue ruffle-edge “Good Luck” example, the largest h. 2‑3/4”, dia. 9‑1/2”. [150/300] 433 Thirty-One-Piece Collection of Various Carnival Glass Objects, fourth quarter 20th century, including iridescent and hand-painted examples, the largest dia. 8‑3/4”. [100/200] 434 Twenty-Piece Collection of Iridescent Blue Carnival Glass, fourth quarter 20th century, including an eighteenpiece “Vintage” punch service, an “Open Rose” domecovered butter dish, and a deviled eggs tray, the largest h. 7”, dia. 12”. [100/200] 435 Nine-Piece Collection of Various Iridescent Carnival Glass, fourth quarter 20th century, consisting of eight cobalt blue examples: a “Near-Cut” pressed center bowl, a rams’ head-handled footed center bowl, a footed rose bowl, two Imperial footed compotes, an “Acanthus” bonbon dish, an unusually shaped vase, and a “Horse Medallion” tri-footed rose bowl; and one iridescent ruby example: a leaf-shaped serving dish; the largest h. 5‑1/8”, dia. 10‑1/2”. [125/250]

436 Seventeen-Piece Collection of Iridescent Blue Carnival Glass, third/ fourth quarter 20th century, consisting of a “Rose”-patterned tri-footed bowl, a Fenton “Peacock on a Flowering Branch”-patterned vase, a Fenton 1975/76 “American Bicentennial” beer mug, a pair of columnar candlesticks, a pair of “Jeweled Heart” with a “Farmyard” interior bowls, a Fenton ribbed bud vase, another unusual beaded and swirl-ribbed bud vase, an unusual “Intaglio Floral”-patterned tri-footed nut dish, a “Blackberry”-patterned bud vase, pair of Imperial salt and pepper shakers, an Imperial “Near-Cut” footed compote, an Imperial “Windmill and Flowers” tray, an Imperial “Floral Patchwork”-patterned bowl, and a figural toothpick holder, the largest h. 7‑1/2”, dia. 4‑3/4”. [150/300] Illustrated

437 Collection of Twenty-Six Various Iridescent Carnival Glass Objects, fourth quarter 20th century, consisting of nineteen various cabinet figures, two “Pony” ruffle-edge bowls, a “Pony” hanging plate, and four souvenir plates, the largest dia. 9”. [100/200] 438 Fourteen-Piece Collection of Various Blue Carnival Glass, fourth quarter 20th century, consisting of an Imperial clear ice blue open rooster dish, an iridescent/ opalescent blue dolphin ornament, a Fenton iridescent blue rooster ornament, an ice blue “Loganberry” water bottle, an opalescent ice blue “Near-Cut” compote and matching basket, a blue “Daisy” basket, a large iridescent blue diamond “Near-Cut” and “Fruit Medallion”-patterned basket, a Fenton “Butterfly and Berry” hat basket, a “Persian Medallion” basket, a ruffle-edge footed bowl with a scrolling foliage design, an iridescent blue “Fruit”patterned footed centerpiece bowl, a swan-shaped bowl, and a “Near-Cut”-patterned vase, the largest h. 5‑1/2”, w. 10”, l. 12‑3/4”. [150/300]

431

439 Taxidermy-Mounted Full-Maned African Lion, presented as a half-size, full mount on an artificial rock base, h. 54”, w. 34”, d. 21”. This was an old, solitary lion, scarred due to many fights over the years. [1000/1500] Illustrated 440 Taxidermy-Mounted Nine-Point Red Stag Antlers, presented with its skull cap and mounted to a wooden plaque, h. 27”, w. 26‑1/2”, d. 19‑3/4”. [50/80] 441 Impressive Elk Antler Floor Lamp, composed of six intertwined bull elk antlers, reinforced with three blacktail deer antlers, fitted with a rawhide lamp shade and an antler-mounted light pull, h. 63”, dia. 22‑1/2”. [400/700] Illustrated 442 Large Assembled Elk Horn Four-Light Chandelier, in the “Jager” style, the brass pendant finial of bell form, fitted with an interior down-light, h. 47”, w. 34”, d. 34”. [300/500] Illustrated 443 African Grant’s Gazelle Horns and Waterbuck Antelope Horns, each with a skull cap and mounted on an oval hardwood wall plaque, the smaller h. 19”, w. 13‑1/2”, d. 7‑1/2”, the larger h. 30”, w. 17”, d. 4”. [75/125]

436

445 Taxidermy Shoulder-Mounted Ten-Point Trophy Whitetail Deer, included in the Boone and Crockett Record Book, 1964, Alabama state record and a 177‑318 score, National Rifle Association Silver Bullet Award Winner, along with an NRA Award plaque and a framed photograph of the hunter and the tagged deer, h. 34”, w. 19‑1/4”. [400/700]

439

441

444 Group of Three Ceremonial Knives and Sheaths, including an Argentinian example with embossed handle and scabbard, a Chinese example with horse-head handle, and a cloven-hoof example probably from a small deer, the largest l. 17‑1/4”. [50/80] Illustrated

442

446 Interesting Taxidermy-Mounted Rosy-Billed Pochard Duck, presented in flight and mounted to a driftwood base, h. 19”, w. 29”, l. 20”. [100/200] 447 Taxidermy Shoulder-Mounted Japanese Sika Deer, also known as “spotted” or “Japanese” deer, h. 33”, w. 12”, d. 18”. [200/400]

444

463 464

465

466 462

450 Black-Lacquered, Parcel-Gilt and Cloisonne Side Table, mid‑20th century, the circular cloisonne top depicting a vase of flowers, the base painted in floral decor, h. 21”, dia. 18”. [400/700] 451 Victorian Carved Mahogany Low Chair, late 19th century, the shaped fan-carved crest above the pierced and bellflower-carved splat, the padded seat raised on cabriole legs ending in casters, h. 31”. [50/80]

452 English Aesthetic Polychromed Wood Occasional Table, third quarter 19th century, the circular top with color bands and polychromed foliate accents, joined by three crossed faux-bamboo legs to a like lower shelf, terminating in splayed legs, h. 31”, dia. 11”. [75/125]

473

448 Taxidermy Shoulder-Mounted African Puku Antelope, h. 35”, w. 9‑1/2”, d. 16”. [100/200] 449 Victorian Blown Glass Jug and Stopper, 19th century, the bulbous form joined by a loop handle painted with vines executed in raised gold, h. 7‑1/2”, w. 3‑1/2”. [50/80]

467

453 Pair of English Transfer-Decorated Majolica Garniture Vases, ca. 1900, each with a central reserve depicting a young maiden and child, h. 10‑1/2”, w. 7”, d. 3‑1/4”. [100/200]

454 English Porcelain Figural Group, late 19th century, depicting a huntress in a flowing gown with a quiver of arrows, a recumbent dog in the foreground, h. 11”, dia. 5”. [1200/1800]

470

455 Fine English Three-Piece Porcelain Desk Set, second quarter 19th century, in the rococo taste, comprised of a sealing wax candlestick, a covered inkwell of drum form, and a matching drumform nibs box, all with applied haute-relief flowerheads, probably the Grainger’s Worcester Porcelain Works, h. 3‑1/2” to 5”, dia. 2‑1/2” to 3‑1/2”. [50/80]

463 Anglo-Chinese Carved Ivory and Brass-Mounted Mahogany Walking Stick, the ivory grip in the form of an owl and mounted to a brass collar and spiral-twist mahogany shaft and ending in a brass ferrule, l. 37”. [150/300] Illustrated 464 Anglo-Chinese Carved Ivory and Brass-Mounted Mahogany Walking Stick, the ivory grip depicting an eagle’s head with a mouse clenched within its beak and mounted to a brass collar and ending in a brass ferrule, l. 36‑1/2”. [150/300] Illustrated

456 Italian Carved Alabaster Bust of a Beauty, first quarter 20th century, the exuberantly modeled figure depicted in a flagrant hat, presented on a Carrara marble base of spool form, h. 20”, w. 11”, d. 8”. [400/700]

465 Anglo-Chinese Carved Ivory and Brass-Mounted Mahogany Walking Stick, the ivory grip in the form of a cluster of human skulls and mounted to a brass collar and ending in a brass ferrule, l. 37”. [150/300] Illustrated

457 Victorian Bird’s-Eye Maple Looking Glass, fourth quarter 19th century, the beveled, rectangular mirror plate surrounded by a gilt slip and a molded frame, h. 60”, w. 37”. [300/500]

466 Anglo-Chinese Carved Ivory and Brass-Mounted Mahogany Walking Stick, the ivory grip depicting “The Pharaoh’s Horses” and mounted to a brass collar and ending in a brass ferrule, l. 35”. [150/300] Illustrated

458 Good Embossed Leather-Bound and Parcel-Gilt Bible, copyright 1891, w. 10”, d. 4”, l. 12‑1/2”. [100/200]

467 Pair of Lacquered Brass Figures of “The Marley Horses”, early 20th century, both mounted to ebonized wooden bases with Greek-key brass trim, h. 17”, w. 7‑1/4”, d. 13‑1/4”. [1500/2500] Illustrated

459 Collection of Twenty-One Leather Bound Volumes, including an eight-volume set of History of England, 1874; a six-volume set of Critical, Historical and Miscellaneous Essays, 1876; volume 111 of the Works of Michael De Montaigne, 1872; a four-volume set of The History of the Restoration, 1872; Hudibras by Samuel Butler, 1859; and volume 1 of The Last Days of Pompeii, 1867; the largest h. 7‑1/2”, w. 5‑1/4”, d. 1‑1/2”. [150/300] 460 English Cast Brass Novelty Paperweight, in the form of a Georgian tall-case clock, 1954, bears an embossed British Design Registration numeral for 1954 on the reverse, h. 6‑1/4”. [75/125] 461 Collection of Seven Wooden Walking Sticks, including a large spiral-carved birch example with a spherical head, a slender hardwood lady’s stick, a thorn-handled example, a plain mahogany stick with an ebony tip, a short thornhandled stick, another thorn-handled hiking stick and a Chinese Export carved bamboo cane, fourth quarter 19th century, l. 27” to 40”. [75/125] 462 Anglo-Chinese Carved Ivory and Brass-Mounted Mahogany Walking Stick, the ivory grip in the form of a lion’s head and mounted to a brass collar and ending in a brass ferrule, l. 35”. [150/300] Illustrated

468 Victorian Painted Wrought-Iron Garden Chair, late 19th century, the rounded crest over a scrolling back, the slatted seat raised on twisted cluster legs, h. 44‑1/2”. [150/300] 469 Victorian Painted Wrought-Iron Garden Armchair, late 19th century, the shaped back above a scrolling back, joined to the slatted seat by slatted scrolling arms, raised on cluster legs, h. 44‑1/2”. [150/300] 470 Cast-Lead Figural Garden Fountain of Pan, mid‑20th century, h. 36”, w. 10”, d. 12”. [200/400] Illustrated 471 Cast-Bronze Figural Garden Fountain, mid‑20th century, in the form of a naked youth seated on a rock with a bugle, h. 44‑1/2”, w. 34”, d. 27”. [1000/1500] Illustrated 472 Pair of Painted Wire Campana-Style Garden Urnson-Stands, each with an everted lip and a flared standard, and raised on a plinth pedestal, h. 57”, dia. 41‑1/2”. [300/500] 473 Pair of Anglo-Indian Marble Brackets, each with a shaped demi-lune top supported by a carved elephant’s head among various foliate and fruit designs, h. 17”, w. 16”, d. 6”. [1500/2500] Illustrated

475 Three-Part Cast-Cement Garden Fountain, consisting of a circular shallow basin, a tall pedestal with fleur de lis decor, and an urn-form fountain at the top, h. 64‑1/2”, dia. 37”. [800/1200] 476 Jean-Baptiste Robie (Belgian, 1821‑1910) “Still Life with Roses in a Blue Vase”, watercolor on paper, signed lower left “J. Robie”, sight 16” x 11”. Glazed, attractively French matted and presented in a giltwood exhibition frame. [3000/5000] Illustrated

474

477 Dutch School (Second Quarter 19th Century) “Floral Still Life in a Classical Vase”, oil on canvas, unsigned, 23” x 19”. Presented in an oval giltwood and gesso frame. [1000/1500] Illustrated

474 Large Cast-Cement Garden Fountain, comprised of a circular basin, a tall molded pedestal with fleur de lis decor and a large urn-form fountain with handles, h. 73‑1/2”, dia. 50‑1/2”. [800/1200] Illustrated

476 478 Continental School (Fourth Quarter 20th Century) “Still Life with a Candle and Flowers”, oil on canvas, signed lower right “Rusche”, 20” x 16”. Presented in a molded giltwood frame. [300/500] 479 Continental School (Fourth Quarter 20th Century) “Still Life with a Candle and a Glass of Wine”, oil on canvas, signed lower right “Rusche”, 16” x 20”. Presented in a rococo-style giltwood and gesso frame. [300/500] 480 Boehm Porcelain Figure of a Red-Shouldered Hawk, #49 of a limited edition, h. 27”, w. 23”, d. 12”. [500/800] Illustrated

477

481 Boehm Porcelain Figure of a White-Faced Scops Owl, (Otus Leucotis), #212 of a limited edition, h. 14”, w. 11”, d. 6”. [300/500] Illustrated

482 Boehm Porcelain Figure of a Blue-Throated Hummingbird, marked #440, dia. 4‑3/4”. [100/200]

484 486

485

487

483 Boehm Porcelain Figure of a Roadrunner, #69 of a limited edition, h. 9”, w. 17”, d. 12”. [300/500] Illustrated 484 Boehm Porcelain Peach Rose with Daisies, 1980, #320 of a limited edition, h. 15”, w. 7‑1/4”, d. 5”. [100/200] Illustrated

481

480

485 Connoisseur of Malvern Porcelain Floral Basket, entitled “July Morning”, made to commemorate the marriage of The Prince of Wales and Lady Diana Spencer, 29th July, 1981, #35 of a limited edition of 50, h. 9”, w. 11”, d. 11”. [100/200] Illustrated

486 Boehm Porcelain Princess Diana Rose with Daffodils, 1984, #37 of a limited edition, h. 9‑1/2”, w. 15”, d. 6”. [100/200] Illustrated 483

487 Boehm Porcelain Elizabeth of Glamis “Irish Beauty” Rose, #149 of a limited edition, in commemoration of the 80th birthday of Her Majesty Queen Elizabeth, the Queen Mother, h. 7‑1/2”, w. 11”, d. 5‑1/2”. [100/200] Illustrated

494 Boehm Porcelain Figure of an Eastern Bluebird, (Sialia sialis), 1977, #161 of a limited edition, h. 14”, w. 11”, d. 7‑1/2”. [200/400] Illustrated

488

489

495 Boehm Porcelain Figure of a Song Thrush, from a limited edition, made in England, h. 8‑1/2”, w. 8”, d. 4‑1/2”. [200/400] Illustrated 496 Boehm Porcelain Figure of an American Avocet, (Recurvirostra americana), marked #216, h. 16”, w. 9”, d. 6”. [300/500] Illustrated

496 494

495

488 Boehm Porcelain Figure of a Male Mute Swan, (Cygnus olor), #79 of a limited edition, h. 22”, w. 18”, d. 19”. [600/900] Illustrated 489 Boehm Porcelain Figure of a Female Mute Swan, (Cygnus olor) #79 of a limited edition, h. 20”, w. 10”, d. 17”. [500/800] Illustrated

497

490 Boehm Porcelain Figure of a Fledgling Kingfisher, marked #449, h. 6”, dia. 4”. [50/80] 491 Boehm Porcelain Figure of a Tree Sparrow, marked #468, h. 8”, w. 7”, d. 3”. [100/200] 492 Boehm Porcelain Figure of a Robin, marked #40255, h. 4‑1/2”, w. 3‑1/2”, d. 2‑1/2”. [50/80] 493 Boehm Porcelain Figure of a Baby Wood Thrush, marked #444, h. 5”, dia. 3‑1/2”. [50/80]

498

497 Boehm Porcelain Figure of a Mourning Dove, (Zenadura macroura), #56 of a limited edition, h. 16‑1/2”, w. 10”, d. 12”. [200/400] Illustrated 498 Boehm Porcelain Figure of an Eastern Meadowlark, marked #40202, h. 8”, w. 4‑1/2”, d. 7”. [100/200] Illustrated 499 Edwardian Ebonized Desk Clock and Barometer, early 20th century, the two dials on an engraved brass panel and within a rectangular case, raised on a molded base to ormolu toupie feet, h. 7”, w. 8”, d. 3‑1/4”. [800/1200] 500 Rare Cased Six-Piece Shibayama-Decorated Ivory Lady’s Dressing Set, fourth quarter 19th century, by Halstaff and Hannaford, London, in the Japanese taste, the compartmented velvet-lined case fitted for a hand mirror, a pair of oval long-handled hair brushes, a glove stretcher and a pair of elliptical clothes brushes, all in floral and avian decor in gold enamel, carved and engraved mother-of-pearl, abalone shell and tinted bone, the case also fitted with a bracelet compartment and a pair of jewel compartments beneath the implements, h. 3‑1/2”, w. 14‑1/4”, d. 8”. [1000/1500] Illustrated 503

500

501 Victorian Rosewood and Tunbridge Ware Desk Box, third quarter 19th century, of lidded rectangular form with intricate banding and diamond-patterned inlays, h. 5‑1/4”, w. 10‑1/4”, d. 7”. [100/200] 502 Edwardian Circassian Walnut Desktop Inkwell, early 20th century, the molded plaque fitted with two cut glass ink bottles and a recessed trough in the front for pens, h. 4”, w. 12”, d. 7”. [150/300] 503 Edwardian Mahogany Double-Door Armoire, ca. 1900, the top with a delicate dentil molding above a pair of framed and paneled doors, the base fitted with a single long drawer, h. 77‑1/3”, w. 51‑1/4”, d. 19‑1/4”. [400/700] Illustrated

504 Charles Field Haviland, Limoges, China Platter, fourth quarter 19th century, of oval form, featuring a pink and gold floral lace border, the bottom marked “CFM/GDM France”, w. 12‑1/2”, l. 20”. [200/400] Illustrated 505 Fine Royal Copenhagen “Flora Danica” Oval Platter, 20th century, centrally decorated with an example of Lavatera thuringiaca and outlined with a painted gilt border, w. 12‑1/4”, l. 15‑1/2”. The “Flora Danica” pattern is always hand-painted and was originally created as a gift for Catherine The Great of Russia. [1000/1500] Illustrated 505

506 Assembled Seventy-Three-Piece Wedgwood Partial Dinner Service, mid‑20th century, consisting of five “Morning Glory” dinner plates, along with nine dinner plates, eight salad plates, eight bread and butter plates, five consomme bowls and seven saucers, six soup bowls, eight dessert bowls, eight cups and saucers, and a covered sugar all in “Patrician” decor, the largest dia. 10‑1/2”. [300/500]

512

511

507 Three-Piece Collection of Royal Crown Derby Porcelain, first quarter 20th century, consisting of a near pair of garniture vases in the Aesthetic taste, with richly gilt floral decoration on a salmon pink ground, both drilled at the bottom, h. 13”, dia. 4”; and a handled garniture vase with richly gilt mimosa branches decoration on a peach ground, marked on the bottom, h. 12”, dia. 4”. [800/1200] Illustrated 508 Edwardian Mahogany Drop-Leaf Table, early 20th century, the narrow top with two deeper ovoid leaves, raised on turned and ribbed circular legs joined by like stretchers and ending in runner feet, h. 28”, w. 31‑1/2”, extended d. 43‑1/2”. [200/400]

512 Pair of Napoleon III Patinated Bronze and Marble Figures, in the Egyptian Revival taste, modeled as a standing male and female figure in traditional garb on a stepped rouge griotte and incised Belgian marble base, h. 13‑1/2”, w. 4‑1/2”, d. 4‑1/2”. [800/1200] Illustrated

509 Edwardian Burl Walnut Wardrobe, first quarter 20th century, the molded arched cornice centered by a shell carving, over a conforming case fitted with two doors, raised on cabriole legs ending in pad feet, h. 80”, w. 49‑1/4”, d. 22‑1/2”. [150/300]

513 Continental School (Mid‑20th Century) “The Andrew Dillon”, oil on canvas, signed and dated lower right “A. Yamataka 1953”, 19‑3/4” x 28‑1/2”. Unframed. [500/800]

510 Pair of Cut Glass Table Lamps of Modified Luster Form, 20th century, each with a faceted central shaft and large bobeche draped with spear prisms, h. 29”, dia. 6‑1/4”. [200/400] 511 Interesting Molded and Copper Foil Humidor of Egyptian Form, early 20th century, the top lifting to reveal a copper liner with a circular lid, h. 7”, w. 7‑1/4”, d. 6‑1/4”. [300/500] Illustrated

507

514 Diminutive Continental Lapis Lazuli Hinged Box, early 20th century, raised on bracket feet, h. 1”, w. 2‑1/2”, d. 2”. [100/200] 515 Small Continental Lapis Lazuli Hinged Dresser Box, early 20th century, raised on bracket feet, h. 2”, w. 4”, d. 3‑1/2”. [400/700] 516 English Arts and Crafts Inlaid Oak Writing Desk, ca. 1900, the rectangular top with an inset leather blotter over two banks, each with a drawer above a cabinet, h. 31”, w. 53”, d. 29‑1/2”. [150/300] 517 Four-Piece Collection of Desktop Articles, early 20th century, including a pair of cut glass and brassmounted candlesticks, h. 7”, w. 2‑1/2”, d. 2‑1/2”; an Arts and Crafts rosewood and brass-inlaid candlestick, h. 4‑3/4”, dia. 5”; and a gilt-bronze pen tray depicting an eagle, artist-signed “A. Marionnet”, h. 1‑1/2”, w. 12”, d. 3”. [200/400] 518 Edwardian Inlaid Mahogany Settee, fourth quarter 19th century, the curved back with mixed woods and mother-of-pearl inlay above a padded back and seat, raised on cabriole legs, h. 38”, w. 52”, d. 25”. [400/700]

519 English Arts and Crafts Mahogany Wardrobe, first quarter 20th century, the case fitted with two doors, both inset with mullioned tin panels, raised on bracket feet, h. 78”, w. 41‑3/4”, d. 19‑1/2”. [100/200] 520 Pair of Hector Aguilar Three-Light Copper Candleholders, mid‑20th century, in the Arts and Crafts style, stamped “Taxco Mexico”, h. 6‑1/2”, w. 2‑1/4”, l. 10”. [500/800] 521 English Arts and Crafts Oak Wardrobe, first quarter 20th century, the molded cornice over a case fitted with a simple central mirrored door flanked by stylized floral carving on both sides, above a drawer, raised on block feet, h. 73‑1/4”, w. 37‑1/2”, d. 17‑1/2”. [100/200] 522 Interesting Fourteen-Piece Glass and Silverplate Collection, comprised of a set of four blown glass Irish coffee glasses of cylindrical section; a set of six Reed and Barton silverplate cafe brulot spoons produced for Adler’s, New Orleans; a pair of cut dessert wine goblets, first quarter 20th century; a two-piece English latticecut cream-and-sugar set consisting of a circular open sugar basin and a matching cream pitcher; a Baccarat “Petal” covered mustard pot and matching long-handled mustard spoon, signed on the base with the Baccarat “decanter” acid stamp; an American Brilliant-cut glass scroll-footed rose globe of small size in “Buzz” decor, first quarter 20th century; an English diamond-cut water pitcher in the Waterford style; an American candlestick of square section, second quarter 20th century; and an English “Oculus and Star”-cut glass fruit bowl; the largest h. 3‑1/2”. [75/125] 523 Group of Four Cut Glass Bowls, 20th century, each with a sawtooth border and graduated in size, the largest h. 4”, dia. 11”. [125/250] 524 Pair of American Pressed Glass Hurricane Candlesticks, second quarter 20th century, in the “Colonial” style, the petaled bobeches dressed with facetcut spears, h. 10”. [75/125] 525 Collection of Nine Cut Glass Bowls and Trays, 20th century, consisting of five oblong trays, three small shallow bowls, and one bowl with a finger grip, the largest h. 3”, w. 5‑1/2”, l. 12”. [150/300] 526 Three-Piece Group of American Brilliant-Cut Glass, early 20th century, consisting of a tall flared vase and a pair of relish trays, the largest h. 10‑1/2”, dia. 9”. [150/300]

527 Extensive One Hundred Eighty-Seven-Piece Collection of Westmoreland Glass Company Glassware and Dinnerware, third quarter 20th century, including two fruit bowls, a large punchbowl, twenty-five assorted cups, eight iced beverage glasses, ten white wine goblets, three red wine goblets, six liqueur goblets, three cordials, three juice glasses, four assorted double-handled fruit cups, six low bowls, four footed cream pitchers, a covered butter dish, a covered footed compote, a sauce pitcher, an oval tray, four oval serving bowls, a small cream pitcher, a handled bonbon dish, two circular condiment dishes, four compartmentalized serving trays of various sizes, two serving plates, a small nut dish, an ice bucket with ice tongs, a water pitcher, sixteen dinner plates, eight luncheon plates, seven salad plates, thirty-one saucers, twenty-five dessert bowls, an oil/vinegar cruet, a salt shaker, and a silverplate-mounted maple syrup pitcher, the largest h. 7”, dia. 14”. [300/500] 528 Libbey Glass Company Brilliant-Cut Bread Tray, first quarter 20th century, in the “Neola” pattern, the interior centered with the acid-stamped Libbey sabre mark, w. 7‑3/4”, l. 11‑3/4”. [200/400] 529 Forty-Eight-Piece Libbey Rock Sharpe Stemware Service, for eight persons, mid‑20th century, comprising eight tall water glasses, eight red wine stems, eight white wine stems, eight sorbet stems, and eight short dessert stems, the largest h. 7”, dia. 3‑1/2”. [200/400] 530 Fifty-Eight-Piece Colorless Glass Stemware Service, early 20th century, comprised of nine various parfait stems, six juice stems, eight red wine stems, twelve sorbet stems, fourteen white wine stems, and nine cordials, the largest h. 7”, dia. 4”. [150/300] 531 Collection of Four Colorless Glass Vases and Bowls, early 20th century, consisting of a footed compote, a tall pressed glass vase with a rolled over lip, a modern circular bowl deeply cut in geometric squares, and a Brilliant period “Snowflake”-cut glass bowl, the largest h. 12”, dia. 9‑1/4”. [200/400] 532 Twenty-One-Piece-Collection of English and Continental Glassware, comprised of a set of six diamond-pressed annular napkin rings; a pair of lapidarypressed knife rests of “dumbbell” form; a set of four German olive-footed white wine goblets with “Vintage”etched bowls in the traditional style; a small Brilliant-cut glass decanter of baluster form; an acid transfer-plateetched red wine goblet in “Fleur-de-Lys” decor, first quarter 20th century; a pair of English “Diamond and Fan”cut whiskey glasses, first quarter 20th century; a labeled Galway crystal posy vase of waisted flared form; a pressed glass toothpicks vase; a Brilliant-cut glass table bell in “Buzz” pattern; and a pair of English cut glass candlesticks in the Anglo-Irish style, third quarter 20th century; the largest h. 9‑1/4”. [50/80]

539

538

539 Suite of Eleven Royal Worcester Porcelain Dinner Plates, second quarter 20th century, each with a richly gilt cobalt blue border, dia. 10‑1/2”. [500/800] Illustrated 540 Pair of Silverplate and Cut Glass Two-Light Appliques, mid‑20th century, each with an oval silverplate backplate, lacking their central ornamental spear and drop prisms, h. 12”, w. 15”, d. 8‑1/2”. [150/300]

541 Suite of Four Italian Polychromed Sidechairs, late 19th century, each with a double-domed back over an intertwining splat, the padded seat raised on cabriole legs ending in peg feet, the whole accented with delicate floral and gilt scrolling accents, h. 36”. [900/1200] 533 533 Swiss Marquetry-Inlaid and Line-Strung Rosewood Music Box, second half 19th century, the top and face with foliate inlays, the interior fitted with a 10‑1/2” cylinder player, all comb teeth intact, h. 6‑3/4”, w. 20‑1/4”, d. 9‑3/4”. [700/1000] Illustrated 534 Edwardian Satinwood Three-Fold Screen, ca. 1900, in the Adam taste, each panel with an arched patera-inlaid crest above a glazed pane with overlaid wooden scrolling and bellflower ribbon accents, the lower section with a double-sided fabric panel, h. 72”, w. 66”. [900/1200] 535 English Art Nouveau Oak Wardrobe, first quarter 20th century, the carved crest over a conforming case fitted with a central mirrored door flanked by acanthinecarved panels, above a long drawer, raised on bracket feet, h. 70‑1/2”, w. 35”, d. 15‑1/2”. [100/200] 536 Edwardian Oak Wardrobe, early 20th century, the shaped crest above a case fitted with a central door opening to a mirrored interior and hanging rods, the front with applied decorative scrolling patterns, raised on shaped feet, h. 76”, w. 46‑1/4”, d. 17”. [100/200] 537 After Julien Causse (French, 1869‑1914) “Au Pardon”, a patinated bronze bust on a square pedestal depicting a relief of a maiden beside a cross, above the sculpture title, h. 15”, w. 10‑1/4”, d. 7”. [100/200] 538 Suite of Eleven English Cobalt Blue and Richly Gilt Porcelain Soup Bowls, first quarter 20th century, made by George Jones & Sons for the prestigious New York retailer Davis Collamore & Co., dia. 8‑1/2”. [300/500] Illustrated

542 Suite of Six Italian Polychromed Sidechairs, late 18th century, probably Venetian, each with a shaped crest above a baluster-form splat, the padded seat above a scalloped apron, raised on cabriole legs joined by an Hform stretcher and ending in pad feet, the whole with floral and avian polychromed accents, h. 40”. [1400/1800] 543 Italian “Magnum Diamond”-Carved Alabaster Table Box, first quarter 20th century, of square form with giltlacquered brass mounts, h. 5”, w. 5”, d. 5”. [150/300] 544 Group of Twenty-Two Victorian Celluloid or Ivory and Steel Knives, fourth quarter 19th century, including a set of twelve by George Wostenholm of Sheffield with celluloid handles and monogrammed “C”, four with celluloid handles by Gilbert Saville Works, two with shaped ivory handles, and four with ivory handles by Joseph Rogers and Sons, l. 8” to 9”. [25/40] 545 Native Flowers of Japan, a first quarter 20th-century folio of forty hand-colored drawings, bound within the original gilt-tooled covers, 18‑1/2” x 14‑3/4”. Provenance: Patworth Nursery, Metairie, Louisiana. [1400/1800] 546 Italian School (Second Quarter 19th Century) “Cotone Siamese”, hand-colored lithograph, sight 15‑1/2” x 11‑1/2”. Glazed, French matted and presented in a giltwood frame. [350/500]

547 Mark Catesby (British, 1682‑1749) “Cancer and Coral”, hand-colored engraving from The Natural History of Carolina, Florida and The Bahama Islands, sight 14‑1/2” x 11”. Glazed, matted and framed. [450/700] 548 Continental School (First Quarter 19th Century) “Botanical Studies”, three black and white engravings, sight 13” x 8”. All glazed, matted and presented in ebonized and polychromed frames. [350/500] 549 Continental School (First Quarter 19th Century) “Various Lilies”, suite of four engravings with later handcoloring, sight 13‑1/2” x 9”. All glazed, attractively matted and framed. [300/500]

551

553 550 Jaipur Runner, 2’ 1” x 9’ 10”. [200/400] 551 Agra Serapi Carpet, 8’ 10” x 12’ 1”. [1400/1800] Illustrated 552 Contemporary Belouchistan Runner, 9’ 4” x 2’ 3”. [20/40] 553 Aubusson-Style Needlepoint Carpet, 8’ 6” x 11’ 6”. [400/700] Illustrated

555

554 Persian Tabriz Carpet, 6’ 6” x 9’ 5”. [400/700] 555 Jaipur Carpet, 7’ 7” x 9’ 10”. [600/900] Illustrated

562 Hamadan Carpet, 5’ 11” x 8’ 3”. [300/500] 563 Napoleon III Ebonized, Brass-Strung and Tortoiseshell- and Mother-of-Pearl-Inlaid Tantalus, third quarter 19th century, with a gently domed top and serpentine face, opening to reveal four etched and panelcut glass square decanters, flanked by two tiers of four etched and cut glass cordials (16 total), h. 10”, w. 13”, d. 10”. [500/800] Illustrated 564 Napoleon III Black Enameled, Polychromed and Parcel-Gilt Lead Humidor, third quarter 19th century, of hexagonal form in the Renaissance taste, the conforming lead cover with a patinated bronze finial of the standing Emperor Napoleon I in military garb, h. 7”, w. 4‑1/2”. [75/125] 565 Napoleon III Giltwood Looking Glass, mid‑19th century, the rectangular plate surmounted by a molded frame with fruit and foliate carving, h. 55‑1/2”, w. 39”. [400/700] 566 Napoleon III Brass-Mounted Kingwood and Burlwood Jewelry Casket, fourth quarter 19th century, the top with a central applied brass panel with inset mother-of-pearl buttons, raised on cast-brass feet and retaining its original silk lining, h. 7”, w. 17”, d. 11”. [2500/4000] Illustrated

558 556 Kilim Carpet, 8’ 10” x 10’ 4”. [150/300] 557 Bhadohi Jaipur Carpet, 4’ 1” x 6’. [200/400] 558 Semi-Antique Persian Kashan Carpet, 10’ 8” x 18’. [1500/2500] Illustrated

566

559 Indo-Oushak Carpet, 2’ 7” x 9’ 5”. [250/400] 560 Persian Hamadan Carpet, 4’ 2” x 6’ 4”. [250/400] 561 Jaipur Carpet, 4’ x 6’. [200/400]

563

567 Fine Pair of Napoleon III Terra Cotta Garniture Vases, third quarter 19th century, each of two-handled pyriform in the Neo-Grec style and composed of glazed and unglazed terra cotta, the facade of one vase with a vignette of a Roman emperor and attendants, the other with a similar vignette of a Roman empress and her attendants, now mounted as table lamps, h. 30” to top of finial, dia. 6‑3/4”. [500/800]

568 four-piece suite

569 French Plaster Figure of an Algerian Water Seller, fourth quarter 19th century, the cast and bronzepatinated figure in the Orientalist taste, h. 24”, w. 9”, d. 8”. [150/300] 570 Pair of French Patinated and Parcel-Gilt-Brass Four-Light Candelabra, first quarter 20th century, in the Louis XVI style, the central candlesocket of each candelabrum fitted with a detaching flammiform cassolette finial, h. 16”, w. 12”. [100/200] 571 Pair of Napoleon III Gilt-Bronze Five-Light Candelabra, third quarter 19th century, in the Neo-Grec taste, raised on paw feet, h. 21”, dia. 11”. [500/800]

576

568 Four-Piece Napoleon III Mahogany and Burlwood Bedroom Suite, third quarter 19th century, consisting of an armoire, a dresser and a pair of twin beds, all with paneled scrolling crests; the armoire with a central mirrored door flanked to either side by a tall paneled door, raised on block feet, h. 92”, w. 91‑3/4”, d. 29‑1/2”; the dresser with a rectangular mirror and two small drawers over a case fitted with a marble top over two paneled cupboard doors, h. 90‑1/2”, w. 48”, d. 24”; the beds each with paneled headboards and footboards raised on block feet, the pair made to join as a double bed, h. 75”, inside w. 68”, l. 77‑3/4”, outside w. 75”, l. 83‑1/2”. [2000/4000] Illustrated

572 Napoleon III Mahogany Sidechair, fourth quarter 19th century, the slightly domed and molded crest over a conforming padded back, above a like seat, raised on slight cabriole legs ending in peg feet, upholstered in green Aubusson fabric with a floral bouquet design, h. 31”, w. 13”, d. 17”. [150/300]

575

573 Napoleon III Walnut and Marble-Top Dresser, fourth quarter 19th century, the tripartite beveled mirror with a serpentine-molded frame above a variegated rouge marble top over a case fitted with two short over three long drawers, raised on cabriole legs headed by foliate carving and ending in scrolled toes, h. 73‑1/2”, w. 49”, d. 22”. [400/700]

574 Napoleon III Tole-Peinte and Mother-of-PearlInlaid Bed, fourth quarter 19th century, the serpentine parcel-gilt headboard with faux-satinwood banding, surmounted by a crest centered by a cartouche-formed gilt-brass mount and flanked by ball finials, joined to the like footboard by a metal frame, raised on baluster-formed legs ending in plinth feet, h. 69”, w. 36‑1/2”, l. 80‑1/2”, inside w. 32”, l. 76”. [100/200]

577

575 Pair of Napoleon III Mahogany, Parquetry and Marble-Top Bedside Cupboards, third quarter 19th century, each with an inset square Rouge Verona marble top above a conforming case fitted with a single parquetry drawer over a cupboard door centered by a raised parquetry panel, joined to a lower square shelf by fluted tapering circular legs ending in toupie feet, h. 31‑1/4”, w. 15”, d. 15”. [900/1200] Illustrated previous page 576 Napoleon III Mahogany Cheval Mirror, third quarter 19th century, the rounded rectangular plate within a wooden frame, raised on scrolling and molded supports, each fitted with a gilt-brass candlearm, the shaped base raised on ribbed in-scrolled feet on casters, h. 70”, w. 30”, d. 22‑1/2”. [700/1000] Illustrated previous page

580

577 Pair of Franco-Bohemian Porcelain Garniture Vases, third quarter 19th century, having cobalt grounds and richly gilded and polychromed in the rococo taste, each facade with a different oval reserve of a young woman gathering flowers, the reverses with large, well-painted reserves of bouquets of summer blossoms, h. 17”, w. 8‑1/2”. [900/1200] Illustrated

582

578 Attractive Pair of Paris Porcelain Flared Garniture Vases, third quarter 19th century, of small size, the periwinkle blue grounds painted with sprays of summer flowers, each surmounted by a gilded butterfly, h. 8‑1/4”, w. 6‑1/2”, d. 4”. [50/80] 579 Set of Six French Mahogany “Balloon”-Back Sidechairs, mid‑19th century, each with a shaped and pierced crest above a foliate-carved horizontal splat, the padded seat raised on cabriole legs, one chair with a shellcarved crest and scrolled toes, h. 37”. [400/700] 580 Swedish Stained Pine Hourglass-Form Tallcase Clock, early 19th century, having a weight-driven movement with time and hour strike, h. 75‑3/4”, w. 15‑1/2”, d. 9‑1/2”. [500/800] Illustrated 581 Pair of Continental Polychromed Bisque Porcelain Figures, early 20th century, depicting a corresponding couple, the female leaving an envelope on an elaborate urn-topped pedestal, the male retrieving the envelope, both raised on oval plinth bases, h. 21”, w. 12”, d. 6”. [2500/4000] 582 After Jean-Baptiste Pigalle (1714‑1785), a large white Sevres figure of a seated child, late 19th century, the back of the base signed “Pigalle”, h. 16”, w. 9‑1/2”, d. 10‑1/2”. [800/1200] Illustrated 583 Pair of French Gilded Bronze and Brass Two-Light Appliques, early 20th century, each with a classical masque mounted to a circular brass backplate, the arms with eagle’s heads, h. 12”, w. 9‑1/2”, d. 5”. [1000/1500] Illustrated

584 Twenty-Piece Ruby Flash and ParcelGilt Chocolate Service, for six persons, mid‑20th century, consisting of a covered and footed pot, h. 7‑1/4”, six cups, h. 3”, six saucers, dia. 4”, six brass stir spoons, and an embossed circular brass tray, dia. 12”. [150/300] Illustrated

584

585 Attractive Napoleon III Carved Giltwood and Plaster Looking Glass, third quarter 19th century, of oval form in the Louis XVI taste, the cresting modeled as a giltwood furled bowknot from which depends a garland of alternating oak/ acorn and laurel/berry leaf clusters, h. 47”, w. 35”. [400/700] Illustrated

589

585

583

586 After Auguste Moreau (French, 1834‑1917) “The Lute Player”, a double-patinated bronze figure of a seated female lutinist, fourth quarter 20th century, signed at the right front corner of the plinth “A Moreau” in script, presented on an oblong base of Grand Antique marble, h. 13”, w. 11”, d. 7‑1/2”. [100/200] 587 After Demetre Chiparus (French, 1886‑1947, b. Romania) “La Sirene”, a large double-patinated bronze figure of a seductively robed female figure standing before an ornamental grille decorated with the silhouettes of two standing felines, signed at the reverse “D. Chiparus”, presented on a verde antico marble base of oblong slab form, h. 26”, w. 16”, d. 10‑1/2”. [250/400] 588 Napoleon III Patinated Bronze Figure of a Putto, second half 19th century, the figure depicted seated and grasping a candlestick, h. 12”, w. 14”, d. 8”. [200/400]

589 Pair of Napoleon III Patinated Bronze Covered Urns, late 19th century, each body modeled depicting classical scenes and fitted with swan-form handles, raised on circular marble bases, h. 17”, w. 9‑1/4”. [300/500] Illustrated previous page

592

590 Napoleon III Polychromed Looking Glass, third quarter 19th century, in the Louis XVI taste, the oval plate within a molded frame featuring oak garland carving, h. 33”, w. 30”. [400/700] Illustrated 591 Large Ingraham Ebonized Wood Mantel Clock, fourth quarter 19th century, in the neoclassical taste, the facade with six colonnettes of faux green onyx with gilt-brass capitals and bases, the ivory-toned dial with Arabic numerals, signed “Ingraham” in black script, the glass dial cover convex, h. 10‑3/4”, w. 20”, d. 5‑1/2”. [150/300] 594 590

594 Two-Piece French Enamel and Gilt-Brass Desk Set, third quarter 19th century, consisting of an inkwell and a pen tray, the pen tray fitted with a single candle cup, each with polychromed accents depicting courtiers at leisure, the largest h. 4”, w. 8”, d. 5‑1/2”. [700/1000] Illustrated

592 Four-Piece Von Schierholz Porcelain Mantel Garniture, first quarter 20th century, in the “Dresden” rococo style, comprised of a mantel clock, h. 22‑1/2”, w. 15”, d. 9‑1/2”, a matching bowfront clock stand, and a pair of four-light candelabra, all with putto figures and lavish applied flowerhead decoration, the candelabra with standing putto supports, each holding aloft the candlearms, h. 18‑1/4”, dia. 11”, all of the pieces fully marked. [1000/1500] Illustrated 593 Group of Two Porcelain Figural Garniture Groups, first quarter 20th century, comprised of a Reus, Spain, polychromed and parcel-gilt figure of a Russian muzhik in holiday attire, h. 10”; and a similar group of a courting rural couple, h. 11”; both figures signed on the bases. [300/500]

595 French Carved Oak Barometer, late 19th century, the frame with branch- and leaf-carved motifs of Black Forest influence, the upper section fitted with a thermometer and the lower with a barometer, h. 27‑1/2”, w. 10”, d. 3‑1/2”. [200/400] 596 Paris Porcelain Two-Handled Vase, late 19th century, the body with a paint-decorated country landscape, now mounted as a table lamp on a turned and ebonized base, h. 17”, dia. 6”. [60/90] 597 Napoleon III Gilt-Bronze and Black Slate Tazza, the bronze standard modeled as a trio of standing putti, their upraised arms supporting the polished black slate bowl centered with a bronze plaque of a classical hymeneal altar scene and fitted with a pair of bronze foliate-scroll handles, h. 12‑3/4”, w. 15”, dia. 12‑3/4”. [700/1000] Illustrated

601 French Polychromed Zinc Looking Glass, the rectangular plate within a molded frame with overlaid palmetto and whorl patterns, h. 39”, w. 19‑1/4”. [100/200] 602 Pair of Brass and Etched Cranberry Glass Hurricane Lamps, early 20th century, h. 16”, dia. 4‑1/8”. [75/125] 603 Pair of Contemporary Sterling Silver Figures of Pets, consisting of a cat h. 5”, w. 3”, d. 2‑1/2”, and a dog h. 3”, w. 5”, d. 2”, 6.15 total t. oz. [100/200] Illustrated

597

598 Attractive Pair of Napoleon III Carcel Lamps, third quarter 19th century, composed of bronze-patinated brass-mounted Paris or Limoges porcelain in the Louis XVI taste, now electrified, the porcelain bases of periwinkle blue and centered with well-painted reserves of putti amidst clouds in the manner of Francois Boucher (French, 1703‑1770), the reverses with well-painted floral reserves, the shade rings, blown glass chimneys and spherical glass shades removed in the conversion, h. 27‑1/2”. [300/500] 599 Suite of Twelve Giltwood Ballroom Chairs, in the Aesthetic taste, each with a tiered faux-bamboo back above the wooden seat, raised on like circular legs joined by a tiered box stretcher, h. 36‑1/4”, w. 16‑1/2”, d. 16”. [200/400] 600 Edwardian Faux-Bamboo Stained Fruitwood Towel Rack, first quarter 20th century, the armed uprights joined by four racks, raised on plinth feet, h. 33”, w. 24”, d. 6‑1/2”. [20/40]

604 Bonded Porcelain-Filled Sterling Silver Figure of a Polar Bear Cub, ca. 2002, by Country Arts, h. 4‑3/4”. [250/400] Illustrated 605 Contemporary Sterling Silver Figure of a Persian Cat, h. 4”, w. 3‑1/4”, d. 3”. [200/400] Illustrated

604

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610

605

606 Austrian Fourth Standard .800 Silver-Mounted Cut Glass Dresser Box, second quarter 20th century, by Edward Friedman, Vienna, h. 4”, w. 7‑1/4”, d. 4‑3/4”. [400/700] 607 Asian Silverplate and Chrysoprase Hand Mirror, 20th century, w. 5‑1/4”, l. 11”. [150/300] 608 German .835 Silver Hand Mirror, first half 20th century, w. 4”, l. 8”. [150/300]

609 German Sterling Silver Cigarette Box, mid‑20th century, having engine turned decor and a simulated Vernis Martin panel, h. 2”, w. 8”, d. 5‑1/2”. [600/900] Illustrated 610 American School (Mid‑19th Century) “Portrait of a Young Lady Standing in an Interior, Wearing a Lace Dress, a Country Estate Visible Beyond”, oil on canvas, unsigned, 47” x 35‑3/4”. Unframed. [900/1200] Illustrated previous page

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614

611 Follower of William Adolphe Bouguereau (French, 1825‑1905) “Young Shepherdess”, oil on canvas, unsigned, 72” x 48”. Presented in a Louis XV-style giltwood and gesso frame. [500/800] Illustrated 612 Dallas Simpson (American, Fourth Quarter 20th Century) “Spring Morning”, oil on canvas, signed lower left ‘Dallas Simpson”, 30” x 25”. Presented in a Louis XV-style giltwood and gesso frame. [400/700] 613 After Bartolome Esteban Murillo (Spanish, 1617‑1682) “Little Fruit Sellers”, oil on copper, signed lower right “P. Stadler”, sight 7‑1/2” x 5‑1/2”. Glazed and presented in a rococo-style giltwood and gesso frame. [300/500]

615

614 After Bartolome Esteban Murillo (Spanish, 1617‑1682) “The Pie Eaters”, oil on copper, signed lower right “P. Stadler”, sight 7‑1/2” x 5‑1/2”. Glazed and presented in a rococo-style giltwood and gesso frame. [300/500] Illustrated 615 French Gilt-Brass and Rock Crystal Six-Light “Mars” Chandelier, of cage form in the Louis XVI style, the canopy modeled as a plumed baldacchino, the foliate candlearms with inner terminals of eagle heads, the whole dressed with large cabochon rock crystal drops, electrified and fitted with glosswhite faux candles, h. 37”, dia. 23”. [3000/5000] Illustrated 616 Pair of Directoire-Style Brass and Ebonized Lamp Bases, each modeled in the form of a torchere on a trio of columns, electrified, h. 27‑1/2”, dia. 6‑1/2”. [150/300]

618

619 Napoleon III Gilt-Brass-Mounted Mahogany Secretaire a Abattant, fourth quarter 19th century, the marble top over a frieze drawer, above a drop-front opening to reveal a writing surface (now missing the leather panel), an arched shelf and a variety of drawers, over three long drawers, the whole flanked by columnar supports ending in circular plinth feet, h. 56”, w. 38‑1/2”, d. 17‑3/4”. [800/1200] Illustrated 620 Pair of French Gilt-Brass Two-Light Bouillotte Lamps, fourth quarter 20th century, in the Restauration taste, each with an ebonized and parcel-gilt tole-peinte shade, the arms fitted with white faux candles, all on a circular etched tray base, h. 24‑1/2”, dia. 8‑1/4”. [800/1200] Illustrated

617 Directoire Mahogany and Marble-Top Occasional Table, early 19th century, the ovoid Carrara marble top with a three-quarter pierced brass gallery above a conforming frieze fitted with a single drawer, raised on a ring-turned bulbous standard to three splayed legs ending in anthropomorphic feet, h. 29‑3/4”, w. 19”, d. 15‑1/4”. [600/900] 618 Large and Dramatic White Parian Porcelain Figure of Napoleon on Horseback, early 20th century, h. 29”, w. 18”, d. 11‑1/2”. [1500/2500] Illustrated 619

620

621

621 Pair of French Gilt-Brass Two-Light Bouillotte Lamps, fourth quarter 20th century, in the Restauration taste, each with an ebonized and parcel-gilt tolepeinte shade, arms fitted with white faux candles and a circular etched tray base, h. 24‑1/2”, dia. 8‑1/4”. [800/1200] Illustrated

623

624 Attractive Pair of Paris Porcelain Garniture Vases, first quarter 19th century, of two-handled and paw-footed form, the handles modeled as matte-gilded leonine masques with stylized feather crestings, each facade painted with birds hovering over sprays of summer flowers, h. 13‑1/4”, w. 7‑3/4”, d. 4‑1/4”. [1400/1800] Illustrated 625 Louis-Philippe Giltwood and Creme-Peinte Looking Glass, mid‑19th century, the square plate surmounted by a molded frame with applied foliate, palmetto and patera accents, h. 30”, w. 29‑1/2”. [100/200] 626 Louis XVI-Style Five-Arm Candelabra Table Lamp, mid‑20th century, of tall size and composed of cast brass and polychromed mixed metals, h. 44”, w. 6‑1/2”, d. 6‑1/2”. [200/400] 627 Ten-Piece Enameled and Parcel-Gilt Amber Glass Lidded Punchbowl Set, early 20th century, possibly by Moser Glassworks, comprised of a bucket-form bowl with lid, eight cups and a ladle, h. 15”, dia. 10”. [500/800] Illustrated

628

624

622 Pair of Italian Giltwood and Metal ThreeLight Sconces, in the neoclassical taste, each with a fluted and foliate-modeled arm supporting a trio of S-form arms, with floral and cornucopia carving above, h. 18”, w. 16”, d. 11”. [500/800] 623 Empire-Style Gilt-Brass and Rock Crystal Nine-Light Chandelier, early 20th century, of cage form, the floriform cap joined by a central standard with three sockets to a lower circular tier, fitted with three interior lights, and issuing three scrolling arms to electrified faux candles, the whole elaborately dressed with strands of faceted rock crystal beads and ormolu accents in the Empire taste, h. 45‑1/2”, dia. 27”. [3000/5000] Illustrated

627

629

629 Pair of Restauration Giltwood Fauteuils, first quarter 19th century, each with a padded back, joined to the like seat by dolphin-carved arms, raised on sabre legs, h. 38”, w. 21‑1/2”, d. 18‑1/2”. [300/500] Illustrated 630 Pair of Restauration-Style Ebonized and Brass Candlesticks, each with a tapering ebonized standard adorned with an encircling wreath, previously electrified, h. 11‑1/2”, dia. 4‑1/2”. [200/400] 631 Pair of Restauration-Style Polychromed and Gilded Metal Three-Light Candelabra, late 19th century, each with three candle cups supported by scrolling arms, raised on a standard in the form of a robed vestal to a canted square base, h. 13”, w. 11‑1/2”, d. 3‑3/4”. [600/900] 632 Neoclassical-Style White-Painted and Beveled Looking Glass Linen Press, the solid pediment top above a molded and acanthine-carved molded frieze, the double doors opening to an interior fitted for electronics and flanked by fluted stiles, raised on step-molded block feet, h. 83‑1/2”, w. 43‑3/4”, d. 21‑13/4” [100/200] 633 Fine Charles X-Style Burl Elm and Inlaid Armoire, ca. 1900, the top with a molded cornice over an inlaid frieze and two large burled and inlaid doors below, raised on scrolled bracket feet with a fitted interior, h. 83”, w. 54‑1/4”, d. 18‑1/2”. [1000/1500] Illustrated

634

633 628 Group of Three Bohemian White Cased Cut-To-Clear Glass Lustres, fourth quarter 19th century, consisting of a tall example with classical portraits and floral reserves, and a pair of trumpet-form examples, all dressed with spear prisms, the largest h. 13”, dia. 5”. [1000/1500] Illustrated

634 Moravian Provincial Polychromed Pottery Vase, first quarter 19th century, of globular form in pale blue and umber floral decor, now mounted as a table lamp on a later bronzed brass base and having a matching cap, h. 10‑1/2” (23‑3/4” to finial), dia. 8”. [500/800] Illustrated

635 Stately Pair of Belle Epoque Bronze-Patinated Brass Andirons, first quarter 20th century, in the First Empire taste, each column of square section surmounted by a sphere resting on a dished circle of leaves, the facades with mounts of attenuated anthemion form, h. 30”, w. 10”, d. 23”. [1000/1500] Illustrated

638

639 Restauration Alabaster and Ormolu Mantel Clock, mid‑19th century, the clock face with a white enamel dial and exposed gears, surmounted by a globe with side fruit-garland mounts, the front centered by an ormolu masque, raised on broad toupie feet, h. 14”, w. 9‑1/2”, d. 5”. [800/1200] 640 Provincial Directoire Walnut Demi-lune Lift-Top Console Table, fourth quarter 18th century, the demilune top opening to a pull-out support to create a dining table, raised on tapering square legs ending in brass caps on casters, h. 29‑1/4”, w. 50‑1/4”, d. 25”. [1500/2500] Illustrated

636 Unusual Pair of Biedermeier-Style Tole Cupboards, 19th century, each with a rectangular top centered by a decoupage cityscape and soldiers, above a conforming case fitted with a single drawer over a cupboard, the front and sides all with decoupage accents, raised on shaped feet, h. 29”, w. 15”, d. 12”. [3000/5000] Illustrated

641 Unusual Scandinavian Looking Glass, second quarter 19th century, composed of reticulate-sawn and parcel-ebonized fruitwood, the bipartite plate lancet arched, the ebonized corner blocks centered with carved fleurettes, the lower plate broadly beveled throughout, h. 72‑1/2”, w. 29”. [900/1200] 642 Continental Turned Marble and Brass-Mounted Table Lamp, 20th century, of large vasiform, h. 23”, dia. 6‑1/2”. [200/400]

637 Louis-Philippe Giltwood Looking Glass, mid‑19th century, the rectangular plate surrounded by a molded frame and patera-carved accents, h. 35”, w. 28‑1/2”. [100/200] 638 Louis XVI-Style Alabaster Urn, late 19th century, of lidded campana form, the lid with a gilt knop and foliatecarved patterns, the body with a dentillated lip and side ram’s-head handles, the front centered by a jasperware plaque, the waisted standard raised on a plinth base, h. 13‑1/2”, dia. 5‑1/2”. [700/1000] Illustrated

635

636

643 Restauration Waxed Pine Looking Glass, mid‑19th century, the beveled oval plate surmounted by a molded frame with a foliate slip and floral-carved outer band, h. 37”, w. 37‑1/2”. [300/500]

644 Settimio Giampietri (Italian, 1852‑1924) “Portrait of Two Fashionable Ladies in a Renaissance Interior”, watercolor on paper, signed lower right “S. Giampietri, Roma, 1882”, 28” x 19‑1/2”. Glazed, matted and presented in a giltwood and gesso frame. [1500/2500] Illustrated 645 Ludovico Marchetti (Italian, 1853‑1909) “The Duel”, oil on board, signed and dated lower right “Marchetti 1882”, 9‑1/2” x 13”, verso affixed with a “Kurt E. Schon, Ltd.” gallery label. Presented in a Beaux Arts-style giltwood frame affixed with a brass plaque engraved with the artist’s name, dates and title of the painting. [3000/5000] Illustrated

645

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644

646 Continental School (19th Century) “Monk with a Kitchen Maid”, oil on canvas, signed lower left “Gero Henepi”, 12” x 10”. Presented in a Beaux Arts giltwood and gesso frame affixed with a plaque engraved with the artist’s name. [800/1200] Illustrated

640

647 Continental School (20th Century) “European Tavern Scene”, oil on canvas, signed indistinctly “Haur”?, 40” x 30”. Presented in an elaborate giltwood frame. [600/900] Illustrated

647 648 Continental School (Fourth Quarter 20th Century) “Mediterranean Town Square with Fountains”, oil on canvas, signed illegibly lower right, 47‑1/2” x 36”. Presented in a molded giltwood frame. [400/700] Illustrated

648

651

649 Continental School (Fourth Quarter 20th Century) “The Mediterranean Garden Gate”, oil on canvas, signed lower right “Helen”, 24” x 20”. Unframed. [75/125] 650 South American School (Fourth Quarter 20th Century) “View of a Street with Flowering Balconies”, oil on canvas, signed illegibly lower left, 48” x 36”. Unframed. [200/400] 651 Boehm Porcelain Figure of a Great Blue Heron, (Ardea herodias), 1984, #24 of a limited edition, h. 30‑1/2”, w. 25”, d. 17”. [800/1200] Illustrated 652 Boehm Porcelain Figure of a Fledgling Goldfinch, marked #40247, h. 3‑3/4”, w. 3”, d. 3”. [50/80] Illustrated 653 Boehm Porcelain Group of a Prothonotary Warbler Feeding Her Young, marked #445I, h. 6”, w. 6”, d. 5‑1/2”. [100/200] Illustrated 654 Boehm Porcelain Figure of a Long-Billed Marsh Wren, made in England, h. 6”, w. 4”, d. 2”. [75/125] Illustrated

661 Pair of Boehm Porcelain Figures of Quail, (Coturnix coturnix), consisting of a male Common Quail, h. 10”, w. 13‑1/2”, d. 8‑1/2”, and a female Common Quail with three chicks, h. 7”, w. 11”, d. 7‑1/2”, each #85 of a limited edition and part of the Boehm Judaic Collection honoring the State of Israel. [300/500] Illustrated

655

662 Boehm Porcelain Figure of a Wild Turkey, (Meleagris gallopavo), #10 of a limited edition, h. 36‑1/2”. [1000/1500] Illustrated

660 662 661

655 Pair of Boehm Porcelain Figures of Ruffed Grouse, (Bonasa umbellus), 1977, consisting of a male with splayed wings, h. 12”, w. 12”, d. 10”, and a female with her five fledglings, h. 7‑1/2”, w. 16”, d. 11”, each #82 of a limited edition. [400/700] Illustrated 656 Boehm Porcelain Figure of a Fledgling Red Poll, marked #495, h. 4”, w. 3‑3/4”, d. 3”. [50/80] 657 Boehm Porcelain Figure of a Baby Cardinal, marked #400‑57, h. 4‑1/2”, w. 3”, d. 5”. [50/80] 658 Boehm Porcelain Figure of a Baby Blue Jay, (Cyanocitta cristata), marked #436, h. 4‑1/2”, dia. 3‑1/2”. [50/80] 659 Boehm Porcelain Figure of Two Fledgling Western Bluebirds, marked #494, h. 6”, dia. 4‑1/2”. [50/80]

653

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652

660 Boehm Porcelain Group of a Family of Bobwhite Quails, (Colinus virginianus), #106 of a limited edition, h. 12”, w. 17”, d. 9”. [300/500] Illustrated

663 Eleven-Piece Collection of Iridescent Amethyst Carnival Glass, second half 20th century, consisting of two “Poppy Show” garniture vases, two Imperial vases, a ribbed vase, a “Diamond Point”-patterned vase, a footed flare-edge compote, a “Near-Cut” bowl, an Imperial high-relief “Rose”-patterned vase, a handled “Peacock Feathers” candy dish, and a Northwood tri-footed rose bowl, the largest h. 5‑1/8”, dia. 10‑1/2”. [200/400] Illustrated

664 Twelve-Piece Collection of Various Iridescent Carnival Glass Vases, fourth quarter 20th century, consisting of two “Fine Rib” examples, two “Thin Rib” examples, a “Three Diamond” example, two “Rustic” examples, a “Lined Lattice” example, a “Tree Trunk” example, a “Diamond-Cut” example, a “Scroll and Fluted” example, and another “Textured” example, the largest h. 13‑1/4”, dia. 4”. [200/400] 665 Eleven-Piece Collection of Iridescent Amethyst Carnival Glass, third quarter 20th century, consisting of a ruffle-edge “Vintage” basket, a Fenton “Peacock on a Flowering Branch”-patterned vase, a Fenton “Drape”molded pitcher, a covered and footed circular jar, a “Signs of the Zodiac”-patterned compote, an “Open Rose” trifooted bowl, a “Trellis and Cherries”-patterned open sugar and covered circular butter dish, a Fenton “Carnival Holly” ruffle-edge candy dish, a “Windmill” ruffle-edge candy dish, and a Westmoreland “Carolina Dogwood” candy dish, the largest h. 10”, w. 9”, l. 10‑1/4”. [150/300]

663

666 Fourteen-Piece Collection of Various Iridescent Carnival Glass, first quarter 20th century and later, consisting of a pair of Northwood “Corn” vases, a Northwood amethyst “Rose Spray” and “Near-Cut” rose bowl, a Northwood pale amethyst hat vase, an amethyst “Vintage” hatpin holder with three hatpins, an amethyst “Inverted Strawberry” cylindrical dish, a Northwood amethyst “Grape and Cable” cylindrical dish, an amethyst “Stork and Rushes” circular bonbon dish, a “Persian Medallions” green-over-blue rose bowl, and two Fenton green and amethyst “Butterfly and Tulips” bowls, the largest h. 4‑1/8”, dia. 11‑3/4”. [200/400] 667 Twenty-One-Piece Collection of Iridescent Ruby Carnival Glass, fourth quarter 20th century, including an eight-piece “Robin” water set, two tall vases, a covered biscuit jar, a Fenton paneled and covered circular jar, a “Rose”-stamped covered jar, a Fenton high-relief vase, a Fenton “Floral”-pattern vase, an “Orange Tree” footed bowl, an “Inverted Strawberry” bowl, a Fenton “Frolicking Bears” bowl, a “Canandaigua, N.Y. 1984” souvenir hatshaped vase, a Fenton “Vintage” bowl, and a Fenton “Cherry Circles” and “Orange Tree” bowl, the largest h. 10”, w. 6”, d. 4‑1/2”. [150/300]

674

668 Twenty-Seven-Piece Collection of Various Iridescent Amethyst Carnival Glass, fourth quarter 20th century, consisting of a “Robin” water pitcher and twenty-six tumblers of various designs, the tallest h. 8‑1/2”. [100/200] 669 Twenty-Piece Collection of Various Amethyst Carnival Glass, third quarter 20th century, consisting of a “Vintage” footed water pitcher, two commemorative flasks, a cream pitcher, six punch cups, a large mug, a covered candy dish, figural salt and pepper shakers, an open-edge footed vase, a pair of small nut dishes, two “Rose”patterned tumblers, and a “Cosmos and Cane” tumbler, the largest h. 9”. [100/200]

676A

676

670 Twenty-Eight-Piece Collection of Iridescent Amethyst Carnival Glass, third quarter 20th century, consisting of a “Peacock at the Fountain” water pitcher and four matching tumblers, twelve tumblers of various designs, five goblets with various fruit motifs, three Northwood “Singing Birds” mugs, first quarter 20th century, two matching tumblers, and a Northwood “Grape and Cable” tumbler of like date, the largest h. 8”. [100/200] 671 Twenty-Two-Piece Collection of Various-Colored Carnival Glass, fourth quarter 20th century, consisting of a hand-painted and signed vase, two signed floral-shaped footed dishes, three hand-painted and signed “Woodland World Wide Carnival Glass Association” flared-edge candy dishes, a like basket, six footed plates, two “Woodland World Wide Carnival Glass Association” handled candy dishes, and seven miniature “Good Luck” mugs of various colors, the tallest h. 6”. [100/200] 672 Twenty-Six-Piece Collection of Iridescent Blue Carnival Glass, fourth quarter 20th century, consisting of a dolphin-shaped candlestick, a “Grape and Cable” hatpin holder, a “U.S. Eagle”-stamped goblet, an Imperial figural dinner bell, a “Windmill and Flowers” footed plate, a “Bernard C. Boyd” commemorative plate, a toothpick holder in the shape of a rabbit with a basket, a swanshaped candy dish, a “Near-Cut” handled candy dish, a smaller swan-shaped dish, a “Near-Cut” footed toothpick holder, a miniature mug, a “Woodland World Wide Carnival Glass” cuspidor, a “Boyd”-stamped propeller plane ornament, an angel ornament, an elephant ornament, a hen ornament, an eagle ornament, a pair of top hats and six “Fruit Salad” cups, the largest h. 8”. [100/200]

673 Eighteen-Piece Collection of Iridescent Green Carnival Glass, second half 20th century, consisting of an “Oriental Poppy” tall pitcher, an acorn-shaped footed bowl, a “John Paul Jones” flask, an “Inverted Strawberry” footed compote, a ribbed footed compote, an usual prism-cut compote with a scrollshaped pedestal, four “Dahlia” tumblers, an open-edge tri-footed bowl, an “Open Rose” tri-footed bowl, a “Lions” footed cake plate, a “Butterflies” handled candy dish, a deviled eggs tray, a nautilus-shaped toothpick holder, a slipper-shaped candy dish, and a recumbent lion-shaped paperweight, the largest h. 13‑1/2”. [100/200]

674 Fourteen-Piece Collection of Various Iridescent Green Carnival Glass, including four second quarter 20th-century Northwood pieces consisting of a footed “Fish Scales” condiment dish, a small footed jellies compote, a “Near-Cut” bonbon dish, and a piecrust-edge footed plate, and ten fourth quarter 20th-century pieces consisting of two crimped-edge “Hearts and Flowers” footed serving bowls, a similar ruffle-edge bowl, a “Grape and Cable” footed plate, a ruffle-edge “Peacock and Urn” bowl, an “Iris” footed compote, a “Stippled Rays” condiment dish, a “Stippled Rays” open-edge tri-footed condiment dish, and a “Scroll Embossed” ruffle-edge condiment dish, the largest h. 4‑1/4”, dia. 11”. [200/400] Illustrated

681 675 Thirteen-Piece Collection of Various Iridescent Green Carnival Glass, fourth quarter 20th century, consisting of a “Pansy” creamer and open sugar, a “Vintage” lidded and footed compote, a pair of hand-painted vases, a “Hobstar” covered jar, a “Long Thumbprint” vase, a “Near-Cut” bud vase, a Fenton “Peacock on a Flowering Branch” vase, a “Near-Cut” bowl, a deviled eggs tray, a scallop-edge footed candle holder, and a like candle snuffer, the largest h. 10‑1/2”, dia. 6‑3/4”. [125/250]

677 Kuang Hsu Elaborately Carved Celadon Jade Scholar’s Desk Boulder, fourth quarter 19th century, featuring two figures dining beneath a pine with a country villa in the upper background, the outer layer of the boulder in polished caramel jade, presented on a Chinese pierced ebonized hardwood display stand of circular form, h. 6‑1/4”, w. 5”, d. 3‑1/2”. [300/500] 678 Collection of Three Chinese Carved Stone Scholar’s Desk Ornaments, comprised of a gold/brown scroll weight in the form of a water buffalo recumbent on a leaf; a pale green to brown scroll weight of similar configuration; and a larger D-form beige to gray scroll weight in the form of a large carp and a minnow amidst aquatic plants; the largest h. 3‑1/8”, w. 3”. [100/200] 679 Chinese Carved Ivory Figure of a Napping Official, 19th century, the black-veined ivory carved as a bearded official wearing an official’s hat draped in engulfing robes and asleep against his clasped hands, h. 3”, w. 2”, d. 1‑1/2”. [400/700]

676 Chinese Elaborately Carved Ivory Tusk Section, first quarter 20th century, the hollow tusk section elaborately carved and reticulated with a continuous scene of figures among pavilions in wooded settings, h. 8”. [1800/2500] Illustrated previous page

689

676A Amusing Set of Six Continental Bone Figures, 20th century, consisting of a conductor and five musicians, all raised on barrel-form pedestals, the largest h. 4”. [1500/2500] Illustrated previous page

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682

680 Collection of Three Kuang Hsu Jade Cabinet Creatures, fourth quarter 19th century through first quarter 20th century, in carved shaded white to gray to black, comprised of a duck, a sleeping Foo dog, a speckled white recumbent Foo dog with turned head, a recumbent bird-billed canine scratching its head with its proper rear leg, a gray to black palm stone in the form of a stylized goat, another hand pacifier in the form of a stylized catfish, and a chop in the form of a stylized bear’s head, entwined by a stylized celestial dragon, the chop proper blank, the largest l. 3”. [100/200] 681 Large Chinese Carved Fluorite Covered Vase, the green stone carved in high relief as a baluster-form vase with fitted cover and flower handles, carved all over with phoenix birds among flowering peonies and foliage, h. 13”, w. 6”, d. 2‑1/2”. [400/700] Illustrated

682 Two-Piece Group of Chinese Items, 20th century, comprised of a Chinese carved jadeite figure of the happy Buddha, the pale green stone carved as a corpulent seated figure clad in an open jacket with traditional smiling face, with a custom carved wooden stand; together with a Chinese carved serpentine covered vase of flattened baluster form and mounted as a lamp on a floral brass base; the largest h. 9”, w. 5”, d. 3‑1/2”. [700/1000] Illustrated

688 Chinese Carved Marble Statue of the Bodhisattva Guanyin, 20th century, the figure carved in parts in calcified and polished stone, seated on a double lotus base holding a ruyi scepter, clad in loose robes and wearing an elaborate crown, h. 13”, w. 6”, d. 3‑1/2”. [250/400] 689 Pair of Chinese Carved Green Fluorite Carp, mid‑20th century, presented on stands, h. 7‑1/2”, w. 8”, d. 3”. [400/700] Illustrated

683 Chinese Carved Smoky Quartz Covered Vase, first half 20th century, the mushroom-colored stone with russet highlights and carved as a baluster-form vase with an eagle finial on the cover, carved in low relief with flowers and a ogre head and a loose ring at the front, presented on a wooden stand, h. 7‑1/2”. [2000/4000] Illustrated

690 Pair of Chinese Modern Black-Lacquered and Polychromed Pedestals, each of circular form depicting avian and foliage scenes throughout, and raised on a circular plinth base, h. 36‑1/4”, dia. 12‑1/4”. [100/200] 691

684 Chinese Carved Jadeite Figure of a Female Deity, 20th century, the stone of pale icy lavender color and carved as a standing female figure holding a basket of flowers in one hand and a peony in the other, presented on a custom carved wooden stand, h. 7‑1/2”, w. 4‑1/2”, d. 2”. [200/400] 685 Pair of Chinese Carved and Polished Jadeite Foo Dogs, on wooden stands, h. 9”, w. 4”, d. 5‑1/4”. [700/1000] 686 Group of Three Oriental Hardstone Items, consisting of a Chinese incisecarved gray-brown stone archer’s ring of the traditional type in “Bird and Kylin” decor; a similarly decorated beige stone archer’s ring; and a gray-green polished marble child’s bracelet of the traditional type; the largest dia. 3‑3/8”. [40/70] 687 Group of Three Chinese Decorative Objects, first quarter 20th century, consisting of a Kuang Hsu carved green and ivory soapstone ringed two-handled vase on an addorsed kylin base; a Kuang Hsu dark celadon-glazed porcelain libation cup of beaker form; and a celadon porcelain ringed two-handled cabinet vase of baluster form; the largest h. 6‑1/8”, w. 4‑1/2”, d. 1‑1/2”. [75/125]

691 Large Chinese Carved Bi-Fold Screen, early 20th century, the upper and lower panels with carved scrolling dragons, the central panels with applied carved bone and ivory figures of birds, trees and flowers, h. 75‑1/2”, w. 68”. [1500/2500] Illustrated 692 Chinese Modern Lacquered and Giltwood Coffee Table, the rectangular top with a carved flowering landscape scene, over a like frieze, raised on cabriole legs ending in pad feet, the top fitted with a protective glass panel, h. 17”, w. 42‑1/4”, d. 20”. [100/200]

694

693 Chinese-Style Polychromed Display Cabinet, second quarter 20th century, the carved and pierced crest over a molded frieze, above a case fitted with a glazed door and sides over a pair of “Fishermen”painted doors, raised on serpentine legs ending in pad feet, h. 76‑1/2”, w. 45‑1/2”, d. 17‑1/2”. [400/700] 694 Patinated Bronze Figure of an Asian Man, late 20th century, the small figure modeled carrying a rolled bundle on his shoulder, h. 8‑1/2”, w. 4‑1/2”, d. 3‑1/2”. [150/300] Illustrated

701 Unusual Pair of Regency-Inspired Mahogany Salon Chairs, early 20th century, each of barrel-back captain’s form with outstretched open arms and raised on slender turned legs, h. 31”, w. 26‑1/2”, d. 26”. [100/200]

695 Chinese FourPanel Wooden Folding Screen, in the Ch’ien Lung Coromandel style, composed of parcel-gilt, polychromed and blacklacquered, the facade featuring a riverside garden, figures, pavilions and pleasure boats, the reverse with flowers and rocks in the Coromandel manner, h. 84”, l. 16”, extended l. 64”. [200/400]

702 Pair of Alexander-Jean Composition Table Lamps, of tall size, composed of turned, silvered and antiqued composition with patinated cast-iron “palm” mounts in the neoclassical taste, each fitted with a custom taupe linen shade with shirred banding in mocha, each with a tall composition finial of upright pomegranate form, both lamps with the oblong Alexander-Jean printed paper label on the base, h. 30”, w. 7”, d. 7”. [75/125]

698

699

696 Unusual Chinese Porcelain Fishbowl-on-Stand Dining Table, the large porcelain bowl in the traditional style, with a pale gray ground, mauve and slate blue flowers and polychromed tangent tondos, now mounted with a turned gold-banded mahogany lid and a large beveled plate glass top to form a dining table, h. 28‑1/2”, dia. 60”. [150/300] 697 Two Wooden Printing Blocks, 19th century, carved for printing fabric or wallpaper, now mounted on a patinated steel display stand fitted as a table lamp, overall h. 33”. [100/200] 698 French Ebonized and Mirrored Armoire, late 20th century, in the Louis-Philippe taste, the molded cornice above a case fitted with two doors, each inset with two beveled mirror panels, raised on block feet, h. 84”, w. 44‑1/4”, d. 21‑1/4”. [400/700] Illustrated 699 Russian or Baltic Tole-Peinte and Brass Occasional Table, fourth quarter 19th century, the circular parcel-gilt and floral-painted top raised on a circular X-form pedestal ending in ball feet, the top fitted with ringed ball-shaped finials, h. 33‑3/4”, dia. 28”. [1500/1800] Illustrated 700 Pair of Contemporary Gold and Silver-Gilt Bull’s-Eye Looking Glasses, each with a rope-twist outer edge, the interior frame mounted with gold spheres, dia. 34”, d. 4”. [300/500]

708

707 Seven-Piece French Art Deco Chestnut Mahogany and Burlwood Bedroom Suite, second quarter 20th century, comprised of a bedstead, h. 37‑1/2”, inside w. 55”, l. 75”, outside w. 59”, l. 77”, a mirrored double-door armoire, h. 70‑1/2”, w. 62‑1/2”, d. 19‑3/4”, a pair of side tables with open shelves, h. 23”, w. 16”, d. 13”, two chests of drawers, the smaller h. 33”, w. 45”, d. 20”, the larger h. 44”, w. 34”, d. 20”, and a mirror. [500/800]

712

703 Set of Four Italian Gilded Composition Relief Plaques, third quarter 20th century, after ancient Roman coins, presented in an open walnut shadowbox with a period avocado green velvet backplate, h. 38”, w. 10”, d. 2”. [30/50]

704 Italian Specimen Marble Game Board, second quarter 19th century, of canted square form, now mounted on a turned gilt-metal base joined by an X-form stretcher and ending in cap feet, h. 17”, w. 17”, d. 17”. [100/200] 705 Contemporary Composition and Gold-Painted Beveled Mirror, h. 38”, w. 31”, d. 4”. [100/200] 706 Francisque Asevedo (French, b. 1954) “Basque Country Charm”, ca. 1978, oil on canvas, signed lower right “Asevedo”, 22” x 28”. Presented in a handsome, wide, leaf-carved giltwood frame. [100/200]

709

708 After Pierre Le Faguay (French, 1892‑1925) “Dancer with a Thyrsus”, patinated bronze, on a stepped plinth pedestal, the back incised with the name of the sculptor, h. 22”, w. 18‑1/2”, d. 5”. [200/400] Illustrated

710

709 Art Deco-Style Gilt-Bronze Figure of Cleopatra, the nude queen modeled recumbent, each arm encircled by an asp, presented on a rectangular verde antico marble base, h. 10”, w. 4‑1/2”, l. 16”. [800/1200] Illustrated 710 Pair of Art Deco Ivory Two-Light Candelabra, early 20th century, the candle cups issuing from a canted rectangular base, h. 5”, w. 10‑1/4”, d. 2‑1/4”. [1000/1500] Illustrated 711 Forty-Three-Piece Minton Newbury Bone China Partial Dinner Service, for eight persons, in black and gold, consisting of eight butter plates, dia. 6‑1/2”, eight salad plates, dia. 8”, eight dinner plates, dia. 10‑1/2”, eight cups, h. 3‑1/4”, dia. 3”, eight saucers, dia. 5‑1/4”, a covered sugar basin, h. 5‑1/2”, w. 7”, d. 4”, a cream pitcher, h. 4‑1/2”, w. 3”, d. 6”, and an oval vegetable serving dish, h. 2”, w. 8‑1/2”, l. 11”. [200/400] 712 Interesting Ivory-Painted Writing Table, late 20th century, the top having gallery ends and a drawer along one side, the legs in the form of elephant heads supported by their tusks, h. 31”, w. 54”, d. 28”. [150/300] Illustrated 713 Collection of Five Russian Eggs of Various Sizes, including a small malachite example, a lime green glass egg, an onyx example and two painted and lacquered eggs, the largest l. 3‑1/2”. [350/500]

718 Contemporary Bamboo and Jute Side Table, the circular glass top above a bamboo and jute columnar pedestal, h. 17‑1/4”, dia. 20”. [20/40]

714

719 Modern Mahogany-Veneered Sideboard, of Asian inspiration, the banded rectangular top with a low-reliefcarved “Samurai in a Landscape” scene and fitted with slide-out ends, over a case fitted with a silverware drawer and another short drawer above two like-carved doors, ending in a shaped plinth base, h. 31‑1/2”, w. 42”, d. 19”. [150/300] 720 French Brass-Framed Looking Glass, in the neoclassical taste, the inner molding of polished chrome, h. 27”, w. 34‑3/4”. [300/500] 721 Three-Piece Contemporary Leather Salon Suite, comprised of an overstuffed armchair, h. 34‑1/4”, w. 40‑1/2”, d. 36”, a matching sofa, h. 36”, w. 87‑1/2”, d. 37”, and an ottoman, h. 18”, w. 48”, d. 24”, each in cognac leather, with subtly flaring arms, raised on bracket feet. [1500/2500] Illustrated 722 Danish Modern Ash and Upholstered Armchair, the graduated padded rectangular back joined to the padded seat by flat arms, raised on tapering square legs, h. 33‑1/2”. [200/400]

714 After Louis Holweck (French, fl ca. 1862‑1936) “Le Vin”, a gilt-lacquered bronze-finished spelter figure of a dancing Bacchic faun accompanied by a rollicking baby satyr, entitled on the plinth and presented on an octagonal verde antico marble base with an engraved brass title plaque, h. 27‑1/4”, w. 17”, d. 7‑3/4”. [400/700] Illustrated

721

715 Art Moderne Gilt-Brass Looking Glass, mid‑20th century, the rectangular plate within a deep molded brass frame, h. 44‑1/4”, w. 28‑1/2”. [250/400] 716 Assembled Eight-Piece Collection of Glassware, third quarter 20th century, consisting of a Baccarat decanter, h. 11”, dia. 4‑1/2”; a large circular serving platter, dia. 17”; and six brandy cordials, h. 3”, dia. 2”. [200/400] 717 Two Colorless Glass Vases, mid‑20th century, one a large squarefooted vase of chalice form, and the other a Waterford ball-form vase and so signed under the foot, the largest h. 12‑1/8”, dia. 11‑1/4”. [200/400]

721

730

732 Seeburg Select-O-Matic 100 Coin-Operated Juke Box, mid‑20th century, h. 59”, w. 35‑1/2”, d. 26‑1/2”. [500/800] 733 Ornate Cast-Brass Two-Tiered Trolley Cart, mid‑20th century, the shelf frames supported by S-curved legs and cast putti, and mounted to large brass wheels, h. 29‑1/2”, w. 32”, d. 15‑3/4”. [200/400] 734 Art Deco-Inspired Brass and Pressed Glass Table Lamp, third quarter 20th century, the pattern-form shade in mottled beige and clear glass, above a fluted and segmented band base of columnar form, h. 21”, dia. 16”. [200/400]

723 Danish Modern Blonde Wood Sidechair, the padded and tapering rectangular back above the like seat, raised on tapering square legs, h. 33”. [150/300] 724 Large Satin Black and Mirrored Looking Glass, stepframed in the Neo-Art Deco taste, of near-square form, the frame modeled as graduated stepped registers of mirrored glass separated by satin black wood bands, h. 37‑3/4”, w. 37‑1/2”. [300/500] 725 Danish Modern Ash and Upholstered Armchair, the curved wooden back joined by sloping arms to the padded seat, raised on tapering square legs, h. 31‑1/2”. [200/400] 726 Pair of Contemporary Glass and Brass Columnar Lamp Bases, each tapering octagonal standard on a stepped base, electrified, h. 23”, w. 5‑3/4”, d. 5‑3/4”. [150/300] 727 Contemporary Lucite Pedestal, of open rectangular form, h. 40‑1/4”, w. 19”, d. 21”. [100/200] 728 Contemporary Lucite Pedestal, of open rectangular form, h. 40‑1/4”, w. 19”, d. 21”. [100/200]

735 Provincial Scrubbed Pine and Gray Slate-Top Farmhouse Table, the rectangular framed top with two square slate inserts, raised on straight square legs, h. 31”, w. 41”, l. 73”. [200/400] 736 Six-Piece Painted Wrought-Iron Garden Suite, consisting of a chairback bench, h. 37‑1/2”, w. 51”, d. 26”, a glass-top table, h. 29”, dia. 31”, and four armchairs, h. 37‑1/2”, w. 25”, d. 24”, the bench and chairs with a slightly domed crest flanked by ball-shaped finials over a pierced back, above a trellised seat, raised on cabriole legs joined by an X-form stretcher and ending in scrolled toes, the table with a circular glass top raised on splayed legs, joined by circular stretchers ending in scrolled toes. [500/800] 737 Unusual Midnight Blue-Painted and Japanned Looking Glass, second quarter 20th century, in the early Georgian style, h. 32”, w. 17‑1/4”. [250/400] 738 Group of Three Decorative Pottery Vases, one mounted with whitetail deer antlers and having a dried flower arrangement with pheasant feathers, another with wooden flowers and one an African reed vase, the largest h. 20‑1/2”, dia. 9”. [75/125]

729 F. Preiss (French, b. 1882), a cast -brass and faux-ivory figure of a lady with two torches, the base marked “Made in France”, h. 16”, w. 8”, d. 4”. [200/400] 730 Curtis Jere (American, Contemporary), an abstract mixed metal wall sculpture of a village, h. 25”, w. 50”, d. 11”. [700/1000] Illustrated 731 Large Contemporary Brushed Steel, Ash and Glass Dining Table, by Stoneline Designs, Inc., Chapel Hill, N.C., the “quadrant” base comprised of horizontally-brushed steel panels mounted on ash, the circular glass top textured on one side, h. 30”, overall dia. 72”. [1400/1800] Illustrated

731

739 Turkish Angora Oushak Carpet, 8’ 1” x 9’ 7”. [1200/1800] 740 Persian Shiraz Carpet, 5’ 4” x 10’. [350/500] 741 Uzbek Kazak Runner, 2’ 8” x 14’. [500/800] 742 Indo-Jaipur Carpet, 9’ 9” x 14’ 3”. [300/500] 743 Aubusson-Style Circular Carpet, dia. 7’ 10”. [40/70] 744 Sarouk Carpet, 4’ x 6’. [300/500] 745 Two Chinese Carpets, the first a rug, 1’ 11” x 3’ 6”, and the second a runner, 2’ 1” x 8’. [75/125]

746

746 Agra Serapi Carpet, 7’ 10” x 9’ 10”. [900/1200] Illustrated 747 Jaipur Carpet, 3’ x 4’ 10”. [125/250] 748 Jaipur Carpet, 6’ 2” x 9’ 2”. [400/700] 749 Agra Zeiglar Mahal Runner, 3’ 1” x 12’. [400/700] 750 Persian Tabriz Carpet, 9’ 7” x 12’ 6”. [600/900] Illustrated

750

121

Online Catalogue: www.stcharlesgallery.com

Session II

Sunday, April 3, 2011 11:00 a.m. (Lots 751-1340)

957

751 Spanish Colonial Polychromed and Parcel-Gilt Santos Figure, 19th century, the robed figure holding a staff and raised on a molded base, the robe with polychromed floral accents, h. 16”, w. 6”, d. 4”. [300/500]

753

756 Continental Pierced and Relief-Carved Motherof-Pearl Shell, early 20th century, titled “Bethlehem”, dia. 8”. [500/800] Illustrated 752 752 Spanish Colonial Carved and Painted Devotional Plaque, early 20th century, of rectangular form, featuring the praying Virgin Mary within a radiating nimbus, h. 17”, w. 11‑1/2”, d. 2”. [400/700] Illustrated 753 Russian Painted Icon on Board, late 19th century, having a deep relief and embossed riza, w. 7”, l. 8”. [1200/1800] Illustrated

757 Continental Pierced and Relief-Carved Mother-ofPearl Shell, early 20th century, depicting the birth of Christ in a manger, h. 6”, w. 8”. [450/700] Illustrated 758 After Pierre Mignard (French 1612‑1695) “The Virgin of the Grapes”, oil on canvas, unsigned. Presented in a 19th-century giltwood and gesso frame, h. 36”, w. 24”. [300/500] Illustrated

754 Rare Pair of Judaic Miniatures, first quarter 20th century, depicting, respectively, “Talmudic Scholars Debating” and “A Seder”, presented in matching black velvet mats within Baroque-style carved giltwood frames with convex glazing, h. 4”, w. 3”. [200/400] Illustrated 755 Attractive French Gilt-Brass and Filigree-Work Devotional Frame, first quarter 20th century, of lancetarch form, with a filigree crest and flanked by a pair of filigree fleur-de-lys staffs, presented with a period French hand-colored lithograph of “Christ In Benediction” within a tiered rose fonce velvet mat and glazed, h. 7‑3/4”, w. 7‑1/4”. [200/400]

754

759 After Tiziano Vecelli, Titian (Venetian, 1488/1490‑1576) “Penitent Magdalen”, oil on canvas, unsigned, 19” x 14”. Presented in an ebonized and parcelgilt frame. [1800/2500] Illustrated 760 Peruvian School (First Quarter 20th Century) “Our Lady of Guadalupe”, oil on a burlap sack, 26‑1/2” x 19”. Presented in a Baroque-style frame. [700/1000] Illustrated 761 Follower of Rutilio Manetti (Sienese, 1571‑1639) “Sleeping Cupid”, oil on canvas, unsigned, 11‑1/2” x 17”. Unframed. [300/500]

758

759

756

757 760 762 After Lucas Cranach the Elder (German, 1472‑1553) “Scenes from the New Testament”, pair of woodblock engravings, ink titled in German, sight 5‑1/2” x 6‑1/4”. Both glazed, French matted and presented in ebonized and silver-stenciled frames. [500/800]

770 763 Pair of Victorian-Style Eighteen-Karat Yellow Gold and Onyx Cameo Earrings, each of oval outline with a bezel-set onyx cameo in black and white stone depicting the “Three Graces”. [200/400] Illustrated 764 Lady’s Eighteen-Karat White Gold and Diamond Ring, composed of a central prong-set round brilliant-cut diamond, weighing 1.02 carats, surrounded by forty-two round brilliant-cut diamonds with a total weight of .71 carats, size 5‑1/2. [4000/7000] Illustrated

769 Lady’s Ten-Karat Yellow Gold and Diamond Cocktail Ring, of pear shape, composed of domed rows of bead-set round brilliant-cut chocolate-colored diamonds with an estimated total weight of 1.80 carats, size 8. [600/900] 770 Lady’s Fourteen-Karat White Gold and Diamond Tennis Bracelet, composed of thirty-eight squared links, each set with a round brilliant-cut diamond, with a total weight of 15.38 carats. [9000/12000] Illustrated

763

771 Eighteen-Karat Yellow Gold, Kunzite and Diamond Pendant Necklace, composed of an oval pendant centrally set with a 23.77-carat oval-cut Kunzite surrounded by three rows of round brilliant-cut diamonds, with a total weight of 3.77 carats, suspended on a yellow gold diamond-set chain, l. 17”. [4500/7000] Illustrated

765 Fourteen-Karat White Gold and Diamond Filigree Bar Pin, ca. 1940, the navette-shaped filigree body centrally set with an oval mine-cut diamond weighing an estimated .25 carats. [250/400] Illustrated

772 Fourteen-Karat Yellow Gold, Aquamarine and Diamond Pendant Necklace, composed of a central 23.94-carat square-cut aquamarine in a conforming mount with two rows of round brilliant-cut diamonds with a total weight of 1.23 carats, with a yellow gold chain, l. 18”. [3000/5000]

766 Lady’s Fourteen-Karat White Gold and Diamond Engagement Ring, the white gold body tension-set with a central round brilliant-cut white diamond mounted above a row of channel-set round brilliant-cut white diamonds, estimated total diamond weight 1.61 carats, size 6‑1/2. [900/1200] Illustrated

764

767 Pair of Eighteen-Karat White Gold and Diamond Earrings, each composed of a central prong-set round brilliant-cut white diamond surrounded by a single row of white diamonds and attached to a diamond-set bar, total diamond weight 1.70 carats. [2000/4000] Illustrated 768 Lady’s Ten-Karat White Gold and Diamond Dinner Ring, of squared outline with rounded corners, paveset with an estimated 1.10 carats of round brilliant- and baguettecut white diamonds, size 7‑1/2. [250/400]

767 765

766

777 Fourteen-Karat White Gold, Sapphire and Diamond Pendant Necklace, composed of a central prong-set faceted round blue sapphire surrounded by a single row of round brilliant-cut diamonds with a total weight of .58 carats and an outer row of round sapphires, total sapphire weight 20.19 carats, with a white gold chain, l. 18”. [1200/1800]

771 773 Dramatic Lady’s Eighteen-Karat White Gold and Diamond Ring, composed of a central bezel-set irradiated marquisecut yellow diamond, weighing 1.65 carats, surrounded by fortysix round brilliant- and baguette-cut white diamonds with a total weight of 2.72 carats, size 7. [12000/18000] Illustrated

778 Lady’s Eighteen-Karat White Gold and Diamond Unity Ring, composed of a central prong-set round brilliant-cut diamond weighing 2.37 carats, flanked by thirty-three round brilliant- and baguette-cut diamonds with a total weight of .99 carats, size 7‑1/2. [10000/15000] Illustrated 779 Good Strand of Graduated White South Seas Pearls, with a fourteen-karat white gold rubied clasp, the pearls ranging in size from approximately 8.00 mm to 16.0 mm in diameter with high luster, round to slightly off-round shape and moderately spotted, l. 18”. [3000/5000] 780 Unusual Lady’s Fourteen-Karat White Gold, Pearl and Diamond Interchangeable Ring/Necklace, composed of a central 16.5/17.0 mm black Tahitian pearl in a floral-shaped mounting pave set with 1.98 carats of single-cut diamonds; the drop can be attached to a ring mount or worn as a pendant drop, ring size 7‑1/2, chain l. 16”. [3500/5000] Illustrated

778

781 Lady’s Graduated Strand of Tahitian Gray Cultured Pearls, ranging in size from approximately 11.0 mm to 13.0 mm in diameter, of silver/gray color with high luster and thick nacre, mostly round and lightly spotted, l. 18”. [2500/4000] Illustrated 774 Lady’s Fourteen-Karat White Gold and Diamond Unity Ring, composed of a central prong-set round brilliant-cut diamond, weighing 1.26 carats, in an elaborate white gold setting set with one hundred twenty-eight mixed-cut diamonds with a total weight of .75 carats, size 7‑1/2. [3500/5000] Illustrated

781 780

775 Lady’s Fourteen-Karat White Gold and Black and White Diamond Dinner Ring, composed of a prong-set 7.61-carat irradiated black round-cut diamond surrounded by two hundred thirty-eight pave-set round single-cut diamonds with a total weight of 1.11 carats, size 7‑1/2. [3000/5000] Illustrated 776 Fourteen-Karat White Gold, Sapphire and Diamond Link Bracelet, composed of ninety-six oval-cut multi-colored sapphires, total weight 31.21 carats, and ninety-six round brilliant-cut diamonds, total weight 1.30 carats. [1500/2500]

775

773 774

782 Lady’s Fourteen-Karat White Gold and Diamond Unity Ring, composed of a central round brilliant-cut diamond weighing 1.33 carats, surrounded by forty-four round brilliant-cut diamonds with a total weight of .50 carats, size 7. [4500/7000] Illustrated 783 Stunning Lady’s Fourteen-Karat White Gold, Star Sapphire, Diamond and Sapphire Dinner Ring, composed of a central six-rayed oval cabochon star sapphire of blue color surrounded by fourteen round brilliant-cut diamonds with a total weight of .56 carats and an outer border of fourteen faceted blue sapphires with a total weight of 21.45 carats, size 7‑1/2. [1400/1800]

784

784 Lady’s Fourteen-Karat White Gold, Sapphire and Diamond Drop Necklace, composed of a diamond-set necklace with nine oval drops, each set with an oval-cut blue sapphire surrounded by diamonds and alternating with clusters of three diamonds, total sapphire weight 20.96 carats, total diamond weight 4.73 carats, l. 16‑1/2”. [5000/8000] Illustrated 789

785 Lady’s Fourteen-Karat White Gold, Sapphire and Diamond Band Ring, composed of three square mixedcut blue sapphires separated by two princess-cut white diamonds, all prong set, size 6‑1/2. [600/900] 786 Pair of Fourteen-Karat Yellow Gold, Sapphire and Diamond Drop Earrings, each composed of a yellow gold body suspending a pear-shaped synthetic sapphire with a diamond accent, estimated total sapphire weight 2.20 carats. [250/400] 787 Lady’s Fourteen-Karat White Gold, Tanzanite and Diamond Ring, composed of a central prong-set 5.99carat mixed triangular-cut natural Tanzanite set in a white gold mounting bead-set with sixty-seven round brilliantcut white diamonds with a total weight of .38 carats, size 7‑1/2. [3500/5000] Illustrated

782

787

788

788 Lady’s Fourteen-Karat Yellow Gold, Tanzanite and Diamond Pendant Necklace, composed of a rounded triangular gold pendant centrally set with a 9.22-carat mixed triangular-cut natural Tanzanite and enhanced by two hundred seventy-seven round brilliant-cut diamonds with a total weight of 2.16 carats in the pendant and bail, suspended on a link chain, l. 18”. [8000/12000] Illustrated 789 Lady’s Fourteen-Karat White Gold, Tanzanite and Diamond Pendant Necklace, composed of a triangular pendant and bail, the pendant centrally set with a mixed triangular-cut natural Tanzanite weighing 2.49 carats, surrounded by sixty-nine round brilliant-cut diamonds with a total weight of .73 carats, suspended on a link chain, l. 18”. [2500/4000] Illustrated

790 Pair of EighteenKarat White Gold, Aquamarine and Diamond Drop Earrings, each composed of a central ovalcut aquamarine surrounded by a row of round brilliant-cut white diamonds, estimated total aquamarine weight 5.0 carats and white diamond weight .09 carats. [1500/2500] Illustrated

790

795 Lady’s Fourteen-Karat Two-Color Gold, Sapphire and Diamond Ring, composed of a central 1.15-carat oval-cut blue sapphire surrounded by a conforming border of round brilliant-cut white diamonds with a total weight of .50 carats, size 7‑1/2. [500/800] 796 Lady’s Fourteen-Karat Yellow Gold, Emerald and Diamond Dinner Ring, composed of a central step-cut natural emerald weighing 2.85 carats, surrounded by two rows of round brilliant-cut diamonds weighing a total of 1.40 carats, all in a canted square mounting, size 8. [2500/4000] Illustrated 797 Lady’s Fourteen-Karat White Gold, Tanzanite and Diamond Ring, composed of a central 3.60-carat mixed triangular-cut natural Tanzanite in a shield-shaped mount, channel set with nine round brilliant-cut diamonds with a total weight of .73 carats, size 7‑1/2. [5000/8000]

791

798 Lady’s Fourteen-Karat White Gold and Black and White Diamond Ring, composed of a central prong-set 6.50-carat irradiated black diamond in a white gold setting mounted with one hundred round brilliant-cut white diamonds with a total weight of 1.58 carats, size 7‑1/2. [2500/4000] 799 Pair of Fourteen-Karat White Gold, Garnet and Diamond Stud Earrings, each composed of a central pear-shaped red garnet surrounded by a single row of round brilliant-cut white diamonds in a conforming mount, estimated total diamond weight .52 carats. [100/200]

796 791 Lady’s Fourteen-Karat Yellow Gold, Amethyst and Diamond Ring, composed of a central heart-shaped amethyst surrounded by a single border of round brilliantand baguette-cut white diamonds, size 7‑1/2. [500/800] Illustrated 792 Lady’s Fourteen-Karat White Gold and Diamond Ring, composed of a central prong-set round brilliant-cut diamond, weighing 1.02 carats, in a white gold mounting flush-set with ninety-six round brilliant-cut diamonds with a total weight of .63 carats, size 7‑1/2. [3500/5000] Illustrated 793 Unusual Lady’s Fourteen-Karat White Gold and Diamond Ring, composed of a central prong-set irradiated blue round brilliant-cut diamond, weighing 1.38 carats, surrounded by twenty-six round brilliant-cut white diamonds with a total weight of .34 carats, size 7‑1/2. [2000/4000]

792

794 Lady’s Fourteen-Karat White Gold, Peridot and Diamond Cocktail Ring, composed of a central emeraldcut peridot of “Parrot’s Wing” color set above a ribboned white diamond-set mount, size 6. [250/400]

800

800 Lady’s FourteenKarat Yellow Gold, Emerald and Diamond Pendant Necklace, composed of an oval drop centrally set with a 13.27carat oval-cut natural emerald surrounded by three rows of round brilliant-cut diamonds, with a total weight of 1.0 carat, suspended on a diamondset chain, l. 18”. [6000/9000] Illustrated

801 Lady’s Fourteen-Karat Yellow Gold , Ruby and Diamond Chevron Necklace, composed of oval links with a central drop, each with a centrally set oval-cut natural ruby surrounded by a border of round brilliant-cut diamonds, total ruby weight 38.18 carats, total diamond weight 7.87 carats, l. 16‑1/2”. [4500/7000] Illustrated 802 Lady’s Fourteen-Karat Yellow Gold, Star Ruby and Diamond Dinner Ring, composed of an oval cabochon star ruby weighing 15.30 carats, surrounded by twenty round brilliant-cut diamonds with a total weight of .73 carats, size 5‑1/2. [800/1200]

806 Gentleman’s Fourteen-Karat White Gold and Diamond Ring, of canted rectangular outline, channel set with an estimated 1.05 carats of princess-cut white diamonds surrounded by a single row of round brilliant-cut white diamonds, size 8‑1/2. [350/500] Illustrated 807 Lady’s Fourteen-Karat Yellow Gold, Amethyst and Pearl Brooch, of oval outline and set with a central ovalcut Brazilian amethyst surrounded by two rows of cultured pearls. [1000/1500] 808 Fourteen-Karat Yellow Gold, Amethyst and Pearl Brooch and Earring Suite, second half 20th century, in the Victorian taste, comprising a navette-shaped bar brooch set with a central mixed-cut oval amethyst flanked on either side by a single pearl, all set in a filigree mounting and suspending a single pear-cut amethyst, w. 1‑1/2”, and a pair of earrings en suite, each with single pearl suspending a pear-shaped amethyst surrounded by seed pearls, with adjustable screw-backs, l. 1‑1/4”, the four amethysts totaling approximately 6.0 carats. [150/300]

806

805

803 Dramatic Lady’s Fourteen-Karat Yellow Gold, Ruby and Diamond Ring, composed of a prongset oval-cut natural ruby surrounded by a row of twelve round brilliant-cut diamonds and twelve round faceted rubies, total diamond weight .56 carats, total ruby weight 8.82 carats, size 8. [1000/1500] 804 Gentleman’s Gucci Gold-Plated Stainless Steel Wristwatch, having a circular blank black face with a bezel having Roman numerals and an interlocking link bracelet band. [150/300] 805 Gentleman’s Citizen Eco-Drive Wristwatch, the circular black face with date window, Roman numeral and dot hour markers, and hour and second hands, with a border of bead-set mixed-cut diamonds and a link bracelet. [250/400] Illustrated

8 98

801

811

813

812

814

809 Lady’s Fourteen-Karat Yellow Gold and Opal Dinner Ring, second half 20th century, of lobed teardrop form, set with a central pear-shaped opal, l. 9 mm, surrounded by six round and two smaller opals in a lacy mounting, overall l. 1”. [100/200] 810 Lady’s Cultured Pearl and Jade Spray Brooch, composed of five navette-shaped green jade cabochons and five cultured pearls on a silver sprayshaped body. [500/800] 811 Dramatic Lady’s Circular Jade Bangle Bracelet, the carved jadeite in brilliant lavender and emerald green colors, carved in low relief with a scrolling foliate design. [800/1200] Illustrated

822 821

812 Pair of Fourteen-Karat Yellow Gold and Jade Gentleman’s Cufflinks, each of elongated octagonal outline, the tops set with an open octagonal plaque of mottled green stone mounted on a Florentine-finish gold plaque. [800/1200] Illustrated

817 Chinese Carved Two-Color Bone Necklace, composed of white and green beads, each delicately carved with reticulated surfaces, all on a green silk rope with knots, l. 21”. [60/90]

813 Chinese Carved Jadeite Saddle-Shaped Ring, the stone of brilliant emerald green color and carved in low relief on the top with a bat among peaches. [300/500] Illustrated

818 Strand of Indian Carved Ivory Beads, each bead carved as a partially open lotus flower, with an ivory screw clasp, l. 14”. [450/700] 819 Single Strand of Rhodolite Garnet Pieces, composed of tumbled irregular pieces with a deep, rich lavender red color, l. 16”. [150/300]

814 Lady’s Fourteen-Karat Yellow Gold and Jade Elongated Pin, the yellow gold frame mounted with a mottled bright green jadeite carving of a feather. [400/700] Illustrated

820 Six-Piece Group of Amber, Coral and Pearl Jewelry, consisting of four necklaces and two bracelets, each composed of tubular amber beads with pearl or coral spacers, the largest l. 20”. [250/400]

815 Chinese Carved Celadon Jade Figural Pendant, 20th century, carved in the round as a child climbing over two peaches with foliage, the uppermost peach carved with a bat, h. 3‑1/8”. [1400/1800] Illustrated 816 Chinese Eighteen-Karat Yellow Gold and Jade Pendant Necklace, composed of a yellow gold link chain with two sets of three interlocked celadon jade links, with a gold-mounted celadon jade plaque with an etched design of a dog on the face and seal character on the reverse suspended from the chain. [2500/4000] Illustrated

823

821 Single Strand of Lapis Lazuli Beads, strung slightly graduated, the circular beads of mottled blue lapis lazuli with scattered white inclusions, l. 12”. [100/200] Illustrated 815

816

822 Chinese Single-Strand Coral Bead Necklace, composed of graduated pale coral beads with scattered white areas, l. 14”. [400/700] Illustrated

823 Graduated Strand of Baltic Colored Amber Beads, each of slightly off-round shape, the beads with mottled color in yellow, orange and white matrix, l. 13”. [200/400] Illustrated previous page

825 three-piece suite

826

824 Louis XV-Style Gilt-Brass-Mounted Mahogany Vitrine Table, fourth quarter 20th century, the rectangular glazed lift-top over a like frieze, above a serpentine-carved apron centered by gilt-brass acanthine mounts, raised on cabriole legs headed by cartouchemolded mounts and ending in sabots, h. 30‑1/2”, w. 31‑3/4”, d. 20‑3/4”. [300/500] 828 825 Three-Piece Louis XV-Style Mahogany Bedroom Suite, early 20th century, comprised of a singledoor armoire with a shaped beveled mirror, h. 96”, w. 42”, d. 21”, and a pair of twin beds, h. 62‑1/2”, inside w. 37”, l. 76”, outside w. 43”, l. 81”, all the pieces with exuberant scroll-carved cartouches. [1500/2500] Illustrated 827

100

826 Elegant Three-Piece French Dressing Table Service, fourth quarter 19th century, composed of parcel-gilt and -argente bronze and Rouge Royal marble in the Louis XVI taste, the set comprised of a canted and footed oval toilette mirror with a beveled edge supported by a pair of putti, h. 16‑3/4”, and a pair of small candlesticks en suite, h. 9‑1/2”. [1800/2500] Illustrated 827 Louis XV-Style Mahogany, Burl Mahogany and Marble-Top Commode, of bombe form, the serpentine variegated cream marble top above a conforming case fitted with three satinwood drawers, over a serpentine skirt, raised on sabre legs, the whole with gilt-brass mounts, h. 34”, w. 38”, d. 19‑1/2”. [300/500] Illustrated

831

830 Louis XV-Style Walnut Fauteuil, fourth quarter 19th century, the serpentine padded back joined to the like seat by carved open arms, raised on cabriole legs headed by cartouche carving and ending in scrolled toes on pegs, h. 46”, w. 26‑1/2”, d. 22‑1/2”. [600/900] 831 Interesting Continental Brass-Mounted Mahogany Wall Clock, mid‑20th century, the top featuring Atlas mounted to the bell, the two-weight movement featuring time and strike, h. 24”, w. 11”, d. 7”. [300/500] Illustrated

829

828 Louis XV-Style Mahogany, Burl Mahogany and Marble-Top Bombe Commode, the serpentine variegated cream marble top above a conforming case fitted with three satinwood-inlaid and banded drawers, over a serpentine skirt, raised on sabre legs, the whole with gilt-brass mounts, h. 34”, w. 38”, d. 19‑1/2”. [300/500] Illustrated 829 Large and Impressive Florentine Giltwood Looking Glass, third quarter 19th century, the central crest with conjoined scrolls and foliate motifs, the inner frame of a twisted ribbon and bead design, h. 76”, w. 47”. [800/1200] Illustrated

834

832 Louis XV-Style Gilt-Brass and Crystal SixteenLight Chandelier, early 20th century, the glassencased standard issuing two tiers of scrolling arms, the whole elaborately dressed with swags of faceted crystal beads and pendalogues with floriform accents, h. 30”, dia. 28”. [600/900] 833 Pair of Continental Porcelain Figures, late 19th century, depicting a man and woman in 18th-century dress, the figures raised on shaped pedestals, h. 6”, w. 2”, d. 2”. [800/1200] 834 Pair of Louis XV-Style Mahogany Fauteuils, fourth quarter 19th century, each with a domed crest centered by a floral-spray carving, over a padded back, joined to the like seat by open arms, raised on cabriole legs ending in peg feet, upholstered in blue and cream floral needlepoint, h. 34”, w. 23‑1/2”, d. 20”. [500/800] Illustrated

101

835 Louis XV-Style Polychromed Chaise Longue, second quarter 20th century, having a molded and floral-carved frame, and covered in floral woven fabric, h. 32”, w. 27”, l. 64”. [500/800] Illustrated

837

836 Group of Five Decorative Pillows, each covered in coordinating red and beige fabric, some examples with fringed borders, the largest 21” x 22”. [40/70]

838

839 Italian Exuberantly Modeled Giltwood Looking Glass, foliate carved and antiqued in the rococo style, the plate broadly beveled throughout, h. 48”, w. 31‑1/2”, d. 13”. [500/800] Illustrated 840 Louis XIV-Style Walnut Fauteuil, fourth quarter 19th century, the slightly domed and padded back joined to the like seat by open acanthine-carved arms, raised on fluted, turned and block legs ending in bun feet, h. 45”, w. 24‑1/2”, d. 22‑1/2”. [500/800] 841 Pair of Gilt- and Patinated Brass Blackamoor Candleholders, each figure wearing a turban and holding a staff fitted for a candle, h. 16”, w. 4‑1/2”, d. 4‑1/2”. [500/800]

837 Three-Piece Louis XV-Style PorcelainMounted Gilt-Brass Clock Garniture, comprised of a clock with porcelain face and painted panel, h. 14”, w. 7‑1/2”, and a pair of four-light candelabra with porcelain mounts, h. 14”, w. 4”, d. 4”. [500/800] Illustrated 838 Group of Two French Gilt-Brass and Cut Glass Chandeliers, one an opulent gilt-brass tiered sixteen-light chandelier in the Louis XVI taste, second quarter 20th century, dressed with large cut ten-point glass stars, cut pendalogues, waffle-cut pendalogues and back-pressed cut pendalogues, fitted with gloss white faux candles, h. 46”, dia. 25”; the other a gilt-brass eight-light chandelier of cage form featuring four tall glass bishops, pressed fleurettes and fan-pressed pendalogues, h. 44”, dia. 24‑1/2”; both examples electrified. [2500/4000] Illustrated

102

835

842 Provincial Louis XV-Style Fruitwood Settee, fourth quarter 19th century, the serpentine crest over a conforming padded back, joined to the like seat by open downswept arms, raised on cabriole legs ending in pad feet on pegs, h. 39‑1/2”, w. 66‑1/2”, d. 26”. [1000/1500] Illustrated

842

839

843 Louis XV-Style Polychromed Bombe Commode, the serpentine top over a conforming case fitted with three graduated drawers, above a carved apron, raised on splayed legs ending in scroll feet, the whole painted with floral sprays and scrolling foliage motifs, h. 32”, w. 47”, d. 22‑3/4”. [500/800] Illustrated

844

843

844 Pair of Louis XV-Style Fruitwood Bergere avec Orielles, late 19th century, each with a domed and padded back and shaped sides joined to the cushioned seat by padded foliate-carved arms, the seat above a shellcarved apron, raised on cabriole legs ending in scrolled toes on pegs, h. 44‑3/4”. [1500/2500] Illustrated 845 Twenty-Piece Paris Porcelain Pink and Gold Dessert Service, mid‑19th century, comprised of two oblong platters, five cups, six saucers and seven small plates, the largest dia. 9”. [400/700] Illustrated following page

103

845

848 Pair of Louis XV-Style Oak Fauteuils, early 20th century, each with a smooth molded frame and slightly serpentine seat, raised on cabriole legs, h. 31‑1/2”. [200/400] 849 Louis XV-Style Giltwood Buffet Mirror, early 20th century, the long frame with scroll-carved shells and a central foliate cartouche, h. 33”, w. 89”, d. 3”. [300/500]

850 French Carved Giltwood Looking Glass, the rectangular plate within an annulated slip and a molded scrolling foliate-carved frame, h. 60”, w. 42‑1/2”. [400/700]

851

846

846 French Glazed and Biscuit Porcelain Two-Handled Vase, early 20th century, perhaps the manufactory of Gille Jeune, Paris, of large size in the Louis XVI taste, the facade with a gilt-framed polychromed galants reserve, the reverse with a well-painted floral spray, the base with two semi-recumbent biscuit porcelain putti, the interior of the foot with a pseudo-Sevres interlaced L’s mark in blue, h. 15‑1/2”, w. 13‑1/2”, d. 10‑1/4”. [1000/1500] Illustrated 847 Unusual Polychromed Metal Floor Lamp, early 20th century, the hooked standard entwined with a leaf-and-berry garland and raised on a scrolling footed base, h. 65”, w. 23”, d. 16”. [300/500] 854

104

865

864

851 Pair of Belle Epoque Gilt-Brass Two-Light Candelabra, first quarter 20th century, in the Louis XV style, the central finials of stylized foliage and foliate scrolls, the bobeches of stylized floral form below calyxiform candlesockets, h. 7”, w. 9‑1/2”. [450/700] Illustrated

852 French Carved Giltwood and Plaster Rectangular Looking Glass, fourth quarter 19th century, in the Regence style, the rails with alternating relief scallop shells and strapwork reserves throughout, h. 40”, w. 33”. [200/400] 853 Continental Painted and Parcel-Gilt Terra Cotta Architectural Element, first quarter 20th century, of stubby “L” form in the Renaissance style, the center of the “L” with scrolling foliage and berry clusters in high relief on a diagonally reeded buff ground, h. 20”, w. 15‑1/2”. [50/80] 854 Robert Harrison (American/Texas, 20th/21st Century) “Bluebonnets Landscape”, oil on canvas, signed and dated lower left “Robert Harrison, 1978”, 24” x 48”, verso affixed with a “Texas Trails Gallery” label. Presented in a giltwood frame. [2000/4000] Illustrated 855 Lee Reynolds (American/California, b. 1936) “Spring Flower Garden”, oil on canvas, signed lower left “Lee Reynolds”, 47” x 58‑1/2”. Presented in a contemporary brass frame. [50/80] 855A John Daniel (American/Texas, 20th Century) “The Embrace”, abstract pastel on paper, 29” x 21”, dated ‘87 lower left, verso bears identification label from the TriState Exhibition, 1990. Glazed, matted and presented in a black metal frame. [50/80]

858 American School (Second Quarter 20th Century) “Snow-Covered Landscape with a Country Church”, oil on board, signed illegibly lower left, 10” x 14‑1/4”. Presented in a rococo-style giltwood and gesso frame. [200/400] 859 American School (Second Quarter 20th Century) “Cottage in the Woods”, oil on canvas, signed lower right “I. Cafieri”, sight 24” x 36”. Presented in a hardwood frame. [100/200] 860 American School (Second Quarter 20th Century) “Autumnal Landscape”, oil on board, signed and dated lower left “Lee, 1‑1‑43”, 20” x 16”. Framed. [150/300] 861 Hudson River School (Second Quarter 19th Century) “Western River Landscape with a Native American Camp”, oil on canvas, unsigned, 24” x 44”. Presented in a giltwood and gesso frame. [300/500] 862 American School (Fourth Quarter 19th Century) “Mountainous Landscape with Two Figures Fishing”, oil on canvas, dated lower left “May 1879”, 24” x 18”. Presented in a period giltwood and gesso frame. [100/200] 863 Octavia Gayden Roberts (American, First Quarter 20th Century) “Three Chicks Eating Out of an Oyster Shell”, oil on canvas, initialed lower right, 14” x 10”. Presented in a giltwood and gesso frame. [700/1000]

856 Garland Roark (American/Contemporary) “Cowboy Overlooking a Canyon”, watercolor, signed lower left “Garland Roark”, sight 13” x 16‑3/4”. Glazed, matted and framed. [100/200]

864 American Sterling Silver Water Pitcher, first quarter 20th century, by Schofield Co., Baltimore, Maryland, in the traditional “Baltimore Rose” style, h. 9‑1/2”, w. 10”, dia. 5”, 22.15 t. oz. [1000/1500] Illustrated

857 Frank Richard Myslive (American, 1908‑1986) “Moonlit Snow-Covered Farm Scene”, oil on board, signed and dated lower right “F. Myslive, ‘45”, 20‑1/2” x 24”. Framed. [200/400]

865 Central Asian .800 Silver Fruit Bowl, first quarter 20th century, with reticulated floral decoration, h. 3”, w. 13‑1/2”, d. 10‑1/4”, 106.70 t. oz. [500/800] Illustrated

105

866 American Sterling Silver Berry Spoon, third quarter 19th century, by George B. Sharp for Bailey and Company, Philadelphia, Pennsylvania, l. 9‑1/2”, 2.10 t. oz. [150/300] Illustrated

867

867 George W. Shiebler Sterling Silver Ice Cream Server, in the “American Beauty” pattern, the pattern introduced in 1896, New York City, l. 11‑1/4”, 4.00 t. oz. [200/400] Illustrated 868

868 American Reticulated Sterling Silver Berry Spoon, first quarter 20th century, l. 8‑1/2”, 2.85 t. oz. [150/300] Illustrated

866

869 American Coin .900 Silver Footed Bowl, second quarter 19th century, by Fletcher and Gardiner, Philadelphia, Pennsylvania, of bulbous form with milled rocaille banding and “egg and dart” edging, h. 6‑3/4”, dia. 7‑1/4”, 31.45 t. oz. [1500/2500] Illustrated

873

870 Central Asian Silver Footed Bowl, first quarter 20th century, having good repousse decoration, the silver of undetermined fineness, h. 5‑1/2”, dia. 7‑1/4”. [1200/1800] Illustrated

871

871 Reed and Barton “Francis I” Sterling Silver Salad Serving Set, the pattern introduced in 1907, Taunton, Massachusetts, l. 9”, 9.05 t. oz. [500/800] Illustrated 872 American Sterling Silver Soup Ladle, ca. 1900, by Hamilton and Diesinger, Philadelphia, Pennsylvania, in the Louis XV style, l. 10”, 4.80 t. oz. [250/400]

870

869

106

873 American Sterling Silver Teapot, ca. 1900, by Welsh & Brothers, Baltimore, Maryland, in the traditional “Baltimore Rose” pattern, h. 7”, w. 9”, dia. 6”, 23.35 t . oz. [1200/1800] Illustrated 874 American Silverplate Lamp, second quarter 20th century, in the neoclassical taste, with lion and grotesque masques, h. 23”, dia. 6”. [100/200]

878 Pair of George III-Style Mahogany Wing Chairs, late 20th century, each covered in ivory damask and raised on ball-and-claw feet, h. 47‑1/2”, w. 31‑1/4”, d. 34‑1/2”. [400/700] Illustrated

878

879 Pair of American Classical Mahogany Sidechairs, first quarter 19th century, probably New York, each with a shaped and carved backsplat and raised on down-curved legs, h. 33”, w. 17‑1/2”, d. 18”. [150/300] 880 American Classical Mahogany Work Table, early 19th century, the lifting top opening to reveal a compartmentalized interior, with a single drawer below, raised on a modified curule-form base with a turned stretcher, h. 30”, w. 20‑3/4”, d. 14‑1/4”. [200/400]

875 Group of Eight Miscellaneous Silverplate Articles, including a pair of Gorham candlesticks, two ornate tea strainers, a pair of chicken-feet tongs, a small sauce ladle, a child’s cup, and a lady’s hinged bracelet, the largest h. 10‑1/2”, dia. 4‑3/4”, 1.40 t. oz. [125/250]

882

876 Three American Floral-Decorated Sterling Silver Dishes, first half 20th century, including a lobed circular example by the Whiting Mfg. Co., decorated with embossed scrolls and cherry blossoms, dia. 7‑3/8”; a Mauser Mfg. Co. oval example, retailed by M. Schooler, New Orleans, in the Art Nouveau taste, the rim embossed with an exotic maiden among irises, monogrammed “EAB”, l. 9‑1/4”; and a circular plate by Samuel Kirk & Son, the broad rim embossed with flowers and foliage, dia. 10”; 21.83 total t. oz. [100/200] 877 Gorham Sterling Silver Bread Tray, first quarter 20th century, Providence, Rhode Island, retailed by Bailey, Banks & Biddle, Philadelphia, Pennsylvania, of navette form and having a rococo rim, h. 3”, l. 13”, 28.55 t. oz. [1500/2500] Illustrated

881 Regency Mahogany Drop-Leaf Breakfast Table, first quarter 19th century, the top with two drop leaves, one end fitted with a drawer and supported by a turned standard with four outstretched reeded legs, h. 29‑1/2”, w. 48”, d. 35‑1/2”. [200/400] 882 Pair of George III-Style Mahogany Wing Chairs, each with a rectangular padded back, joined to the like seat by closed outscrolled arms, raised on cabriole legs headed by acanthine carving and ending in ball-and-claw feet, h. 45‑1/2”, w. 30”, d. 20‑1/2”. [400/700] Illustrated

877

883 American Late Federal Mahogany Crib, first quarter 19th century, of rectangular shape, the spindled frame surmounted by turned finials, raised on turned legs ending in casters, h. 43”, w. 24”, l. 44‑1/2”. [200/400]

107

886 Sheraton-Style Mahogany Side Table, first quarter 20th century, the bowfront top with rounded projecting ends, above a conforming frieze fitted with a drawer, raised on reeded tapering circular legs ending in turned feet on casters, h. 29‑1/4”, w. 30”, d. 14‑1/4”. [200/400] 887 American Sheraton Mahogany Side Cabinet, second quarter 19th century, the rectangular top above a conforming case fitted with two cushion frieze drawer over three recessed graduated drawers, all stringinlaid and flanked to each side by a turned upright, raised on tall bulbous feet, h. 34‑1/2”, w. 21‑1/2”, d. 19”. [100/200] 888 Federal-Style Gilded Composition Looking Glass, in the Gothic taste, the upper panel with four trefoil painted scenes above a beveled plate glass mirror, h. 44”, w. 25‑1/2”, d. 5”. [200/400] 891 889 Colonial-Style Painted Brass Nine-Light Chandelier, early 20th century, fitted with tubular swooping arms to a bulbous standard, h. 34”, dia. 22”. [500/800] 890 American Classical-Style Gold-Painted Convex Mirror, second quarter 20th century, the crest in the form of an eagle and the frame mounted with thirteen turned spheres, h. 29”, w. 22”, d. 1‑1/2”. [150/300]

893 884 Regency-Style Mahogany Canterbury, early 20th century, the upper section segmented with partitions and turned spindles, having a lower shelf and raised on turned legs ending in brass casters, h. 20”, w. 15‑1/2”, d. 12‑1/2”. [100/200] 885 Sheraton-Style Mahogany Four-Post Bedstead, each post of turned and reeded design featuring carved wheat motifs, the shaped headboard with a banded border, h. 89”, inside w. 61”, l. 83‑1/2”, outside w. 65‑1/4”, l. 90‑1/4”. [100/200] 892

108

899

897 After Walter Inglis Anderson (American, 1903‑1965) “Letter B” and “Letter U”, pair of color silkscreen prints, sight 11‑1/2” x 9”. Both glazed, matted and framed. [500/800] 898 American School (First Quarter 20th Century) “Chinese Boy with a Parasol”, watercolor on paper, signed lower right “D. E. Graham 1902”, sight h. 11‑3/4”, w. 8‑3/4”. Presented in an Aesthetic-style stained wood frame. [300/500]

891 Alexander John Drysdale (American/Louisiana, 1870‑1934) “Louisiana Landscape”, oil on canvas, signed lower left “A. J. Drysdale 1913”, 17” x 23”. Glazed, matted and presented in a molded polychromed and parcel-gilt frame. [2000/4000] Illustrated 892 George David Coulon (American/Louisiana, 1822‑1904) “Bayou Landscape with a Moss-Covered Cypress Tree”, gouache on paper, signed lower center “G. D. Coulon”, verso inscribed in ink “Prof. W. D. Heyer, Elizabeth, N.J. Souvenir de Geo. D. Coulon, Nelle. Orleans, LNE 1896”, dia. 4‑1/2”. Glazed, matted and presented in a giltwood frame. [800/1200] Illustrated 893 Morris Henry Hobbs (American/Louisiana 1892‑1967) “Pirate’s Alley, Old New Orleans”, black and white etching, sight 9‑1/2” x 6‑1/2”, ed/200. Glazed, attractively matted and framed. [400/700] Illustrated 894 Louisiana School (Mid‑20th Century) “Jackson Square with a View of the Cathedral”, watercolor and gouache on paper, unsigned, sight 19‑1/2” x 27”. Glazed, matted and framed. [300/500] 895 Herbert Hanush (American, 20th Century) “French Quarter Scene”, watercolor on paper, signed lower right, sight 12‑1/2” x 18‑1/2”. Glazed, matted and presented in a polychromed and parcel-gilt frame. [150/300]

896 Ellsworth Woodward (American/Louisiana, 1861‑1939) “Sketch of a Gentleman” and “Sketch of a Corporal Merry”, two graphites on paper from Ellsworth Woodward’s sketchbook, ca. 1890, sight 9‑3/4” x 6‑1/4”. Both glazed, matted and attractively framed. [450/700]

899 Group of Eight Shearwater Pottery Polychromed and Glazed Figures, designed by Walter Inglis Anderson and James McConnell Anderson, including seven figures depicting black people at work and play, and one depicting a jockey, all figures variously marked, some dated, the largest h. 5”. [200/400] Illustrated 900 Eleven-Piece Collection of Iridescent Ruby Carnival Glass, fourth quarter 20th century, consisting of an “Iris”stamped garniture vase, a Fenton “Apple Tree” pitcher, a Fenton “Golden Harvest” decanter, a signed hand-painted baluster vase, a Fenton ruffle-edge “Butterfly and Tulips”patterned bowl, two Imperial footed leaf-patterned bonbon dishes, a small Northwood marigold “Acorn” condiments dish, a covered rooster, a Fenton “Butterfly” cabinet figure, and a Fenton “Butterfly” candle holder, the largest h. 12‑1/4”, dia. 6‑1/2”. [150/300] Illustrated 901 Twenty-Four-Piece Collection of Marigold Carnival Glass, third quarter 20th century, consisting of a fivepiece “Imperial Grape” punch service, a pair of like tumblers, a seven-piece “Grape and Cable” water set, six “Vintage” water goblets, a pair of “Floral and Grape” tumblers, a “Vineyard” tumbler, and a “Grape Arbor” tumbler, the largest h. 9‑1/2”, dia. 12”. [100/200]

900

109

904

902 Collection of Approximately Twenty-Nine Marigold Carnival Glass Items, late 20th century, including a small water pitcher, seven various tumblers, twelve cups, a square bowl, a circular bowl, three small goblets, three large goblets, and a toothpick holder, the largest h. 8”, dia. 8‑1/2”. [100/200] 903 Twenty-One-Piece Collection of Marigold Carnival Glass, second and third quarters 20th century, consisting of six miscellaneous punchbowl bases, six mugs, and nine tumblers of various design, the largest h. 7‑1/2”, dia. 7‑1/2”. [100/200] 904 Thirteen-Piece Collection of Marigold and Peach Opalescent Carnival Glass, second half 20th century, consisting of an Imperial “Vintage” decanter, an Imperial rose-patterned vase, a vase with a clear ruffle edge, a “Vintage” bowl with scalloped edge, a “Near Cut” covered box, a “Joe St. Clair 1971, St. Clair Glassworks Inc. Elwood-Ind” marigold small plate, a “Pony” ruffleedge bowl, an opalescent “Cherries” ruffle-edge bowl, an “Acorn” ruffle-edge bowl, a peach opalescent footed “Drapery” ruffle-edge bowl, another peach opalescent “Carolina Dogwood” bowl, and a miniature footed opalescent “Hobnail” vase, the largest h. 12”, dia. 5”. [150/300] Illustrated

905 Seven-Piece Collection of Amethyst and Marigold Carnival Glass, fourth quarter 20th century, consisting of a “Vintage” punchbowl, an Imperial “Near-Cut” center bowl, a deviled eggs tray, three “American Bicentennial” plates, and an Imperial “Pansy” tray, the largest h. 7”, dia. 12”. [100/200] 906 Twenty-Piece Collection of Iridescent Marigold Carnival Glass, first quarter 20th century and later, consisting of two “Golden Wedding” whiskey bottles, a pair of figural salt and pepper shakers, four piggy banks, a cowboy hat, a “1982 American Carnival Glass Association” souvenir hay-shaped vase, a small oval ribbed and handled dish, a circular ashtray, a “Cherry Chain” flare-edge bonbon dish, a “Butterfly and Berry” rimmed and tri-footed bowl, a “Basket”-patterned pitcher and ruffle-edge candy dish, a miniature nut dish, a small “Near-Cut” bowl and a tumbler, and a flower frog, the largest h. 8”. [100/200] 907 Thirty-Nine-Piece Collection of Vaseline Carnival Glass, fourth quarter 20th century, consisting of a fivepiece “Rose”-patterned water set, eight “Near-Cut” punch cups, six opalescent tumblers, seven miniature “Birds”patterned tumblers, a miniature pitcher, three miniature swan-handled tumblers, six miniature “Near-Cut” punch cups, a “Colgate Soap” advertisement washboard object, a figure of a unicorn, and an “Iris”-patterned tumbler, the largest h. 8‑1/2”. [100/200]

911

110

908 Fourteen-Piece Collection of Marigold and Amber Carnival Glass, fourth quarter 20th century, consisting of a twelve-piece amber punch service in “Fruit Salad” decor, an iridescent pale marigold Fenton “Poppy Show” rose bowl, and a “Vintage” marigold bowl with a nettled edge, the largest h. 10‑3/4”, dia. 10‑1/2”. [150/300]

909 Seventeen-Piece Collection of Various Iridescent Marigold Carnival Glass, first half 20th century and later, consisting of seven ribbed tall vases, a near pair of “Mary Ann” handled vases, a Northwood “Three Fruits” handled and footed condiment dish, a “Blackberry” hat dish, a “Carnival Holly” hay dish, a “Peacock Tail” ruffle-edge bonbon dish, a “Three Fruit” footed plate, a “Floral”-patterned two-arm candlestick, and a pair of “Panther” tri-footed bonbon dishes, the largest h. 10‑3/4”, dia. 3‑3/4”. [150/300] 910 Fifteen-Piece Collection of Various Iridescent Marigold Carnival Glass, third quarter 20th century, consisting of three “Blackberry” ruffle-edge condiment dishes, a basket, an “Orange Tree” tri-footed center bowl, a “Stag and Holly” tri-footed bowl, a “Dragon and Lotus” shallow bowl, a small “Kingfisher” ruffle-edge nut dish, a “Jack in the Pulpit” vase, a “Beauty” bud vase, and four tall vases, the largest h. 5‑3/4”, dia. 10‑1/2”. [150/300]

913 four-piece suite

911 Seventeen-Piece Collection of Vaseline and Opalescent Vaseline Carnival Glass, fourth quarter 20th century, consisting of a pair of “Iris” vases, two pitchers, a flare-edge basket, a Fenton “Frolicking Bears” hat-shaped vase, a “Good Luck” hatpin holder, a “Pony” plate, a small footed flare-edge “Inverted Strawberry” compote, a “Near-Cut” cuspidor, a swan-handled and lidded sauceboat, a handled “Chick”-patterned card tray, a “Butterfly” cabinet figure, a figure in the form of a Colonial lady holding a basket of fruit and a squirrel figure, and a rabbit-shaped covered jar, the largest h. 12‑1/4”, dia. 7”. [200/400] Illustrated 912 Sixteen-Piece Collection of Various Iridescent Marigold Carnival Glass, fourth quarter 20th century, consisting of an “Open Rose and Drape” ribbed and footed center bowl, a square “Acorn”-stamped covered and footed box, a circular ribbed and covered box, a rabbitform money jar, a “Fan and Diamond” “Near-Cut” cream pitcher, a “Coin-Dot”-stamped handled open sugar bowl, a tri-footed cream pitcher, a “Pansy” creamer and open sugar, a “Rose Show” creamer and open sugar, an “Orange Tree” handled dish, a tri-footed candy dish, a “Leaf and Beads” bowl, and a pair of leaf-stamped plates, the largest h. 4‑1/4”, dia. 11”. [125/250] 913 Four-Piece American Late Classical Revival Mahogany Four-Post Bed Set, early 20th century, comprised of an acanthus-carved four-post bedstead, h. 73”, inside w. 63”, l. 81‑1/2”, outside w. 65‑1/2”, l. 86”, a gentleman’s tall chest with mirror, h. 69”, w. 40”, d. 23”, a dressing bureau with mirror, h. 54”, w. 40”, d. 22”, and a low chest of drawers with mirror, h. 65”, w. 50”, d. 26‑1/2”. [1500/2500] Illustrated

913 four-piece suite

111

914 American Late Classical Revival Mahogany Settee, early 20th century, having a turned and scrolled back crest above a padded back and seat, the arm fronts with carved cornucopiae, raised on winged splayed legs ending in paw feet, h. 31‑1/2”, w. 74”, d. 24”. [400/700] Illustrated

914

915 American Classical-Style Giltwood Convex Mirror, early 20th century, the top crested with an eagle clenching olive branches, the circular molded frame featuring thirteen turned spheres along the inner rim, h. 24”, dia. 20”. [200/400]

917

919 917 American Late Classical Mahogany Dressing Bureau, second quarter 19th century, the top with a tilting mirror fitted to a wishbone harp, the base with a recessed section of two drawers above three long drawers, h. 68”, w. 39‑1/2”, d. 20‑1/2”. [300/500] Illustrated

916 American Late Classical Mahogany Center Table, second quarter 19th century, the decagonal top with flame mahogany inset veneers and bordered with a ribbonmolded ogee apron, supported by a central pedestal with three large scrolled and outstretched legs, h. 29”, dia. 36”. [150/300]

112

918 American Late Classical Revival Mahogany Banquet Table, fourth quarter 19th century, the square top with reeded edge and straight frieze apron mounted to a large turned and fluted pedestal and platform base, accompanied by three leaves, h. 29”, w. 54”, l. 54”, extended l. 90”. [300/500] 919 American Late Classical Mahogany Sideboard, second quarter 19th century, having a tall paneled backsplash with a central acanthus pilaster and spiraltwist pilasters on each end, the base with a pair of drawers above a central faceted panel flanked by Gothic-formed doors on each side, h. 42‑1/4”, w. 61‑1/2”, d. 20‑1/2”. [1000/1500] Illustrated

920 Suite of Ten George III-Style Mahogany Dining Chairs, second quarter 20th century, consisting of two armchairs and eight sidechairs, each with a serpentine crest over a pierced and urn-carved splat, above a padded seat, raised on tapering legs ending in claw feet, h. 40”, w. 18”, d. 18”. [400/700] Illustrated 921 Attractive American Late Classical Cherry Four-Post Bedstead, second quarter 19th century, having a paneled headboard with peaked crest and matching footboard, and an unupholstered tester frame, h. 26”, inside w. 49”, l. 73”, outside w. 55”, l. 79”. [500/800]

925 American Late Classical Parcel-Gilt Mahogany Wall Mirror, second quarter 19th century, the ogee-form frame with a gold-painted inner liner and outer edge, the central portion in flame mahogany veneer, h. 33”, w. 23”, d. 2”. [100/200] 926 Good American Late Classical Giltwood Tablet Mirror, second quarter 19th century, the upper section featuring a reverse-painted scene of a brick church and a mirror below, and flanked by turned and spiral-twist pilasters, h. 38”, w. 23”, d. 5”. [500/800] Illustrated

922 American Vernacular Figured Cherry Single-Drawer Work Table, second quarter 19th century, of Sheraton form, h. 29”, w. 20”, d. 20”. [150/300]

926

923

923 American Late Classical Cherry and Bird’s-Eye Maple Chest, second quarter 19th century, in the Sheraton taste, the rectangular top above a case fitted with a deep frieze drawer over three recessed long graduated drawers, flanked to either side by a paneled upright, raised on bulbous feet, h. 46”, w. 42‑3/4”, d. 23‑1/4”. [400/700] Illustrated 924 American Late Classical Mahogany Chamber Steps, second quarter 19th century, the framed top opening to a commode with a lower pull-out step below, raised on turned legs, h. 16”, w. 17‑1/2”, d. 16”. [150/300]

920

113

930 American Late Classical Mahogany Center Table, second quarter 19th century, the rectilinear top with rounded corners, supported by an acanthuscarved vasiform pedestal joined to four foliatecarved legs with carved paw feet, h. 30”, w. 50‑1/2”, d. 27‑1/2”. [200/400]

927 Suite of Four American Late Classical Revival Mahogany and Crotch Mahogany Dining Chairs, early 20th century, comprised of an armchair and three sidechairs, each with a molded crest rail, vasiform splat and sabre legs, h. 33‑1/2”, w. 19”, d. 15‑1/2”. [350/500]

928

928 American Late Classical Mahogany Armoire/ Dressing Bureau, second quarter 19th century, the rectangular mirror with a molded frame supported by carved racks mounted to a base with a variegated marble top above two short and three long drawers, flanked on each side by a long case fitted with a door, opening to reveal a bank of drawers, raised on a plinth base, h. 87”, w. 91”, d. 25”. [800/1200] Illustrated 929 American Late Classical Revival Mahogany Sofa, ca. 1900, of box form with acanthus-carved pilasters at the arm fronts ending in paw feet, covered in faux black leather, h. 33‑1/2”, w. 80”, d. 34‑1/4”. [500/800] Illustrated

931 Interesting Solid Mahogany Door Panel, late 20th century, the upper section featuring the American Eagle with the United States of America inscription, and the lower panel depicting a pelican for the State of Louisiana, h. 79‑3/4”, w. 35‑3/4”, d. 1‑1/2”. [500/800] Illustrated 932 American Late Classical Revival Mahogany Secretary Bookcase, ca. 1900, in two parts, the upper section with a scrolling broken-arch pediment with flame-carved finials, the mullion-glazed doors flanked by acanthus-carved pilasters, the base with a fold-out writing surface over a projecting drawer, with a pair of drawers below, the interior flanked by pineapple- and foliate-carved pilasters, h. 81”, w. 41”, d. 21”. [800/1200] Illustrated 929

114

933 Pair of American Late Classical Fancy Chairs, second quarter 19th century, each ebonized with gilt-stenciled decor, having caned seats and raised on turned legs, h. 32‑1/2”, w. 17”, d. 16‑1/2”. [50/80] 934 American Late Classical Maple and Cherry FourPost Bedstead, second quarter 19th century, having a paneled hookheadboard and turned and blocked posts with large turned finials, h. 61”, inside w. 50”, l. 72”, outside w. 60”, l. 82”. [600/900] 935 American Cottage Pine and Walnut Chest, third quarter 19th century, with a projecting drawer over three drawers flanked by turned columns, raised on Sheraton legs, h. 41”, w. 41‑3/4”, d. 19‑3/4”. [300/500]

932

931

936 American Late Classical Cherry Butler’s Desk, second quarter 19th century, the framed and raised paneled drawer opening to a fitted interior, the paneled doors below flanked by large scrolling columns, h. 43‑1/2”, w. 45”, d. 22”. [500/800] Illustrated

936

938

115

937 American Late Classical Revival Mahogany Pier Table, first quarter 20th century, the rectangular top over a cyma-molded apron fitted with a drawer, supported by scroll columns joined to a serpentine low shelf with scroll feet, h. 36”, w. 40”, d. 18”. [400/700] 938 Late Victorian Mahogany Bookcase, fourth quarter 19th/first quarter 20th century, the cushion-carved frieze flanked by a lion-masque carving on both sides above a case fitted with two glazed doors, raised on paw-carved feet, h. 61‑3/4”, w. 42”, d. 13‑1/2”. [500/800] Illustrated previous page 939 American Late Classical Mahogany Sofa, second quarter 19th century, the back with a molded crest rail, having scroll arms, a molded seat rail and foliate-carved paw feet, h. 32”, w. 90”, d. 23”. [300/500] 940 American Late Classical Mahogany Secretary Bookcase, second quarter 19th century, the upper case with glazed grillwork doors over a pair of drawers, the base with a fold-open writing deck above three long drawers flanked by carved and reeded columns, h. 72‑1/2”, w. 40‑1/2”, d. 18‑1/2”. [800/1200] Illustrated

940 941 American Late Classical Mahogany Sideboard, second quarter 19th century, having a pair of curvefronted drawers over a central bank of three drawers flanked by side cabinets and large acanthus-carved columns, raised on large paw feet, h. 45‑1/2”, w. 55‑1/2”, d. 22”. [800/1200] Illustrated 942 American Late Classical Revival Mahogany and Marble-Top Library Table, fourth quarter 19th century, the rectangular marble top with rounded corners, over a cushion-frieze fitted with a drawer on both sides, raised on serpentine legs joined by a shelf stretcher and ending in C-scroll feet, h. 30”, w. 60”, d. 36‑1/2”. [400/700] Illustrated

941

943 American Late Classical Mahogany Dresser, second quarter 19th century, the front fitted with a pair of ogee-form drawers above three long drawers, h. 45”, w. 43”, d. 20”. [300/500] 944 American Late Classical Mahogany Center Table, second quarter 19th century, the circular top mounted to a shaped pedestal and supported by a platform base with scrolled legs, h. 27‑3/4”, dia. 30”. [300/500] Illustrated 942

116

946 American Late Classical Mahogany and Marble-Top Center Table, second quarter 19th century, the shaped rectangular Carrara marble top above a conforming annulated frieze, raised on lyre-form end supports joined by an undulating pyramid-centered stretcher and ending in in-scrolled toes on casters, h. 29”, w. 37”, d. 20‑1/4”. [300/500] 947 American Late Classical Mahogany Secretary Bookcase, second quarter 19th century, the top with a flared cornice molding above a pair of glazed and mullioned doors, the base with a fold-open writing surface above three long drawers, h. 85”, w. 49”, d. 21”. [700/1000] Illustrated 948 George Rodrigue (American/Louisiana, b. 1944) “Cajun Band in a Landscape”, oil on canvas, painted 1971, signed lower left “Rodrigue”, 30” x 30”. Presented in a molded giltwood frame. [20000/40000] Illustrated

948 945 American Late Classical Revival-Style Mahogany Armchair and Rocker, first quarter 20th century, each with a molded crest over a vasiform splat, joined to the cushioned seat by downswept arms, raised on tapering legs ending in claw feet, h. 35”, w. 25‑1/4”, d. 24”. [300/500]

944

947

117

955 Tiffany and Company Sterling Silver Platter, New York City, of circular form with a “Chippendale” rim, dia. 13”, 27.95 t. oz. [1500/2500] Illustrated 956 Towle Sterling Silver Coffeepot, first quarter 20th century, Newburyport, Massachusetts, in the “Turkish” style, with a gadrooned base, h. 8‑1/2”, w. 3‑1/2”, l. 7”, 10.05 t. oz. [500/800] Illustrated 957 Gorham Sterling Silver Coffeepot, first quarter 20th century, Providence, Rhode Island, in the “Turkish” style, serpentinelobed, h. 9‑1/2”, dia. 4”, 15.00 t.oz. [700/1000] Illustrated 958 Tiffany and Company Sterling Silver One and One-Half Pint Pitcher, ca. 1942‑1945, New York City, in the colonial style, h. 9”, dia. 4”, 20.75 t. oz. [1500/2500] Illustrated 949 949 George Rodrigue (American/Louisiana, b. 1944) “Coulee Landscape with a Shack and a Pirogue”, oil on canvas, signed and dated lower left “Rodrigue ‘70”, 30” x 36”. Presented in an ebonized and gilt-stenciled frame. [18000/25000] Illustrated

959 American Sterling Silver Serving Tongs, dated 1847 and later 1872, by George B. Sharp, Philadelphia, Pennsylvania, with Neo-Grec claw bowls, l. 8‑1/2”, 2.85 t. oz. [200/400] Illustrated

950 George Rodrigue (American/Louisiana b. 1944) “Landscape”, oil on canvas, signed lower left “Rodrigue”, 12” x 14”. Presented in a Beaux Arts-style giltwood and gesso frame. [12000/18000] Illustrated 951 Tiffany and Co. Sterling Silver Christening Cup, fourth quarter 19th century, the pattern introduced in 1887, New York City, h. 3”, dia. 3”, 5.00 t. oz. [300/500] Illustrated 952 Tiffany and Co. Sterling Silver Tumbler, third quarter 20th century, New York City, h. 3”, dia. 2‑1/2”, 3.40 t. oz. [150/300] Illustrated 953 Unusual Tiffany and Co. Sterling Silver Collapsible Travel Beaker, third quarter 19th century, by John Chandler Moore and Co., New York City, h. 4‑1/4”, dia. 3”, 6.45 t. oz. [300/500] Illustrated 954 Tiffany and Co. Sterling Silver Christening Cup, dated 1877, New York City, h. 3”, dia. 2‑1/2”, 3.95 t. oz. [200/400] Illustrated 950

118

960 George III Sterling Silver Asparagus Tongs, hallmarked London, 1794‑1795, by Smith and Fears, l. 9‑1/2”, 4.60 t. oz. [250/400] Illustrated

983

951

954 952

961 Dutch Second Standard (.833) Silver Salad Serving Tongs, hallmarked 1839, Den Bosch, by Bernardus Gillis’ widow, l. 11‑1/2”, 4.80 t. oz. [250/400] Illustrated

955

962 Towle “Georgian” Sterling Silver Ice Tongs, the pattern introduced in 1909, Newburyport, Massachusetts, l. 7”, 3.30 t. oz. [200/400] Illustrated

957

956

958

961

959

960

962

964 963

963 Two American Lobed Sterling Silver Bowls, mid‑20th century, including a Richard Dimes “Dublin”-style circular example, monogrammed “DEL”, dia. 9”, and a Wallace Silversmiths oval example, monogrammed “LLC”, l. 10‑3/4”, 29.45 total t. oz. [100/200] Illustrated

964 Mexican Sterling Silver Platter, third quarter 20th century, by the Silver Factory Real, in the colonial taste, dia. 12‑1/2”, 19.40 t. oz. [300/500] Illustrated 965 Pair of American Three-Light Silverplate Candelabra, third quarter 20th century, by the English Silver Manufacturing Corp., Brooklyn, New York, having tapering standards and gadrooned banding, h. 19”, w. 15”, dia. 5‑1/2”. [300/500]

119

968

969 Pair of American Cast-Brass and Marble Girandoles, mid‑19th century, each depicting a maiden standing in front of a tree fitted with glass prisms and mounted to a marble base, h. 18‑1/2”, w. 6”, d. 3‑3/4”. [100/200] 970 Three-Piece American Rococo Revival Walnut Parlor Group, late 19th century, comprised of a settee and a pair of bustle chairs, the chairs of corseted-back form with a foliate-carved crest, low arms and cabriole legs joined by a serpentine apron, the settee in matching upholstery with a foliate- and floral-carved crest, serpentine front seat rail and cabriole legs, h. 34”, w. 61”, d. 23‑1/2”. [500/800] 971 Four-Piece Group of American Gilt-Brass and Prism Girandoles, mid‑19th century, comprised of a pair of “Girl and Boy” single-light examples and a pair of “Sultana”pattern three-light models, the largest pair h. 18”, w. 15”, d. 4‑1/4”. [300/500]

973

966 Seven Pieces of American Sterling Silver Tableware, mid‑20th century, including two compotes, one by the Matthews Co. with egg-and-dart rim, h. 6”, dia. 5‑7/8”, and one in International Silver’s “Queen’s Lace” pattern, h. 6”, dia. 6‑3/4”; three bud vases, one by the Elgin Silversmiths Co. with wavy rim, h. 10”, one in International Silver’s “Prelude” pattern, h. 8‑1/8”, and one by the Supreme Silver Co. of rounded square section, h. 6‑1/8”; and a pair of Empire Silver Co. baluster-form candlesticks, h. 7‑1/2”; all weighted. [100/200]

967 Assembled Twenty-One-Piece Set of American Sterling Silver Stemware, mid‑20th century, including four Wallace water goblets, six Newport wine goblets, five Empire cordials, and six unmarked sherbet cups, the largest h. 7”, dia. 4”. [200/400] 968 American Rococo Revival Walnut and MarbleTop Etagere, third quarter 19th century, having an elaborate pierced and carved crest above a large central mirror flanked by open shelves and mounted to a base with a white marble deck, h. 93”, w. 51‑1/2”, d. 17”. [1200/1800] Illustrated

120

972

972 Large American Rococo Revival Rosewood and Marble-Top Center Table, third quarter 19th century, probably Baltimore, having a tortoise-form top with conforming white marble, above a shaped frame with large carved drop finials and supported by a central turned, fluted and reeded pedestal, h. 30”, w. 50”, d. 24”. [2000/4000] Illustrated

978

973 Imposing American Brass Fifteen-Light Chandelier, first quarter 20th century, in the Louis XIV taste, modeled as alternating large bust-capped foliate arms and plain paired arms, the longer arms fitted with vasiform frosted glass shades with gauffered rims, the paired arms fitted with leaf-etched glass shades of bell form (one lacking), h. 40”, dia. 36”. [6000/9000] Illustrated 974 American Carved Walnut and Tufted Bergere, 20th century, of Louis XV inspiration, the pierced musical instrument-carved crest above a shaped, tufted back with oval pierced dragon reserves, upholstered in celadon brocade, h. 42”. [100/200]

976

975 American Rococo Revival Rosewood Parlor Grand Piano, third quarter 19th century, the keyboard stenciled “Hallet Davis & Co. Boston”, h. 38”, w. 38”, l. 75”. [500/800] Illustrated 976 Three-Piece Cast-Brass and Prism-Hung Girandole Set, third quarter 19th century, comprising a central three-arm girandole featuring a standing figure and a smaller pair of single-arm examples, each depicting a seated figure reading a book, h. 18”, w. 18”, d. 5”. [200/400] Illustrated

977 American Rococo Revival FauxRosewood Slipper Chair, mid‑19th century, the pierced and carved back supported by spiral-twist posts, raised on similarly turned legs, h. 45‑1/2”, w. 18‑1/2”, d. 18”. [150/300] 978 Pair of American Rococo Revival Laminated Rosewood Sidechairs, third quarter 19th century, attributed to John Henry Belter, New York, each having an applied floral-carved crest above a padded and tufted back with a pierced and floral-carved surround, h. 37”, w. 19‑1/2”, d. 18‑1/2”. [2500/4000] Illustrated 975

121

979 Large Rococo-Style Carved Mahogany Cheval Mirror, the gadroon-carved frame with an elaborate crest and mounted between a pair of turned and carved standards ending in a base with fruit-carved knees and ball-and-claw feet, h. 81”, w. 35”. [400/700] Illustrated

981 American Rococo Revival Looking Glass, third quarter 19th century, the crest with scrolls and floral motifs and a large central shell, the surface in a later gold paint, h. 57”, w. 28”, d. 3”. [200/400]

979

982

987

989

980 American Rococo-Style Mahogany Parlor Suite, late 20th century, consisting of a cameo-back settee, h. 42”, w. 68”, d. 30”, a gentleman’s armchair and a lady’s armchair, each with floral-carved crests and diamondtufted maroon velvet upholstery. [500/800]

122

983 Suite of Four Continental Rococo Revival Sidechairs, fourth quarter 19th century, each with a serpentine carved and pierced crest over a like splat, above a padded seat, raised on cabriole legs ending in pad feet, h. 35‑3/4”, w. 17‑1/2”, d. 16‑1/2”. [400/700] 984 American Rococo Revival Rosewood Armchair, third quarter 19th century, the oval back with a foliate-carved crest and molded frame, raised on cabriole legs and upholstered in dark green velvet, h. 45‑1/2”, w. 26”, d. 24”. [100/200]

985 eleven-piece suite

985 Fine Eleven-Piece American Circassian Walnut Dining Set, early 20th century, in the Louis XV taste, probably manufactured by the Berkey and Gay Furniture Co. of Grand Rapids, Michigan, consisting of an expansive dining table, h. 30”, w. 46‑1/2”, l. 71”, with banded top and four skirted leaves, two armchairs, h. 48”, w. 25”, d. 20”, six sidechairs, h. 39‑1/2”, w. 22‑1/2”, d. 19”, a long sideboard, h. 38”, w. 89”, d. 25‑1/4”, and a server, h. 34‑1/2”, w. 55‑1/2”, d. 20‑1/4”. [5000/8000] Illustrated

985 eleven-piece suite

986 American Rococo Revival Mahogany Settee, third quarter 19th century, the central arch with a floral-carved crest above a diamond-tufted and padded back, upholstered in light pink velvet, h. 33‑1/2”, w. 52‑1/4”, d. 27”. [200/400] 987 American Rococo Revival Mahogany and Marble-Top Washstand, third quarter 19th century, having a shaped white marble top above a serpentine top drawer with two long drawers below, h. 28”, w. 19”, d. 36”. [500/800] Illustrated

982 Large Rococo Revival Cast-Brass Six-Arm Gasolier, third quarter 19th century, each arm in the form of winged ladies, the central shaft surmounted by three cupids, the arms later electrified, h. 54”, dia. 27”. [3000/5000] Illustrated

988 American Rococo Revival Walnut Settee, late 19th century, the padded and shaped back within a molded frame and joined by downswept arms to the padded seat, raised on molded cabriole legs, h. 34‑1/2”, w. 66”, d. 17”. [300/500] 989 American Rococo Revival Faux-Rosewood and Marble-Top Oval Center Table, third quarter 19th century, the form generally associated with Thomas Brooks of New York, having a deeply molded oval frame supported by a central turned pedestal surrounded by four heavily carved outstretched legs, h. 30”, w. 36”, d. 35”. [700/1000] Illustrated

123

993

1002

999 994

124

990 American Rococo Revival Walnut and MarbleTop Washstand, third quarter 19th century, having a serpentine white marble top above a single long drawer and a pair of cabinets below, h. 31”, w. 35‑1/2”, d. 18”. [200/400] 991 American Elizabethan Revival Walnut Occasional Chair, third quarter 19th century, the back with a grapeand leaf-carved crest over a splat contained by a foliatecarved roundel, on twist-turned stiles, with bowed seat and turned legs, h. 34”, w. 14‑1/2”, d. 11‑1/2”. [100/200]

994 Persian Heriz Carpet, 6’ 9” x 9’ 2”. [1200/1800] Illustrated 995 Kilim Carpet, 8’ 6” x 11’ 2”. [150/300] 996 Semi-Antique Heriz Carpet, 11’ x 14’ 3”. [200/400]

992 Tapestry Panel with Rod, 4’ 7” x 6’ 7”. [400/700]

997 Persian Lilihan Runner, 3’ 4” x 13’ 9”. [350/500]

993 Large Franco-Belgian Tapestry With Rod, first quarter 20th century, depicting villagers waiting at a palace balcony, h. 110”, w. 72”. [800/1200] Illustrated

998 Pair of Uzbek Kazak Runners, 2’ 4” x 6’ 9” and 2’ 4” x 6’ 8”. [400/700] 999 Turkish Angora Oushak Carpet, 8’ 3” x 10’. [1500/2500] Illustrated 1000 Kilim Carpet, 4’ 10” x 9’ 6”. [150/300] 1001 Peshawar Runner, 2’ 9” x 12’ 9”. [400/700] 1002 Aubusson-Style Needlepoint Carpet, 8’ x 10’ 5”. [500/800] Illustrated 1003 Rajasthan Sultanabad Carpet, 5’ 10” x 8’ 9”. [500/800] 1004 Persian Mahal Runner, 3’ 4” x 12’ 10”. [150/300] 1005 Hamadan Carpet, 9’ x 12’. [500/800] Illustrated 1006 Jaipur Carpet, 7’ 11” x 9’ 11”. [600/900] 1007 Persian Belouchistan Carpet, 5’ 9” x 7’ 7”. [250/400]

1005

125

1014 Louisiana School (Mid‑20th Century) “Pirate’s Alley”, oil on board, signed and dated lower right “G. Grarrblatt ‘66”, signed, titled and dated verso, 12” x 30”. Framed. [150/300] 1015 Octavia Gayden Tullis (American/ Louisiana, 20th Century) “Magnolia Flower”, watercolor on paper, signed lower left “Octavia Gayden Tullis”, sight 19‑1/2” x 15”. Glazed, double-matted and presented in a pickled hardwood frame. [400/700] 1016 American Vernacular Natural and Painted Pine Farmhouse Table, comprised of old elements, the rectangular pine top with bread-board ends and raised on large painted block-and-turned legs, h. 30‑1/2”, w. 34‑1/2”, l. 89”. [500/800] Illustrated

1008 1008 James Michalopoulos (American/New Orleans, b. 1951) “Stoned Smote”, oil on canvas, signed lower left “Michalopoulos”, titled stretcher verso, 29” x 39‑1/2”. Presented in a silvered frame. [3000/5000] Illustrated 1009 James Michalopoulos (American/New Orleans, b. 1951) “Dumba Amarilla”, oil on canvas, titled verso, signed lower left “Michalopoulos”. Presented in a stained pine frame, h. 31‑1/2”, w. 31‑1/2”. [2000/4000] Illustrated

1017 Group of Five Early American Stoneware Crocks, including a large cylindrical-form storage crock with handles, a bowl with a pour spout, a bottle impressed “T. Sheridan”, a small open storage crock with handles, and a Hamilton and Jones stenciled crock, the largest h. 10”, dia. 11”. [300/500]

1010 Frank Milby (American, 20th Century) “French Quarter Winter Street Scene”, oil on academy board, signed lower left “Milby”, 20” x 24”. Presented in a molded frame. [700/1000] Illustrated 1011 Southern School (Fourth Quarter 20th/First Quarter 21st Century) “Balconies of an Antebellum Home”, oil on canvas, signed lower right “T. T. Lang”, 30” x 40”. Framed. [300/500] 1012 William Tolliver (American/Mississippi, Louisiana, 1951‑2000) “Deborah”, serigraph in colors, signed in pencil lower right, titled lower center, numbered lower left “104/350”, sheet size 46” x 36‑1/2”. Unframed. [1000/1500] Illustrated 1013 Southern School (Second Quarter 20th Century) “Interior Scene with Two Women Peeling Potatoes”, pastel on artist’s board, unsigned, 20” x 24”. Presented in a period polychromed wood frame. [1500/2500] Illustrated

1009

126

1018 Shelby West (b. 1978) Alkaline-Glazed TwoHandled Stoneware Churn, Crawford County, Georgia, signed on the underside, h. 16”, dia. 7‑1/2”. [100/200]

1010

1012 1019 Jerry Brown, Hamilton, Alabama, Double-Face Stoneware Jug, the bottom signed, numbered and dated “8‑2001, #18”, h. 21”, w. 13”, d. 12”. [200/400] 1020 Stephen Wisecarver (Wihoa’s Pottery) Carved and Glazed Stoneware Crock, featuring “The Covered Bridge”, the bottom signed, numbered “#996” and dated “6/5/84”, h. 17”, dia. 7”. [100/200] 1013 1021 Twenty-One-Piece Group of Early American Treenware and Wrought-Iron Utensils, comprised of five wooden bowls, a galleried wooden tray, an assortment of iron and wooden kitchen utensils, and a group of three wooden butter molds, the largest h. 4”, w. 12”, d. 16”. [200/400]

1016

1022 Harlequin Suite of Five Mixed Woods Pilgrim Chairs, mid‑19th century, each with a shaped back and plank seat with through-mortised legs, h. 34”, w. 17‑1/4”, d. 15”. [300/500]

127

1030 Interesting Cypress Stump Six-Bottle Wine Rack, h. 12”, w. 16”, l. 19”. [100/200]

1028

1036

1038 1037

1023 Vernacular American Faux-Bois and Pine Jelly Cupboard, second quarter 19th century, Pennsylvania, the face retaining its period faux-bird’s-eye maple and banded maple decoration, the case with a single drawer over a pair of paneled doors, raised on bracket feet, h. 43”, w. 43‑1/4”, d. 18‑3/8”. [300/500] 1024 Collection of Five Alabama and Georgia Stoneware Crockery Items, late 19th century, including a large Albany slip-glazed five-gallon churn and four various-sized jugs, the largest h. 17”, dia. 10”. [200/400]

1031 Pair of American Hickory Ladderback Sidechairs, mid‑19th century, each with a four-slat back with the top slat mortised and pegged into the turned back posts, the legs joined by turned stretchers, the seats in old rush, h. 38”. [100/200]

1032 Early American Polychromed Bench, early 19th century, of Sheraton form, Pennsylvania, the scalloped crest rail decorated with fruit, flowers and birds, the back with spindle supports below a central splat, the broad plank seat raised on eight turned legs joined by stretchers, h. 34‑1/2”, w. 73”, d. 26”. [200/400] 1033 American Vernacular Pine Slant-Lid Desk Top, mid‑19th century, the interior fitted with cubbyholes, h. 10‑1/2”, w. 28‑3/4”, d. 19‑1/2”. [50/80]

1025 Four-Gallon Stoneware Pottery Butter Churn and Dasher, early 20th century, the shoulder decorated with blue lines and stenciled “L. L. Pottery, 4, Amory, Miss”, h. 16”, w. 10”. [20/40]

1034 American Vernacular Pine Work Table, the turtleshaped top over a frieze drawer, raised on spindled legs joined by a turned stretcher and ending in plinth feet, h. 27‑1/2”, w. 28”, d. 18”. [75/125]

1026 American Vernacular Mahogany Work Table, second quarter 19th century, the rectangular top above a case fitted with two drawers, raised on turned and tapering circular legs ending in ball feet, h. 28”, w. 19‑1/2”, d. 15‑1/2”. [150/300]

1035 Southern Vernacular Cypress and Mixed Woods Plantation Desk, fourth quarter 19th century, consisting of an open bookshelf mounted to the work table with turned legs, the bookshelf crest and the table drawer with interlocking scroll- and star-incised carving, h. 78‑1/2”, w. 35‑1/4”, d. 27”. [300/500]

1027 Group of Three Carved and Polychromed Wooden Duck Decoys, second quarter 20th century, the largest h. 6‑1/2”, w. 5”, l. 15”. [300/500] 1028 Early American Brass- and SteelMounted Tiger Maple Long Rifle, second quarter 19th century, probably Kentucky, l. 52”. [300/500] Illustrated 1029 Large Cypress Work Table, fourth quarter 19th century, reputedly from the New Orleans Cotton Exchange, having four large cabriole legs along each side with deep aprons and scalloped trim, h. 32‑1/4”, w. 12‑1/4”, l. 43‑1/4”. [1500/2500] Illustrated

128

1029

1044 1043

1044 Large Hand-Thrown Clay Storage Pot, bound in leather straps and mounted to an iron stand, the body of the pot decorated with faces and flowers, h. 20‑1/2”, dia. 17”. [200/400] Illustrated 1045 Large Hand-Thrown Clay Storage Crock, early 20th century, possibly Native American, h. 16”, dia. 6‑1/2”. [150/300] 1046 Carved and Decorated Pottery Two-Handled Storage Crock, late 20th century, in the Native American style, h. 15”, dia. 11”. [100/200]

1036 Stamped and Molded Metal Toy Panel Delivery Truck, marked “Made in USA, Pat’d Nov 1‑21”, retains its original paint, h. 6‑1/4”, w. 4‑1/2”, l. 11‑1/2”. [500/800] Illustrated 1037 Stamped and Rolled Metal Child’s Toy Airplane, second quarter 20th century, with a single front propeller and overhead wing, h. 7”, w. 22‑1/2”, d. 22”. [400/700] Illustrated 1038 Antique Patchwork Stuffed Toy Dog on Wheels, late 19th century, h. 9”, w. 4‑1/4”, l. 11‑3/4”. [100/200] Illustrated 1039 American Vernacular Cherry Two-Drawer Work Table, second quarter 19th century, of Sheraton form, h. 30”, w. 22‑1/2”, d. 17‑1/4”. [150/300]

1047 Two Small Pre-Columbian Terra Cotta Bowls, 1000 B.C.‑1500 A.D., one undecorated with three knobform legs, with repaired breaks on the wall, h. 3‑1/4”, dia. 3‑1/4”, and the other of spherical form and decorated with red and black paint, with flared rim and three applied bird forms around the circumference with the tails acting as legs for the vessel, possibly Costa Rican, h. 2‑1/8”, dia. 3‑1/4”. [40/70] 1048 American Sterling Silver Fruit Bowl, first quarter 20th century, by Roger Williams Silver Company, Providence, Rhode Island, with everted rim and repousse and reticulated floral decoration, h. 8‑1/2”, dia. 11”, 36.60 t. oz. [1800/2500] Illustrated

1040 Vernacular American Cypress Double-Door Armoire, ca. 1900, each door with a trio of raised beveled panels, over a pair of deep drawers, with a bead-board back, h. 87‑1/4”, w. 49”, d. 19‑1/2”. [300/500] 1041 Unusual Carved and Polychrome-Glazed Red Ware Storage Jar, second quarter 20th century, the body featuring stylized sunflowers and geometric motifs of Arts and Crafts influence, h. 7”, dia. 3”. [100/200] 1042 Large Ceramic Bust of a Native American, late 20th century, the figure depicted with braids and two head feathers, the whole with multicolored swirled striations, h. 21”, w. 13”, d. 7”. [200/400]

1048

1043 Large Hand-Thrown Clay Pot, possibly of Native American origin, with leather-bound straps and mounted to an iron trifid stand, h. 20‑1/2”, dia. 20”. [200/400] Illustrated

129

1049

1053 Ninety-Four-Piece Collection of Silver Flatware, consisting of a ninety-one-piece set of International Sterling “Spring Glory” flatware, the pattern introduced in 1942, Meriden, Connecticut, comprised of twelve soup spoons, twelve dinner forks, twelve iced tea spoons, twelve teaspoons, twelve salad forks, twelve seafood/cocktail forks, twelve dinner knives with stainless “modern”shaped blades, six tablespoons and a sugar spoon; along with three silverplate place/serving forks, one with a sterling handle; the largest l. 8”, 19.75 total t. oz. [800/1200]

1054 Gorham Sterling Silver Bread Tray, first quarter 20th century, Providence, Rhode Island, of oval form with reticulated lattice and rococo-scroll rim, h. 2‑1/2”, w. 8”, l. 12”, 15.65 t. oz. [800/1200] Illustrated 1052

1055 Gorham Sterling Silver Center Bowl, first quarter 20th century, Providence, Rhode Island, of oval form, with reticulated rim and gadrooned base, h. 4”, w. 12”, d. 8”, 19.40 t. oz. [1200/1800] Illustrated 1056 American Sterling Silver Flower Basket, first quarter 20th century, with reticulated rim and swing handle, h. 11‑1/2”, w. 9”, d. 6, 9.95 t. oz. [500/800] Illustrated

1050

1051

1049 Pair of American Sterling Silver Berry Dishes, ca. 1903, by Dominick and Haff, New York City, with wellcast openwork “cherry blossom” rim, retailed by Spaulding and Company, Chicago, Illinois, h. 1‑1/2”, dia. 8”, 34.20 total t. oz. [1800/2500] Illustrated 1050 Reed and Barton “Francis I” Sterling Silver Sugar Spoon, the pattern introduced in 1907, Taunton, Massachusetts, l. 6”, 1.30 t. oz. [60/90] Illustrated 1051 Reed and Barton “Francis I” Sterling Silver Cold Meat Fork, the pattern introduced in 1907, Taunton, Massachusetts, l. 8”, 2.70 t. oz. [250/400] Illustrated 1052 Reed and Barton “Francis I” Sterling Silver Sauce Ladle, the pattern introduced in 1907, Taunton, Massachusetts, l. 7”, 2.50 t. oz. [100/200] Illustrated

130

1057 American Sterling Silver Cake Basket, first quarter 20th century, by Frank W. Smith, Gardner, Massachusetts, with reticulated side, C-scroll border and swing handle, h. 8”, w. 9‑1/2”, d. 8”, 14.75 t. oz. [700/1000] Illustrated 1058 Twelve Pieces of Miscellaneous American Sterling Silver Tableware, first half 20th century, including a Webster Co. reticulated swing-handle ashtray/coaster caddy dated 1918, w. 5”, a Webster Co. oval sauceboaton-stand in the Colonial taste, l. 8‑1/2”, a Gorham Corp. reticulated heart-shaped bonbon dish, l. 5”, a set of eight Gorham Corp. reticulated rococo-style nut dishes, l. 3‑3/4”, and an unmarked covered butter dish with gadroon-and-acanthus rim, lobed cover and glass liner, l. 7‑1/2”, 22.12 total t. oz. (excluding liner). [100/200]

1054 1055

1061 Reed and Barton “Francis I” Sterling Silver Dish, the pattern introduced in 1907, Taunton, Massachusetts, this item with date code 1948, h. 2”, dia. 8”, 9.55 t. oz. [500/800] Illustrated

1056

1057

1062 Group of Three Silver Items, consisting of an American coin (.900) silver footed bowl, third quarter 19th century, by William Adam (1802‑1861), New York City; an English silverplate waiter in the Regency taste; and an American silverplate wine cooler, also in the Regency taste, mid‑20th century; the largest h. 9”, dia. 7‑1/2”. [300/500] Illustrated

1063 After John James Audubon (American, 1785‑1851) “Brown Pelican”, facsimile print from the Princeton edition of Birds of America, sight 37” x 26”. Glazed and presented in an attractive giltwood and gesso frame. [450/700] Illustrated

1062

1063 1059 Pair of American Sterling Silver Three-Light Candelabra, mid‑20th century, by Fisher Silversmiths, Jersey City, New Jersey, having tapering standards, gadrooned banding and inverted bell-shaped nozzles, h. 14‑1/2”, w. 14‑1/4”, dia. 4‑1/2”, 71.35 total t. oz. [200/400]

1060

1061

1060 Reed and Barton “Francis I” Sterling Silver Bread Tray, the pattern introduced in 1907, Taunton, Massachusetts, h. 1‑1/2”, l. 12”, 13.80 t. oz. [700/1000] Illustrated

131

1064 After John James Audubon (American, 1785‑1851) “Long-Tailed Duck”, hand-colored engraving with aquatint by R. Havell, Plate CCCXII from Birds of America, London, 1827‑1838, sight 24‑1/2” x 34‑1/2”. Glazed, double-matted and presented in a burlwood frame. [1500/2500] Illustrated 1065 Ervin LeBlanc (American/Louisiana, 20th/21st Century) “Bird Studies”, pair of watercolors on paper, both signed lower right “Ervin LeBlanc”, sight 5” x 3”. Both glazed, matted and presented in hardwood frames. [20/40] 1066 After Francois Levaillant (French, 1767‑1809) “Many-Coloured Parakeet” and “Variety of the Many-Coloured Parakeet”, pair of hand-enhanced facsimile prints, sight 19” x 13”. Both glazed, attractively double-matted and presented in giltwood frames. [450/700] Illustrated 1064

1070 Large Taxidermy-Mounted Eight-Point Whitetail Deer Head, h. 33”, w. 18”, d. 23”. [150/300] 1071 Taxidermy Shoulder-Mounted Asian “White” Fallow Buck, h. 35”, w. 23”, d. 21”. The “white” fallow deer ranges in color from a solid white to a light spotted white and brown. [100/200] 1072 Very Large Taxidermy Shoulder-Mounted Ten-Point Whitetail Buck, h. 49”, w. 18”, d. 19‑1/2”. [100/200] Illustrated

1066 1067 Rare Asian Sambar Deer Antlers, on a skull cap, mounted on a shield-form wall plaque, h. 25‑1/2”, w. 14‑1/2”, d. 15‑1/2”. [50/80] 1068 African Puku Antelope Horns, with skull cap, mounted on an oval hardwood wall plaque, h. 11”, w. 12”, d. 12”. [30/50] 1069 Taxidermy Shoulder-Mounted Asian “Black” Fallow Buck, h. 33”, w. 16”, d. 20”. The “black” fallow deer ranges in color from a dark chocolate brown to a spotted brown. [200/400]

132

1072

1073 Taxidermy Shoulder-Mounted Trophy Whitetail Deer, with a nine-point rack and a 25‑3/4” spread, h. 40”, w. 25‑1/2”, d. 16‑1/2”. [150/300]

1086 1087

1074 Taxidermy Shoulder-Mounted Male Pronghorn Antelope, from Arizona, h. 32”, w. 10”, d. 15”. [100/200] 1075 Taxidermy Shoulder-Mounted Large Mouflan Ram, from Texas, h. 24‑1/2”, w. 15‑1/2”, d. 13”. [100/200] Illustrated 1076 Eleven-Point Bull Elk Antlers, with skull cap mounted on a shield-form wall plaque, h. 43”, w. 37”, d. 15‑1/2”. [50/80]

1084

1077 Symmetrical Ten-Point Whitetail Deer Rack, retaining its registered deer tag, h. 15”, w. 16”, d. 11‑1/2”. [40/70] 1078 Collection of Whitetail Deer Antlers, presented in an Antique Remington Arms wooden cartridge box, h. 12”, w. 12‑1/2”, l. 18‑1/2”. [50/80] 1085 1079 Two Taxidermy-Mounted Skull Cap Antelope Horns, one an African Duiker antelope, h. 7”, w. 5”; and the other an African Steenbok antelope, h. 12”, w. 7”; each mounted to a wooden wall plaque. The Duiker antelope is the smallest antelope in Africa. [30/50]

1081 Native American Ojibway Bow and Four Arrows, the buckskin-wrapped bow adorned with trade beads and feathers and a sinew flemish bow string, l. 68”, the quiver of buffalo hair-on-hide with tanned tassels and soft leather strap, l. 23”; the arrows with flint bird tip arrowheads attached with sinew and resin, and turkey feather flights, l. 32”. [200/400]

1080 Suite of Three Hand-Woven Tribal Baskets, consisting of a vintage African string bowl, a large Yanomamo Indian gathering basket and a Heminaku Indian banana leaf platter basket, all from the Amazon rain forest, the largest dia. 19‑1/2”. [20/40]

1082 Large African Coiled and Dyed Wedding Basket, Kenyan, of Navaho Indian design, dia. 23‑1/2”. [40/70] 1083 Taxidermy Wall-Mounted Bufflehead Duck, presented on a cut log, h. 13”, w. 6”. [40/70] 1084 Taxidermy-Mounted Specimen of a Mallard Drake in Flight, h. 28”, w. 21”, d. 12”. [100/200] Illustrated 1085 Taxidermy-Mounted Duck in Flight, the backboard in the form of a driftwood plaque, h. 26‑1/4”, w. 20”, d. 13‑1/2”. [100/200] Illustrated

1075

1086 Two Taxidermy-Mounted Pheasants, one example depicted in flight and mounted to a shield-form plaque, and the other bird with wings spread in a fighting posture, the largest h. 21”, w. 22”, d. 15”. [100/200] Illustrated

133

1089 Monumental American Renaissance Revival Walnut Armoire, third quarter 19th century, the top with a broken-arch crest featuring a central cartouche in the form of a castle, the front with a pair of beveled mirrored doors flanked by large columns, the base fitted with two drawers, h. 116”, w. 65”, d. 31”. [2000/4000] Illustrated

1089

1090 American Renaissance Revival Walnut and MarbleTop Dresser, third quarter 19th century, the mirror with a reeded frame and carved crest above a base with a rouge marble top and three long drawers, h. 80”, w. 43‑1/2”, d. 20”. [300/500] 1091 American Renaissance Revival Walnut and MarbleTop Washstand, third quarter 19th century, the rouge marble top with a backsplash, the case having drawers with burled panels across the front, h. 35”, w. 30‑1/4”, d. 16”. [250/400]

1096

1087 Taxidermy-Mounted Specimen of an Alert Ringneck Rooster Pheasant, h. 16‑1/2”, w. 7‑1/2”, d. 28”. [100/200] Illustrated previous page 1088 Large Taxidermy-Mounted Sailfish, h. 29”, w. 81”, d. 5”. [300/500]

1094

1092 Impressive Pair of American Renaissance Revival Walnut and Parcel-Gilt Frames, of large scale, each with a deeply molded shadowbox frame and an oval aperture, h. 40”, w. 34”, d. 5”. [500/800]

134

1101

1093 Near Pair of American Renaissance Revival Stained Mahogany and Marble-Top Side Tables, third quarter 19th century, each with an oval dove gray marble top over a molded skirt, raised on serpentine legs centered by a turned finial and ending in carved feet, h. 28‑1/2”, w. 24”, d. 18‑1/2”. [200/400] 1094 American Renaissance Revival Burled Walnut and Walnut Three-Piece Parlor Suite, third quarter 19th century, comprised of a sofa, a gentleman’s armchair and a lady’s chair, the sofa of tripartite form, the back with a center section with a carved crest centered by an ovoid burl panel, with raised burlwood panels framing the cushion, flanked by a pair of chairback ends, the shaped and burled column separating the back cushions capped by a carved Columbia head, the open arms terminating in caryatids in the form of a maiden with headdress, with a serpentine seat and trumpet legs, h. 46”, w. 87‑1/2”, d. 27”, the armchair and sidechair each with matching carved crest centered by a burled oval panel, the armchair with maiden’s-head caryatids, h. 44”, the sidechair with similarly carved heads at the hip braces, h. 43”, both with a round seat and trumpet legs. [1000/1500] Illustrated 1095 Late Victorian Polychromed Cast-Spelter Newel Post Lamp, late 19th century, depicting a maiden holding a torch-form light and mounted to a circular base with classical motifs, h. 40”, dia. 7‑3/4”. [200/400] 1096 Three-Piece American Renaissance Revival Walnut Bed Set, third quarter 19th century, consisting of an arched top, double oval paneled bedstead, h. 72”, inside w. 60‑1/4”, l. 78”, outside w. 64‑1/4”, l. 82”, a drop center marble-top mirrored dressing bureau, h. 104”, w. 47‑3/4”, d. 19”, and a mirrored double-door armoire, h. 89”, w. 60‑1/4”, d. 21‑1/2”. [800/1200] Illustrated 1097 American Renaissance Revival Burled Walnut and Walnut Armchair, third quarter 19th century, the back with a carved crest centered by a Columbia head, the open arms terminating in caryatids depicting a classical maiden, the rounded seat rail with a burled panel centered by incised carving, raised on trumpet-form legs, h. 44”. [300/500]

1098 American Rococo Revival Walnut and Marble-Top Center Table, third quarter 19th century, the tortoise-form marble top over a molded apron, on cabriole legs with foliate-carved knees joined by molded stretchers centered by a finial, h. 28‑1/2”, w. 36‑1/2”, d. 28”. [400/700]

1099 Four-Piece American Renaissance Revival Walnut and Burl Walnut Parlor Suite, third quarter 19th century, comprised of an open-arm settee, h. 49‑1/2”, w. 62‑1/2”, d. 22‑1/2”, an armchair, h. 43”, w. 25‑1/2”, d. 21‑1/2”, and two sidechairs, h. 40”, d. 18”, w. 19‑1/2”. [400/700] 1100 Charming Cast-Spelter Figural Group, early 20th century, depicting a young girl kneeling on chair, the base entitled “Evening Prayer”, h. 13”, w. 10”, d. 5”. [200/400] 1101 Eight-Piece Collection of Green Carnival Glass, second half 20th century, consisting of a five-piece iridescent green “Iris” water set, an iridescent green “Poppy Show” vase, a “Bill Fenton”-signed iridescent green “Milady” pitcher, and an ice green epergne, the largest h. 13‑1/2”, dia. 12”. [200/400] Illustrated 1102 Twenty-Four-Piece Collection of Iridescent Red Carnival Glass, fourth quarter 20th century, consisting of an eight-piece “Beaded Seashell” water set, a “Farmyard” plate, an “Inverted Strawberry” footed syrup pitcher, a pair of salt and pepper shakers of like design, two “NearCut” open salts, a covered rectangular box with a butterfly design, a “Beaded Holly” mug, a “1979 American Carnival Glass Association” souvenir mug with a modified “Beaded Seashell” design, a heart-shaped bonbon dish, a “200 Year Anniversary of the Declaration of Independence” goblet, a “Vintage” hatpin holder, a “Berry”-stamped footed vase, and three various footed vases in “Near-Cut” designs, the largest h. 8‑1/4”. [100/200] 1103 Twenty-Two-Piece Collection of Iridescent Red Carnival Glass, fourth quarter 20th century, consisting of a seven-piece pitcher and tumbler set with a “Field Flower” pattern, and a fifteen-piece punch service in “Vintage” decor, the largest h. 6‑1/4”, dia. 14‑1/2”. [150/300] 1104 Fifteen-Piece Collection of Iridescent Ruby Carnival Glass, fourth quarter 20th century, consisting of two pitchers, h. 6‑3/4”, w. 4‑3/4”, l. 6‑3/4”, and thirteen matching water glasses, h. 4”, dia. 3‑1/4”, all in an “Inverted Thistle” pattern. [100/200]

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1105 Eighteen-Piece Collection of Iridescent Ruby Carnival Glass, fourth quarter 20th century, consisting of a five-piece “Stork and Rushes” water set, a seven-piece “Windmill” water set, a “Daffodil” trumpet-shaped vase, and a “Lattice and Daisy” center bowl, the largest h. 8‑3/4”, w. 5‑1/2”, l. 8”. [125/250]

1111

1106 Eleven-Piece Collection of Iridescent Ruby and Marigold Carnival Glass, fourth quarter 20th century, consisting of two deviled egg platters, a Fenton vase-on-stand, a Westmoreland paneled basket, two Fenton crown-shaped votive holders, a Fenton crown-shaped compote, a Fenton “Jack in the Pulpit” dish, a beaded and ruffled-edge footed bowl, a small circular ribbed bowl, a scallop-edge footed nut dish, and a string holder, the largest dia. 11‑1/4”. [125/250]

1113

1109 Twenty-Two-Piece Collection of Iridescent Ruby Carnival Glass, fourth quarter 20th century, consisting of a “Good Luck” liqueur ewer with nine matching shot glasses, a vase in “Peacocks on a Flowering Branch” decor, a rose bowl, an “Inverted Strawberry” dinner bell, a “Vintage” ruffle-edge vase, a “Basket”-stamped openedge vase, a “Near-Cut” punch bowl, two small “Near-Cut” condiment dishes, a rectangular paperweight in “Love Birds” decor, and three tumblers with a “Daisy” motif, the largest h. 10”. [100/200] 1110 Thirty-Two-Piece Collection of Various Marigold Carnival Glass, third quarter 20th century, consisting of two “Near-Cut” water pitchers, a “Near-Cut” punch bowl without a stand, twenty punch cups, a cream pitcher and eight tumblers of various design, the tallest h. 8‑1/2”. [100/200]

1107 Nine-Piece Collection of Iridescent Ruby Carnival Glass, fourth quarter 20th century, all except one in various “Near-Cut” patterns, including a tall basket, a square footed basket, another flare-edge basket, an oval tray, four bowls, and an open-edge “Basketweave” condiment dish, the largest h. 13”, w. 6‑1/2”, l. 10”. [150/300] 1108 Seventeen-Piece Collection of Various Iridescent Ruby Carnival Glass, fourth quarter 20th century, consisting of three ribbed vases, a Fenton “Fish”-stamped vase, a Fenton crimped-edge vase, a dolphin-handled footed compote, a trophy-formed “Good Luck” compote, a small Fenton “Kitten”-stamped basket, a larger “Scroll Embossed” basket, a swan-shaped bonbon dish, a “NearCut” candle holder, a Fenton “Carnival Holly” chop plate, a signed and hand-painted “Jack in the Pulpit” vase, a signed and hand-painted hen-shaped vase, a Fenton “Fine-Cut” and crimped-edge footed vase, and a figure of a smiling cat, the largest h. 16‑1/2”, dia. 4‑1/2”. [150/300]

136

1115

1119

1120 1121

1116

1116 Pair of Reed and Barton Sterling Silver “Love Disarmed” Salad Servers, the pattern introduced in 1899, comprised of a broad-fluted oval bowled serving spoon and a matching three-tine fork with a pierced bowl, l. 11”, 15.70 total t. oz. [1000/1500] Illustrated

1117 Four Pieces of American Sterling Silver Hollowware, second half 20th century, including a Newport Silver condiment bowl with gadrooned rim, dia. 6”; an F. M. Whiting vegetable bowl with molded scroll border, dia. 8”; a Gorham fruit bowl with gadrooned border and beaded banding, dia. 9”; and a Reed and Barton sandwich plate with reticulated Greek-key border, dia. 10‑1/2”, no monograms; 22.89 total t. oz. [100/200] 1118 Good Pair of Gorham Sterling Silver-Lidded WheelCut Glass Dresser Jars, first quarter 20th century, Providence, Rhode Island, h. 4”, dia. 4”. [125/250]

1111 Three-Piece Collection of Iridescent Ruby Carnival Glass, fourth quarter 20th century, consisting of a pair of Fenton “Poppy Show” garniture vases with ruffle edges and a “Diamond Near-Cut” epergne, the largest h. 13‑3/4”, dia. 7”. [200/400] Illustrated 1112 Group of Eight Iridescent and Opalescent White Carnival Glass Items, fourth quarter 20th century, consisting of two dinner bells, a “Loganberry” water bottle, a “Beaded Basket” handled bowl, an “Open Rose” trifooted bowl and a covered butter dish, a “Stag and Holly” tri-footed bowl, and a “Grapevine Lattice” ruffle-edge plate, the largest h. 10‑1/4”, dia. 5‑1/2”. [150/300] 1113 Good American Art Nouveau Sterling Silver Bowl, first quarter 20th century, the maker’s mark rubbed, with realistic iris corners, h. 2‑1/2”, w. 10”, d. 10”, 12.60 t. oz. [800/1200] Illustrated 1114 Gorham “Norfolk” Sterling Silver Asparagus Server, the pattern introduced in 1904, Providence, Rhode Island, retailed by Smith, Patterson and Company, Boston, Massachusetts, l. 9”, 3.45 t. oz. [200/400] 1115 American Sterling Silver Sandwich Plate, mid‑20th century, marked “Made for Tiffany and Co.”, having a broad acid-engraved “vintage” rim, dia. 12”, 21.60 t. oz. [1200/1800] Illustrated

1119 Pair of Royal Danish U.S.A. International Sterling Silver Candlesticks, h. 4‑1/2”, dia. 4”, 10.85 total t. oz. [600/900] Illustrated 1120 George III Hester Bateman Sterling Silver Bowl, hallmarked London, 1786‑1787, h. 4‑1/4”, dia. 6”, 13.80 t. oz. [800/1200] Illustrated 1121 Mexican .925 Silver Bowl, of Art Deco form, h. 2‑1/2”, dia. 7‑3/4”, 12.10 t. oz. [700/1000] Illustrated 1122 American Sterling Silver Regimental Presentation Dish, dated 1930, of plain circular form with everted side and molded rim, the plateau engraved with the arms of the 3rd US Infantry Regiment (“The Old Guard”), the reverse with a presentation inscription “From/ the Officers and Ladies/ of/ Fort Snelling, Minnesota/ November 20, 1930”, dia. 13‑1/4”, 25.59 t. oz. “The Old Guard” is the oldest active US Infantry regiment, founded in 1784 and with three currently active battalions. The regiment is charged with nearly all memorial and ceremonial affairs, including the dignified transfer of all fallen soldiers returning to the U.S., standard and full honor funerals at Arlington Cemetery, dignified transfers at Dover Air Force Base, full honor arrivals for dignitaries, wreath ceremonies at the Tomb of the Unknowns, with specialty units including sentinels at the Tomb of the Unknowns, the Continental Color Guard, the Presidential Salute Battery and the US Army Caisson Platoon which provides horses, riders and caissons for military and state funerals. [125/250]

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1129 Four-Piece Louis XV-Style Inlaid and Banded Mahogany Dining Set, second quarter 20th century, comprised of an extension dining table with four leaves, h. 42”, w. 29”, l. 38”, a long sideboard, h. 43‑1/2”, w. 80”, d. 24‑1/2”, a silver chest raised on tall carved legs, h. 71”, w. 40”, d. 20‑1/2”, and a server, h. 39‑1/2”, w. 41‑1/2”, d. 20‑1/2”. [2000/4000] Illustrated 1130 American Late Victorian Mahogany Bombe Desk, fourth quarter 19th century, the front with a kneehole flanked by a bank of drawers to each side and raised on turned legs, h. 29‑1/2”, w. 48”, d. 30”. [100/200]

1124 1123 Alvin Sterling Silver-Overlay Glass Decanter, first quarter 20th century, of ewer form in “Vintage” decor, retains the period silver-overlay glass stopper of tall spherical form, h. 13”, dia. 5‑1/2”. [400/700] 1124 Suite of Five Harper’s Weekly Hand-Colored Engravings, third quarter 19th century, depicting the following Civil War scenes: “The Assault on Port Hudson”, “The Fort Pillow Massacre”, “The Stampede of the Eleventh Corps - Berry’s Corps Checking the Pursuit”, “The March from Williamsburg”, and “Foote’s Gun-Boats Ascending to Attack Fort Henry”, sight 10” x 14”. All glazed, attractively double-matted and presented in acanthine-molded and ebonized frames. [400/700] Illustrated 1125 Plan of New Orleans Map, third quarter 19th century, hand-colored engraving, published by S. Augustus Mitchell Jr., sight 9‑1/2” x 11‑1/2”. Glazed, attractively matted and presented in an acanthine-molded and ebonized frame. [150/300]

1129 four-piece suite

1126 After Frederic Remington (American, 1861‑1909) “Night Coach”, offset chromolithograph, sight 29” x 20”. Glazed, matted and presented in an ebonized and parcel-gilt frame. [40/70] 1127 After William Blake (British, 1757‑1827) “Then the Lord Answered Job Out of the Whirlwind”, black and white engraving, 1930’s edition, sheet size 15” x 10‑1/2”. Unframed. [100/200] 1128 After Gilbert Charles Stuart (American, 1755‑1828) “Portraits of George and Martha Washington”, pair of chromolithographs mounted on canvas, sight 15‑1/2” x 13”. Presented in oval giltwood and gesso frames. [150/300]

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1129 four-piece suite

1136

1131 American Eastlake Walnut Pier Mirror, fourth quarter 19th century, the projecting molded cornice over a rectilinear mirror plate flanked by turned and reeded pilasters capped by a floral-carved corner block, on a base with a Tennessee marble top and turned legs, h. 89”, w. 28”, d. 12”. [400/700] 1132 Tiffany-Style Leaded Glass Floor Lamp, in the “DropHead Dragonfly” pattern, the polychromed and parcelgilt base with three carved sphinxes, h. 72”, dia. 18”. [400/700] Illustrated

1132

1133 American Late Victorian Polychromed Music Cabinet, ca. 1900, of Louis XV inspiration, the door panel depicting a French courting scene, the interior fitted with six shelves, raised on cabriole legs, h. 41‑1/2”, w. 19‑1/4”, d. 17”. [150/300] 1134 three-piece suite

1134 three-piece suite

1134 Three-Piece American Late Victorian Curly Cherrywood Half-Tester Bed Set, fourth quarter 19th century, comprised of a tall, ornate half-tester bedstead, h. 120‑1/2”, w. 61‑1/2”, d. 84”, a matching doubledoor armoire, h. 95”, w. 56”, d. 21”, and a marble-top dresser base, h. 33‑1/2”, w. 52‑1/2”, d. 24”. [3000/5000] Illustrated 1135 American Late Victorian Mahogany Overmantel Mirror or Etagere Top, fourth quarter 19th century, having a central mirror plate and open shelves to each side with turned spindles and railings, h. 52”, w. 55‑1/2”, d. 13”. [300/500]

139

1136 Two American Late Victorian Cast-Metal and GoldPainted Lamps, fourth quarter 19th century, one of newel post form and depicting a maiden holding a glass ball above her head and fitted with a brass filigree jeweled shade, and the other of banquet lamp form and fitted with a similar shade, the largest h. 38”, dia. 7‑1/2”. [300/500] Illustrated previous page

1139

1143

1146 three-piece suite 1146 three-piece suite

140

1137 Pair of Late Victorian Cast-Brass Tall Six-Arm Gasoliers, fourth quarter 19th century, the arms now fitted with standard electrical sockets, h. 74”, dia. 22”. [400/700] 1138 Rare American Late Victorian Lathe-Turned Mahogany Child’s Chair, fourth quarter 19th century, in the Moorish taste, the under-seat branded “Liberty & Co. Regency”, h. 36”, w. 21”, d. 17‑1/2”. [200/400]

1142 Framed Pair of English Aesthetic Movement Pictorial Tiles, fourth quarter 19th century, the two tiles depicting a stork with floral background and butterflies, mounted together within a rectangular shadowbox frame, h. 17”, w. 10‑1/2”, d. 2‑1/2”. [75/125] 1143 Large Persian Diptych-Framed Looking Glass, second quarter 20th century, probably Peruvian, composed of polychromed wood and eglomise in the traditional style, h. 30‑1/2”, w. 33‑3/4” (18‑1/4” closed). [900/1200] Illustrated 1144 Aesthetic-Style Giltwood Looking Glass, fourth quarter 19th century, h. 37‑1/4”, w. 32”. [200/400] 1145 American Aesthetic Stained Armchair, late 19th century, the curvate tablet back with incised Greek keys over a lattice gallery splat and open arms, raised on trumpet legs, h. 31‑1/2”. [100/200] 1146 Elaborate Three-Piece Eastlake Victorian Walnut and Burl Walnut Bedroom Suite, fourth quarter 19th century, comprised of a high-back bed with burl panels and foliate relief-carved details, h. 77”, inside w. 57”, l. 74‑1/2”, outside w. 59”, l. 81”, a large marble-top dressing bureau with beveled mirror, h. 81”, w. 60”, d. 24”, and a matching marble-top washstand, h. 38”, w. 36‑1/4”, d. 18”. [1200/1800] Illustrated

1147

1147 American Eastlake Victorian Walnut and Burl Walnut Single-Door Armoire, fourth quarter 19th century, with beveled mirror, h. 94”, w. 56”, d. 22”. [500/800] Illustrated 1148 American Eastlake Victorian Platform Rocking Chair, fourth quarter 19th century, h. 39‑3/4”. [50/80]

1139 American Eastlake Victorian Walnut Armoire, fourth quarter 19th century, the top with a carved shell-form frieze above a pair of beveled mirrored doors, the base fitted with two side-by-side drawers, h. 88”, w. 55‑1/2”, d. 21‑1/2”. [700/1000] Illustrated 1140 American Eastlake Victorian Walnut Bedstead, fourth quarter 19th century, the headboard with a relief-carved crest featuring geometric designs, h. 57‑1/2”, inside w. 58‑1/2”, l. 77”, outside w. 60‑1/2”, l. 81”. [200/400] 1141 American Eastlake Victorian Mahogany Dresser, fourth quarter 19th century, the top with a tilting beveled mirror above three long drawers, each with heavy castbrass hardware, h. 78”, w. 49‑1/2”, d. 24”. [400/700]

1149 Late Victorian Brass Tall Two-Arm Light Fixture, fourth quarter 19th century, electrified, h. 75”, w. 20”, d. 3”. [200/400] 1150 Eastlake-Style Stained Walnut Regulator Wall Clock, the two-weight movement with time and strike, h. 36”, w. 16‑1/2”, d. 5‑1/2”. [150/300] 1151 American Eastlake Victorian Stained Maple Rocking Chair, fourth quarter 19th century, the back with two rows of curved slats and turned balls, the rocker currently worn flat, h. 42”, w. 19‑1/2”, d. 20‑1/2”. [100/200] 1152 Two-Piece Late Victorian Painted Wicker Suite, ca. 1900, consisting of an occasional table with a circular top and a shelf stretcher, h. 21”, dia. 24”, and a planter with an urn-shaped plant holder above two graduated circular lower shelves, h. 40”, dia. 15‑1/2”. [200/400]

141

1153 1159

1157

142

1163

1153 Turkish Angora Oushak Carpet, 8’ x 9’ 6”. [1200/1800] Illustrated 1154 Rajasthan Kashan Carpet, 8’ x 9’ 9”. [600/900] 1155 Persian Belouch Carpet, 2’ 9” x 4’ 6”. [100/200] 1156 Beluchistan Carpet, 6’ x 3’ 8”. [50/80] 1157 Persian Kashan Carpet, 9’ 8” x 14’. [900/1200] Illustrated 1158 Persian Karaja Runner, 2’ 1” x 9’ 1”. [350/500] 1159 Agra Serapi Carpet, 9’ x 11’ 10”. [1400/1800] Illustrated 1160 Chinese Carpet, 3’ x 5’. [75/125] 1161 Hamadan Carpet, 5’ 5” x 9’ 6”. [300/500] 1162 Sumac Carpet, 7’ 1” x 11’. [200/400] 1163 Turkish Angora Oushak Carpet, 9’ 3” x 12’ 10”. [2000/4000] Illustrated 1164 Agra Heriz Carpet, 4’ x 5’ 10”. [200/400] 1165 After Romain de Tirtoff, Erte (Russian, 1892‑1990) “Gala”, embossed serigraph with foil stamping, signed in print, sight 35‑1/2” x 26”. Glazed, attractively matted and presented in a molded and silvered frame. [600/900] 1166 After Kathe Kollwitz (German, 1867‑1945) “Sitzender Mannlicher Akt”, black and white etching, unsigned, blind-stamped “And. Becke Muenchen‑22”, image size 6‑1/4” x 5”, sheet size 13‑3/4” x 10”. Matted and unframed. [300/500] 1167 Attributed to John Marin (American/French, 1870‑1953) “New York City Street Scene”, watercolor on paper, unsigned, sight 12‑1/2” x 10”. Glazed, French matted and presented in a giltwood frame. [1400/1800] 1168 American School (Fourth Quarter 20th Century) “Still Life with Flowers and Fruit”, oil on canvas, signed lower left “Cynthia Kay”, 24” x 30”. Unframed. [100/200] 1169 LeRoy Neiman (American, b. 1921) “Tournament Golf”, limited edition silkscreen, signed in pencil lower right, numbered in pencil lower left “33/350”, sight 24” x 33”. Glazed, attractively matted and presented in a molded and polychromed frame. [200/400]

1170 Elizabeth Davey Lochrie (American, 1890‑1981) “Grinny”, gouache on copper foil paper, signed lower right “E. Lochrie”, titled in pencil on mat, sight 5” x 4‑1/2”. Glazed, French matted and presented in a molded giltwood frame. [300/500] 1171 American School (Fourth Quarter 20th Century) “White Tulips”, watercolor on paper, signed and dated lower left “Daryl Noh ‘81”, sight 29‑1/2” x 22”. Glazed, matted and framed. [75/125] 1172 A. Aubrey Bodine (American, 1906‑1970) “Pops in His Patio”, 1944, vintage photograph of noted New Orleans photographer Joseph Woodson “Pops” Whitesell and an unidentified woman seated on the patio of his French Quarter home, now the site of the world famous jazz club Preservation Hall, signed and dated in ink on the mount “A. Aubrey Bodine 1944”, titled lower left, and dedicated by the artist “To a Grand Old Man Who Hung Prints in his First Year of Exhibiting”, 18‑1/2” x 14‑1/2”. Glazed, handsomely matted and framed. [500/800] 1173 Marie Gruber (American/South Carolina, Contemporary) “Window” and “Doorways”, pair of black and white silver gelatin prints, numbered, respectively, “6/50” and “8/50”, each signed lower right “Marie Gruber”, 20” x 13”. Glazed, matted and presented in stained wooden frames. [75/125] 1174 American Late Victorian Oak Breakfast Table, fourth quarter 19th century, the circular top raised on a turned and reeded pedestal, to four splayed legs headed by lionhead carving and ending in paw feet on casters, h. 29‑1/2”, dia. 42‑1/2”. [250/400] 1175 Suite of Six American Late Victorian Quarter-Sawn Oak “T-Back” Dining Chairs, ca. 1900, each with a shaped splat back and solid seat, raised on cabriole legs ending in paw feet, h. 38‑3/4”, w. 18‑1/2”, d. 17”. [100/200] 1176 American Late Victorian Quarter-Sawn Oak Sideboard, ca. 1900, having an arched top with beveled mirrors and shelves above a low-fronted base with drawers and cabinets, the inside right drawer bearing the label of Berkey and Gay, Grand Rapids, Michigan, h. 68”, w. 60”, d. 24”. [200/400] 1177 American Sheraton-Style Oak Bookcase, first quarter 20th century, the case fitted with a central glazed door flanked by glazed panels, over a long partially fluted drawer and a serpentine-carved skirt, raised on tapering square legs ending in brass-capped feet, h. 60‑1/4”, w. 44”, d. 14‑1/2”. [100/200]

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1178 American Late Victorian Oak Partner’s Desk, fourth quarter 19th century, in the manner of R. J. Horner, the rectangular top with a molded edge over a kneehole frieze on both sides, fitted with two long drawers over two short drawers, all with elaborate cabochon and acanthine carving and shell-carved pulls, raised on square legs headed by lion masques, joined by a shelf stretcher and ending in paw feet, h. 29”, w. 48”, d. 30”. [800/1200] Illustrated 1179 American Quarter-Sawn Oak File Drawer Cabinet, ca. 1900, of two-part construction, each section fitted with three rows of three short drawers, for a total of eighteen drawers, h. 15‑1/2”, w. 19”, d. 17”. [150/300]

1178

1180 American Bronze-Patinated Spelter and Brass Parlor Lamp Base, first quarter 20th century, with a later domed leaded glass “Cherry Blossom” shade in the Handel style, the weighted circular foot of the base with a trio of bud-and-stem wreathed Art Nouveau female heads, the upper terminus with a pair of spiraled light sockets, h. 25”, dia. 19‑1/2”. [300/500] 1181 Art Nouveau Leaded Glass and Brass Table Lamp, first quarter 20th century, by Pittsburg Lamp Company, the leaded glass shade above a fluted tapering columnar standard, the underside marked “PLB&Co.”, h. 23”, dia. 14‑1/2”. [300/500] Illustrated 1182 American Late Victorian Quarter-Sawn Oak Morris Chair, ca. 1900, the arm fronts depicting carved lion heads and terminating in carved paw feet, h. 34‑1/4”, w. 26”, d. 33”. [300/500]

1181

1183 American Late Victorian Faux-Marbre and ParcelGilt Oak Library Table, fourth quarter 19th century, the faux marble-grained top over a frieze fitted with a working drawer and a faux drawer on each side, the ends heavily carved with paw feet and joined by a large carved shelf stretcher, h. 28”, w. 54”, d. 30”. [300/500]

1184

1185 1184 Ansonia Porcelain Mantel Clock, early 20th century, the case marked Royal Berlin, Germany, in floral decor on a shaded green ground, the face and works labeled “Ansonia”, h. 11‑1/2”, w. 9”, d. 5”. [150/300] Illustrated 1185 Ansonia Porcelain Mantel Clock, early 20th century, the case in deep floral decor, the works signed “Ansonia Clock Co. N. Y.”, the verso marked “Theme”, h. 11”, w. 10”, d. 5”. [150/300] Illustrated

144

1186 Unusual Metal and Iridescent Gold Glass Vasiform Five-Light Table Lamp, third quarter 20th century, in the manner of Louis Comfort Tiffany (American, 1848‑1933), modeled as a bronze-patinated metal central vasiform element capped by a single upright lily-form shade and enframed by four separate inverted lily-form shades, the shades with diamond stylus-engraved L.C.T. monograms, h. 19‑1/2”, dia. 27”. [300/500] 1188

1190 Two-Piece Collection of Weller Pottery, first quarter 20th century, consisting of a “Forest”patterned jardiniere, h. 5”, dia. 10‑1/4”; and a “Woodcraft”-patterned footed vase, h. 8”, w. 5”, d. 3”. [100/200] 1191 American Art Pottery Trifid Jardiniere, early 20th century, the glazed decor depicting tulips, h. 9”, dia. 10”. [50/80] 1192 Stylish Handel Gilt-BrassMounted Copper Vasiform Kerosene Parlor Lamp, in the Art Nouveau style, the wick adjuster with an 1895 patent date, the font cap touchmarked “Miller”, retains the blown glass chimney and frosted shaded peachto-clear glass shade with enameled “Cherries” decor, and signed Handel Co. 2853, h. 22”, dia. 12‑3/4”. [400/700]

1187

1187 Tiffany-Style Patinated Bronze and Glass Two-Light Table Lamp, ca. 1900, the Favrille glass “Tulip” shades etched “LCT”, the “Cypriote” glass-centered footed base stamped “TIFFANY STUDIOS/ New York/ 574” underneath, h. 21‑1/2”. [600/900] Illustrated

1193 Art Nouveau Leaded Glass Table Lamp, first quarter 20th century, the bell-form shade depicting various multicolored leaves, on a tapering square standard with twining leaves and vines on each paneled side, above an oak leaf- and acorn-modeled coppered brass base, h. 26”, shade dia. 19”. [300/500] Illustrated

1194 Antique Cast-Iron Floor Safe, late 19th century, the interior fitted with compartments, the combination available to purchaser, h. 36‑1/2”, w. 25”, d. 21”. [200/400]

1188 Large American Art Pottery Jardiniere on Stand, early 20th century, the heavily glazed surface in greens and purple with embossed flowers of Art Nouveau form, h. 44‑1/2”, dia. 14”. [300/500] Illustrated 1189 Good Rookwood Pottery Circular, Footed Bulb Bowl, dated 1914, of cushion form in the Arts and Crafts style, the in-turned rim with stylized bas-relief ornament of leaves and berries, the base fully marked and numbered underglaze, h. 2‑1/2”, dia. 8”. [150/300]

1193

1195 Brass and Cut Glass CeilingMounted Ship’s Light Fixture, mid‑20th century, of large octagonal form with frosted glass panels and a turned brass drop finial, h. 7”, w. 22”, d. 22”. [300/500] 1196 Tiffany-Style Leaded Glass and Bronze-Patinated Table Lamp, the base modeled in the form of a tree trunk, h. 23”, dia. 16‑1/4”. [100/200]

145

1207

1200 Large American Oak Regulator Wall Clock, ca. 1900, having a large circular dial with a springdriven movement, h. 37”, w. 18”, d. 6”. [200/400]

1203

1201 Reverse-Painted Boudoir Lamp, early 20th century, the oblong shade depicting a dancing maiden in a forest landscape and mounted to a polychromed brass base, h. 18”, w. 8”, d. 4”. [200/400] 1202 Verdigris-Patinated Tripodal Table Lamp, in the manner of Louis Comfort Tiffany (American, 1848‑1933), the bulb socket fitted with upright iridescent gold “Federzeichnung” glass shade, h. 22‑1/4”, dia. 7”. [300/500]

1197 WWII-Era Brass Ship’s Chronometer, the brass instrument labeled “Hamilton Lancaster PA USA” on the brushed metal painted face, presented in a brass-mounted dovetailed wooden case with a plaque reading “United States Navy”, h. 6‑1/2”, w. 10‑1/2”, d. 9”. [400/700] 1198 The Balance and Columbian Repository, Hudson, New York, Tuesday, July 19, 1803, an editorial article reflecting on the perceived failure at the English commonwealth, an attempt to replace monarchy with democracy in England, sight 10” x 7‑3/4”; together with a loose article, affixed to back “On the question, whether it be advantageous for France to take possession of Louisiana” from the 1803 The Balance and Columbian Repository. Glazed, attractively matted in hunter green felt, edged in Florentine paper, affixed with a brass plaque and presented in a burlwood frame. [150/300] 1199 American Late Victorian Brass Bed, ca. 1900, of tubular form with ball-shaped finials and plain side rails, raised on bun feet, h. 59‑1/2”, inside w. 44”, l. 73‑1/2”, outside w. 48”, l. 80”. [200/400]

146

1203 Thirteen-Piece Northwood Iridescent Amethyst Carnival Glass Punch Set, first quarter 20th century, in “Grape and Cable” decor, consisting of a large punchbowlon-stand, h. 14‑1/4”, dia. 16‑3/4”, and twelve matching cups, h. 2‑5/8”, dia. 3‑1/2”. [300/500] Illustrated 1204 Collection of Eighteen Miscellaneous Carnival Glass Items, late 20th century, including five various blue iridized open bowls, two green iridized plates, a celadon iridized plate and a marigold bowl, most commemorative from the Woodland World Wide Carnival Glass Association, the largest h. 3‑1/4”, dia. 4‑1/4”. [100/200] 1205 Collection of Approximately Twenty-Five Red Iridized Carnival Glass Items, late 20th century, including a pair of Fenton floral-embossed ruffled vases, a water pitcher, a Fenton footed peacock bowl, a Fenton plate, a dinner bell, two tumblers, a pair of grapevine candlesticks, a single candlestick, seven various small vases, a pair of diamond-quilted toothpick holders, a set of four shot glasses, and a swirl-pattern toothpick holder, the largest h. 10‑3/4”, dia. 8‑1/2”. [100/200]

1206 Sixty-Piece Collection of Iridescent and Opalescent Carnival Glass, fourth quarter 20th century, consisting of a seven-piece miniature punch service, another twelve various miniature punch cups, a “Hobnail” small dish, two votive holders, a “Rose”-patterned covered sugar and milk pitcher, two “Vintage” tumblers, a small Imperial tri-footed rose bowl, two lady slipper dishes, two Fenton butterfly ornaments, a Fenton rooster figure, a Fenton clown figure, a six-piece “Boyd Special” miniature train set, two miniature “Good Luck” mugs, sixteen miniature “United States Presidents” flasks, a miniature banana dish, and two miniature cuspidors, the largest h. 5”. [100/200] 1207 Seventeen-Piece Collection of Various Iridescent Amethyst and Green Carnival Glass, fourth quarter 20th century, consisting of a “Near-Cut” covered and footed jar, a “Good Luck” hatpin holder, a Fenton “Loganberry” water bottle, two Fenton “Parrot” vases, a five-piece water set, a “Lovebirds” vase, an “American Carnival Glass Association, July 4, 1970” souvenir bowl, a covered turkey jar, two Westmoreland plates with open edge, and two Fenton “American Craftsman Scenes” plates, the largest h. 12”, dia. 6”. [200/400] Illustrated 1208 Forty-Four-Piece Collection of Iridescent Amethyst Carnival Glass, fourth quarter 20th century, consisting of a seven-piece “Beaded Seashell” water set, a pair of tumblers with a “Cherry and Lattice” design, sixteen pieces of miniature “Cherry and Cable” dishes including a butter dish, four nut dishes, four tumblers and a seven-piece punch service, a miniature “Near-Cut” pitcher, a miniature “Good Luck” mug, a “Cherry and Cable” cream pitcher, a “Fisherman’s” mug, a vase stand, four salts of floralbud shape with a silverplate spoon, an open turkey dish, a rooster figure, a hand-painted clown figure, a Native American chief figure, a Fenton fruit-shaped box, two lady slipper dishes, a lady’s boot vase, a figure of a lion, and a top hat “Casey Stengel 1966 Baseball Hall of Fame” dish, the largest h. 8‑1/2”. [100/200] 1209 Twelve-Piece Collection of Iridescent Carnival Glass Plates, late 20th century, representing “Christmas in America” and featuring various American historic churches and cathedrals, each dia. 8”. [75/125]

1210 Sixteen-Piece Collection of Iridescent Amethyst Carnival Glass, fourth quarter 20th century, all of “Near-Cut” design, consisting of a fourteen-piece punch service and two covered circular butter dishes, the largest h. 6‑3/4”, dia. 14”. [150/300] 1211 Twelve-Piece Collection of Iridescent Blue Carnival Glass, fourth quarter 20th century, consisting of an “Orange Tree” tri-footed bowl, a “Stork and Rushes” scallop-edge bowl, a “Persian Medallion” flare-edge footed compote, a “Persian Medallion” handled candy dish, an “Open Rose” bowl, a “Carnival Thistle” flare-edge bowl, a “Birds and Roses”-patterned crimped-edge basket, a bowl with a “Farmyard” interior, a bowl with a “Heavy Grape” interior, and three “Near-Cut” flare-edge plates, the largest h. 5‑1/2”, dia. 10‑1/2”. [200/400] 1212 Collection of Approximately Thirty-Six Red Iridized Carnival Glass Items, late 20th century, including nine figural items, two small bowls, a boot, two bells, an eye rinser, fifteen various toothpick holders, two sign plaques, a small pitcher, a small goblet, a small vase with spigot, and a miniature vase, the largest h. 7”, dia. 3‑1/2”. [100/200] 1213 Thirteen-Piece Collection of Various Iridescent Carnival Glass, third quarter 20th century, consisting of a “Hobnail” cuspidor, a Northwood “Stippled Rays” bowl, a “Fanciful” plate, a “Peach and Pear” center bowl, a Northwood “Basketweave” footed basket, a beaded basket, a “Vintage” tri-footed bowl, a “Jack in the Pulpit” vase, a Northwood “Fine Rib” vase, a “Rustic” vase, and two Northwood “Tree Trunk” vases, the largest h. 13”, dia. 6”. [200/400] Illustrated 1214 Twenty-Two-Piece Collection of Iridescent Green Carnival Glass, third quarter 20th century, consisting of a “Grape and Cable” pitcher with two matching liqueur glasses, another similar liqueur glass, a “Grape and Cable” tumbler, a punch cup and candy dish of the same design, a “Vintage” tumbler, a floral mug, a toothpick holder, and twelve tumblers of various design, the tallest h. 6”. [100/200]

1213

147

1218 Forty-Five-Piece Set of Knowles “Crescent” Sterling Silver Flatware, designed in 1878 by Samuel J. Ladd, Providence, Rhode Island, retailed by Maurice Schooler, New Orleans, Louisiana, consisting of ten teaspoons, eleven place spoons, twelve tablespoons, ten place forks, a master butter knife and a punch ladle, the largest l. 14”, 61.75 total t. oz. [1200/1800] Illustrated

1216

1219 Samuel Kirk and Son Sterling Silver Serving Fork, in the “Wadefield” pattern, first quarter 20th century, Baltimore, Maryland, l. 12”, 5.10 t. oz. [250/400] 1220 American Coin .900 Silver Salver, third quarter 19th century, by Lincoln & Foss, Boston, Massachusetts, of circular form, acanthus ogee and feet, rococo banded plateau, dia. 14”. [1800/2500] Illustrated 1215 Twenty-Eight-Piece Collection of Various Highly Iridescent Carnival Glass, four quarter 20th century, in various shades of amethyst and blue, consisting of three goblets with a mountainous cabin and animals motif, a “George Washington” plate, a “Liberty Bell” plate, a 1969 “U.S. Capitol” plate, an “Inverted Strawberry” dinner bell, a small covered hen dish, a handled basket, two handpainted and signed clown figures, a pair of doghouseshaped toothpick holders, a small kitten-covered dish, a figure of a sitting cat, a dolphin, a whale, ten various miniature dishes, and a deep ruby-colored biscuit jar, the largest h. 7‑1/2”. [100/200]

1218

1216 American Sterling Silver Center Bowl and Underplate, in the “Louis XIV” pattern, introduced in 1919, Towle Silversmiths, Newburyport, Massachusetts, bearing an inscription dated 1927, bowl h. 6‑5/8”, dia. 12”, underplate dia. 14”, 51.05 total t. oz. [500/800] Illustrated 1217 Gorham Silverplate Tray, second quarter 20th century, Providence, Rhode Island, of oval form with integral handles, w. 18”, l. 22‑3/8”. [100/200]

1221 American Coin (.900) Silver Waiter, third quarter 19th century, by Bigelow Brothers and Kennard, Boston, Massachusetts, of circular form with beaded edge and rococo banded plateau, dia. 9”. [700/1000] Illustrated

1220

1221

1222 Good American Coin (.900) Silver Butter Dish, second quarter 19th century, by Ball, Thompson and Black, New York City, of octagonal footed form with flat chased panels and lion masques, h. 7”, dia. 5”, 23.00 t. oz. [1200/1800] Illustrated 1223 American Silverplate Magnum Bottle Cooler, mid‑20th century, by the Crescent Silver Company, Port Jervis, New York, with reticulated sides and handles, dia. 7”, 9.15 t. oz. [60/90]

148

1225

1226 Twenty-Five Pieces of Miscellaneous American Sterling Silver Tableware, mid‑20th century, including a pair of Hamilton Mfg. Co. baluster-form salt and pepper shakers, h. 4‑1/2”, a similar Redlich & Co. pair with pad feet, h. 4”, a single Lenox Silver Co. salt shaker with octagonal paneled body and “onion” cap, h. 3‑1/4”, a Towle Silversmiths novelty “Just a Thimbleful” jigger, and nineteen silver-clad pressed glass ashtrays/coasters by various manufacturers (one silverplate), dia. 3‑3/4” to 4”, most pieces weighted. [100/200] 1227 Set of Four American Silverplate Platters, mid‑20th century, including an E. G. Webster circular platter, an E. G. Webster oval well-and-tree platter with detachable wooden carving board, a National Silver Co. circular handled platter, all in “Vintage” decor, and an unmarked rectangular well-and-tree platter with vegetable dishes on each side and having a gadrooned rim, the largest w. 14”, l. 22‑1/2”, 37.45 t. oz. [200/400]

1222

1228 Eight American Sterling Silver Dishes, mid‑20th century, including six Manchester Silver Co. bread-andbutter plates with gadrooned border, dia. 6”; a La Pierre Mfg. Co. sandwich plate with pierced rim and gadrooned border, dia. 8‑1/2”; and a Towle Silversmiths sandwich plate with block-twist border, dia. 9”; 21.80 total t. oz. [100/200]

1224 Whiting “Empire”-Pattern Sterling Silver Berry Spoon, the pattern introduced in 1892, Providence, Rhode Island, with a gilt coquille bowl, l. 9”, 2.30 t. oz. [100/200] 1225 Six-Piece Frank M. Whiting “Talisman Rose” Sterling Silver Coffee and Tea Set, the pattern introduced in 1948, North Attleboro, Massachusetts, including a coffeepot, h. 11”, a teapot, h. 9‑3/4”, a covered sugar bowl, h. 7”, a cream jug, h. 6‑1/4”, and a waste bowl, h. 4‑1/2”, no monograms, 73.25 total t. oz. [500/800] Illustrated

1231

149

1236 William Anzalone (American/Texas, b. 1935) “Landscape in Blue and Gold”, oil on canvas, signed lower left “Anzalone”, sight 30” x 40”. Presented in an ebonized and parcel-gilt frame with linen liner. [800/1200] Illustrated 1237 Dan Wingren (American/Texas, 1923‑1998) “SnowCovered Landscape”, oil on canvas, signed and dated lower right “Dan Wingren 1960”, sight 18” x 24”. Presented in a gilt-painted frame. [800/1200] Illustrated 1238 American School (21st Century) “Reclining Female Nude”, oil on canvas, unsigned, 11‑1/2” x 18”. Presented in a contemporary giltwood frame. [150/300] 1232 1229 Four-Piece Group of American Sterling Silver Tableware, first quarter 20th century, including an International Silver bread tray, a Gorham christening cup, a Towle christening cup, and an International Silver toothpick holder, the largest h. 2”, w. 12”, d. 7”, 10.55 total t. oz. [100/200] 1230 American Silverplate Tray, mid‑20th century, of oval form with integral handles, h. 1”, w. 16‑1/4”, l. 24‑1/2”. [100/200] 1231 Yan Macs (Latvian, 1933‑1993) “Serenade”, acrylic on canvas, signed lower right “Yan Macs”, 24” x 24”, canvas verso inscribed with the painting title, artist’s name and date “8, 8. 73”. Presented in a molded giltwood frame. [2000/4000] Illustrated previous page 1232 Josefine Osnaghi (Austrian, 1861‑1939) “Still Life with Flowers and Whimsical Objects”, oil on panel, signed lower left “J. Osnaghi”, 10” x 12‑1/2”. Presented in a giltwood frame. [1000/1500] Illustrated

1237

1233 Pierre Ino (French, 1909‑1989) “Le Polichinelle”, oil on canvas, signed lower right “Pierre Ino” 9‑1/2” x 7‑1/12”, verso inscribed in pencil “Le Polichinelle, reproduction interdite, copyright by Pierre Ino”. Presented in a giltwood and velvet-lined frame. [300/500] 1234 American School (Fourth Quarter 20th Century) “Football Game”, oil on canvas, signed lower right “J. Raybal”, 30‑1/2” x 41”. Framed. [100/200] 1235 American School (Fourth Quarter 20th Century) “Four Waiters”, acrylic on canvas, signed illegibly lower left, 20” x 24”. Presented in a deeply molded giltwood and ebonized frame. [150/300] 1236

150

1244 French Provincial Fruitwood Occasional Table, late 19th century, the rounded rectangular top above a frieze fitted with one drawer, joined to a concave lower shelf by turned and bulbous supports, terminating in toupie feet, h. 29”, w. 22”, d. 17‑1/2”. [200/400] 1245 Large Hand-Woven Vine Floor Basket, of tapering cylindrical form with two handles and a hardwood base, h. 20‑1/2”, dia. 15”. [20/40]

1253

1246 American Turned and Weathered Wood Architectural Finial, fourth quarter 19th century, of tall form and mounted on a custom tubular steel and matte black-painted wooden block base, h. 46”, w. 5‑1/2”, d. 5‑1/2”. [40/70] 1247 Continental Provincial Rough Plank Door, 19th century, the exterior of horizontal boards with iron flathead nails and carved wooden handle, the interior with vertical boards, iron hinges and iron lock, h. 59‑1/2”, w. 35”. [150/300]

1249 1239 After Marc Bohne (American/Contemporary) “Ambiente #34”, facsimile print, signed lower right in print, titled verso, sight 30” x 36”. Glazed, matted and presented in a faux-mahogany frame with a linen liner. [50/80] 1240 Helen Zarin (Iranian/American, b. 1970) “Landscape with Two Red Trees”, mixed media on paper, signed lower left, sight 23‑1/2” x 15‑1/2”. Glazed, French matted and presented in a giltwood frame. [600/900] 1241 British School (Fourth Quarter 20th/First Quarter 21st Century) “Seascape at Dusk”, oil on canvas, unsigned, 25” x 36”. Presented in a polychromed frame. [200/400] 1242 Thomas Jefferson Folawn (American/California, 1876‑1934) “Summer Rain Cloud, Boulder Colorado”, 1930, oil on canvas, signed lower left “Thos J. Folawn”, titled, dated and signed on stretcher verso, 22” x 27”. Framed. [300/500] 1243 Dalhart Windberg (American/Texas, b. 1933) “The Last Stand”, limited edition print, signed lower left, retains artist’s certificate of authenticity on the reverse, edition number 57/1,000, sight 19‑3/4” x 29‑1/2”. Glazed, matted and framed. [400/700]

1248 Pair of Continental Polychromed Cast-Spelter Figures, depicting a provincial Italian man drinking from a gourd and a maiden wiping her brow, with a wide-brimmed hat in her hand, h. 27”, dia. 9‑1/2”. [300/500] 1249 Early Stained Oak and Iron-Bound Immigrant’s Trunk, 18th century, the slightly domed top with ornately riveted iron strapwork throughout, retains its original key and lock, h. 24”, w. 36”, d. 20‑1/4”. [800/1200] Illustrated 1250 Northern European Provincial Pine Single-Door Armoire, third quarter 19th century, the facade edges chamfered, the paneled door fitted with a cut and antiqued sheet-iron escutcheon, the whole supported on bun feet and having a fruitwood stain, h. 78”, w. 39”, d. 21”. [300/500] 1251 Two French Provincial Partial-Glazed Terra Cotta Olive Jars, early 19th century, the larger h. 23‑1/4”, dia. 14”, the smaller h. 17‑3/4”, dia. 12”. [200/400] 1252 French Brass and Galvanized Metal Baker’s Rack, the scrolling cornice centered by a wheat-sheaf pattern and over four demi-lune shelves, all joined by scrolling supports, h. 84”, w. 36”, d. 19”. [300/500] 1253 Large Scrubbed Pine Plank-Top Farm Table, mid‑20th century, the thick plank top mounted to large turned legs joined by straight aprons with a beaded lower edge, h. 30‑3/4”, w. 41‑3/4”, l. 96”. [800/1200] Illustrated

151

1256 Two American Provincial Ladderback and RushSeat Plantation Chairs, mid‑19th century, one retaining its original red and green polychromy, the other in an old refinish, h. 37” and 38”. [50/80]

1260

1257 Provincial Teakwood Bowfront Corner Cabinet, early 20th century, the top front edge with a scalloped border above a pair of bowfront doors, each with scalloped framing and raised on ball-and-claw feet, h. 47‑1/2”, w. 48”, d. 31‑1/4”. [300/500] 1258 Continental Stained Walnut Wall Clock, second quarter 19th century, having a large circular porcelain dial surmounted by cast-brass filigree, the carved and molded cornice with a central foliate cartouche, the twoweight movement with time and strike, h. 23”, w. 21”, d. 9‑1/4”. [500/800] Illustrated

1259 Provincial Louis XV-Style Oak Sofa Table, second quarter 20th century, the rectangular top with a molded edge over a serpentine and floral-carved frieze, raised on cabriole legs headed by a basket-of-flowers carving and ending in hoof feet, h. 25”, w. 46‑1/2”, d. 22‑3/4”. [300/500] 1260 Three-Piece Italian Turned and Carved Alabaster Garniture, third quarter 19th century, in the NeoRenaissance taste, consisting of a tall pair of ewers with dragonmasque spouts, their facades carved with a Bacchic masque and their handles modeled as attenuated griffins, and a ringed lionmasque-handled circular comport, h. 21‑1/2”. [400/700] Illustrated 1264 1254 Contemporary Wrought-Iron Arched Trellis, having two side panels and an arched top with spiral finial, h. 119”, w. 57”, d. 16”. [200/400] 1255 Assembled Seven-Piece Collection of Quimper Pottery, consisting of three vintage salad plates, two featuring a Breton woman and one a Breton man, all three with floral borders, dia. 7‑1/2”, and four late 20th-century pieces consisting of a yellow Breton woman serving bowl, a yellow Breton man serving bowl, h. 1‑1/2”, dia. 6‑1/2”, w. 8”, a yellow Breton woman dinner plate, and a yellow Breton man dinner plate, dia. 10”. [150/300]

152

1261 Composition Figure of a Lion, the beast modeled holding an armorial shield, raised on a circular plinth base, h. 24‑3/4”, w. 10”, d. 12”. [50/80]

1258

1262 Pair of Spanish-Style Wrought-Iron Seven-Light Floor Candelabra, with a central candle cup and two lower tiers with three cups each, raised on a knopped standard to three scrolling supports, h. 66”, dia. 20”. [500/800]

1263 Louis XV-Style Mahogany Console Table, fourth quarter 19th century, the serpentine marble top over a conforming foliate-carved frieze, raised on cabriole legs headed by acanthine carving and ending in scrolled toes, h. 31”, w. 40”, d. 18‑1/4”. [300/500]

1271 Porcelain Figure of a Dancing Girl, her hands grasping her ruffled hem as she twirls, h. 16”, w. 10”, d. 6‑1/2”. [150/300]

1264 French Provincial Oak Armoire, mid‑19th century, the rounded and molded cornice above a case fitted with two long doors, each inset with three panels, the molded plinth raised on bun feet, h. 82”, w. 63”, d. 25”. [1000/1500] Illustrated

1272 Pair of Continental Brass and Wood Table Lamps, first half 20th century, interestingly composed of an engraved Chinese brass panel of flowering plants and a butterfly set into a conforming brass frame, mounted on a wooden base and wired, h. 15”. [250/400]

1265 Pair of Carved Mahogany Caryatids, each depicting a maiden’s bust supporting an Ionic capital, h. 21”, w. 7”, d. 5”. [75/125] 1266 French Provincial Oak Tallcase Clock, early 19th century, the porcelain dial labeled “Galliere a Rouen” and having an embossed brass surround, the two-weight movement with time and strike, h. 97‑1/4”, w. 18‑1/2”, d. 10”. [1800/2500] Illustrated 1267 Large Dutch Bed Warmer, second quarter 19th century, the circular pan of pierced copper, the handle of turned and stained ash, l. 27‑1/2”. [40/70]

1276

1268 Charming Provincial PaintDecorated and Distressed Wood Vitrine, composed of antique elements, the case of diminutive form, with lighted ends, the front fitted with a 19th-century door with six lighted panes over a drawer below, the surface in a distressed gray-painted finish, h. 52”, w. 26‑1/2”, d. 18”. [300/500] 1269 Pair of French WroughtIron-Mounted Pine Candelabra Lamps, of tall size in the provincial style, modeled as white-painted and gray-pickled pedestal columns of square section, capped by tubular wrought-iron candlearms in a rusted finish, h. 39‑1/2”. [100/200] 1270 Pair of Continental Porcelain Figures of a Man and Woman, early 20th century, the figures depicted in traditional costume, h. 12”, dia. 4”. [125/250]

1266

1273 Queen Anne-Style Oak Side Table, the deep overhanging top with molded edge above a frieze fitted with a single drawer and raised on square cabriole legs, h. 27‑1/2”, w. 30”, d. 24”. [150/300] 1274 Provincial Oak-Plank Four-Panel Room Divider, each panel with a distressed patinated surface, h. 84‑1/2”, w. 79”. [100/200] 1275 American Patinated CastIron Bird Bath, the circular basin with a molded edge, raised on a baluster standard to an egg-and-dart-molded plinth base, h. 42‑3/4”, dia. 29‑3/4”. [300/500] 1276 Large Papier-Mache Turkey on Stand, signed “Sergio Bustamante 54/100”, the colorful bird modeled perched on a brass bar mounted to a tall Regency-style mahogany stand, h. 83”, dia. 17”. [150/300] Illustrated 1277 Continental Wrought-Iron and Pressed Glass Wall Sconce, second quarter 20th century, in the 18th-century taste, with two serpentine arms fitted with white fauxcandle sleeves, the backplate in the form of a bird perched on an urn, h. 21”, w. 13”, d. 5”. [100/200] 1278 Northern European Pine and Poplar Farmhouse Table, fourth quarter 19th century, the turned legs joined by an H-form stretcher, the apron of one side fitted with a brass-mounted drawer, the brass pull in the Art Nouveau style, the finish attractively distressed, h. 31”, w. 39”, d. 32”. [150/300]

153

1284 Large Pair of Chinese Cloisonne Ginger Jars, early 20th century, having reserves of potted flowers, bowls of fruit and scattered decorative motifs throughout, h. 11”, dia. 6”. [2500/4000] Illustrated 1283

1285 Pair of Japanese Meiji Cloisonne Vases, late 19th century, of square form, each with floral reserves and butterflies, h. 8‑1/2”, dia. 2”. [600/900] 1286 Japanese Meiji Cloisonne Bowl, late 19th century, having a black ground and a reserve of dragons and birds, h. 4”, dia. 5”. [300/500] 1287 Collection of Four Chinese Enameled and Cloisonne Articles, early 20th century, including a circular bowl with dragon motif, two small lidded boxes, and a small circular lidded box, the largest h. 2”, dia. 5‑1/2”. [350/500]

1279 Group of Two Glazed Terra Cotta Garden Fountains, one turquoise glazed in the form of an upright fish, h. 21”, w. 21”, d. 18”, and the other navy glazed in the form of a wall-mounted fish head, h. 11”, dia. 11”. [200/400]

1288

1280 Pair of Framed Chinese Paintings, each of near abstract interpretation depicting impressions of stylized floral images in ink washes and colors, each horizontal panel signed with an artist’s seal and presented in a rosewood frame, each panel h. 24”, w. 83‑3/4”. [300/500] 1281 Chinese School (Second Quarter 20th Century) “Theater Actor”, hand-colored lithograph, signed in calligraphy, sight 15‑1/2” x 10”. Glazed, matted and presented in a polychromed faux-bamboo frame. [500/800]

1282 Group of Four Japanese Prints on Paper, second half 19th century, each depicting a long-haired female deity in loose robes holding a bronze mirror, in three of the prints she is attended by other deities, each with calligraphic impressions, the female deity appears to be Amatersu, the sun goddess, supposedly linked to the Japanese Imperial lineage, h. 29”, w. 9‑3/8”. Provenance: Antique Maps and Works on Paper, Ltd., Santa Fe, New Mexico. [200/400] 1283 Pair of Chinese Cloisonne BottleForm Vases, 20th century, with royal blue grounds and foliate decor, on wooden bases, h. 10‑1/2”, dia. 3‑1/2”. [250/400] Illustrated

154

1284

1288 Pair of Japanese Meiji Cloisonne Vases, having an overall floral motif and polished brass flared rims, h. 9‑1/4”. dia. 3”. [200/400] Illustrated 1289 Japanese Meiji Cloisonne Pyriform Vase, fourth quarter 19th century, the melon-ribbed bowl with elaborately patterned cloisonne panels and goldstone inclusions, h. 9‑1/4”, dia. 12”. [300/500]

1290

1295 Group of Eight Chinese Carved Hardstone Toggles, comprised of carnelian and jade toggles carved as various animals and a Buddha, two pieces attached as pendants on corded necklaces, the largest l. 18”. [100/200] 1296 Kuang Hsu Cordovan-Lacquered Wooden Chop, fourth quarter 19th century, elaborately carved in the form of an Immortal and two attendants in a wooded grove, the chop proper carved with calligraphic characters, h. 2‑1/2”. [50/80] 1297 Chinese Carved Hardstone Flowering Tree, mid‑20th century, consisting of pink, amber and celadon flowers, h. 20”, w. 7‑1/2”, d. 4‑1/2”. [150/300] 1298 Diminutive Oriental Ebonized Six-Panel Folding Screen, mid‑20th century, the painted panels depicting various Asian mountain scenes and landscapes, h. 48”, w. 60”. [200/400] 1299 Japanese Split-Bamboo Screen Panel, first quarter 20th century, now mounted in a lacquered wood frame as a wind screen, the central panel of finely split bamboo strips mounted in a lacquered wood frame and stand above a panel of hares and foliage, h. 38‑1/4”, l. 52”, d. 11”. [125/250]

1304

1290 Pair of Japanese Polychromed Porcelain Vases, third quarter 20th century, each depicting Asian figures and clouds, now mounted as table lamps on circular wooden bases, h. 21”, dia. 7”. [300/500] Illustrated 1291 Pair of Japanese Polychromed Porcelain Vases, first quarter 20th century, each depicting songbirds in a foliate landscape, now mounted as table lamps on circular wooden bases, h. 31”, w. 7”, dia. 5‑1/2”. [250/400] 1292 Group of Four Chinese Pottery Items, consisting of a Kuang Hsu cream-glazed two-handled vase with embossed dragon motifs; a pair of double-gourd incisedecorated teapots, late 20th century; and a Kuang Hsu blue-glazed tri-footed Yao bowl; the largest h. 11”, w. 7‑1/2”, d. 2‑1/2”. [300/500] 1293 Chinese Celadon Porcelain Vase, early 20th century, of baluster form with embossed foliate reserves and ring handles, h. 7”, dia. 2‑1/2”. [300/500] 1294 Kuang Hsu Carved Gray Soapstone Group, mid‑20th century, depicting a recumbent water buffalo and calf surmounted by a robed boy groom, presented on a conforming Chinese carved and ebonized hardwood display stand of oval form, h. 3‑1/2”, w. 3‑1/4”, l. 6‑1/4”. [200/400]

1300 Interesting Japanese Weight Drive Timepiece, third quarter 20th century, composed of rosewood and engraved and filigree brass, h. 20”, w. 3‑1/2”, d. 3”. [400/700]

155

1305

1308 Pair of Japanese Imari Porcelain FishForm Serving Dishes, 20th century, each decorated in underglaze blue, iron-red and gilt with details of scales, fins, mouth and eyes realistically rendered within the fish-form outline, h. 1‑1/2”, w. 6‑1/4”, l. 9”. [600/900] Illustrated 1309 Pair of Japanese Imari Porcelain FishForm Serving Dishes, 20th century, each decorated in underglaze blue, iron-red and gilt with details of scales, fins, mouth and eyes realistically rendered within the fish-form outline, h. 1‑1/2”, w. 6‑1/4”, l. 9”. [600/900] Illustrated

1301 Unusual Chinese Lacquered and Gilded Decorative Door Lintel, 20th century, composed of black- and giltlacquered panels with naturalistic decoration on the top and sides, the center decorated with pierced and gilded naturalistic decoration of flowers and birds in two strips centered by a red and gilt strip, h. 21”, w. 77”. [250/400]

1310 Large Asian Patinated Bronze Vase, mid‑20th century, the body featuring various mythological scenes and figures, h. 16”. [300/500] 1311 Six-Piece Japanese Black-Lacquered and GoldPainted Rice Bowl and Tray Ensemble, mid‑20th century, consisting of four covered rice bowls, h. 2”, dia. 5”, and two footed square trays, h. 3”, w. 12”, d. 12”. [200/400]

1302 Chinese Carved Wooden Miniature Altar Coffer, 19th century, of rectangular outline with upturned ends, the front fitted with three drawers, with carved and pierced apron and ends with floral decoration, h. 10‑3/4”, w. 30‑3/4”, d. 8‑1/2”. [75/125] 1303 Tall Chinese Teakwood Plant Stand, late 20th century, the square top mounted to four straight legs and having pierced aprons, h. 48”, w. 14”, d. 14”. [150/300]

1309

1304 Pair of Chinese Lidded Jars on Stands, early 20th century, each with reeded sides and reserves depicting Asian men and women in traditional costume, h. 16", dia. 5". [300/500] Illustrated previous page 1305 Pair of Chinese Polychromed Porcelain Lidded Vases, 20th century, of broad globular form, each lid with a gilded Foo dog, the bodies richly decorated in floral, avian and papillon patterns, h. 17”, dia. 10”. [300/500] Illustrated 1306 Near Pair of Satsuma Vases, early 20th century, each with a green and blue raised slip decoration, the largest h. 15”, w. 4‑3/4”. [100/200] 1307 Japanese Meiji Porcelain Teapot, fourth quarter 19th century, the dark pink field having reserves on each side with a phoenix bird and flowers, and having double brass bail handles, h. 6‑3/4”, w. 5‑1/2”, l. 7‑1/2”. [200/400]

156

1312

1308

1319 1320

1315 Pair of Japanese Green and White Porcelain Vases, late 20th century, featuring meandering dragons, now mounted as table lamps on turned wooden bases, h. 21”, dia. 8”. [150/300] 1316 Eight-Piece Collection of Porcelain and Enameled Asian Wares, late 19th century, including a three-piece Chinese export blue and white tea service; a Japanese Imari-style vase, now mounted as a table lamp; a Meiji blue and white planter; a pair of Japanese enameled scenic chargers; and a Satsuma lidded jar with a Foo-dog finial; the largest h. 5”, dia. 10”. [300/500] 1317 Japanese Yellow Ceramic Teapot, mid‑20th century, the body embossed with maple leaves, the bottom marked “Made in Japan”, h. 8”, w. 4”, l. 8”. [100/200]

1318

1312 Chinese ChippendaleStyle Ebonized Mahogany and MarbleTop Coffee Table, of rectangular form, the specimen marble top resting on a molded frame, the legs ending in square scrolls, h. 16‑1/2”, w. 58‑1/2”, d. 29‑1/2”. [800/1200] Illustrated

1313 Japanese Lacquer and Porcelain Table-Top Cabinet, early 20th century, the lacquered wooden body standing on scroll feet decorated in black and gold lacquer with blueand-white porcelain-inset plaques, the front with three drawers and two doors opening to three further drawers, h. 19‑1/2”, w. 18”, d. 9”. [300/500] 1314 Group of Two Kuang Hsu Vases, including a spun brass example with applied brass dragons, warriors on horseback and rosettes with red jewels; and a greenglazed pottery vase with embossed decor; the largest h. 11‑1/2”, dia. 4”. [300/500]

1318 Kuang Hsu Dragon-Handled Brass Vase, fourth quarter 19th century, of tall size in relief avian decor with a circular domed foot featuring turtles in waves, h. 23‑1/4”. [150/300] Illustrated 1319 Two-Part Cast Bronze Figure of Hotei, the God of Happiness and Contentment, second quarter 20th century, h. 12”, w. 9”, d. 7”. [400/700] Illustrated 1320 Japanese Patinated Bronze Figure of a Monk at Prayer, late 20th century, the seated figure modeled hatted and holding a fan, and mounted to a blackpainted wooden base, h. 14‑1/2”, w. 12‑1/4”, d. 8‑1/2”. [200/400] Illustrated 1321 Indian Cast-Brass Figure of a Standing Shiva, mid‑20th century, h. 11”, w. 6”, d. 3‑1/2”. [100/200] 1322 Tao Kuang Carved and Gilded Wooden Figure of Buddha, early 19th century, h. 9”, w. 5‑1/2”, d. 5”. [300/500] 1323 Thai Carved Wooden Figure of an Absornsi as a Guardian, the carved half-angel, half-lion figure in a crouching position wearing armor and helmet with traces of painted decoration, now mounted on a black wooden base, h. 28‑1/2”. [200/400] 1324 Three-Piece Group of Nepalese and Japanese Metal Figures, comprised of a tall Nepalese gilded cast-iron figure of the young crowned Buddha standing atop a lotus, second quarter 19th century, now mounted on a bronze-patinated brass “collector’s” base as a table lamp; a Nepalese weighted and gilded brass figure of Ganeesh seated on a skull-ringed platform, fourth quarter 19th century; and a Japanese Meiji brass figure of the robed seated Buddha, also fourth quarter 19th century; the largest h. 23”. [500/800]

157

1325 Interesting Asian Hardwood and Wrought-Iron Folk Art Bird, early 20th century, the wings fold open to reveal an interior storage cavity, mounted to a molded wooden base, h. 8‑1/2”, w. 7”, d. 2‑1/2”. [200/400] 1326 Interesting Asian Carved Teakwood Tilt-Top Table, early 20th century, the circular carved top depicting a large sailing vessel and fitted with a conforming plate glass top, h. 24‑1/4”, dia. 24”. [200/400]

1330

1329 1327 Group of Two Oriental Metal Objects, consisting of a Nepalese patinated bronze figure of an elaborately garbed seated youthful Buddha, fourth quarter 19th century, h. 8‑3/8”, w. 5‑1/2”, d. 4‑1/2”; and a Kuang Hsu brass personal brazier/hand-warmer of handled basket form, first quarter 20th century, the pierced cover in a “Flowering Tree” pattern, the base fitted with an arched swing handle, h. 2‑1/2”, w. 3‑1/4”, l. 4‑1/2”. [150/300] 1328 Persian Hamadan Runner, 3’ 8” x 8’ 2”. [250/400] 1329 Persian Mashad Carpet, 9’ 9” x 12’ 6”. [600/900] Illustrated 1330 Jaipur Sultanabad Carpet, 9’ x 11’ 9”. [1200/1800] Illustrated

1332

158

1331 Semi-Antique Bessarabian Kilim Carpet, 7’ 10” x 9’ 7”. [600/900] 1332 Agra Patchwork Design Carpet, 6’ x 9’. [700/1000] Illustrated 1333 Persian Sarouk Carpet, 7’ 10” x 10’ 7”. [500/800] Illustrated 1334 Chinese Runner, 2’ 3” x 9’ 7”. [75/125]

1333

1335 Uzbek Kazak Carpet, 6’ x 9’ 3”. [700/1000] Illustrated 1336 Persian Belouchistan Carpet, 3’ 2” x 6’ 1”. [200/400] 1337 Needlepoint Carpet, 20’ 10” x 13’ 8”. [400/700] 1338 Kilim Carpet, 8’ 2” x 10’ 3”. [150/300] 1339 Chinese Carpet, 6’ x 9’. [75/125] 1340 Kilim Carpet, 6’ 8” x 10’ 6”. [150/300]

1335

159

Index of Artists and Printmakers A American School 610, 858, 860, 862, 1168, 1171, 1234, 1235, 1238 Anderson, Walter Inglis (after) 897 Anglade, Gaston 349 Anzalone, William 1236 Audubon, John James (after) 1063, 1064 B Blake, William (after) 1127 Bodine, A. Aubrey 1172 Bohne, Marc (after) 1239

April 2-3, 2011

David, Jacques-Louis (after) 190 De Saulx, Jean 189 Drysdale, Alexander John 891 Dutch School 477 E Edmondson, Joseph (after) 35 Erte, Romain de Tirtoff (after) 1165 F Folawn, Thomas Jefferson 1242 French School 192, 346

Bouguereau, William Adolphe (follower) 611

British School 31, 34, 37, 347, 348, 423, 424, 1241

Giampietri, Settimio 644

Brookshaw, George 240

Grant, G. 425 Gruber, Marie 1173

C Cafieri, I 859 Catesby, Mark 547 Challe, Michel-Ange (after) 345 Chinese School 1281 Continental School 188, 350, 352, 353, 355, 513, 548, 549, 648, 649 Coulon, George David 892 Cranach, Lucas the Elder (after) 762 D Daniel, John 855A

H Hanush, Herbert 895 Harrison, Robert 854 Haur 647 Herring Sr., John Frederick 422 Hobbs, Herny Morris 893 Hudson River School 861 I Ino, Pierre 1233 Italian School 546

Index of Artists and Printmakers

April 2-3, 2011

Knoop, Johann Hermann 239

Pascal, Paul 351

Kollowitz, Kathe (after) 1166

Peruvian School 760

LeBlanc, Ervin 1065

Remington, Frederick (after) 1126

Lely, Peter Sir (follower) 30

Reynolds, Lee 855

Levaillant, Francois (after) 1066

Roark, Garland 856

Lochrie, Elizabeth Davey 1170

Roberts, Octavia Gayden 863

Louisiana School 894, 1014

Robie, Jean-Baptiste 476

Ludlow, Henry Stephen 33

Rodrigue, George 948, 949, 950

Macs, Yan 1231

School, Continental 478, 479, 646

Manetti, Rutilio (circle) 761

Sharp, Wlliam & Son 241

Marchetti, Ludovico 645

Simpson, Dallas 612

Marin, John (attributed) 1167

South American School 650

Martin, Sylvester 421

Southern School 1011, 1013

Michalopoulos, James 1008, 1009

Spanish School 354

Mignard, Pierre After 758

Steuben, Charles (after) 191

Milby, Frank 1010

Stuart, Gilbert Charles (after) 1128

Murillo, Bartolome Esteban (after) 613, 614

Myslive, Frank Richard 857

Titian, Veceli Tiziano (after) 759

Tollover, William 1012

Neiman, LeRoy 1169

Tullis, Octavia Gayden 1015

O Osnaghi, Josefine 1232

Index of Artists and Printmakers

W Ward, Edward Matthew 32

April 2-3, 2011

Glossary

Watson, P. Fletcher 36 Windberg, Dahlart 1243 Wingren, Dan 1237 Woodward, Ellsworth 896 Z Zarin, Helen 1240

The Artistâ&#x20AC;&#x2122;s Name: In New Orleans Auction Galleries opinion, a work by the artist. Attributed to: In New Orleans Auction Galleries opinion, a work of the period of the artist that may be in whole or in part the work of the artist. School of: In New Orleans Auction Galleries opinion, a work by a follower of the artist. Circle of: In New Orleans Auction Galleries opinion, a work of the period of the artist and showing his influence. Manner of: In New Orleans Auction Galleries opinion, a work in the style of the artist, possibly of a later period. After: In New Orleans Auction Galleries opinion, a copy of the work of the artist. Signed: Has the signature which in New Orleans Auction Galleries opinion is that of the artist. Bears Signature: Has a signature which in New Orleans Auction Galleries opinion might be the signature of the artist. Dated: Is so dated and in New Orleans Auction Galleries opinion was executed at about that date. Bears Date: Is so dated and in New Orleans Auction Galleries opinion may have been executed at about that date.

REQUEST FOR CONDITION REPORTS (DEADLINE: THURSDAY, MARCH 31, 2011 AT 5:00 P.M.) Condition reports are completed in the order in which they are received. Please allow ample time for large requests. Condition reports will not be given verbally. Photo requests will only be processed for items not illustrated in our catalog or website (www.neworleansauction.com). Detail photographs will be provided at our discretion. Name (Please Print): _______________________________________________________

Date: __________

Business Name: ____________________________________________________________________________ Address: __________________________________________________________________________________ City: __________________________________________________ Telephones: Work: (_______)____________

State: __________ ZIP: ____________

Home: (_______)___________

(For Fed-Ex Requests) Federal Express Account #: _________________ Please Select: Method of Receiving Reports: _____Fax _____Mail _____Email

Fax: (_______)__________

Email Address: __________________

Method of Receiving Photographs: _____Mail

_____Email

Lot # Description Special Requests _______________________________________________________________________________ _______________________________________________________________________________ _______________________________________________________________________________ _______________________________________________________________________________ _______________________________________________________________________________ _______________________________________________________________________________ _______________________________________________________________________________ _______________________________________________________________________________ _______________________________________________________________________________ _______________________________________________________________________________ _______________________________________________________________________________ _______________________________________________________________________________ _______________________________________________________________________________ _______________________________________________________________________________ _______________________________________________________________________________

Please Submit This Form Via Fax: 504-586-8841

This Form Must Be Submitted by Friday at 5:00 p.m.

absentee / telephone bid form

Paddle #_______________ 1330 St. Charles Ave. l New Orleans, LA 70130 504-586-8733 l Fax: 504-586-8841

Name (Please Print): ______________________________________________ Date: ____________ Business Name: _____________________________________________________________________ Dealer Resale # (Dealers must also sign official State of Louisiana document): ________________________ Address: __________________________________________________________________________ City: _____________________________________________ State: ____________ ZIP: ________ Telephones: Work (_____)___________ Home (_____)____________ Fax (_____)___________ E-mail Address: _____________________________________________________________________ Conditions of Sale: Conditions of sale are as set forth in the applicable New Orleans Auction Galleries, Inc. catalog as amended by any posted notices or oral announcements during the sale, such conditions of sale together with the following conditions applicable to telephone and absentee bids, constitute the entire terms and conditions on which property listed in the catalog shall be offered for sale or sold through New Orleans Auction Galleries, Inc. (the “Company”). Additional Absentee and Telephone Bid Conditions: The Company is hereby authorized to bid on the following lots up to the price entered and will treat this figure as a budget and will obtain the item as reasonably as possible within the budget. We assume no responsibility for failure to execute bids for any reason whatsoever. The Company encourages collectors to place absentee and telephone bids as soon as possible and cannot guarantee the implementation of bids left after 5:00 p.m. the evening before the sale. In the event absentee bids of identical amounts are submitted, the earliest bid received takes precedence. Please date this form. In the event of a tie bid, live bidders and telephone bidders, respectively, take precedence over absentee bids. A successful bid results in a purchase price which is the aggregate total of the final bid, a 23% buyer’s premium of the final bid price up to and including $200,000 and 10% of the amount by which the lot exceeds $200,000 added to the hammer price on all lots sold, together with any tax due on the item. For purchases made by cash, check or wire transfer, the buyer’s premium shall be discounted 3% of this 23%. The bidder is responsible for calling the Company for sales results during the week after the sale. Dealers purchasing for resale must enter appropriate Dealer Resale Number on this form and provide the Company with proper documentation. The Company does not pack or ship items purchased at auction. The buyer is responsible for packing and shipping. The Company is not liable for any damage to goods after they have been sold. A storage charge of $5 per item per day will be assessed against any items remaining in the custody of the Company by the close of business of the fifteenth day following the auction. GOVERNING LAW AND JURISDICTION 11. These Conditions of Sale, as well as the Purchaser’s and the Company’s respective rights and obligations hereunder, shall be governed by and construed and enforced in accordance with the laws of the State of Louisiana. By bidding at an auction, whether present in person or by agent, order bid, telephone, internet, or other means, the Purchaser shall be deemed to have consented to the exclusive jurisdiction of the state courts of, and the federal courts sitting in, the State of Louisiana.

Lot #

Bid Amount (not including buyer’s premium) OR Telephone Number to Call:

$ $ $ $ $ $ $ $ $ $ VISA / MasterCard #: ____________________________________________ Expiration Date: ________________ Credit Card V-Code: _______________ (Three-digit code on the back of credit card, following the account number) I have read and agree to the Conditions of Sale. I agree that a buyer’s premium will be charged on each lot purchased at 23% up to and including $200,000 plus 10% of the hammer price greater than $200,000. For purchases made by cash, check or wire transfer, the buyer’s premium shall be discounted 3% of this 23%. Your signature on this form constitutes permission to charge successful bids to your credit card, including the 23% buyer’s premium, if payment is not received within five days of the auction. Signature (Required): ___________________________________

Please fax this completed form to: 504-586-8841

This Form Must Be Submitted by Friday at 5:00 p.m.

ABSENTEE/TELEPHONE BID FORM (CONTINUED)

Name (Please Print): ______________________________________ Lot #

Bid Amount (not including buyerâ&#x20AC;&#x2122;s premium) OR Telephone Number to Call:

$ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $

801 Magazine Street New Orleans, Louisiana 70130 504-566-1849 Fax 504-566-1851

1330 St. Charles Avenue New Orleans, Louisiana 70130 504-586-8733 Fax 504-586-8841

â&#x20AC;&#x201C; Authorized Release Form â&#x20AC;&#x201C; Name: ________________________________________________________________________ Business Name: _________________________________________________________________ Telephone(s): __________________________________________________________________ Email Address: _________________________________________________________________ I authorize: _______________________________________________________to pick up items New Orleans Auction No.:______________________________or Sale Date:_________________ Lot #(s): ______________________________________________________________________

_____________________________________________________________________________

Please sign below:

X________________________________________________

Date____________________

Print name: __________________________________________

Please provide the shipping agent with the appropriate New Orleans Auction location and fax this form to the correct gallery listed above.

Note: Items will not be released without a signed authorization

Conditions Of Sale

he following as amended by any posted notices or oral announcements during the sale, constitutes the entire terms and conditions on which property listed in the catalog shall be offered for sale or sold through New Orleans Auction Galleries, Inc. (the “Company”), for any consignor of such property for whom we act as agent. As used herein, the term “bid price” means the price at which a lot is knocked down to the purchaser and the term “purchase price” means the aggregate of (a) the bid price (b) a premium of 23% of the bid price up to and including $200,000 and 10% of the amount by which the lot exceeds $200,000 payable by the purchaser to the Company and (c) unless the purchaser is exempt by law from the payment thereof, any Louisiana state or local sales taxes. For purchases made by cash, check or wire transfer, the buyer’s premium shall be discounted 3% of this 23%. On the fall of the auctioneer’s hammer, the highest bidder shall be deemed to have purchased the offered lot in accordance with all of the conditions set forth herein and thereupon (a) assumes full risk and responsibility therefor (b) if requested will sign a confirmation of purchase thereof, and (c) will pay the purchase price in full. The Company reserves the right to withdraw any lot at any time before the actual sale. Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the catalog and no lot shall be divided for sale. The Company reserves the right to reject a bid from any bidder. The highest bidder acknowledged by the auctioneer shall be the purchaser. In the event of any dispute between bidders, or in the event the auctioneer doubts the validity of any bid, the auctioneer shall have sole and final discretion either to determine the successful bidder or to re-offer and resell the lot in dispute. If any dispute arises after the sale, the Company’s sales records shall be conclusive in all respects. In the event of a tie bid between an absentee bidder and a live bidder, the lot will be sold to the live bidder. If a lot is offered subject to a reserve (the confidential minimum price below which the lot will not be sold), the Company may implement such reserve by bidding on behalf of the consignor, whether by opening bidding or continuing bidding until the reserve is obtained, by placing consecutive bids or bids in response to other bidders. Consignors shall not be permitted to bid on their own items. While the Company has endeavored to catalog and describe the lots correctly, each lot is sold “as is”, and neither the Company nor the seller warrants or represents, nor shall be responsible for, the description, genuineness, provenance, importance, or condition of a lot. No statement contained in the catalog or made verbally prior to or during the sale shall be deemed to express any warranty, representation, or assumption of responsibility by the Company or the Seller. In the event that the buyer of any lot fails to pay the purchase price thereof when due, the Company shall have the option, at its sole discretion, to (a) enforce payment by civil action or other proceedings against the buyer; (b) to void the sale as if said sale had not occurred; or (c) to exercise any other remedy or remedies available under the law, including but not limited to a second sale of said item in accordance with the provisions of Louisiana Civil Code, Article 2622, including the subsequent enforcement of any deficiency against the initial buyer (d) to charge successful bids to your credit card, including the 23% buyer premium. The Company reserves the right to require that advance bids received either by mail or by means of telecommunications be accompanied by a 25% deposit. The Company further reserves the right to require payment in full of the sales price (“Hammer Price”) at the moment of successful bid. The Purchase Price must be paid by the successful bidder on or prior to the close of the auction. Checks are not acceptable unless a buyer is accredited with the Company; otherwise certified checks are required. Absolutely no items may be removed before the end of the auction. All items must be removed by the purchaser thereof promptly after the auction. The Company is not liable for any damage to goods after they have been sold. A storage charge of $5 per item per day will be assessed against any items remaining in the custody of the Company by the close of business of the fifteenth day following the auction. GOVERNING LAW AND JURISDICTION 11. These Conditions of Sale, as well as the Purchaser’s and the Company’s respective rights and obligations hereunder, shall be governed by and construed and enforced in accordance with the laws of the State of Louisiana. By bidding at an auction, whether present in person or by agent, order bid, telephone, internet, or other means, the Purchaser shall be deemed to have consented to the exclusive jurisdiction of the state courts of, and the federal courts sitting in, the State of Louisiana.

Customers, Please Note: Deadline for Absentee/Telephone Bidding 5:00 P.M. Central – Friday, April 1, 2011 Guidelines for Telephone Bidding 1. Each item must have a low estimate of at least $500 2. Telephone bidders must agree to bid the low estimate on each item. Deadline for Condition Report Requests 5:00 P.M. Central – Thursday, March 31, 2011

We Accept VISA and MasterCard for Invoices Up to $25,000 There will be a buyer’s premium of 23% (3% discount if paying by cash, check or wire) of the final bid price up to and including $200,000 and 10% of the amount by which the lot exceeds $200,000 added to the hammer price on all lots sold. Items in the catalogue are sold as is, where is. On the fall of the auctioneer’s hammer, the highest bidder shall be deemed to have purchased the lot in accordance with the Conditions of Sale. All sales are final. Where possible, significant damage is mentioned but does not include all faults and imperfections. Unless stated in the catalogue description, lampshades and keys are not included.

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Lot# 1 2 4 5 6 7 8 9 10 11 12 13 14 16 17 18 20 21 22 23 24 25 26 27 28 29 30 31 32 34 35 36 37 38 39 40 41 42 43 45 47 48 50 52 54

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738 110 584 369 2,460 522 86 584 246 276 861 738 399 307 24 153 738 1,599 1,353 307 246 246 461 184 2,952 1,476 246 276 215 799 553 1,045 307 246 307 86 61 1,968 584 110 1,045 110 36 98 215

56 57 60 61 63 64 65 67 69 70 72 73 74 75 76 77 78 79 80 81 83 84 85 86 87 89 91 92 94 95 96 97 98 99 100 102 104 106 107 108 109 111 112 113 114

522 369 73 123 369 184 184 492 98 55 153 73 369 184 153 246 430 123 123 123 49 246 369 246 338 738 153 73 73 86 73 123 98 86 369 492 369 369 184 123 123 98 123 98 123

115 116 117 118 119 120 121 122 123 124 125 126 128 131 132 133 137 138 139 140 141 142 143 147 148 150 151 152 154 155 156 157 158 160 161 162 163 165 166 169 171 174 176 177 178

98 86 110 98 98 584 110 738 153 110 98 2,460 1,107 492 738 307 522 307 110 184 325 553 369 369 338 307 553 430 215 73 73 153 43 246 184 123 49 492 553 399 922 215 86 153 184

179 180 182 183 184 186 187 188 189 190 192 194 195 197 198 199 201 202 204 205 206 207 208 209 211 212 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 232 234 235 236

123 307 861 922 338 153 276 399 1,353 153 123 276 307 98 1,168 123 492 18 492 430 246 307 399 369 492 492 338 338 123 246 307 492 184 86 307 98 123 98 86 110 110 153 153 861 1,353

Lot# 237 238 239 241 242 243 244 245 247 251 252 253 254 255 256 257 257A 257B 260 261 262 263 263A 263B 263C 263D 264 265 266 270 271 272 273 275 277 278 281 282 283 284 285 286 287 288 289

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123 676 1,968 399 984 215 922 215 799 553 215 123 86 215 461 1,968 492 492 615 922 123 123 184 184 184 184 307 215 184 2,091 399 184 215 246 246 98 307 246 215 1,107 738 492 2,706 861 1,230

291 292 295 296 298 299 300 301 304 305 306 307 308 309 310 311 312 314 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 336 337 339 341 344 345 346 347

522 1,476 2,337 184 73 73 246 110 276 184 123 215 399 98 615 276 338 246 246 6,150 15,375 799 984 276 615 461 1,045 1,722 399 246 615 276 246 584 98 1,168 215 984 153 1,845 1,476 1,168 110 246 246

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01/26/2011 12:30:56 New Orleans Auction Prices Realized for Sale A111 January 22, 2011 January Estates Auction

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348 350 351 352 353 354 355 357 358 359 360 361 364 365 367 368 371 372 374 375 377 378 379 380 381 383 384 386 387 388 389 390 391 392 393 394 397 398 399 400 401 402 403 404 406

98 246 215 461 338 738 276 184 246 492 369 153 110 123 86 153 98 123 110 1,968 153 104 98 369 3,198 399 36 399 73 110 98 24 184 123 246 73 522 110 276 369 307 246 73 30 553

410 411 414 415 417 420 421 423 424 425 428 430 431 432 433 434 436 438 441 443 444 445 446 447 449 450 451 452 453 454 457 458 459 460 464 466 467 468 469 470 471 472 476 478 479

369 369 184 492 369 153 522 92 123 61 86 184 184 3,198 461 184 369 861 123 861 399 553 307 110 369 184 98 492 246 615 215 1,168 153 1,168 153 153 123 215 369 492 369 86 36 73 36

Lot# 481 482 483 484 485 486 487 488 489 490 491 493 494 495 496 497 498 500 501 502 503 504 505 506 506A 507 508 509 511 514 515 517 518 519 522 523 524 525 531 532 533 538 541 542 543

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153 55 246 184 86 246 399 98 307 86 36 36 61 73 369 338 1,722 153 73 123 461 984 369 73 36 307 49 73 86 98 73 36 86 184 123 110 73 246 18 43 36 461 307 153 1,722

544 546 547 549 551 552 553 554 555 557 558 560 562 563 564 565 566 567 568 569 571 574 576 584 585 586 587 593 594 595 596 601 602 605 606 607 614 615 616 618 619 621 622 623 624

86 73 338 184 246 307 338 246 153 73 369 338 43 86 153 184 861 153 553 676 153 98 4,674 43 615 36 36 73 2,214 86 369 110 98 55 110 98 1,045 584 399 18 36 86 4,182 98 73

627 628 629 631 633 635 640 641 642 643 644 645 646 647 648 649 650 652 654 655 656 657 659 661 662 663 664 665 666 667 668 669 671 673 674 675 676 677 678 679 680 681 682 683 684

307 676 73 461 98 73 110 61 36 36 553 307 3,690 36 307 307 399 1,045 123 123 123 861 98 1,230 153 246 55 110 246 123 184 399 43 399 307 246 86 36 110 98 98 98 98 98 246

685 686 687 688 689 690 691 692 693 694 696 697 698 699 700 701 703 704 705 706 708 710 712 713 718 719 720 723 724 726 727 733 736 737 738 739 740 741 742 744 746 747 748 749 752

184 98 110 110 98 110 1,968 98 338 4,182 184 430 369 215 246 7,687 799 430 36 123 110 1,353 276 246 123 738 1,353 338 153 984 399 184 799 215 738 584 246 492 184 110 36 615 153 861 246

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01/26/2011 12:30:57 New Orleans Auction Prices Realized for Sale A111 January 22, 2011 January Estates Auction

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753 755 756 759 760 762 763 764 773 776 778 781 782 784 788 796 802 803 805 810 811 812 818 820 821 822 824 825 826 832 833 834 835 837 838 839 840 841 842 843 844 845 847 848 849

307 123 215 86 24 1,353 307 12 5,535 4,674 4,428 1,722 1,599 1,353 369 3,444 276 153 276 276 184 246 738 1,476 399 430 615 338 184 73 73 184 184 2,706 3,444 984 584 153 29,520 2,706 276 276 2,214 61 184

852 853 854 855 856 857 858 859 860 862 863 864 865 866 867 868 869 871 873 874 878 879 880 881 883 884 885 886 887 888 892 893 895 896 897 899 900 901 902 904 905 906 907 908 910

215 98 110 123 98 98 123 153 98 98 98 98 153 98 738 215 338 55 399 338 246 55 492 369 98 184 399 98 184 246 123 123 153 153 246 123 98 153 184 123 123 246 215 307 492

912 915 916 917 919 920 921 922 923 924 925 926 927 928 932 933 934 935 936 937 939 940 941 946 947 949 950 951 952 953 956 957 958 959 960 961 962 963 964 966 972 973 975 976 977

184 215 399 215 1,107 153 123 86 246 738 738 36 18 98 1,168 123 553 738 461 276 110 61 276 861 246 184 184 553 153 461 123 461 430 307 6,457 2,952 307 676 738 492 4,920 153 123 110 153

978 979 980 981 982 983 984 985 986 987 988 989 990 991 992 993 994 995 996 997 999 1001 1002 1005 1006 1007 1009 1010 1011 1012 1013 1019 1020 1021 1022 1023 1025 1026 1027 1028 1029 1030 1031 1032 1033

98 123 86 98 98 123 184 215 153 3,936 584 153 123 98 276 276 98 399 522 123 123 553 861 98 184 86 215 153 110 246 153 184 123 246 73 356,000 338 492 215 338 922 73 276 153 338

1034 1035 1036 1037 1038 1039 1040 1043 1044 1045 1046 1047 1049 1053 1056 1057 1058 1059 1060 1061 1062 1063 1064 1065 1066 1067 1068 1069 1070 1071 1072 1073 1074 1075 1076 1078 1080 1081 1082 1084 1085 1086 1089 1090 1091

246 153 98 98 307 215 98 49 153 110 98 2,091 73 123 584 184 184 1,107 369 153 110 246 276 369 307 184 98 430 184 153 110 184 246 369 1,722 276 246 1,722 246 184 2,091 123 399 123 153

1092 1093 1096 1097 1099 1100 1101 1102 1105 1106 1107 1108 1109 1110 1111 1113 1114 1115 1118 1120 1124 1127 1128 1130 1132 1134 1135 1137 1138 1139 1140 1141 1142 1143 1144 1145 1146 1147 1148 1150 1153 1154 1157 1158 1161

184 153 461 1,230 1,722 922 1,107 369 553 246 276 307 2,337 307 1,107 492 399 215 215 799 984 36 399 43 86 492 123 215 61 86 799 98 184 522 184 153 184 184 73 276 153 307 24 55 2,337

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01/26/2011 12:30:59 New Orleans Auction Prices Realized for Sale A111 January 22, 2011 January Estates Auction

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1162 1163 1167 1169 1171 1172 1174 1175 1176 1177 1178 1180 1181 1182 1183 1184 1185 1186 1187 1189 1190 1191 1192 1193 1194 1195 1197 1198 1199 1201 1203 1204 1205 1207 1208 1209 1210 1211 1212 1213 1215 1216 1217 1218 1219

153 24 307 369 307 522 338 184 799 98 369 184 110 215 215 43 307 215 338 399 153 153 215 153 153 153 123 110 861 615 184 2,337 307 61 799 1,476 369 1,722 3,198 3,198 2,460 1,168 1,599 399 110

1220 1221 1224 1226 1227 1229 1230 1232 1233 1234 1235 1236 1237 1238 1239 1241 1242 1243 1244 1245 1246 1248 1249 1250 1251 1252 1253 1254 1255 1256 1257 1258 1259 1260 1263 1264 1265 1267 1269 1270 1271 1272 1273 1274 1275

1,168 1,045 123 184 184 98 86 461 461 215 307 153 215 369 43 110 98 98 984 676 110 369 49 98 73 1,722 30 49 615 153 215 215 615 110 123 738 49 61 184 246 110 215 73 153 184

1277 1278 1279 1280 1282 1283 1284 1285 1287 1288 1289 1290 1291 1292 1293 1294 1295 1296 1297 1298 1299 1300 1301 1302 1303 1304 1306 1307 1309 1313 1317 1320 1321 1325

522 307 553 553 1,599 98 43 73 49 215 246 492 110 110 110 184 98 98 215 184 73 110 153 153 738 153 73 246 922 553 522 369 369 1,168

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JEAN VIDOS President TESSA STEINKAMP Executive Vice President GREG S. KOWLES Director of Consignments / American Furniture JELENA JAMES Fine Arts Consignments KAYSIE WILKINSON Office Manager KARLA PELARDE Administrative Assistant DENISE HAIK Marketing Director ROBIN RUIZ WILKINSON Auctioneer NATALIE H. GIBSON, C.E.S. Certified Estates Specialist Administrator of Online Auctions JOHN W. KEEFE / TOM HALVERSON ELLEN MCKENZIE RICHERSON L. RHODES, G.G., N.J.A. Cataloguers SEAN RANSON Carpet Consignments KURT STEINKAMP Director of Operations CEDRIC ROBERTS Inventory Manager DAVID ABNEY / EDDIE DAIGREPONT / RAUL GUILLEN BLAKE HUFFMAN / GLENN MARTIN Operations Department PATRICK L. LORENZ Photographer