MIZUKI CORONADO Portfolio.
2018 - 2019
MIZUKI CORONADO Knowlton School of Architecture The Ohio State University
coronado.26@buckeyemail.osu.edu 614.441.2237
p. 1 - Index
Index.
p. 3
La Brea Museum l Autumn 2019
p. 13
Urban Co-Working Building l Spring 2019
p. 19
Park Pavillion l Autumn 2018
p. 23
Live-Work House l Autumn 2018
p. 29
Internship Experience l Summer 2018
p. 2
La Brea Tar Pits & Museum - Shining New Light on the History Museum - Autumn 2019 Critic : Stephan Turk Team: Mizuki Coronado, Nick Owens, Rui Qiu
La Brea Tar Pits and Museum is one of the most iconic landmarks in Los Angeles, CA. The project was to reconsider the design of the existing La Brea Tar Pits Museum and its adjacent landscape. Los Angeles is home to the largest working oil field in the United States, and the history of local oil exploitations is linked to this cultural landscape. The first museum and the La Brea Observation Pit was opened to reveal the phenomena of Pleistocene era animal and plant species reserved in asphalt. The exhibition allowed viewers to see materials as they were discovered in the ground while archeologist worked on site. The collection of cultural facilities is located in the 23-acre Hancock Park such as Japanese Pavilion, cultural center, and The La Brea Tar Pit. Visitors witness a series of in site natural scientific wonders located in the heart of one of the largest US cities. As the only active Pleistocene dig site in the world, this site is a National Natural Monument belonging to the LA County Museum of Natural History.
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Our focus was the fascinating involvement of many scientific field working as one to preserve and illustrate the history underneath the ground. This project expresses our interest with the enormous light columns traveling through the museum building lighting up the exhibitions. This project treats the entire site as “museum� since a variety of tar-pits exist throughout the landscape. Guests will interact with the history of the tar-pits as they walk through the site. The main paths dynamically cut through the site and connect between the main facilities. Visitors would experience a cohesive system throughout the site and the building. The diamond motif is developed from the diagrid system and throughout the entire project in different scales and functions. The major motif in the museum is the diamond light columns that strike through the building. The structural columns allow light into the building and act as a display. The building shape is corresponding with other civic projects such as the cultural center and tar pits. To emphasize the monumentality of the museum, the landscape is elevated one level. The main volume of the museum is lifted as well.
PERSPECTIVE IMAGE V-ray Rendar
p. 4
CONCEPT DEVELOPMENT
Inspired by Jesus Perea, an graphic artist, whoes arts articulate strong objectivity and ground expression. Developed the basic idea of dialecting with ground while showing objectivity.
Graphic Art from Jesus Perea Precedent
p. 5 - Tar Blea Museum
Graphic Development
Relief Model
3D Studey Model
SECTION V-ray Rendar
p. 6
Connecting Civic Objects
Museum + Tar Pit
Field Objects
Spread interior and exterior
Main Paths
Follow the diagrid Cut through the site
Diagrid System
Follow city elements
DIAGRID SYSTEM
MOTIF FROM DIAGRID
p. 7 - Tar Blea Museum
MOTIF CATALOG
Benches / Ground Light Frame
Pavilion
Lighting
Covered Parking
Bus Stop
La Brea Tar Pits Museum
Japanese Pavilion
Tar Pit
Public Bus Stop
Cultural Center
SITE PLAN
Circulation Tower
Main paths follow the diagrid through the important objects. The museum dialect with other existing civic projects such as the tar pit, and the culturel center.
Projection Exhibit
Exhibition
Exhibition
Description / Touch Panel
p. 8
Light Columns 3rd Level
Cafe Open Exhibision Observation Lab
7,000sqft 7,500sqft 2,900sqft
2nd Le vel
Closed Exhibision Theatre M Theatre S
168 seats
Class Rooms
870sqft x2
15,000sqft 300 seats
1st Level
Theatre L Lobby /Gift Shop Main Entrance
500 seats 7020sqft
Ground Level
Parking/Bus Parking Photo Studio/Library Strage Research Lab Administration Office
5,500sqft 26,000sqft 15,000sqft 17 offices
Existing Japanese Pavillion Existing Tar Pit New Culture Center ( by Peter Zumthor )
PROGRAM DIAGRAM
All public functions are in the object volume (1st, 2nd, and 3rd Levels), and private programs are under the fake ground (Ground Level). Some of the private areas are open for public to observe from the park such as ground level research lab.The diamond light columns strike through the buillding.
p. 9 - Tar Blea Museum
INTERIOR PERSPECTIVE - 3rd level looking open exhibision space
EXTERIOR PERSPECTIVE - Looking to North faรงade
p. 10
SECTION MODEL IMAGE
p. 11 - Tar Blea Museum
Open Exhibition / Cafe
Closed Exhibition/ Theatre/ Classroom
Lobby/Theatre
INTERIOR PERSPECTIVE
At the open exhibision space on the top level
MODEL IMAGE
Natural light goes through the columns illuminating every floor
MODEL IMAGE
Lighting columns goes through the exterior wall
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Downtown Columbus Co-Woking Tower - Natural Garden Within the Tower Multi-Use Tower Building - Spring 2019 Critic : Michael Baumbanger Team: Mizuki Coronado, Sophia Ins The idea of work and office has been shifted dramatically in the last couple decades. The traditional cubical, lined, closed off office layout has been reviewed and argued along with employee’s efficiency of work and health risks. The new idea of office organization is much more ambiguous and an emphasis variation of space qualities. The office buildings’ continuous risk is that they are one of the top resources to generate heat and consume energy. This exercise project is to propose a co-working/ office tower in downtown Columbus with the consideration of new ways of working style and urban environmental concerns. The project site is located on the south‐west corner of East Broad street and Grant Avenue in downtown Columbus. The site dimension is approximately 120’ along the East Broad street and 200’ along Grant avenue. The building includes a mix of programs such as, co-working space, supermarket, daycare, gym, café/restaurants, and HQ/ Suits office spaces for small businesses.
Our main concept of the stress-free work environment is to interact with natural light and greenery spaces. We started to bring green spaces through the building and vertically expanded for every office to have access to both green and natural light. The center atrium spaces act as interacting space such as circulation, eating space, or casual workspaces. The building is covered by the double skin structure with the leaf pattern of openings for better temperature and light control. As you ride in the elevators and moving through the building, members would see activities on each floor, which encourage them to interact more activities and people in the building. The floor plans generally classified three different types; for private businesses or HQ floor, flexible open co-working floor, and semi-private/quiet office floors. While maintaining urban façade, the inside of the building provides a very open, interactive, flexible and refreshing Eco environment for a variety of working styles.
Bring up the sorrounding nature through out the building void. Which creates the Vertical Atrium Space where users interact each other.
CONCEPT DIAGRAM
Bring neighbor green into the building
p. 13 - Urban Co-Working Tower
SOUTH PERSPECTIVE -Rhino V-ray
p. 14
PLANS
Lobby Floor Plan
Typical Co-Working Floors
p. 15 - Urban Co-Working Tower
Exterior Skin
Exterior Skin:GFRC Panel
Center Void Glass Skin
Center Void: Glass Skin
MODEL PHOTO - Restaurant Terrace
Glass Skin
2nd Skin: Glass
Semi-Private Private Offices
Columns Main Structure
Columbs : Main Structure Open/Co-Work Circulation 12th Floor Restaurant
11th Floor Restaurant and Terrace
10th Floor HQ
MODEL PHOTO - Looking down the atrium
Restaurant Terrace/Restaurant
9th Floor Co-Working
HQ Office
8th Floor Suits
Co-Working Space
7th Floor Suits
Stairs
Pu Pla
Executive Suits Suits
6th Floor Market and Co-working
Co-Working Space/Market
Pub Pla
5th Floor Suits
Executive Suits 4th Floor HQ
3rd Floor Daycare and offices 2nd Floor Main Lobby and Gym
Ground Level Plaza
Ground Level Parking
HQ Office
Elevator Towers
Daycare/Suits Main Lobby/Gym Ground Plaza
Ramp
R
2 Level Parking Garage Basement Level Parking
Gra
nd
MODEL PHOTO - South stairs
Av e.
T.
dS
roa E. B
PROGRAM DIAGRAM
p. 16
SURFACE STUDY
1’-0”
1’-6”
0’-6”
1 5 6 7 The patterns of exterior cladding come from forest foliages. it emphasizes the feeling that guests are sorrounded by nature.
8
10’-0”
2’-0”
1’-0”
9 10
2 3
11 3’-0”
12
4
Typical Openings’ size
p. 17 - Urban Co-Working Tower
1. I -Beam 2. Floor Finishing 3. Insulation 4. HVAC Duct 5. GFRC Panel 6. Double Glazing Curtain Wall 7. Mullion 8. Round Openings 9. Steel Angle Bracket 10. Anchor Plate 11. Support Beam 12. Steel Angle Bracket
p. 18
Northmoor Park Pavilion - Play with Poché -
Park Pavilion - Autumn 2018 Critic : Andrew Cruse This exercise project was to study how to use material thicknesses. That includes from thickness and thinness, transparent to opaque, and figured poché – in the design of a small pavilion shelter in a city park. The site is located on the beginning of the Olentangy Trail at Northmoor Park, Columbus, Ohio. This 3 acre site is part of a larger network of Columbus parks that connect different areas within Columbus. It is loosely bounded by the Olentangy Trail to the east, the Olentangy River to the west, the extension of Montrose Way to the north and the parking lot off of Northmoor Place to the south. The park is used for various activities year-round. These uses can include summer BBQs, winter solstice celebrations, early morning birdwatching, night bonfires, shelter from the rain and a place for a secret meeting place. the requirements for the project are to include enclosed space (2,000sqft), and covered space (4,000sqft).
p. 19 - Park Pavilion
My main concept for the project was to blend the structures of the pavilion with the beautiful surroundings. I was able to accomplish this by bringing a solid, heavy roof to the height of the surrounding natural canopy. The heavy density look of the roof serves a similar purpose as the surrounding trees. The roof is supported by multiple size columns merging in with the surrounding tress of a variety of shape and sizes. As one walks under the roof, the thickness of the roof changes to open up the space inside. In addition, guests are able to walk within and on top of the thick roof, providing for a more natural like experience. Each area inside, under and on top of the roof creates a distinctive type of space, but they are all representing the natural surroundings. The building is built around mature trees of a many of sizes. Some of the tress goes through the building allowing guests to have a closer look at wild animals and the tree itself. The pavilion provides various spaces such as indoor and outdoor. Guests can enjoy different level of nature depending on the season, purpose or climate.
CONCEPT DIAGRAM
The pavilion marged into sorrounding condition. Heavy roof is supported by round columns.
p. 20
SECTION B
SKYROOM -in poché
COVERED PICNIC SPACE -under poché
Inspired by James Turrell’s The Color Inside. Empty room with calm light and sounds.
p. 21 - Park Pavilion
Coveredoutdoorspace with extension of grass. Low ceiling.
SECTION C
OBSERVATION/MEETING ROOM -between poché
Reserving existing trees which go through the project. Visitors observe birds and animals from the observation room.
OLENTANGY RIVER
Sections SECTION Scale: 1:8D
D
C B Sections Scale: 1:8
ROOFTOP TERRACE
INDOOR COMMUNITY ROOM
Observe nature and river view from avobe. Observation platform from a bird point of view.
Indoor room where has high ceiling and glass walls. This room has open atmasphere with kitchen sets.
-above pochĂŠ
-under pochĂŠ
Sections Scale: 1:8
A
SITE PLAN
The grass continues to the south side of the roof covered area. The concrete paving is placed on the North Side of the project. Closed and finished floors allows indoor activities. Yet the high ceiling and transparent walls makes it very open and feel the surrounding nature. The paving continues to the outside trails. Some areas ofthe paved trails are intentionally uncovered. The roof shape plays an important role to differentiate space quality, the ground finishing emphasizes its space ambiguity and allows different activities in each area.
SECTION A
Sections Scale: 1:8
p. 22
Live-Work House: Life of Pottery - Blurred Lines and Interlocking of Work and Play Live-Work House - Autumn 2018 Critic : Andrew Cruse
The idea of live-work unit is re-gaining attention from young generation and small business owners. It cuts your commute time to second, allows a flexible schedule for work and family, and lower the utility costs. The project is located on the corner of Rich street and Gift street in downtown Columbus, Ohio, just off 2 major highways. While small stores, restaurants and warehouses are located along Rich street, there are many residential houses and a park along Gift street. The project scenario clients required two residential spaces, and commercial spaces. The potential owner and his family own ceramic business that expands creation, ceramic studio, products selling, and small cafĂŠ using their ceramic products. The owner has a co-owner who also lives in the building.
A common Live-Work unit consists commercial space on the first level and residential spaces are on the second level. However, artisans spend very long time and effort into their product and their job is very closely involve to their lifestyle. The project proposes new ways to dialog commercial and private spaces. The general design idea is that private and commercial volume interlock each other. They interact each other very tightly. Each volume has own materiality character and some spaces are connected to create flexible and ambiguity function spaces. The project proposes best relationship and space between private and work life by separating and connecting in both vertical and horizontal dimensions.
CONCEPT DIAGRAM The gray block indicates private spaces. The yellow block indicates commercial spaces. The two blocks interlocks each other.
p. 23 - Live-Work House
EXTERIOR PERSPECTIVE -Rhino V-ray
p. 24
PLANS - Gray area: Private, Yellow area: Commercial
W D Workshop Studio Kitchen
Living Dining 1
Kitchen Living 2
Office
PLAN-2nd LEVEL
EXTERIOR PERSPECTIVE -South Side Cafe Terrace
Shop Entrance Casher Shop/Gallery Patio
Entrance
Cafe W/D
Terrace
Strage
Entrance
PLAN-1st LEVEL
Commercial
-Utilizes wood and the windows are flash from exterior to welcome guests.
Private
-Utilizes black metal cladding and the windows stick out to owtside to provide visual expansion of the space inside
p. 26
p. 27 - Live-Work House
WORKSHOP PERSPECTIVE: Rhino V-ray Randar
p. 28
Internship Experiences Ryu Miterai & Associates Architect, Tokyo, Japan Summer 2018 I experienced three different competitions at Ryu Miterai & Associates Architect, in Tokyo, Japan. Mr. Miterai cherishes the concept that building should fit the community profile. As a result, the main idea of new design always began with extensive analysis of the community, such as climate, history, geographical conditions, population, community issues, and much more. He is very passionate and considerate of making the community better through architecture design with nature and technologies. I learned the importance of analysis to develop the concept and how to collaborate organic/nature and technologies in architecture. Moreover, I learned fast-pace production and quality model-making techniques. I assisted in the creation of renderings of their projects to present to their clients.
CAT HOUSE :Multi-Residential House Designfor Cat Owners: Rhino V-Ray Rendar
ON-SITE EXPERIENCE
-Observed concrete work and assisted by hitting the mold to vibrate concrete to avoid bug holes. This project was published on “ELLE DECORE JAPAN�
p. 29 - Internship
COMPETITION : Chizu Town Train Station Proposal
Chizu Town Geographic Study Model
Plan Sketch
Chizu Station Proposal Model
Chizu Station Proposal Model
COMPETITION : Library Proposal
Proposal Board Program Study
Library Proposal Study Model
Library Proposal Study Model
p. 30
Thank You