WORKS on PAPER
23rd July - 14th September 2011
www.milfordgalleries.co.nz
Milford Galleries Dunedin 18 Dowling Street
(03) 477 7727
info@milfordhouse.co.nz
1. DICK FRIZZELL, The Answer (2010) screenprint on paper, edition of 100, frame (v x h x d): 933 x 812 x 60 mm, printed image (v x h): 488 x 498 mm
2. DICK FRIZZELL, I Love Wine (2010) screenprint on paper, edition of 150, frame (v x h x d): 873 x 775 x 60 mm, printed image (v x h): 430 x 428 mm
3. DICK FRIZZELL, Times Arrow (2007) screenprint on paper, edition of 100, frame (v x h x d): 870 x 680 x 35 mm, printed image (v x h): 237 x 250 mm
4. DICK FRIZZELL, Haka Lyric (2010) screenprint on paper, edition of 250, frame (v x h x d): 902 x 768 x 60 mm, printed image (v x h): 502 x 433 mm
5. DICK FRIZZELL, All Square in Love and War (2010) screenprint on paper, edition of 80, frame (v x h x d): 758 x 898 x 60 mm, printed image (v x h): 285 x 225 mm
6. DICK FRIZZELL, Old Boots (2011), screenprint on paper, edition of 300, frame (v x h x d): 881 x 995 x 34 mm, printed image (v x h): 448 x 580 mm
7. DICK FRIZZELL, Red Haring VI (2010) screenprint on paper, edition of 100, frame (v x h x d): 935 x 791 x 60 mm, printed image (v x h): 505 x 520 mm
8. DICK FRIZZELL, Another Big Kiss (2009) screenprint on paper, edition of 100, frame (v x h): 1310 x 1028 x 60 mm, printed image (v x h): 700 x 700 mm
9. STANLEY PALMER, Bell - Marae Pahaoa (2010) bamboo engraving & lithograph on paper, edition of 100, frame (v x h x d): 700 x 937 x 22 mm, printed image (v x h): 345 x 590 mm
10. STANLEY PALMER, Harataonga (2010) bamboo engraving & lithograph on paper, edition of 100, frame (v x h x d): 655 x 926 x 22 mm, printed image (v x h): 295 x 577 mm
11. STANLEY PALMER, Matauri (2010) bamboo engraving & lithograph on paper, edition of 100, frame (v x h x d): 637 x 837 x 60 mm, printed image (v x h): 305 x 573 mm
12. STANLEY PALMER, Karamea (2010) bamboo engraving & lithograph on paper, edition of 100, frame (v x h x d): 679 x 852 x 60 mm, printed image (v x h): 350 x 555 mm
13. STANLEY PALMER, Road - Mahurangi (2010) bamboo engraving & lithograph on paper, edition of 100, paper (v x h): 545 x 753 mm, printed image (v x h): 330 x 580 mm
14. STANLEY PALMER, Rakau Tapu - Harataonga (2010) bamboo engraving & lithograph on paper, edition of 100, frame (v x h x d): 638 x 762 x 22 mm, printed image (v x h): 280 x 410 mm
15. KARL MAUGHAN, Colyton (2010) screenprint on paper, edition 50/100,
frame (v x h x d): 978 x 1378 x 60 mm, printed image (v x h): 640 x 1075 mm
16. NIGEL BROWN, Do We Concentrate on Anything Now? (2011) acrylic on paper, frame (v x h x d): 1227 x 906 x 60 mm, painted image (v x h): 870 x 587 mm
17. NIGEL BROWN, Tourist Earth (2011) acrylic on paper, frame (v x h x d): 1211 x 896 x 60 mm, painted image (v x h): 855 x 580 mm
18. NIGEL BROWN, Long Term Nurture (2011) acrylic on paper, frame (v x h x d): 1227 x 903 x 60 mm, painted image (v x h): 883 x 590 mm
19. REUBEN PATERSON, Rejoice Together (2011) screenprint & glitter on paper, edition of 30, frame (v x h x d): 848 x 767 x 60 mm, printed image (v x h): 430 x 430 mm
Dick Frizzell’s acutely honed eye for the symbolic in NZ culture and environment has been clearly evident from the very outset of his art career. His background in commercial art has not simply aided this, it has propelled his work forward, as he developed iconic symbols that came to enter our cultural vernacular. “Old Boots” (2011) and “Haka Lyric” (2010) continue this. These works are layered thick with meaning and event, resonate with memory and hope, and so goes to the centre of rugby as a game and its role in our society. “All Square in Love & War” (2010) explicitly references his Four Square Man whilst also contemporarising it as bi-cultural modern NZ. Humour and philosophical concern permeates “The Answer” (2010) and Frizzell’s stylistic virtuosity is equally revealed in “Times Arrow” (2007) and “Red Haring VI” (2010). acknowledged as NZ’s pre-eminent printmaker, has produced an inter-related suite of outstanding works. Palmer’s exquisite command of a specifically regionalist focus is without peer in this medium. His masterful depiction of place in “Karamea” (2010) and landscape (“Harataonga” and “Road – Mahurangi,” 2010) unites atmosphere and the particular together. In “Bell-Marae Pahaoa” (2010) and “Matauri” (2010) he uses the symbolism of architecture as historical devices. Karl Maughan and Reuben Paterson are very important painters who have recently embraced the screenprinting process as a new medium. Maughan’s “Colyton” (2010) is both a characteristic and substantial work in its own right. Reuben Paterson’s use of glitter has received enormous critical attention and international acclaim. He is now producing wonderful work using glitter dust on paper which presents all his concerns as a painter in images that celebrate the multi-cultural dynamic of our culture. Nigel Brown has had a career long involvement with works on paper, both as a painter and a printmaker. Recently he has returned to this and produced a group of paintings on paper which are remarkably innovative and penetratingly perceptive. He uses Mitre Peak and its role as a tourist and national icon as both a touch-stone and as a wailing wall for social and political debate, posing important questions about our behaviour.
EXHIBITION PRICELIST D I C K
F R I Z Z E L L
1 The Answer (2010), edition of 100
1,400
2 I Love Wine (2010), edition of 150
1,390
3 Times Arrow (2007), edition of 100
1,350
4 Haka Lyric (2010), edition of 250
1,425
5 All Square in Love and War (2010), edition of 80
1,380
6 Old Boots (2011), edition of 300
1,450
7 Red Haring VI (2010), edition of 100
1,390
8 Another Big Kiss (2009), edition of 100
2,100
S T A N L E Y
P A L M E R
9 Bell - Marae Pahaoa (2010), edition of 100
1,500
10 Harataonga (2010), edition of 100
1,500
11 Matauri (2010), edition of 100
1,500
12 Karamea (2010), edition of 100
1,500
13 Road - Mahurangi (2010), edition of 100
1,500
14 Rakau Tapu - Harataonga (2010), edition of 100
1,100
K A R L
M A U G H A N
15 Colyton (2010), edition of 100
N I G E L
1,750
B R O W N
16 Do We Concentrate on Anything Now? (2011)
6,750
17 Tourist Earth (2011)
6,750
18 Long Term Nurture (2011)
6,750
R E U B E N
P A T E R S O N
19 Rejoice Together (2011), edition of 30
1,950
All prices include framing – to enquire about unframed editions please contact the gallery: info@milfordhouse.co.nz All prices are NZD and include GST; Prices are current at the time of the exhibition