DAVID JAMESON TEAHOUSE REPRESENTATION II M.HEYNEN a1669500
CONTENTS THE WINDOW PERSIA JAPAN
1 2
DAVID JAMESON TEAHOUSE 3D SKETCH MODELLING
3-4
DESIGN INTERVENTION 3D SKETCH MODELLING
14-15
PLANS LOCATION FLOOR PLANS
16 17
PLANS
5
SECTIONS
18
SECTIONS
6
ELEVATIONS
19
ELEVATIONS
7
ISOMETRIC EXPLOSION
20
ISOMETRIC EXPLOSION
8
DETAILS
DETAILS DESIGN INTERVENTION CONCEPTS
9-10 11-13
21-22
REPRESENTATION II - PORTFOLIO PERSIAN WINDOW M.HEYNEN - a1669500
p.1
A jali or jaali is the term for a perforated stone or latticed screen, typically with an ornamental pattern constructed through the use of calligraphy and geometry. this for of architectural decoration is most commonly found in Indian architecture, Indo-Islamic architecture and Islamic architecture. Jali/jaali translates to “net� which is suitable visual translation of the screen. Early jali work was built by carving into stone generally in geometric patterns. Later methods include that of the Mughals who used very finely carved plant-based designs. They also often added inlay to the surrounds, using marble and semi-precious stones for structural purposes, but more so for ornamentation. The effect these screens have on the interior space of a building was the soul purpose of their design. The screens manipulate sunlight, casting stunning displays on the interior surfaces. In terms of seeing from the interior out, the jali/jaali blurs light which futhermore proves the significance of internal light manipulation and ornament.
REPRESENTATION II - PORTFOLIO JAPANESE WINDOW M.HEYNEN - a1669500
p.2
In traditional Japanese architecture, shoji translates to “interceptor�. Early in its invention, the shoji was used as partion or nib walls with the use evolving to the use as a door. window or room divide . Construction consists of translucent paper over a frame of timber which is held together by lattice of timber, usually bamboo. Washi paper is traditional paper however, modern manufacturers sometimes use plastics. SHoji doors are design to slide open which conserves space that is consumed by a hinged dor. The Japanese appreciation of shadow is unique. They celebrate the influence shadows have on spaces unlike most Western cultures that would be more than happy to illuminate any darkness. The shoji filters light so corners and corridors are kept rather dull yet comfortable and is the perfect form to create private areas while retaining an airy environment which otherwise might be stuffy or damp through the implementation of more solid doors or windows.
3D SKETCH MODELLING REPRESENTATION II - PORTFOLIO M.HEYNEN - a1669500
p.3
Located in the backyard of an American home, this Japanese inspired teahouse designed by David Jameson transports the occupant from leafy suburbia backyard to a tranquil space. Constructed of bronze and glass, the structure is designed to imitate the form of a Japanese lantern. The space functions as a teahouse, meditation space, and stage for the family's musical recitals with the front facing floor to ceiling double doors.
SOUTH ELEVATION
SOUTH EAST PERSPECTIVE
NORTH ELEVATION
3D SKETCH MODELLING REPRESENTATION II - PORTFOLIO M.HEYNEN - a1669500
p.4
NORTH NORTH EAST PERSPECTIVE
NORTH EAST PERSPECTIVE
PLANS
REPRESENTATION II - PORTFOLIO M.HEYNEN - a1669500
p.5
A
B
B
PLAN
N
1:100 A
SITE PLAN
1:100
SECTIONS REPRESENTATION II - PORTFOLIO M.HEYNEN - a1669500
p.6
detail 1
SECTION A 1:100
detail 3
detail 2
detail 4
SECTION B 1:100
REPRESENTATION II - PORTFOLIO ELEVATIONS M.HEYNEN - a1669500
NORTH 1:100
EAST 1:100
SOUTH 1:100
WEST 1:100
p.7
REPRESENTATION II - PORTFOLIO EXPLOSION M.HEYNEN - a1669500
NORTH EAST ISOMETRIC EXPLOSION
p.8
DETAILS
REPRESENTATION II - PORTFOLIO M.HEYNEN - a1669500
Detail 1 - Isometric Explosion Steel Assembly
p.9
DETAILS
REPRESENTATION II - PORTFOLIO M.HEYNEN - a1669500
DETAIL 2 - Steel Connection 1:25
DETAIL 3 - Steel Corner 1:25
DETAIL 4 - WINDOW 1:25
p.10
DESIGN CONCEPT 1 REPRESENTATION II - PORTFOLIO M.HEYNEN - a1669500
EAST ELEVATION
p.11
SOUTH ELEVATION
SECTION
FIRST FLOOR
GROUND FLOOR SECTION
SOUTH EAST AERIAL PERSPECTIVE
DESIGN CONCEPT 2 REPRESENTATION II - PORTFOLIO M.HEYNEN - a1669500
p.12
DESIGN CONCEPT 3 REPRESENTATION II - PORTFOLIO M.HEYNEN - a1669500
p.13
3D MODELLING REPRESENTATION II - PORTFOLIO M.HEYNEN - a1669500
p.14
GREAT WALL OF CHINA JINSHANLING ‘CLOUD SEA’ I have decided to further develop David Jameson’s teahouse, exploring the notion of ‘light and heavy’ as an expansion on Jun'ichirō Tanizaki’s notion of ‘light and dark’. I have also expanded on Jameson’s design intention for his teahouse to look like a lantern. To further express the notion of light and heavy, I am using minimalism as the style, eliminateliminat ing steel beams and excess window frames. The windows now also sit flush with the concrete slabs rather than inwards from the slab edges as in Jameson’s design. The heavy component of the design will be the Great Wall of China itself.
EAST SOUTH EAST PERSPECTIVE
To expand on the lantern design intention I have chosen to express verticality through making the building square rather than rectangular and doubling its height. The central pillar, which serves the purpose of supporting floating steel stairs, also visually adds to the building’s verticality.
3D MODELLING REPRESENTATION II - PORTFOLIO M.HEYNEN - a1669500
SOUTH EAST PERSPECTIVE
SOUTH SOUTH EAST PERSPECTIVE
p.15
SOUTH SOUTH WEST PERSPECTIVE
EAST SOUTH EAST PERSPECTIVE
NORTH NORTH EAST PERSPECTIVE
LOCATION REPRESENTATION II - PORTFOLIO M.HEYNEN - a1669500
CHINA The Great Wall of China, Jinshanling Pass
Beijing
Location: 130 km northeast of Beijing. Length: 5.1km Watch towers: 31 (spaced every 150m or so) 5-8m tall. Built: During the Ming Dynasty (1368–1644). Restoration: Half restored and half rundown. Best times: spring and autumn green mountain scenery and comfortable weather. N
SITE PLAN
N
1:1000
p.16
PLANS
REPRESENTATION II - PORTFOLIO M.HEYNEN - a1669500
p.17
A
B
B
A GROUND FLOOR
N
1:100
A
B
B
A FIRST FLOOR
N
1:100
SECTIONS REPRESENTATION II - PORTFOLIO M.HEYNEN - a1669500
p.18 detail 2
detail 1
SECTION A 1:100
detail 4 detail 3
SECTION B 1:100
ELEVATIONS REPRESENTATION II - PORTFOLIO M.HEYNEN - a1669500
p.19
NORTH 1:200
EAST 1:200
SOUTH 1:200
WEST 1:200
REPRESENTATION II - PORTFOLIO EXPLOSION M.HEYNEN - a1669500
NORTH EAST ISOMETRIC EXPLOSION
p.20
DETAILS
REPRESENTATION II - PORTFOLIO M.HEYNEN - a1669500
Detail 1 - Isometric Explosion Floating Steel Stairs and Concrete Pillar
p.21
DETAILS
REPRESENTATION II - PORTFOLIO M.HEYNEN - a1669500
Detail 2 - Window and Ceiling
p.22
1:25
Detail 4 - First Floor and Windows 1:25
Detail 3 - Floating Steel Stairs and Concret Pillar 1:25