SUK’S SERENADE FOR STRINGS WITH BIBER, ROUSE, TAKEMITSU & MOZART NOVEMBER 12–14, 2020
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CONTENTS
TONIGHT’S CONCERT
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Welcome
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Utah Symphony
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Board of Trustees
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USUO 2020 Pandemic Activities
16
Season Sponsors
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Donors
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Administration
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Planned Giving
35
Tanner & Crescendo Societies
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36
Utah Symphony Guild
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SUK’S SERENADE FOR STRINGS WITH BIBER, ROUSE, TAKEMITSU & MOZART NOVEMBER 12–14
Education
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Acknowledgments
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Program notes and artist bios for upcoming and past performances are available on utahsymphony.org.
ARTIST’S PROFILE
@UtahSymphony
Purchase tickets at utahsymphony.org or call 801-533-6683 PUBLISHER Mills Publishing, Inc. PRESIDENT Dan Miller OFFICE ADMINISTRATOR Cynthia Bell Snow ART DIRECTOR/PRODUCTION MANAGER Jackie Medina GRAPHIC DESIGN Ken Magleby UTAHSYMPHONY.ORG
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GRAPHIC DESIGN/ WEB DEVELOPER Patrick Witmer ADVERTISING REPRESENTATIVES Paula Bell Dan Miller Paul Nicholas ADMINISTRATIVE ASSISTANT Jessica Alder EDITOR Melissa Robison (801) 533-NOTE
The UTAH SYMPHONY | UTAH OPERA program is published by Mills Publishing, Inc., 772 East 3300 South, Suite 200, Salt Lake City, Utah 84106. Phone: 801467-8833 Email: advertising@millspub. com Website: millspub.com. Mills Publishing produces playbills for many performing arts groups. Advertisers do not necessarily agree or disagree with content or views expressed on stage. Please contact us for playbill advertising opportunities. © COPYRIGHT 2020
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WELCOME
In my short time in Utah, one thing has been remarkably clear: this state is filled with people who love and prioritize the arts. As your new President and CEO of Utah Symphony | Utah Opera, I couldn’t be more honored and excited to serve our community as we work together to uphold and build upon the legacy of this unique organization.
Steven Brosvik President & CEO
While many industries have taken a massive hit because of COVID-19, the arts in particular came to a complete stand-still last spring. All of us had to face the tough question: How do we preserve the magic of live performance when we cannot congregate as a community in person? I am so proud of the tireless efforts of USUO’s Board, staff, musicians, and community for coming together to find a path which has returned live performances for distanced audiences back to our stages. I hope that you enjoy the creative programs we’re offering. They are designed not only to inspire, transport, and entertain you, but to do so with the safety of the public, our artists, and our staff as our foremost concern. We still have discoveries, decisions, and milestones ahead of us, but let us relish this moment together. Thank you for joining us in this communal experience of great live music. You play a leading role in fulfilling our mission, and the entire USUO family extends to you our heartfelt thanks. It is great to have you with us for this performance and we look forward to seeing you again and again this season.
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UTAHSYMPHONY.ORG
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UTAH SYMPHONY Thierry Fischer, Music Director
The Maurice Abravanel Chair, endowed by the George S. and Dolores Doré Eccles Foundation Conner Gray Covington Associate Conductor
VIOLA* Brant Bayless
Principal The Sue & Walker Wallace Chair
Barlow Bradford Symphony Chorus Director
Yuan Qi
VIOLIN* Madeline Adkins
Associate Principal
Elizabeth Beilman† Julie Edwards Joel Gibbs Carl Johansen Scott Lewis John Posadas Whittney Thomas
Concertmaster The Jon M. & Karen Huntsman Chair, in honor of Wendell J. & Belva B. Ashton
Kathryn Eberle
Associate Concertmaster The Richard K. & Shirley S. Hemingway Chair
CELLO* Matthew Johnson
Ralph Matson†
Associate Concertmaster
Acting Principal The J. Ryan Selberg Memorial Chair
Laura Ha
Andrew Larson
Acting Associate Concertmaster
Acting Associate Principal
John Eckstein Walter Haman Anne Lee Louis-Philippe Robillard Kevin Shumway Pegsoon Whang
David Park
Assistant Concertmaster
Claude Halter
Principal Second
Wen Yuan Gu
BASS* David Yavornitzky
Associate Principal Second
Evgenia Zharzhavskaya
Principal
PICCOLO Caitlyn Valovick Moore
TRUMPET Travis Peterson
OBOE James Hall
Jeff Luke
Principal The Gerald B. & Barbara F. Stringfellow Chair
Robert Stephenson Associate Principal
Lissa Stolz ENGLISH HORN Lissa Stolz CLARINET Tad Calcara
Lee Livengood BASS CLARINET Lee Livengood E-FLAT CLARINET Erin Svoboda-Scott BASSOON Lori Wike
Caitlyn Valovick Moore
Llewellyn B. Humphreys Brian Blanchard Stephen Proser
• First Violin •• Second Violin
* String Seating Rotates † On Leave
# Sabbatical †† Substitute Member
UTAHSYMPHONY.ORG
Principal The Val A. Browning Chair
Lisa Byrnes
Associate Principal
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Principal
Sam Elliot
Associate Principal
BASS TROMBONE Graeme Mutchler
PERCUSSION Keith Carrick
Associate Principal
James Allyn Andrew Keller Edward Merritt Jens Tenbroek Thomas Zera
FLUTE Mercedes Smith
TROMBONE Mark Davidson
Erin Svoboda-Scott
Karen Wyatt•• Joseph Evans LoiAnne Eyring Lun Jiang Rebekah Johnson Veronica Kulig David Langr Melissa Thorley Lewis Hannah Linz•• Yuki MacQueen Alexander Martin Rebecca Moench Hugh Palmer• David Porter Lynn Maxine Rosen Barbara Ann Scowcroft• Ju Hyung Shin• Bonnie Terry• Julie Wunderle
Principal
Peter Margulies Paul Torrisi
TIMPANI George Brown
Corbin Johnston
HARP Louise Vickerman
Associate Principal
Principal The Norman C. & Barbara Lindquist Tanner Chair, in memory of Jean Lindquist Pell
Assistant Principal Second
Associate Principal
Principal
Principal The Edward & Barbara Moreton Chair
Leon Chodos
Associate Principal
Jennifer Rhodes CONTRABASSOON Leon Chodos HORN Edmund Rollett
Principal
Eric Hopkins
Associate Principal
Principal
Eric Hopkins Michael Pape KEYBOARD Jason Hardink Principal
LIBRARIANS Clovis Lark Principal
Katie Klich ORCHESTRA PERSONNEL Walt Zeschin Director of Orchestra Personnel
Andrew Williams
Orchestra Personnel Manager
Acting Principal
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BOARD OF TRUSTEES ELECTED BOARD Thomas M. Love* Chair
David L. Dee* Alex J. Dunn Dr. Julie Aiken Hansen Senator Daniel Hemmert Stephen Tanner Irish Thomas N. Jacobson Abigail E. Magrane Brad W. Merrill Robin J. Milne Judy Moreton Dr. Dinesh C. Patel Frank R. Pignanelli Gary B. Porter Jason Price Shari H. Quinney Miguel R. Rovira Dr. Shane D. Stowell Naoma Tate Thomas Thatcher W. James Tozer Jr.
Dr. Astrid Tuminez David Utrilla Kelly Ward Kim R. Wilson Thomas Wright* Henry C. Wurts
Herbert C. Livsey, Esq. David T. Mortensen Scott S. Parker David A. Petersen Patricia A. Richards*
Harris Simmons Verl R. Topham M. Walker Wallace David B. Winder
John Bates Howard S. Clark Kristen Fletcher
Richard G. Horne Ron Jibson E. Jeffery Smith
Spencer F. Eccles The Right Reverend Carolyn Tanner Irish Dr. Anthony W. Middleton, Jr. Edward Moreton Marilyn H. Neilson O. Don Ostler
Stanley B. Parrish Marcia Price David E. Salisbury Jeffrey W. Shields, Esq. Diana Ellis Smith
Joanne F. Shiebler Chair (Utah)
Susan H. Carlyle (Texas)
Harold W. Milner (Nevada)
David L. Brown (S. California)
Robert Dibblee (Virginia)
Marcia Price (Utah)
Anthon S. Cannon, Jr. (S. California)
Senator Orrin G. Hatch (Washington D.C.)
Doyle L. Arnold* Brian Greeff* Joanne F. Shiebler* Vice Chairs Annette W. Jarvis* Secretary John D’Arcy* Treasurer Steven Brosvik* President & CEO Dr. Stewart E. Barlow Judith M. Billings Gary L. Crocker
MUSICIAN REPRESENTATIVES Kathryn Eberle* Julie Edwards* EX OFFICIO Doyle Clayburn Utah Symphony Guild Nancy Pinto-Orton Onstage Ogden
LIFETIME BOARD William C. Bailey Kem C. Gardner* Jon Huntsman, Jr. G. Frank Joklik Clark D. Jones TRUSTEES EMERITI Carolyn Abravanel Dr. J. Richard Baringer Haven J. Barlow HONORARY BOARD Jesselie B. Anderson Kathryn Carter R. Don Cash Bruce L. Christensen Raymond J. Dardano Geralyn Dreyfous Lisa Eccles NATIONAL ADVISORY COUNCIL
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*Executive Committee Member
UTAHSYMPHONY.ORG
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USUO 2020 PANDEMIC ACTIVITIES
The Utah Symphony is thrilled to be back on the stage of Abravanel Hall! We express gratitude and thanks for the heartwarming support received from our community and colleagues during a time of uncertainty. While we haven’t been able to offer typical performances due to the COVID-19 pandemic, we’ve still been busy finding ways to connect the community—from a distance—through great live music. Below, discover how Utah Symphony has brightened social media feeds, curated online educational resources, contributed to pandemic relief efforts, and even given world premieres of new pieces from home during quarantine. Within a week of Utah’s schools closing in March, our Education Department organized existing digital content, converted other items to be shared digitally, and developed new ideas to help support teachers, parents and students in our suddenly digital-only learning environment. Utah Symphony’s School from Home page now offers Virtual Assemblies, education videos featuring the Musicians of the Utah Symphony, symphony bingo, listening music scavenger hunts, and “Ask a Musician” boxes. In addition, the new Virtual Listening Room on utahsymphony.org includes links to streaming, curated playlists, past performance clips, and Ghost Light Podcast episodes. The latter series includes a special edition talking about the ways that music has connected humanity in times of crisis throughout history, as well as “Music Knows Exactly How You Feel” and “Live Music After Corona.”
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In April, our orchestra musicians, staff, opera chorus members, and our volunteer network teamed up to express thanks to all of our supporters who have donated tickets to cancelled performances and stepped up their donations to make sure this organization continues well into the future. The Utah Opera costume shop team also completed several hundred masks in just two weeks to donate to Salt Lake Regional Medical Center. KSL TV included our very own Tad Calcara (whose Good Mornin’ video on has 16,000+ shares and over 1 million views on Facebook) in a feature about the creative ways that people are finding to use music as salve during isolation. Tad’s other popular videos include arrangements of George Gershwin’s Somebody Loves Me and Irving Berlin’s Puttin’ on the Ritz. Four Utah Symphony trumpet players also
Tad Calcara
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USUO 2020 PANDEMIC ACTIVITIES
Fanfare of Hope and Solidarity
recorded the theme song for ‘CBS Sunday Morning’ from their homes. Other creative musical endeavors shared by Utah Symphony musicians include Associate Principal Trombone Sam Elliot playing a Bach two-part invention with a ‘Sam Elliot from the past’; Violin Lynn Rosen playing Jean-Marie Leclair’s Sonata for Two Violins with herself; Associate Principal Clarinet Erin SvobodaScott playing all three parts of a klezmer folk tune; and Principal Trumpet Travis Peterson, with the aid of recent guest conductor Jerry Steichen (all the way from his living room in Manhattan), performing “The Lord’s Prayer” for Easter. Violin Yuki MacQueen took social distancing seriously by performing a duet from a distance of 2000 miles with a student of hers from Haiti, Alexandre Santya. Concertmaster Madeline Adkins also joined seven of her concertmaster
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colleagues from around the country to perform the slow movement of Bach’s Double Concerto in D Minor, all from their respective homes. In May, Utah Symphony shared a musical thank you to essential workers featuring Utah Symphony musicians playing Aaron Copland’s Fanfare for the Common Man. Governor Gary Herbert, Congressional Representative Ben McAdams, and Senator Luz Escamilla joined Utah Symphony Musical Director Thierry Fischer and Interim President & CEO Pat Richards in a special introduction to the glorious music by our musicians set to photos of the valiant healthcare workers, essential staff, and first responders risking their lives to help us through this stressful time. On May 8th, Utah Symphony celebrated our 80th anniversary! Our online birthday
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USUO 2020 PANDEMIC ACTIVITIES
community. Humanity has and will always work together to further music’s flexible, diverse capacity and innate power. The magnificence and energy of massed musical resources, such as an orchestra, are humbling, inspiring, and exemplify hope, solidarity and teamwork.”
Dai Fujikara
party included interviews with Music Director Thierry Fischer, former orchestra members, and recent guest artist Augustin Hadelich; performances by Utah Symphony musicians; birthday wishes from previous guest artists; a special message from Interim President & CEO Pat Richards; and even cake! We hope that you were able to join the celebration. May also brought the two world premieres of pieces commissioned by Utah Symphony. First was Fanfare of Hope and Solidarity by Augusta Read Thomas. This piece was composed in late April and early May and recorded by the musicians of the orchestra in their homes, then audio engineered by Stoker White and Funk Studios and video produced and edited by Andrea Peterson. We believe this was the first world premiere by an American orchestra during the time of COVID-19. Thomas shared her thoughts on the project: “I believe music feeds our souls. Unbreakable is the power of art to build
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The second premiere was Longing from Afar by Dai Fujikura. This piece is about being together even when we’re physically apart, and was recorded live via a video conference. Fujikura drew inspiration for this piece by “considering how all musicians make sound together even when we are all physically far apart.” Both premieres are still available on the Utah Symphony Facebook and YouTube pages.
One of the most exciting announcements of the summer was of the 2021 Deer Valley Music Festival, a year in advance! If you bought tickets for the 2020 festival performances or the Temptations at Abravanel Hall, you will be sent new tickets for the corresponding 2021 concerts. For all of you who are dreaming of escaping into great live music in the mountains again, tickets for the 2021 festival are on sale now at deervalleymusicfestival.org. Another exciting announcement came in June, with the appointment of Steven Brosvik as the next President and CEO of Utah Symphony | Utah Opera. Steve has many years’ experience in leadership roles with Baltimore Symphony, San Antonio Symphony, Houston Symphony and Nashville Symphony. He loves “Being one of the people who helps support
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USUO 2020 PANDEMIC ACTIVITIES getting the music on the stage and supporting incredible musicians to be able to make that music for the audience.” Another wonderful opportunity to support USUO came thanks to the Alternative Visions Fund, an anonymous donor advised fund of the Chicago Community Foundation, which has awarded USUO a matching challenge grant in support of the Alternative Visions COVID-19 Relief Fund Challenge at USUO. All contributions received before October 1 will be matched on a 1:1 basis up to a total maximum match of $500,000. If you have been considering a contribution to USUO or increasing your annual gift, doing so before October 1 will make your investment go twice as far. In August, a new 5,000 square foot public art piece was unveiled in downtown Salt Lake City that celebrates the impact
of Utah women—past and present— in commemoration of the centennial anniversary of the 19th Amendment. The mural was commissioned by Zions Bank and is located on the east-facing wall of the Dinwoody Building located at 37 West 100 South. It includes current Utah Symphony musicians Concertmaster Madeline Adkins and Principal Flute Mercedes Smith, as well as long-time volunteer Lona Mae Lauritzen, and is a beautiful contribution to our community. At another small, outdoor Park City event this summer, one guest remarked, “It was a thrill to just hear a live performance. I had to wipe a tear away to hear such beautiful music.” We feel the same way, and hope you do tonight as well. Thank you for helping Utah Symphony to once again connect the community through great live music. Please enjoy our reimagined 2020–21 season!
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MASTERWORKS SERIES
SUK’S SERENADE FOR STRINGS WITH BIBER, ROUSE, TAKEMITSU & MOZART
NOVEMBER 12–14 / 2020 / 7:30PM / ABRAVANEL HALL NOVEMBER 14 / 2020 / 1PM / ABRAVANEL HALL
Madeline Adkins, concertmaster/leader
CO N CER T S PO N SOR
BIBER: Battalia SUK: Serenade for Strings in E-flat Major, Op. 6 CHRISTOPHER ROUSE: Ku-Ka-Ilimoku for four percussionists TŌRU TAKEMITSU: Masque: Incidental Incidental
CO N D UC TOR S PO N SOR
UTAHSYMPHONY.ORG
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MOZART: Serenade No. 12 in C minor
I. II. III. III. IV.
Allegro Andante Menuetto in canone - Trio in Canone al rovescioì Menuetto in canon Allegro
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ARTIST’S PROFILE
Madeline Adkins joined the Utah Symphony as Concertmaster in 2016. She previously served as Associate Concertmaster of the Baltimore Symphony for 11 years, as well as Concertmaster of the Baltimore Chamber Orchestra from 2008–16. Adkins has performed as a soloist in Europe, Asia, Africa, and 20 U.S. states. She has served as guest concertmaster of the Hong Kong Philharmonic, the Indianapolis Symphony Orchestra, and the Grant Park Symphony Orchestra. She has also been a guest artist at numerous summer festivals including the Stellenbosch International Chamber Music Festival in South Africa, the Sarasota Music Festival, Music in the Mountains, the Grand Teton Music Festival, and the Sewanee Summer Music Festival, as well as a faculty member at the National Orchestral Institute and the National Youth Orchestra at Carnegie Hall. Madeline Adkins Concertmaster/Leader
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She performs on the “ex-Chardon” Guadagnini of 1782, graciously loaned by Gabrielle Israelievitch to perpetuate the legacy of her late husband, former Toronto Symphony concertmaster, Jacques Israelievitch. Adkins’ CD of the complete works for violin and piano by Felix Mendelssohn with pianist Luis Magalhães was released in 2016. In 2018–19, she will serve as the Music Director of the NOVA Chamber Music Series. The daughter of noted musicologists, Adkins is the youngest of eight children, six of whom are professional musicians. Adkins received her bachelor’s degree summa cum laude from the University of North Texas and her master’s degree from the New England Conservatory where she studied with James Buswell.
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NOTES ON THE PROGRAM HEADER by Michael Clive Henrich von Biber (1644—1704)
Battalia Performance time: 6 minutes
Come graduation time after four difficult years, the tongue-twisting, polysyllabic name Heinrich Ignaz Franz von Biber is more easily remembered by many conservatory students than the actual sound of his music. But violin students know him well. We could call him early Baroque: He was born midway through the 17th century, and by the year of his death, 1704, Bach and Handel were 17 and beginning their momentous careers; they knew of him from his music and his reputation as a violinist, even though he preferred not to concertize.
Biber was born in Bohemia, a cradle of musical style and distinguished composers. He worked in the town of Graz, Austria and then in Kremsier for the patron Prince-Bishop Carl LiechtensteinKastelkorn, leaving suddenly and finally settling in Mozart’s hometown of Salzburg. Leopold Mozart, Wolfgang’s father, would not be born for another four decades or so after Biber’s arrival in Salzburg, but he and Biber are both major figures in the history the violin—Biber as one of the instrument’s most important early composers and teachers, and Leopold as the author of Versuch einer gründlichen Violinschule, a foundational text on violin technique that codified many of Biber’s innovations and is still in use today. Both men were outstanding soloists in their own right.
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NOTES ON THE PROGRAM In its day, Biber’s compositional style was cosmopolitan, evidencing his familiarity with emerging styles in both German and Italian music. Of course, his affinity for the violin was a major factor in his composing for all instruments, and his mastery of Baroque counterpoint takes full advantage of virtuosic double- and triple-stops on the fiddle. A text description of Battalia, one of Biber’s most popular compositions, can only defy credulity—the piece has to be heard to be believed. In it, Biber recreates the sounds of muskets and cannon fire using strings alone. In one discordant passage, the musicians do battle in several different keys simultaneously—the fog of war rendered in music. Battalia ends with a strongly stated lament rather than a victorious finale. The effect connects him to still another artist—the Spanish painter Francisco Goya, born a century after Biber. Josef Suk (1874–1935)
Serenade for Strings in E-flat Major, Op. 6 Performance time: 25 minutes
The lineage of the composer of this bright-hued serenade, like that of the waltz-composing Strauss family, can be confusing. This Serenade for Strings is the work of Josef Suk, Jr., who was born in the Bohemian town of Křečovice, later Czechoslovakia and now the Czech Republic. His father, Josef Sr., was an accomplished musician in his own right, and was his son’s first teacher of piano, organ, violin, and theory. From an early age, it seemed clear that
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Josef Jr. was destined for music. He excelled early at all his studies, especially the violin. That may be one reason why he became a favorite pupil of Antonín Dvořák at the Prague Conservatory; Dvořák, too, had a special love for the instrument. Josef Jr.’s son, Josef Suk III, achieved international fame as a violin soloist and toured widely in the U.S., known simply as Josef Suk. Suk’s early life was seemingly blessed with good fortune: his excellent musical grounding led to the mentorship of one of the world’s most important composers, and their close mutual respect augured well for Suk’s marriage to Dvořák’s beloved daughter Otylie. Compositional success came quickly, but Suk’s early works were suffused with melancholy, and Dvořák suggested he try “something cheerful for a change.” His Serenade for Strings in E-flat Major, which he wrote at age 18, was the result. It was excerpted in concert the following year, received a full performance the year after that, and has been popular ever since. Even in this sunnier style, music critics have commented on an intensity in the opening theme and hints of nostalgia that are unusual in serenades. The moodiness of Suk seemingly foreshadowed his future: His friend Dvořák died in 1904 and his wife Otylie the following year. She was only 27. Christopher Rouse (1949–2019)
Ku-Ka-Ilimoku Performance time: 6 minutes
Many of today’s composers are described as “eclectic,” but the breadth of Christopher Rouse’s interests went far beyond that. A graduate of Oberlin Conservatory and
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NOTES ON THE PROGRAM Cornell University, he studied composition with Karel Husa and George Crumb, both rigorous musical experimenters at home in the world of atonality. Yet Rouse was also a rock and roll fan (Led Zeppelin was a favorite), and taught a class on the history of rock while he was on the faculty at the Eastman School of Music. We might expect someone with that kind of background to fill his music with contrasting, traceable influences. Instead, in works such as KuKa-Ilimoku, Rouse demonstrates the unified style of a composer who knows how to write beautifully for the orchestra no matter where his musical imagination leads him. Stylistically—like Husa and Crumb, and like his American musical forbears including Copland, Barber and Bernstein—Rouse is frankly emotional in his music. For years he was known mainly for dark, introspective pieces, but a turning point came in the 1990s. “Although much of my music is associated with grief and despair,” he noted, “Rapture is one of a series of more recent scores…to look ‘towards the light.’” He composed Ku-Ka-Ilimoku in 1978, more than a decade before that “turn to the light,” and the title could suggest something on the order of dark thunderclouds: Ku, for whom it is named, is the god of war in Hawaiian mythology. What’s more, the daunting score requires four percussionists to helm more than fifty different instruments. Yet the effect is not so much violence as supreme, exultant energy. Toru Takemitsu (1930–1996)
Masque, Incidental II Performance time: 5 minutes
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Even in today’s fast-changing world, it seems odd to think of 1996 as the distant past. Yet when Japanese composer Toru Takemitsu died in that year at the age of 65, he was the foremost influence in bridging Eastern and Western traditions in classical music, and his voice was a lonely one. Today the exchange is vibrant, but Takemitsu was perhaps the first to combine elements of Eastern and Western music into a unique international style. He was innovative and influential not only in his compositions, but also in his writing on aesthetics and music theory. Media-savvy, he reached millions of listeners during his lifetime, mainly through his scores for major Japanese films such as Ran (1985), Rising Sun (1993) and Harakiri (1962), working with major directors such as Akira Kurosawa, and his music was revered by no less a composer than Igor Stravinsky. At the time of his death, Takemitsu’s portfolio included over 180 concert pieces, 93 film scores, and several major works for theater and dance, making him one of the most prolific and significant composers on the classical scene in the latter half of the 20th century. Yet even in the 21st, his reputation in the U.S. does not yet reflect the depth of his compositions. But it may have begun to catch up. Takemitsu seems to have been almost mythically destined not only to become a composer, but to bring divergent musical worlds together. His first exposure to Western music came when he was enduring a hellish existence toward the end of World War II, one among thousands of Japanese civilians living underground in a network of shelters in the mountains west of Tokyo that had been excavated as a civil defense
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NOTES ON THE PROGRAM measure against invasion. The 14-year-old Takemitsu had never heard non-Japanese music, and no music was permitted in in the shelters except for patriotic songs. But in the midst of these bleak, militarized conditions, an officer played some unauthorized music to distract some children including Takemitsu. His revelation came at an unlikely moment, as he listened to the French monologist and chanteuse Lucienne Boyer singing her biggest hit, the romantic “Parlezmoi d’amour.” But he credited it as the beginning of his musical awareness. Combining deep naturalism with urbane sophistication, Takemitsu’s music provides a continuous flow of rich color and texture. Even the silences are dense and expressive. In his suite Masque, the texture is that of two twining flutes, whose airborne purity of tone has strong associations in both Western and Eastern classical traditions. Wolfgang Amadeus Mozart (1756–1791)
Serenade No. 12 in C minor, K. 388 Performance time: 22 minutes
Notturno? Divertimento? Serenade? Sinfonia concertante? All of these designations refer to loosely structured instrumental works composed purely to entertain, and if Mozart had some means of distinguishing one classification from another, we don’t know what it was. The titles Notturno and Serenade suggest pieces associated with the nighttime hours, as in Eine kleine Nachtmusik. In the case of the serenade, this association is especially strong to anyone
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who’s seen a movie or musical in which an ardent wooer sings to his enamorata by moonlight. But even in Mozart’s day, a work specifically labeled a serenata notturno was not reserved for eveningonly performance. Go figure! For Mozart, incidental pieces such as these were among the most reliable way to earn a quick fee. With his gift for pleasing melody and masterly orchestration, he could produce them with ease while working on more demanding projects, and often did. Generally, they were scored for a chamber orchestra or an ensemble of strings or woodwinds. As a teenager living with his parents in Salzburg, Mozart had already composed a number of these entertainments that surpassed the best examples by composers who were far older. The master’s Serenade No. 12 proves the rule that a serenade can be anything by defying our expectations with musical heft. Its C-minor key gives us a hint before the music even begins: This is a key Mozart chose for some of his most serious works, and the music unfolds with tempestuous energy propelling the composer’s characteristically graceful lines. Here and in the theme-and-variation finale, some listeners hear the influence of Mozart’s friend Haydn, whose “Sturm und Drang” symphonies were composed as early as 1772. (This serenade dates from 1782, when Mozart was 26 and newly living in Vienna). This serenade’s late-ish date and the composer’s unusual re-working of the material—he rescored it for string quintet in 1787—suggest that Mozart took it far more seriously than most of his preceding serenades. Critics have called it a puzzle, but a glorious one.
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INDIVIDUAL SUPPORT We thank our generous donors for their annual support of Utah Symphony | Utah Opera. This list includes donations received from July 1, 2019 to September 29 2020. * in-kind donation
** in-kind & cash donations
† deceased
ENCORE ($100,000 OR MORE) Anonymous Kem & Carolyn Gardner
Anthony & Renee Marlon Estate of Linda & Don Price
Jacquelyn Wentz
BRAVO ($50,000 TO $99,999) Scott & Kathie Amann Diane & Hal Brierley James A.† & Marilyn Parke
Patricia A. Richards & William K. Nichols** Elizabeth Solomon
Naoma Tate & the Family of Hal Tate Jim & Zibby Tozer Jack Wheatley
OVERTURE ($25,000 TO $49,999) Doyle Arnold & Anne Glarner Judy Brady & Drew W. Browning Michael & Vickie Callen John & Flora D’Arcy Brian & Detgen Greeff
Kristen Fletcher & Dan McPhun Susan & Tom Hodgson Tom & Lorie Jacobson G. Frank & Pamela Joklik Chuck & Crystal Maggelet Edward Moreton
Fred & Lucy Moreton Mark & Dianne Prothro Alice & Frank Puleo George Speciale John & Jean Yablonski Edward & Marelynn Zipser
MAESTRO ($10,000 TO $24,999) Anonymous A. Scott & Jesselie Anderson AKBankhead Fund Berenice J. Bradshaw Trust Thomas Billings & Judge Judith Billings Carol, Rete & Celine Browning Judy & Larry Brownstein Howard & Betty Clark Larry Clemmensen Marian Davis & David Parker Kathleen Digre & Michael Varner Pat & Sherry Duncan Spencer & Cleone† Eccles 26
Midge Farkas Thierry & Catherine Fischer** Doug & Connie Hayes Mary P.† & Jerald H. Jacobs Family Mr. & Mrs. Christopher J. Lansing Herbert† & Helga Lloyd Tom & Jamie Love Mr. & Mrs. Charles McEvoy Carol & Anthony W. Middleton, Jr., M.D. Amanda & Spencer Millerberg Richard & Robin Milne Terrell & Leah Nagata James & Ann Neal
Leslie Peterson & Kevin Higgins Stephen & Cydney Quinn Albert J. Roberts IV Carmen Rogers Sandefur Schmidt Dr. & Mrs. Charles W. Sorenson, Jr. Mr. & Mrs. G. B. Stringfellow Steve & Betty Suellentrop James R. & Susan Swartz Jonathan & Anne Symonds Norman C.† & Barbara L. Tanner † Tim & Judy Terrell
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INDIVIDUAL SUPPORT ALLEGRO ($5,000 TO $9,999) Anonymous (5) Alan, Carol, & Annie Agle Edward R. Ashwood & Candice A. Johnson Dr. J.R. Baringer & Dr. Jeannette J. Townsend Dr. & Mrs. Clisto Beaty Mr. & Mrs. Neill Brownstein Mark & Marcy Casp John Clukey Marc & Kathryn Cohen Mr. & Mrs. Kenneth R. Cutler Willard & Julia Dere Patricia Dougall Eager Trust Mrs. Sarah Ehrlich Robert & Elisha Finney Wen Flatt Nash Foster Diana George David & SandyLee Griswold** Ray & Howard Grossman Chuck & Kathie Horman
The Right Reverend Carolyn Tanner Irish & Mr. Frederick Quinn Ken & Margo Jacobs Annette & Joseph Jarvis M. Craig Johns Michael Liess Bill Ligety & Cyndi Sharp Daniel & Deena Lofgren Beatrice Lufkin Nick Markosian Christopher & Julie McBeth Hallie & Ted McFetridge Michal & Maureen Mekjian Carol & Anthony W. Middleton, Jr., M.D. Joanne Mitchell Dr. Louis A. Moench & Deborah Moench Marilyn H. Neilson Dr. Stephen H. & Mary Nichols O. Don & Barbara Ostler
Dr. Thomas Parks & Dr. Patricia Legant Dr. Dinesh & Kalpana Patel Frank R. Pignanelli & D’Arcy Dixon Brooks & Lenna Quinn Dr. & Mrs.† Marvin L. Rallison James & Gail Riepe James & Anna Romano Ted & Lori Samuels Peggy & Ben Schapiro Barbara & Paul Schwartz D. Brent† & Suzanne Scott Gerald† & Sharon Seiner Dr. John Shigeoka Stuart & Mary Silloway Gibbs† & Catherine W. Smith Sidney Stern Memorial Trust Thomas & Marilyn Sutton Paul L. Wattis Dr. Rasmus Wegner Kathie & Hugh Zumbro
ABRAVANEL & PETERSON SOCIETY ($2,500 TO $4,999) Anonymous (6) Fred & Linda Babcock Tom & Carolee Baron Tina & John Barry Jennifer & Charles Beckham Dr. Melissa Bentley Donna Birsner Roger & Karen Blaylock Bill & Susan Bloomfield Mr. & Mrs. John Brubaker Richard & Suzanne Burbidge Michael & Christy Bush Mr. & Mrs. William D. Callister Vincent Cannella Hal & Cecile Christiansen The Chung Family George & Katie Coleman Debbi & Gary Cook Dr. Thomas D. & Joanne A. Coppin Thomas D. Dee III & Dr. Candace Dee UTAHSYMPHONY.ORG
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Elizabeth deForest John D. Doppelheuer & Kirsten A. Hanson Blake & Linda Fisher Mr. Joseph F. Furlong III Robert & AnnieLewis Garda Heidi Gardner David & Sherrie Gee Jeffrey L. Giese, M.D. & Mary E. Giese Andrea Golding Sue & Gary Grant Arlen Hale Kenneth & Kate Handley Dr. Bradford D. Hare & Dr. Akiko Okifuji Mary Haskins Jeff & Peggy Hatch John Edward Henderson Deborah & Steve Horton Sunny & Wes Howell Dixie S. & Robert P. Huefner
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Michael Huerta & Ann Sowder Jay & Julie Jacobson Drs. Randy & Elizabeth Jensen Maxine & Bruce Johnson Dale & Beverly Johnson Dan & Jane Jones Dr. & Mrs. Michael A. Kalm Rick & Paulette Katzenbach Susan Keyes & Jim Sulat Jeanne Kimball Allison Kitching Howard & Merele Kosowsky Donald L. & Alice A. Lappe Gary & Suzanne Larsen Ms. Susan Loffler Dennis & Pat Lombardi David & Donna Lyon Steve Mahas Keith & Vicki Maio Brian & Shasha Mann Jed & Kathryn Marti 27
INDIVIDUAL DONORS
ABRAVANEL & PETERSON SOCIETY ($2,500 TO $4,999) CONTINUED Daniel & Noemi P. Mattis Tom & Janet McDougal David & Nickie McDowell George & Nancy Melling Brad Merrill John Mertens Mr. & Mrs. Richard Mithoff Ruth & William Ohlsen Dr. S. Keith & Barbara Petersen Ray Pickup
Gregory & Ann Robison Marilynn Roskelley & Paul Dorius Mark & Loulu Saltzman Margaret P. Sargent Shirley & Eric Schoenholz Dewelynn & J. Ryan† Selberg Mary & Doug Sinclair Jeffrey Starr Paul Taylor
Denise Torrisi Thomas† & Caroline Tucker Peter Margulies & Louise Vickerman Susan & David† Wagstaff Susan Warshaw Robert R. & Sue A. Webb Dan & Amy Wilcox David & Jerre Winder
PATRON ($1,500 TO $2,499) Anonymous (3) Fran Akita C. Kim & Jane Blair Mr. & Mrs. Lee Forrest Carter Mr. & Mrs. Fred L. Carter, Jr. William J. Coles & Joan L. Coles David & Karen Gardner Dee Michael Deputy Lawrence Dickerson & Marcela Donadio Margarita Donnelly Dr. Paul Dorgan
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Thomas Fuller Dr. & Mrs. John Greenlee C. Chauncey & Emily Hall Christine St. Andre & Cliff Hardesty E. Art Woolston & Connie Jo Hepworth-Woolston Connie C. Holbrook Gordon Irving Bryce & Karen† Johnson Carl & Gillean Kjeldsberg Heidi & Edward Makowski Clifton & Terri McIntosh Warren K†. & Virginia G. McOmber
Joe Mulvehill Kenneth Roach & Cindy Powell Dr. Barbara S. Reid Frances Reiser Susan Rothman Janet Schaap Mr. August L. Schultz Thomas & Gayle Sherry Douglas & Susan Terry Astrid S. Tuminez Dr. Ralph & Judith Vander Heide John & Susan Walker Frank & Janell Weinstock
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INDIVIDUAL DONORS
FRIEND ($1,000 TO $1,499) Anonymous (5) Madeline Adkins & John Forest Jim Alexander Christine A. Allred Clayton Anderson Dr. & Mrs. Jeffrey L. Anderson Pj Aniello Drs. Crystal & Dustin Armstrong Ian Arnold Curtis Atkisson, Jr. Mr. & Mrs. Lawrence R. Barusch Diane Banks Bromberg & Dr. Mark Bromberg Kevin Burdette Michael Carnes Dana Carroll & Jeannine Marlowe Carroll Michael & Beth Chardack William & Patricia Child Dr. & Mrs. David Coppin David & Carol Coulter Sandra Covey† Dorothy B. Cromer David & Donna Dalton James Dashner Dr. Kent C. DiFiore & Dr. Martha R. Humphrey Alice Edvalson Eric & Shellie Eide Larry Gerlach Bob & Mary Gilchrist Ralph & Rose Gochnour Kenneth & Amy Goodman Mr. Keith Guernsey John & Ilauna Gurr Dr. Elizabeth Hammond
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Geraldine Hanni Jonathan Hart Lex Hemphill & Nancy Melich Craig & Tiffany Hess Peggy Hudson Stephen Irish Thomas Jacobson Eldon Jenkins & Amy Calara Chester & Marilyn Johnson Jill Johnson James R. Jones & Family Mr. & Mrs. Bruce M. Lake Gary Lambert Guttorm & Claudia Landro Tim & Angela Laros Mr. & Mrs. Melvyn L. Lefkowitz Harrison & Elaine Levy Julie & John Lund Miriam Mason & Greg Glynis MS. Mary Pat McCurdie Edward J. & Grace Mary McDonough MR. Jeffrey McNeal David Merrill Dr. Nicole L. Mihalopoulos & Joshua Scoville Hal & JeNeal Miller Drs. Jean & Richard R. Miller Henriette Mohebbizadeh Glenn & Dav Mosby Sir David Murrell IV & Mary Beckerle Renate B. Nebeker Ruzena Novak Dr. & Mrs. Richard
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T. O’Brien Lee K. Osborne Joseph J.† & Dorothy Moyle Palmer Dr. Marzia Pasquali & Ms. Nicola Longo Linda S. Pembroke Rori & Nancy Piggott Charles R. Pikler Arthur & Susan Ralph W.E. & Harriet R. Rasmussen Gina Rieke Lousje & Keith Rooker Miguel Rovira David & Lois Salisbury Brent & Jan Scharman James & Janet Schnitz Barbara Slaymaker Jerilyn McIntyre & David Smith Sheryl & James Snarr Dr. & Mrs. Michael H. Stevens Richard and Shannon Straight Richard & Janet Thompson Kenneth Uy David H. & Barbara S. Viskochil Dr. James C. Warenski Renee Waters Cindy Williams Mary Ann & Charles Williams Margaret & Gary Wirth David B. & Anne Wirthlin Marsha & Richard Workman Paul Wright
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ENDOWMENT DONORS TO UTAH SYMPHONY | UTAH OPERA ENDOWMENT Utah Symphony | Utah Opera is grateful to those donors who have made commitments to our Endowment Fund. The Endowment Fund is a vital resource that helps the long-term well-being & stability of USUO, & through its annual earnings, supports our Annual Fund. For further information, please contact 801-869-9015. Gael Benson Edward Ashwood & Candice Johnson Estate of Alexander Bodi The Elizabeth Brown Dee Fund for Music in the Schools Lawrence T. & Janet T. Dee Foundation Thomas & Candace Dee
Hearst Foundation Roger & Susan Horn The Right Reverend Carolyn Tanner Irish & Frederick Quinn Edward & Barbara Moreton Estate of Pauline C. Pace Perkins-Prothro Foundation Kenneth† & Jerrie Randall
The Evelyn Rosenblatt Young Artist Award Bill & Joanne Shiebler James R. & Susan Swartz Norman C. Tanner & Barbara L. Tanner Trust O.C. Tanner Company M. Walker & Sue Wallace
GIFTS MADE IN HONOR Marie Nelson Bennett Neill & Linda Brownstein Peggy Chase Dreyfous Paula Fowler Kem Gardner
Burton & Elaine Gordon Barbara Scowcroft & Ralph Matson Matthew & Maria Proser Pat Richards
Bill & Joanne Shiebler Grant Gill Smith Dale Strobel Whittney Thomas J. Brian Whitesides
GIFTS MADE IN MEMORY Dennis Austin Jay T. Ball Dawn Ann Bailey Betty Bristow Robert H. Burgoyne, M.D. Doris Macfarlane Corry Kathie Dalton Dr. James Drake Robert Ehrlich William K. Evans, Jr. Crawford Gates Lowell P. Hicks Jamila Janata 30
Dr. Gary B. Kitching M.D. Harry Lakin Julia Lawrence Frank & Maxine McIntyre Warren K. (Sandy) McOmber Clyde Dennis Meadows Dr. Richard George Middleton Mary Muir Mary E. Nelson Jack Newton Richard Perkins
Glade & Mardean Peterson Rhoda Ramsey Richard Reiser Norman B. Ross Shirley Corbett Russell J. Ryan Selberg Venice Shields Ann O’Neill Shigeoka, M.D. Robert C. Sloan Dorotha Smart Barbara Tanner Maxine Winn
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INSTITUTIONAL DONORS We thank our generous donors for their annual support of Utah Symphony | Utah Opera. This list includes donations received from July 1, 2019 to September 29, 2020. USUO’s 2020–21 season is funded in part by the CARES Act and the Utah State Legislature through Utah Arts & Museums. * in-kind donation
** in-kind & cash donation
$100,000 OR MORE The Church of Jesus Christ of Latter-Day Saints Foundation Lawrence T. & Janet T. Dee Foundation George S. & Dolores Doré Eccles Foundation Marriner S. Eccles Foundation The Florence J. Gillmor Foundation
Emma Eccles Jones Foundation Larry H. & Gail Miller Family Foundation John & Marcia Price Foundation O.C. Tanner Company Salt Lake County Shiebler Family Foundation Sorenson Legacy Foundation
State of Utah Summit County Restaurant Tax / RAP Tax Utah Division of Arts & Museums / National Endowment for the Arts Utah State Legislature / Utah State Board of Education Zions Bank
Kahlert Foundation League of American Orchestras
Grand America Hotel* William Randolph Hearst Foundation
Goldman Sachs Janet Q. Lawson Foundation Frederick Q. Lawson Foundation Love Communications* McCarthey Family Foundation Nora Eccles Treadwell
Foundation Charles Maxfield & Gloria F. Parrish Foundation Moreton Family Foundation Schmidt Family Foundation Simmons Family Foundation Struck* Utah Office of Tourism
$50,000 TO $99,999 Anonymous AHE/CI Trust Dominion Energy
$25,000 TO $49,999 Arnold Machinery Brent & Bonnie Jean Beesley Foundation Carol Franc Buck Foundation Cache Valley Electric Chevron Corporation C. Comstock Clayton Foundation
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INSTITUTIONAL DONORS
$10,000 TO $24,999 Anonymous B.W. Bastian Foundation Bank of America Caffé Molise* HJ & BR Barlow Foundation Johnson Foundation of the Rockies Marie Eccles Caine FoundationRussell Family Matthew B. Ellis Foundation
Onstage Ogden Orange County Community Foundation Park City Chamber / Visitors Bureau Promontory R. Harold Burton Foundation Regence Blue Cross Blue Shield Richard K. & Shirley S. Hemingway Foundation
S.J. & Jessie E. Quinney Foundation The Christian V. & Lisa D. Young Family Foundation The Joseph & Evelyn Rosenblatt Charitable Fund Summit Sotheby’s WCF Insurance W. Mack & Julia S. Watkins Foundation
M Lazy M Foundation Microsoft Corporation Millcreek Coffee Roasters* Morris Murdock Travel Orem City CARE Tax Park City Community Foundation Rancho Market Ray, Quinney & Nebeker Foundation Raymond James & Associates Robert S. Carter Foundation Rocky Mountain Power Foundation Rodney H. & Carolyn Hansen Brady Charitable Foundation Rotary Club of Salt Lake Salt Lake City Arts Council
Snow, Christensen & Martineau Foundation Spitzberg-Rothman Foundation Summerhays Music Center Tesoro Petroleum Corporation Texas de Brazil* The Fanwood Foundation Western Office The Val A. Green & Edith D. Green Foundation US Bank Utah Autism Foundation Victor Herbert Foundation
$1,000 TO $9,999 AC Hotel Salt Lake City/Downtown* Adib’s Rug Gallery Bambara* Bertin Family Foundation Better Days CBRE City Creek Center Corning Incorporated Foundation D’Addario Foundation David Dee Fine Arts Grandeur Peak Global Advisors Henry W. & Leslie M. Eskuche Charitable Foundation Holland & Hart J. Wong’s Thai & Chinese Bistro*
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ADMINISTRATION ADMINISTRATION Steven Brosvik
Barlow Bradford
Symphony Chorus Director
PATRON SERVICES Faith Myers
David Green
Director of Orchestra Personnel
Merry Magee
President & CEO
Walt Zeschin
Senior Vice President & COO
Julie McBeth
Executive Assistant to the CEO
Collette Cook
Executive Assistant to the Sr. VP and COO & Office Manager
OPERA ARTISTIC Christopher McBeth
Andrew Williams
Orchestra Personnel Manager
Lance Jensen
Executive Assistant to the Music Director Symphony Chorus Manager
SYMPHONY OPERATIONS Cassandra Dozet
Director of Orchestra Operations
Opera Artistic Director
Melissa Robison
Carol Anderson Principal Coach
Program Publication & Front of House Director
Director of Production
Production & Stage Manager
Chip Dance
Michelle Peterson
Kate Henry
Michaella Calzaretta
Operations Manager
Opera Chorus Master
Brooke Hundley
Opera Production Coordinator
OPERA TECHNICAL Jared Porter
Jeff F. Herbig
Properties Manager & Assistant Stage Manager
Lyndsay Keith
Artist Logistics Coordinator
Senior Technical Director
Robyne Anderson
Kelly Nickle
2nd Assistant Stage Manager
Properties Master
DEVELOPMENT Leslie Peterson
Dusty Terrell
Scenic Charge Artist
Vice President of Development
COSTUMES Verona Green
Jessica Proctor
Director of Institutional Giving
Costume Director
Jessica Cetrone
Olivia Custodio
Kierstin Gibbs LisaAnn DeLapp
Heather Weinstock
Amanda Reiser Meyer
Lisa Poppleton
Milivoj Poletan
Nikki Orlando
Tiffany Lent
Ellesse Hargreaves
Donna Thomas
MARKETING & COMMUNICATIONS Jon Miles
Director of Individual Giving
Costume Rentals Supervisor
Director of Special Events & DVMF Donor Relations
Rentals Assistants
Grants Manager
Wardrobe Supervisor
Development Operations Manager
Tailor
Development Assistant
Cutter/Draper
Milliner & Craftsperson
Vice President of Marketing & Public Relations
SYMPHONY ARTISTIC Thierry Fischer
Symphony Music Director
Renée Huang
Vice President of Symphony Artistic Planning
Kathleen Sykes
Marketing Manager - Patron Loyalty
Mara Lefler
Sales Manager
Andrew J. Wilson
Patron Services Manager
Hallie Wilmes
Patron Services Assistant
Genevieve Gannon
Group Sales Associate
Jenna O’Dell Sarah Pehrson Powell Smith Sales Associates
Nicholas Barker Lorraine Fry Ellen Lewis Naomi Newton Ian Painter Talia Ricci Ananda Spike Ticket Agents
ACCOUNTING & INFORMATION TECHNOLOGY Steve Hogan
Vice President of Finance & CFO
Mike Lund
Director of Information Technologies
Karyn Cunliffe Controller
Alison Mockli
Payroll & Benefits Manager
Kyle Siedschlag
Accounts Payable Specialist
Jared Mollenkopf
Patron Information Systems Manager
EDUCATION Paula Fowler
Director of Education & Community Outreach
Kyleene Johnson
Symphony Education Manager
Annie Farnbach
Symphony Education Assistant
Director of Communications & Digital Media
Anthony Tolokan
Conner Gray Covington
Director of Patron Engagement
Digital Content Producer
Associate Conductor & Principal Conductor of the Deer Valley® Music Festival
Robert Bedont
Marketing Manager - Audience Development
Nina Starling
Website Content Coordinator We would also like to recognize our interns and temporary and contracted staff for their work and dedication to the success of utah symphony | utah opera.
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PLANNED GIVING
SUPPORT GREAT LIVE MUSIC IN OUR COMMUNITY WITH A GIFT TO THE ANNUAL FUND Please join our wonderful Utah Symphony | Utah Opera family of donors who sustain great live music in our community. As a 501(c)(3) non-profit organization, USUO is thankful for your generosity that supports our musicians, singers, artisans, crew and staff. Your gift now will make an impact as we plan for the future. The CARES Act has enacted new rules around charitable giving. The bill makes a new charitable deduction available for up to $300 per taxpayer, regardless of whether you itemize your deductions. Furthermore, if you do itemize, you may elect to deduct qualified contributions of up to 100% of your adjusted gross income in 2020. Please consult your tax advisor or financial planner to determine the impact of CARES Act changes on your personal tax situation.
CONSIDER USUO IN YOUR ESTATE PLANNING We never know what the future holds, but our eyes have been opened to how crucial planning ahead is. The pandemic has caused many of us to contemplate our legacy, assess our priorities, and plan for the future. Perhaps now more than ever, we recognize how important and meaningful it is to have a place where we can gather as a community to be uplifted and inspired by great music. If you want to ensure the future legacy of Utah Symphony | Utah Opera for future audiences to enjoy, please include USUO in your estate planning.
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TANNER AND CRESCENDO SOCIETIES
“YOU ARE THE MUSIC WHILE THE MUSIC LASTS.”~T.S. Eliot
Utah Symphony | Utah Opera offers sincere thanks to our patrons who have included USUO in their financial and estate planning. Please contact Leslie Peterson at lpeterson@usuo.org or 801-869-9012 for more information, or visit our website at usuo.giftplans.org.
TANNER SOCIETY OF UTAH SYMPHONY
Beethoven Circle (gifts valued at more than $100,000) Anonymous (3) Doyle Arnold & Anne Glarner Edward R. Ashwood & Candice A. Johnson Dr. J. Richard Baringer Haven J. Barlow Marcy & Mark Casp Shelly Coburn Raymond & Diana Compton Anne C. Ewers
Mahler Circle
Anonymous (3) Eva-Maria Adolphi Dr. Robert H.† & Marianne Harding Burgoyne Mr. & Mrs. Kenneth E. Coombs Paul (Hap) & Ann† Green Robert & Carolee Harmon Richard G. & Shauna† Horne Virginia A. Hughes Ms. Marilyn Lindsay† Turid V. Lipman
Flemming & Lana Jensen James Read Lether Daniel & Noemi P. Mattis Anthony & Carol W. Middleton, Jr., M.D. Robert & Diane Miner Glenn Prestwich Kenneth A.† & Jeraldine S. Randall Mr.† & Mrs. Alvin Richer
Patricia A. Richards & William K. Nichols Sharon & David† Richards Harris H. & Amanda P. Simmons E. Jeffery & Joyce Smith G.B. & B.F. Stringfellow Norman† & Barbara† Tanner Mr. & Mrs. M. Walker Wallace
Herbert C. & Wilma Livsey Dianne May Jerry & Marcia McClain Jim & Andrea Naccarato Stephen H. & Mary Nichols Mr. & Mrs. Scott Parker Mr. & Mrs. Michael A. Pazzi Richard Q. Perry Chase† & Grethe Peterson Glenn H. & Karen F. Peterson Thomas A. & Sally† Quinn
Dan & June Ragan Mr. Grant Schettler Glenda & Robert† Shrader Mr. Robert C. Steiner & Dr. Jacquelyn Erbin† JoLynda Stillman Joann Svikhart Frederic & Marilyn† Wagner Jack R. & Mary Lois† Wheatley Edward J. & Marelynn Zipser
CRESCENDO SOCIETY OF UTAH OPERA Anonymous Mr. & Mrs. William C. Bailey Judy Brady & Drew W. Browning Dr. Robert H.† & Marianne Harding Burgoyne Shelly Coburn Dr. Richard J. & Mrs. Barbara N. Eliason Anne C. Ewers Edwin B. Firmage
Joseph & Pat Gartman Paul (Hap) & Ann† Green John & Jean† Henkels Edward R. Ashwood & Candice A. Johnson Clark D. Jones Turid V. Lipman Herbert C. & Wilma Livsey Richard W. & Frances P. Muir Marilyn H. Neilson
Carol & Ted Newlin Patricia A. Richards & William K. Nichols Mr.† & Mrs. Alvin Richer Jeffrey W. Shields G.B. & B.F. Stringfellow Norman† & Barbara Tanner Dr. Ralph & Judith Vander Heide Edward J. & Marelynn Zipser †Deceased
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UTAH SYMPHONY GUILD OUR MISSION
Because we believe great music can elevate the human spirit, the purpose of the Guild is to foster, promote, and facilitate the operation of the Utah Symphony Orchestra financially, socially, and educatonally. It is our honor to maintain a gift shop throughout the year which raises funds for our orchestra. We have added all our available items to the “online store” and all proceeds go to USUO. We will continue adding events as social distancing requirements allow to aid in rasing funds for our great orchestra. We will sponsor the Youth Guild and outreach violin lessons again this season, and we appreciate your ongoing support of these important community programs. To join or renew your membership in the guild you may go to our web page and fill out the new members information. www.utahsymphonyguild.org Carolyn Abravanel Eva-Maria Adolphi Wendy Ajax Fran & Tom Akimoto Georgia L. Anderson Reva Anderson Margaret Anderson Wirth Linda Babcock Brenda Bailey William Scot Barraclough & Tom D. Camomile Dominic Barsi Randy & Jeni Bathemess Jean E. Barton Charmaine Bauer Suzanne & Clisto Beaty Maxine Beckstead Karol Behling Janet Bennett Heather Benson Eve Bertran-Hales & Don Hales Joan Blanck Rose Marie Breinholt Chip & Anne Browne Nancy Browning & Michael Homer Mary Ellen B. Caine Akemi Call Gertrud Carpenter
Mary A. Carter Renee Christensen Cecile Christiansen Lynne Church Dianne Clark Doyle Clayburn Melou Cline Beth & Boyle Cole Kathleen Coon Peggy Cordon Marcia Cowley-Keen Janet Cox Tom Cox Carolyn Creek-McCallister Susan L. Croft Wendy & John Crossman Kathryn C. Culbertson Robert & Caprene Curtis William and Bonnie Daniloff Frances Darger Marlene Dazley Joyce De Forest & Robert Duke De Forest Laura Diaz Moore Nancy Dietzler Amy Dixon Carol Elliott Judy Emery Jennifer Fairbourn Rosemary Fairbourn
Reece Fawcett Thierry & Catherine Fischer Carolyn Fredin Patricee Annee Gallagher Patricia A. Giovanazzo Marian & Sidney Green Simon Gretsch SandyLee & David Griswold Janet Hales Kathleen Hall Laurie Hallam Gerry Hanni Shirley M. Hanson Carolee Harmon Nancy Hayes Janet Healy Kristin Hill Sally W. Hodel Kathie & Chuck Horman Rebecca & Stephen Howard Leigh Hutchison Isabella Iasella Mateusz Jagiello Darlene Jenkins Carl Johansen Scott Johnson & Rebecca McGarry Beverly C. Johnson Arlene Jonsson Charlotte Jordan Continued on page 36…
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UTAH SYMPHONY GUILD
Ingrid Kaufman Cynthia Kilian Mary Lynn Kinsel Kathy Knowlton Allison Knudson Martin Krueger Kari Landro Angela Laros Lona Mae Lauritzen Nancy Laursen Liz Le Fevre Nora Linscott Wilma S. Livsey Donna Lyon Susan MacIan Carole & Malcolm MacLeod Jennifer & Gideon Malherbe Heidrun I. Mandy Rebecca Marriott-Champion Tonya Marshall Janice Maughan Maybell McCann Camilla McLaughlin Melissa Robison Ann Mentes Julia & Anna Meredith Henriette Mohebbizadeh Heather Moore Karen Morgan Jill Moriearty Sabra Moyes Renate Baron Nebeker Kent & Denise Nelson Bradley & Laurissa Neuenschwander Sylvia Newton Christine Nickerson
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Jean Nielsen Carol Nixon Patti Noel Wilma Odell Delmira & Gary Pactoulick Catherine Paiz Judy Parmelee Barbara Patrick Helen Petersen Ann Petersen Leslie Peterson & Kevin Higgins Marilyn Phillips Mrs. Jane O. Piercey Mary-Margaret Pingree Janis Pope Marilyn Poulsen Sherry Poulson Jeana Quigley Carol & Gunter Radinger Hildegard Rayner Joanne Rich Marilyn Poulsen Gina Rieke Della V. Roberts and Warren Gilmour Lynn Rohland Alene M. Russon Martha Sammond Margaret Sargent Amanda & Jonathan Schmieder Glenda Shrader Nan Sibbett Joyce Skidmore Wilson Dorotha Smart Michele Smith
Dianne R. Smith Rita Smith Donna & Ron Smith Joan J. Smith Janette P. Sonnenberg Carol L. Sonntag Elise Stanley Sandra Steiner Marsh Robert Stephenson & Lisa Byrnes Ramona Sterling Jennifer Stroud Lorraine & Walter Stuecken Joann Svikhart Cayman L. Thomas Deborah Tuttle Shirley Van Wagenen Beth V. Cole and Dr. B. Cole Jenette L. Voss Susan Walles Robert & Tilda Wangerien Miriam H. Waterman Paul & Cynthia Watson Suzanne Weaver Heather Weinstock Susan & Brent Westergard Bonnie White Mr. & Mrs. Frank W. Williams Connie & Glenn Wimer Jerre Winder Pamela Wing Nicole Woodland Ethnie Wright & Hunter Gundersen Betty & Frank Yanowitz Red York Dwan Young
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THANK YOU! During the time when concerts in Abravanel Hall, Capitol Theater, and the Deer Valley Music Festival were cancelled, the Excellence Concert Series featured Utah Symphony and Utah Opera musicians in live streamed concerts from the Gallivan Center. Thank you for featuring our musicians and giving us quality performance opportunities during this difficult time.
ACKNOWLEDGMENTS
UTAH SYMPHONY | UTAH OPERA 123 West South Temple Salt Lake City, UT 84101 801-533-5626 EDITOR
Melissa Robison HUDSON PRINTING COMPANY www.hudsonprinting.com 241 West 1700 South Salt Lake City, UT 84115 801-486-4611 AUDITING AND ACCOUNTING SERVICES PROVIDED BY
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Struck, Salt Lake City / Portland
The organization is committed to equal opportunity in employment practices and actions, i.e. recruitment, employment, compensation, training, development, transfer, reassignment, corrective action and promotion, without regard to one or more of the following protected class: race, color, religion, sex, national origin, age, disability, family status, veteran status, sexual orientation, gender identity and political affiliation or belief. Abravanel Hall and The Janet Quinney Lawson Capitol Theatre are owned and operated by the Salt Lake County Center for the Arts. By participating in or attending any activity in connection with Utah Symphony | Utah Opera, whether on or off the performance premises, you consent to the use of any print or digital photographs, pictures, film, or videotape taken of you for publicity, promotion, television, websites, or any other use, and expressly waive any right of privacy, compensation, copyright, or ownership right connected to same.
Photo Credit: Austen Diamond
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