2015-2017
MINSU CHUNG
PORTFOLIO
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MIN SU CHUNG minsoojung1993@gmail.com 573.777.0140 303 s busey ave. Urbana, IL
CONTENTS 1 2 3 4 5 6 7 8
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PEEL INTERNATIONAL TOWER, CHICAGO ..................................... 3 SCULPTURE MUSEUM, CHICAGO ................................................... 19 WABASH INTERNATIONAL TOWER, CHICAGO ........................... 29 NATIVE AMERICAN CULTURAL CENTER, SOUTH DACOTA ....... 41 MIAMI OFFICE, MIAMI ..................................................................... 51 INFINITY SCHOOL, BERLIN ............................................................. 55 FOLDABLE FURNITURE .................................................................... 59 COLUMBIA MUSEUM CONSTRUCTION DOCUMENT ................. 61
SUMMER 2017
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PEEL INTERNATIONAL TOWER CHICAGO, IL I
FALL 2017
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PROFESSOR. PAUL ARMSTRONG
Team Members: Min Su Chung, Jin Young Jung, Cole Tegge
Tall buildings are major landmarks of the city and, when designed appropriately, contribute to urban quality and livability. Chicago, like numerous other cities across the country, experienced a construction boom in residential, hotel, and commercial uses during the early 2000s. In Chicao there has also been a special appeal to midand high-rise residential buidlings primarily because of the incredible views they provide of Lake Michigan and the skyline of the Loop. The project is to design a high-rise hotel/condominium tower for a site that is a prime location for additional hotel and housing units given its proximity to the Loop, Navy Pier, and The Miracle Mile. The site is the proposed site of the Chicao Spire located in Chicago’s Streetville District, on the north bank of the Chicago River. This is a prime area of growing demand for high-rise housing and hotel acommodation. This project begins by first responding to its immediate surroudings. The form is then sculpted into the clothes blown by the wind shape to symbolizing the city of Chicago. Green spaces at each amenity floor are created by double skin wall system. The Winter garden serves the fresh air and attracts people to visit the building. The social implications of this new addition to the Chicago skyline also heavily influenced the design, particualrly in terms of how the high rise connects with the ground, overall, this addition to the riverfront will not only serve as a new iconic Chicago tower, but it will also be able to sustain itself for years to come and will serve to enhance its immediate context.
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EXTRUDE
WRAP
CUT
PEEL
Tapering for looking tall and slim
Create double skin of the building
Cut the top of the building as a feature to be a landmark in Chicago
Peel the outter skin to create connection to the East
parkway
parkway
parkway
parkway
parkway
parkway
parkway
parkway
parkway
BRIDGE Peel the outter skin to create connection to the East
parkway
parkway
parkway
landscaped
sidewalk parkway
SITE PLAN 5
PUBLIC ENTRANCE AND PLAZA
LVL B8- B1 Parking Mechanical LVL 1 - 10 Lease Space LVL 10 - 33 Hotel LVL 34 - 162 Residential LVL 163 Observatory Deck
ELEVATOR RISER DIAGRAM 6
WINTER GARDEN PERSPECTIVE
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5
4
3
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10 8
2 9 1
LEGEND 1. PUBLIC LOBBY 2. HOTEL LOBBY 3. RESTAURANT 4. CONDO MAIL BOX ROOM 5. CONDO LOBBY 6. OFFICE 7. MARKET 8. CAFE 9. GIFT SHOP 10. WINTER GARDEN
GROUND PLAN 7
EXHAUST AIR
FRESH AIR
VENTILATION DIAGRAM
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5
1
LEGEND
3 4
6 2
1. MAIN BALLROOM 2. SKY GARDEN 3. BAR 4. CAFE 5. PREPARATION 5. SMALL BALLROOM 6. CONFERENCE ROOM
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FLOOR 10: SKY GARDEN
LEGEND 3 1. SWIMMING POOL 2. RESTAURANT 3. MEETING ROOM 4. FITNESS ROO 4
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1
FLOOR 9: AMENITY
FLOOR 10: HOTEL FLOOR
FLOOR 34: CONDO FLOOR 9
FLOOR 134: CONDO FLOOR
FLOOR 163: SKY DECK
HOTEL LOBBY
SKY GARDEN
Hotel lobby is located on basement with the drop-off and the space is double stories to get lighting in. Sky garden is aesthetically constructed for connecting from the building to the opposite side of park. Winter garden is placed on the east side of the site. The garden is supposed to attract people to enjoy during the winter since the riverwalk is closed at the period. According to the structure of the building, the winter garden is connected from the building by trusses with arches which support the curtain wall system. Near the river, there are some plaza spaces that people enjoy the weather and the view of Chicago Loop during warm seasons. SOUTH PERSPECTIVE 10
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PUBLIC PLAZA PERSPECTIVE
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DOUBLE SKIN MULLION SYSTEM
DOUBLE SKIN MULLION STRUCTURE
INNER SKIN MULLION SYSTEM
COLUM+CORE+BELT TRUSS+SKY GARDEN STRUCTURE
NORTH ELEVATION 13
FLOOR SLAB
CURTAIN WALL SYSTEM
NORTH SECTION
CURTAIN WALL VENTILATION DIAGRAM 14
PUBLIC PLAZA PERSPECTIVE
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NIGHT VIEW
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FINAL REVIEW 18
GATEWAY CHICAGO, IL I
SPRING 2017
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PROFESSOR. KEVIN HINDERS
The center of Chicago and the entire midwest for work and paly with major corporate headquarters, skyscrapers, shopping big heaters, parks, beaches, museums, and the city’s most famous travel sights. One of the biggest plan of Chicago is about cultural plan which intend to enrich city’s cultural vibrancy. It is no exaggeration to say that Chicago is the cultural tourism destination. The loop will paly promoting High-performing urban experiences attracting visitors to the loop. Moreover, it is essential to activate underperforming space. Site in the loop district of Chicago, the museum will revitalize the original loop area and make the museum to be the main intersection between north side and the loop. Most known sculptures are concentrated on the west side of loop and millenium park and grand park. The north side, Navy pier on north side, the site is essential point to connect those two vital points. What the most important intention of this museum is to make the place as essential passage between north and south and rest place for tourists, visitors and residents. Based on the idea of welcoming visitors and vital passage, the museum will integrate a design for the decativated riverwalk where is producible, profitable, outstanding space. In further process the museum will highlight human circulation along riverwalk and city blocks. Moreover, integrating sustainable design with surrounding buildings and landscape is the purpose of this building.
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20min
10mi 10min min
5min 5 min
LOOP LOOP
The site is located in the center of the Chicago Loop in front of the river. The site is surrounded by many commercial buildings such as shopping center and hotels for visitors.
SITE
CROSS Having crossway to get a passageway from riverside to the center of city
LEVEL Adjusting different levels of two loads where the building is located
CONNECT Connecting to make building have large exhibition space
ACCESS Having a grand staircase to attract people and lead to upper floor
CONCEPT DEVELOPMENT 21
LEGEND 1. LOBBY 2. RESTAURANT 3. CAFE 4. EXHIBITION 5. MAIN EXHIBITION
1 3
2
LEVEL 1: LOBBY
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5
4
LEVEL 2: EXHIBITION
5
LEVEL 3: EXHIBITION
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LOAD PATH
BEAM & GIRDER SPANDRAL GLASS
STEEL RIGID FRAMING
FLOOR PLATES
MASSING
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CROSS BRACING
HSS FRAME
PERFORATED METAL SKIN
MAIN EXHIBITION
LOBBY SPACE
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BEAM SYSTEM 25
FOUNDATION
This building is mostly made of steel. Based on steel beam and girder, steel rigid framing is supporting the building without columns. X-bracing for the structure provides characte as aesthetic aspect and strength to have many heavy sculptures and grand staircase. For the skin, curtain wall system is constructed with perforated metal skin for providing a practical purpose that allow more natural light to pass through the cladding but still protect buildings that have large lazed elements from direct sunlight. In the meantime, they reduce the amount of solar gain, mitigating the need for energy intensive air conditioning systems. X-BRACING 26
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ROOF 120’-0”
LEVEL 3 75’-0”
LEVEL 2 50’-0”
LEVEL 1 18’-0”
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WABASH INTERNATIONAL TOWER CHICAGO, IL I
FALL 2016
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PROFESSOR. MICHAEL KIM
Team Member: Min Su Chung, Seoho Lee, Gene Kim, Sudipta Rakshit Issues of functionality, aesthetic value, meronic value, social responsiveness, constructability, investment value, and preservation of the design value are thought out in the design process of a highrise building in the middle of Chicago. The process to resolving these issues make a urban high-rise project complex. International Tower will be a place that resolves these issues and furthermore improve the environment that it serves in all aspects mentioned above. The program includes; hotel, condominiums, retail space, and public/private amenities. The design of the building is focused on function of the building. The edges of building is dropped when the function of floors is changed. The engrave on four facades of building is for the building to look more slim and investment value. By having many corners, the value of the room for the view is increased. The public is encouraged to engage in the community personally through the site’s design. A central atrium opens the ground level for public interaction with an art gallery to showcase student work. Outside the atrium, the riverwalk enable visitors and residents to further explore the view of Chicago river.
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CONCEPT DEVELOPMENT DIAGRAM
CONCEPT DEVELOPMENT DIAGRAM
A Building is divided in to three parts in sectionally and two parts in a tower and podium. Four corners’ drop-off and four more additional corners in the center of each sides provides many corner views for each floor.
CONCEPT DEVELOPMENT DIAGRAM 31
L112 CONDOMINIUM HOTEL PUBLIC MECHANICAL
L88
L76
L60
L47
L21
L3
RESIDENCE HOTEL PUBLIC CAR
CIRCULATION DIAGRAM 32
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RIVERWALK WEST STAIR WAY
HOTEL LOBBY
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DRIVEWAY & SKYDECK
SKYWALK BRIDGE
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HOTEL TYPE-A
HOTEL TYPE-B
CONDO TYPE-A
CONDO TYPE-B
CONDO TYPE-C
CONDO TYPE-D
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lvl 22 lvl 21
lvl 22
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AIR RISER DIAGRAM
WATER RISER DIAGRAM
OUTRIGGER SYSTEM + BELT TRUSS
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NATIVE AMERICAN HERITAGE CULTURAL CENTER ALLEN DAM, SD I
SUMMER 2017
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CARL LEWIS
The center will serve as the head office of the Heritage center, an educational institution established to preserve the historic world heritage sites of South Dakota and the surrounding. The center of building will contain permanent exhibition gallery, library, lecture hall, and student/ adult educational spaces, and will also serve the home of a new scientific institution aimed at conducting field reserach and documentation of the many archaelogical sites in South Dakota. The project design draws inspiration from constellation and culture of American Indians, This context is translated architecturally by organizing facilities around a central atrium containig meaning the center is the most important space in American Indian culture. The geometry of building form is derived from the pattern of constellation. The building envelope itself will consist of concrete and wood in inspired by earth. The Center hopes to become a new piece of the nation’s evoloving cultural heritage initiative, as it becomes both a new tourist and educational destination as well as a hub for research programs than can be taken on by scientiests and academics from all over the world.
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SITE DIAGRAM 42
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CONCEPT DEVELOPEMENTDIAGRAM
MERGING Connecting each function into one building
PASSING Cutting out the center of ground floor to make people passing by the building
CONNECTING Building a bridge to connect two individual buildings for a sky roof
NORTH SECTION 44
BASEMENT
LEVEL 1
9
UP
UP DN
8
UP
3 UP
UP DN
1
6
4
2
5 7
DN
UP UP
0'
4'
8'
16'
32'
0'
1. MECHANICAL SPACE 2. ARCHIVAL 3. STORAGE 4. LECTURE HALL 5. TEMPORARY EXHIBITION 6. LOBBY 7. CAFE 8. ADMINISTRATION 9. PARKING
45
4'
8'
16'
32'
LEVEL 2
LEVEL 3
DN
3
3
DN
2
DN
1
0'
4'
8'
16'
32'
0'
4'
8'
16'
32'
1. PRIMARY EXHIBITION 2. AUDITORIUM 3. HOUSING
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LEVEL 2 EXHIBITION
47
MAIN EXHIBITION
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EAST SECTION 50
MIAMI OFFICE MIAMI OFFICE
MIAMI, FL I SEMINAR I FALL 2017 I PROFESSOR. SCOTT MURRAY MIAMI, FLORIDA I INDIVIDUAL PROJECT
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Building Envelope Development Total wall surface area: 21,600 sq ft. South elevation glazing area: 1,350 sq ft. North elevation glazing area: 1,350 sq ft. West elevation glazing area: 270 sq ft. East elevation glazing area: 270 sq ft.
R-value for walls = 5 R-value for roof = 20 U-value for glazing = 0.5 SHGC for glazing = 0.3
Miami in Florida is the country has hot humid summer and warm winter. Since the building had a problem for equipment dominated and wall conduction, the wall is changing into concrete which has 5 for R-value. By using SHGC for glazing which is 0.5 for the value, the building can solve the problem for equipment dominated. By having 4’ overhang sunshade device, cooling dominated was achieved and the daylighting is mostly well lit.
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F
A
B G D
C
E
A
Precast concrete panel
E
Fine stoneware slab
B
160/400mm Precast lintel
F
Composite thermal insulation system
C
Fixed glazing in alum
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High pressure laminate cover strip
D
Screen/ sunblind 54
INFINITY BERLIN, GERMANY I INDIVIDUAL PROJECT Team Member: Min Su Chung, Hyunjin Cho, Jinha Kim Situated at Tempelhof Fled, Berlin, the ‘Infinity intends to link existing urban and green environment. The building form conceives as a series of infinity cyclinders surrounded by wooden louvers. The louver facade gives privacy to the building from the exterior users and a high visual permeability from the open circles in the middle of each buildings, providing diverse viewpoints. Its unique form blends the local value as an urban architecture and nature of the existing park. To invigorate everyday use as an architecture and function more than just a school, the ‘Infinity’ provides different activity opportunities such as pool, large playground, green ramp, etc., meant for a larger community gathering space. However, to function as a school, the ‘Infinity’ places public spaces such as canteen, sports center and administration office near basement to ground level and classrooms and private rooms near the top of the building for acoustic deposition. Since the circulation is largely based on the ramp system, program organization was important for sound isolation. Circulation through bridges and ramps and 2.5 floors create unexpected experience of privacy and opening, outside and inside to provide the student visually and actively involoving space experience. The students will explore one continuous space leading to variety of programs that is also in organized manner.
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DIVIDE
EXTRUDE
LIFT
BRIDGE
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LEARNING SPACE
PLAYGROUND
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FOLRDABLE FURNITURE COMPETITION I PROFESSOR. CARL LEWIS Saving space is important to occupy spaces functionally. Usually in neglected societies, there are not much space wherein you could be able to all of your furnitrue and stuff in. This furniture is made for inhabitants in sulms and other neglected communities where need more space to accommodate, fordable furniture is comitted to the house when it comes to furniture quality and sustainability. The feature of this furniture is easy to take apart and bring with. At living space, it could pretty much save some space that you may need. This furniture is comprised of two different folded cardboard. One is for seat and storage and another is for bed, table, and storage. Both are covered with cover which is part of the furniture. The cover can be used for layering on the top of table or storage. Both furnitures are same but different size. It can be stretched to be chair, table, and storage. The size can be various up to demands. By unfolding it, the furniture become bed for sleeping or sitting. Corrugated cardboard is an eco-friendly material that is made of recyclable materials like used cardboard carton and old news papers. This recycling and reusing of cardboard helps to reduce the energy and other resource required to produce it. Since the material is easy to get from the loca, transportation costs for manufacturing are lower than imported material from other regions. According to QUT reseracher team, they have developed a new waterproof coating boxed that is both recyclable and renewable. This would be applied to the furniture for being accommodated in countries where have humid weather or dynamic weather change.
FOLD
TAKE OFF
STRETCH
SMALL SPACE
TABLE STORAGE
BED 59
SEAT
18’ 9”
45˚
12’
TABLE & BED
9’ 6”
4’6”
1’1”
1’1”
2’3”
1’1” 1’8” TABLE & BED
6’ 3’
COVER
EXPAND
TRANSFORM
SEAT
UNFOLD
Lignin is a naturally occuring by-product from pulped wood and grass-
es. Lignin coating is cost-comparable, and it is 100% recyclable, provides a high level of waterproofing and strengthens the boxes to a higher degree than wax. The cardboard is composed of double layer to make strong. This thickness is 1/4”.
Compression from weight of people and tension from the ground are both capable of damaging part of the furniture as a varying load weight and other forces act on the structure
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COLUMBIA MUSEUM COLUMBIA, MO I DETAIL DRRAWING BASED ON CONSTRUCTION DOCUMENT I FALL 2015
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F MINSU CHUNG
COLUMBIA ART MUSEUM
mcwb8@mail.missouri.edu
DRAWING INDEX
PROJECT DIRECTORY OWNER
DESIGNER
MIN DESIGNS MINSU CHUNG 1021 ASHLAND RD COLUMBIA, MO 65201
CITY OF COLUMBIA OFFICE OF CULTURAL AFFAIRS 300 S. PROVIDENCE COLUMBIA, MO 65205
ENGINEER
ARCHITECT
TIMBERLAKE ENGINEERING 401 N. 8TH STREET COLUMBIA, MO 65201
3
NO.
LYRIA BARTLETT 142 STANLEY HALL COLUMBIA, MO 65201
G001 A101 A102 A103 A104 A120 A200 A301 A400 A401 A402 A501 A600 A601 A901 I101
NAME
COVER SHEET FIRST FLOOR PLAN SECOND FLOOR PLAN THIRD FLOOR PLAN FOURTH FLOOR PLAN REFLECTED CEILING PLAN EXTERIOR ELEVATION WALL SECTION ENLARGED PLAN INTERIOR ELEVATIONS INTERIOR ELEVATIONS MILLWORK DETAILS ROOM SCHEDULE SCHEDULES AXONOMETRIC FURNITURE PLAN
Consultant: Lyria Bartlett Address Address Phone Fax e-mail: bartlettld@mail.missouri.edu
CODE ANALYSIS BUILDING CODE:
2009 IBC
ZONING: A-3 USE GROUP: ASSEMBLY CONSTRUCTION TYPE: TYPE l - A SQUARE FOOTAGE:
LIFE SAFETY PLAN: FIRST FLOOR
31,110 S.F. - GROUND LEVEL 31,110 S.F. - SECOND LEVEL 31,848 S.F. - THIRD LEVEL 26,430 S.F. - FOURTH LEVEL TOTAL SQ. FOOTAGE: 120,498 S.F.
SYMBOL LEGEND
TOTAL OCCUPANTS: BUILDING HEIGHT: 14
1
SIM
BUILDING SECTION
A101
'
NORTH ARROW FIRE CODE:
Room name 66'
101
ROOM TAG
View Name 1 1/8" = 1'-0"
1
A101
1
EXTERIOR ELEVATION MARK EGRESS:
1
UP
1 1
1 3-HOUR FIRE RATED
101
DOOR TAG
1i
WALL TAG
1t
WINDOW TAG
A101
1
INTERIOR ELEVATION MARK
1 A101
MAXIMUM EGRESS DISTANCE: 400FT UNSPRINKLED MAXIMUM EGRESS PROVIDED: 151' 5 5/8" NO DEAD END CORRIDORS
ELEVATOR
Date Drawn by Checked by
19955 12/18/2015 MINSU CHUNG LYRIA BARTLETT Description
Date
REQUIRED MALE: 6 FEMALE: 10 MALE: 3 FEMALE: 3 2
PROVIDED MALE: 6 FEMALE: 16 MALE: 8 FEMALE: 8 4
COVER SHEET
PROVIDED: Y
RAMPS 1:12
CALLOUT HEAD
Project number
RISER HEIGHT: 7" TREAD WIDTH: 11"
PLUMBING FIXTURES: BASED ON A OCCUPANCY PLUMBING (PER SEX) WC 1:125/ 1:65 LAVATORY 1:200 DRINKING FOUNTAIN 1:500
SIM
UNIVERSITY OF MISSOURI
No.
STAIRWAYS:
1
UP
SCALE:1"=40'-0" 151' 5 5/8"MAX TRAVEL DISTANCE
75' 66' AT ROOF PEAK
EXITS PER FLOOR: 4 MINIMUM EGRESS WIDTH: 44" MINIMUM DOOR WIDTH: 36" MINIMUM DOOR CLEARANCE: 32"
Ref
FURNITURE TAG
1t UP
12/16/2015 7:11:46 PM
TRAVEL DISTANCE:
1
0
4 STORIES MAX. ALLOWABLE HEIGHT: PROVIDED HEIGHT:
AUTOMATIC FIRE SUPPRESSION SYSTEM: Y FIRE ALARM SYSTEM: Y COMPARTMENTALIZATION: 3 HOUR FIRE RATED
VIEW TAG
Ref
STRUCTURAL GUIDE LINE
Ref
40'
Ref
32'
2
COLUMBIA ART MUSEUM
11,887
UP
HANDRAILS: 36" GUARDRAILS: 42"
G001
MECHANICAL SPACE: 10660SF/ 10% OF TOTAL SPACE
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F MINSU CHUNG mcwb8@mail.missouri.edu
CURTAIN WALL SYSTEM
6'
4 CMU 5'
CURTAIN WALL SYSTEM
24'
CURTAIN WALL SYSTEM Consultant: Lyria Bartlett Address Address Phone Fax e-mail: bartlettld@mail.missouri.edu
16' METAL RAILING WITH GLASS PANEL
70'
FOURTH 36'
THIRD 24'
SECOND 12'
3
GROUND 0'
A3
East 3/32" = 1'-0"
COLUMBIA ART MUSEUM
CMU
2
UNIVERSITY OF MISSOURI
9'
10'
CURTAIN WALL SYSTEM
CURTAIN WALL SYSTEM Project number
FOURTH 36' 66'
Date Drawn by Checked by
No.
Description
Date
48'
THIRD 24'
1 12/16/2015 9:29:31 PM
19955 12/18/2015 MINSU CHUNG LYRIA BARTLETT
SECOND 12'
GROUND 0' North A1 3/32" = 1'-0"
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B
C
D
E
EXTERIOR ELEVATION
A200
F
62
A
B
C
D 1
E
F
A200 2
A
MINSU CHUNG
2
MCWB8@MAIL.MISSOURI.EDU
A1
67'
3
108'
A1
UP
STAIR S105
B
15'
4
62'
D5
6
26'
3
D2
3
26'
3
CLOSET 112
A1
B1 OFFICE
18'
B2
A1
Consultant: Lyria Bartlett Address Address Phone Fax e-mail: bartlettld@mail.missouri.edu
UP
B2
D6
D5
B2
D2
AUDITORIUM
S104
E101 B2
17'
13'
B2
27'
STAIR
ELEVATOR
113 D6 B2
C
A
C
D5
B2
111
39'
4
B2 B2 D4
25'
22' 12'
WOMEN'S 110 D4
B2
28' D4
A1
B2
B2
B3 MEN'S
49'
WOMEN'S
MEN'S
114
115
B2
A301
D1
A1
11
D2
92'
86'
D9
D
66'
EXTERIOR
STAIR
C
A1
INFORMATION DESK
A1
68'
0° 0.0
D8
S100 A1
B2
108
20'
79'
UP
A1 A400
LOBBY
3
D5
D4
B3
A3 A501
109
B
B1
OPENING
D4
B2
E
28' 11'
B1
B1
125'
D1 A400
D
20'
B2
6'
A1
LOADING DOCK & STORAGE 116
D5
ø 47'
33'
CONTEMPORARY EVENT SPACE
9' D8
D1
107
1
A200
D5 B2
A1
UP
STAIR S103
D5
0'
0°
F
A1 C
B2
D1 MUSEUM SHOP
E
COLUMBIA ART MUSEUM
78'
30'
88'
A1
106
A1
D9
D7
A402
D1
2
'
.0 70
ø 23
56'
C
123'
45'
G
UNIVERSITY OF MISSOURI
B1 B2 ART CLASSROOM
1
48'
SPECIAL EVENTS
1
100 C
A3
F
OPE NIN
D2
A402
7'
30'
G
105
1
41'
B2
1
D7
B2
1
C
' 17 B2
24'
11'
B2
69
B1
° .62 26'
35'
H
B2
D4
D5
B2
D4
RESTAURANT
A1
101
Project number
D5 B2
B1
WOMEN'S
MEN'S
104
103
D4
STAIR
I
20.00°
S101 A1
C
22'
Checked by
No.
B1
D4
KITHCEN 102
D5
STAIR
H
S102
UP
94'
110'
3
12/16/2015 2:06:35 PM
Description
Date
B2
FIRST FLOOR PLAN
C
2
A1
19955 12/18/2015 MINSU CHUNG LYRIA BARTLETT
47'
2
7
Drawn by
50'
D4
A1
1
Date
G
B2
B3
11'
19'
B3
62'
B1
B2
27'
UP
2
B1
16'
GROUND 1/16" = 1'-0"
4
A101
I 5
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F MINSU CHUNG mcwb8@mail.missouri.edu
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Consultant: Lyria Bartlett Address Address Phone Fax e-mail: bartlettld@mail.missouri.edu
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L1
L1
T1
L1 L1
L1
T2
L1
T2
L1
L1
L1
T2
L1
L1
L1
T2
T2
L1
T2
L1
L1
L1
L1 L1
L1
3
T2
L1
L1
T2 T1
L1
L1 L1
L1
T2
T2
T2
T2
T2
T2
T2
T2
T2
T2
T2
T2
T2
T2
T2
T2
T2
L1
Lighting Fixture Schedule
L1
L1
L1 L1
L1
NO.
L1 L1 L1
#
DESCRIPTION
WATTS
NOTES
L1 L1
E1
L1
L1
L1
L1
T2
T2
T2
T2
T2
T2
T2
T2
T2
T2
T2
T2
T2
T2
T2
T2
T2
T2
T2
T2
T2
T2
T2
T2
T2
T2
T2
T2
T2
T2
T2
L1 L1
L1
L3 L3
L3
L3
E1
L3
L3 L3
L1 E1
L3
L3
L3
DD D
L3
L3
L3
L3
L3
L3
L1 L3
L3
L3
L3
L3
L3
L3
E1
13 380 6 29 4 18 6 92 5 10
Universal Exits - Self Powered DOWNLIGHT-RECESSED CAN SPOT LIGHT DOWNLIGHT-RECESSED CAN PENDANT LIGHT Step Pendant PENDANT LIGHT TROFFER LIGHT 2X2 TROFFER LIGHT 2X4 WALL MOUNT
28 W 60 W 28 W 9W 28 W 28 W 40 W 9W
L3
L3
L3
E1 L1 L2 L3 P1 P2 P3 T1 T2 W1
L3
L3
L3
L3
L3
T2
L3
L3
E1
L1
L1
L1
L1
L1
L1
L1
L1
L1 P3
L1
P3
P3
L1
L1
L1
L2: SPOT LIGHT
L1
2
P3
L1
L1
L1
P3
L1 L1
L1
L1
L1
L1
L1
L1
L1
L1
L1
L1 L1
L1
L1
L1 L1
L1
L1
L1 L1
L1
L1 L1
L3
L3
L3
L3
L3
L3
L3
L3
L3
L3
L3
L3
L3
L3
L1
L1 L1
L3
L1 L1
L1
L1
L1
P1: PENDANT LIGHT
L1
L1 L1
UNIVERSITY OF MISSOURI
L1
L1 L1
P1
L3
L3: RECESSED LIGHT
L1
L1
L1
L1 P1
L1
L1
L1
L1
P1
L3
COLUMBIA ART MUSEUM
L1: DOWNLIGHT-RECESSED LIGHT
L1 L1
L1
L1
L1
L1 L1 L1
L1
L1
L1
L1 L3
L3
L3
L3
L3
L3
L3
L3
L3
L3
L3
L3
L1
L1
L3
L1
L1
L1 L1
L1
P2
L1
L1
L1
L1 L1
P3: PENDANT LIGHT
L1 L1
L1
L1
L1
L1 L1
L1
L1
P2
L1
L1
L1
L1
L1
E1 T2
T2
T2
P2
L1
T2
L1
P2
P2
L1
T2
T2
T2
T2
T2
Drawn by
P2 L1
L1
L1 P2
L1
Checked by
P2
L1
T2
P2 L1
T2
L1
T2
No.
P2 L1
T2 T2
T2
L1
T2
T2: TROFFER LIGHT
P2
T2 T2 L1
T2
E1
REFLECTED CEILING PLAN
T2 L1
P2
W1: WALL MOUNT LIGHT
L1
12/16/2015 9:17:09 PM
Description
P2
L1
T2 T2 T2
P2
E1: EMERGENCY LIGHT B1
A
63
19955 12/18/2015 MINSU CHUNG LYRIA BARTLETT
L1
T2 T2 T2
T1: TROFFER LIGHT
P2
L1
T2 T2 T2
1
Date
P2
L1 T2
T2
Project number
P2: PENDANT LIGHT
P2
L1
L1
T2
A120
GROUND(1) 1/16" = 1'-0"
B
C
D
E
F
Date
A
B
C
D
E
F MINSU CHUNG mcwb8@mail.missouri.edu
ROOF
4
Consultant: Lyria Bartlett Address Address Phone Fax e-mail: bartlettld@mail.missouri.edu
LEVEL 3 FLOOR FRAMING SYSTEM
3
LEVEL2 WALL SYSTEM
LEVEL2 FLOOR
COLUMBIA ART MUSEUM 2
UNIVERSITY OF MISSOURI
LEVEL1 STRUCTURE LEVEL1 WALLS/DOORS
Project number Date Drawn by Checked by
No.
LELVEL1 FLOOR
19955 12/18/2015 MINSU CHUNG LYRIA BARTLETT Description
Date
FOUNDATION FOOTINGS
1 12/16/2015 7:35:47 PM
AXONOMETRIC
B1
A901
AXONOMETRIC 1/32"=1'-0"
A
B
C
D
E
F
A
B
C
D
E
F mcwb8@mail.missouri.edu MINSU CHUNG
C3 A301
mcwb8@mail.missouri.edu
PLATE HEIGHT 48'
MASONRY CAP
4
#3 REBAR
LINTEL BLOCK FILLED WITH CONCRETE EXTERIOR SIDE CASTING
FLASHING
GRAVEL
ALUMINUM WINDOW HEAD
HEADER
ROOFING MEMBRANE
DOUBLE PANE INSULATED GLASS
CANT STRIP EXPANSION JOINT
TAPERD RIGID INSULATION I BEAM GIRDER BATT INSULATION
METAL DECKING WITH 2" CONCRETE
Consultant: Lyria Bartlett Address Address Phone Fax e-mail: bartlettld@mail.missouri.edu
THERMAL BREAKS
LIGHT GAUGE STEEL FRAMING
PLATE HEIGHT 48'
GIRDER BEYOND
INSULATION
FOURTH2 33'
ALUMINUM WINDOW SILL CEILING
SILL
3
APRON
E3 A301
C3
ROOF DETAIL 3/4" = 1'-0"
E3
WINDOW DETAIL 3/4" = 1'-0"
THIRD2 21'
COLUMBIA ART MUSEUM CHANNEL
2
ANCHOR BOLT
UNIVERSITY OF MISSOURI
EXPANSION JOINT
SECOND 12'
MASONRY TIES
CARPET FINISH 6" CONCRETE SLAB
C1 A301
GROUND 0'
#3 REBAR
VAPOR BARRIER
FLASHING
6" MIN
AIR SPACE K-Series Bar Joist-Rod Web
WIRE MESH
FOUNDATION Project number
2" SAND
VAPOR BARRIER
4" GRAVEL
Drawn by 4" DRAIN PIPE
12/17/2015 2:37:55 AM
Description
Date
#3 REBAR CMU EXTERIOR
SHEATHING
WALL SECTION
E1 A301
FOOTINGS -3'
A1
No.
19955 12/18/2015 MINSU CHUNG LYRIA BARTLETT
GRAVEL BACK FILL
INTERIOR GYPSUM BOARD
GROUND 0'
Checked by
FOOTINGS -3'
CEILING
1
Date
C1
FLOOR DETAIL 3/4" = 1'-0"
E1
FOUNDATION DETAIL 3/4" = 1'-0"
A301
WALL SECTION 1 : 36
A
B
C
D
E
F
64
65
MINSU CHUNG 303 S BUSEY AVE APT#C23, URBANA, IL 61820 573.777.0140 I minsusc2@illinois.edu https://issuu.com/minsuchung430
EDUCATION Aug 2016 - May 2018
University of Illinois, Urbana-Champaign
+ Master of Architecture + M.S. Civil Engineering: Construction Management Aug 2012 - May 2016
University of Missouri, Columbia
+ B.S. HES, Architectural Studies
EXPERIENCE June 2018 Jan 2017 - May 2017 Jan 2018 - May 2018 Aug 2016 - Dec 2016 Aug 2017 - Aug 2017 Jun 2015 - Jul 2015
Perkins Eastman, Chicago ARCH 272 Design Studio Teaching Assistant + University of Illinois, Urbana -Champaign
ARCH 271 Design Studio Teaching Assistant + University of Illinois, Urbana -Champaign
IROJE Architect & Planner, Seoul, South Korea + Competition/ Building Physical/ Digital Model
VOLUNTEER Mar 2014 Jul 2012
SUSTAIN-A-PALOOZA Columbia City Hall HABITAT, South Korea
AWARDS April 2018
2018 AIA Chicago Design Awards Candidate
Mar 2018
Shortlisted in Thinking Hand Competition 2018
Fall 2017
Graduate Studio Design Excellence Awards 3rd Place
Spring 2014/ Fall 2014/ Spring 2015
College of Human Environment Science(HES) Dean’s Honor List
2013-2014 Academic Year
Linda Wellons Richichi Award in Arhictecutral Studies in the College of HES
INVOLVEMENT Fall 2015 - Spring 2016 Student Member Fall 2013- 2014 Student Member
SKILLS
Phi Upsilon Omicron Honor Society Student Environmental Design Association(SEDA) United States Green Builiding Association(USGBC) University of Missouri - Columbia Revit I Rhino I Adobe Illustrator I Adobe Photoshop I 3d max I Sketchup I Sefaira I Nevisworks I Adobe Indesign I Excel