2019–20 SEASON
TCHAIKOVSKY VIOLIN CONCERTO January 30, 2020 | 7:30PM
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Feb 24–26, 2020
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WELCOME Dear Friends, Welcome to our 70th Anniversary Season! I am delighted to celebrate our rich history while looking forward to another exceptional season of only the finest music and dance. It has been an honor to be a part of creating this exciting collection of performances. As always, Utah Symphony has presented us with a slate of world-class performers and expertly crafted programming. We have worked hard to bring together a mix of beloved and soon-to-be favorites including everything from Beethoven to Wagner! Reflecting on our roots showcasing classical ballet, we can’t wait to experience the Moscow Ballet and the Russian National Ballet here in Ogden, as well as the more contemporary approach brought to us by Dance Theatre of Harlem. There is truly something for everyone. I hope that you have had the opportunity to learn about our new offerings this year. I would like to invite you to consider attending our new Downtown Series at The Monarch. Each concert is a unique fusion of styles presented in a relaxed atmosphere, performed by awardwinning musicians. We have also expanded our Family Series, and moved those concerts to Peery’s Egyptian Theater which will be an exciting experience for children of all ages. And finally, I want to thank each of you for supporting Onstage Ogden by purchasing tickets, donating, volunteering, and spreading the word about our mission. I am confident that our longevity is due to the support we receive from this community. I cannot overstate my gratitude and admiration for those who help us bring the best to Ogden each year! With thanks,
Melissa Klein, Executive Director
OnstageOgden.org
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Onstage Ogden
BOARD & STAFF
BOARD OF DIRECTORS Mark Stratford President
Linda Forest Secretary
Russel King Onstage Ogden Foundation
Robert Fudge Past President
David Malone Treasurer
Nancy Pinto-Orton President Elect
Steven Carter Robbyn Dunn John Fromer Steven Hendricks Val Johnson
McClain Lindquist Zachary Nelson Robert Newman Carolyn Rich-Denson Susan Shreeve Joyce Stillwell Jon Wilson
Alan Hall Robert Harris
Thomas Moore Suzy Patterson
Paul C. Kunz Andrea Lane Michael S. Malmborg Dr. Judith Mitchell Meg Naisbitt Ellen Opprecht
Carolyn N. Rasmussen Sherm Smith Dr. Paul Sonntag Dotty Steimke
Dr. Ann Ellis Vice President ADVISORS Marlene Barnett Karen Fairbanks FOUNDATION Russel King Chair Marti M. Clayson Secretary Richard White Treasurer EXECUTIVE DIRECTOR Melissa Klein
EVENTS & OUTREACH MANAGER Andrew Barrett Watson
BOX OFFICE & MARKETING MANAGER Camille Washington
AUDIENCE ENGAGEMENT COORDINATOR Ginger Bess Simons
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801.399.9214
ONSTAGE OGDEN
In 1949, Beverly Lund and Ginny Mathei decided they wanted to add even more culture to Weber County. So, for the small fee of $400, they brought the Utah Symphony to Ogden for a single performance. Three hundred people attended the concert. This 1949 concert was a big success, so the women decided to present even more concerts in Ogden. They organized a committee within the Welfare League (later the Junior League) to raise funds for the Symphony Concerts. Then, in 1957, this committee reformed and incorporated as the Ogden Guild. After a few more name changes and the addition of Ballet West performances in 1982, the organization became the Ogden Symphony Ballet Association. Under the direction of numerous board members and long-serving Executive Directors like Jean Pell (27 years), and Sharon Macfarlane (14 years), Onstage Ogden has expanded our programming to include internationally renowned classical dance, vocal, and chamber music. Since our inception, we have presented over 800 performances to tens of thousands of Utahns. In addition, Onstage Ogden actively works to engage and educate younger patrons. For example, our Youth Guild has provided generations of high school students with opportunities to serve. We also offer a variety of education classes, from Masterworks Music Detectives to Music and Dance Explorers. And we are partnering with several local community organizations to expand these programs to reach even more children and students. Onstage Ogden is proud to celebrate 70 years sponsoring only the finest music and dance in the Greater Ogden area. We are honored participate in the enrichment of our community by presenting professional classical performance. Mills Publishing, Inc. Dan Miller, President; Cynthia Bell Snow, Office Administrator; Jackie Medina, Art Director; Ken Magleby, Patrick Witmer, Graphic Design; Paula Bell, Dan Miller, Paul Nicholas, Chad Saunders, Advertising Representatives; Jessica Alder, Caleb Deane, Administrative Assistant Playbill is published by Mills Publishing, Inc., 772 East 3300 South, Suite 200, Salt Lake City, Utah 84106 Phone: 801.467.8833 Email: advertising@millspub.com Website: millspub.com Mills Publishing produces playbills for many performing arts groups. Advertisers do not necessarily agree or disagree with content or views expressed on stage. Please contact us for playbill advertising opportunities. Copyright 2020.
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Onstage Ogden
2019–20 SEASON
MASTERWORKS SERIES The Planets September 12
DANCE & VOCAL SERIES Dance Theatre of Harlem November 9
Rachmaninoff’s Rhapsody on a Theme of Paganini October 24
Russian National Ballet January 20
Rachmaninoff’s Piano Concerto No. 3 November 7
BYU Vocal Point February 15
Tchaikovsky’s Violin Concerto January 30 Brahms’ Piano Concerto No. 2 April 9 ENTERTAINMENT SERIES The Music of John Williams September 19 A Broadway Christmas with Ashley Brown December 5 Women Rock February 13 The Temptations with the Utah Symphony April 16
Flamenco Vivo February 4
Chanticleer April 27 FAMILY SERIES Here Comes Santa Claus December 23 Sphinx Virtuosi March 11
SPECIAL EVENTS Patriotic Celebration at Snowbasin July 3 Great Russian Nutcracker November 29–30 DOWNTOWN SERIES Third Coast Percussion March 3 PUBLIQuartet March 31 Quarteto Nuevo April 2 Eighth Blackbird April 22
Carnival of the Animals March 17 Spanish Brass March 23 Snow White May 2 Youth Benefit Concert May 7
Arts
The Onstage Ogden’s 2019–2020 season is funded in part by grants from the National Endowment for the Arts, the Utah Division of Arts and Museums, Weber County Recreation, Arts, Museums, and Parks (RAMP) program, and Ogden City Arts.
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UTAH SYMPHONY
MASTERWORKS SERIES
Tchaikovsky Violin Concerto January 30
Tchaikovsky’s Violin Concerto January 30, 2020 | 7:30PM
VAL A. BROWNING CENTER FOR THE PERFORMING ARTS THIERRY FISCHER, conductor KAREN GOMYO, violin
ANDREW NORMAN: Spiral TCHAIKOVSKY: Concerto in D Major for Violin and Orchestra, Op. 35 I. Allegro moderato II. Canzonetta: Andante III. Finale: Allegro vivacissimo KAREN GOMYO, violin
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R. STRAUSS: An Alpine Symphony, Op. 64
Night Sunrise The Ascent Entering the Forest Wandering near the stream At the waterfall Apparition On Blooming Meadows On the Alpine Pasture Going Astray On the Glacier Dangerous Moments At the summit View Fog arises The Sun Gradually Darkens Elegy Calm Before the Storm Sunset Vanishing Sound Night
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ARTISTS’ PROFILES Swiss conductor Thierry Fischer has been Music Director of the Utah Symphony since 2009 and becomes Music Director Emeritus in 2022. He is Principal Guest Conductor of the Seoul Philharmonic (2017–2020), and in March 2020 he begins as Music Director of the Sao Paulo Symphony. In Utah he has revitalized the organization, instigating a major commissioning program, taking the orchestra to Carnegie Hall for the first time in 40 years, recording Mahler symphonies for Reference Records and a SaintSaëns cycle for Hyperion.
Thierry Fischer Music Director The Maurice Abravanel Chair, endowed by the George S. and Dolores Doré Eccles Foundation
Recent guesting has included Boston Symphony, Cleveland Orchestra, London Philharmonic, Royal Philharmonic, Bergen Philharmonic, Rotterdam Philharmonic, BBC Symphony, Orchestra of the Age of Enlightenment, Maggio Musicale Firenze, Salzburg Mozarteumorchester, Orchestre de la Suisse Romande, Chamber Orchestra of Europe, Mostly Mozart New York, London Sinfonietta, and Ensemble Intercontemporain. While Principal Conductor of the BBC National Orchestra of Wales (2006–2012), Fischer appeared every year at the BBC Proms, toured internationally, and recorded for Hyperion, Signum, and Orfeo. His recording of Frank Martin’s opera Der Sturm with the Netherlands Radio Philharmonic Orchestra and Chorus won the ICMA award in 2012 (opera category). In 2014 he released a Beethoven disc with the London Philharmonic on the Aparte label. Fischer started out as Principal Flute in Hamburg and at the Zurich Opera. His conducting career began in his 30s when he replaced an ailing colleague, subsequently directing his first few concerts with the Chamber Orchestra of Europe where he was Principal Flute under Claudio Abbado. He spent his apprentice years in Holland, and became Principal Conductor and Artistic Advisor of the Ulster Orchestra 2001–2006. He was Chief Conductor of the Nagoya Philharmonic 2008–2011, making his Suntory Hall debut in Tokyo in May 2010, and is now Honorary Guest Conductor.
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ARTISTS’ PROFILES Praised by the Chicago Tribune as “a first-rate artist of real musical command, vitality, brilliance, and intensity,” violinist Karen Gomyo continues to captivate audiences worldwide.
Karen Gomyo Violin
Karen’s 2019–20 season features European debuts with Deutsches Symphonie-Orchester Berlin with Cristian Măcelaru, Orchestre de la Suisse Romande with Jonathan Nott, Deutsche Radio Philharmonie Saarbrücken Kaiserslautern with Pietari Inkenen, BBC Scottish Symphony Orchestra with Gergely Madaras and Dresdner Philharmoniker with Roderick Cox, as well as returns to Bamberg Symphoniker and Polish National Radio Symphony, among others. Other recent European appearances include Philharmonia Orchestra, City of Birmingham Symphony Orchestra, Orchestre Symphonique de Radio France, WDR Sinfonieorchester Köln, Danish National Symphony, and in March 2019 Karen opened the Dubai Proms with the BBC Symphony and Ben Gernon. Further ahead Karen makes her debut at the Czech Philharmonic Orchestra with Semyon Bychkov. Karen Gomyo plays on the “Aurora, exFoulis” Stradivarius violin of 1703 that was bought for her exclusive use by a private sponsor.
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Browning Center for Performing Arts at WSU
BYU VOCAL POINT February 15, 2020 | 7:30PM
CHANTICLEER April 27, 2020 | 7:30PM
ONSTAGE OGD E N | O n s t a g e O g d e n .org | 8 0 1 - 3 9 9 - 9 2 1 4
2 019-20 DAN C E & VOCAL S ER IES
FLAMENCO VIVO February 4, 2020 | 7:30PM
NOTES ON THE PROGRAM
hearing others he liked, particularly the energetic, five-movement Symphonie espagnole by the French composer Édouard Lalo.
Andrew Norman (b. 1979)
Spiral PERFORMANCE TIME: 5 MINUTES
It comes as no surprise that the young American composer Andrew Norman is based in Los Angeles. His music captures the dynamism of that multimedia entertainment capital, including the videogame genre, for which he has composed extensively. But this modern outlook is balanced by historical interests, including a fascination with musical notation that extends back to that art’s medieval roots. A highly collaborative composer, he enjoys working with performers to explore the act of interpreting notation; and writes that he is “fascinated by the translation of written symbols into physical gesture and sound.” Scored for a large orchestra featuring extended percussion and harp as well as prominent winds and brass, Spiral was commissioned in 2018 by the Berlin Philharmonic Orchestra. It was premiered at one of that orchestra’s last concerts under the baton of then-Music Director Simon Rattle. The name references the work’s “contracting cycles of material that gradually come into, and go beyond, focus.” Pyotr Ilyich Tchaikovsky (1840–1893)
Concerto in D Major for Violin and Orchestra, Op. 35 PERFORMANCE TIME: 34 MINUTES
Tchaikovsky seized upon the idea of composing a concerto for violin after
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by Michael Clive
Reviewing the premiere performance in Vienna on December 4, 1881, Eduard Hanslick—the dean of the Viennese music critics and one of the era’s most influential tastemakers—lambasted it as “music that stinks to the ear,” one of the most infamous phrases in the annals of music history. With hindsight it’s easy to dismiss such invective, but it tormented Tchaikovsky, who reportedly re-read Hanslick’s review until he had committed it to memory. Hanslick’s outburst is all the more shocking in light of the characteristically singing melodies with which this concerto abounds. Its first movement, an allegro moderato in D Major, is all graceful lyricism—seemingly an affectionate description of the scenic charms of Clarens, the Swiss resort town where it was composed. But its virtuosity and vigor seem to delineate the existential questions that are always present and passionately articulated in Tchaikovsky’s major works, especially in the symphonies. This emotional intensity reaches a climax in the buildup to the first cadenza. The second movement, a serenely mournful andante cantabile, contrasts markedly with the first; the violin’s entry is melancholy, and it voices a singing lament that eventually gives way to a happier pastoral melody, like a song of spring. Both moods shadow each other for the duration of the movement, as we alternate between brighter and darker soundscapes. The concerto’s final movement follows the second without pause. It is extravagantly marked “allegro vivacissimo” and returns
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NOTES ON THE PROGRAM to the opening movement’s D Major key, recapturing its exuberant energy. This movement also incorporates an energetic Russian dance (Hanslick’s “whiff of vodka”?) that leaps off the page as the violinist’s bow dances along with it. A nostalgic second theme provides an emotional counterpoint to the movement’s higher-energy passages, but it is finally eclipsed by a passionate finale.
All of Strauss’ tone-poems are wordless, in contrast with many of Mahler’s epic compositions that were designated as symphonies but include sung texts. If the tone poems were not modern even in their day, we must still listen to them as if they were. Their abundant motifs, which range from deft touches to lush melodies, are embedded in dense chords whose slippery tonalities can change mid-phrase.
Richard Strauss (1864–1949)
The work traverses from night to morning and back to night, and thus from birth to death. As dawn breaks, the hiker begins his ascent, enters an alpine forest, and hikes alongside a brook to a waterfall. After experiencing an apparition, he comes upon flowering meadows and pastureland, losing his way among thickets and then coming upon a glacier. He is beset by danger before finally reaching the alpine summit. Once he has achieved it and begins his descent into the mists, rain and sunset of an alpine evening, he is a different person—more aware of the eternal presence of nature and the cycle of creation and death.
An Alpine Symphony PERFORMANCE TIME: 51 MINUTES
Strauss’ most important compositions were tone poems such as Don Juan, Till Eulenspiegel and An Alpine Symphony. In a sense, tone-poems were his symphonies; though he was Mahler’s best ally in that composer’s Promethean struggles with the post-Beethoven symphony, Strauss was more interested in dramatic narrative than in symphonic construction. And while his contemporaries Zemlinsky, Schoenberg, and Berg suffered the fate of most pioneers and prophets, Strauss used his sheer virtuosity as a composer to earn a kind of honorary citizenship among the modernists. Many of his tonepoems are based on literary works—Also sprach Zarathustra, Till Eulenspiegel, Don Quixote. Some are frankly (and flatteringly) autobiographical—Ein Heldenleben (yes, Strauss himself is the eponymous hero) and the Alpine Symphony. All are symphonic in scope, basically symphonies in which the architecture of individualized narrative replaces the prescriptive architecture of traditional symphonic construction. (Anthony Burgess reversed this process in his novel Eroica.)
An Alpine Symphony is daring in its loving embrace of a pantheistic philosophy that finds the presence of God in the natural world. We can compare it with the ideas of the transcendentalists in America and in particular with Thoreau, who saw salvation in the wilderness. But in listening to this tone-poem, we hear music that is about as far from rustic as you can get: a gigantic orchestra playing dazzlingly sophisticated harmonies, exotic colors, and febrile textures.
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UTAH SYMPHONY Thierry Fischer, Music Director
The Maurice Abravanel Chair, endowed by the George S. and Dolores Doré Eccles Foundation Conner Gray Covington Associate Conductor
Barlow Bradford Symphony Chorus Director
VIOLIN* Madeline Adkins
Concertmaster The Jon M. & Karen Huntsman Chair, in honor of Wendell J. & Belva B. Ashton
Kathryn Eberle
Associate Concertmaster The Richard K. & Shirley S. Hemingway Chair
Ralph Matson†
Associate Concertmaster
David Porter
Acting Associate Concertmaster
David Park
Assistant Concertmaster
Claude Halter
Principal Second
Wen Yuan Gu
Associate Principal Second
Evgenia Zharzhavskaya Assistant Principal Second
VIOLA* Brant Bayless
Principal The Sue & Walker Wallace Chair
Elizabeth Beilman
Acting Associate Principal
Julie Edwards Joel Gibbs Carl Johansen Scott Lewis Leslie Richards†† Whittney Thomas CELLO* Rainer Eudeikis†
Principal The J. Ryan Selberg Memorial Chair
Matthew Johnson Acting Principal
Andrew Larson
Acting Associate Principal
John Eckstein Walter Haman Anne Lee Louis-Philippe Robillard Kevin Shumway Hannah ThomasHollands†† Pegsoon Whang BASS* David Yavornitzky Principal
TRUMPET Travis Peterson
OBOE James Hall
Jeff Luke
Principal The Gerald B. & Barbara F. Stringfellow Chair
Robert Stephenson Associate Principal
Lissa Stolz
Corbin Johnston
• First Violin •• Second Violin
* String Seating Rotates † On Leave
Associate Principal
James Allyn Benjamin Henderson†† Edward Merritt Jens Tenbroek Thomas Zera HARP Louise Vickerman Principal
FLUTE Mercedes Smith
Lisa Byrnes
Associate Principal
Peter Margulies# Paul Torrisi Alexander Pride†† TROMBONE Mark Davidson Principal
Sam Elliot
CLARINET Tad Calcara
BASS TROMBONE Graeme Mutchler
Principal The Norman C. & Barbara Lindquist Tanner Chair, in memory of Jean Lindquist Pell
Erin Svoboda-Scott Associate Principal
Lee Livengood
Associate Principal
TIMPANI George Brown Principal
Eric Hopkins
Associate Principal
PERCUSSION Keith Carrick Principal
BASS CLARINET Lee Livengood
Eric Hopkins Michael Pape
E-FLAT CLARINET Erin Svoboda-Scott
KEYBOARD Jason Hardink
BASSOON Lori Wike
Leon Chodos
Associate Principal
Jennifer Rhodes CONTRABASSOON Leon Chodos HORN Edmund Rollett Acting Principal
Principal The Val A. Browning Chair
Principal
ENGLISH HORN Lissa Stolz
Principal The Edward & Barbara Moreton Chair
Karen Wyatt•• Joseph Evans LoiAnne Eyring Laura Ha• Lun Jiang Rebekah Johnson# Veronica Kulig David Langr Melissa Thorley Lewis Hannah Linz•• Yuki MacQueen Alexander Martin Rebecca Moench Hugh Palmer• Lynn Maxine Rosen Barbara Ann Scowcroft• M. Judd Sheranian•• Ju Hyung Shin• Lynnette Stewart Bonnie Terry• Julie Wunderle
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PICCOLO Caitlyn Valovick Moore
Llewellyn B. Humphreys Brian Blanchard Stephen Proser
Associate Principal
Caitlyn Valovick Moore # Sabbatical †† Substitute Member
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LIBRARIANS Clovis Lark Principal
Katie Klich ORCHESTRA PERSONNEL Walt Zeschin Director of Orchestra Personnel
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FRIENDS OF ONSTAGE OGDEN Onstage Ogden thanks the following individuals, corporations, foundations, and public funding sources for their generous donations! Onstage Ogden is an exempt organization as described in section 501(c)(3) of the Internal Revenue Code. The following is a list of contributors from June 2019 through August 2019. Please contact Onstage Ogden’s Executive Director, Melissa Klein, at 801-399-9214 if you would like to make a donation or if your name has been inadvertently left off the following list or is misspelled. Thank you again for your generous support!
Season Sponsor ($90,000+) Stewart Education Foundation
Series Sponsor ($20,000+) Alan & Jeanne Hall Foundation Norman C. & Barbara L. Tanner Charitable Trust Pinto Family Foundation
Concert Sponsor ($10,000+) George S. & Dolores Doré Eccles Foundation
Robert & Marcia Harris Ogden City Arts Matthew B. Ellis Foundation*
Diamond ($5,000–$9,999)
Dr. Robert Fudge & Sylvia Newman Thomas & Stephanie Moore
Platinum ($2,500–$4,999) Dr. William & Barbara Hughes
Gold ($1,000–$2,499)
America First Credit Union Glen & Genette Biddulph Evan & Geraldine Christensen Dr. & Mrs. Fred Clayson Dr. Rosemary Conover & C. Luckey Heath Brent & Vicki Cox Diana Ellis
Weber County RAMP
Val A. Browning Foundation Weber State University Lindquist College of Arts & Humanities Zions Bank
MSL Family Foundation* Richard K. & Shirley S. Hemingway Foundation Utah Division of Arts & Museums
Denise Sobel*
Marty & Carolyn Rasmussen
Rick & Karen Fairbanks Linda Forest Donna & Ralph Friz Judy & Leon Jones Paul C. & Cindy Kunz Drs. Jean & Richard Miller Dr. Judith Mitchell Maurine Naisbitt
*In Honor of Thomas & Stephanie Moore
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Dr. Robert & Eleanor Newman Suzy Patterson Ralph Nye Charitable Foundation Dr. Carolyn Rich-Denson Dr. Harry & Becky Senekjian Barbara Tanner Dr. Michael & Jennifer Webb Glenn & Connie Wimer
FRIENDS OF ONSTAGE OGDEN Silver ($500–$999)
Kay Ballif Marlene Barnett Mary & Lee Forrest Carter Lynne & Steven Carter Dr. Douglas Deis Doug & Shelley Felt Marlin Jensen Val Johnson Melissa & Jon Klein Russ & Jane King Bronze ($100–$499)
Anonymous (3) Lyle & LaVon Allen Vickie Anderson Zana Anderson Melissa & William Bennett Phil & Melanee Berger Fritz & Ruth Brockman Laura Burkhard Brad & Lynn Carroll Valerie Chambers Sharon Charley Kitty Chatelain Dr. Allen & Janis Christensen Cathay Christiansen Ellie Cole Phillip & Gail Coleman Phyllis Combe Ken Cross Kim & Becky Crumbo Lynn & Natalie Dearden Golden & Sharon Decker Tim & Candace Dee Verlie & Robert Delange Allan & Kellie Diersman DeLoris & Dale Dorius Diana Dunkley David & Robbyn Dunn Sherry Eckert Janet & Steven Evans Madelon Fallows Thomas Fearn Jill Flamm Christopher Ford Pete Fowler Cirilo Franco Pat Fuller David & Ruth Ann Gladwell Dennis Gladwell Jock Glidden Nancy Green Jeff Gyllenskog
Allan & Kay Lipman Jan & Jerome Luger Ivaloo Lund Willis McCree & John Fromer Ogden School Foundation Scott & Pam Parkinson Nancy Pinto-Orton Cary & Wendy Roberts Eloise Runolfson
Russel R. & Jane T. King Charitable Fund Margaret Sargent Greg & Susan Shreeve Jonathan & Beverly Souder Forrest and Rolayne Staffanson Joyce & Robert Stillwell Richard & Judy Webber Hal Wheelwright
Kim & Becky Hale Robert & Marcia Harris Terry Hartman-Smith Deborah Heaney Jeanne Hinchman Dr. William & Barbara Hughes Robert & Rula Hunter Dr. Michael & Lori Jacobazzi Eric & Becky Jacobson Margaret & Christopher Karczewski Melba & Denis Kirby Knights of Colombus #14399 Andrea Lane William & Sarah Lindsay Val & Karen Lofgreen Jeanette Long Eugene & Pat Low Sharon Macfarlane David Malone & Madonne Miner Dwayne Manful Frank & Sharon Markos Erika Martin Alicia Martinez Sandy & Phillip Maxwell Evalyn McBurnie Andy & Susan Mccrady James & Jennifer McGregor Kathryn Miano Wayne & Nada Miller Dr. Mark & Meg Naisbitt Dr. & Mrs. Noel Nellis Gary & Marilyn Newman Arthur & Ruth Nielsen Audra Norby Ogden Chapter of MacDowell Ensemble Tina Olsen Cheryl Orme
Michael Palumbo Donald Pantone Jeff Paulson Paul & Sandra Perkin Juergen Sass Leland Sather Heath Satow Sandefur Schmidt Mary & Howard Schuyler Shane & Pamela Schvaneveldt Sempre Musical Society Paul & Carol Sontag Darin & Jo Sjoblom Jan & Mike Slabaugh Denise Sly Keith & Marlys Sorbo Dr. John & Colleen Starley Edward & Mari Lou Steffen Dan & Dorothy Steimke Ned & Sheila Stephens Darlene Stoddard Edna Stratford Mark Stratford Jeneile Tams Jeane Taylor Patti Van Aarle Lucinda & Phillip Wagner Bonnie Wahlen Bruce & Kay Wallace Andrew & Suzanne Wall Brent & Gloria Wallis Gerald & Ann Walters Sheldon & Janice Ward Barbara & Gerald West Kent & Trudy Whiteman Jon & Dawnene Wilson Carl & Helgard Wolfram Harry & Marilyn Woodbury Noel Zabriskie Bob Zamonas Larry Zaugg
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FRIENDS OF ONSTAGE OGDEN 70th Anniversary Club ($70–$99) Marsha Ashby Russell Ashment Paul & Georgia Bennion Evelyn Bertilson Renee Bohman & Jolene Kobe Laura & Randy Browne Kathleen Price Browning Child Culture Club Ray & Betty Christian Stephen & Judy Farr Gerry & Dixie Funk
Janice Grajek David & Joan Hadley Mary Hargis William & Jackie Jones Steve Kier Taylor Knuth & Sean Bishop Jody & Blake Leatham James & Deborah Lindstrom Roy & Barbara McKechnie Dr. Rand & Cynthia Mattson Mary Mcmillen
Debra Nielson Claude & Barbara Nix Marsha Ohlwiler Camille Pollard Myrth Priest Sherman Smith Lynne Starley Roberta & Kent West David Willis Jan Zehner
Phyllis Combe in Memory of Charles Combe
Jean & Richard Miller in Memory of Sharon Macfarlane
Dr. & Mrs. Fred Clayson Donation In Memory of Sharee Kunz
Zana Anderson in Memory of Mary Irvine
Melissa Klein in Memory of Sharon Felt Family Foundation in Memory Macfarlane of Sharee Kunz
Memorial Donations
Beverly Heslop & Family Donation Rich & Kristin Bauter in Memory of in Memory of G. Val Lofgreen Sharon Macfarlane
Marlene Barnett in Memory of Sharee Kunz
Evaline McBurnie in Memory of Ronald L. Wooden & Joseph B. Terry
Marlene Barnett in Memory of Sharon Macfarlane
Barbara Mayhew in Memory of Pat Parkinson Gerald & Ann Walters in Memory of Pat Parkinson Sharon Macfarlane in Memory of Verna Egbert & Val Lofgreen
Carolyn Rich-Denson in Memory of Sharon Macfarlane
Janice & Sheldon Ward in Memory Dodie Stallcup in Memory of of Sharon Macfarlane Sharon Macfarlane Chris & Elizabeth Harvey & Family in Memory of Sharon Macfarlane
Andrea D. Lane in Memory of Sharon Macfarlane
Dodie Stallcup in Memory of Sharon Macfarlane
Sally & Robert Neill in Memory of Sharon Macfarlane
Susan & Robert Williams in Memory of Joanne Ahlmer
Andrea Lane in Memory of Sharon Maryonne Wilson in Memory of Macfarlane Sharon Macfarlane
Ann D. Thompson in Memory of Joanne Ahlmer
Meg & Mark Naisbitt in Memory of Sharee Kunz
Arthur & Marian Budge in Memory of Sharon Macfarlane
Ladies Literary Club in Memory of Sharee Kunz
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2020 Season June 1 - October 10
RICHARD III THE COMEDY OF ERRORS PERICLES THE PIRATES OF PENZANCE ONE MAN, TWO GUVNORS INTO THE BREECHES! DESPERATE MEASURES CYMBELINE SHAKESPEARE’S WORST!
800-PLAYTIX bard.org #utahshakes René Thornton Jr. as Henry Condell in The Book of Will, 2019
U TA H ’ S PREPRINT W E E K LY P O L I T I C A L R O U N D U P
FRIDAYS 7:30PM
Utah’s PBS Station
“ my inspiration , my friend , my piano ”
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With specialty service for all ages, we’ve got you covered. At Ogden Clinic, patient needs are met through consistent, quality healthcare. With over 20 locations in Davis and Weber County, and 24 specialties ranging from urology to women’s health, to dermatology, our doctors do their best to keep you feeling your best. And since we accept nearly all insurance plans, you have the freedom to choose the doctor that’s right for you.
S P E C I A LT Y S E R V I C E S • Allergy
• Hand & Upper Extremity
• Physical Therapy
• Audiology
• Hip & Knee
• Podiatry
• Dermatology
• Medical Weight Loss
• Radiology
• Ear, Nose & Throat
• Neurology
• Speech Pathology
• Family Medicine
• Neurosurgery
• Sports Medicine
• Foot & Ankle
• Orthopedics
• Urgent Care
• Gastroenterology
• Pain Management
• Urology
• General Surgery
• Pediatrics
• Women’s Health
801.475.3000 ogdenclinic.com