VA D I M M I S H C H U K A r ch i t e c t u r e Po r t f o l i o
ARCH 100D STUDIO 5
A CONCRETE HOUSE
16
POLI HOUSE ANAYLYSIS
18
POLI HOUSE ADDITION
ARCH 100B STUDIO 22
GOOD FOOD
ARCH 100A STUDIO 30
PORTRERO HILL LIBRARY
38
DOUBLE NEGATIVE
ARCH 150: STRUCTURES 40
VERTICAL LOAD DESIGN
PROFESSIONAL WORK 46
INDEPENDENT WORK
47
RMW INTERNSHIP
48
RESUME
A CONCRETE HOUSE 2437 6TH STREET BERKELEY, CA SPRING 2015
D
w
ig
h
t
C
re
s
c
e
n
t
Sixth Street
The final project in a series that focused on the study of architecture that is read monolithically, mostly through the use of concrete. The house evolved through several layers of complexity that were added as the semester progressed. It started with an analysis of the site which was reflected in the carving of a cube placed in the center. The carving was restricted to certain moves that could be based on any number of interpretations of the site. This house’s geometry derives from the tension of two conflicting city grids found on the site. One is the normal grid aligned to 6th Street and the other is aligned to Dwight Crescent. Later a persona is introduced through the interpretation of two images. The final transformations of the design were made to accommodate this. With the introduction of a potter, the ground floor is given up as a studio/work space and the second floor dedicated to living.
Dwight Way
1/16” = 1’
N
5 A CONCRETE HOUSE
6 A CONCRETE HOUSE
7 A CONCRETE HOUSE
8 A CONCRETE HOUSE
9 A CONCRETE HOUSE
10 A CONCRETE HOUSE
11 A CONCRETE HOUSE
BEDROOM
LIVING/DINING
A CONCRETE HOUSE
KITCHEN
12
FIRST FLOOR
STUDY STORAGE/FIRING POTTERY STUDIO
B
A
A
B
GROUND FLOOR
A-A
13 A CONCRETE HOUSE
B-B
14 A CONCRETE HOUSE
15 A CONCRETE HOUSE
POLI HOUSE ANALYSIS PEZO VON ELLRICHSHAUSEN COLIUMO PENINSULA, CHILE 2005
16
POLI HOUSE ANALYSIS
The studio’s focus was based on concrete homes that are read as solid objects internally divided. The Poli House starts off as an rectangular prism primarily divided at the perimeter and internally by two vertical crossed planes. The 1m wide perimeter holds the home’s service and circulation program, leaving the center to be open. Also the home is perforated by square holes that act as windows. 3 of the 5 perforations continue through the spaces to the other side. The perimeter wall scheme is likened to a medieval castle in which the program is similarly organized.
17 POLI HOUSE ANALYSIS
POLI HOUSE ADDITION COLIUMO PENINSULA, CHILE SPRING 2015
18
POLI HOUSE ADDITION
With the house analysis finished, the next goal was to design an addition that would fit onto the original based on its logic. The addition mostly follows the same rules, but with some exceptions. Since the vertical dividing planes are manifested as interior single walls, they remain singular as they extend to form the exterior walls of the addition, despite the 1m wide perimeter logic. Because the cubic addition is introduced as an overlap with the original, it begins to contend for the overlap space. On the first floor the original remains in possession of this space because the existing stairs pose as an obstacle. On the next floor the space is shared as it serves as a connection to all bedrooms. Finally on the top floor, the addition occupies the overlap space since it dominates the roof deck with its walls.
N
W
19 POLI HOUSE ADDITION
N
E
17'-4 3/4"
6'-6 3/4"
4'-11" 8'-8 1/4"
3'-9 1/4"
3'-9 1/4"
3'-3 1/4"
8'-0 1/2"
6'-6 3/4"
3'-9 1/4"
7'-0 3/4"
31'-11 3/4"
23'-3 1/2"
3'-3 1/4" 6'-6 3/4" 11'-3 3/4" 6'-6 3/4"
31'-11 3/4" 17'-4 3/4"
6'-6 3/4"
3'-9 1/4"
1'-7 3/4"
3'-1 1/2"
7'-0 3/4"
7'-0 3/4"
4'-11"
6'-6 3/4"
3'-9 1/4" 23'-3 1/2" 4'-11"
3'-3 1/4"
49'-4 1/2"
4'-11"
POLI HOUSE ADDITION
3'-9 1/4"
20
49'-4 1/2"
3'-9 1/4"
21 POLI HOUSE ADDITION
GOOD FOOD 1315 MISSION ST. SF, CA SPRING 2014
22
GOOD FOOD
The Good Food building is a conjunction of multiple and varied programs centered around a common set of interests, which could generally be described as food awareness and education, challenging the norms of mass food production, advancing food research, promoting and supporting urban farming and food production, and the more general celebration of good, healthy, and local food. The challenge is to integrate various programs into one center. Programs include: A food hall, an auditorium, twenty commissary kitchens, a gallery, an education center with roof gardens, and a research center with a hydroponics lab and greenhouse.
23 GOOD FOOD
24 GOOD FOOD
25 GOOD FOOD
26 GOOD FOOD
27 GOOD FOOD
B
B
C
A
A
B
C
C
B
A
A
B
N Third Floor
B
A
A
B
C N
Ground Floor
C
Fourth Floor
C
C
A
A
B
C
N
N Fifth Floor
C
28
GOOD FOOD
B
A
A
B
C
Second Floor
Section A
N
29 GOOD FOOD
Section C
PORTRERO HILL LIBRARY 1616 20TH ST. SF, CA FALL 2013
30
PORTRERO HILL LIBRARY
The library is designed with a focus on a cellular-like packing of geometry. The hexagonal polyhedron shape creates spaces with a high volume. Books are placed throughout the spaces utilizing vertical wall space on the perimeter of each given space. The packing of the cells creates a condition for eleven small libraries within one. Each cell, though very similar to the others, has its own atmosphere and programmatic focus.
31 PORTRERO HILL LIBRARY
32 PORTRERO HILL LIBRARY
SITE ANALYSIS
Beginning Hexagonal Polyhedra Tessalation
Geometry Offset to Create Void
Circulation Placed Inside Void
Programmatic Volumes Optimal Arrangement
33
Points Connected By Lines
Hexagonal Polyhedra Tessalated Along Linear Paths
Geometry Form Contained Within Programmatic Boundry
PORTRERO HILL LIBRARY
Center Points Extracted From Volumes
34 PORTRERO HILL LIBRARY
35 PORTRERO HILL LIBRARY
A
B
N
Plan +41’
C
PORTRERO HILL LIBRARY
D
N
36
Plan +28’
Plan +3’
N
N
Plan +18’
Plan -7’
D
N
B
37 PORTRERO HILL LIBRARY
A
DOUBLE NEGATIVE FALL 2013
38
DOUBLE NEGATIVE
A negative plus a negative equals a positive. The double negative project is an exploration of solid and void. The goal is to create a condition where two negative spaces come together to create a positive space. The exact interpretation of a negative and positive space is left to the student which must be clearly expressed in the design. With the given dimensions of a 4”x8”x16” box, an interior approach was chosen, with an ordinary exterior that houses an unordinary condition.
39 DOUBLE NEGATIVE
STRUCTURES: VERTICAL LOADING FALL 2014
40
STRUCTURES: VERTICAL LOADING
The goal of the lab was to design an aquatics center with a structure that would accommodate a swimming pool above it. The scaled weight equivalent of the water was 50 lbs. The design of the structure began with less load beam applied to the arches, so instead the weight was distributed through columns. So, the direct column connection was removed to allow the load to transfer through the arches to the column. This created a more interesting structure that had more complex load transfer mechanism.
41 STRUCTURES: VERTICAL LOADING
Design Ideas
42
STRUCTURES: VERTICAL LOADING
Joinery
SAP2000 Structural Analysis
10/25/14 22:51:16
43 STRUCTURES: VERTICAL LOADING
STRUCTURES: VERTICAL LOADING
44 Results: Our structure successfully held targeted goal of 50 pounds of water. Additional Weight Of 130 pounds was substituted. The structural members finally gave out with the weight of 2 people at +/- 360 pounds. The total structure weight was 2.8 pounds.
Arch break in half
Column break
45 STRUCTURES: VERTICAL LOADING
Rafters break in half
Beam break Conclusion The structure was successful in the way that the joinery was not compromised but instead the weakness of the actual members led to its collapse. The first members to fail were the rafters at one end of the structure, followed by the long beam, then the arches, and finally the columns. According to the analysis, the cross beam will snap first, but in the actual test, the rafters at the opposite end are the first member to fail. This is because the plywood edge that was holding the weight was concentrated over the center of the rafters, which resulted to the failure.
Arch break
WORK SAMPLES INDEPENDENT WORK (AUTOCAD)
LOGGIA
NOOK
MASTER BEDROOM
DW
GREAT ROOM
KITCHEN
RF
OVEN
HALL
MASTER BATH
WALK-IN PANTRY
ENTRY
BATH 2 WC
POWDER ROOM
BEDROOM 2
5060 XO
WASHER
DRYER
DINING ROOM
LAUNDRY WH
COURTYARD
HALL
GARAGE
BEDROOM 4 WC
PORTICO
LIVING
2040 SH
BATH 4
BATH 3
WC
5060 XO
2040 SH
BEDROOM 3
8080 ROLL UP GARAGE DOOR
2680
16080 ROLL UP GARAGE DOOR
BONUS ROOM
COVERED ENTRY
LOGGIA
PROFESSIONAL WORK
46
168'-0"
WEST ELEVATIONS
119'-11"
108'-0"
120'-0"
218'-11"
12
180'-0"
4
ZANKO DESIGN
10 6X6 ACCESS DOOR 3" EXPERIMENTAL ACCESS (PHYSICS) CONDUIT
RMW INTERNSHIP (REVIT) SUMMER 2014
3/4" LEAD 5/8" GYP. BOARD
ALIGN
.
G
.
6' DOOR ASSEMBLY BY MANUFACTERER
1' - 11 3/4"
4" EXTERIOR EXPANSION JOINT
1" CLEARANCE BETWEEN KEEPER ANGLE AND DOOR
KEEPER ANGLE BY DOOR MANUFACTERER
3 3/4"
2" POLYETHYLENE
1" CLEARANCE BETWEEN WALL AND DOOR
2" THICK POLYETHYLENE, TYP. 2" THICK LEAD, TYP. HAT CHANNEL 7/8"
5 A5.1.1
1" LEAD LAYER 1 1/2"
4' - 0" FINISH OPENING
1 1/2"
4' - 3" CONCRETE OPENING
CONCRETE VAULT 2 1/2" STL. STUD CORNER BEAD, TYP.
5' - 3" DISTANCE OF TRAVEL
7 1/2"
1' - 0"
12' - 6"
CONCRETE SLAB
GYP. BOARD TYP REVEAL
+10'-6" A.F.F. BOTTOM OF SLAB
CONCEAL HINGE INSET 1/2" MDF DOOR, PAINT TO MATCH ADJACENT WALL
HANGER WIRE MAIN OR CROSS RUNNER
MIN SQUARE CUT IN DOOR TO ALLOW LASER BEAM TO PASS
+9'-7" A.F.F. MECHANICAL DUCTWORK S.M.D. 5/8" GYP. BD.
ISOCENTER COORDINATE WITH LASER VENDOR AND CUT OUT IN FIELD
5 - 1/2"x8"x1/8" ANGLE 4' O.C.
GAMMEX LASER
CROSS RUNNER 4' O.C.
ELECTRICAL SUPPLY, SED
47
+8'-0" A.F.F.
CONT. DOOR STOP
PROFESSIONAL WORK
UPLIGHT FIXTURE, S.E.D. SCHEDULE REFERENCE 1'-6" OR 2'-4"
G
16 A9.5
13 A9.5
H
1 A5.1.2 CL OF ISOCENTER
PROVIDE FRAMED OPENING IN ACOUSTIC TILE TO ACCOMODATE LASER PROJECTION. REFER TO DETAIL 19/A9.5 FASCIA SUPPLIED AND FITTED BY CONTRACTOR
CABLE SUPPORT PILLAR
9 1/4"
5' - 4 1/4"
4' - 0 13/16"
CL OF ISOCENTER
GANTRY BASE ISOCENTER
2' - 8 11/16" 2' - 3 9/16"
VADIM MISHCHUK 2540 Regent St. Unit 1- Berkeley, CA 94704 916.494.8320 - mishchuck@gmail.com
EDUCATION
RELEVANT EXPERIENCE
UNIVERSITY OF CALIFORNIA, BERKELEY
RMW ARCHITECTURE AND INTERIORS - INTERN
BACHELOR OF ARTS IN ARCHITECTURE
JUNE 2014 - AUGUST 2014
AUGUST 2013 - MAY 2015
SAN FRANCISCO, CA
Architectural Design I, II, III, IV (Junior/Senior Studios)
Completed drawings in the design development phase
theory, research, building design
Assisted with construction documents
Introduction to Structures - Projects based on forces,
Worked on various architectural drawings
structure in design, and materiality
Conducted office-wide staff meetings
Energy and the Environment - Theory and projects based on building performance
INDEPENDENT WORK - DRAFTER
Introduction to Construction - Projects on materials,
JANUARY 2015 - PRESENT
structure, construction processes
Coordinated with designer in design decisions Produced architectural drawings for documentation
SKILLS PROFICIENT IN VARIOUS DESIGN SOFTWARES
AIAS BERKELEY - VICE PRESIDENT
Rhinoceros, Revit, SketchUp, AutoCAD
JUNE 2014 - MAY 2015
V-Ray Render, Grasshopper Plug-In
Organized professional and social events
Illustrator, Photoshop, InDesign
Responsible for external relations and coordinations
Microsoft Office Suite, Pages, Keynote
Provided assistance and support to chapter president
Able to learn new software quickly and easily STAGE NINE EXHIBIT DESIGN - BUILDER MODEL MAKING
MAY 2012 - AUGUST 2013
Materials : Museum board, Acrylic, Wood, Plaster,
SACRAMENTO, CA
Rockite, Resin
Designed and built fair exhibition property and display cases
Methods : Hand cut, Laser cutter, Wood shop, Casting,
Managed small projects within the whole
3D Printing
Used methods and skills in woodworking and metalworking Exhibits travel across North America to various state and
CUSTOMER SERVICE
county fairs
Meeting the needs of customers Representing the business in a positive manner
SOLID CONSTRUCTION - ELECTRICIAN ASSISTANT
Engaging customers with respect and dignity
APRIL 2011 - MAY 2013
Work experience in various service industries
SACRAMENTO, CA Made rough/finish preparations and installations
LANGUAGES
Extensive time spent on construction sites
Fluent in English, Ukrainian and Russian
Familiar with various construction processes