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TABLE OF CONTENTS Welcome...............................................................................................................................................................6 Death of a Driver..................................................................................................................................................7 Acknowledgments ............................................................................................................................................. 8 Corporate Sponsors...........................................................................................................................................10 Cast of Characters ............................................................................................................................................. 13 In The Room .......................................................................................................................................................14 Mini Season.........................................................................................................................................................16 Who’s Who..........................................................................................................................................................18 Thank You........................................................................................................................................................... 25 Coming Next: form of a girl unknown...........................................................................................................26 University Professional Theatre Program .................................................................................................... 27 Sponsors, Friends, and Supporters ...............................................................................................................28 Salt Lake Acting Company Staff..................................................................................................................... 32 Board of Trustees.............................................................................................................................................. 33 Title I Arts Education Program........................................................................................................................ 35 For Our Audience...............................................................................................................................................36
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WELCOME DEAR FRIENDS (OLD AND NEW), Welcome to the first production of our historic 49th season. As you likely already know, Salt Lake Acting Company is a creative hub where artists and audiences can dream, feel a sense of belonging, and explore what it is to be human. Our 19/20 season is comprised of seven plays that have never before been produced in Utah and celebrate life through a unique lens. The result is a powerfully entertaining line-up of stories that inspire us to stay curious, realize our capacity for resilience, and ultimately unlock our hearts. If you’re a subscriber, welcome home. We exist because of you. If you’re not, please consider making us a part of your journey. With love and gratitude, Cynthia Executive Artistic Director
MEET THE PLAYWRIGHTS OF SALT LAKE ACTING COMPANY’S 19/20 SEASON
WILL SNIDER
ELAINE JARVIK
death of a driver
CHARLY EVON SIMPSON
SARAH RUHL
LUCAS HNATH
NANCY BORGENICHT
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ALLEN NEVINS
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Presents
DEATH OF A DRIVER By
Will Snider Director
Alexandra Harbold
Set Design
Shawn Fisher**
Costume Design
Kerstin Hallows
Sound Design
Jason Jensen
Light Design
William Peterson
Stage Manager
William Richardson*
University Professional Theatre Program Assistant Set Design
Tommy Jennings
September 11 – October 21, 2019 DEATH OF A DRIVER receieved its World Premiere at URBAN STAGES, NYC in 2019 Frances Hill, Artistic Director Death of a Driver was developed through the Wagner New Play Festival at University of California, San Diego, and the Salt Lake Acting Company Playwrights’ Lab. Death of a Driver is produced by special arrangement with THE GERSH AGENCY, 41 Madison Avenue, 33rd Floor, New York, NY 10010 * Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States ** The set designer of DEATH OF A DRIVER is represented by United Scenic Artists Local USA 829 of the IATSE
acknowledgments
2019/2020
Salt Lake Acting Company gratefully acknowledges the following foundations and government agencies for their very generous sponsorship. Their support is truly essential to SLAC’s success and vitality.
FOUNDATION AND GOVERNMENT SUPPORT SALT LAKE COUNTY ZOO, ARTS & PARKS (ZAP) THE SHUBERT FOUNDATION NATIONAL ENDOWMENT FOR THE ARTS UTAH DIVISION OF ARTS & MUSEUMS EMMA ECCLES JONES FOUNDATION GEORGE S. & DOLORES DORÉ ECCLES FOUNDATION TERENCE KEARNS STEPHENS CHARITABLE FUND ANONYMOUS B.W. BASTIAN FOUNDATION JOHN & MARCIA PRICE FAMILY FOUNDATION SALT LAKE CITY ARTS COUNCIL MARRINER S. ECCLES FOUNDATION NATIONAL NEW PLAY NETWORK MCCARTHEY FAMILY FOUNDATION LAWRENCE T. & JANET T. DEE FOUNDATION JARVIS & CONSTANCE DOCTOROW FAMILY FOUNDATION THE RICHARD K. & SHIRLEY S. HEMINGWAY FOUNDATION U.S. BANK FOUNDATION S.J. & JESSIE E. QUINNEY FOUNDATION HENRY W. & LESLIE M. ESKUCHE FOUNDATION HERBERT I. & ELSA B. MICHAEL FOUNDATION WELLS FARGO FOUNDATION UTAH HUMANITIES ROCKY MOUNTAIN POWER FOUNDATION DORSEY & WHITNEY FOUNDATION death of a driver
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acknowledgments
2019/2020
Salt Lake Acting Company sincerely thanks the following Corporate Partners who make the 2019/2020 Season possible:
CORPORATE SUPPORT 1WIRE ALBION FINANCIAL GROUP AMAZON SMILE ANDERSON & KARRENBERG ESPECIALLY FOR YOU FIVE WIVES VODKA HENRIES DRY CLEANING LAZIZ KITCHEN LUX CATERING MASCHOFF BRENNAN MAZZA MILLS PUBLISHING, INC NJRA ARCHITECTS RED ROCK BREWING COMPANY SALT LAKE ROASTING COMPANY SMITH’S FOOD & DRUG STORES STORAGECRAFT TECHNOLOGY CORPORATION VETERINARY ORTHOPEDIC SERVICES
This project is supported in part by Salt Lake County’s Zoo Arts and Parks program, Utah Division of Arts and Museums, with funding from the State of Utah and the Salt Lake City Arts Council.
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THE FAREWELL Directed by Lulu Wang and starring Awkwafina
BROADWAY CENTRE 111 East 300 South TOWER THEATRE 876 East 900 South
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Cast of Characters SARAH....................................Cassandra Stokes-Wylie* KENNEDY/MAN................................Patrick J. Ssenjovu* * Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States
PLACE: A rural bar and a prison in western Kenya
SCENE 1 – BAR – 2002 SCENE 2 – PRISON – 2003 SCENE 3 – BAR – 2007 SCENE 4 – PRISON – 2008 SCENE 5 – BAR – 2012 SCENE 6 – PRISON – 2013 SCENE 7 – BAR – 2020
MILLS PUBLISHING, INC. Dan Miller, President; Cynthia Bell Snow, Office Administrator; Jackie Medina, Art Director; Ken Magleby, Katie Steckler, Patrick Witmer, Graphic Design; Paula Bell, Dan Miller, Paul Nicholas Chad Saunders, Advertising Representatives; Caleb Deane, Administrative Assistant The Salt Lake Acting Company playbill is published by Mills Publishing, Inc.,772 East 3300 South, Suite 200, Salt Lake City, Utah 84106 Phone: 801.467.8833 Email: advertising@millspub.com Website: millspub.com Mills Publishing produces playbills for many performing arts groups. Advertisers do not necessarily agree or disagree with content or views expressed on stage. Please contact us for playbill advertising opportunities. Copyright 2019.
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IN THE ROOM with will
snider
Salt Lake Acting Company and DEATH OF A DRIVER By 2017, DEATH OF A DRIVER was dead. I wrote the first draft three years earlier and sent it to theaters hoping it would get a production. It didn’t. So I moved on. I wrote other things and filed this one away. Every six months I would reread the script and find myself missing the story of Kennedy and Sarah, wanting to see it on stage, but I didn’t think it would happen. Then, just before Christmas 2017, I got an email from [former Associate Artistic Director] Shannon Musgrave inviting me to Utah. SLAC was hosting writers to work on plays without the pressure of a final presentation. They called it the Playwrights’ Lab. We were given a week in a room with a team of collaborators to do whatever we thought the play needed. I was lucky to have Patrick and Cassie, the two actors you will see tonight, and Andra, their director. We worked through the script scene-by-scene and staged it in several configurations. All the while I got feedback from Cynthia Fleming, David Kranes, and other Lab artists and made adjustments to the final scenes. By the end of the week, the play was back to life - it went on to have a world premiere starring Patrick in New York earlier this year. And now it’s come home to Utah, to the place responsible for its rebirth. Thank you to Cynthia and everyone else at SLAC for all you do for writers like me. Without the Lab, this play would never have been produced.
The Origins of the Play “No one has a right to work in a place where their family doesn’t deal directly with the consequences of the work they do.” I paraphrase words delivered by one of my college professors, Mahmood Mamdani, an anthropologist critical of foreign aid in his home country of Uganda. I listened to him, loved his writing and lectures, and immediately upon graduation violated his dictum. For three years I worked for an agricultural nonprofit in Kenya and Ethiopia that offered microloans of seed and fertilizer to small-scale farmers. We conducted rigorous harvest measurements to determine impact. We ran longitudinal household surveys to determine our effect on health and education. I believed then, and still do, that a good deal of development work is flawed and ineffective, but I felt our methods were different, we were different, I was different. Was I? My language back then was the language of management consultants, of tech entrepreneurs, of MBA programs, and the use of this language resulted from, and reinforced, a reflexive anti-government stance, a feeling that solutions to socioeconomic problems were found far from polling stations, often in places that looked more like boardrooms. To me, electoral politics was a sideshow, a competition between elites, the result of which mattered little to the subsistence farmers I hoped to help. Anthropologist James Ferguson takes exception to
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this. In his book The Anti-Politics Machine he criticizes development work for serving state needs above local needs, for being anti-political in the ways it ignores, and therefore supports, the political establishment. The more materially transformational foreign-led work is, the more it “helps,” the more it sustains the political status quo, which, in many places with significant foreign aid, is often ineffective if not outright oppressive. A bad government takes credit for good work. But another part of me finds this argument too easy, a case for inertia, for ignoring pressing problems because they should be solved by local politics and therefore not solving them. Bad governments also have the ability to co-opt this anti-development discourse to defend their own legitimacy. And there is no way to close borders completely – the asymmetric exchange of resources, ideas, languages, and people cannot simply end, even if some wish it could. And so how do we go about transnational work ethically? Is there a way? DEATH OF A DRIVER is much more than the dramatization of my own cognitive dissonance around my early professional life, but I name it as one of the animating anxieties in the writing. It’s one way to watch the play – there are many others. This is the story of two people, of what we like to call the “personal,” and the way that this “personal” is transformed and constrained by national, cultural, economic, and gender difference. And I hope it’s not boring. Thanks for coming.
PLAYWRIGHTS’ LAB 2018
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SLAC’S 19/20 SEASON IT’S NOT TOO LATE TO SUBSCRIBE! Join us for a season of plays you won’t find anywhere else in Utah. FORM OF A GIRL UNKNOWN by Charly Evon Simpson Director: Melissa Crespo
October 16– November 17, 2019 world premiere Workshopped at SLAC with The Davey Foundation Navigating adolescence is not for the faint of heart, but Amali’s got this. She is twelve years old, she is wise, and she is fascinated – by A Midsummer Night’s Dream; by her changing body; by the story of the children killed in the woods. With humor, magic, blood, and fire, FORM OF A GIRL UNKNOWN is not your typical coming-of-age story.
A DOLL’S HOUSE, PART 2 by Lucas Hnath Director: Nancy Borgenicht
February 5– March 8, 2020 Tony Nominee for Best Play
utah premiere
Nora Helmer leaving her husband at the end of Ibsen’s 1879 masterpiece was the “door slam heard ‘round the world.” Fifteen years later and there’s a knock at that same door. Nora’s back. But why? And where has she been? Lucas Hnath’s scintillating answer to Ibsen’s classic was nominated for 8 Tony Awards and now it’s coming to SLAC.
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We love to take care of our season subscribers! From ticket exchanges to discounts and other perks—we make going to theatre easy, fun, and affordable.
SUBSCRIPTIONS START AT $104 FOR THE REMAINDER OF THE SEASON. STUDENT AND 30/UNDER DISCOUNTS AVAILABLE. HOW TO TRANSCEND A HAPPY MARRIAGE by Sarah Ruhl Director: Adrianne Moore
April 8-May 10, 2020 utah premiere A dinner party gone wild. Two married couples invite a mysterious woman (who hunts her own meat) along with her two lovers to a New Year’s Eve party. From the adventurous and provocative Sarah Ruhl comes a comedy that pushes the boundaries of marriage and the limits of friendship.
SATURDAY’S VOYEUR 2020 created by Allen Nevins & Nancy Borgenicht Director & Choreographer: Cynthia Fleming
June 17-August 23, 2020 world premiere Join us for Utah’s most irreverent summer bash! Not to mention, one of the longest-running shows of its kind in the nation. Now in its 42nd year of raucous, tongue-in-cheek fun. Pack your picnic and come party!
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WHO’S WHO PATRICK J. SSENJOVU*
(Kennedy/Man) hails from Uganda. He started his career as a member of Alex Mukulu’s Impact International, Uganda’s foremost acting company. Recent works include: DEATH OF A DRIVER by Will Snider directed by Kim Sharp, Urban Stages; RED HILLS by Deborah Asiimwe directed by Katie Pearl for Engarde Arts; Sean Lewis’s RED HILLS directed by Katie Pearl at Quantum Theatre in Pittsburgh PA; Adong Judith’s GA-AAD, Uganda National Theater; Ifa Bayeza’s AMISTAD VOICES directed by Carl Hancock-Rux, Rites and Reasons in Providence, RI; UNDESIRABLE ELEMENTS and SECRET HISTORY by Ping Chong, Ohio Theater. Workshops: STRANGE MEN, National Play Network directed by Elio Gutierrez; Mrisho Mpoto’s AFRICA KILLS HER SUN, Sundance Lab Banff/Utah directed by Indhu Rubasingham; Lemon Andersen’s TOAST, Sundance Lab Utah directed by Elise Theron; DEATH OF A DRIVER by Will Snider, Salt Lake Acting Company Playwrights’ Lab directed by Kareem Fahmy. TV/Film: Wu-tang American Saga (Hulu) Living With Yourself (Netflix), Baby Won’t You Please Come Home (short), X-MenOrigins: Wolverine (voice), The Interpreter directed by Sydney Pollock and Game 6 directed by Michael Hoffman. He is a longtime member of Ellen Stewart’s Great Jones Company at La MaMa.
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CASSANDRA STOKESWYLIE* (Sarah) was
most recently seen at Salt Lake Acting Company as Karla in A FUNNY THING HAPPENED ON THE WAY TO THE GYNECOLOGIC ONCOLOGY UNIT AT MEMORIAL SLOAN KETTERING CANCER CENTER OF NEW YORK CITY. Other SLAC credits include: a variety of characters in SATURDAY’S VOYEUR 2017, Alyson Moss in HARBUR GATE and Tanya in BULL SHARK ATTACK. Other favorite theater credits include: IN A TILTED PLACE; A MIDSUMMER NIGHT’S DREAM; IN THE NEXT ROOM, OR THE VIBRATOR PLAY; PRIDE AND PREJUDICE; THE EXIT INTERVIEW; THE CRUCIBLE; CHEAT; THE CHERRY ORCHARD, and THE TURN OF THE SCREW. She has loved working within SLAC’s New Play Sounding Series and in the SLAC Playwrights’ Lab, helping to develop new plays. Cassandra lived and worked in New York, spent a season with the Milwaukee Rep, and has a BFA in Theater from the University of Utah.
WILL SNIDER (Playwright) Will Snider
was born and raised in the suburbs of Washington, D.C. His play How to Use a Knife received a Rolling World Premiere through National New Play Network, won the Barrymore Award for Outstanding New Play, and was a finalist for a PEN Center USA Literary Award. Other plays include The Big Man (Ensemble Studio Theatre’s 35th Marathon of One-Act Plays), and Strange Men (PlayPenn Haas Fellowship). His work has been developed at MCC Theater, NNPN National Showcase of New Plays, The Kennedy Center, SPACE on Ryder Farm, Salt Lake Acting Company, SERIALS @ theflea, the claque, and Makehouse. He is an alumnus of
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WHO’S WHO Youngblood and received an EST/Soan Grant and The Kennedy Center’s Paula Vogel Playwriting Award. He earned a BA in History from Columbia with a specialization in post-colonial East African political history and spent three years working in agricultural microfinance in Kenya and Ethiopia before earning an MFA in Playwriting from UCSD.
ALEXANDRA HARBOLD (Director)
is thrilled to return to Salt Lake Acting Company to direct DEATH OF A DRIVER. Previously at SLAC, she directed THE WOLVES, TRIBES, and the premieres of CLIMBING WITH TIGERS (SLAC, Flying Bobcat, & the Red Fred Project), (A MAN ENTERS), and THE PERSIAN QUARTER, and acted in the NPSS Reading of THE ROBERTASSEY, HAND TO GOD, TWO STORIES, CIRCLE MIRROR TRANSFORMATION, SIX YEARS, and ICE GLEN. Recent projects include: dramaturging SWEAT and OSLO (Pioneer Theatre Company), co-creating THE LIVE CREATURE AND ETHEREAL THINGS (Ririe-Woodbury Dance Company in collaboration with Flying Bobcat Theatrical Laboratory, inspired by the Red Fred Project) and directing THE RIVALS (U of U, Babcock Theatre) and THE NIGHT WITCHES (Egyptian YouTheatre at the Great Salt Lake Fringe 2019). Current and upcoming projects: directing THE ODYSSEY (U of U, Babcock), the premiere of AT THE BOTTOM (Pinnacle Acting Company), dramaturging THE LIFESPAN OF A FACT and MARY STUART (Pioneer Theatre Company), and collaborating on a reimagining of THE LIVE CREATURE AND ETHEREAL THINGS (Ririe-Woodbury & Flying Bobcat, Capitol Theatre). Harbold is death of a driver
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WHO’S WHO co-founder and co-artistic director of Flying Bobcat and Assistant Professor of Directing in the University of Utah’s Department of Theatre.
SHAWN FISHER** (Set Design)
has worked as a designer and playwright on over 150 plays and operas nationally. His designs include sets for the New York productions of SEAL SINGS ITS SONG, COP OUT, and TALKING DOG as well as East Coast productions of RED, OTHER DESERT CITIES, PROOF, TOPDOG/UNDERDOG, THE SHUCK, and many others. In Utah he regularly designs for Utah Festival Opera, Lyric Rep, and here at SLAC. His designs and original plays have been seen the Los Angeles Theatre Center, Off-Broadway at both the Spanish Repertory Theatre and Urban Stages, L.A.’s Fremont Centre Theatre, Cape May Stage in New Jersey, and others. As a playwright, Shawn’s seven original full-length scripts include the SLAC productions of STREETLIGHT WOODPECKER, DO NOT HIT GOLF BALLS INTO MEXICO, and HOW TO MAKE A ROPE SWING, the latter of which was the recipient of the Edgerton Foundation New American Play Award. He earned his MFA in Theatre Design from Brandeis and currently serves as a Professor and Head of the Graduate Program in Theatre at Utah State University. Shawn is a member of the United Scenic Artists Local 829 designers union and The Dramatists Guild. He is a native of the Jersey Shore.
KERSTIN HALLOWS (Costume
Design) is thrilled to join Salt Lake Acting Company for this production. death of a driver
Her previous design credits include DIALOGUES DES CARMÉLITES (Kingsbury Hall), THE WOLVES (SLAC), OUR COUNTRY’S GOOD (Babcock Theater), ECLIPSED (Studio 115), and YOU NEVER CAN TELL (Babcock Theatre). She graduated from the University of Utah in the Production Art Design Program last spring. In addition to costume design, Kerstin has been acting around the Salt Lake Valley for over 20 years. Her favorite productions include MY BIG FAT UTAH WEDDING (Desert Star Playhouse), NUTCRACKER: MEN IN TIGHTS (Desert Star Playhouse), REEFER MADNESS (Dark Horse), and SEE HOW THEY RUN (Off Broadway Theatre). She spent a few years in the improv group QUICK WITS and enjoyed working in the film industry where she landed a couple commercial gigs. She also choreographed many shows at Desert Star Playhouse and loves to dance in her time away from the theater. She also voiced the title role in the PC game 13 Cards to Midnight and its sequel 13 Cards to Dead Time. She has ambitions to add more voice work in the coming years. She would like to thank her beautiful family for supporting her through everything.
WILLIAM PETERSON (Light Design)
is pleased to design his fourth show at SLAC, having previously designed THE WOLVES, SURELY GOODNESS AND MERCY, and STAG’S LEAP. Past theatre design credits in the area include CONSTELLATIONS, WHERE WORDS ONCE WERE, AMERICAN IDIOT, IN THE HEIGHTS, THE MOUNTAINTOP, THE NETHER, PIRATED, and 35MM. In 2016, he received the National Barbizon Award for Excellence
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WHO’S WHO in Lighting Design from the Kennedy Center for his work on Weber State University’s 9 CIRCLES. William is the Technical Director/Stage Manager for Ririe-Woodbury Dance Company, with whom he tours nationally and internationally. He holds a BA in Theatre Arts – Design/Tech from Weber State University, and works as the Production Stage Manager for California State University Summer Arts. He is semi-fluent in Czech, 40-word fluent in Mongolian and Korean, and enjoys trail-running, traveling, and working in the arts in all its forms. (www.williampeterson.com)
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JASON JENSEN (Sound Design)
graduated from Utah Valley University with a Bachelor’s Degree in Technical Theatre and went right to work at Tuacahn in their audio department. He spent three summers there working his way up to A1 as well as Sound Designer for JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT. Since that time, he has worked in several theaters throughout Utah and California. He currently resides in Francis, UT with his three kids and works full time as the Assistant Technical Director at the Eccles Center for the Performing Arts in Park City. Additional sound design credits include SHREK, LITTLE WOMEN, THE ADDAMS FAMILY, MAMMA MIA, THE
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WHO’S WHO DROWSY CHAPERONE, and SONDER. Jason has worked in many different capacities at SLAC over the past five years. Most recently he was privileged to mix the sound for FUN HOME. This will be his first Sound Design with SLAC. He is honored to be associated with this wonderful theater and all the great people that work here.
WILLIAM RICHARDSON* (Stage
Manager) is delighted to be working on this play having seen the magic of #SLACLab18. You might’ve seen him around this year running lights for THE CAKE, playing Michael in the World Premiere of SILENT DANCER, and Asst. Directing/Co-Choreographing/ Performing In SATURDAY’S VOYEUR 2019:
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DARK LIGHT. He most recently stepped in as the Production Stage Manager for A MIDSUMMER NIGHT’S DREAM with Colonial Theatre Shakespeare in Westerly, Rhode Island. Previous SM credits include: THRILLER (3 seasons - Odyssey Dance Theatre); con•tem•POE•rar•y (Meat & Potato Theatre); JEKYLL & HYDE, RING OF FIRE: THE MUSIC OF JOHNNY CASH, and ASSASSINS (Dark Horse Company Theatre); DIARY OF A WORM, A SPIDER, AND A FLY and THE TRUE STORY OF THE 3 LITTLE PIGS, as well as A FUNNY THING HAPPENED ON THE WAY TO THE GYNECOLOGIC ONCOLOGY UNIT AT MEMORIAL SLOAN KETTERING CANCER CENTER OF NEW YORK CITY here at
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WHO’S WHO SLAC. BA, Musical Theatre, Weber State University. Proud member of Actors’ Equity. theatrebywill.com.
TOMMY JENNINGS (Assistant Set
Design) has worked as an actor and technician for various companies over the last ten years. His most recent work has been with Opera in the Ozarks where he served as assistant designer and assistant technical director for the summer season. He is currently working on his MFA in set design at Utah State University.
CYNTHIA FLEMING (Executive Artistic
Director) has been in the world of dance and theatre professionally for over 40 years, during which time she performed in the Broadway, National and International companies with A CHORUS LINE. Since 1995 she has worn many hats at SLAC, including Choreographer, Director, Box Office Manager and Director of Audience Services. She developed SLAC’s high quality customer service titled: Mayberry meets Space Odyssey, which is the foundation for the record breaking number of subscribers. She conceived and created the position of Director of Communication and Audience Development and assembled the communication team to generate a renewed energy and excitement about the theatre. In 2010 she became CoExecutive Producer and is now honored to be SLAC’s Executive Artistic Director. Cynthia remains a working artist in the theatre and has choreographed many SLAC productions including SATURDAY’S VOYEUR for 16 years and directed/choreographed this musical for 7 years. Cynthia is proud to serve death of a driver
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WHO’S WHO SLAC and its mission to engage and enrich community through brave contemporary theatre.
SALT LAKE ACTING COMPANY –
Salt Lake Acting Company’s mission is to engage and enrich community through brave contemporary theatre. Founded in 1970, SLAC is a not-forprofit 501(c)3 professional theatre dedicated to producing, commissioning, and developing new works and to supporting a community of professional artists. SLAC has been nationally recognized by the Shubert Foundation, the National Endowment for the Arts, the Pew Charitable Trusts, and the Edgerton Foundation, among others. SLAC operates under a SPT Actors Equity Association contract, and is a Core Member of the National New Play Network (a national alliance of non-profit professional theatres that champions the development, production, and continued life of new plays).
ACTORS’ EQUITY ASSOCIATION (AEA)
– founded in 1913, represents more than 45,000 actors and stage managers in the United States. Equity seeks to advance, promote and foster the art of live theatre as an essential component of our society. Equity negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. AEA is a member of the AFL-CIO, and is affiliated with FIA, an international organization of performing arts unions. The Equity emblem is our mark of excellence. www.actorsequity.org * Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. ** The Set designer of DEATH OF A DRIVER is represented by United Scenic Artists Local USA 829 of the IATSE
PLAYWRIGHTS’ LAB 2018
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volunteer with your pet
People, Animals, and the Healing Power of Unconditional Love.
Serving Our Communities Since 1993
801.272.3439
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COMING UP NEXT WORLD PREMIERE Workshopped at SLAC with The Davey Foundation
OCTOBER 16 – NOVEMBER 17, 2019
unknown form of a girl
by Charly Evon Simpson
BY CHARLY EVON SIMPSON DIRECTOR: MELISSA CRESPO Navigating adolescence is not for the faint of heart, but Amali’s got this. She is twelve years old, she is wise, and she is fascinated – by A Midsummer Night’s Dream; by her changing body; by the story of the children killed in the woods. With humor, magic, blood, and fire, FORM OF A GIRL UNKNOWN is not your typical comingof-age story.
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UNIVERSITY PROFESSIONAL THEATRE PROGRAM “Immersion in a local company that is dedicated to producing new works is very exciting to me. I will have the opportunity to sit in meetings and tech rehearsals with other career designers and watch them do what they do. I think this is very valuable as most of my design experience is in a university environment.” –Tommy Jennings, Assistant Set Design, Utah State University
THANK YOU TO: Terence Kearns Stephens Charitable Trust The John & Marcia Price Family Foundation Anderson & Karrenberg Maschoff Brennan FOR THEIR GENEROUS SUPPORT OF THIS PROGRAM.
sponsors, friends and supporters Salt Lake Acting Company is a 501©3 non-profit professional theatre, and as such depends on the generosity of the following individuals, corporations, and public agencies who make the theatre’s work possible and invest in its future. The giving tiers below are for donations received from September 1, 2018-August 20, 2019. We thank you from the bottom of our hearts for your contribution to and partnership with SLAC!
For information about SLAC’s Giving Program, and to correct any information below, please call Erika Ahlin at 801.363.7522 or email erika@saltlakeactingcompany.org.
$50,000 and above
Salt Lake County Zoo Arts and Parks Program Shubert Foundation
$10,000-$49,999
Anonymous Bruce W. Bastian Foundation Emma Eccles Jones Foundation George S and Dolores Dore Eccles Foundation Five Wives Vodka The John & Marcia Price Family Foundation Veterinary Orthopedic Services Terence K. Stephens Utah Division of Arts & Museums
$5,000-$9,999
Doctorow, Jarvis & Constance Family Foundation Dorsey & Whitney Foundation Marriner S. Eccles Foundation Richard K. & Shirley Hemingway Foundation US Bank Foundation Lawrence T. & Janet T. Dee Foundation Anonymous McCarthey Family Foundation Anonymous Larry H. Miller Charities Salt Lake City Arts Council Dale Smith Storagecraft Technology Corporation
$2,500-$4,999
Anderson & Karrenberg Bryon Benevento Douglas & Daniel GaffinTilton Maschoff Brennan Kim Neville & Paul Frankel Stephanie Steele
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$1,000-$2,499
Jerome Bennett William & Diane Bohling Nancy Borgenicht in Support of the Tony Larimer Performing Arts Award Ellen Bush Brian Wilkinson & Emilie Charles Kyle Andrew Mantas & Cody Christensen LGBTQ Community Endowment Fund Cynthia Fleming John & Ilauna Gurr Stephanie and Tim Harpst Peter & Chris Helfrich in Memory of Glen and Maxine Burnham Henry W. & Leslie Eskuche Foundation Lee and Audrey Hollaar Tina & Larry Howard Mr. Richard & Bonnie Jackson Ann & Julie Jensen John Edward Henderson Jocelyn Kearl & Lisa Killpack Suzanne Larson Howard Mann Herbert I. & Else B. Michael Foundation Kim Neville Kim Neville & Paul Frankel Clare Aplington & Keith Olson Rocky Mountain Power Foundation Michael Rubin & Sarah Woolsey Max & Teri Savage Aquashantina Scheibe Alice Steiner Utah Humanities Wells Fargo Foundation Eldon Willis
Kenneth & Karen Brewster Kate & Bert Bunnell Wendy & John J. Carver, II Max and Edee Chang Brian Wilkinson and Mimi Charles Cheryl Cope Jim Dabakis Christopher & Pilar Dechet Eric Eide & Shellie Messner Eide Larry Josie and Pat Fleming Dorothy Foster Bruce & Erika Granath Becca & Andrew Hall Wendy Hanson Jay and Julie Jacobson Dr. Richard E. Kanner & Suzanne Stensaas Lisa Killpack & Jocelyn Kearl Kroger Dave & Sandy Lamb Henry & Marilyn Lieberman Phil & Sandy McCarthey Dan Miller Stephanie Pappas Jeff Paris John Rose & Carolyn Pedone Phillips Gallery Staff Patricia Potter & Matthew Classen Joann Price Pat & Liz Quealy Jana Ramacher Kenneth Raskin Amy Wadsworth & David Richardson Robin & Gordon Roberts Dave & Jennifer Salazar Brad Simons Val & Barbara Singleton Jack Skalicky Susan & Peter Stevens Margaret Wirth
$500-$999
$250-$499
ABG’s Bar Byron Barkley Crisse Bishop Deepika De Silva and Jeff Black
Michael Ramon Aguilar Maurine Bachman Dr. Larry Barusch Allison Black Laura Boarsman
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Susan Brashear Carolyn Braza Erin Chesley Scott & Sam Christensen Rena & Richard D’Souza Cliff & Sharon Dutcher Chuck Norlin & Marcia Feldkamp Kim & Steve Francis Ray & Harriett Gesteland Naanue Gowan Mr. Dave Gribbin Richard & Anne Harper George Sumner & Tina Hose Marian Jacobsen Richard B. Justice Henry & Marilyn M. Lieberman Dan W. McKnight Ann & Alan Miller Dr. Michaela Mohr Aaron & Edie Murdock Terri O’Toole Terry & David Peak Peck Hadfield Baxter & Moore Christy & James Pickens Greg Ruther & Michelle Pickering Ried Prentice & Tisha Myers Rose & Nick Rees Chuck Richardson Mr. Greg Riley Hal & Kathleen Robins Mary Stanley Marshall Thompson Michelle Trush Helga an Miegroet Elaine B. Weis Stacie & John Whitford Gage Williams Steve Yockey Tod & Mary Young Joe Zeidner & Susan Dillon
$100-$249
Anonymous Carolyn Abravanel Steven Allnatt Kenneth & Julia Ament Alan Anderson Lois and Stephen Baar Ed Turner Jr. & Steve Baker
saltlakeactingcompany.org
sponsors, friends and supporters Ken Barfield Matthew Barrett Christina Beckwith & Todd Rushton Arleen Bedingfield Bruce & Judy Bell Ann and Paul Bernstein Linda Thorn Bevins in Honor of Iraida Santaella Vd. Capt. B.F. Thorn Usnr Kaz Toelken & Dave Bigelow Ms. Denise Blaylock Janis Boettinger Dennis & Connie Borup Lewis Boynton and Sonja Penttila Mark & Pandora Brewer Debra Buckway Robert Broadhead Ms. Kathleen Cahill Leslie Zaricor Carey Susan Chilton Joan Coles Katherine Connors Michael K Cooke Judy Cottrell Mr. & Mr. Sid Cowand Ms. Mary Cowan-Klein R. Steve Creamer Penny & Paul Dalrymple Kathy Davis Klancy De Nevers Leeann Diamond Megan Donohue Nancy and Ken DouglasMorgan Emily Drown Rick & Marla Fadel Joree Felker Flourish Bakery/ Unshackled, Board of Directors Jan & Stan Foutz Robert and Allene Fowler Brian and Cheryl Fox Brian Fox Brian W. And Cheryl B. Fox Jim and Jessica French John Funk Marc & Carol Gentner Anonymous Mrs. Olivia M. Gordon Martin & Glynis Gregory Dr. Julie Gustin Anonymous Todd Olsen & Nate Hansen Richard Irons & Amy Haselhorst Lara Haynes Janelle Heck Alison Holmes Jack & Ginger Horwitz Steven L Hudson
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Ira Rubinfeld & Willamarie Huelskamp Susan Huff Laura Hutchings Karen Hyde Daniel Schelling & Hilary Jacobs Shannon Huff Jacobs & Paul Jacobs Dawn M. Jensen Brian Jensen-Severson Becky Johnson Brett Johnson & Lisa Grant Bruce and Maxine Johnson Chelsea Jones Kirby Justesen Karen Kelley Donna & John Kimball Scott Kingdon Valerie Kittel Kit Kobe Rachel Kohan Dr. Gerald G. Krueger Lynne & Charles Lawler Skye Lazaro Roger & Julia Lester Gary Lindstrom Mr. & Mrs. Edward & Heidi Makowski Robyn Mantas Anonymous Norma W. Matheson Noemi & Daniel Mattis Sinead McSweeney Tracie Merrill Janet Miller Robert Millsap Brenda Moore Preston & Sandra Motes Ann Olsen Joe & Dorothy Palmer Nancy Parker William & Mary Ann Payne Terry Pendley Victor R. & Evelyn Petersen Maureen Peterson Marge Pett Mark Pfitzner Dr. Glenn & Rhea Brouman Prestwich Joan Proctor Chad & Carrie Rau Lynn Rohland Sandy & Wilford Rudert Brent Rushton Charles Saltzman & Ingrid Nygaard Arnold Sanchez Evan & Lorraine Sanders Osman Sanyer & Janice Davis Mark Schneider Bill Scott in Celebration of Ken Barfield’s Birthday Tina Seferos
Mr. George B. Severson Margo Simmons Cheryl Smith Kathleen Cahill and Robert Broadhead Don and Colleen Sorensen Frank & Vickie Steffey Dr. Mary & Sean Steinmann Susan & Peter Stevens Scott Stites Tina Straley Jim Struve & Jeff Bell Harvey & Freida Sweitzer Sara Timken Vickie Venne Kathy and Brad Wallin Holly & Lynn Webster Mr. Henry O. Whiteside ABG’s Bar Nicky & Alex Wight Stephanie B & Park Willis Carl Wolfram Jo-Ann Wong Mrs. Sue Wood Lisa & Thomas Woodbury Sheila & Andy Yorkin Marjorie C. Young Anonymous
$10-$99
Ms. Erika S. Ahlin Sandra Alverson Krista Anderson Michael & Julie Archer Orly Ardon Reshma and Connor Arrington R Larry & Alicia Ashton Lauren Bair Mr. Vahe Bandarian McKenzie Barkdull John & Joyce Barnes Mary Barnes Charisse K. Baxter Tika Beard Peter C Behn Jane Elizabeth Bell Leona Blackbird Paula K Blackburn Mr. Lasse Boelius Elizabeth Bowman Mr. & Mr. Wesley R. Brady Bruno Group Signature Solutions Michaela Buccola Jamie E Burnham Kathryn Burnham Danielle C Burnside Linda Burt Sherry Butler Lanna Cairns Brent & Susan Cameron Ms. Nancy L. Cantor Alisa Carlton
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The Right Reverend Helen Carpenter Tim Chambless Debbie Chandler Carol & Dennis Chart Albert Cho Michelle Church Carole H Clark Dr. Nancy B. Cohn Marcie & Russ Collett Carolyn Connell Kate Conyers Anonymous Anonymous Frank Cumberland Olivia Custodio Bill Davis Rebecca W. Davis Rose Ann Milano & Joe Dayney Melanie Dern John Downing Kathy & Kurt Dudley Mrs. Kala Faith Dulle Ty Eldridge Paula Espinoza David Fernandez April & Mark Fossen Laurie Fraser Anonymous Colina Colina Gadd Gadd Ms. Lynn F. Gardner Lynda Geddes Julie George Anonymous Thomas Godfrey Cynthia Godsey Jane & David Gorrell Mr. Michel Goulet Lisa Grant Brenda Gray Bobby Sampson & Nancy Gregovich Karen McArthur & Bernard Grosser Kathleen Hall Shanna Hall Scott & Wendy Haupt Deborah & Scott Hinton Richard Hirschi Carolyn & Bob Hoffman Jo Ann Holder Wendy Holliday Jerry & Carol Jenson Kelsie Jepsen Bill P. Johnson Mr. Brett Johnson Christina-Mai Just Roxanne Kammerer Natalie Keezer Safia & Lester Keller Caroleen Virginia Kelly Fonda Kersey Heather L King Andy Kirol
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sponsors, friends and supporters Gene Klatt Russell Klein Oliver Kokai-Means Jeffrey Kovnick Lynne Kraus Joshia Marc Ladenburg Mary Lagrandeur Jeff & Suzanne Law Laura M Layton Ingie Lignell Jenny Lowe Matt Lowell Deborah Luker Mike Vaughan & Kathleen Lukken Harla & Ken MacQueen Anonymous Rose & Andrew Maizner Cvijetin Majinovic Juliy Marie Dr. Jan Winniford & Dan McCool Ms. Kathleen E. McDermott Dudley McIlhenny Chris McLain
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Lance McNees Michele & Michael McOmber Mariah Mellus Jackie Mendelsen Elliott Merrill Tracie Merrill-Wilson Peter & Nicole Mouskondis Shannon Musgrave Jill A. Nutting Gary & Lynda Oderda Patricia Offermann Mr. Craig S. Ogan Mary Ogan Karen Okabe Anonymous Jay Perry Ellis Valdez & Anna Marie Petroff Nitin Phadnis David Pisani Carol Prince Anonymous Maren Reid Anonymous
Wendy & Jacques Reymond Anonymous Maire Rosol Christopher Ruud Susan Sandack Joanne Sayre & Michele Backes Grant Schettler Lisa Schneider Pamela Schroeder Brittany Scottorn Lindsay Sharp Jill & Richard Sheinberg Susan Sheppard Kenneth J Simin Christl Simons Marguerite Slayman Mr. Steven Smith David & Kathy Sorensen Alex Soutter Susan Nims Stetich Cassandra Stokes-Wylie Sarah Thomas Douglas Tripp
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Holly Tuckett VanHecke Family Victor Velivis Julia Vinson Anonymous Bonnie Walsh Laurie Kirby & Ellen Walsh Ms. Lynnda Wangsgard Elizabeth Watson Charlotte Westphal Scott D. Williams Bobby Wilson in Honor of Joshua Black Jan Stucki Wilson Jaclyn Wintle Lorilyn J Workman Charlyne & Paul Wozniak Gloria Wurst Betty Yanowitz
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season add-ons
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salt lake acting company 2019/2020 Cynthia Fleming
Executive Artistic Director
Janice Jenson Producing Director
Joshua Black
Director of Communications
Cassandra Stokes-Wylie
Topher Rasmussen
Accountant/Human Resources
McKenzie Barkdull Audience Relationship & Community Connection
Director of Technology & Ticketing
John Downing
Director of Audience Relationship
Nick Fleming
Literary Manager
Adriana Lemke
Erika Ahlin
Director of Development
Grants and Education Coordinator
Natalie Keezer
Audience Relationship & Accessibility Coordinator
Beret Brems, Jorji Diaz Fadel, Connor Johnson, Aaron Hoenig, McCall Kirby, Katelyn Limber, Andrew Maguire, Savannah Moffat, Nat Nelson, Riley Nevins, Marc Nielson, Lane Richins, Emily Smiley, Alison Stroud, Hayden Warzek, Annette Wright House Manager & Front of House Staff
Erik Reichert
cade beck
Construction Supervisor
Master Electrician
Maxwell Seltenrich
Jacob Hunt
Sound System Engineer
Jacob Hunt John Hild
Assistant Master Electrician
Lucy LeBohec Curtis Hendrickson
Carpenters
Marley Keith, Marissa Olsen, Aaron Ross
Scenic Artists
Electricians
Jennie Sant Wardrobe
Justin Ivie
Production Assistant
David Evanoff, J. T. Rogers Artistic Associates
Allen Nevins & Nancy Borgenicht Artists in Residence
Kathleen Cahill & Julie Jensen Playwrights in Residence
Nick Fleming Cover Design
Mills Publishing, Inc., Jackie Medina Graphic Design
David Daniels, dav.d photography Photographer/Videographer
Dr. Osman Sanyer House Physician
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saltlakeactingcompany.org
board of trustees 2019/2020 Kimberly Neville President Dorsey & Whitney, LLP
Kyle Mantas Vice President Wells Fargo Bank
Lisa Killpack Secretary Nu Skin
Jerome Bennett Treasurer Realty Experts
Brian Wilkinson Past President Wilkinson Ferrari & Co
Byron Barkley Board Member at Large Wilson Davis & Co
Stephanie Steele Board Member at Large Meet Me on 33rd
Terence K. Stephens Board Member at Large ART 270 Gallery
Ken Barfield
Gerry Nichols
Jerome Bennett
George Severson
Susan Dillon
Annabell Sheinberg
DFG/Scott Sports
NJRA Architects
Realty Experts
ABC 4/CW30
Jetblue Airways
Planned Parenthood
Bruce Granath
Dale Smith
Broadway Across America
Veterinary Orthopedic Services
Brett Johnson
Barbara Tharp
Shannon McCann
Douglas Tilton
StorageCraft Technology
Comcast
LCSW
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saltlakeactingcompany.org
TITLE I ARTS EDUCATION PROGRAM Now entering its second decade, SLAC’s Title I Arts Education Program invites over 1,900 underserved K-2 students from Title I schools to attend our annual children’s show free of charge. Children between the ages of 5 and 7 are at a critical developmental stage to absorb arts experiences. They are endlessly forging new connections- reading the book in anticipation of the show, sitting in the chairs as the lights go down, clapping and cheering with the crowd, processing the experience with their friends, teachers, and families- each step expands their thinking, brings what they are learning in school to life in dynamic and stimulating ways, and ultimately promotes deep engagement in the learning process. In his response to PINKALICIOUS, a Kindergarten teacher pointed out the program’s educational value: “This kind of experience contributes to my students’ desire and capacity to pay purposeful attention, observe carefully and mindfully, envision what can’t be observed, to be brave and take risks, and to understand others viewpoints and respect differences. Arts education fosters habits of mind that lead to success.” --Jeremy Reynoso, Meadowlark Elementary
If you or your business would like to sponsor or contribute to SLAC’s Title I Arts Education Program, please contact Erika at erika@saltlakeactingcompany.org
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saltlakeactingcompany.org
FOR OUR AUDIENCE Your presence at Salt Lake Acting Company is met with sincere gratitude. You make everything possible.
Tickets:
Emergency Exits:
For tickets call the SLAC Box Office at 801-363-7522 or visit us online at saltlakeactingcompany.org. Box office hours are Monday to Friday 9am to 6pm, with extended hours during run of show.
Please identify the exit closest to your seat in case of emergency.
Late Patrons:
Late patrons will be seated by the House Manager during the first appropriate break.
Ticket Exchanges:
Wheelchair Accessibility:
Season Subscribers can always exchange their tickets, and it’s free! Just call 801-363-7522.
The Upstairs Theatre is not wheelchair accessible, please call for further details. An ADA approved restroom is available in the lobby.
Group Sales:
Discounts are available to groups of 10 or more. Call 801-363-7522 to discuss seating availability or Green Room reservations for your party. We’d love to take care of you and your friends.
The use of film, video or audio recording equipment in the theatre during a performance is expressly prohibited. Please turn off all cell phones.
OUT OUT ON ON THE THE TOWN TOWN OUT ON THE TOWN
dining guide diningdining guide guide THE THENEW NEWYORKER YORKER60 60West WestMarket MarketStreet. Street.SLC’s SLC’s premier premierdining diningestablishment. establishment.Modern ModernAmerican American MARTINE 22 East 100 South. Exceptional ambience, MARTINE 22 East South. Exceptional ambience, located in cuisine cuisineisisfeatured featured in100 inrefined refined dishes dishes and and approachable approachable located infood. a historic brownstone. Martine Salt comfort From From classic classic totoinnovative, innovative, from acomfort historic food. brownstone. Martine offers Salt Lake Cityoffers afrom sophisticated Lake City a sophisticated dining experience kept– simple. contemporary contemporary seafood seafood toConveniently toAngus Angus Beef Beef steaks steaks –the the dining experience kept simple. located on First South Conveniently located onfor First South around the corner menu menuprovides provides options options forevery every taste. taste. Served Served ininaa around the corner from the Eccles Theater. Extensive bar and wine from theelegant Eccles Theater. Extensive bar andservice. wine service. casually casually elegant setting settingwith withimpeccable impeccable service. service. martinecafe.com L,for T,corporate LL, RA,CC, CC,and VS. 801-363-9328 martinecafe.com L, D, T,D,corporate LL, RA, VS. 801-363-9328 Private Privatedining diningrooms rooms for and social socialevents. events. Lunch Lunch&&Dinner. Dinner.No Nomembership membershiprequired. required.L,L,D,D,LL, LL,AT, AT, RR, RR,CC, CC,VS. VS.801.363.0166 801.363.0166
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22 East 100 South Phone • 801.363.9328 www.martinecafe.com
MARKET MARKETSTREET STREETGRILL GRILLDOWNTOWN DOWNTOWN48 48 SPENCER’S 255 South West Temple, SLC. Whether it’s West WestMarket MarketStreet. Street. Unanimous Unanimous favorites favorites for forseafood seafood before orproviding after the exceptional show or an evening dinner with friendswinning. and dining, dining,providing exceptional service service and and award award winning. The Thecontemporary contemporary menu menu features features the thehighest highest quality quality family—enjoy hand cut steaks, fresh seafood, locally-crafted beers, available. available.inspired Select Selectfrom froman an abundant abundant offeringof offresh fresh classically cocktails and an awardoffering winning wine list. seafood flown indaily, daily, Angus AngusBeef Beefsteaks, steaks,and andaavariety variety L,seafood D, ST, C,flown LL, RA,inCC, VS. 801-238-4748
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MARTINE MARTINE22 22East East 100 100 South. South.Award Award winning winning ambience, ambience, SQUATTERS PUB BREWERY 147 West Broadway located located ahistoric historic brownstone. Martine Martine offers Salt SaltLake Lake SLC. Joininusinabefore and brownstone. after the show for eclecticoffers daily specials and City Cityaasophisticated sophisticated dining experience experience kept kept simple. simple. Locally Locally traditional pub favoritesdining such as bacon topped meatloaf, pizzas and sourced sourcedingredients, ingredients,pre-event pre-event$25 $25three threecourse courseprix prixfixe. fixe. aExtensive deliciousbar array of burgers, all pairedmartinecafe.com with our world-class beer and Extensive barand and wine wineservice. service. martinecafe.com welcoming atmosphere. L, S, AT, LL, D, CC, VS. 801-363-2739 L,L,D,D,T,T,LL, LL,RA, RA,CC, CC,VS. VS.801-363-9328 801-363-9328
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B-Breakfast B-BreakfastL-Lunch L-Lunch D-Dinner D-Dinner S-Open S-Open SundayDL-Delivery DL-DeliveryT-Take T-TakeOut OutC-Children’s C-Children’sMenu MenuSR-Senior SR-SeniorMenu MenuAT-After-Theatre AT-After-Theatre Top: Image licensed by Ingram ImageSunday LL-Liquor LL-LiquorLicensee LicenseeRR-Reservations RR-ReservationsRequired RequiredRA-Reservations RA-ReservationsAccepted AcceptedCC-Credit CC-CreditCards CardsAccepted AcceptedVS-Vegetarian VS-VegetarianSelections Selections B-Breakfast L-Lunch D-Dinner S-Open Sunday DL-Delivery T-Take Out C-Children’s Menu SR-Senior Menu AT-After-Theatre LL-Liquor Licensee RR-Reservations Required RA-Reservations Accepted CC-Credit Cards Accepted VS-Vegetarian Selections
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In a Sea of Digital Advertising
STAND OUT!
With Playbill Advertising
Your Audience Awaits...
Email: info@millspub.com PREPRINT millspub.com Website: Phone: 801-467-8833
Photos: Image licensed by Ingram Image
For more information contact us.
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Post office Place 16 W MARKET ST. • 385.202.7500 FOOD • JAPANESE WHISKY • COCKTAILS
WHERE CULTURES COLLIDE TAKASHI 18 W MARKET ST. • 801.519.9595 LUNCH • DINNER • COCKTAILS
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We’ve Moved! Our new home is on the corner of West Temple and 400 South in the Historic eagles Building.
~ Italian Cuisine ~ 801-364-8833 caffemolise.com
~ Wine Bar ~ 801-359-2814 btgwinebar.com
404 S West Temple • Salt Lake City, UT