ACADEMIC WORK + PROFESSIONAL
Milagro Jassmine Carpio M.Arch.ll UCLA 2015 B.Arch Cal Poly Pomona 2012
ABSTRACT In an age of hyper-development, rapid population growth has caused unprecedented global & urban issues. Analysis and smart design is key, but often developers around the world neglect these issues by exploiting land with assembly line buildings that deplete our resources. With climate change, at risk coastal cities & deteriorating infrastructures, we as architects must look into designing ecological smarter cities for the future. Through architecture we can mend our evolving modern city. My academic portfolio investigates new strategies to rethink the relationship between social, environmental, & transportation which contribute to urban revitalization. Architecture is no longer just about the building.
CONTENTS ACADEMIC WORK NEUBIA. Tsunami Shelter. 2011 TERRA TOPO. Rehab Center. 2012
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STRIATING UNDULOUS. Installation. 2015 URBANSCAPES. Street Furniture. 2015 HYPERLOOP. Station Development. 2015
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CAPSULE SIMULATION. Projection Mapping. 2015
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ORCHESTRAL APPARATUS. Hyperloop Terminal. 2015
PROFESSIONAL MARK SCHEURER ARCHITECT Junior Designer (1 year 10 months) SCHEURER ARCHITECTS Intern- (3 months)
*M. (Graduate) U. (Undergraduate) R. (Experimental Research)
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NEUBIA Fall 2011. ARC 406 Prof. Axel Schmitzberger *2x8: TAUT 2012, Interim 2012 *PCMAX Scholarship Award
Neubia is a proposed evacuation shelter that addresses the growing need and urgency to implement safe zones for people during a tsunami crisis. This shelter also serves as science labs. 5
The greater the tsunami, the higher the occupancy levels become per floor. The building produces locally farmed aeroponic plants within plants within the wall spaces. The design opts to create a space that is iconic and serve as an urban farm and tsunami shelter for the community.
Team: Ashi Martin, Gaby Barajas, Jennifer Cheng, and engineering team.
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axial force distibution structural analysis
axial sesmic loads structural analysis
axial force distibution structural analysis
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SITE 1: SEASIDE, OR
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DE, OR SITE 2: ASTORIA, OR
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SITE 3: SAN FRANCISCO, CA
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RIA, OR
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Model 3/4�=1’
tsunami impact structural analysis
axial sesmic loads structural analysis
tsunami impact structural analysis
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hydroponic farm
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TERRA TOPO Spring 2015. Senior Thesis Prof. Axel Schmitzberger Aggregates are formed through the loose accumulation of separate elements. They have load-bearing behavior, particular mass distribution, spatial organization, surface textures and strong granular thresholds. The first study focused on accumulation of aggregates. With a kind of They were able to form a geometry while structurally stable. This design is an extension of the current topography. Differences between void and fill can help create different types of enclosures and openings. This plays in part with a rehab center in order to take advantage of open spaces, and being exposed to nature. The form can play a great deal as a structural component. Between building and landscape starts to become more vague, thus incorporating architecture into the landscape.
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EROSION
BY WIND, AND WATER, CAUSES EROSSION.
NETWORK OF CREVICES
AGGREGATES ERODED
RESULT THROUGH TIME, THEY BECOME VALLEYS, RIVERS,OR DELTAS.
Aggregate structural studies
Shotcrete Construction
10 Shotecrete Construction - Provides Thermal Mass - Flyash Concrete Mixture Recycled Rebar
- Framing for shotcrete
Window
Shotcrete Construction
- Allows natural daylighting - Metal Framing
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Topography
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1. ADMINISTRATIVE 2. CLINIC 3. DINING/KITCHEN 4. VEG. GARDEN 5. BEDROOMS 1. ADMINISTRATIVE 6. BATHROOMS 7. LAUNDRY 2. CLINIC 8. COMMON ROOM 3. DINING/KITCHEN 9. COUNSEL ROOM 4. VEG. GARDEN 10. LOCKERS 5. BEDROOMS 11. GYM 6. BATHROOMS 12. MULTIPURPOSE ROOM 7. LAUNDRY 13. STORAGE 8. COMMON ROOM 14. LANDSCAPE 15. HEALING GARDEN ROOM 9. COUNSEL 16. COURTYARD 10. LOCKERS 17. MULTI11. RECREATIONAL AREA GYM
12. MULTIPURPOSE ROOM 13. STORAGE 14. LANDSCAPE 15. HEALING GARDEN 16. COURTYARD 17. MULTI RECREATIONAL AREA
View from recreation area 12
View from main hallway
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STRIATING UNDULOUS Fall 2014. Suprastudio Prof. Marta Nowak & David Ross *UCLA Annual Showcase Selection
We sought to create linear surfaces to hot-wired using both Grasshopper 3D scripting and Kuka PRC. We had to think strategically about the curves we would create to loft. Thus we began using varying degrees of curvature and vertices in our curves. Our method begins with a first curve as a linear line with 1 degree curvature with varying degrees and the second curve varies in degree and vertices. By using this rule, we begin to construct different versions of these curves to loft. We also are able to create seamless transition from smooth to sharp edges in our surface. By interpolating more vertices, we are able to render different textures with our smooth and sharp edges.
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Team: Matt Whitham, Zeynep Aysu Ăœnal, and Chun Hua Chiu
SINGLE SINGLECUTS CUTSON ONSINGLE SINGLEMASS MASSVOLUME VOLUME
hotwire cut + mass
Chunhua Chiu | Milagro J. Carpio | Matt Whiham | Zeynep Aysu Unal
Suprastudio Tech Seminar | march 2 | fall 2014
10 LINEAR SURFACES ON SINGLE MASS VOLUME
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o Tech Seminar | march 2 | fall 2014
striating undulous
Chunhua Chiu | Milagro J. Carpio | Matt Whiham | Zeynep Aysu Unal
EXPLODED masses
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hotwire cut + mass | Suprastudio Tech Seminar | march 2 | fall 2014
Chunhua Chiu | Milagro J. Carpio | Matt Whiham | Zeynep Aysu Unal
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Cutting Assembly
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hotwire cut + mass
Chunhua Chiu | Milagro J. Carpio | Matt Whiham | Zeynep Aysu Unal
hotwire cut + mass
3 CUT 1 3 CUT 3 CUT
UnalChiu | Milagro J.hotwire cut |+Zeynep mass Chunhua Carpio | Matt Whiham Aysu Unal hotwire cut + massChunhua Chiu | Milagro J. Carpio | Matt Whiham | Zeynep Aysu
Chunhua Chiu | Milagro J. Carpio | Matt Whiham | Zeynep Aysu Unal
Suprastudio Tech Seminar | march 2 | fall 2014
Suprastudio Tech Seminar | march 2 | fall 2014
5 MASS VOLUMES WITH 2-3 CUT LINEAR SURFACES
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5 MASS VOLUMES WITH 2-3 CUT LINEAR SURFACES
5 MASS VOLUMES WITH 2-3 CUT LINEAR SURFACES Chunhua Chiu | Milagro J. Carpio | Matt Whiham | Zeynep Aysu Unal
hotwire cut + mass
Chunhua Chiu | Milagro J. Carpio | Matt Whiham | Zeynep Aysu Unal
Suprastudio Tech Seminar | march 2 | fall 2014
4CUT 33CUT
Chunhua Chiu | Milagro J. Carpio | Matt Whiham | Zeynep Aysu Unal
Suprastudio Tech Seminar | march 2 | fall 2014
4 5 MASS VOLUMES WITH 2-3 CUT LINEAR SURFACES 3 2 CUT 2 CUT 1STT1STT 2 CUT
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Chunhua Chiu | Milagro J. Carpio | Matt Whiham | Zeynep Aysu Unal
Suprastudio Tech Seminar | march 2 | fall 2014
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Masses Multiplied & Configured
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URBANSCAPES Spring 2015. Supralectures Advisor: Valerie Leblond Los Angeles is revitalizing their urban space. Through this initiative, People St. has brought parklets, plazas, and bicycle corrals to neighborhoods. Street furniture is able to transform a public space. It can be social, singular, playful, fun, provide shelter, interactive, and smart. With street furniture, one can introduce a new built environment one day, and be reconfigured the next into these plazas. So one can re-imagine the design of street furniture to be more transformative as the plazas it occupies. One day it can act as a playground, while the next act as stand and seating for a concert, be informative, network, make an artistic statement, or harness energy? To achieve street furniture this interactive one must implement digital technology along with architectural and artistic expression.
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LOW TECH LOW TECH
chess game
chess game
planter
planter
water recycling collector
water recycling collector
storage space
storage space
recycling bin
recycling bin
chalk canvas
chalk canvas
charging station
charging station
digital game touchscreen
digital game touchscreen
map
map
vending machine
vending machine
solar panel
solar panel
art touchscren
art touchscren
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HIGH TECH HIGH TECH
1. Low tech and High tech functions for plug in module. 2. Single unit with plug in. 3. Module connections. They can easily attach to the next piece and be rotated to change orientation.
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shelter
plugin
interactive
social
basic
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HYPERLOOP STATION Station Development
Winter 2015. Suprastudio Prof. Craig Hodgetts, Marta Nowak, & David Ross The design of the Hyperloop station design involves considering the design of the capsule. Step one was choosing how one would enter the capsule. We chose cartridge. Then we engineered a new spiral mechanism that would be able to dispatch capsules and cartridges in and out fluidly. Second, was having modular platforms to provide easy access for drop-off and pickup. Third, we thought of introducing a first class capsules for the business man, or any vip guest. Thus the seating being more private, spacious, comfort, and entertainment.
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Team: Jason Zhang, Shuyan Zhang, Susan Chow, and Kai Quian
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Tube and Pylon Construction
Aerodynamics
Capsule Features
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Seating + Amenities
What is Hyperloop?
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Loading Platform
Departure and Arrival Levels
View from main lobby 27
View from platform
+48’ D3 F +30’ DROPOF
0’ GROUND -18’ B1 -36’ B2
B3
-54’ B3 +30’ A3
CKUP +12’ PI
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Mechanism, Platforms, VIP, and Egress
Model 29
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CAPSULE SIMULATION Winter 2015. Suprastudio Prof. Marta Nowak
Problem: People have no idea about Hyperloop have prejudgment think it is claustrophobic Solution: To show them how comfortable and safe it is to travel in Hyperloop. Methodology: The best way to achieve our vision was through projection mapping. Modeled in Rhino, rendered camera in Maya, animated in After Effects. Finally, it was projected onto a 1’-1’ scaled mock-up with CNC fabricated interior.
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Team: Zeynep Aysu Ünal, Sruti Kumar, and Marieh Mehran
Reading Lights Camera Touch screen
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Speakers located at the heardrest Temperature Controlled
Bag storage Piezoelectric Flooring
Cross Section
Projection performance
Projection mapping | EXPERIENCING BY PERFORMING
Composed Storyboard
Sruthi Kumar | Milagro J. Carpio | Marieh Mehrannezhad | Zeynep Aysu Unal
Suprastudio Tech Seminar | march 2 | winter 2015
Tickets are booked via app.
Ceiling highlights for boarding.
flooring lights guide you to| the seat SeatBY number appears on the screen Projection mapping EXPERIENCING PERFORMING
Door slides open
Bag is slid under the seat
Side of the seat highlights
Screen activated on touch | Zeynep Aysu Unal Sruthi Kumar | Milagrois J. Carpio | Marieh Mehrannezhad
Suprastudio Tech Seminar | march 2 | winter 2015
Story Board
Screen welcomes passenger with Hyperloop symbol
Projection setup
Seat belts come on
Acceleration mapping | EXPERIENCING Screen shows route Projection BY PERFORMING
Green light blinks to alerts acceleration
menu appears on screen
Lights turn blue for acceleration
Passenger selects control Sruthi Kumar | Milagro J. Carpio | MariehTemprature Mehrannezhad | Zeynep Aysufor Unal
Suprastudio Tech Seminar | march 2 | winter 2015
Story Board
seat
Passenger plays with the temperature control
Passenger uses screen as mirror
Lights blink green to alert deceleration
Unboarding lights come on
Doors slide open
flooring lights recede as passenger exits Capsule turns off all lights
Story Board
Lights turn blue and capsule decelerates
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ORCHESTRAL APPARATUS
Los Angeles | Hyperloop Terminal Spring 2015. Suprastudio Prof. Craig Hodgetts, Marta Nowak, & David Ross Hyperloop gives us the opportunity to change our city, especially on our site over the Los Angeles river. This terminus station tries to respond to the challenges of the sight by elevating the ground to alleviate the access of right of way, train to cars to pedestrians to Hyperloop. By doing so we create different height levels for programming stacked on top of each other.
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The station is very much driven by our mechanism, our spirals and platforms form in adjacent to our drop off and pickup points for easy access. It was important to stitch both sides of the river by making it more accessible and pedestrian friendly.
Teammate: Jason Zhang
Access zones + Check in 36
Platforms
Tube Mechanism
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Pedestrian Flow
Drop off Interior 38
Platform Interior
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WORK EXPERIENCE Mark Scheurer Architect Junior Designer October 2012 – July 2014 (1 year 10 months)
3A
Scheurer Architects Intern July 2010 – September 2010 (3 months )
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2A
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Duties: Schematic, Developmental, Construction Documentation, Schematic, Construction Administration, 3D modeling, site analysis, roof calculations, IBC code
Brookfield | Detach Residences (3,000-5,000 sq. ft.) | Site Plans
analysis, window studies, material selection. Other: Marketing, Graphics, Archiving, and Business Operations.
Verlaine Estates | Detach Residences ( 3,718 sq. ft.) | Elevation Vignettes PLAN 3 ELEVATION A
PLAN 1 ELEVATION B
Parc Foret At Montreux | Detach Residences ( 3,000-5,000 sq. ft.)
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Hideaway | Attach Residences ( 1,000-3,000 sq. ft.)
Brookfield | Detach Residences (3,000-5,000 sq. ft.) plan 1