Who’s Who

AUSTIN ARCHER*

(Blue) has performed with SLAC in 13 different productions since 2008, most recently as Legs Diamond in SILENT DANCER, and Isaac in HIR. He has performed locally with PLAN-B Theatre in GOOD STANDING for which he made City Weekly’s “Best of” list for his portrayal of 16 different characters. He has also been seen locally at Pioneer Theatre company in various productions, most recently as Crutchie in NEWSIES! Film & TV credits include: Mindhunter (Netflix), The Night Clerk (Saban Films), and Alien Country (upcoming!). He has collaborated several times with Flying Bobcat Theatrical Laboratory in the form of a devised piece called LOVE, a co-production of his play JUMP with PLAN-B, and of course this lovely show! Thanks to Nathan and Dallas for this beautiful story, to Troy for his incredibly imaginative adaptation, and to Scott and Andra for their inspiring and fearless artistry. Enjoy the show!

ROBERT SCOTT

SMITH* (Narrator, Dred Fred, Tiger, CoFounder and Co-Artistic Director of Flying Bobcat Theatrical Laboratory) As a professional actor, NYC credits include KREUTZER SONATA (United Solo Festival), KEEPING ISHMAEL (Workshop); PERICLES (SLANT); SLC acting credits include MARY STUART, THE CRUCIBLE, and TWO HENRYS (PTC); SATURDAY’S VOYEUR, CLIMBING WITH TIGERS, RAPTURE BLISTER BURN, GOOD PEOPLE, CHARM (World Premiere), SWIMMING IN THE SHALLOWS, SIX YEARS, BIG LOVE, BATBOY: THE MUSICAL and GROSS INDECENCY (Salt Lake Acting Company); A STREETCAR NAMED DESIRE, OUR TOWN (The Grand Theatre); and ICE FRONT (World Premiere), KREUTZER SONATA (World Premiere) and BASH (Plan-B). Film credits include Kill The Babysitter, Jewtah, Wildlife (Official Selection Cannes Métrage Selection 2015) Blessing, and Animae. Robert Scott is Assistant Professor and CoHead of the Actor Training Program with the Department of Theatre at the University of Utah. Directing credits include THE VIEW UPSTAIRS by Max Vernon with Good Company; BIG LOVE by Charles Mee with the U of U Department of Theatre; SLAC’s New Play Sounding Series reading of REYKJAVIK by Steve Yockey; PLAN-B Script-inHand series reading of QUARTER HORSE by Rob Tennant; and an All-Female Production of HAMLET in conjunction with the University of Utah Department of Theatre featuring actors from the Actor Training Program and Musical Theatre Program.

TROY DEUTSCH

(Adaptor) is a playwright and filmmaker from rural Minnesota living in New York City. He studied with Nicky Silver as part of The Vineyard Theatre’s Fall Playwriting Workshop. His short film BROWN FISH, based on his short play, played 15 festivals, winning the Most Original Film Award from Blackbird Film Festival and the Audience Award

for Best Experimental Short from the Adirondack Film Festival. Troy’s one woman show about Donald Trump’s mom, ORANGUTAN, premiered at the Broadwater Theater in Los Angeles as part of the Hollywood Fringe, and won the “Best of the Broadwater Award.” His play BULL SHARK ATTACK received its world premiere at Salt Lake Acting Company and was part of SLAC’s New Play Sounding Series and SLAC’s Playwrights’ Lab. Troy’s play CLIMBING WITH TIGERS also premiered at SLAC. Troy’s three-act family drama THE ROSE GARDEN, a semifinalist for the O’Neill Playwriting Conference, received a week-long developmental workshop at American Theater Company in Chicago. His play LAKE WATER, a semi-finalist for the O’Neill Playwriting Conference, was developed at The New Group through the New Group/New Works Reading Series and received its world premiere at IRT Theater. Training: BFA from the University of Utah Actor Training Program. ALEXANDRA HARBOLD (Director, Co-Founder and Co-Artistic Director of Flying Bobcat Theatrical Laboratory) Previously at SLAC, Harbold directed DEATH OF A DRIVER, THE WOLVES, TRIBES, the premieres of (a man enters) and THE PERSIAN QUARTER, and several NPSS readings; and acted in HAND TO GOD, TWO STORIES, CIRCLE MIRROR TRANSFORMATION, SIX

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YEARS, and ICE GLEN. Recent projects also include directing the livestream production of THE NIGHT WITCHES (University of Utah), the premiere of AT THE BOTTOM (Pinnacle Acting Company), and co-creating THE LIVE CREATURE AND ETHEREAL THINGS, Flying Bobcat’s collaboration with Daniel Charon and the Ririe-Woodbury Dance Company. Harbold is Assistant Professor of Directing at the University of Utah. Education: Masters, University of London Goldsmiths College; BA, Middlebury College, Vermont; SITI Summer Intensive, Skidmore College, New York; and BADA Midsummer at Oxford, Balliol College. Ever thanks to the whole creative force of CLIMBING WITH TIGERS and to Salt Lake Acting Company for being a creative home. JAROM NEUMANN (Digital Artist/ Animator) graduated from Brigham Young University’s animation program in 2015. He was the producer for BYU’s 2014 short film Bothered, and editor for BYU’s 2015 academy award winning Ram’s Horn. Since then, Jarom has worked for various clients ranging from animations for Studio C to storyboards for potential live action Disney films. He currently works as an animation project lead in the video game industry. Jarom is husband to the love of his life, Kara, and father to their almost 2-year-old, Eleanor. KEVIN MATHIE (Composer / Music Director) is pleased to be back at SLAC, even if it is only virtually this year. He has been part of the SLAC family since the 1990s. He was the music director / arranger for SATURDAY’S VOYEUR (2009-2016), the music director for other SLAC productions, like ART DOG, and finally, the composer for CLIMBING WITH TIGERS. Audiences may also remember him as the resident music director for The Grand Theatre (2002-2015). Kevin now lives in Los Angeles where he works as a music director for productions at the Hollywood Fringe Festival, etc., and as a composer for theater, film, and television. His most recent television credits include additional music for the Young and the Restless. He has won “Best Music” at various film festivals for his work on numerous independent films. He has also written the music for 7 musical theater shows that have been produced on stage. His most recent collaboration is for a new musical, THE PLOT TO KILL CHARLIE CHAPLIN, which will see the stage once the pandemic ends. THOMAS GEORGE (Set Designer) Thomas is a set designer and artist based in Salt Lake City, UT. He holds an MFA from The University of California, San Diego, and a BFA from The University of Utah, where he taught set design for several years. Recent Utah credits include SNOW WHITE and PETER AND THE WOLF for Ballet West, A FUNNY THING...., STUPID F*CKING BIRD, SURELY GOODNESS and MERCY, for Salt Lake Acting Company, and numerous other productions for Plan B Theatre Company, Pygmalion Theater Company, and The University of Utah Department of Theatre. RODNEY CUELLAR (Costume Designer) PROJECT FABULOCITY I & II, THE SANTALAND DIARIES, THE

PAINS OF YOUTH, FULLY COMMITTED, CRAVE, ARABIAN NIGHTS (Tooth&Nail Theatre Company), SERIOUS MONEY (Bard College), IT’S A CRUEL CRUEL SUMMER (The Joyce Soho Theatre), TIMOCINA & THE CROCODILES (Drama League, Schaeberle, Theatre), ALICE’S ADVENTURES IN WONDERLAND (Sundance Theatre Educational Tour), OLIVER, CINDERELLA (Sundance Outdoor Summer Theatre), GRIMM, IVONA PRINCESS OF BURGUNDIA, HARVEY, THE TEMPEST, TARTUFFE, LIFE IS A DREAM (Waterford Black Box Theatre). ADAM DAY (Sound Designer) has a BFA in Performing Arts Design from the University of Utah. Some of his credits include sound design and live mix for YOUNG FRANKENSTEIN (The Grand Theatre), AMERICAN IDIOT (University of Utah Theatre Department), GODSPELL (University of Utah Theatre Department), LITTLE SHOP OF HORRORS (The Grand Theatre), LOST IN THE WOODS (Flying Bobcat Theatrical Laboratory), FEAST (NOW-ID) and SPRING AWAKENING (University of Utah Theatre Department). He also works as the Technical Coordinator at the Draper City Amphitheater. JESSE PORTILLO** (Lighting Designer) is a freelance lighting designer based in southern California

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and is excited to work with SLAC for his 11th season. Previous SLAC credits include SATURDAY’S VOYEUR, HARBUR GATE, THE PERSIAN QUARTER, CLIMBING WITH TIGERS and PINKALICIOUS. Recent productions include THE BROTHERS SIZE for Ancram Opera in Ancram, New York, and GUYS AND DOLLS for Arizona Broadway Theatre. He has designed for many companies in Utah including Plan-B Theatre, Pioneer Theater, Repertory Dance Theatre, New Century Dance Project, Samba Fogo, and Utah Festival Opera and Musical Theatre. He has also designed for PURE Theatre, LOOK Musical Theatre and Mobile Opera and has been a guest artist and lecturer at Baylor University, Idaho State University and Millikin University. He recently relocated to southern California and is an Assistant Professor at Cal Poly Pomona, and has previously held positions at the College of Charleston and the University of Utah. He is an active member of the United States Institute for Theatre Technology, serves on the steering committee for the Latinx Theatre Commons, and is a proud member of United Scenic Artists Local 829. ANNIE BRANTLEY* (Stage Manager) Annie is returning to SLAC for the second time and has spent the past decade working countless shows for several companies filling every production role imaginable. Favorite

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past productions include RED NOSES (Lighting), EQUUS (Sound), THE 25TH ANNUAL PUTNUM COUNTY SPELLING BEE (Lighting), GRACE (Stage manager), WHO’S AFRAID OF VIRGINIA WOOLF? (Stage Manager), NOISES OFF (Props), and AUGUST: OSAGE COUNTY (Stage manager). She earned her BFA in technical theater with an emphasis in stage management from Westminster College and was a technical director there for two years. MARK HOFELING (Puppet Design and Fabrication) Mark Hofeling is a veteran designer in the film and television industry. While he finds the conceptual and managerial responsibilities of the film world immensely satisfying, he misses the hands-on craft that underpins all of showbiz. So, he was delighted to jump at the amazing invitation to create Thunder Tiger for SLAC’s production of CLIMBING WITH TIGERS. He considers it a great honor and responsibility to help bring this important vision into 3 dimensions, and thanks all involved for the opportunity to play in their space. * Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. ** The set designer of CLIMBING WITH TIGERS is represented by United Scenic Artists Local USA 829 of the IATSE