Architecture portfolio 2015_Mingu JANG

Page 1

aRChi+ taiNEr



mingujang A R C H I T ECT U R A L

P O RT FO L I O

WASHINGTON UNIVERSITY IN ST.LOUIS |

aRChi+taiNEr

M.ARCH II PROGRAM


2 0 0 4 2 0 1 5


mingujang A R C H I T ECT U R A L

P O RT FO L I O


RESUME Portfolio for Position in Architecture, 2015

mingujang mingu.jang@gmail.com

636/ 306.0017

EDUCATION Master of Architecture WASHINGTON UNIVERSITY IN ST. LOUIS, MO Samfox School of Design & Visual Arts 2012-2015 Bachelors of Architecture KYUNGPOOK NATIONAL UNIVERSITY, DAEGU, SOUTH KOREA School of Architecture & Architectural Engineering 2004-2011

EXPERIENCE Architecture Partner(Assistant Director) Exhibition Design Collaboration with SPLK Architects & Partners 2011.12 - 2012.03 Management Consulting Intern Korea Productivity Center. South Korea 2011.10 - 2011.11 Architecutre Intern SPLK Architecs & Partners. South Korea 2010.02 - 2010.08 Architecutre Intern & Project Coordination KNU Architecture & Public Design Studio, South Korea summer 2009 + summer 2010 Whitaker Lab Assistant Washington University in St. Louis 2014 - 2015


aRChi+ taiNEr TEACHING / STUDENT INVOLVEMENT Assistant Director Bangcheon Traditional Market Public Art Workshop, 2010 Chief Leader KNU Bok-Hyun Area Public Improvement Workship, 2010 Chief Tutor 17th KNUSA Winter Design Workshop, 2010 Producer 16th KNUSA Winter Design Workshop, 2009

TECHNICAL SKILLS Drafting/ Rendering GRAPHISOFT ARCHICAD Artlantis Studio McNell Rhinoceros Autodesk 3ds Max Autodesk Autocad Autodesk Revit V-Ray Graphics Adobe Photoshop Adobe Illsustrator Adobe Indesign Other ArcGIS Sony Vegas Pro Laser Cutting Capable Handcraft Model Making Sketch MS Office Specialist

AWARD & RECOGNITION 5th Crystal Scale Prize Competition Honorable Mention, 2010

Daegu Beautiful Korean Sign Board Competition 1st Prize, 2007

2010 Architectural Culture Biennale International Competition Honorable Mention, 2010

26th Exhibition of Daegu Architecture Sketch & Drawing Competition Selection Prize, 2006

13th Design Competition for Steel Architecture Selection Prize, 2010 29th Korea Architecture Competition 3rd Prize, 2009

Tuition Remission Scholarship Wahsington University in St. Louis 2012-2015

Korea Rural Community Architecture Competition Selection Prize, 2009

Global 100 Achivement Scholarship 2012

Incheon International Urban Design Competition Honorable Mention, 2009

Korea Iron & Steel Association Scholarship 2010

Urban Regeneration of the Daegu City Center Idea Competition Honorable Mention, 2009

KNU Scholarship for Education Empowerment Project 2009

2008 Digital Architecture Competition 2nd Prize, 2008

KNU Scholarship for Academic Excellence 2004, 2007 - 2010

28th Exhibition of Daegu Architecture Competition Selection Prize, 2008 28th Exhibition of Daegu Architecture Sketch & Drawing Competition 3rd Prize, 2008


aRChi+ taiNEr


Contents

Li-b[ve]-rary

10

Master's Degree Project_Spring 2015

A Room and a Garden

42

Graduate School Studio_Fall 2014

The Dead's Space for the Living

68

Bachelor's Degree Project_2010

The Inclination of Urban

92

International Competition_2010

Masi 111+11 Exhibition Professional Works_2012

Other Works

114


10 li-b[ve]-rary

multi-cultural center for local communities

li-b[ve]-rary ; public library as a green livingroom

PROJECT THESIS The public sapce needs the presence of public life. The new public space is a place of interaction, a node and an icon that will set new grounds and re-define urbanity in the future of this city. In addition, the public space is a community space within the city that enhances an urban lifestyle and established potential new relationships for the surrounding predestrian precinct. Libraries are no longer a place simply to lend books. As public facilities, they have expanded their function as multi-cultural centers for local people, providing cultural content, educational services, and leisure space. Various services available in local libraries offer a good platform for local residents to better know one another; libraries as public facilities can satisfy cultural desire of users, providing meeting places for them and can be utilized for activities of local communities.

LIBRARY AS AN OPPORTUNITY Social hub - Extensive role in the multi-media, multi-cultural future - The library as a urban hub for information, skills and stories - Delivering social interaction as part of lifelong learning and well-being - Cooperation partnerships with infrastructure and other organisations Green urban platform - Creating a community livingroom - Supports communities' activities - Green bands expansion_ green connectivity

Bird eye view sketch of the master plan


11

li-b[ve]-rary


12 li-b[ve]-rary

Li-b[ve]-rary, St. Louis Figure-ground plan 0 50

N

250 ft

Data

Master's Degree Project spring 2015

Main Entrance Plaza bird eye view

Type of project Public & Cultural facilities Master plan, Landscape

South-east side of the main entrance plaza opens toward local cultural facilities to attract people around that area.

Size 50,100 ft2 Location 3700 Olive Street, St. Louis


13

li-b[ve]-rary


14 li-b[ve]-rary SITE

SITE PUBLIC LIBRARY St. Louis public library consists of 15 branches and Central Library with 4.6 million items in its collection, 85,000 cardholders, over 300 full time staff, and 2 million visitors annually. St. Louis County library added 12 branches to the system, bringing the total number of branch locations to 20. The mission of public library is to provide learning resources and information services that support and improve individual, family, and community life through a variety of services, programs, and initiatives.


15 li-b[ve]-rary

+ existing public library

site area


16 li-b[ve]-rary site analysis map

GRAND CENTER Located in the heart of St. Louis, Grand Center is an arts and entertainment district home to more than 1,500 cultural events annually. With 12,000 theater seats, 12 museums and galleries within four blocks and close proximity to Saint Louis University and Harris-Stowe State University, Grand Center is a destination for more than 1.5 million people who visit each year. From Broadway musicals to jazz clubs, contemporary art to cabaret shows, a symphony to a circus, films to festivals, and much more, this premier arts district has something for everyone. An eclectic choice of restaurants, a variety of living and education options further enhances the art and life found in this cosmopolitan neighborhood.


17 li-b[ve]-rary

cultural zone

expansion of grand center

inserting public green connecting green bands

potential green


18 li-b[ve]-rary DESIGN CONCEPT & STRATEGY

CONCEPT DIAGRAM

New library is a place of public space and interaction node of social hub. It take charged the role of civic landdmark, attractor, cultural center and community livingroom. To be a social hub, the library should consider about relationship to the city and its own system of categorization. it could be a organizing principle of new library.

LIBRARY GREEN PLAZA

IDENTITY & BUILD relationship with traditional and social influencers in the place

REACH

enlarge public boundaries across the urban

CULTURE

the success of public programs

GREEN

key sources for publicness as well as private area


19

li-b[ve]-rary


20 li-b[ve]-rary

LIBRARY ACTIVITIES

li-b[ve]-rary = COMMUNITY LIVINGROOM


21

li-b[ve]-rary


22 li-b[ve]-rary

THREE LAYER PLAN MULTIPLE CIRCULATION

CONTINUOUS GREEN PLATFORM

roof floor level

OPEN ACCESSIBILITY CIRCULATION

ground floor level

lower floor level


23

Green roof platform connected between main entrance plaza and the corner of main street.

li-b[ve]-rary

Green roof main access point


24 li-b[ve]-rary

Floor plans 0

Lower floor plan

20

100ft

A

C’

N

9 19

19

21

18

21

12

20

1

4

8 13

13

2

3

F

B’

F

17 O

DW

10

14

B

21 15

16

11

6

11

1 2 3 4 5 6 7

open plaza entrance 24h open library newspaper& magazine administration office gathering area youth tech area

NE elevation

8 9 10 11 12 13 14

open stack gallery ramp reading tower multi purpose room multi-tech room cultural activity area auditorium

21

C

A’

7

15 16 17 18 19 20 21

inner garden lifelong learning area cafeteria music room meeting room amphitheatre restroom

5


25

SW elevation

li-b[ve]-rary

Roof plan(site plan)

SE elevation

NW elevation


26 li-b[ve]-rary

environmental building system, sections 0

10

50ft

GREEN ROOF SYSTEM Keep the building cool during the summer and warm during the winter. Green roof promotes healthy environment to both public and private areas in the neighborhood.

CLIMATE CONTROL SYSTEM Automatic vents for relieving buoyant warm air will induce the cooler replacement air from the passive cooling/ natural ventilation system. The building control system will recognise when the library is too warm and will open the vent.

Section A - A'


27 Section C - C'

li-b[ve]-rary

Section B - B'

PASSIVE VENTILATION AND COOLING SYSTEM Passive cooling(chilled beam) inducing fresh air and delivering cool low level fresh air to library. Bypass dampers for economy mode when no cooling required and damper control to minimum fresh air during cooler months. The cooling system utilities low temperature chilled water from the absorption chiller which is fed by the district co-generation hot water thermal network.

longitudinal section


28 li-b[ve]-rary

Main entrance Plaza is the main entrance of the library. It makes variety activities and efficient moving line and then it increases accessibility and recondition.


29

li-b[ve]-rary


30 li-b[ve]-rary

24hr open library 24hr open library located on the side of main entrance and it has its own accessibility from the ground level, too.


31

li-b[ve]-rary


32 li-b[ve]-rary

Reading tower Interior view of reading space connected by outstanding stair and 2 story height space


33

folding skin structure spported by mega columns and it makes poket space. it allows small exhibition space to induce people's movements.

li-b[ve]-rary

Gallery ramp


34

li-b[ve]-rary


35

This space opens and supports several variety activities and cultural events.

li-b[ve]-rary

multi-cultural area


36 li-b[ve]-rary

Inner garden & cafe Inner garden is a path of natural light and it connects inside-outside physically and visually. This area consisted cafeteria and amphi theater to support people's gathering and events


37

li-b[ve]-rary


38 li-b[ve]-rary Green roof platform Green roof support not only daytime but also night time as a outdoor theater and walkways and daily life


39 li-b[ve]-rary

South-East entrance Green roof continuously connected to the ground and it has different fouraccessive entrance to freely threshold the building.


40

li-b[ve]-rary


41 li-b[ve]-rary

Bird eye view of Iconic library at night


42 A Room and a Garden

four freedoms study and visitors center

A Room and a Garden AN ADDITION TO LOUIS KAHN'S FDR MEMORIAL

PROJECT DESCRIPTION The studio program will involve the design of the FDR Four Freedoms Study and Visitors’ Center, sited to the north of Louis Kahn’s Franklin Delano Roosevelt Memorial, designed in 1973‑4 but only constructed in 2012. Kahn stated that the FDR Memorial was “a room and a garden… the garden is a gathering of nature and the room is the beginning of architecture.” The new Center and its associated landscape will shape the entry sequence to the FDR Memorial and the transition from Cornell University’s New York City campus, to be constructed directly to the north. The new Center will house a research center focusing on FDR’s “four freedoms,” visitor center functions for Kahn’s FDR Memorial, and a landscape-garden. This is a real project, which will be designed and built in the next several years, and for which the clients are seeking inspired conceptions. Therefore each student will be encouraged to develop a different scheme, so that the studio explores as many possible ways of siting and shaping the new Center.

PEDAGOGICAL METHOD “The space induces the project. If you have a space, something happens, the program then starts. It does not start before you make the space.” Louis I. Kahn’s insight into the relationship between construction and program, and the essential part played by space in their realization, is perhaps unique in recent architectural practice and thinking. It is surprising that this proposition of Kahn’s has not been more widely noticed and discussed in the profession or in schools of architecture, for it implies a reversal of the usual design process, wherein the program is written and the construction materials selected before the spaces are conceived. Kahn proposes the opposite—that one should begin with an idea about space, as a place of experience, and that this spatial conception then gives direction and meaning to the development of program—the poetics of action, and construction—the poetics of construction. “You plan a library as though no library had ever existed”—Kahn insisted that each architect/student of architecture could realize her or his potential only to the extent that they interpreted each project as a new beginning.

Project master plan model of Roosevelt Island


43

A Room and a Garden


44 A Room and a Garden

A Room and a Garden Roosevelt Island, New York Figure-ground plan 0

50 N

250 ft

Data

Graduate Curriculum Project fall 2014 Type of project Research & Cultural facilities Master plan, Landscape Size 85,000 ft2 Location Roosevelt Island, New York

Interior view of Library Wood finishing keeps the space warm and skylight allows rich indirect daylight inside.


45

A Room and a Garden


46 A Room and a Garden Project 1 - CUBE: Room(s) Unfolding the four Freedoms This first project explicitly or implicitly engage as its program the spatial and experiential embodiment of Franklin Delano Roosevelt’s “Four Freedoms”. Freedom of speech and expression Freedom of religion and worship Freedom from want Freedom from fear It is to construct a spatial itinerary, an architectural promenade that moves from space to space, and of course the movement itself is one of the spaces. The concepts of the Four Freedoms as my understand them spatially should be defined by this journey, this spatial construct. The result is a relationship between space and ritual—it is about qualities, not quantities; scale, not measurement; experience, not efficiency. The Four Freedoms are not programmatic requirements in the usual sense, but are intended as provocations—to provoke responses, in the form of habitable spatial designs.


47 A Room and a Garden

1/16" transformation cube study models Cube: 33ft X 33ft X 33ft Forming, shaping and unfolding the relationships among the spaces of the program


48

A Room and a Garden


49

Oridentation within the Cube-Room/site, and its transformation throught with programmatic spacemaking begins with the following dialectical pairs, all of which are latent with meaning with reference to Roosevelt’s Four Freedoms.

A Room and a Garden

1/8" transformation cube models


50 A Room and a Garden

1/8" model spatial perspective view Itinerary of spatial experiences and actions, consider engaging both unfolding and projecting in embodying the concepts of the Four Freedoms with a vocabulary of linear and planar elements.


51

A Room and a Garden


52 A Room and a Garden Project 2 - DATUM: PLAN(e)s Under, In, On and Over the Graound I propose an integrated building‑ landscape, room-garden to house the program of spaces for the FDR Four Freedoms Visitor and Study Center, within a strictly defined site. In parallel with the second sketch project, I built a site model and drawings, to include Kahn’s FDR Memorial as well as the East River that surrounds the site, for subsequent additions of individual designs for the FDR Four Freedoms Visitor and Study Center.

1/16" datum model top view Linear long building divided two different characteristic of programs that left side is more public area and right side is private area. and this building shared both of those programs to communicate through it.


53

A Room and a Garden


54 A Room and a Garden

Floor plans 0

5

Program zoning

Ground floor 25ft

A B C D

N

Interpretative center Public / Research Auditorium Residential units

17 16

15

A

Interpretative center

1 2 3 4 5 6 7 8

entrance hall Room 1: freedom from want Room 2: freedom of speech restroom observatory Room 3: freedom from fear Room 4: freedom of worship roof deck

Upper floor 13

6

14

7

B

Public / Research

9 10 11 12 13 14 15

cafe kitchen bookshop director's office library study rooms seminar rooms

C

Auditorium

16 17

main entrace hall auditorium

D

Residential units

18 19 20

inner courtyard domitory swimming pool

15

Roof floor

8


55 A Room and a Garden

C 16 15

D 12

20

3

11

18

4 5 2 1

10 19

A B

9


56

A Room and a Garden


57

From FDR memoril prrk to projec site model.

A Room and a Garden

Site model


58 A Room and a Garden

Public facilities section, south-north section, east-west section 0 10

50ft


59

A Room and a Garden


60 A Room and a Garden Project 3 - SECTION/ Tectonic Making palce between Earth and Sky 3-d digital model of a corner section running part-way through the primary program spaces from earth to sky. Conceive of the walls and/or columns, the predominant element in these sections, as the product of the dialogue between earth and sky; to determine this relationship, it undertakes structural/spatial investigations of floor/foundation and ceiling/roof. Models to clearly indicate all materials of structures, exterior cladding, insulation, closure, glazing, roofs, skylights, floors, foundation, interior finishes, built‑in furnishings, radiant/hydronic heating and cooling piping, earth, landscaping, water pools, etc. Models are to delineate specific materials selected; the marks of construction, joints, reveals, patterns, colors and surface textures; scale; closure; transparency/ translucency/ opacity; at this scale the materials and their methods of assembly are crucial to our understanding and experiencing each space.


61

A Room and a Garden


62 A Room and a Garden

Interpretative center Roof deck & outdoor sapce Interpretative Center's roof deck serves peoples obsevatory and rest. This space has diverse access point and connectivity between inside-outside.


63

A Room and a Garden


64 A Room and a Garden

Room 2: freedom of speech; longway main inner ramp Longway ramp is one of four freedom space that connect visually inside-out and physically .


65

Interpretive center and public facility connected through inner courtyard, water space and visual connectivity through open voids.

A Room and a Garden

Between space


66

A Room and a Garden


67 A Room and a Garden

Interior view of Cafeteria

Room 3: freedom from fear; tiny music hall

Ground level of public/ research building consist of cafe, restroom, bookshop. Ceiling skylight allows rich daylight inside the cafe.

This space has 2 story height and skylight void to feel sense of depth and music helps people to release their mind.


68 The Dead's Space for the Living

city crematorium & memorial park

The Dead's Space for the Living


69 The Dead's Space for the Living

Project model of the new buildings and master plan

LIFE AND DEATH, ALL ABOUT CYCLES A repeated process between life and death is the most basic connection of people as well as the only resource to go back to nature. There are something that can change from people’s life trace with no natural, wasteful and a limited condition to go back to being a proper nature through the interpretation of death that is irretrievable and the suggestion about planning of charnel house as complex cultural park with harmony between life and death. It can change people’s mind from the established facilities of cherish the memory of a deceased person that have negative knowledge to the processing facilities that are not only just memory to people but also complex cultural function.

INTERPRETATION OF DEATH Proposal of charnel house as interpretation of not exchangeable death and complex cultural facility that balance life and death, and as new city infrastructure. The change and development of funeral culture based on cremation cause the problem that supply cannot meet Demand. To solve this problem, expansion of cremation and charnel facilities is demanded. However, because of the opposition of unpleasant facilities and NIMBI syndrome, the supply is not being accomplished. Therefore, new cognition of funeral facility and new architecture is needed. For new cognition of funeral facility, make an attempt on contemplation of historical and cultural based death. Also, try new interpretation of death through the consideration of composition, meaning and characteristic of Jong-myo, and propose charnel house as complex cultural facility with function of new city infrastructure. In addition, through the change by the needs of times, switch the opposition of multi-layered urban space to the place and aura of the city. Then, propose architectural solution which emphasizes the sense of place and the way it can make balance with circumstances.


70 The Dead's Space for the Living

The Dead's Space for the Living Seoul, South Korea Figure-ground plan 0

20 N

100

Data

Bachelor's Degree Project 2010 Type of project Charnel facilities / Master plan Landscape Size 33,160 m2 Location 1-2 Hunjeong-dong Jongno-gu, Seoul

Visitor center Visitor center conneted through upside main path and underground exhibition path. it has round sunken.


71

The Dead's Space for the Living


72 The Dead's Space for the Living

SITE

Jongmyo Shrine citizen park has a lot of stores around it as like Sewoon shopping center, jewelry stores and electronic stores. A kind of a dot between Jongno and Jongmyo act as a buffer zone and has high accessibility of site. Underground parking lot that can accommodate 1,000 cars will reduce its function as Sewoon shopping center is removed from there. Under the second stories houses have built around Jongmyo, but some tower buildings damage viewpoint. Surrounding roads has a lots of traffic and there are easy to accessibility by public transportation. Jongmyo Royal Ancestral Shrine

Major factors of the site

area users : old man 98%

THE SITE

parking lot : support 1,000 cars

sewoon shopping center : due to be demolished soon


73 The Dead's Space for the Living

Water zone and round plaza Upper part of parking lot suggested by public zone. water zone and plaza support people to stay and rest in this area.


74

great temple of amun, karnak

persepolis_hall of 100 columns

DEMAND

pyramid

-56 100

70

Other adjacent countries’ % of cremation (2007)

NIMBY

EGOISM

mortuary temple of hatshepsut

(%)

SUPPLY

Japan Taipei Hong Kong Singapore

44

61.9

60 50

99.8% 88.2% 87.2% 76.9%

40 30 20

13.7

10 1981

1991

Necessity of cremation

2001

2004

2006

2008 (yr)

Percentage of cremation

1981-2008 (Ministry of Health Welfare)

Programs Reserved area

Parking & service area

33,160 m2

100%

2,160m2

6,000m2

SITE

18%

Built area

8,000m2

12,000m2

15%

7%

Memorial area & plaza

Green

5,000m2

The Dead's Space for the Living

Project issue and research

36%

24%


75

People can stay and play around column based water zone and green area.

The Dead's Space for the Living

Outdoor performing space


76 The Dead's Space for the Living DESIGN

MEDIATION

USE INDIRECT using several indirectMETHOD method

The proposal of city-based urban crematorium can be seen a somewhat radical and premature when the people’s awareness of new funeral culture formation did not change. The memorial of death and cultural facilities in the city’s park is not olny new trying of inserting death into our daily life, and also trying to make a new space of life as a city infrastructure.

MEDIATION

MEDIATION

BYPASS

MEDIATION

The different attitude of treating the death between the west and the east is from different culture. However, it needs a change of perception not only because of different cultural background of explosion of grief expressed over Funeral culture in Korea besides the western culture, but also because of practical problems and limitations in our current society.

DIRECT CONNECTION

BYPASS [path]

CYCLE of HUMAN

DEATH

switch change shift

traditional funeral procedure with meaning & emotions changing dark images of facilities

two sides of the same coin

CYCLE of NATURE

city infrastructure convenience facilities cultural infra

LIFE

new memorial park + charnel facilities


77 The Dead's Space for the Living

Courtyard and corridor Worship space and cherish space shared the courtyard and continuous colum corridor connected both two spaces.


78

The Dead's Space for the Living


79 The Dead's Space for the Living

Peristyle space One special space of peristyle is open the area under 2 meters from the ground level beside the adjacent parts of the site. It offers resting benches to take a rest with the gap of natural level, and regularly repetitive columns make hierarchy of space and support the memorial.

METHODOLOGICAL GESTURES step 1. dead’s space for the living move the focus to the living which used to be for the dead ; provide remembrance, normal life place and water space (cultural complex park) step 2. accommodate existing functions accept existing function as urban park and solve the problem ; provide various rest place, form small scale community and support large scale community step 3. care about Jongmyo harmony with Jong-myo and highlight the sense of place ; obtain directivity and entrance by extension and arrangement of axis ; build atmosphere by giving order to remembrance space

SEMANTIC GESTURES step 1. continuous column indirectly materialize meeting place for the living and the dead by spatial composition of monumental peristyle which is repetitively stretched step 2. light & dark making a room that can have soft and comfortable ceremony with abundant space through light concentration, moderation and reflection. step 3. Wall & Path transition to death – having an honest life by the path and the wall that symbolizes link between life and death


80 The Dead's Space for the Living

Floor plans 0

5

Physical model 25m

N

A

Charish facilities

1 2 3 4 5 6 7 8

entry porch forecourt courtyard oratory offices restroom waiting area multipurpose room

B

Public facilities

5 9 10 11 12 13 14 15 16

offices service/mechanical lobby / information desk exhibition conference room outdoor space gallery lecture hall parking area

C

Chapel (service hall)

17 18 19

connecting corridor service area memorial/thinking park

D

Public green zone & plaza

20 21 22 23

outdoor performing place water zone fountain square forest of memory

Upper floor

Basement floor


81

0

5

Ground floor

Program zoning

25m

A B C D

N

A

D B

C

Charish facilities Public facilities Chapel (service hall) Public green zone & plaza

The Dead's Space for the Living

Master plan


82 The Dead's Space for the Living

Main entrance Keep up the main entrance with Jongmyo's axis, and it is existed in ground floor. It makes a efficient moving line and secures a clear view, then it increases accessibility and recondition.


83

The Dead's Space for the Living


84

The Dead's Space for the Living


85 The Dead's Space for the Living

Chaple hall entrance and worship space Transition of some sort of memories make people calm and peaceful in this chaple. Basic component of architecture uses in this blessisng space. Natural lights come inside the spaces


86 The Dead's Space for the Living Visitor center gallery & cafeteria There have various functions to people who not only visit Jongmyo but come to park and exhibitions like a gallery and a multipurpose room. The entrance consists of two places; one of them is cafĂŠ and the other one is information center. There is second floor considering around its situation.


87

The Dead's Space for the Living


88 The Dead's Space for the Living

Cherish space Private prayer space and inserted into a small courtyard inside the building from the outside of the courtyard is filled with another function. Prayer that is inserted through the courtyard of the space with natural light was configured to penetrate the inner life through the death of one of the courtyards to provide time for reflection allows looking back.


89

The Dead's Space for the Living


90 The Dead's Space for the Living

Fountain square Right side of the ground opens to people to support various communication actions by making outdoor concert hall and forests. There is a fountain that can act to people who visit Jongmyo and live vity.


91

The Dead's Space for the Living


92 The Inclination of Urban

after ten years; 35.87N 128.63E Basin

The Inclination of Urban


93 The Inclination of Urban

Testbed complex perspective view

DESIGN OUTLINE Daegu, in the Republic of Korea, has always been one of the three major cities in Korea, but for most citizens living outside of Daegu it is remembered by representations in old movies. However, new industries and business opportunities have been created. Some big issues standing in the way of embracing these opportunities are that Daegu as an urban institution has not always responded positively to change and inland cities are generally more conservative in response to social progress. China is now a huge market, and steps must be taken to capitalize on this burgeoning economy. The west coast city of Incheon has taken steps toward creating a sustainable city plan in order to vitalize growth. Daegu is being outpaced by more adaptable cities. There are 2.5 million residents in the Daegu Metropolitan Area, and Daegu remains a central feature of the Yeungnam region, but without a specific vision or goals Daegu is doomed to remain in the past and continue to fade in the future. We hope to create a new vision and plan for Daegu that can be implemented within the next 10 years. The purpose of this proposal is to bring together the best minds to present detailed plans that will specifically lay out a dynamic and sustainable future for Daegu’s city structure. There needs to be an emphasis on businesses that will carry Daegu through to the next century. There is particular interest in the CT(Culture Technology) and IT(Information Technology) industrial cluster integrating with Daegu’s rich cultural resources in order to foster new growth engines such as cultural industries, gaming, mobile content and etc. Next generation industrial clusters that consider Daegu’s unique culture and can serve as growth engines for the new city of Daegu will be deemed suitable for the competition.


94 The Inclination of Urban

The Inclination of Urban Daegu, South Korea Figure-ground plan 0

20 N

100m

Data

2010 Architectural Culture Biennale International Competition

Art-cultural testbed

Final Jury _Daniel Libeskind (SDL)

Outdoor space of artcultural testbed is open ground for diverse art performances and cultural festivals.

Award Special Selection Prize Type of project Public Facilities Size 106,500 m2 Location 2139 Daemyung 3-dong, Namgu, Daegu


95

The Inclination of Urban


96 The Inclination of Urban APPROACH & ISSUE

Round Valley

Issue : What does make the site regeneration?

The round-valley is a territory where does not have what kind of scale.

Socialcultural propensity : conservatism or exclusive and propensity to consume

It becomes abundantly clear-up by background, program, event, and interest in compliance with information. Therefore the round-valley experiences the new thing and always confronts to what kind of variation.

image of daegu

The such aspects always change and develops immediately the aspect which they are visible. The outside of the construction which supports the roundvalley does the duty which is limited and important to indise. We are getting is not object but external reality. It is the continuation which in between forms creates. and the medium is the round-valley. Therefore, the round-valley is the dynamic one vector, and it keeps the energy of the depending on.

12.1 27.1 30.8 41.5 17.8 40.5 60

40

20

stagnation

open-hearted

closed

developmental

drop behind

ordered

disordered

productive

cost-driven

future-oriented

past-oriented

worst

3.7%

highly improve 3%

59.5 20

40

60

want to move nearby the city

80

100

move to new city 16.2%

live all their life

13.2%

48.7%

32.7%

82.2

settled in daegu

13.3%

similar

69.2 58.5

negative images

future prospect of daegu

get worse

72.9

0

0

positive images

87.9%

vitality

22%

70.3% get better

45.7%

wish to live in daegu 48.3%


97 The Inclination of Urban

propensity of daegu

consciousness to be cast away

29.5% 3.89

3.94

3.71

23.7

3.85

3.67

3.30 2.98 3.16 2.87 2.93 2.812.86

in daegu in-migrant

3.113.25 2.83 2.89

18.5

18.3

17 17.7 13.8 11.7

8.3

9.3

11.3 8.3

1.7 1.2 be warmhearted rational active optimistic conservative exclusive creative flexibility

exclusive collectivism keep up appearance conservatism authoritarianism nepotism paternalism

required consciousness research total count

900 23.3% key demands

209

openness spirit of unity creativity enterprise rationality practical interests critical consciousness internationality etc. no answer

etc internationality critical consciousness practical interests rationality enterprise creativity spirit of unity openness

1.5% 4.2% 4.5% 8%

13

38 41

72 84

9.3%

101

11.2%

146

16.2%

21.8%

23.3%

196

209


98 The Inclination of Urban SITE & THEMA

Nodal mapping Programmatic mapping of existing surroundings were conducted as a source of exploration in the observation of possible voronoi patterns. Existing activity nodes(old buildings) were identified and fed into voronoi script to generate overlays of voronoi pattern based on each activity nodes. The abstract grid were then superimposed to form a denser grid, in an attempt to explore the possibilities of how and urban informed voronoi map could inform architecture and the site.

Site area view

Mutual network Needless to say, voronoi grid pattern contribute to making mutual network as a new balanced site. networking nodes rearrange biased use of site and become an anchor point of new balanced site.

Daegu-basin : round valley


99 The Inclination of Urban

THEMA A. NEW BALACE OF SITE boundary

biased land use

voronoi operation

adjustment

coordinate network

anchor

existing buildings

imbalanced situation

creating new balanced points

setting points in grid array

creating a mutual network

+ Voronoi: Voronoi is a special kind of decomposition of a metric space determined by distances to a specified discrete set of objects in the tessellation can be performed in 2D and 3D.

THEMA B. OSMOSIS OF SITE geographical features

access & subway line

macroscopic axis

road situation

S Mt.ap

insert access Daegu tower

Mt. palgong

THEMA C. SILOUETTE OF SITE landscape

historical buildings

accumulate silhouette

new topography

2020 and beyond

nature

2010

property

human aged more than 50 years

2000

trace

history

culture

1990

asset

life 1970

harmomy

1950

harmonious building silhouette with natural silhouette

trace of time

attitude for the future

new symbol of daegu

+ Silhouette: The history of the city essentially has been developed with the presence of individuals. History and the pesent is a starting point for any project, and alive information to determine to develop architectural methods. It also can be a background of future to discover and develop the current.


100 The Inclination of Urban STRATEGY & PROCESS

Testbed & Round valley We suggest three testbed in order to see the essence of the construction prior to symbol through the height of the buildings and to put the lost value of our contemporary life in. The image of the negativeness is replaced with positive image with sybol of emptiness. Round valley is suggested as a symbol of the emptiness not to backfill the huge ground but to empty out. It also means not only the windows to observe this new symbol but also the gateway that we can open, come in and take part in. Additionally, it furnishes totally different directivity of sight toward not a massive building above any other existing buildings, but the remained lower part. The emptiness replaces 'negative image of Daegu' realizing blurry boundary. A new symbol is put into a three testbed and it becomes a place of community with people who are with this new symbol and image of Daegu. It also a significant meaning as a representative structure in Daegu which has totally different flavor and value.


101 The Inclination of Urban

Process A : Testbed producer program _existing buildings

communication process : consuming public & producer exchange

consuming public

communication

producer

consuming program _suggest new place

Process B : Round valley phase 1

program zoning phase 2

osmosis of site phase 3

silhouette of site


102 The Inclination of Urban

Master plan 0 10

Ground floor 50m

N

manufactural activity

art-cultural testbed

promotional activity

total info-media testbed

public floor testbed

Testbed complex


103

0

5

Program A Art-Cultural Testbed B Total info-media Testbed C Public flow Testbed

25m

1 2 3 4

entrance hall with exhibition exhibition _B auditorium restaurant

5 6 7 8

workshop studio craft market studio art craft room art gallery

The Inclination of Urban

Cross sections

Section A-A'

C

4

1

5

A

6

Section B-B'

B 8 8

5 7

3

2


104 The Inclination of Urban

Floor plans 0 5

First basement floor 25m

N

A 9 6 4

8

5

3

8

2

B

3 1 10

C

7


105 Program zoning A B C

Art-Cultural Testbed Total info-media Testbed Public flow Testbed

11 16

12

13

14 15

1 2 3 4 5 6 7 8

main entrance entrance hall with exhibition exhibition _A exhibition _B auditorium broadcasting studio restaurant workshop studio

9 10 11 12 13 14 15 16

practice room parking lot craft market studio art craft room media promotion hall public social studio sunken plaza testbed art gallery

The Inclination of Urban

Second basement floor


106 The Inclination of Urban

Bird's eye view The main image of whole site master plan that shows three testbed spaces it contains variety activities.


107

The Inclination of Urban


108 The Inclination of Urban

Main entrance This space supports variety performing art events and exhibitions Public flow testbed Harmony with existing historical building and new round valley place

A. daytime

B. ight time


109

The Inclination of Urban


110 The Inclination of Urban Outside perspective view One special space of peristyle is open the area under 2 meters from the ground level beside the adjacent parts of the site Inside perspective view Inside(under) the graoud supports multiple needs of users


111

The Inclination of Urban


112 The Inclination of Urban

Sunken square Round sunken square contains people to support various communication actions.


113

The Inclination of Urban


114 MASI 111+11 Exhibition

MASI KNU STAFF HOUSING PROJECT

MASI 111+11 Exhibition


115 MASI 111+11 Exhibition

Exhibiton main hall prototype models

PROJECT DESCRIPTION Masi 111+11 Exhibition represented 1 village, 11 architects, and 111 houses of Kyungpook National University staff housing project. This project is largest scale rural housing development of living in suburbs This project started in april 2002 through organizing a union and adopted Master Architect Design way. MA team set up guide line and 6 basic prototype first, then 11 participated architects developed that prototypes. The site 'Masi-ri' divided by 11 sector and 11 selected architects designed 10~11 houses each. This exhibition designed as an architecture exhibition not only for participated architects and clients who KNU staffs but also general visitors who showed interest about housing project. Existing gallery area was too old and bad-handled condition to hold exhibition at the first time when I visited that place. So, I re-organized the space and re-design to hold the exhibition. Every single product for the exhibition, I had to design, research and contact them who can help it or realize the idea. Team working experience and real-project were two best challege and benefit.


116 MASI 111+11 Exhibition

MASI 111 houses + 11 architects Exhibiton, Daegu, South Korea MASI KNU staff housing project Exhibition planningg 2011.12.10 - 2012.03.10 Exhibition 2012.02.27 - 2012.03.10 Client KNU staffs Location Kyungpook National University Gallery Space 9, Daegu Works exhibition master planning, main exhibition wall design 6 prototype models, masterplan site model, 131 birch frame, brochure, poster design exhibition panels, calendar Designed in collaboration with SPLK Architects.

Main exhibition Wall & prototype models


117

MASI 111+11 Exhibition


118

0

1

Ground floor

1 2 3 4 5 6 7 8

5m

N

main entrance hall exhibition side A exhibition side B exhibition side C exhibition side D prototype models masterplan model visual image exhibition

Exhibition installation wall

Main exhibition unused area

1

350

MASI 111+11 Exhibition

Floor plan

2

6

7 5

3

8

4


119

0

1

MASI 111+11 Exhibition

Exhibition space elevations 5m

side A

KIG

KHJ

D40

D38

D36

CSD

D34

D32

K&J

D30

D28

D26

E1

D42

D41

D39

D37

D35

D33

D31

K&J

D29

D27

D25

side B

D24

D22

D21

D19

D17

D16

D14

D12

D10

D8

SJI

D6

D4

D2

C5

C3

C1

B31

B29

B27

B23

KIG

B18

D23

BSG

D20

D18

KHG

D15

D13

D11

D9

KHG

D7

D5

D3

D1

C4

C2

B30

B28

B24

B22

B20

B21

B19

KHJ

GMS

B15

B13

B11

B9

B7

CSD

B5

B3

B1

A33

A31

A30

A28

A26

A24

A23

B17

B16

B14

B12

B10

B8

B6

B4

B2

GMS

A34

A32

BSG

A29

A27

A25

LJH

A22

side C

side D

A21

A19

A17

A15

LJH

A12

A10

A8

A6

A4

K&J

A2

A20

A18

A16

A14

A13

A11

A9

A7

A5

K&J

A3

A1

SJI

K.N.U Gallery Ent.


120 MASI 111+11 Exhibition

Exhibition main wall elevations 0

0.5

2.5m

Main wall front side

master plan model scale 1/350 beam projector screen

Main wall back side

birch frame 450mm x 450mm


121

Main exhibition wall introduced participated 11 architects and showed timeline of this project.

MASI 111+11 Exhibition

Back side of main exhibition wall & visual image exhibition


122 MASI 111+11 Exhibition MAIN ENTRANCE INSTALLATION WALL DESIGN Material MDF 1200mm X 2400mm Lumber 30mm X 30mm White primer Plat white paint

2400mm

2400mm m

0m

240


123

A folding installation wall induces people to enter the gallery.

MASI 111+11 Exhibition

Main entrance hall


124 MASI 111+11 Exhibition INVITATION BROCHURE & POSTER

envelope

double parallel fold + french fold

210mm

420mm 210mm


125 MASI 111+11 Exhibition

Front page Poster

420mm

840mm X 420mm

210mm

Back page Brochure


126 MASI 111+11 Exhibition SPLK Architects. individual panels & models

Prototype panel

10 prototype frames 2 site model photo frames 12 houses rendering image frames handmade desk calendars

30A

Site model photo frame panels 2 sectors/ 12 houses


127 MASI 111+11 Exhibition

4 selected panels of 12 houses

마시 四月

마시 八月

마시 十一月

마시 十二月


128 MASI 111+11 Exhibition

Construction dairy materplan model prototype model & stand moving box chair main exhibition wall frame photo frame hanging line


129 MASI 111+11 Exhibition

Masterplan model MDF contour lines Scale 1/350


130 MASI 111+11 Exhibition

Prototype models & rendering image frames Participated 11 architects hanged 12 frames up on the wall each. Desk calendar


131

MASI 111+11 Exhibition


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