2015–2016
Rachmaninoff’s
BRINGING THE
ARTS HOME
Prokofiev’s Romeo & Juliet With Utah Shakespeare Festival April 14, 2016 | 7:30 p.m.
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Welcome Dear Friends: Welcome to OSBA’s 2015–2016 season in the newly remodeled Browning Center! There’s nothing better than seeing one of these concerts or ballets LIVE. For 65 years we have presented these concerts in Ogden for northern Utah audiences. Thank you, thank you to the hundreds of people who have been instrumental in that longevity: the visionaries who saw the need beginning back in 1950; the faithful patrons; the donors who have contributed large and small amounts every year; and the volunteers who have given countless hours of service to OSBA. Look at all that is scheduled for this year: ♫ Utah Symphony Masterworks Series - four inspiring concerts ♫ Utah Symphony Entertainment Series - four diverse concerts sure to entertain ♫ Utah Symphony Family Series - entertainment for the entire family times three ♫ Ballet West - “The Nutcracker” with the entire troupe and “Beauty and the Beast” with Ballet West II dancers ♫ BYU Ballroom Dance Company is back by popular demand ♫ “5 Carols for Christmas and Jingle Jacks” written by Jim Christian and Ken Plain Just a reminder about OSBA: • We are a non-profit organization with a 501(c)(3) tax designation. • We contract with Utah Symphony | Utah Opera, Ballet West, and other groups and pay for their Ogden performances held at Weber State’s Browning Center. We do not receive proceeds of fund raising efforts held by any of those organizations. • Ticket revenue pays about 45% of the cost of the concerts. The balance comes from donations made by individuals, businesses, foundations, and city, state, and local governments, including the RAMP tax initiative. • Besides the concerts, OSBA also supports: Educational and community outreach programs Youth Guild for the Performing Arts “The Ride” for seniors living in Weber County Informal “Conversations” prior to the Classical Series concerts
Help us fill the house at every concert by inviting your neighbors, family, and friends to join you! We look forward to welcoming you to each and every concert. Sincerely, Ogden Symphony Ballet Association Board of Directors and Staff
801.399.9214 [ symphonyballet.org ]
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Board of Directors BOARD OF DIRECTORS
ADVISORS
EXECUTIVE
Genette Biddulph
Marlene Barnett
DIRECTOR
President
Carol Brockman
Sharon Macfarlane
Paul C. Kunz
Karen Fairbanks
President Elect
Alan Hall
MARKETING
John Starley
Robert Harris
MANAGER
Vice President
Sharon Lewis
Melissa Seamons
Jennifer Webb
Thomas Moore
Secretary
Suzy Patterson
EDUCATION
Tina Olsen
DEVELOPMENT
Treasurer
OSBA FOUNDATION
COORDINATOR
Paul Sonntag
Russ King
Marianne Rohbock
Past President/Nominating
Chair Marti M. Clayson
ACCOUNTING ASSISTANT
Melissa Bennett
Secretary
Chris Brown
Brenda Burton
Richard White
Michael Call
Treasurer
OFFICE ASSISTANT
Russ King
Beth Baldwin
Amy Kersten
McClain Lindquist
Doug Holmes
Scott Major
Andrea Lane
EMERGENCY
Stephanie Moore
Robert E. Lindquist
PROCEDURE
Robert Newman
Paul C. Kunz
Please identify the exits
Elizabeth Nielson
Michael Malmborg
closest to your location.
Shane Schvaneveldt
Judith Mitchell
In the event it becomes
Susan Shreeve
Meg Naisbitt
necessary to evacuate the
Jan Slabaugh
Tina Olsen
building because of an
Mark Stratford
Ellen Opprecht
emergency, proceed to the
Nancy Waterfall
Carolyn N. Rasmussen
closest exit in an orderly
Sherm Smith
manner and then to a safe area away from the building.
APPROXIMATE PERFORMANCE TIME IS 1 HOUR, 20 MINUTES. Unless previously authorized, cameras and recording equipment of any kind are not allowed at Ogden Symphony Ballet Association performances. Please turn off cell phones, beepers and beeping watches before the performance begins. The Ogden Symphony Ballet Association is funded in part by grants from the Utah Division of Arts and Museums, the National Endowment for the Arts, Ogden City Arts and the Weber County Recreation, Arts, Museums, and Parks (RAMP) program.
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801.399.9214 [ symphonyballet.org ]
Utah Symphony Thierry Fischer, Music Director
The Maurice Abravanel Chair, endowed by the George S. and Dolores Doré Eccles Foundation Rei Hotoda Associate Conductor
Roberta Zalkind Associate Principal
Titus Underwood†† Acting Associate Principal
Barlow Bradford Symphony Chorus Director
Elizabeth Beilman Julie Edwards Joel Gibbs Carl Johansen Scott Lewis Christopher McKellar Whittney Thomas
Lissa Stolz
VIOLIN* Ralph Matson Concertmaster The Jon M. & Karen Huntsman Chair, in honor of Wendell J. & Belva B. Ashton Kathryn Eberle Associate Concertmaster The Richard K. & Shirley S. Hemingway Chair David Park Assistant Concertmaster Alex Martin Acting Assistant Concertmaster Claude Halter Principal Second Wen Yuan Gu Associate Principal Second Hanah Stuart Assistant Principal Second Leonard Braus • Associate Concertmaster Emeritus Karen Wyatt •• Jerry Chiu Joseph Evans LoiAnne Eyring Kristiana Henderson†† Teresa Hicks† Lun Jiang Rebekah Johnson Tina Johnson†† Paige Kossuth†† Veronica Kulig David Langr Melissa Thorley Lewis Yuki MacQueen Rebecca Moench Hugh Palmer David Porter Lynn Maxine Rosen Barbara Ann Scowcroft • M. Judd Sheranian # Lynnette Stewart Julie Wunderle VIOLA* Brant Bayless Principal The Sue & Walker Wallace Chair
CELLO* Rainer Eudeikis Principal The J. Ryan Selberg Memorial Chair Matthew Johnson Associate Principal John Eckstein Walter Haman Andrew Larson Anne Lee Kevin Shumway Pegsoon Whang Joyce Yang†† BASS* David Yavornitzky Principal Corbin Johnston Associate Principal James Allyn Edward Merritt Claudia Norton Jens Tenbroek Thomas Zera
ENGLISH HORN Lissa Stolz CLARINET Tad Calcara Principal The Norman C. & Barbara Lindquist Tanner Chair, in memory of Jean Lindquist Pell Erin Svoboda Associate Principal Lee Livengood BASS CLARINET Lee Livengood E-FLAT CLARINET Erin Svoboda BASSOON Lori Wike Principal The Edward & Barbara Moreton Chair Leon Chodos Associate Principal Jennifer Rhodes CONTRABASSOON Leon Chodos
HARP Louise Vickerman Principal
HORN Bruce M. Gifford† Principal
FLUTE Mercedes Smith Principal The Val A. Browning Chair
Edmund Rollett Acting Principal
Lisa Byrnes Associate Principal
Llewellyn B. Humphreys Stephen Proser Alexander Love††
Caitlyn Valovick Moore
Ronald L. Beitel Acting Associate Principal
PICCOLO Caitlyn Valovick Moore
TRUMPET Travis Peterson Principal
OBOE Robert Stephenson Principal
Jeff Luke Associate Principal
James Hall# Associate Principal
801.399.9214 [ symphonyballet.org ]
Peter Margulies Nick Norton
TROMBONE Mark Davidson Principal Sam Elliot†† Acting Associate Principal BASS TROMBONE Graeme Mutchler TUBA Gary Ofenloch Principal TIMPANI George Brown Principal Eric Hopkins Associate Principal PERCUSSION Keith Carrick Principal Eric Hopkins Michael Pape KEYBOARD Jason Hardink Principal LIBRARIANS Clovis Lark Principal Maureen Conroy ORCHESTRA PERSONNEL Llewellyn B. Humphreys Acting Director of Orchestra Personnel Nathan Lutz Orchestra Personnel Manager STAGE MANAGEMENT Chip Dance Production & Stage Manager Mark Barraclough Assistant Stage & Properties Manager • First Violin •• Second Violin * String Seating Rotates † Leave of Absence # Sabbatical †† Substitute Member
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Sponsor
The
OGDEN SYMPHONY BALLET ASSOCIATION would like to thank
Marriner S. Eccles Foundation
For sponsoring tonight’s performance.
8
801.399.9214 [ symphonyballet.org ]
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Masterworks Series
Prokofiev’s Romeo and Juliet with Utah Shakespeare Festival April 14 / 2016 / 7:30PM / VAL A. BROWNING CENTER THIERRY FISCHER, Conductor DAVID IVERS, Director/Adaptor BETSY MUGAVERO, Juliet LUIGI SOTTILE, Romeo CLAIRE WARDEN, Lady Capulet PETER LOHNES, Friar Lawrence/Prince SARAH SHIPPOBOTHAM, Nurse
PROKOFIEV
Music from Romeo and Juliet, Opus 64 (Text by William Shakespeare) Morning Dance Child Juliet The Nurse Montagues and Capulets Madrigal Minuet Masked Ball Romeo and Juliet- Balcony Scene / INTERMISSION / Folk Dance Danse Friar Lawrence The Death of Tybalt Romeo at Juliet’s before Parting Romeo at the Tomb of Juliet The Death of Juliet
801.399.9214 [ symphonyballet.org ]
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Artists’ Profiles Swiss conductor Thierry Fischer recently renewed his contract as Music Director of the Utah Symphony Orchestra, where he has revitalized the music-making and programming, and brought a new energy to the orchestra and organization as a whole. Maestro Fischer was Principal Conductor of the BBC National Orchestra of Wales 2006–12 and returned as a guest conductor at the 2014 BBC Proms. Recent engagements have included the Boston Symphony Orchestra, Salzburg Mozarteumorchester, Orchestre de la Suisse Romande, Frankfurt Radio Symphony, Oslo Philharmonic, Rotterdam Philharmonic, Detroit Symphony, BBC Symphony, and London Sinfonietta. In 2015–16 he makes his debut with the London Philharmonic Orchestra (in subscription at the Royal Festival Hall), having recorded a Beethoven CD with them in 2014. Thierry Fischer Music Director The Maurice Abravanel Chair, endowed by the George S. and Dolores Doré Eccles Foundation
Maestro Fischer has made numerous recordings, many of them for Hyperion Records, whose CD with Maestro Fischer of Frank Martin’s opera Der Sturm with the Netherlands Radio Philharmonic Orchestra and Chorus was awarded the International Classical Music Award (opera category) in 2012. Maestro Fischer started out as Principal Flute in Hamburg and at the Zurich Opera. His conducting career began in his 30s when he replaced an ailing colleague, subsequently directing his first few concerts with the Chamber Orchestra of Europe where he was Principal Flute under Claudio Abbado. He spent his apprentice years in Holland, and then became Principal Conductor and Artistic Advisor of the Ulster Orchestra 2001–06. He was Chief Conductor of the Nagoya Philharmonic 2008–11, making his Suntory Hall debut in Tokyo in May 2010, and is now Honorary Guest Conductor.
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801.399.9214 [ symphonyballet.org ]
Artists’ Profiles Although David is entering his 6th season as Artistic Director for The Utah Shakespeare Festival, he has been with the company for 19 seasons appearing in and/or directing in almost 50 productions. He spent 10 years as a resident artist (acting/directing) with the prestigious Denver Center Theatre Company and continues his work as a director at many of our nation’s top regional theatres including: The Guthrie Theatre, The Oregon Shakespeare Festival, Berkeley Repertory Theatre, South Coast Rep, and Pioneer Theatre Company. His work has also appeared at The Alabama Shakespeare Festival, ACT Seattle, Portland Center Stage, Artists Rep, and others. He’s served as the Associate Artistic Director and Head of Education for Portland Repertory Theatre and has taught and/or directed at some of the finest universities and colleges in our nation. His first TEDx talk aired in April of 2015. David Ivers Director/Adaptor
Betsy Mugavero is thrilled to be working with the Utah Symphony! Betsy is a professional actor who works in many different cities, all over the country. Favorite credits include: five seasons at Utah Shakespeare Festival (Amadeus, Charley’s Aunt, Two Gentlemen of Verona, A Midsummer Night’s Dream, and the Regional Premiere of Peter and the Starcatcher, among others); Idaho Shakespeare Festival (As You Like It, Romeo and Juliet, Noises Off!); Great Lakes Theater in Cleveland for which she won a Best Actress Award for her performance as Rosalind in As You Like It; Pennsylvania Shakespeare Festival, the Folger Theater in Washington D.C. and more. She is a member of Actors Equity Association, holds a BA from Temple University and an MFA from the University of California, Irvine. Many thanks Utah for inviting Betsy back into your beauty and to David Ivers for this unique opportunity. All her love to Q, H and family. Betsy Mugavero Juliet
801.399.9214 [ symphonyballet.org ]
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Artists’ Profiles
Claire Warden Lady Capulet
Luigi Sottile Romeo
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Claire’s Off-Broadway credits include Engaging Shaw (Abingdon Theatre), The Libertine (Kirk Theatre), and A Persistent Memory (Beckett Theatre - May 2016). Other New York & Regional credits include One Man, Two Guvnors (Berkeley Rep/South Coast Rep), Edward IV (American Shakespeare Center), Outside Mullingar (FST), Henry V (as Henry V), (Accidental Shakespeare), A Midsummer Night’s Dream, Hamlet & Henry V (The Shakespeare Forum), Romeo and Juliet (Stoneham Theatre), Other Desert Cities (Lake Dillon Theatre), A Moon for the Misbegotten (Luna Stage), Mary Stuart (Theatreworks), Lost In Yonkers (New Harmony Theatre), and Humble Boy (Publick Theatre). Favorite United Kingdom credits include The Trojan Women, Women of the Sidhe, A Midsummer Night’s Dream, and Aladdin. Claire has starred in the films I Can I Will I Did, Freedom Fighter, The Factory & Departure, and the TV documentary Jack the Ripper—An Ongoing Mystery for the Discovery Channel. Claire is the Director of Engagement for the Shakespeare Forum in New York City and Company Fight Assistant at Shakespeare and Company, Massachusetts. clairewarden.com Last seen in Shakespeare’s Othello and The Tempest at Chicago Shakespeare Theater, Luigi is a recent transplant to The Windy City. Other Chicago credits include Buena Vista (Steppenwolf ). Washington DC: Zombie The American (Woolly Mammoth) and Sex With Strangers (Signature). Milwaukee: A Christmas Carol (Milwaukee Rep). Philadelphia: The Cherry Orchard, Nathan the Wise, King Lear, and Kidnapped (People’s Light and Theatre); Three Sisters, Cyrano (Arden Theatre); Angels in America, In the Next Room (The Vibrator Play), Leaving, Macbeth, The Mammaries of Tiresias (Wilma Theater); An Ideal Husband (Walnut Street Theatre); Seminar (Philadelphia Theatre Company); The Mystery of Irma Vep (Act II Playhouse); The Lonesome West, The School for Wives, The Hothouse, The Government Inspector (Lantern Theater); Two Gentlemen of Verona (Pennsylvania Shakespeare Festival). Up Next: The Three Musketeers, Much Ado About Nothing, Henry V (Utah Shakespeare Festival).
801.399.9214 [ symphonyballet.org ]
Artists’ Profiles Mr. Lohnes is graduate of Stanford University and the London School of Music and Dramatic Arts. In addition to regular film, television and commercial work, he has appeared in numerous productions at the Seattle Repertory Theater, Intiman Theater, A Contemporary Theatre, The Denver Center Theater, The Milwaukee Repertory Theater, The Getty Center, Tacoma Actor’s Guild, The Portland Center Stage, The 5th Avenue Theater, Seattle Children’s Theater and many others. He took a hiatus from acting and graduated cum laude from Seattle University Law School. He was a law clerk at the Washington State Court of Appeals, an associate at a boutique appellate law firm, and then served as general counsel for an online securities research firm. He now combines his careers as actor and lawyer by coaching attorneys and other professionals on public speaking and presentation skills. Peter Lohnes Friar Lawrence/Prince
Sarah Shippobotham is a Professor in Acting, Dialects and Voice at the University of Utah. Sarah trained as an actor at The Welsh College of Music and Drama in Wales before gaining a Postgraduate Diploma in Voice Studies from The Central School of Speech and Drama in London. Recent acting credits include: Queen Elizabeth I in March Tale by Tim Slover, directed by David Ivers, as part of Pioneer Theatre Company’s Play by Play series, Beth in Nina Raine’s Tribes for Sale Lake Acting Company, Ann Putnam and Sarah Good in The Crucible for Pioneer Theatre Company. Shortly she will be playing Shirley in Willy Russell’s Shirley Valentine.
Sarah Shippobotham Nurse
As a Voice and Dialect Coach Sarah has worked for 16 seasons at The Shaw Festival in Niagara-on-the-Lake, Canada where she has coached dialects including: Standard English, Glaswegian, London, Dublin, Belfast, Chicago, New York, South African, French, Italian and Russian She was also the Additional Dialect Coach on Sir Peter Jackson’s The Hobbit Trilogy, spending 7 months in New Zealand working on the films. She regularly coaches productions for Pioneer Theatre Company, the most recent including Outside Mullingar, Peter and the Starcatcher, and One Man Two Guv’nors.
801.399.9214 [ symphonyballet.org ]
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Notes on the Program Sergei Prokofiev (1891–1953)
Music from Romeo and Juliet INSTRUMENTATION: 2 flutes, piccolo, 2 oboes, English horn, 2 clarinets, bass clarinet, 2 bassoons, contrabassoon; 4 horns, 3 trumpets, 3 trombones, tuba; timpani, snare drum, wood block, bass drum, suspended cymbal, tambourine, glockenspiel, triangle, tenor saxophone, xylophone, piano; strings PERFORMANCE TIME:
40 minutes
BACKGROUND
Shakespeare’s play Romeo and Juliet is the most popular, enduring and influential of all love stories—a sweeping claim and difficult to prove, but also irrefutable common sense. This tragic romance gives us the world’s paradigmatic “star-crossed lovers”—a phrase that originates in Shakespeare’s prologue to the play. Musicologists tell us that there are about 75 versions of Romeo and Juliet’s story in the opera literature alone (with only those by Bellini and Gounod in the standard repertory). In ballet, Prokofiev’s setting stands apart as the great musical narrative of the story, but Tchaikovsky’s tone poem, condensed and moody, is also effective when danced. These quintessential young lovers have invaded every form and style of art. No genre is exempt—not even rock, which gave us Bob Hamilton and Freddie Gorman’s song “Just Like Romeo and Juliet,” a hit single for The Reflections in 1964. Like those of his compatriots Tchaikovsky and Stravinsky, Prokofiev’s great ballet scores, Romeo and Juliet and Cinderella, work as abstract music in the concert hall without the benefit of dance or text. But just a glance at the names of the
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dances is enough to remind us of Prokofiev’s greatness as a storyteller; the music compels us with the ebbs and flows of the unseen story as well as its sheer beauty. Prokofiev’s narrative powers can come as a bit of a shock to some American listeners, because the quirks of history have tended to fragment our view of his talents, especially during the Cold War. Prokofiev and Igor Stravinsky were the two giants of Russian classical music born in the last quarter of the 19th century; to their names we can add Sergei Rachmaninoff, born in 1873, perhaps the last of the late Romantics; and Dmitri Shostakovich, born in 1906. All were virtuoso pianists; all survived Russia’s Bolshevik revolution and faced state mediation of their artistic lives in the USSR, where artistic expression—like pretty much everything else— was considered an instrumentality of the state. Rachmaninoff and Stravinsky lived and died as expatriates; Prokofiev, though he traveled extensively outside Russia, returned there. For Shostakovich, who was denounced by the Kremlin after the success of his satirical opera Lady Macbeth of the Mtsensk District, the attempt to leave Russia might well have meant death for the composer and his family. In the decades after their deaths, their respective reputations in the West seemed to have settled into a consistent hierarchy, like the finish of a musical horserace—with the aristocratic Stravinsky, authoritative and statesmanlike, ahead of the rest. He is followed by Prokofiev and Shostakovich in second and third places, and with the melancholy Rachmaninoff in a luxurious but uncomfortable niche of his own. (He died in his adopted state of California after a disappointing piano tour of the U.S.) Looking beyond the pointlessness of viewing music as
801.399.9214 [ symphonyballet.org ]
Notes on the Program a competition, it’s no coincidence that their stature corresponded to the amount of time they spent away from the homeland. According to prevailing wisdom, the cosmopolitan Stravinsky bestrode the various styles of 20th-century music and all that came before it; Prokofiev’s music, brash and avant-garde in his youth, settled into a more dignified maturity; and Shostakovich, with his own and his family’s survival at stake in the Stalinist regime, was forced by the USSR’s cultural bureaucracy to compromise his art. But that way of thinking unexpectedly changed in the late 1970s, and has been unsettled since. The music of Prokofiev and Shostakovich and their relationship with the Soviet cultural apparatus had to be reconsidered when Shostakovich’s shocking memoir, Testimony, was spirited into the West and published in translation by a colleague of Shostakovich’s, the musicologist Solomon Volkov in 1979. The controversy surrounding this volume not only forced us to reevaluate Shostakovich’s most important compositions, but also revealed that even Prokofiev’s admirers tend to know only a part of his musical output, as if there were three Prokofievs: the master of the piano who wrote some of the most important piano concertos and sonatas of the 20th century; the sophisticated, lapidary symphonist; and the theatrical composer whose riveting narrative compositions—such as the ballets Romeo and Juliet and Cinderella and the operas War and Peace, The Gambler, The Love for Three Oranges—are acknowledged for their greatness but rarely seen on American stages. Since its premiere in 1936, Prokofiev’s charming Peter and the Wolf has been presented in the U.S. far more often than any of his other works. The prodigiously gifted Prokofiev earned a reputation as something of a musical firebrand
801.399.9214 [ symphonyballet.org ]
early in life. Just a year after beginning his formal music training at age 11 with the eminent Ukrainian-born composer Reinhold Glière, he entered the Moscow Conservatory; his written recollections of this period, as well as his early compositions, suggest that Prokofiev was not a troublemaker, but possessed a musical mind that was questing and eager to experiment with new trends in tonality, harmony and rhythm. In his “Classical” Symphony, written when he was 25, we hear both his mastery of the past (it is considered an homage to Haydn) and his eagerness for the future. By then, Prokofiev had already earned a reputation as a rising young composer. He had signed a contract with the music publisher Boris P. Jurgenson five years earlier, and at age 22 had traveled to London and Paris. Nine years younger than Stravinsky, he met Stravinsky’s patron Diaghilev in London and composed several short ballet scores for him; the following year, Stravinsky’s association with Diaghilev’s Ballets Russes would catapult the older composer to international notoriety after the Paris premiere of The Rite of Spring. Musicologists are puzzled as to why Prokofiev was allowed to travel so freely, and why he chose to return. And while there is plenty of background commentary to analyze, most of it fails to consider the depth of the attachment that Russian artists seem to feel for their homeland; all too often, if they cannot be happy there, neither can they be happy anywhere else. For us, in listening to Romeo and Juliet, Prokofiev’s travels in the early 1920s crucially gave him experience to draw upon in composing this ballet score more than a decade later. He completed most of it in 1935. The ballet was composed based on a synopsis by Adrian Piotrovsky and Sergey Radlov.
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Notes on the Program WHAT TO LISTEN FOR
One reason for the stunning effectiveness of the Romeo and Juliet score is Prokofiev’s superb mastery in balancing lyricism and tension. The melodic appeal, the romanticism, and the sensuality of young love never flag throughout the ballet. Yet there is a sense of foreboding and darkness, too. It might have wound up a bit less dark, but things did not go exactly as planned for the composer. As work proceeded on Romeo and Juliet, the Soviet government’s tyrannical mediation of staged musical events could not have been more ominous to its creators. Their original scenario included a happy ending—a departure from Shakespeare’s original storyline that may have been invented on the tenuous assumption that love’s triumph would be deemed more beneficial to the Soviet people than tragedy and death. The atmosphere was tense in anticipation of the ballet’s eventual staging, and led to Radlov’s departure from the Kirov Ballet in 1934. When a new agreement was reached for a production at the Moscow’s Bolshoi Theatre, the closest thing to a state concert hall, even the scenario’s happy ending provoked controversy among government’s artistic watchdogs. In 1936, when the famous Pravda editorials condemning Shostakovich’s Lady Macbeth of the Mtsensk District were published, the tensions rose still further. The eminent music historian Joseph Horowitz has reconstructed concert programs that include the original score, with Romeo and Juliet joyfully reunited. Whether this approach is as convincing as the more familiar tragic ending is up to the individual listener. In his autobiography, Prokofiev notes: “There was quite a fuss at the time about our attempts to give Romeo and Juliet a happy
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ending…the reasons for this bit of barbarism were purely choreographic: living people can dance, the dying cannot. But what really caused me to change my mind about the whole thing was a remark someone made to me about the ballet: ‘Strictly speaking, your music does not express any real joy at the end.’ That was quite true. After several conferences with the choreographers, it was found that the tragic ending could be expressed in the dance and in due time the music for that ending was written.” Not until 1938 was the ballet finally premiered in Brno, Czechoslovakia—without fanfare, but now recomposed with a tragic ending that conforms more closely to Shakespeare’s. The Russian premiere was held at the Kirov Theater in 1940. Listeners will recognize Prokofiev’s now-familiar rhythmic pliancy and the vivid, almost visceral physicality of this music, along with a plangent sound that makes it sound antique, modern and timeless all at once. His inclusion of unexpected instruments, combining the old and the new—tenor saxophone, cornet, viola d’amore, mandolin—creates an aural curtain that hangs like a palace tapestry. The magnificent Russian prima ballerina Galina Ulanova, who created the role of Juliet, commented in her own memoirs that at the time they were learning the choreography, the love music in Romeo and Juliet did not seem romantic to the dancers. To modern listeners, there is no more compelling representation of love’s realities, its physical ardor and emotional torment, than this ballet. The balcony scene is one of the most romantic moments in music— Prokofiev’s uncanny musical rendition of the line “It is the East, and Juliet is the sun.”
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A Tribute to Sharon Macfarlane
Thank You for 15 Years! After fifteen years of devoted service, Sharon Macfarlane is retiring from her position as Executive Director of the Ogden Symphony Ballet Association. Her dedication to the community and her love for the arts has been remarkable, and she will be greatly missed. Under Sharon’s careful direction, the OSBA has thrived, presenting 184 Utah Symphony performances, 70 Ballet West shows, 10 performances by BYU groups, 7 Jim Christian productions and 4 Utah Opera productions. She secured crucial grants, sponsorships and individual donations to ensure the viability of the organization during the recession. She also oversaw numerous summer garden parties, golf tournaments, galas, fundraising drives, and committee meetings. Through it all, Sharon exemplified grace and professionalism. Her colleagues describe her as “kind,” “attentive,” “community-minded,” and someone who consistently goes above and beyond. As a recent feature in Focus magazine relayed, Sharon “embodies personal humility while tenaciously holding on to her professional will for the OSBA. She understands and values her teammates, the board of directors, the sponsors and the donors.” In addition to her work at OSBA, Sharon has volunteered for the McKay-Dee Foundation and the American Red Cross. She has also been active in the Ogden chapter of the Rotary Club. In 2007, she received the Spirit of the American Woman Award by Your Community Connection; in 2011, she was awarded the Mayor’s Award in Arts for the Humanities, and in 2015, she was honored by the Friends of Telitha E. Lindquist College of Arts and Humanities with the Arts and Humanities Association Award. Therefore, it is no surprise that Sharon is loved by all who know her: in fact, her young granddaughter once asked if she was famous because she had noticed that everyone recognized and spoke to Sharon wherever they went in Ogden. Sharon, thank you for your committed service. We love you. We will miss you at OSBA. And we wish you all the best for your future!
801.399.9214 [ symphonyballet.org ]
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Donors Donations made from March $50,000 + John B. & Geraldine W. Goddard Foundation Mrs. Telitha Lindquist Ogden Symphony Ballet Association Foundation RAMP Stewart Education Foundation $10,000–$49,999 Matthew B. Ellis Foundation Thomas & Stephanie Moore Bob & Marcia Harris Val A. Browning Foundation Alan & Jeanne Hall Foundation Richard K. & Shirley S. Hemingway Foundation $5,000–$9,999 Lawrence T. & Janet T. Dee Foundation Marriner S. Eccles Foundation Edith Dee Green Foundation Mrs. Paul T. Kunz Shirley Mack Ogden City Corporation Sorenson Legacy Foundation Utah Division Of Arts & Museums $1,000–$4,999 America First Credit Union Mr. & Mrs. Dwight Baldwin Mr. & Mrs. Rex Bean Beaver Creek Foundation Evan & Geraldine Christensen Elliot Hall Company Ron & Joyce Hanson Rick & Karen Fairbanks Dr. Doug & Shelley Felt Donna & Ralph Friz Mr. & Mrs. Kelly Goddard Kenneth & Norine Holmgren William & Barbara Hughes Intermountain McKay-Dee Hospital Michael & Zona Keyes Ed Kenley Ford
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29, 2015 to March 29, 2016 Russ & Jane King Cindy & Paul Kunz Sharon Lewis Lindquist Mortuaries & Cemetaries Suzanne Lindquist Merrill Lynch Drs. Jean & Richard Miller Dr. Judith Mitchell Robert & Jelean Montgomery Nebeker Family Foundation Bert L. & Lulu M. Neal Foundation Ralph Nye Charitable Foundation Keith & Ellen Opprecht Marty & Carolyn Rasmussen Dr. Harry & Becky Senekjian Wells Fargo Bank Zions Bank $500–$999 ALSCO Sally Arway Marlene Barnett Dr. Glen & Genette Biddulph Boyer Company Dr. Ray & Lorraine Burdett Russ Carruth Mary & Lee Forrest Carter Dr. & Mrs. Fred Clayson Jenny & Danny Cole Rosemary Conover & Luckey Heath Ken Cross Peter & Nancy D’Hulst Dr. Douglas Deis Dean Hurst Val Iverson Charles & Jerry Lindquist Val & Karen Lofgreen Logistic Specialities Jan & Jerome Luger Dr. Scott & Kirsten Major Mountain Medical Dr. Mark & Meg Naisbitt Jim & Suzy Patterson Edward & Lorna Rich Snowbasin
Dr. Paul & Carol Sonntag Jonathan & Beverly Souder John & Colleen Starley Starley Family Dental Ulrich & Associates Utah Eye Center E. K. & Grace Walling Sheldon & Janice Ward Norma & Roger Wood Weber State University Hal Wheelwright JBT Aerotech $200–$499 Jon Adams Barbara Anderson Mr. & Mrs. William Bennett Phil & Melanee Berger Bob Blair Kathleen & Phillip Browning Dr. & Mrs. Arthur Budge Mr. & Mrs. Jeffry Burton Dr. Allen & Janis Christensen Dr. & Mrs. Fred Clayson Clark & Pat Combe Alan & Joanne Dayley Pete & Lynn DeHart Allen & Kellie Diersman DeLoris & Dale Dorius Elliott-Hall Company Ann & Peter Ellis Dr. Robert Fudge & Sylvia Newman Gerry & Dixie Funk Kim & Becky Hale John & Jeanne Hinchman Robert Igo Intermountain Healthcare Dr. Michael & Lori Jacobazzi Dr. & Mrs. Paul Johnson Jeanne Kesler McClain & Emily Lindquist Lindquist Memorial Park Melba Lucas Ivaloo Lund Sharon Macfarlane Mr. & Mrs. Dwayne Manful Frank & Sharon Markos Sandy & Phillip Maxwell Renate Nebeker
Sally & Bob Neill Marilyn Nelson Gary & Marilyn Newman Arthur & Ruth Nielsen Scott & Pam Parkinson Debbie Perry William & Shirley Reese Juergen Sass Harlan & Lauralee Schmitt Mr. & Mrs. Howard Schuyler Shane & Pamela Schvaneveldt John Slack Joann Smith Keith & Marlys Sorbo Joyce & Charles Speak Ned & Sheila Stephens Joyce & Robert Stillwell Dr. Scott & Claire Swift Jeneile Tams Michael Tanner Jeane Taylor Karen Vanden Bosch Sandy Waite Scott & Nancy Waterfall Dr. Michael & Jennifer Webb Kenna Williams Glenn & Connie Wimer Carl & Helgard Wolfram $50–$199 Mr. & Mrs. A. George Adamson Jack & Shann Albretsen Jim Alvey Darlene Anderson Mr. & Mrs. Russell Ashment Kay Ballif Dr. & Mrs. Paul Bennion Vernon & Jacque Bergstrom Evelyn Bertilson Jeffrey & Piper Blankinship Mr. & Mrs. Chris Bolieau Ken Borchert Mr. & Mrs. Robert Bradford Dewayne & Carol Brockman Major & Mrs. Wendell Brumley Barre & Karen Burgon Michael & Corey Call
801.399.9214 [ symphonyballet.org ]
Donors Brad & Lynn Carroll Steven & Lynne Carter Kitty Chatelain Child Culture Club Cathay Christiansen Julie Coley Frank & Ludene Dallimore Lynn & Natalie Dearden Golden & Sharon Decker Michael & Susan DeYoung Brent Dopp Kathy Douglas Drama Club of Ogden Joe & Evelyn Draper Ann Alene Dunn Sandra Ebarb Jerry Eddy Rod Egan Muriel Elzey Ronald & Georgia Erickson Judy Farr Mr. & Mrs. Thomas Fearn Kathryn Fisk Jill Flamm Rick & Angela Flamm Mr. & Mrs. Christopher Ford Linda Forest Marie Francis Pat Fuller Bert & Karen Gall Dr. Greg & Caitlyn Gochnour Janice Grajek Nancy & Lawren Green Gridley Ward & Hamilton David & Joan Hadley Stephen & Pam Hall Gayle Halverson Tom & Diane Harding Mary Hargis David & Marlene Havertz Col. & Mrs. Douglas Holmes Louis & Ione Howell Robert & Rula Hunter Greg Hyde Robert Irvine Gary Iverson Carol Jackson Eric & Becky Jacobson Mr. & Mrs. Steve Johnston Dorothy Jones Darlene & Brit Keenan Jan Kimber
Melba & Denis Kirby Pat Knight Dean & JoAnn Knighton Marilyn Konieczny Thom Kuehls Andrea Lane Jeanette Long Reed & Cheryl Loveland Eugene & Pat Low Diane Luke MacDowell Ensemble Roger Macfarlane Sam & Garrett Macfarlane Corey Malan Charlene Mann Erika Martin Rand & Cynthia Mattson Earl & Carole McCain Andy & Susan McCrady Jennifer & James McGregor Wayne & Mrs. Nada Miller Karen Miner Robert & Janet Mitchell Dr. Robert & Suzanne Moesinger Dr. Paul & Maurine Naisbitt Dr. & Mrs. Noel Nellis Dr. Robert & Eleanor Newman Mr. & Mrs. Claude Nix Dallon Nye Joseph Oberuc Michael & Cindy Palumbo Donald Pantone Val & Marlene Parrish Jerry & Penny Patterson Paul & Sandra Perkin Billee Petersen Mr. & Mrs. Robert Petersen Rex Peterson Joann Phillips Jim & Kay Philpott Matt & Cami Pollard Sanford Poulsen Donna Poulter JoAn & Paul Powell Myrth Priest Beverly Prothero Bonnie Raleigh RAMP Works Pat Rasband Adeline Rhoton Russell & Phyllis Rogler Margaret Rostkowski
801.399.9214 [ symphonyballet.org ]
Blaine & Justine Seamons Sempre Musical Society Sterling & Barbara Sessions Greg & Susan Shreeve Lawanna & Robert Shurtliff Jan & Michael Slabaugh Smith’s Community Rewards Anne Sneddon Joyce & Charles Speak Morgan Stanley Edward & Mari Lou Steffen Darlene Stoddard Evalyn Terry John & Marcy Thaeler Jan Thurston Bob Tillotson Karen Trewet Patti Van Aarle Ralph & Judy Vanderheide Dixie Vandyke Ed & Jeannie Vendell Lucinda & Phillip Wagner Melvin Walker Juanita & Charles Watts Suzanne Wayment Val Weathers Lee Welch Roberta & Kent West Enid Wilde David Willis Marlin & Susan Winslow James & Carolyn Wold Venita Wood Harry & Marilyn Woodbury Larry Zaugg MEMORIAL DONATIONS Brent Baddley Dr. & Mrs. Arthur Budge William Beutler Dr. & Mrs. Arthur Budge Cathy Christensen Anne Devries Kay Van Kampen Charles Combe Phyllis Combe Nancy Davidson Dr. & Mrs. Fred Clayson
Shirley Dunbar Mr. & Mrs. Kelly Goddard Sharon Macfarlane J. Laurence & Marian Shaw John B. Goddard Russ & Jane King Sharon Macfarlane Jim & Suzy Patterson Marian Lindquist Holbrook Sharon Macfarlane William & Lorna Kennedy Peggy Holmes Dr. & Mrs. Fred Clayson Mr. & Mrs. Kelly Goddard Sharon Lewis Sharon Macfarlane Drs. Jean & Richard Miller Thomas & Stephanie Moore Jim & Suzy Patterson Harry & Becky Senekjian Carol Hurst Marlene Barnett Carolyn Brady Dewayne & Carol Brockman Dr. & Mrs. Arthur Budge Ruth Darrington Thomas Dee Lara Deppe Muriel Elzey Rick & Angela Flamm William & Anita Ford Dr. & Mrs. Ralph Friz Greg & Caitlin Gochnour Marlan Haslam Robert & Rula Hunter Carol Jackson Val & Suzan Johnson William & Lorna Kennedy Russ & Jane King Joanne & David Layne Mrs. Telitha Lindquist Val & Karen Lofgreen Reed & Cheryl Loveland Sharon Macfarlane Mark & Meg Naisbitt Drs. Jean & Richard Miller Dr. Judith Mitchell Thomas & Stephanie Moore Mr. & Mrs. Paul T. Kunz Jay & DeeAnn Nye Scott & Pam Parkinson
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Donors Jim & Suzy Patterson Carolyn Rich-Denson Carol Salmon Melissa Seamons Sempre Musical Society J. Laurence & Marian Shaw Jan & Mike Slabaugh Sheldon & Janice Ward Stephanie Williams Ronald Wooden Jolene Zito Marie Irvine Zana Anderson Mary P. Jacobs Ann Alene Dunn Brit Keenan Mr. & Mrs. Kelly Goddard Paul T. Kunz Evan & Geraldine Christensen Dr. & Mrs. Fred Clayson Ann Alene Dunn Mr. & Mrs. Kelly Goddard Marlan Haslamn Robert & Leanne Hendricks William & Lorna Kennedy Russ & Jane King Ladies Literary Club Andrea Lane Charles & Jerry Lindquist Kathryn Lindquist Sharon Macfarlane Dr. Judith Mitchell Thomas & Stephanie Moore Mark & Meg Naisbitt Paul & Maurine Naisbitt Carolyn Parker Scott & Pam Parkinson Jim & Suzy Patterson Marty & Carolyn Rasmussen Brent & Diane Richardson Melissa Seamons Jan & Mike Slabaugh Stephanie Williams Marvin Lewis Dr. & Mrs. Arthur Budge Evan & Geraldine Christensen Dr. & Mrs. Fred Clayson Dr. & Mrs. Ralph Friz
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If your name is incorrectly spelled or listed, or has been left off of our Association Membership list, please contact our office at 801-399-9214 or email marianne@symphonyballet.org. Kay Hardy Carol Jackson Val & Suzan Johnson Mrs. Telitha Lindquist Sharon Macfarlane Dr. Judith Mitchell Thomas & Stephanie Moore Mark & Meg Naisbitt Paul & Maurine Naisbitt Jan & Mike Slabaugh Telitha Lindquist Barbara Anderson Marlene Barnett Dr. & Mrs. Arthur Budge Dr. & Mrs. Fred Clayson Ann Alene Dunn Sue Ellis Mr. & Mrs. Kelly Goddard Beverly Goodwin Carol Jackson William & Lorna Kennedy Ladies Literary Club Andrea Lane Sharon Lewis Val & Karen Lofgreen Sharon Macfarlane Frank & Sharon Markos Dr. Judith Mitchell Mark & Meg Naisbitt Jim & Suzy Patterson Marty & Carolyn Rasmussen Brent & Diane Richardson Melissa Seamons Sheldon & Janice Ward Georgia Lund Dr. & Mrs. Arthur Budge Russ & Jane King Sharon Lewis Sharon Macfarlane E.D. Morton, M.D. Dr. & Mrs. Arthur Budge Irene Parker Muriel Elzey Lynne Rich Dr. & Mrs. Arthur Budge Sue J. Ellis & Family Sharon Macfarlane Dr. Judith Mitchell Carolyn & Marty Rasmussen
Donna Richardson Ladies Literary Club Kathryn Lindquist Dr. Judith Mitchell Dr. Paul & Carol Sonntag Florence Rothey Sharon Macfarlane Mary Nelson Schenck Sharon Macfarlane Candadai Seshachari Marlene Barnett Dr. & Mrs. Fred Clayson Lara Deppe Dr. William & Barbara Hughes Russ & Jane King Val & Karen Lofgreen Sharon Macfarlane Drs. Jean & Richard Miller Dr. Judith Mitchell Melissa Seamons Jolene & Chad Zito Monty Shupe Dr. & Mrs. Arthur Budge Sharon Macfarlane Melvin R. Sowerby Jr. Sharon Macfarlane Hetty Hammon Sly Denise Sly Melvin R. Sowerby, Jr. Sharon Macfarlane Norman Steele Sharon Lewis Joe Terry Lara Deppe Sharon Macfarlane IN HONOR OF Sharon Mcfarlane Dee & Carol Brockman Genette Biddulph Destiny Karrington
In-Kind Donations Jon Adams Alphagraphics ALSCO Apple Spice Junction Kay & Mark Ballif Beans & Brews Beehive Cheese Glenn & Genette Biddulph Cohen & Steers Cross Action Computers DataZ.com Erz Animal Hospital Farr Jewelry Felt Auto Robert Fudge & Sylvia Newman Gibby Floral Gray Cliff Restaurant Hilton Garden Inn Ivy Funds Jimmy Johns Kaffe Mercantile Brad Kapple KBZN & KLO Radio Kneaders London Connection Lucky Slice Mainstay Jim McBeth Merrill Lynch Mount Olympus Water Mountain Medical Ogden School Foundation Posy Place Riverside Golf Robert Wood Photography Rocky Mountain Water Roosters Sandy’s SB56 LLC. Schneiter’s Golf Snowbasin Resort Standard Examiner Starley Family Dental Super Sonic Union Grill Val A. Browning Center Bob Wallis Weber State Credit Union Wiggins & Co. Wood Richards & Associates Your Valet Cleaners Zions Bank Zucca
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