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EMILY MING ORLANDO HARPER 160275193

ARC3001 ARCHITECTURE ACADEMIC PORTFOLIO 2019-2020

ILLUSTRATED REFLECTIVE REPORT

Emily Ming Orlando Harper Newcastle University School of Architecture and Urban Planning Architecture BA K100 Studio: Ghost in the Machine Tutors: Cara Lund and Matthew Margetts

To solve the climate crisis, we need to develop not only long term sustainable and regenerative but also inspirational solutions to critical urban issues that can be readily understood, appreciated and assimilated by locals, end user groups and residents. How can we de-couple growth from emissions and both look at and also use waste as a source and resource, and then design and build sustainable buildings without having to compromise on design inspiration, quality or price? The building sector is one of the largest consumers of raw materials and energy. Consequently, holistic sustainability must now be considered when constructing and developing buildings. This is fundamental and particularly important to this project which focuses around minimising and re-using waste products. 2

Starting the year by investigating interfaces and infrastructures, systems and systemic design helped me to ground and widen my interest in waste, it’s negative standing in society and also understand why we ‘waste’ our resources, where it goes and what impact it has long term. Waste is a pejorative word. My project tries to change this by celebrating the ‘theatre’ of waste. Food waste that can be used in anaerobic digestors that provide the electricity and energy for the site and by not seeing derelict spaces as waste but rather as re-adaptable and re-usable and frameworks able to be repurposed. My tutors helped me to question how waste is viewed, at all scales; from table to factory. The Exchange challenges the current perception of waste and sets out to explore the potential for changing the waste system, not only in food waste but in retail, architecture and design and in levels of global consumption. Ultimately, it is envisaged that The Exchange will be a model for the circular economy showing the people of Coventry how the reuse and re-development of the existing fabric of the site and surrounding area coupled with a circular production of food and use of waste products on site can help drive a new and sustainable understanding of city wide building development and construction. The masterplan is driven by the needs of locals and looks to the future. In this respect the masterplan is conceived as the ‘community architecture’ of the 21st Century. I have researched the work of the Japanese Metabolists, particularly that of Kenzo Tange, Fumiko Maki and Kazuo Shinohara. In Shinohara’s work I was interested in the use of insitu concrete in juxtaposition with finer materials such as plaster, metal sheeting and glass. The modular, unit-like and transient nature of much of modern Japanese architecture and its consequent relationship with the materials and the creation of space has been a key factor in the development of my scheme.

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FUTURE

The design of The Exchange proposes a level of environmental and sustainable design that makes the whole site a self-sufficient unit in terms of food and aims to achieve and resource a minimum of 50% of its energy requirements ‘on-site’. In addition to this the masterplan will quadruple the amount of multi-use green space available for public use creating a localized carbon sink and sustainably reducing the carbon footprint of the development.

BACKGROUND PRESENT

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The approach of designing an urban space centred on the importance of relationships derived from a circular economy also led me to investigate my site by finding pieces of information in the immediate environment and placing them together, thereby establishing deeper connections and relationships other than those that are explicitly purely visual or literal (that is somewhat superficial and transitory). Challenging the Miesian idea of ‘wiping the slate clean’ I have looked at how I can develop my design utilising the fragments of the historic city and recognised pedestrian routes, connections and infrastructure that currently bind the urban fabric together. This idea of place and memory is a key factor in The Exchange that stiches the existing to the new by retaining the recognisable principal urban massing and layout of the area with new buildings that reuse the material from the previous buildings onsite. These buildings can, in due course, be ‘de-constructed’ and new buildings with new uses adopted under the same circular economy principles but retaining the ‘memory fragments’ that allow people to identify with the area over time. This framework allows that vitally important visual and embedded personal connection from generation to generation of place, which, over time, establishes the recognisable character of urban centres Technology and construction are imperative as a factor for change, but this must be in tandem with an understanding of how repurposing and recycling materials and the utilisation of space changes the environmental operation of a building. When developing the proposals for my site the idea of both construction and deconstruction was considered. ‘The Exchange’ has been designed so that it is adaptable, therefore if the purpose of the site were to change, the building could change, be remodelled and re-used along with it. The technology report influenced and honed my design and allowed me to further develop the idea that people within complex and restaurant see a circular economy not only on their plate, but in the operation and functioning of the building around them.

CONTENT

116

128

150

156

ILLUSTRATED REFLECTIVE REPORT

CHARRETTE

PROJECT PRIMER

PROJECT STAGING

PROJECT REALISATION AND SYNTHESIS

FOLD OUT IMAGES

APPENDIX

BIBLIOGRAPHY/ REFERENCES

ILLUSTRATED CULTURAL BIBLIOGRAPHY

(INCLUDING FIELD TRIP CASE STUDY REPORT)

CHARRETTE

Studio 15- ‘What Lies Behind’

A ROYAL MESS- From rags to riches

... ... .

From rubbish bin to runway

The studio has been looking into the ‘era of hyper-consumption’ and how this is changing ‘the face and fabric of our High Streets.’ The fashion industry is one of the world’s highest pollutants. Reworking and reimagining the production, manufacturing and distribution process is therefore imperative to continue sustainably.

Our project was centred around Newcastle city centreâ&#x20AC;&#x2122;s high street. Global high street chains populate this area and to localise our interests we focused on Newcastleâ&#x20AC;&#x2122;s bespoke tailors and their offcuts destined for the rubbish pile. Alongside the main shopping street (Northumberland Street) we located six tailors and collected three bags of offcuts.

From here we went fishing in skips and started to accrue materials and assemble our garment. We played around with the satirical and ironic nature of making monarchical dress out of rubbish. With the idea of creating a garment fit for a King. We exaggerated the recognisable elements; the robe is made up of strips of offcut material and a large

reel of netting found in a skip tied around moulded chicken wire. The ruff is also strung from netting and the crown is made up of bunting, filled with balloons that were in a rubbish bin.

Designers are beginning to take up the challenge to promote sustainable and repurposed fashion and the high street must also start to accept responsibility for nurturing and fostering understanding in this area. Although our runway creation will not be hitting the high street soon, it has helped further our understanding to reduce and alleviate pollution and waste from the fashion industry.

INITIAL STUDIES EXISTING

PROPOSED

CONSTRUCTION WASTE

FOOD WASTE

RE-PURPOSED/ RE-USED

FOOD WASTEFERTILISER

COMMUNITY ALLOTMENT

POLLUTION

COVENTRY

LANDSCAPED ‘SKY-WALK’

VERTICAL FARMING HYDROPONICS

JUXTAPOSITION OLD + NEW

‘Programmatic layering upon vacant terrain to encourage dynamic co-existence of activities and to generate, through their interface, unprecedented events.’1 In the Primer we explored areas of Coventry and a novel by JG Ballard and looked at the implicit effects and parallels in both to our wider society. In particular we looked at methods and theories of mapping. Mapping is not restricted to preliminary site surveys or data collection but rather extends generatively into the formation of the whole design itself. In the Primer we sought to understand and adopt new mapping and recording techniques as relevant aspects of the development of the theories on which the master plan should develop and be based. These included studies of the techniques of the tangible and intangible aspects of recording and mapping through assemblage and mapping through notation. The identification of ‘protagonists’ or end-users has embedded a social narrative into the development of the design and, through the more crucial elements of the characters involved, magnified the need for change and the introduction of systemic design into the area. Through this line of thought it is intended that, through this line of thought, the adding and overlaying of further mapping and collage which has been altered by the systems underpinning and implemented in the proposals, this line of thought can be carried beyond the end point of this project well into the future. Key to my own personal understanding of the re-use and recycling process has been my experiments with recycling material, including concrete and aggregates and reforming these in panels and insitu structures incorporating glass and re-used material set into the concrete. 1

James Corner. (1999). The Agency of Mapping: Speculation, Critique and Invention. London: Reaktion Books, p.235.

STUDIO THEMES TANGIBLE

Real and able to be shown or touched

INTANGIBLE

Something that exists but that cannot be touched, exactly described, or given an exact value

INTERFACE

J.G. Ballard Reading Kingdom Come Chapter Six ‘Going Home’

The task was to map the tangible and intangible elements of a character within a chosen chapter. Focusing on Sergeant Falconer, the protagonist within chapter six, yet a subliminal character throughout the novel I responded to the way she was interacting and reacting with the system and infrastructure. The quote ‘unsettled the ramshackle construction that she had built around herself in Brooklands, a card castle of compromises and half-truths that threatened to collapse on to her’ is illustrated in the collage, showing the complexity and duplicity the character faces. I selected metaphors from the passage and translated them into a hierarchy in the image.

CHANGE

A systemic problem or change is a basic one, experienced by the whole of an organization or a country and not just particular parts of it

To exchange one thing for another thing, especially of a similar type

TIME

INFRASTRUCTURE

The part of existence that is measured in minutes, days, years, etc., or this process considered as a whole

CHANGE

The basic systems and services, such as transport and power supplies, that a country

INTERFACE

A connection between two pieces of electronic equipment, or between a person and a computer A situation, way, or place where two things come together and affect each other

To exchange one thing for another thing, especially of a similar type

A connection between twovvpieces of electronic equipment, or between a person and a computer a situation, way, or place where two things come together and affect each other

NETWORK

ANIMATE

UNPLANNED

A large system consisting of many similar parts that are connected together to allow movement or communication between or along the parts, or between the parts and a control centre

INTERACTION

An occasion when two or more people or things communicate with or react to each other

IMMERSIVE

Seeming to surround the audience, player, etc. so that they feel completely involved in something

INFRASTRUCTURE

The basic systems and services, such as transport and power supplies, that a country or organization uses in order to work effectively

SYSTEMATIC

A systemic drug, disease, or poison reaches and has an effect on the whole of a body or a plant and not just one part of it. 16

FORMAL

To make someone seem more happy or active

SCALE

Not planned or expected

DISRUPT

A graduated range of values forming a standard system for measuring or grading something

To prevent something, especially a system, process, or event, from continuing as usual or as expected

STATIC

ENGAGE

Staying in one place without moving, or not changing for a long time

To become involved, or have contact, with someone or something

DYNAMIC

DIAGRAM

Having a lot of ideas and enthusiasm

KINETIC ART

Involving or producing movement

A drawing that explains how a system, machine, process, plan, etc., operates or is organized

BODY CENTRIC

Having the stated thing as your main interest

COMPOSITE MAPPING Education

Consumerism

Politics

2018

Money Government

Drug abuse

Relationships

Markers highlight the institutions of clinical psychologists and drop-in centres, specialised in the diagnosis and management of mental health conditions. Most of these centres are placed in and around residential areas.

Green spaces are a well-known remedy of some common mental health issues. Without undermining the severity and intangible nature of this issue, having access to green spaces can aid the reduction of health inequality, improve well-being, and contribute towards the treatment of mental illness.

The words illustrate some parts of the city that have the potential to contribute to mental instability and the institutions in which they encompass.

Key

CLASS

The diagram is analysed based the wealth level of different occupation.

POLLUTION

MENTAL HEALTH

PHYSICAL HEALTH

COMMUNICATION

100

125

CLASS

PHYSICAL HEALTH

COMMUNITY/POLITICAL

ENTRY UNIVERSITY S COV TU

O P

ON TI LA

DY MATERIAL OR RE

SO UR CE S

L AREA. MOS MERCIA T OF COM TH EE CO N

S TU

SA ES IN

DAYTIME ECO NO M YA CT I

US .B

ING

ER DAY ( TIC KET

|B AN

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P ITS

VIS

0 169 :3

MAR KET S

MALL /

DE NT P

AVE AR AG E

S IE IT

As a studio we highlighted the systems at play in Coventry and focused on how they are manifested in the physical and hidden connections. We were encouraged to represent some form of movement or change, so that the viewer would not see the system as static, but rather as an interchangeable force. The composite map is a collective of the studio’s system maps, located around the four sites which sit within Coventry’s ring road. The mapping exercises and discussions helped us to identify the troubled systems and areas which we were asked to develope and resolve.

OM Y

HIS NT RI CU OC ES TI VI TI

AREA.

DAYTIME ECONOMY

The map presents the economy activities during the daytime. 0

FOOD 18

GROUP WORK

EDUCATION

100

125

DAYTIME ECONOMY

GROUP WORK

MANUFACTURE

NATURE

POP-UP MODEL

-MOVEMENT-

J.G. Ballard Reading High Rise Chapter Four ‘Up’ -STATIC-

.Class .Pollution

Coventry was a hub for manufacturing and is located in the centre of the midlands automotive and aerospace cluster. Over hundreds of years it has different industries of manufacture; including textile (especially silk), watchmaking and then the motor industry. These have been mapped onto Coventry within the ring road. However, there were many more factories outside the ring road. Therefore, the movement map indicates this with the shading highlighting the external clusters.

Within the ring road there are very few green spaces. The map shows that the majority of green arenas are within close proximity to the university sites. The hedges, trees and evergreens on this site have been mapped. In the movement map the orange lines indicate the trees that will shed their leaves. The clusters indicate where there is the greenest space.

.Health .Education

.Manufacture .Weather

Filtering chapter four for the repetitive and main themes and systems that we discussed in the studio. The above words are a selection that represent the character Helen interacts with, from her perspective. The implications of these systems create a divide, physically and metaphorically, within the tower block the novel is set around and envision. ‘[T]he immense weight of concrete stacked above them’ as the poverty line. The popup interactive model represents the disparity of wealth, the ostentatious and vulgar to the restricted apartment below. The images and words that emanate this disappear when the pop-up book is closed, and you can no longer view the dislocation, such as viewing the tower block from the outside.

T H E C I R C U L A R N AT U R E O F L I F E

This immersive interface model is a moment of exchange between the viewer and the system of waste, and its relation to the circular economy. The crass personification of a toilet and loo roll engages the viewer with idea of disposal and everyday systems of waste. On the loo roll is the journey of a plastic bottle and a china mug. These ‘stories’ manifest the greater issues of plastic’s impact on the environment, and the continuous trajectory of upcycling and mending broken items rather than sending them to landfill and purchasing more.

Drawings and photographs demonstrating the assemblage and development of waste, highlighting the visibility and interaction with the public.

EXHIBITION

The loo roll is pulled down and around by the individual sat on the toilet, as though they are reading the newspaper. The frame is Perspex so that the audience can engage with the â&#x20AC;&#x2DC;hidden systemâ&#x20AC;&#x2122; and view and re-imagined waste and its disposal.

GROUP WORK

STUDIO MANIFESTO

From all points of analysis, we must consider the counterargument, that resistance to systems should be considered as much as the function of the system itself. And, through mapping interactions with the system we are able to layer multi viewpoints building up a narrative. Public realms from the basis of our study, all our systems interact (whether tangible or intangible) with individuals. The main public arenas are the most accessible parts of the city, and therefore the most important. Through analysing J. G. Ballard’s novels, we were able to find tropes in who owns and runs the systems. Through this hierarchy we discussed how all facets and dimensions of an issue should be considered. From the primer exercise we talked through the importance of looking at each system from the point of engagement and then moving to the wider system, from individual to city scale. Through this we can also begin to see how the systems overlap with one another. By considering these multiple scales we can begin to establish a narrative which encourages more focused explorations. The studio also considered the weaknesses of the site and areas we must focus on further. We concluded that; Coventry is not a ‘typical’ city, either spatially, socio-economically or historically. That we were to focus within the area of the ring road a geographical limitation of the city centre. That as an individual we do not know how it ‘feels’ to be there, and that since we are not locals we are approaching urban analysis in a scientific and data-based perspective. With this in mind we agreed that we need to be conscious of our own preconceptions when we visit, and not only be aware of the individuals take, but also of the collective view. Finally, we agreed that moving to our next form of analysis we may have to deal with issues of teamwork and communication.

GROUP WORK

S T A G I N G

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1904 1930s 1939

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Over the course of Primer our studio was able to develop and eventually declare the motives and views of the group. Through our analysis we were able to establish that information is useless unless compared/ being given in context. And, that multiple system interacts with one another. In terms of developing on from our chosen themes we must consider that design should be thought through at all scales and at all stages of development we use modelling as a process. By choosing a system we choose to investigate through a specific lens, and explore the place through unemotional, intangible methods. Through many processes, such as mapping, model-making, character analysis we can explore intangible and hidden aspects of the system. In developing our primer exhibition, we agreed that we should; employ abstract, perhaps uncomfortable techniques, develop dynamic, interactive and engaging models and create an experience (stimulating various senses i.e. touch, sight) for a user, filling the user’s periphery. As a result of the primer exhibition it was acknowledged that the information presented at a 1:1 scale was the most effective and engaging.

1890

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1940

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1945

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1970s

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1977

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2019

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2019

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2017

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2030 Waste free

Taking what we developed in the Primer, we then started to translate this into individual design proDECEMBER jects through the introduction of specific sites, mapping studies, materiality and understanding the %;gn]fljq [alar]fk Y\na[] oafk context and relationship of the proposals to end-users and protagonists hj]kla_agmk fYlagfYd YoYj\ ^gj FmeZ]j g^ ^gje]j dYf\^add kal]k lY[cdaf_ ^gg\ hgn]jlq af OYjoa[ck`aj] egj] l`Yf loa[] Staging was important in developing my understanding of the history of the area and site and fur fYlagfYd Yn]jY_]& thering the detail of my line of enquiry. The professional practice report encouraged me to re-consider who would be involved in the process to get the proposals for The Exchange from drawing board to physical reality. Not just involving a design team but the need for including a city-wide framework involving the communities and city MOAT council. HOUSEThis factor helped in developing my understanding of the architect’s role and responsibility in the TRUST design and the community’s role in develCOMMUNITY oping an interface and use partnership. Kmee]j `gda\Yq [Yehk ^]]\af_ ca\k The site visit helped our analysis of the role of various factors for change, local opinion and head O] [Yf hjg\m[] af dYj_] lines which ultimately helped our understanding of the protagonists and for whom the site was ultiimYflala]k Yf\ Yl Y klYZd] mately intended to benefit. Theory into Practice helped the development of my design though the jYl] Ydd q]Yj jgmf\$ exercise of mapping and layering of observations and analysis. oal`gml Z]af_ Y^^][l]\ Zq FOODBANK NETWORK Studying Koolhaas’ ‘layering strategies’ diagrams I noted that ‘layers are not mappings of an exl]eh]jYlmj] [`Yf_]k FOUNDED isting site or context, but of the complexity of the intended programme for the site… when these separate layers are overlaid together, a stratified amalgam of relationships amongst parts appears.’ We use these ‘stratified amalgams’ on the site to under¬stand the sequential layering and circulaOYkl] kljYl]_q ^gj =f_dYf\ Yf\ OYd]k hmZdak`]\ tion patterns that evolve as a result of our intervention by drawing, filtering and refining ideas, we contemplated the results of these studies on the development of the design.

2016

2025

2006

2004

2000

FIELD TRIP

Coventry --> Turin --> Milan

Coventry

Turin

In Coventry we investigated the themes we had discussed in the studio that were at play in the city centre. It was interesting to note the focus of the city around the universities, with large areas of student accommodation already built, currently under construction and with plans to build more.

Milan

A source of focus and interest to our studio was Coventry’s ‘double’ cathedral with the bombed original set side by side with Basil Spence’s new. This unification celebrating the old and coupling with the new was important to our discussion of reusing and repurposing existing and new buildings. Looking at entry points to the site, juxtaposition of old and new materials, composition of space and elements.

FIELD TRIP - TURIN

In Turin we also visited repurposed and regenerated buildings. The original Fiat factory and testing track is now being used as a shopping centre. We were also introduced to the ‘Auditorium La Serra’ in Ivrea that has been home to a hotel, a cinema and now a gym. This site visit was interesting as we saw how the space has been adapted over time and the influence of Japanese metabolism on theories of inhabitation and space.

Similar to Coventry’s history Turin was a huge manufacturer of cars. Visiting the car exhibition showroom which has become derelict and used by squatters was important in seeing how easily a beautifully crafted structure with many previous occupants and purposes had become ‘wasted space’ and unused.

FIELD TRIP - MILAN

In Milan the studio visited the Prada Foundation. Again, this was another example of reworking and repurposing space, originally a distillery in the 1910s it has been adapted by Rem Koolhaas and OMA. As OMA states on their website, “two conditions coexist: preservation and the creation of a new architecture which, although separate, confront each other in a state of permanent interaction.”

From afar we were able to view the Bosco Verticale, a pair or residential towers with a new format of architectural biodiversity that also acts as a ‘green curtain’.

P R O J E C T S U M M A RY D A S H B O A R D

Ghosts in the Machine

The “AFTERLIFE” SI TE . Location close to market

. Surrounding charity shops/moved/repurposed . Council upping prices of local shops, vendors, moving out . Circulation- draw people in from stations and centre . Reuse space available/ repurpose

CLI MATE Educating public on alternate sources/ purposes of day to day items, routines, rituals. Importance of buying products that will last for many years, rather than items that will break or be tossed after a short period of time.

By choosing to look at the system of waste I was faced with many directions that could be developed. Narrowing it down I chose to focus on food waste. Globally, one of the most pressing challenges is the changing climate, it affects everyone everyday therefore is important for buildings to be design with this in mind. As a result, the system of a circular economy interested me. How can it be used from a top down approach as the responsibility of the architect coupled with a bottom up approach by educating individuals/ the public on alternate sources/ purposes of day to day items, routines and rituals.

FARMING

Local farmer

School kid

Homeless man

PRO TA GON ISTS

Waste composting and storage

Vertical fields Terraces Vegetables ALLOTMENTS

G - Homelessness - Poverty - Meals - Unemployment

LTUCoventry City of Culture 2021 RE Bid development sponsors

- Friargate Coventry (3 million st. ft of mixed-use space over 25 efficient and sustainable new buildings) - PET-XI, ʻlargest and renowned educstion training provider... working with over 500 schoolsʼ Honorary partner - Positive Youth Foundation ʻBrought to Lightʼ comes to Broadgate - ʻWhat lights you up?ʼ, solar panelled lanterns - Collaboration with Coventry residents and local arists (Creatmosphere)

No events linking to sustainability or educating on climate change

ENQ UIRY

Encouraging the practice and learning the principles of a circular economy and sustainable living. Making them the norm day to day.

Produce sorted and distributed

Reuse Recycle Upcycle

A PEOPLE

- Restaurant - Market - Cooking school

Reduce

THE MES

Tangible Engage Change Immersive

T E . . . .

MAN IFE STO

Network

ʻInformation is useless unless compared/ being given in context.ʼ Interaction with other systems Explore intangible, hidden aspects (systems) of Coventry Look at the systems from point of engagement to the wider system to overlap with other systems.

. Decrease in landfill . Increase in mend + repair/ up-cycling . Increase in repurposing/ new uses CHA . Decentralisation - re-establish local centres and communities and hubs NGE . Onion effect of recycling 38

Site Analysis C R E AT I V E S I T E A N A LY S I S

MAPPING

1880s

1910s

Site Four has been chosen due to its location close to Coventry’s main market. There are many car and pedestrian routes circulating through the area. Tourists and city visitors have to pass by the site from the nearby station in order to reach the main shops and cathedral.

1930s

In mapping Coventry it was important to understand the history and locality of the site, with the site originally a military barracks till the 1930s when it became a market. Coventry is famous for its automotive industry, being part of a key cluster for car manufacturing, being dubbed as the ‘British Detroit’, with its subsequent decline in the 1980s.

The famous ring road is one of the earliest in the UK and was built with the idea of regenerating the city centre after much was destroyed during the second World War. This generated an influx of cars encouraging Coventry’s city centre to be filled with car parks. This, along with the lack of greenery and parks in the city centre made the aim of introducing more green spaces and reducing the number of cars a key factor in my project.

1950s

100

150

200

250

300

350

400

450

500

1904 WWII

1939

1890

<A? >GJ NA;LGJQ %?gn]jfe]fl ]f[gmjY_]\ h]ghd] lg ljYfk^gje l`]aj ^jgfl Yf\ ZY[c _Yj\]fk aflg n]_]lYZd] hdglk >j]]af_ mh k`ahhaf_! %F]a_`Zgmj`gg\ ha_ [dmZk %@gmk]`gd\ [`a[c]fk hjg\m[af_ ]__k >]\ gf `gmk]`gd\ n]_]lYZd] k[jYhk!

), FGN ;GN=FLJQ :DALR=< N]jq dalld] oYkl]& >m]d Yf\ ^gg\ jYlagf]\ Jak] af j][dYeYlagf Yf\ WWII 14th November 1940 j][q[daf_! Kmh]jeYjc]lk ZgeZ]\ F]o Go]f # Go]f Yf\ E K! *f\ [geemfYd ^]]\af_ [alq *(l`;& <]n]dghe]fl g^ oYkl] \akhgkYd kqkl]ek ?YjZY_] _jaf\]jk$ [gehY[lagf ljm[ck! %,,1 ?]jeYf ZgeZ]jk k]l mh af ;gn]fljq lg ^]]\ `ge]d]kkf]kk Yf\ l`gk] ZgeZ]\ )1+1%)1,- OGJD< O9J AA H]ghd] Zmjf]\ hYh]j Yf\ [gYd lg `]Yl l`]aj `ge]k Yf\ oYl]j D]\ %+($((( af[]f\aYjq ZgeZk 1904 FIRST DUMPER TRUCK POST WAR lg dalld] hYh]j Z]af_ l`jgof gml! 1940 -)1-, >GG< J9LAGFAF? %-.0 h]ghd] cadd]\ :madl af ;gn]fljq DYf\âdd hj]^]jj]\ e]l`g\ lg \akhgk] g^ oYkl]& Af[af]jYlagf %/) ^Y[lgja]k \YeY_]\ /- g^ ^gg\ [gfkme]\ af :jalYaf oYk hjg\m[]\ af :jalYaf *()0%*()1 <A? >GJ NA;LGJQ <akhgk]\ g^ hY[cY_af_ eYl]jaYd af[j]Yk]k Zq ./ Y^l]j OOAA Yk %,)$-(( @ge]k \YeY_]\ =plaf[lagf J]Z]ddagf Hjgl]klk %?gn]jfe]fl ]f[gmjY_]\ h]ghd] lg ljYfk^gje l`]aj ^jgfl Yf\ ZY[c _Yj\]fk aflg [gfkme]jake Yf\ gZkgd]k[]f[] Z][Ye] ]flj]f[`]\ af ]e]j_af_ )1+1%)1,- OGJD< O9J AA H]ghd] Zmjf]\ hYh]j Yf\ [gYd lg `]Yl l`]aj `ge]k Yf\ oYl]j D]\ 1930s *$+(. \]kljgq]\! n]_]lYZd] hdglk >j]]af_ mh kàhhaf_! \]n]dgh]\ [gmflja]k lg dalld] hYh]j Z]af_ l`jgof gml! 1940 -)1-, >GG< J9LAGFAF? N9DD=Q @GMK= %F]a_`Zgmj`gg\ ha_ [dmZk >j]] ^gg\ [mhZgYj\% %@gmk]`gd\ [à[c]fk hjg\m[af_ ]__k >]\ gf `gmk]`gd\ n]_]lYZd] k[jYhk! <A? >GJ NA;LGJQ ;gn]fljq J]hgjl hmZdak`]\ Ngdmfl]]jk lg `]dh l`gk] 1939 %?gn]jfe]fl ]f[gmjY_]\ h]ghd] lg ljYfk^gje l`]aj ^jgfl Yf\ ZY[c _Yj\]fk aflg n]_]lYZd] hdglk >j]]af_ mh kàhhaf_! ), FGN kljm__daf_ Yf\ qgml`k af WWII %F]a_`Zgmj`gg\ ha_ [dmZk ;GN=FLJQ :DALR=< ljgmZd] N]jq dalld] oYkl]& >m]d Yf\ ^gg\ jYlagf]\ Jak] af j][dYeYlagf Yf\ %@gmk]`gd\ [à[c]fk hjg\m[af_ ]__k >]\ gf `gmk]`gd\ n]_]lYZd] k[jYhk! Kmh]jeYjc]lk ZgeZ]\ F]o Go]f # Go]f Yf\ E K! *f\ [geemfYd ^]]\af_ [alq j][q[daf_! k]l mh af ;gn]fljq lg ^]]\ `ge]d]kkf]kk Yf\ l`gk] ZgeZ]\ ), FGN

Lae]daf] g^ ;gn]flj q

1940

1930s

1940

1945

1940

2018

“AN IMPORTANT TOWN BUT… NOT A BEAUTIFUL ONE” )0),!

1945

1977

=d]e]flk l`Yl dafc lg Y [aj[mdYj ][gfgeq

2018

1970s

2019

2030

2017

2016 FmeZ]j g^ ^gje]j dYf\^add kal]k af OYjoa[ck`aj] egj] l`Yf loa[] fYlagfYd Yn]jY_]&

MOAT HOUSE COMMUNITY TRUST Kmee]j `gda\Yq [Yehk ^]]\af_ ca\k

2025 2006 in tan1977 Choosing to look at food waste goes imYflala]k Yf\ Yl Y klYZd] %;gn]fljq [alar]fk Y\na[] oafk 2019 dem with the subject of food poverty. This %;gn]fljq [alar]fk Y\na[] oafk 2019 jYl] Ydd q]Yj jgmf\$ hj]kla_agmk fYlagfYd YoYj\ ^gj ;gn]fljq k âjkl hj]kla_agmk fYlagfYd YoYj\ ^gj FmeZ]j g^ ^gje]j dYf\âdd kal]k ;gn]fljq k âjkl FmeZ]j g^ ^gje]j dYf\âdd kal]k 2016 oal`gml Z]af_ Y^^][l]\ Zq timeline2016 demonstrates be lY[cdaf_ ^gg\ hgn]jlq lY[cdaf_ ^gg\ hgn]jlq [geemfalq kmh]jeYjc]l FOODBANKthe NETWORKcorrelation [geemfalq kmh]jeYjc]l af OYjoa[ckàj] egj] l`Yf loa[] af OYjoa[ckàj] egj] l`Yf loa[] 2004 l]eh]jYlmj] [`Yf_]k fYlagfYd Yn]jY_]& FOUNDED fYlagfYd Yn]jY_]& tween the two within Coventry and desire to the transition from the linear to a circular OYkl] kljYl]_q ^gj =f_dYf\ Yf\ OYd]k hmZdak`]\ MOAT HOUSE 2000 MOAT HOUSE COMMUNITY TRUST economy, thus eliminating both food waste COMMUNITY TRUST Kmee]j `gda\Yq 2025 Kmee]j `gda\Yq [Yehk ^]]\af_ ca\k 2006poverty in the future. and food 2025 O] [Yf hjg\m[] af dYj_] [Yehk ^]]\af_ ca\k 2006 imYflala]k Yf\ Yl Y klYZd]

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=d]e]flk l`Yl dafc lg Y [aj[mdYj ][gfgeq

KEY

2019

1970s

KEY

1970s

WWII ;GN=FLJQ :DALR=< N]jq dalld] oYkl]& >m]d Yf\ ^gg\ jYlagf]\ Jak] af j][dYeYlagf Yf\ POST WAR WWII 14th November 1940 j][q[daf_! Kmh]jeYjc]lk ZgeZ]\ F]o Go]f # Go]f Yf\ E K! *f\ [geemfYd ^]]\af_ [alq DYf\^add hj]^]jj]\ e]l`g\ lg \akhgk] g^ oYkl]& Af[af]jYlagf %,,1 ?]jeYf ZgeZ]jk k]l mh af ;gn]fljq lg ^]]\ `ge]d]kkf]kk Yf\ l`gk] ZgeZ]\ /- g^ ^gg\ [gfkme]\ af :jalYaf oYk hjg\m[]\ af :jalYaf *()0%*()1 %;gn]fljq [`gk]f Zq ^]]\af_ 2019 <akhgk]\ g^ hY[cY_af_ eYl]jaYd af[j]Yk]k Zq ./ Y^l]j OOAA Yk %+($((( af[]f\aYjq ZgeZk =plaf[lagf J]Z]ddagf Hjgl]klk POST WAR :jalYaf )'1!

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O] [Yf hjg\m[] af dYj_] DECEMBER new roads.” DECEMBER

“AN IMPORTANT TOWN BUT… NOT A BEAUTIFUL ONE” )0),!

WWII 14th November 1940 %,,1 ?]jeYf ZgeZ]jk %+($((( af[]f\aYjq ZgeZk %-.0 h]ghd] cadd]\ %/) ^Y[lgja]k \YeY_]\ %,)$-(( @ge]k \YeY_]\ *$+(. \]kljgq]\!

2018

“UNPRECEDENTED DISLOCATION AND DEPRESSION” “UNPRECEDENTED DISLOCATION AND DEPRESSION” )1,(! )1,(!

1945

1939

1977

2030

OYkl]# >gg\

One important factor in understanding Coventry’s urban history and the reasons for

;GN=FLJQ AK 9 EAK=J9:D= HD9;= L@9L <J9AFK QGM G> DA>= *()0! change and re-construction centre around World War II and was specifically the bomb ;GN=FLJQ AK 9 EAK=J9:D= HD9;= L@9L <J9AFK QGM G> DA>= *()0! ing of 14th November 1940 with 71 factories damaged and 41,500 homes destroyed.

1658

BARONS CHARITY Ljmkl lg Z] kh]fl gf Y \akljaZmlagf g^ Zj]Y\ Yegf_ l`] egkl f]]\q Yf\ `gf]kl af`YZalYflk

1685

BREAD CHARITY :j]Y\ _an]f gml Zq dg[Yd hYjak`]k @gdq Ljafalq ;`mj[`]k! Ja[` Z]f]^Y[lgjk _anaf_ lg l`] hggj

-1906

“DUSTMEN” Ogjcaf_ l`jgm_` oYkl]& Ka]naf_ l`] [gmjk] k][lagf g^ \mkl <mkl mk]\ Yk kgad [gf\alagf]j Yf\ Zja[c eYcaf_! PUBLIC HEALTH ACT Dg[Yd Yml`gjala]k \mlq lg j]egn] Yf\ \akhgk] g^ oYkl] 9dd `gmk]`gd\ oYkl] [gdd][l]\ af egn]YZd] [gflYaf]jk& Kgjl]\ Zq `Yf\ DYj_] hjghgjlagf g^ oYkl] j]%mk]\& ?dYkk Yf\ e]lYdk o]j] j]lmjf]\ lg e]j[`Yflk! BRITISH PAPER COMPANY =klYZdak`]\ lg eYc] hYh]j Yf\ ZgYj\ ^jge j][q[d]\ eYl]jaYdk

L@AK AK 9 >GG< O9J Dgj\ Oggdlgf )1,)!

FIRST DUMPER TRUCK :madl af ;gn]fljq

BRITISH PAPER COMPANY =klYZdak`]\ lg eYc] hYh]j Yf\ ZgYj\ ^jge j][q[d]\ eYl]jaYdk

1888

KOADDAF?LGFK ;@9JALQ KmZka\]k ^gj ^gg\ lg l`] f]]\q

1800 1875 1888

KOADDAF?LGFK ;@9JALQ KmZka\]k ^gj ^gg\ lg l`] f]]\q

1890

1904 1930s 1939

WWII 14th November 1940 %,,1 ?]jeYf ZgeZ]jk %+($((( af[]f\aYjq ZgeZk %-.0 h]ghd] cadd]\ %/) ^Y[lgja]k \YeY_]\ %,)$-(( @ge]k \YeY_]\ *$+(. \]kljgq]\!

>ajkl j][q[daf_ Zglld] ZYfck

1940

), FGN ;GN=FLJQ :DALR=< Kmh]jeYjc]lk ZgeZ]\ F]o Go]f # Go]f Yf\ E K! *f\ [geemfYd ^]]\af_ [alq k]l mh af ;gn]fljq lg ^]]\ `ge]d]kkf]kk Yf\ l`gk] ZgeZ]\

1945

/- g^ ^gg\ [gfkme]\ af :jalYaf oYk hjg\m[]\ af :jalYaf

1970s

N9DD=Q @GMK= >j]] ^gg\ [mhZgYj\% Ngdmfl]]jk lg `]dh l`gk] kljm__daf_ Yf\ qgml`k af ljgmZd]

1977

*()0%*()1 =plaf[lagf J]Z]ddagf Hjgl]klk

2018 ;gn]fljq J]hgjl hmZdak`]\

2019

;gn]fljq mkaf_ hdYkla[ h]dd]lk Yf\ jmZZ]j [jmeZk ^jge gd\ tires rubber to j]kmj^Y[] Yf\ [j]Yl] new roads.”

2019

2019 ;gn]fljq k ^ajkl [geemfalq kmh]jeYjc]l

%;gn]fljq [`gk]f Zq ^]]\af_ :jalYaf )'1! %9oYj\]\ z*eaddagf ^jge <]hYjle]fl g^ =\m[Ylagf lg hjgna\] gn]j *($((( Y[lanalq Yf\ e]Yd k]kkagfk lg [`ad\j]f

2017

2030 Waste free

DECEMBER %;gn]fljq [alar]fk Y\na[] oafk hj]kla_agmk fYlagfYd YoYj\ ^gj lY[cdaf_ ^gg\ hgn]jlq

2016 FmeZ]j g^ ^gje]j dYf\^add kal]k af OYjoa[ck`aj] egj] l`Yf loa[] fYlagfYd Yn]jY_]&

2025

O] [Yf hjg\m[] af dYj_] imYflala]k Yf\ Yl Y klYZd] jYl] Ydd q]Yj jgmf\$ oal`gml Z]af_ Y^^][l]\ Zq l]eh]jYlmj] [`Yf_]k

MOAT HOUSE COMMUNITY TRUST Kmee]j `gda\Yq [Yehk ^]]\af_ ca\k

FOODBANK NETWORK FOUNDED

2000 ?YjZY_] ljm[ck l][`fgdg_q [`Yf_]k \jYeYla[Yddq& Kg[a]la]k klYjl oYklaf_ ^gg\ egj] l`Yf ]n]j af l`] \]n]dgh]\ ogjd\&

KEY =d]e]flk l`Yl dafc lg Y [aj[mdYj ][gfgeq

“UNPRECEDENTED DISLOCATION AND DEPRESSION” )1,(!

TIMELINE [gehY[lagf ljm[ck!

1875

)1+1%)1,- OGJD< O9J AA 1940 -)1-, >GG< J9LAGFAF?

“AN IMPORTANT TOWN BUT… NOT A BEAUTIFUL ONE” )0),!

1890

Dg[Yd Yml`gjala]k \mlq lg j]egn] Yf\ \akhgk] g^ oYkl] 9dd `gmk]`gd\ oYkl] [gdd][l]\ af egn]YZd] [gflYaf]jk& Kgjl]\ Zq `Yf\ DYj_] hjghgjlagf g^ oYkl] j]%mk]\& ?dYkk Yf\ e]lYdk o]j] j]lmjf]\ lg e]j[`Yflk! *(l`;& <]n]dghe]fl g^ oYkl] \akhgkYd kqkl]ek ?YjZY_] _jaf\]jk$

1930s

“UNPRECEDENTED DISLOCATION AND DEPRESSION” )1,(!

1888

L@AK AK

L@AK AK 9 >GG< O9J Dgj\

9dd `gmk]`gd\ oYkl] [gdd][l]\ af egn]YZd] [gflYaf]jk& Kgjl]\ Zq KOADDAF?LGFK ;@9JALQ `Yf\ DYj_] hjghgjlagf g^ oYkl] j]%mk]\& ?dYkk Yf\ e]lYdk o]j] KmZka\]k ^gj ^gg\ lg l`] f]]\q “DUSTMEN” j]lmjf]\ lg e]j[`Yflk! Ogjcaf_ l`jgm_` oYkl]& Ka]naf_ l`] [gmjk] k][lagf g^ \mkl <mkl H]ghd] Zmjf]\ hYh]j Yf\ [gYd lg `]Yl l`]aj `ge]k Yf\ oYl]j D]\ 1800 mk]\ Yk kgad [gf\alagf]j Yf\ Zja[c eYcaf_! lg dalld] hYh]j Z]af_ l`jgof gml! BRITISH PAPER COMPANY PUBLIC HEALTH ACT =klYZdak`]\ lg eYc] hYh]j Yf\ ZgYj\ ^jge j][q[d]\ eYl]jaYdk

2006

2004

OYkl] kljYl]_q ^gj =f_dYf\ Yf\ OYd]k hmZdak`]\

1990s

;GN=FLJQ AK 9 EAK=J9:D= HD9;= L@9L <J9AFK QGM G> DA>= *()0!

kaehd] `]j hY[c]\ dmf[`]k Yj]

BACKGROUND

& / q]Yjk gd\ & AjYfaYf & >jge Y keYdd ^Yeadq$ kaf_d] eme & J]da]k gf [gmf[ad kmhhgjl & Ima]l$ Y dalld] kg[aYddq YocoYj\

FUTURE & =ehdgq]\ & J]hmjhgkaf_ Yf\ eYcaf_ [j]Ylan] hjg\m[lk gml g^ oYkl] & >]\& @]dhaf_ lg Ydd]naYl] ^gg\ hgn]jlq

FUTURE

& >]\ +p Y \Yq$ +.- \Yqk Y q]Yj & 9oYj]f]kk g^ ^gg\& @]Ydl`q Yf\ [j]Ylan] hY[c dmf[`]k

& Mf]ehdgq]\ & Mk]\ lg ogjc ^gj H]m_]gl ladd l`]q egn]\ l`]aj

PRESENT

BACKGROUND PRESENT

& Mf]ehdgq]\ & Mk]\ lg ogjc ^gj H]m_]gl ladd l`]q egn]\ l`]aj ^Y[lgja]k lg >jYf[] & J]da]k gf ^dq lahhaf_ ^gj al]ek ^gj k`]dl]j Yf\ jmZZak` Zafk ^gj ^gg\ & +* qjk & HjanYl]dq ]\m[Yl]\ & >Yl`]j o`g eY\] egf]q l`jgm_` j]Zmad\af_ ;gn]fljq Y^l]j l`] )1,( ZgeZaf_

& K]ddaf_ Ydd ^jmal Yf\ n]_& Fg oYklY_] & Gj_Yfa[ Yf\ `]Ydl`q hjg\m[] & OYkl] j]%mk]\

FUTURE

& =ehdgq]\ & J]hmjhgkaf_ Yf\ eYcaf_ [j]Ylan] hjg\m[lk gml g^ oYkl] & >]\& @]dhaf_ lg Ydd]naYl] ^gg\ hgn]jlq

>j]qY >Yje]j BACKGROUND PRESENT

PRESENT BACKGROUND

ladd l`]q egn]\ l`]aj ^Y[lgja]k lg >jYf[] & J]da]k gf ^dq lahhaf_ ^gj & +* qjk al]ek ^gj k`]dl]j Yf\ jmZZak` Zafk ^gj ^gg\ & HjanYl]dq ]\m[Yl]\

& ;daeYl] [`Yf_] \]fa]j & :afk Ydd `]j ogfcq ^jmal Yf\ n]_]lYZd]k k`] [Yf l k]dd lg l`] kmh]jeYjc]lk & Gofk ZYll]jq [`a[c]fk & <akhgk]k g^ oYkl] ajj]khgfkaZdq

>j]qY >Yje]j

& .- qjk & :jgm_`l mh af Y ^Yeadq g^ ^Yje]jk

& ;daeYl] [`Yf_] \]fa]j & :afk Ydd `]j ogfcq ^jmal Yf\ n]_]lYZd]k k`] [Yf l k]dd lg l`] kmh]jeYjc]lk & Gofk ZYll]jq [`a[c]fk & <akhgk]k g^ oYkl] ajj]khgfkaZdq

& .- qjk & :jgm_`l mh af Y ^Yeadq g^ ^Yje]jk

BACKGROUND

& >Yl`]j o`g eY\] egf]q l`jgm_` j]Zmad\af_ & +* qjk ;gn]fljq Y^l]j l`] )1,( & HjanYl]dq ]\m[Yl]\ ZgeZaf_ & >Yl`]j o`g eY\] egf]q l`jgm_` j]Zmad\af_ ;gn]fljq Y^l]j l`] )1,(

FUTURE

& =ehdgq]\ ZgeZaf_ & J]hmjhgkaf_ Yf\ eYcaf_ [j]Ylan] hjg\m[lk gml g^ & =ehdgq]\ oYkl] & J]hmjhgkaf_ Yf\ eYcaf_ [j]Ylan] hjg\m[lk gml g^ & >]\& @]dhaf_ lg Ydd]naYl] ^gg\ hgn]jlq oYkl]

>j]qY >j]qY >Yje]j >Yje]j

& K]ddaf_ Ydd ^jmal Yf\ n]_& Fg oYklY_] & Gj_Yfa[ Yf\ `]Ydl`q hjg\m[] & OYkl] j]%mk]\

FUTURE

& K]ddaf_ Ydd ^jmal Yf\ n]_& Fg oYklY_] & Gj_Yfa[ Yf\ `]Ydl`q hjg\m[] & OYkl] j]%mk]\

FUTURE

& >]\& @]dhaf_ lg Ydd]naYl] ^gg\ hgn]jlq

& ;daeYl] [`Yf_] \]fa]j & :afk Ydd `]j ogfcq ^jmal

& ;daeYl] [`Yf_] \]fa]j Yf\ n]_]lYZd]k k`] [Yf l & :afk Ydd `]j ogfcq ^jmal k]dd lg l`] kmh]jeYjc]lk & Gofk ZYll]jq [`a[c]fk Yf\ n]_]lYZd]k k`] [Yf l & <akhgk]k g^ oYkl] k]dd lg l`] kmh]jeYjc]lk

PRESENT

@Yeak` @ge]d]kk EYf

& Mf]ehdgq]\ & Mk]\ lg ogjc ^gj H]m_]gl ladd l`]q egn]\ l`]aj ^Y[lgja]k lg >jYf[] & J]da]k gf ^dq lahhaf_ ^gj & Mf]ehdgq]\ al]ek ^gj k`]dl]j Yf\ & Mk]\ lg ogjc ^gj H]m_]gl jmZZak` Zafk ^gj ^gg\

FUTURE

BACKGROUND

PRESENT

HjglY_gfaklk

In order to understand our systems, we must D]lla[] envisage the people interacting with our proposed buildings. By creating these protagK[`ggd _ajd . <g]kf l _]l dmf[` Yl onists, we can begin to explore and test our `ge] af l`] k[`ggd `gda\Yqk designs, relating them back to the individuals, . :mdda]\ Zq gl`]j k[`ggd ca\k ^gj `go to see if the new and re-worked spaces and kaehd] `]j hY[c]\ dmf[`]k Yj] systems work. These protagonists are creat& / q]Yjk gd\ & AjYfaYf ed to highlight areas for change in Coventry, & >jge Y keYdd ^Yeadq$ kaf_d] eme & J]da]k gf [gmf[ad tackling real issues that are existing for many kmhhgjl & Ima]l$ Y dalld] today. My site will address food poverty for kg[aYddq YocoYj\ school children, the increase in unemployment, & >]\ +p Y \Yq$ +.- \Yqk Y q]Yj and food waste from farms and establishments & 9oYj]f]kk g^ ^gg\& @]Ydl`q Yf\ (imperfect produce ‘wonky vegetables etc’) [j]Ylan] hY[c dmf[`]k The drawings are inspired by the dystopian nature of the J.G. Ballard novels, previously touched upon in our primer work. The large elements are more important to the protagonists, highlighting the need for change.

FUTURE

;gn]flj q

@Yeak` @ge]d]kk EYf

& .- qjk & :jgm_`l mh af Y ^Yeadq g^ ^Yje]jk

FUTURE

& J]da]k gf [gmf[ad kmhhgjl & Ima]l$ Y dalld] kg[aYddq YocoYj\

& +* qjk & HjanYl]dq ]\m[Yl]\ & >Yl`]j o`g eY\] egf]q l`jgm_` j]Zmad\af_ ;gn]fljq Y^l]j l`] )1,( ZgeZaf_

BACKGROUND PRESENT

BACKGROUND

\Yqk Y q]Yj & / q]Yjk gd\ & 9oYj]f]kk g^ ^gg\& & AjYfaYf @]Ydl`q Yf\ & >jge Y keYdd ^Yeadq$ kaf_d] eme [j]Ylan] hY[c dmf[`]k

@Yeak` @ge]d]kk EYf

& ;daeYl] [`Yf_] \]fa]j & :afk Ydd `]j ogfcq ^jmal Yf\ n]_]lYZd]k k`] [Yf l k]dd lg l`] kmh]jeYjc]lk & Gofk ZYll]jq [`a[c]fk & <akhgk]k g^ oYkl] ajj]khgfkaZdq

PRESENT

PRESENT FUTURE

k[`ggd ca\k ^gj `go kaehd] `]j hY[c]\ & >]\ +p Y \Yq$ +.- dmf[`]k Yj]

& Mf]ehdgq]\ & Mk]\ lg ogjc ^gj H]m_]gl ladd l`]q egn]\ l`]aj ^Y[lgja]k lg >jYf[] & J]da]k gf ^dq lahhaf_ ^gj al]ek ^gj k`]dl]j Yf\ jmZZak` Zafk ^gj ^gg\

BACKGROUND

HjglY_gfaklk

D]lla[] K[`ggd _ajd

& / q]Yjk gd\ & AjYfaYf & >jge Y keYdd ^Yeadq$ kaf_d] eme & J]da]k gf [gmf[ad . <g]kf l _]l dmf[` Yl kmhhgjl `ge] af l`] k[`ggd & Ima]l$ Y dalld] `gda\Yqk kg[aYddq YocoYj\ . :mdda]\ Zq gl`]j

BACKGROUND

;gn]flj q

. <g]kf l _]l dmf[` Yl `ge] af l`] k[`ggd `gda\Yqk . :mdda]\ Zq gl`]j k[`ggd ca\k ^gj `go kaehd] `]j hY[c]\ dmf[`]k Yj]

PRESENT

HjglY_gfaklk

>j]qY >Yje]j

@Yeak` @ge]d]kk EYf

BACKGROUND

D]lla[] K[`ggd _ajd

& >]\ +p Y \Yq$ +.- \Yqk Y q]Yj & 9oYj]f]kk g^ ^gg\& @]Ydl`q Yf\ [j]Ylan] hY[c dmf[`]k

FUTURE

;gn]flj q

PRESENT

P R O TA G O N I S T S

ajj]khgfkaZdq

S PAT I A L I S E D ‘ I N T E R FA C E ’ D R AW I N G

Cooking School

Restaurant

Allotments Hydroponics

MarketFresh Produce

Recyclingvoucher scheme

This drawing focuses on the threshold of the site and the ‘moment of arrival’. It identifies the transition from external to internal spaces and the main components that exhibit the factors for change on the site. It encourages the viewer to understand the key elements that they would interact with on-site such as the cooking school, an environment that will educate all ages on the importance of healthy eating and food waste. A Restaurant, focusing on farm to table produce. Allotments, including hydroponics, encourage locals to grow and understand their own produce. Market stalls supporting local, grass root businesses. And,importantly how all this and the urban environment around them relates to recycling, reuse and upcycling schemes which encourage and educate the importance of these processes in the 21st century.

REALISATION + SYNTHESIS

The â&#x20AC;&#x2DC;Exchangeâ&#x20AC;&#x2122; Designing for future existence must be reliant on strategies implemented now. Buildings must be designed to be adaptable and not only fit with the needs of the times but be ready for re-use and adaption in the future, rather than as transient structures that will eventually become obsolete and be replaced wholesale by something completely new. When, as we are all currently experiencing, life is restricted to the home or we are quarantined to a limited occupation zone, the importance of self-sufficiency and sustainability, both personally and in wider society, is crucial. Throughout Stage 3 (2019-2020) I have begun to understand how our climate, sustainable living and design and a more holistic and circular and less linear view of building use must now be developed. I have therefore found the practice of a circular economy a driving force in the planning blueprint for future city development. 48

Celebrating the back door

...

Photographs on site of spaces for waste; rubbish bins, hidden areas, back doors to buildings, areas not favoured by the public.

5 3

One component of repositioning the waste system is the re-imagining of space for disposing of waste. Most public and residential spaces throw rubbish ‘out back’, creating unappealing and uninhabitable spaces. By changing how we view waste we can begin to celebrate waste and its uses and remodel and repurpose these ‘dingy’ spaces.

INTERVIEWS : 25-11-2019

- UBER DRIVER -

- COFFEE SHOP OWNER (PREGNANT)

A watercolour sketch exploring the materiality, colours and shadows of areas on site.

- JEWELLERY SHOP OWNER -

- Too much student accommodation in city centre - Only students in city centre - House prices good compared to London Change - Wants more parking in city centre - Has to walk to a car park across the street and down the stairs to access the bins - Uses coffee cups made from coffee husks - Council have made the rent extremely high Change - Closer rubbish disposal - Council increasing rent so local independent shops moving out - New shops all the same (manicures, estate agents, hairdressers)

THINKING THROUGH MAKING WEEK

Precedents

Research and development sketches

Photos from the Thinking Through Making Week Exhibition

Process photographs; if I were to repeat this project I would have made a stronger mould, left the concrete to dry out longer and to have worked with a greater range of materials, such as brick and aluminium, that may have been found on site. Experimenting with the relief and shuttering to create more tactile experiences.

By looking at adaptive reuse projects I wanted to experiment in my model with new and old/weathered materials and look at the juxtaposition between the two. I have used concrete, glass (and perspex) and wood as these materials are the most common on my site in Coventry. My concrete models had not cured when the moulds were taken off, and have broken slightly. Yet, this adds to the patina and wear that I want to celebrate in my design. There are multiple fragments of glass that I have added to the ĘťnewĘź features of my model, showing how materials do not have to be disposed of but can be reused and upcycled to create new forms and finishes. 57

MAPPING

EXISTING INFRASTRUCTURE

EXISTING CAR PARKS

-Routes for bringing produce into site-

-Existing and proposed green space-

-Private spaces-

-Public spaces-

-COMPOSITE-

Coventry layering mapping in the style of Rem Koolhaas’ layered mapping. From the composite studio mapping exercise in Primer, I wanted to map Site Four in more detail. Specifically, in relation to my line of enquiry and looking at the wider area with the ring road. Although mapping can be an assessment of pure judgement of data collected it also allows us to factor the thoughts for change and challenge the systems in place defining a new desired future. Bibliography Allen, S. (2009). Mapping the Unmappable: On Notation. London: Routledge, pp.31-45. Ballard, J. (1975). High-rise. United States: Liveright Publishing Corporation. Cardinal, R. (2004). Cultures of Collecting: The case of Kurt Schwitters. London: Reaktion Books, pp.68-97.

The Ghosts in the City:

drawing architecture out of mapping

Cassirer, E. (1957). The philosophy of symbolic forms. Fredericksburg, Virginia: Yale U.P.; Oxford U.P, pp.29-40.

160275193 Emily Ming Orlando Harper

Corner, J. (1999). The Agency of Mapping: Speculation, Critique and Invention. London: Reaktion Books, pp.213-252.

Ghost in the Machine

De Landa, M. (2016). Assemblage theory. Edinburgh: Edinburgh University Press, pp.108-136.

Lim, C. and Liu, E. (2011). Short stories. London: Routledge, pp.1-65.

Circular economy- A circular economy is an alternative to a traditional linear economy (make, use, dispose) in which we keep resources in use for as long as possible, extract the maximum value from them whilst in use, then recover and regenerate products and materials at the end of each service life. Milieu- The French term Milieu means ‘surroundings’, ‘medium’ and ‘middle’. Milieu has neither beginning nor end, but is surrounded by other middles, in a field of connections, relationships, extensions and potentials.’

McArthur, E. (2020). Circular Economy - UK, USA, Europe, Asia & South America The Ellen MacArthur Foundation. [online] Ellenmacarthurfoundation.org. Available at: https://www.ellenmacarthurfoundation.org [Accessed 10 Feb. 2020].

Social Condenser- Programmatic layering upon vacant terrain to encourage dynamic coexistence of activities and to generate through their interface unprecedented events.

Perry, G. (2013). A Map of Days. [online] Paragon. Available at: http://paragonpress.co.uk/works/map-of-days [Accessed 12 Feb. 2020].

Systemic design- Systemic design integrates systems thinking and human-centered design, with the intention of helping designers cope with complex design projects. The recent challenges to design coming from the increased complexity caused by globalization, migration, sustainability render traditional design methods insufficient.

Shields, J.A.E. (2014). Collage and Architecture. Glasgow: Routledge, pp.20-113.

Figure 1:

Translocative- (grammar) Indicating motion away from the deictic centre, often the speaker. Virtual- The term for something that is, in a sense, real, but not actual or physical

Lexicon (Theory into Practice)

2 James Corner. (1999). The Agency of Mapping: Speculation, Critique and Invention. London: Reaktion Books, p.231. 3 McArthur, E. (2020). Circular Economy - UK, USA, Europe, Asia & South America - The Ellen MacArthur Foundation. [online] Ellenmacarthurfoundation.org. Available at: https://www.ellenmacarthurfoundation.org [Accessed 10 Feb. 2020]. 4 James Corner. (1999). The Agency of Mapping: Speculation, Critique and 6 Invention. London: Reaktion Books, p.231.

and improve on, we then find it easier to re-establish the motions for change, imbue a longevity of life and re-immersion of the community into the area.

7 Figure 3: James Corner mapping collage, 1996

5 James Corner. (1999). The Agency of Mapping: Speculation, Critique and Invention. London: Reaktion Books, p.213 6 Ibid, p.244 7 Ibid, p.224 8 Ibid, p.228

Kurt Schwitters can be considered an assemblage artist and his collages an interpretation of the mapping of memories and interrelationships. Schwitters is renowned for his seemingly eclectic collection of ‘found materials’. However, the poignancy of his work, centring around the compilation of what may be considered as assembled waste, is reciting a narrative with each

Assemblage Theory (in relation to Virtual Diagrams)- An ensemble in which components have been correctly matched together possesses properties that its components do not have.

The masterplan relates not only to Site Four but to wider Coventry. It is a masterplan that seeks a re-evaluation of lifestyles and is placed to change people’s relationship with the city, circular economy and life cycles. There are many cyclical interchangeable structures in the new urban centre; where produce is grown, sold, used and waste from the site and surrounding area is brought to the Biomass unit for energy generation. Waste in allotments can also be sold as fertiliser to local farmers.

Allographic arts- Allographic arts operate through interpretation and on the basis of convention.’ ‘Allographic arts do not imitate or reproduce something already existing, they produce new realities, imagined by means of notation.’

NOISE POLLUTION

Notation- Notations are “abstract machines” capable of producing new configurations out of given materials.’ Notations always describe a work that is yet to be realised’. ‘Notations go beyond the visible to engage the invisible aspects of architecture. This includes the phenomenological effects of light, shadow, and transparency; sound, smell, heat, or cold…’

Lawson, B. (1991). How designers think. London: Architectural Press.

PROPOSAL

Coventr y

Lexicon

“unsettled the ramshackle construction” Ballard, J. (2014). Kingdom Come. London: Fourth Estate, p.51.

REGENERATE

SOCIAL CONDENSER MILIEU

SYSTEMIC

ASSEMBLAGE This piece maps and analyses the route and circulation of flows and interlinking systems proposed for the site, which is indicated by the intersection of the dashed lines. The piece also takes reference from Grayson Perry’s mode of interpretation of his work which is a representation of the life events, experiences and emotions of the artist. I have added some key references and a J.G. Ballard quote from Kingdom Come as a representation of the site. The mapping drawing also includes reference to the rock formations on the site and is a key notational technique used in the work of CJ Lim. 60

One important feature developed at an early stage of my project was the idea of repurposing the car parks. Coventry has plans to reduce the number of cars in the city centre which will result in many empty car parks. These huge concrete shells all over Coventry’s city centre are ideal for being repurposed, rather than demolished and including introducing larger amounts of green spaces into Coventry. These diagrams highlight only the car parks on Site Four and the opportunity for the development of the site in five to twenty years’ time.

MASTERPLAN DEVELOPMENT

Challenging the Miesian idea of â&#x20AC;&#x2DC;wiping the slate cleanâ&#x20AC;&#x2122; I have looked at how we can replan the area by utilising the fragments of the historic city and retain the recognised pedestrian routes, connections and infrastructure that currently bind the urban fabric together.

Site analysis helped in developing the masterplan and focus on the elements to draw upon. The location in relation to main modes of transport and areas of tourism, the noise level as a result of the high car level, and subsequentially the vast number of car parks. By analysing and understanding these aspects, levels and spaces we can begin to develop the massing for the site.

MASSING

Site Four massing model

Circulation on site 64

GROUP WORK

PROGRESS SKETCHES

Cantilevered Rooms AMAA Architects converted studio

Steel Frame structure, de Vylder Vinck Taillieu, Caritas psychiatric centre

Precedents

Upcycled glass windows (Lendager team)

SECTION DE VELOPMENT

Preliminary sketch

Final East/West long section through site

R AMP DE VELOPMENT

DSRNY The Tide

DSRNY The Highline

Associated with the development are new or modified transportation and landscaped pedestrian areas and links that extend city-wide and act as markers or â&#x20AC;&#x2DC;starting pointsâ&#x20AC;&#x2122; for access and engagement with site activities

Final site plan

PL AN DE VELOPMENT

VOID

PRIVATE/PUBLIC

CIRCULATION

FIRST FLOOR PLAN

STRUCTURE

EXISTING + PROPOSED INTERVENTIONS MARKET

- - - - -

(+ Allotments)

Selling produce from farms that would be destined for waste Greenhouses reusing glass panelling from deconstructed restaurant buildings Lowering reliability on other sources Allotments assigned to streets/ parishes Supporting local businesses

BIOMASS UNIT - - - - - -

‘Theatre of waste’. The principle that not everything is destined for landfill Community see what is fuelling their energy and electricity Contains and AD See from the ramp- looking in Thick Green Roof- thermal mass properties Glass façade- reused entrance theatre like effect

RAMP -

COOKING SCHOOL

Link between all four sides (New public spine) gather- - ing place. Access to new green roof spaces Elevated architectural promenade guiding you through - -

Teaching arena (Adults), Communal Eating spaces, - - Café, ‘Pods’ kids Importance of food education, especially for those - figures who relying on school lunches Elemental in the grand plan, educating kids, single mums, communities

RESTAURANT Produce to plate. Farm to table See chefs at work, open arena, food coming in. Food going out. Bring your own produce. Social equalisers. Private dining with elements of the public. Wafting smells, noise, warm atmosphere

-CURRENT-

-PROPOSED-

R E P U R P O S I N G , R E - U S I N G A N D I N H A B I T I N G S PAC E

Kazuo Shinohara

Kisho Kurokawa Relationship between existing and proposed

Development of pods and framework - Transparency - Layering - Structure - Linking

Restaurant plan development

Landscape of existing market

E XPLORING ENTRY + VIE W POINTS : SKE TCH DE VELOPMENT

ENTRY

DINING AREA My design has been specifically influenced by the architecture of Fumihiko Maki, Kenzo Shinohara and Japanese ‘metabolism’. The elemental ways of putting materials buildings together and the juxtaposition of different materials has helped me in my design process and development.

DINING AREA

BAR AREA

I N H A B I T I N G T H E R E S TA U R A N T S P A C E S

The idea of place and memory is a key factor that stiches the existing to the new by retaining the recognisable principal urban massing and layout of the area with new buildings that reuse the material from the previous buildings onsite. These buildings can, in due course, be â&#x20AC;&#x2DC;de-constructedâ&#x20AC;&#x2122; and new buildings with new uses adopted under the same circular economy principles. This framework allows that vitally important visual and embedded personal connection from generation to generation of place, which, over time, establishes the recognisable character of urban centres.

STRUCTURE + TECHNOLOGY Reusing and recycling materials onsite

Green Roof Garden

Office and security control

Pasteuriser Gas

BIOMASS UNIT -ANEOROBIC DIGESTION-

Digestate storage tank

Gas Compressor

Digester

Control + Plant + Pump room

Input Tank

+ Mixing systems

Distribution

The Biomass Unit containts aneorobic digestors which will be fuelled by local and onsite food waste and will generate the electricity and energy the site and surrounding parts of Coventry require. -New insitu concrete*New concrete cast from recycled aggregate

-Re-used stock brickwork-

-Reused aluminium sheeting and cladding-

-Reused glazing-

Heat pump unit

Heat storage

Ground pile

-Reused metal framing-

Within the restaurant building there are four technical elements to the development and reuse; the removal and repurposing of existing site construction material, the utilisation of the existing structure, the construction of the new ‘pods’ and the environmental operation of the building (See also page 76 Deconstruction - Construction - Deconstruction sequence). The future must always be considered in new architecture. When developing my site the idea of deconstruction and reconstruction was considered and important aspect of the cyclical nature of the whole site. ‘The Exchange’ has been designed so that the whole site is adaptable, therefore if the purpose of the site were to change, the structure and buildings could change along with it.

POD DESIGN

The Pods are cantilevered steel frames that sit within the original concrete frame. As the pods are elemental in nature preformed sections and panels can be made off site and fitted onto/into the building on site

TECH REPORT

THE‘EXCHANGE’

The project aims to provide a masterplan for development within an area of Coventry that has seen a marked decline in prosperity over the past 50 years. The masterplan sets out a model framework for the introduction of a ‘circular economy’ into the wider society and the celebration of food, recycling, repurposing and re-use of food waste and food waste products into the centre of self-sufficient and sustainable Coventry. To solve the climate crisis, we need to develop long term inspirational, sustainable and regenerative solutions to critical urban issues that can be readily understood, appreciated and assimilated by locals and residents. How can we de-couple growth from emissions and look at and use ‘waste’ as a source and resource and then design and build sustainable buildings without having to compromise on design inspiration, quality or price?

‘The Exchange’ seeks to become a pioneer master plan that can be extended citywide over time with a design that incentivises sustainable living and a circular economy throughout Coventry and becomes the planning blueprint for all future city development.

BULL YARD

MARKET

EET ION STR NEW UN

A OR

TIO

SITE PLAN 1:500

New and re-purposed buildings on the site include a cookery school, specialised restaurant facilities using local produce, children’s playground and open area theatre, food market and allotments, community shops and a bio-waste generator (anaerobic digestors for powering the local supply grid) all connected by a landscaped urban ‘skywalk’ linking the new public green areas, allotments/market gardens and market.

GROUND FLOOR PLAN 1:100 KEY: 1. Service point 2. Dining pod 3. Restaurant 4. Bar 5. Mezzanine 6. Balcony 7. Garden 8. WC’s 9. Kitchens 10. Kiosks/ Shops 11. Hydroponics 12. Entrance 13. Waste disposal

FIRST FLOOR

SECOND FLOOR

KEY: 1. Service point 2. Dining pod 3. Restaurant 4. Bar 5. Mezzanine 6. Balcony 7. Garden 8. WCâ&#x20AC;&#x2122;s 9. Kitchens 10. Kiosks/ Shops 11. Hydroponics 12. Entrance 13. Waste disposal

THIRD FLOOR

FOURTH FLOOR

KEY: 1. Service point 2. Dining pod 3. Restaurant 4. Bar 5. Mezzanine 6. Balcony 7. Garden 8. WCâ&#x20AC;&#x2122;s 9. Kitchens 10. Kiosks/ Shops 11. Hydroponics 12. Entrance 13. Waste disposal

INHABITED PLAN This plan hopes to showcase the following themes working within the masterplan -CELEBRATION OF FOOD-FARM TO TABLE-THEATRE OF WASTE-CIRCULAR ECONOMY92

RE- USED + REPURPOSED MATERIALS

RE-USED BRICK

REPURPOSED CORTEN STEEL

RE-USED GLAZING

1: 20 DETAIL SECTION

THROUGH RAMP AND RESTAURANT BUILDING

1: 20 DETAIL ELEVATION

REPURPOSED ALUMINIUM

The Restaurant complex is a multifunctional space displaying the old structure bound with the new. The user is able to experience this by seeing the internal exposed elements. The outside frame has pod structures inserted in it. By keeping this skeletal concrete frame and reusing the majority of the existing materials on site the user is able to see how the spaces are connect together by visual association. A From a layering of spaces, solids and voids. Always looking beyond, being pulled through.

SECTION through roof garden and restaurant areas 96

SECTION through ramp looking towards entrance and section 97

PLAN of entrance pod from ramp 98

VIEW of entrance pod and main stair 99

CORPORATION STREET

MARKET

KIOSKS

RESTAURANT

BULL YARD

NEW UNION STREET

SITE SECTION

100

101

RESTAURANT SECTION NORTH/SOUTH

102

ENTRY

HYDROPONICS

GARDEN - PODS

103

PERSPECTIVE FROM BULL YARD TOWARDS RAMP

104

105

PERSPECTIVE FROM THE MARKET AND ALLOTMENTS

106

107

MARKET 108

1:50 SECTION A

THEATRE-KIOSK-RAMP START 109

‘The Exchange’ is a celebration of food and adding value to the experience of eating and socialising. It is important for diners to see and feel part of the process of produce coming directly to the table, from the hydroponics and kitchen gardens on site, being cooked and made into meals and then appreciating the disposal of waste and what happens to this waste. 110

INHABITED PERSPECTIVE -BACK OF RESTAURANT-

INHABITED PERSPECTIVE -RESTAURANT FROM BRIDGE-

111

‘The Exchange’ aim is to be used by everybody. There are open public spaces with long tables where INHABITED PERSPECTIVE work colleagues, friends, families can quickly go to grab a quick lunch. Or, there is private dining, - R E S T A U R A N T P R I V A T E D I N I N G P O D where families, couples can be entertained and socialise whilst also understanding the produce and importance of food brought to the table. 112

INHABITED PERSPECTIVE -RESTAURANT ENTRANCE FROM BRIDGE-

113

LOOKING TO THE FUTURE

Development sketch showing the proposal of how The ‘Exchange’ can be reapplied and adapted to sites all over Coventry’s city centre.

PERSPECTIVE VIEW KEY DIAGRAM

114

115

OYkl]# >gg\

The “AFTERLIFE”

. Surrounding charity shops/moved/repurposed . Council upping prices of local shops, vendors, moving out . Circulation- draw people in from stations and centre . Reuse space available/ repurpose

CLI MATE Educating public on alternate sources/ purposes of day to day items, routines, rituals.

BRITISH PAPER COMPANY =klYZdak`]\ lg eYc] hYh]j Yf\ ZgYj\ ^jge j][q[d]\ eYl]jaYdk

FIRST DUMPER TRUCK :madl af ;gn]fljq H]ghd] Zmjf]\ hYh]j Yf\ [gYd lg `]Yl l`]aj `ge]k Yf\ oYl]j D]\ lg dalld] hYh]j Z]af_ l`jgof gml!

FARMING

School kid

Homeless man

PRO TA GON ISTS

Waste composting and storage

ALLOTMENTS

LTUCoventry City of Culture 2021 RE Bid development sponsors

No events linking to sustainability or educating on climate change

ENQ UIRY

RE G

- Homelessness - Poverty - Meals - Unemployment

Encouraging the practice and learning the principles of a circular economy and sustainable living. Making them the norm day to day.

Produce sorted and distributed

- Restaurant - Market - Cooking school

Reduce

WWII 14th November 1940 %,,1 ?]jeYf ZgeZ]jk %+($((( af[]f\aYjq ZgeZk %-.0 h]ghd] cadd]\ %/) ^Y[lgja]k \YeY_]\ %,)$-(( @ge]k \YeY_]\ *$+(. \]kljgq]\!

THE MES

Reuse Recycle Upcycle

A PEOPLE

1800 1875 1888

Tangible Engage Change Immersive

T E . . . .

MAN IFE STO

Network

ʻInformation is useless unless compared/ being given in context.ʼ Interaction with other systems

KOADDAF?LGFK ;@9JALQ KmZka\]k ^gj ^gg\ lg l`] f]]\q

1890

1904 1930s 1939

>ajkl j][q[daf_ Zglld] ZYfck

“AN IMPORTANT TOWN BUT… NOT A BEAUTIFUL ONE” )0),!

Local farmer

1685

BREAD CHARITY :j]Y\ _an]f gml Zq dg[Yd hYjak`]k @gdq Ljafalq ;`mj[`]k! Ja[` Z]f]^Y[lgjk _anaf_ lg l`] hggj

*(l`;& <]n]dghe]fl g^ oYkl] \akhgkYd kqkl]ek ?YjZY_] _jaf\]jk$ [gehY[lagf ljm[ck!

Importance of buying products that will last for many years, rather than items that will break or be tossed after a short period of time.

BARONS CHARITY Ljmkl lg Z] kh]fl gf Y \akljaZmlagf g^ Zj]Y\ Yegf_ l`] egkl f]]\q Yf\ `gf]kl af`YZalYflk

-1906

SI TE . Location close to market

Vertical fields Terraces Vegetables

1658

1940

), FGN ;GN=FLJQ :DALR=< Kmh]jeYjc]lk ZgeZ]\ F]o Go]f # Go]f Yf\ E K! *f\ [geemfYd ^]]\af_ [alq k]l mh af ;gn]fljq lg ^]]\ `ge]d]kkf]kk Yf\ l`gk] ZgeZ]\

1945

/- g^ ^gg\ [gfkme]\ af :jalYaf oYk hjg\m[]\ af :jalYaf

1970s

N9DD=Q @GMK= >j]] ^gg\ [mhZgYj\% Ngdmfl]]jk lg `]dh l`gk] kljm__daf_ Yf\ qgml`k af ljgmZd]

1977

*()0%*()1 =plaf[lagf J]Z]ddagf Hjgl]klk

2018 ;gn]fljq J]hgjl hmZdak`]\

2019

;gn]fljq mkaf_ hdYkla[ h]dd]lk Yf\ jmZZ]j [jmeZk ^jge gd\ tires rubber to j]kmj^Y[] Yf\ [j]Yl] new roads.”

2019

2019 ;gn]fljq k ^ajkl [geemfalq kmh]jeYjc]l

%;gn]fljq [`gk]f Zq ^]]\af_ :jalYaf )'1! %9oYj\]\ z*eaddagf ^jge <]hYjle]fl g^ =\m[Ylagf lg hjgna\] gn]j *($((( Y[lanalq Yf\ e]Yd k]kkagfk lg [`ad\j]f

2017

2030 Waste free

DECEMBER %;gn]fljq [alar]fk Y\na[] oafk hj]kla_agmk fYlagfYd YoYj\ ^gj lY[cdaf_ ^gg\ hgn]jlq

2016 FmeZ]j g^ ^gje]j dYf\^add kal]k af OYjoa[ck`aj] egj] l`Yf loa[] fYlagfYd Yn]jY_]&

2025

O] [Yf hjg\m[] af dYj_] imYflala]k Yf\ Yl Y klYZd] jYl] Ydd q]Yj jgmf\$ oal`gml Z]af_ Y^^][l]\ Zq l]eh]jYlmj] [`Yf_]k

MOAT HOUSE COMMUNITY TRUST Kmee]j `gda\Yq [Yehk ^]]\af_ ca\k

FOODBANK NETWORK FOUNDED

2000 ?YjZY_] ljm[ck l][`fgdg_q [`Yf_]k \jYeYla[Yddq& Kg[a]la]k klYjl oYklaf_ ^gg\ egj] l`Yf ]n]j af l`] \]n]dgh]\ ogjd\&

“UNPRECEDENTED DISLOCATION AND DEPRESSION” )1,(!

Ghosts in the Machine

L@AK AK 9 >GG< O9J Dgj\ Oggdlgf )1,)!

Lae]daf] g^ ;gn]flj q

2006

2004

OYkl] kljYl]_q ^gj =f_dYf\ Yf\ OYd]k hmZdak`]\

1990s

Explore intangible, hidden aspects (systems) of Coventry Look at the systems from point of engagement to the wider system to overlap with other systems. KEY

=d]e]flk l`Yl dafc lg Y [aj[mdYj ][gfgeq

;GN=FLJQ AK 9 EAK=J9:D= HD9;= L@9L <J9AFK QGM G> DA>= *()0!

APPENDIX

- CASE STUDY - THINKING THROUGH MAKING WORKSHOPS - STUDIO MANIFESTO BOOKLET

BIBLIOGRAPHY

- IMAGE REFERENCES - ILLUSTRATED CULTURAL BIBLIOGRAPHY

DECLARATION 128

129

CAS E STUDY Coventry Cathedral Field Trip Case Study

130

GROUP WORK

131

132

GROUP WORK

133

134

GROUP WORK

135

136

GROUP WORK

137

138

GROUP WORK

139

140

GROUP WORK

141

T H I N K I N G T H R O U G H M A K I N G WORKSHOPS

â&#x20AC;&#x2DC;CASTINGâ&#x20AC;&#x2122; WITH

HOPE STEBBING

In this workshop we were taught how to make plaster casts. Through our experiments we were able to see how changes in composition of the mix altered the final result. As well we worked with different materials (masking tape, gauze, clay and foamboard) to see the inverted relief and patterns, of the material, once the plaster was removed from the cast.

C O N C R E T E

142

143

‘FUTURE FABRICS/ FUTURE FOSSILS’ WITH

HOLLY HENDRY

“LADIES RACK” In this workshop we paired up to convert ‘found’ unused household objects and recreate them for a new purpose, ‘future’. My partner’s studio project was focused on a womens shelter and mine of waste disposal, so we combined these themes to create a drying rack for ladies undergarments from what was previously a coat stand.

144

‘COOKING WITH CONCRETE’ WITH

RUSS COLEMAN

In this workshop we were asked to ‘cook’ with concrete, comparing casting concrete to baking. We experimented adding recycled aggregates and agents to the concrete to create a variety of effects when taken out the cast. Understanding how this concrete was constructed helped me in my design work in forming that my new concrete onsite could be made from recycled aggregate from this previous onsite structures.

145

146

GROUP WORK

147

148

GROUP WORK

149

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WRAP. Anaerobic digestion – the process. [online]. https://www. wrap.org.uk/content/anaerobic-digestion-process [Accessed: January 2020]

COVENTRY CATHEDRAL (CASE STUDY) Campbell, Louise. (1996). Coventry Cathedral: art and architecture in post-war Britain. [online]. http://www.openbibart.fr/item/display/10068/933720 [Accessed: December 2019]. COVENTRY CATHEDRAL. [online].https://www.coventrycathedral. org.uk/wpsite/our-history/ [Accessed: December 2019] Herbert, J. D. (Spring 1999). Bad faith at Coventry: Spence’s Cathedral and Britten’s “War Requiem”. [online]. University of Chicago Press Journals, Critical Enquiry 25. https://www.journals.uchicago. edu/doi/pdfplus/10.1086/448933 [Accessed: December 2019]. Historic England. (14 August 2019). The destruction and rebirth of Coventry Cathedral. [online]. https://heritagecalling.com/2019/08/14/ the-destruction-and-rebirth-of-coventry-cathedral/ [Accessed: December 2019]. Spence, Basil. (1962). Coventry Cathedral. [online]. AJ Buildings Library. https://www.ajbuildingslibrary.co.uk/projects/display/id/2254 [Accessed: December 2019] National Records of Scotland. (Sept 3, 2013). Basil Spence architect 1907-1976. [online]. Webarchive. https://webarchive.nrscotland.gov. 153

uk/20170903010727/http://www.basilspence.org.uk/worship/buildings/coventry-cathedral [Accessed: December 2019]. Architecture Planning & Landscape APL (no date). ARC3013 Lecture 1:Construction reduction [online]. https://blackboard.ncl.ac.uk/bbcswebdav/pid-3937989-dt-contentrid-13750891_1/courses/J1920-ARC3013/Lecture%201%20handout. pdf [Accessed: 23/04/2020] Architecture Planning & Landscape APL (no date.) ARC3013 Lecture 2: Construction Reuse [online]. https://blackboard.ncl.ac.uk/bbcswebdav/pid-3937990-dt-contentrid-13750892_1/courses/J1920-ARC3013/Lecture%202%20handout. pdf [Accessed: 23/04/2020] Architecture Planning & Landscape APL (no date). ARC3013: Lecture 3: Construction Recycling [online] https://blackboard.ncl.ac.uk/bbcswebdav/pid-3937991-dt-contentrid-13750893_1/courses/J1920-ARC3013/Lecture%203%20handout. pdf [Accessed: 23/04/2020] Baden-Powell, Charlotte. (Pub 1997. 2001). Architect’s Pocket Book Second edition [online.] https://blackboard.ncl.ac.uk/bbcswebdav/pid-4332266-dt-contentrid-14924265_1/courses/J1920-ARC3013/Architects%20Pocket%20 Book%202nd%20Edition.pdf [Accessed: 30/03/2020] Bridgens, Ben; Farmer, Graham. (2018). Creative upcycling: Reconnecting people, materials and place through making. Journal of Cleaner Production 189 (2018) 145-154 [online] https://blackboard.ncl.ac.uk/bbcswebdav/pid-3937994-dt-contentrid-13750840_1/courses/J1920-ARC3013/Bridgens%20et%20al.%20 -%202018%20-%20Creative%20upcycling%20Reconnecting%20people%2C%20materials%20and%20place%20through%20making.pdf [Accessed: 27/04/2020]. Carbon Trust (2004). Action Energy from the Carbon Trust (2004). GPG388 Good Practice Guide, Combined heat and power for buildings CHPA Combined heat and power association, energy efficiency for a better environment [online] https://blackboard.ncl.ac.uk/bbcswebdav/pid-3938051-dt-contentrid-13750845_1/courses/J1920-ARC3013/CHP_UK%20Good%20Practice%20Guide.pdf [Accessed: 17/04/2020] Clark, Roger; Pause, Michael. (March 2012, 4th edition). Precedents in Architecture: Analytical Diagrams, Formative Ideas and Partis. [online.] [Accessed: 08/04/2020] Concrete centre. (2008). Concrete and fire safety, How concrete contributes to safe and efficient structures [online] https://blackboard. ncl.ac.uk/bbcswebdav/pid-3938056-dt-content-rid-13750905_1/ courses/J1920-ARC3013/MB_Concrete_Fire_Safety_Sept08.pdf [Accessed: 13/04/2020] Concrete Centre MPA (Mineral Products Association). (first printed 154

2009 reprinted 2012) Thermal mass explained: what it is, how it is used and how it is measured. [online] https://blackboard.ncl.ac.uk/bbcswebdav/pid-3938061-dt-contentrid-13750916_1/courses/J1920-ARC3013/MB_Thermal_Mass_Explained_Feb15.pdf [Accessed: 09/04/2020] Concrete Centre MPA (Minerals Products Association). (2017). Concrete Industry Sustainability Performance Report 9th Report: 2015 performance data [online.] https://blackboard.ncl.ac.uk/bbcswebdav/pid-3938065-dt-contentrid-13750976_1/courses/J1920-ARC3013/TCC_9th_Performance_Report.pdf [Accessed:10/04/2020] Dezeen (16 April 2019). Lendager Group uses recycled material to build 20 townhouses in Copenhagen. [online.] https://www.dezeen.com/2019/04/16/upcycle-studios-townhouses-lendager-group-copenhagen-recycled-materials/ [Accessed: 07/04/2020] H.M.Government. (2019 online edition). Approved Document B_The Building Regulations 2010_Fire safety. Volume 2: buildings other than dwellings [online] https://assets.publishing.service.gov.uk/government/uploads/system/uploads/attachment_data/file/832633/Approved_Document_B__ fire_safety__volume_2_-_2019_edition.pdf [Accessed: 29/04/2020] H.M.Government. (2013 online version). Approved Document K_ The Building Regulations_ Protection from falling, collision and impact [online] https://assets.publishing.service.gov.uk/government/uploads/system/uploads/attachment_data/file/443181/BR_PDF_AD_K_2013.pdf [Accessed: 21/04/2020] H.M. Government. (2015 online edition). Approved Document M_ The Building Regulations 2010_ Access to and use of buildings Volume 2: buildings other than dwellings [online]. https://assets.publishing.service.gov.uk/government/uploads/system/uploads/attachment_data/file/441786/BR_PDF_AD_M2_2015.pdf [Accessed: 20/04/2020] Hoare Lee (2010). Energy &Sustainability Strategy [online] Campden Hill W8. Available at https://www.rbkc.gov.uk/idoxWAM/doc/Other-635796.pdf?extension=.pdf&id=635796&location=VOLUME1&contentType=application/pdf&pageCount=29 [Accessed: 03/04/2020]

Cooling Techniques in Buildings: Design Concepts and Architectural Interventions. [online]. Acta Technica Napocensis: Civil Engineering & Architecture Vol.55, No1 (2012) https://blackboard.ncl. ac.uk/bbcswebdav/pid-3938054-dt-content-rid-13750938_1/courses/J1920-ARC3013/Passive%20Cooling%20Techniques%20in%20 Buildings.pdf [Accessed: 20/04/2020] Kinsley, John. (no date) Rainwater: Principles, Design and Detail ARC 3013: English Building Regulations [online] https://blackboard.ncl.ac.uk/bbcswebdav/pid-4280516-dt-content-rid-14660741_1/courses/J1920-ARC3013/Rainwater%20Principles%2C%20Design%20and%20Detail.pdf [Accessed 21/04/2020] Kinsley, John. (no date). ARC3013 The Circular Economy in Construction [online] https://blackboard.ncl.ac.uk/bbcswebdav/pid-4265475-dt-contentrid-14573151_1/courses/J1920-ARC3013/The%20Circular%20Economy%20in%20Construction.pdf [Accessed 21/04/2020] Lifecycle Building Challenge (2013). Lifecycle building challenge: lifecycle building is designing buildings to facilitate disassembly and material reuse to minimise waste, energy consumption and associated greenhouse emissions. [online.] http://www.lifecyclebuilding.org [Accessed: 08/04/2020] Living Circular (November 12, 2019). Upcycle Studios – floor to ceiling circular economy Lendager Group [online.] https://www.livingcircular.veolia.com/en/city/upcycle-studios-floor-ceiling-circular-economy [Accessed: 07/04/2020] Macarthur, Ellen (no date). What is the circular economy? [online]. www.ellenmacarthurfoundation.org [Accessed: 10/04/2020] Tata Steel. (2016). RoofDek. ComFlor manual : Composite floor decking design and technical information TataSteel Structural roof decking and trays. [online]. www.tatasteelconstruction.com/roofdek https://blackboard.ncl. ac.uk/bbcswebdav/pid-3938066-dt-content-rid-13750848_1/courses/J1920-ARC3013/ComFlor%20manual%282%29.pdf [Accessed: 24/04/2020] Universalcooling.co.uk (no date). Air conditioning systems [online]. Oswaldtwistle, Accrington, Lancashire. [Accessed: 25/04/2020]

International Energy Agency (2011). IEA, OECD. Technology Roadmap, Energy-efficient Buildings: Heating and Cooling Equipment [online] https://blackboard.ncl.ac.uk/bbcswebdav/pid-3938052-dt-contentrid-13750859_1/courses/J1920-ARC3013/Energy%20Efficient%20 Buildings_heating%20and%20Cooling.pdf [Accessed: 09/04/2020]

Wilson, Rob. (8 August 2019). Old into new: Recycled bricks form façade of Copenhagen housing project Architects Journal (AJ). [online.] https://www.architectsjournal.co.uk/buildings/old-into-new-recycled-bricks-form-facade-of-copenhagen-housing-project/10043968. article [Accessed: 06/04/2020]

Islington.gov (2008). Good Practice Guide 5, Low energy cooling [online] www.islington.gov.uk [Accessed: 09/04/2020] Kamal. Mohammed Arif (7 August 2012). An Overview of Passive

Wrap.org.uk. (no date). Reclaimed building products guide: A guide to procuring reclaimed building products and materials for use in construction projects. [online.] https://www.wrap.org.uk/sites/files/ wrap/Reclaimed%20building%20products%20guide.pdf [Accessed: 08/04/2020]

IMAGE REFERENCES

All Images unless otherwise stated are the authors own: P g 12: Astley Castle. (2019). [p hotos]. Cred ited : Helene Binet & Archive P hotos. Wmarchitects.co.uk http ://www .w w ma rchitects.co.uk/p rojects/astley Bull Y ard , Coventry. (2011) [p hotos] Cred ited : S tep hen Richard s. Geog rap h.org .uk. http s://www.g eogra p h .o rg . uk/p hoto/2932978 Comp ost hand s crop . (und ated ). [p hoto]. Cred ited : S hutterstock. Material-chang e.com. al-chang e.com/our-services/comp osting /comp ost-hand s-crop /

http s://ww w .ma te ri -

Urb anKisaan – V ertical farming comp any in Ind ia. (2020). [p hoto]. Cred ited : not named . Med ium.com http s://med ium.com/@urb ankisaanfarms/urb ankisaan-a-vertical-farming -comp any-in-ind ia-a231ee5a0ed b Is air p ollution making you d umb ? (2018) [p hoto]. Cred ited : Kevin Frayer, Getty Imag es http s://www.wire d .c o .u k / article/air-p ollution-intellig ence-climate-chang e-research Why it’s critical to keep our community g ard ens and allotments g rowing d uring Coronovirus. (2020) [p h o to ]. Cred ited : Hull Food P artnership . S ustainweb .org . http s://www.sustainweb .org /b log s/ap r20_g rowing _cor o n a v i ru s / Rep urp osed S yd ney b rewery b oasts a p ioneering rooftop p ower p lant. (2016). [p hoto]. Cred ited : John Go l l i n g s . Inhab itat.com http s://inhab itat.com/rep urp osed -syd ney-b rewery-b oasts-a-p ioneering -rooftop -p ower-p lant/ P g 27: [P hotos]. Courtesy of Ad am Blacknell. Newcastle University (ed ited b y author) P g 28: [P hoto]. Courtesy of Matthew Marg etts. Newcastle University P g 30: [Top p hoto].Courtesy of Matthew Marg etts. Newcastle University [Mid d le and b ottom p hotos]. Courtesy of Kyros Luo. Newcastle University P g 55 : Jose Davila (2020). [p hotos]. Cred ited : not named . josed avila.mx. http ://josed avila.mx/#!sculp ture/zoom/ci8l/imag e_21mu Concep t Mod el (2019). [p hoto]. Cred ited : not named . Concep tmod el.tumb lir.com http s://concep tmod el.tumb lr.com/p ost/133952966613/nexttop architects-b y-jonyeung P g 57: [Main p hoto]. Courtesy of Ad am Blacknell. Newcastle University (ed ited b y author) P g 66: S tock b rickwork clad d ing p anel (2019) [p hoto]. https://www.dezeen.com/2016/05/21/studio-far¬ris-architects-barn-conversion-office-interior-de¬sign-jeng a-staircase-west-fland ers-b elg ium/ S teel Frame structure, d e V yld er V inck Taillieu, Caritas p sychiatric centre (https://www.architectural-review.com/buildings/frame-of-mind-de-vylder-vinck-taillieus-caritas-psychiatric-centre/10035199.article) Up cycled g lass wind ows (Lend ag er team) http s://www.d ezeen.com/2019/04/16/up cy¬cle-stud ios-townhouses-lend ag er-g roup -cop en-hag en-recycl e d -ma te rials/ P g 70: The Hig h Line. The Tid e (2011-2019). [P hotos]. Cred ited : Iwan Baan, Timothy S chench, Cameron David s o n , J u l i e n Lanoo, Liz Lig on. Dsrny.com http s://d srny.com/p roject/the-hig h-line. http s://d srny.com/p roject/the-tid e P g 76: JA Jap an Architect 93. (S p ring 2014). Kazuo S hinohara Comp lete Works in orig inal p ub lications. A year in the Metab olist future of 1972 (2014). [p hotos]. Cred ited : Ana Luisa S oares, Filip e Mag alhaes. F a i l e d a rchitecture.com http s://failed architecture.com/a-year-in-the-metab olist-future-of-1972/ P g 94: Bricks juxtap osition: Timeline contrast. (2019). [p hotos]. Cred ited : P eter S umthor. Afterhourstud io.com h ttp s :// www.afterhourstud io.com/p rojectjournal/b ricks-juxtap osition-at-the-house Muji launches three tiny, p refab houses. (2015). [p hotos]. Cred ited : MUJI Hut. Desig nind ab a.com. http s://www.d esig nind ab a.com/articles/creative-work/muji-launches-three-tiny-p refab -houses Up cycled g lass wind ows (Lend ag er team) (2019). [p hotos]. http s://www.d ezeen.com/2019/04/16/up cy¬c l e -s tu d i os-townhouses-lend ag er-g roup -cop en-hag en-recycled -materials/ Corten http s://sotech-op tima.co.uk/history-science-ap p lication-corten-rainscreen-clad d ing /

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ILLUSTRATED

CULTURAL

BIBLIOGRAPHY

DECLARATION STAGE 3 ACADEMIC PORTFOLIO DECLARATION SHEET Please complete the form below and submit along with your digital portfolio submission on blackboard.

Full Name

EMILYMINGORLANDOHARPER

Studio Name

GHOSTINTHEMACHINE

Student Number 160275193

You may reformat existing work into a single document / file or submit as separate documents / files. Please confirm below how many different documents / files you are submitting. Number of documents / files:

Tick each box below to confirm you have included this work as part of your academic portfolio submission. Academic portfolios not containing all of the below will be considered as incomplete.

NUAS SIGNAL - Organised talks for the student society including Andy Groarke (Carmody Groarke) and Jessica Reynolds (VPPR) - Olly Wainwright (Feb 19) - PLP Architects (Dec 4) - David Chipperfield Architects - Architecture Den (Nov 6) Northumbria Architecture Society - HaworthTompkins lecture on the benefits of a circular economy

RIBA

T R AV E L L I N G P R E S I D E N T S M E D A L S

EXHIBITIONS

VISITED/REVIEWED

SCREEN-PRINTING

- Organised and ran a team for the RIBA Travelling Presidents Medals held at Newcastle University - Organised a series of workshops and debates for students for Signal - Degree Show Exhibition Team

- V&A Tim Walker (Sept 2019) - Tate Modern Olafur Eliasson (Sept 2019) - RA Anthony Gormley (Sept 2019) - RA Helene Schjerfibeck (Sept 2019) - Castello Brera (Nov 2019) - Tate Britain William Blake (Dec 2019) - RA Lucian Freud (Dec 2019) - RA Picasso in paper (April 2020 online) - V&A Kyoto to Catwalk (May 2020 online) - Lynn Chadwick Exhibition (May 2020 online)

- I enjoy screen-printing in my spare time, and have been visiting Northern Print in Newcastle to practice my printing

ARC3001 Academic Portfolio Chapters:

Other modules:

Illustrated reflective report

Submission for ARC3013

Charrette

Submission for ARC3014

Project primer

Submission for ARC3015

Project staging

Submission for ARC3060

Project realisation

Stage 2 portfolio

Project synthesis Field trip case study Illustrated cultural bibliography Bibliography, references and image list Note - project realisation and synthesis can be included as two separate chapters or combined into one.

Tick to confirm that your submission includes the above elements, that each of these are entirely the product of your own work, and that all sources used (including any images that are not your own) are fully referenced.

END. 156

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