Biblyography

from RESTLESS GEOGRAPHIES Louella Exton

Conclusion

With Australia’s Economic Exclusions Zone now one of the largest in the world, and, with the limits of the virtual zoom extents having now been reached, whats next? Whats next for ‘Australian’ territory, and what is next for remote visual access of this territory? And, what does this mean for the role of the designer?

But perhaps more interestingly, how has this process of remotely zooming in informed my ideas of ‘remoteness’, and what can this process of zooming in and establishing areas of interest offer to a practice of landscape architecture - whether that be my own practice moving forward, or, for the discipline more generally?

Critically reflecting, was my search for ‘remote’, both conceptually and spatially on the map, as much driven by an aesthetic desire as it was informed by environmental or spatial conditions? Yes. Was I perhaps more interested in finding locations that looked or felt more ‘remote’ than areas defined by interesting relationships between conditions? Yes. This perhaps offers something to the idea of ‘remoteness’.

Perhaps a definition of ‘remoteness’ has become, throughout this project, less about either the ‘traditional’ (the image of a hot dry endless red expanse, in the middle of nowhere, miles away from help) or my personal alternative (a place that instills a feeling of distance with one’s self, regardless of the location or physical distance from a point of origin), but instead something in-between these ideas. Is the ‘remote’ then an ‘aesthetic’ as much as it is a measure of physical distance, or personal distance from one’s self?

If then the ‘remote’ is considered as ‘aesthetic’ how does this manipulate, but also open up, the process of exploring sites? And, if my future landscape architectural practice is concerned with developing projects that interrogate the hidden ‘activity’ that lies ‘out there’ (both in the sense of physical distance, but also in the collective’s understanding of the world around us), then the perhaps this process has something to offer the selection of sites.

The Bouncing between path and plot, is like venturing out and then retreating back inwards, imagining a point of isolation and then imagining the feeling of wanting to return back to the safety of infrastructure. The sites that emerged from this process are definitely worthy of future design research exploration.

The process of finding these sites, it worth developing, but also worth remaining critical about. Is the process of zooming in from a far not too dissimilar to that of a colonising practice? And Is the craving of finding the ‘new’ or ‘undiscovered’ project concept some what similar to searching for new areas to expand one’s territory. As Designers, there can be desire, amongst a culture of innovation, to work with the ‘new’ and the ‘hidden’, especially with more focus (and perhaps even a trend) towards anthropocentric activity. A refection for myself and for others would be to remain mindful of why I am selecting the sites and project concepts I am. Remain critical to how you are expanding your territory and which conceptual spaced you are occupying. Remain aware of any potential fallout.

Reflection on process

Not knowing, or not being able to articulate the project was a place I found myself in for the majority of the semester. It was not until about 3 weeks out from the end the the projects narrative came together.

While the clarification and ‘light bulb’ moment was immensely satisfying and exciting, it came with the realisation of how much work was still involved to see out the project. The concept had essentially set up a whole new exercise of mapping; a exploration of personally zooming into the ‘remote’ (south australia) via the ‘remote’ (a virtual platform).

With limited time, some aspects of the mapping fell short, as particular elements of the process were not executed to the greatest level of detail. Without the level of detail being carried across, and developing, across each scale of the map, it meant the outcomes of the process formed in quite a particular way and leaves the question, what would they have become if the level of detail was consistent throughout the process?

For example, the 4 layers of information, Topography, Climate, Red Dirt, and National Remoteness, that were used to create the ‘remote’ boundary, started off using 4 different base maps at the Australian scale. Here, the detail of each piece of information was more or less consistent with each. As I moved to the next scale however, I ran out of time to update this information in some ways. That is, I was able to find a new level of detailed topographic data, and I was able to zoom into the aerial image, however I did not leave myself enough time to search for more detailed climatic conditions or a more detailed study of ‘distance from services by locality’ study’. This meant the way in which each of the four elements were impacting the creation of the ‘remote’ boundary was inconsistent, especially when, by the fourth scale, the only piece of information that was more detailed from the original layer used, was that of the aerial image - this also happened to be one of more ‘subjective’ pieces of informative information (the extraction of an outline was determined by my eye, instead of a scientific analysis).

While this is frustrating in the sense that it doesn’t feel like I saw out a ‘fair test’ in a sense, it does make for an interesting note to my conclusion. With the ‘remote’ boundary becoming in some ways more a ‘subjective’ construct, dominated by my personal visual interoperation, ideas of aesthetics and the image begin to speak to ideas of remoteness.

Remoteness as ‘nothingness’ Remoteness as ‘Everything’ or ‘Something’ Remoteness as a combination of the two Remoteness as the feeling of distance from one’s self Remoteness as an aesthetic Remoteness as a site Remoteness as a concept Remoteness as a project

‘Something’ as

‘Something’ as hidden activity ‘Something’ as roads ‘Something’ as nuclear testing ‘Something’ as systems and processes ‘Something’ as invisible history ‘Something’ as material flows ‘Something’ as stories ‘Something’ as paths once traveled ‘Something’ as remote coverage ‘Something’ as points on a map ‘Something’ as narrative ‘Something’ as the horizon

‘Nothingness’ as

‘Nothingness’ as white space ‘Nothingness’ as emptyness ‘Nothingness’ as negative space ‘Nothingness’ as the feeling of distance ‘Nothingness’ as the feeling of numbness ‘Nothingness’ as no nuclear fall out ‘Nothingness’ as an endless expanse ‘Nothingness’ as a ongoing repetitive visual ‘Nothingness’ as the horizon

‘Remote’ Australia as

Remote Australia as ‘out there’? Remote Australia as the place where hidden activity lies Remote Australia as ‘nothingness’ but ‘everthing’ Remote Australia as a potential site for future design research project Remote Australia as the image built into our national identity Remote Australia as an aesthetic

‘Fallout’ as

Fallout as losing your bearings Fallout as confusion Fallout as a conceptual break through in ones process Fallout as unintended effect Fallout as an accident Fallout as a light bulb moment Fallout as impressive

‘Aesthetic’ as

Aesthetic as visual Aesthetic as ‘a vibe’ Aesthetic as ‘an image’ Aesthetic as a feeling Aesthetic as more than visual Aesthetic as the every day Aesthetic as a written description

Document as

Document as a reflection Document as a method for finding site’s Document as ongoing exploration Document as a learning process Document as a collection of subjective maps Document as a tool for understanding ‘remoteness’ Document as a collection of territories

With thanks to

Dinkums Print and Copy for their patience and assistance in scanning over 100 A1 layers of trace paper.

Oskar Rosa for his assistance with deriving a grasshopper script capable of fallout data translation.

Elise and Tom, for their ongoing support, critical feedback, and interest in my project. Thank you for showing me a whole new approach to landscape.

Likavčan, L 2019, ‘The Globe’ in Introduction to Comparative Planetology, Strelka Press, pp.36-59

Parliament of Australia 1985, British Nuclear Tests in Australia - Royal Commission, viewed 08 March 2021, < https://parlinfo.aph.gov.au/parlInfo/search/ display/display.w3p;query=Id:%22publications/tabledpapers/HPP032016010928%22;src1=sm1>

Gilbert, J 2014 ‘On the remote’, KERB Journal of Landscape Architecture: Remoteness, Edition 22, pp. 114-117

Gladwell, S 2014 ‘Proposed journey to the googled centre of Australia’, KERB Journal of Landscape Architecture: Remoteness, Edition 22, pp. 118-122

National Map 2021, Data Layer: Roads, web map, National Australia Government, viewed between 08 March - 20 May 2021, < https://nationalmap.gov. au>

National Map 2021, Data Layer: State Borders, web map, National Australia Government, viewed between 08 March - 20 May 2021, < https://nationalmap.gov.au>

National Map 2021, Data Layer: Prohibited Areas, web map, National Australia Government, viewed between 08 March - 20 May 2021, < https://nationalmap.gov.au>

National Map 2021, Data Layer: Airport Runway Centrelines and Landing Grounds Line Features, web map, National Australia Government, viewed between 08 March - 20 May 2021, < https://nationalmap.gov.au>

National Map 2021, Data Layer: Mine Areas, web map, National Australia Government, viewed between 08 March - 20 May 2021, < https://nationalmap.gov.au>

Seas and Submerged Lands Act 1973, Data Layer: All Layers, web map, Geoscience Australia, viewed between 08 March - 20 May 2021, < https:// geoscience-au.maps.arcgis.com/apps/webappviewer/index.html?id=64f50e90e9f545dc9fecc3f0a566ed13>

Map of Indigenous Australia, The AIATSIS map of Indigenous Australia, web map, AIATSIS, viewed between 08 March - 20 May 2021, <https://aiatsis. gov.au/explore/map-indigenous-australia>

Australian Nuclear and Uranium Sites, Australian Nuclear and Uranium Sites, web map, Australian Map, viewed between 08 March - 20 May 2021, <https://nuclear.australianmap.net>

Google Maps, Australia, web map, Google, viewed between 08 March - 20 May 2021, < https://www. google.com/maps >

Google Maps, Australia: Street View, web map, Google, viewed between 08 March - 20 May 2021, < https://www.google.com/maps/@37.7051613,144.5438356,14z>

Sky Vector Aeronautical Charts, World Hi, web map, Sky Vector, viewed between 08 March - 20 May 2021, < https://skyvector.com>

Aeronautical Information Package, AIP Charts: ERC High, ERC Low, VTC, and VNC, web map, Airservices Australia, viewed between 08 March - 20 May 2021, < https://www.airservicesaustralia.com/aip/ aip.asp?pg=60&vdate=05NOV2020&ver=1>

Geoscience Australia, Geoscience Australia Portal, web map, Australian Government, viewed between 08 March - 20 May 2021, < https://portal.ga.gov. au/restore/171c3fef-25fa-4a28-bbb0-5c1de5b32d8c >

Geoscience Australia, Topographic Maps, web map, Australian Government, viewed between 08 March - 20 May 2021, < http://www.ga.gov.au/ scientific-topics/national-location-information/topographic-maps-data/topographic-maps> Map Resources, web map, The University of Melbourne, viewed between 08 March - 20 May 2021, < https://unimelb.libguides.com/GIS >

Australian Institute of Family Studies, Map of Australia Showing Varying Geographic Remoteness - Accessibility Remoteness Index Australia 2006, web map, Australian Government, viewed between 08 March - 20 May 2021, < https://aifs.gov.au/publications/families-regional-rural-and-remote-australia/figure1>

Unknown Author, 1985, Coverage of Fallout: Operation Buffalo - 01, Map, Parliament of Australia British Nuclear Tests in Australia - Royal Commission - pg. 292, viewed 08 March 2021, < https:// parlinfo.aph.gov.au/parlInfo/search/display/display. w3p;query=Id:%22publications/tabledpapers/HPP032016010928%22;src1=sm1>

Unknown Author, 1985, Coverage of Fallout: Operation Buffalo - 02, Map, Parliament of Australia British Nuclear Tests in Australia - Royal Commission - pg. 295, viewed 08 March 2021, < https:// parlinfo.aph.gov.au/parlInfo/search/display/display. w3p;query=Id:%22publications/tabledpapers/HPP032016010928%22;src1=sm1>

Unknown Author, 1985, Coverage of Fallout: Operation Buffalo - 03, Map, Parliament of Australia British Nuclear Tests in Australia - Royal Commission - pg. 296, viewed 08 March 2021, < https:// parlinfo.aph.gov.au/parlInfo/search/display/display. w3p;query=Id:%22publications/tabledpapers/HPP032016010928%22;src1=sm1>

Unknown Author, 1985, Coverage of Fallout: Operation Antler - 01, Map, Parliament of Australia British Nuclear Tests in Australia - Royal Commission - pg. 362, viewed 08 March 2021, < https:// parlinfo.aph.gov.au/parlInfo/search/display/display. w3p;query=Id:%22publications/tabledpapers/HPP032016010928%22;src1=sm1>

Unknown Author, 1985, Coverage of Fallout: Operation Antler - 02, Map, Parliament of Australia British Nuclear Tests in Australia - Royal Commission - pg. 364, viewed 08 March 2021, < https:// parlinfo.aph.gov.au/parlInfo/search/display/display. w3p;query=Id:%22publications/tabledpapers/HPP032016010928%22;src1=sm1>

Unknown Author, 1985, Coverage of Fallout: Operation Antler - 03, Map, Parliament of Australia British Nuclear Tests in Australia - Royal Commission - pg. 365, viewed 08 March 2021, < https:// parlinfo.aph.gov.au/parlInfo/search/display/display. w3p;query=Id:%22publications/tabledpapers/HPP032016010928%22;src1=sm1>

Unknown Author, 1985, Coverage of Fallout: Operation Mosaic - 01, Map, Parliament of Australia British Nuclear Tests in Australia - Royal Commission - pg. 252, viewed 08 March 2021, < https:// parlinfo.aph.gov.au/parlInfo/search/display/display. w3p;query=Id:%22publications/tabledpapers/HPP032016010928%22;src1=sm1>

Unknown Author, 1985, Coverage of Fallout: Operation Mosaic - 02, Map, Parliament of Australia British Nuclear Tests in Australia - Royal Commission - pg. 255, viewed 08 March 2021, < https:// parlinfo.aph.gov.au/parlInfo/search/display/display. w3p;query=Id:%22publications/tabledpapers/HPP032016010928%22;src1=sm1>

Web Pages

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Geoscience Australia, n.d., Uranium, Australian Government Geoscience Australia, viewed between 08 March - 20 May 2021, < https://www.ga.gov. au/data-pubs/data-and-publications-search/publications/australian-minerals-resource-assessment/ uranium>

Geoscience Australia, n.d., Maritime Boundary Definitions, Australian Government Geoscience Australia, viewed between 08 March - 20 May 2021, < https://www.ga.gov.au/scientific-topics/ marine/jurisdiction/maritime-boundary-definitions> What is the Prime Meridian - and why is it in Greenwich?, n.d. Royal Museums Greenwich, viewed between 08 March - 20 May 2021, < https://www. rmg.co.uk/stories/topics/what-prime-meridianwhy-it-greenwich>

Woomera Prohibited Area Exclusion Periods, n.d., Department of Defence - Australian Government, viewed between 08 March - 20 May 2021, < https://www1.defence.gov.au/bases-locations/sa/ woomera/access/exclusion-periods >

Unknown Fields Division, n.d., Mission, Unknown Fields Division, viewed between 08 March - 20 May 2021, < http://www.unknownfieldsdivision.com >

Unknown Fields Division, n.d., Winter 2010_Never Never Lands, Unknown Fields Division, viewed between 08 March - 20 May 2021, < http://www. unknownfieldsdivision.com/winter2010outbackaustralia-neverneverlands_prospectingindreamtime. html>

Geoscience Australia, n.d. History of Australia’s Minerals Industry, Australian Governement - Geoscience Australia, viewed between 08 March - 20 May 2021, < http://www.australianminesatlas.gov. au/history/index.html>

Andrew Learmonth, 2017. How to read aeronautical charts, Remote Aviation Australia, viewed between 08 March - 20 May 2021, <https://remoteaviation. com.au/how-to-read-aeronautical-charts/>

Mark Vanhoenacker, 2015. A pilot explains waypoints - a hidden geography of the sky, Conde Nast Traveler, viewed between 08 March - 20 May 2021, <https://www.cntraveler.com/stories/2015-06-02/apilot-explains-waypoints-the-hidden-geography-ofthe-sky>

British nuclear tests at Maralinga, n.d., Wikipedia, viewed between 08 March - 20 May 2021, < https://en.wikipedia.org/wiki/British_nuclear_tests_ at_Maralinga#Operation_Antler>

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Territorial Waters, n.d., Wikipedia, viewed between 08 March - 20 May 2021, < https://en.wikipedia. org/wiki/Territorial_waters#Exclusive_economic_zone >

Baseline Sea, n.d. Wikipedia, viewed between 08 March - 20 May 2021, < https://en.wikipedia.org/ wiki/Baseline_(sea) >

International Waters, n.d. Wikipedia, viewed between 08 March - 20 May 2021, < https://en.wikipedia.org/wiki/International_waters> How airspace is managed, n.d. Airservices Australia, viewed between 08 March - 20 May 2021, < https://www.airservicesaustralia.com/about-us/ our-services/how-air-traffic-control-works/how-airspace-is-managed/>

Kate Taylor, 2020. Living in the Woomera Prohibited Area, Bush Heritage Australia, viewed between 08 March - 20 May 2021, <https://www.bushheritage. org.au/blog/when-weird-becomes-normal>

Bruce Newton, 2016. Australia’s nuclear tourist hot spot, Australian Geographic, viewed between 08 March - 20 May 2021, <https://www.australiangeographic.com.au/topics/history-culture/2016/09/ australias-nuclear-tourist-hot-spot/>

Images - Supporting Pages

01. Unknown Author and Date, The British Empire at its territorial peak in 1921, Image, Wikipedia, viewed 20 May 2021, <https://en.wikipedia. org/wiki/British_Empire#/media/File:British_Empire_1921.png>

02. Vadac, 2008, World Map with Greenwich Line, Image, World Map Blank and Printable, viewed 18 May 2021, <https://worldmapblank.com/tag/worldmap-with-equator-and-prime-meridian/>

03. Unknown Author and Date, A map shows the route the ships of the First Fleet took as they sailed from England to Australia, Image, Encyclopædia Britannica, Inc., viewed 18 May 2021, <https://kids. britannica.com/kids/article/First-Fleet/601855>

04. Kingj123 and 2007, World map showing a traditional definition of the North-South divide, Image, Wikipedia, viewed 20 May 2021, <https://en.wikipedia.org/wiki/North–South_divide_in_the_World#/ media/File:North_South_divide.svg> 06. Unknown Author and Date, Screenshot of: Eyre Hwy, Screenshot, Google, viewed 18 May 2021, <https://www.google.com/ maps/@-27.8313693,138.0336271,7173381m/ data=!3m1!1e3?hl=en>

07. Unknown Author and Date, Screenshot of: The Outback Hwy, Screenshot, Google, viewed 18 May 2021, <https://www.google.com/ maps/@-27.8313693,138.0336271,7173381m/ data=!3m1!1e3?hl=en>

08. Unknown Author and Date, Screenshot of: The Outback Hwy / Birdsview Track, Screenshot, Google, viewed 18 May 2021, <https://www.google. com/maps/@-27.8313693,138.0336271,7173381m/ data=!3m1!1e3?hl=en>

09. Unknown Author and Date, Screenshot of: B83 - The Outback Hwy, Screenshot, Google, viewed 18 May 2021, <https://www.google.com/ maps/@-27.8313693,138.0336271,7173381m/ data=!3m1!1e3?hl=en>

010. Unknown Author and Date, Screenshot of: B83 - The Outback Hwy, Screenshot, Google, viewed 18 May 2021, <https://www.google.com/ maps/@-27.8313693,138.0336271,7173381m/ data=!3m1!1e3?hl=en>

011. Unknown Author and Date, Screenshot of: Olympic Dam Mine, Screenshot, Google, viewed 18 May 2021, <https://www.google.com/ maps/@-27.8313693,138.0336271,7173381m/ data=!3m1!1e3?hl=en>

012. Unknown Author and Date, Screenshot of: Olympic Dam Mine, zoom in, Screenshot, Google, viewed 18 May 2021, <https://www.google.com/ maps/@-27.8313693,138.0336271,7173381m/ data=!3m1!1e3?hl=en>

013. Unknown Author and Date, Screenshot of: Olympic Dam Mine Road, Screenshot, Google, viewed 18 May 2021, <https://www.google.com/ maps/@-27.8313693,138.0336271,7173381m/ data=!3m1!1e3?hl=en>

014. Unknown Author and Date, Screenshots of: Stuart Hwy, Screenshot, Google, viewed 23 May 2021, <https://www.google.com/ maps/@-27.8313693,138.0336271,7173381m/ data=!3m1!1e3?hl=en>

015. Unknown Author and Date, Screenshot of: Unknown Road, Screenshot, Google, viewed 08 May 2021, <https://www.google.com/ maps/@-27.8313693,138.0336271,7173381m/ data=!3m1!1e3?hl=en>

016. Unknown Author and Date, Screenshot of: Photosphere Simpson Desert, Screenshot, Google, viewed 23 May 2021, <https://www.google.com/ maps/@-27.8313693,138.0336271,7173381m/ data=!3m1!1e3?hl=en>

017. Unknown Author and Date, Screenshots of: Stuart Hwy, Screenshot, Google, viewed 23 May 2021, <https://www.google.com/ maps/@-27.8313693,138.0336271,7173381m/ data=!3m1!1e3?hl=en>

018. Unknown Author and Date, Screenshots of: Stuart Hwy, Screenshot, Google, viewed 23 May 2021, <https://www.google.com/ maps/@-27.8313693,138.0336271,7173381m/ data=!3m1!1e3?hl=en>

019. Unknown Author and Date, Screenshot of: Unknown Road, Screenshot, Google, viewed 23 May 2021, <https://www.google.com/ maps/@-27.8313693,138.0336271,7173381m/ data=!3m1!1e3?hl=en>

020. Unknown Author and Date, Screenshot of: Unknown Airfield, Screenshot, Google, viewed 23 May 2021, <https://www.google.com/ maps/@-27.8313693,138.0336271,7173381m/ data=!3m1!1e3?hl=en>

021. Unknown Author and Date, Screenshot of: Emu Field Test Site, Screenshot, Google, viewed 23 May 2021, <https://www.google.com/ maps/@-27.8313693,138.0336271,7173381m/ data=!3m1!1e3?hl=en>

022. Unknown Author and Date, Screenshot of: Emu Field Test Site - max. Zoom in, Screenshot, Google, viewed 23 May 2021, <https://www.google.com/maps/@27.8313693,138.0336271,7173381m/ data=!3m1!1e3?hl=en> 025. Unknown Author and Date, Screenshot of: Unknown road, Screenshot, Google, viewed 23 May 2021, <https://www.google.com/ maps/@-27.8313693,138.0336271,7173381m/ data=!3m1!1e3?hl=en>

026. Unknown Author and Date, Screenshot of: Unknown road, Screenshot, Google, viewed 23 May 2021, <https://www.google.com/ maps/@-27.8313693,138.0336271,7173381m/ data=!3m1!1e3?hl=en>

027. Unknown Author and Date, Screenshots of: Photosphere, West Simpson Desert, Screenshot, Google, viewed 23 May 2021, <https://www.google.com/maps/@27.8313693,138.0336271,7173381m/ data=!3m1!1e3?hl=en>

028. Unknown Author and Date, Screenshots of: Photosphere, North Antarctic Coast 01, Screenshot, Google, viewed 23 May 2021, <https://www.google.com/ maps/@-27.8313693,138.0336271,7173381m/ data=!3m1!1e3?hl=en>

029. Unknown Author and Date, Screenshot of: Photosphere Point 01, Max. Zoom in, North Antarctic Coast 01, Screenshot, Google, viewed 23 May 2021, <https://www.google.com/ maps/@-27.8313693,138.0336271,7173381m/ data=!3m1!1e3?hl=en>

030. Unknown Author and Date, Screenshots of: Photosphere, North Antarctic Coast 02, Screenshot, Google, viewed 23 May 2021, <https://www.google.com/ maps/@-27.8313693,138.0336271,7173381m/ data=!3m1!1e3?hl=en>

Images - Drawing Precedents

031. F, Belfiore, 2011, Territorial Pissings, Drawing, Unknown Fields Division, viewed 20 April 2021, <http://www.unknownfieldsdivision.com/winter2011farnorthalaska-strangetimes_0-180longitude. html>

032. A, Laing, 2011, Ghosts in the Spectrum, Drawing, Unknown Fields Division, viewed 20 April 2021, <http://www.unknownfieldsdivision.com/winter2011farnorthalaska-strangetimes_0-180longitude. html>

033. G, Toftgard, 2012, Harvest, Drawing, Unknown Fields Division, viewed 20 April 2021, <http://www. unknownfieldsdivision.com/winter2012centralamerica-kingdomcome.html>

034. P, Kulper, Unknown Date, Unknown Title, viewed 20 April 2021, < viewed 20 April 2021, <http://www.unknownfieldsdivision.com/winter2012centralamerica-kingdomcome.html>

035. S, Lee, 2010, Decoding the Data Landscape, Drawing, Unknown Fields Division, viewed 20 April 2021, <http://www.unknownfieldsdivision.com/ winter2010outbackaustralia-neverneverlands_prospectingindreamtime.html>

036. S, Lee, 2010, Orbital Calendar of Magnetic Flux, Drawing, Unknown Fields Division, viewed 20 April 2021, <http://www.unknownfieldsdivision. com/winter2010outbackaustralia-neverneverlands_ prospectingindreamtime.html>

037. S, Lee, 2010, Panoramic Journey through Contested Landscape, Drawing, Unknown Fields Division, viewed 20 April 2021, <http://www.unknownfieldsdivision.com/winter2010outbackaustralia-neverneverlands_prospectingindreamtime.html>

038. Unknown Author + Date, Unknown Title, Drawing Speeds with Perry Kulper - Archinect, viewed 20 April 2021, < viewed 20 April 2021, <https://archinect.com/blogs/gallery/73570777/5/ drawing-speeds-with-perry-kulper>

Images - Expanded Collection

039. Unknown Author and Date, How Airspace is Managed, Diagram, Airservices Australia, viewed 25 April 2021, <https://www.airservicesaustralia. com/about-us/our-services/how-air-traffic-controlworks/how-airspace-is-managed/>

040. Unknown Author, 2021, AIP Charts, ERC High, ERCH 3, Map, Airservices Australia, viewed 25 April 2021, <https://www.airservicesaustralia.com/ aip/aip.asp?pg=60&vdate=17JUN2021&sect=ERCHigh&ver=2> 042. B1mbo, 2011, Australia’s exclusive economic zones, including its Antarctic claim, Diagram, Wikipedia, viewed 25 April 2021, <https://en.wikipedia. org/wiki/Exclusive_economic_zone_of_Australia#/ media/File:Territorial_waters_-_Australia.svg>

043. Historicair, 2006, Sea areas in international rights (top down view), Diagram, Wikipedia, viewed 25 April 2021, <https://en.wikipedia.org/wiki/Exclusive_economic_zone#/media/File:Zonmar-en.svg>

044. Unknown Author and Date, Map of exclusions zones, Diagram, Australian Government: Department of Defence, viewed 25 April 2021, <https://www1.defence.gov.au/bases-locations/sa/ woomera/access/exclusion-periods>

045. Unknown Author and Date, Screenshot of: ‘Streetview’, Screenshot, Google, viewed 25 April 2021, <https://www.google.com/ maps/@-27.8313693,138.0336271,7173381m/ data=!3m1!1e3?hl=en>

046. Unknown Author and Date, Screenshot of: Limits of national jurisdiction and sovereignty, Screenshot, Wikipedia, viewed 25 April 2021, <https://en.wikipedia.org/wiki/International_waters>

047. Unknown Author and Date, Screenshot of: Map of Maralinga Range, Screenshot, Australian Royal Commission Report Page 275 , viewed 25 April 2021, <https://parlinfo.aph. gov.au/parlInfo/download/publications/tabledpapers/HPP032016010928/upload_pdf/ HPP032016010928.pdf;fileType=application%2Fpdf#search=%22publications/tabledpapers/ HPP032016010928%22>

048. Unknown Author and Date, Map of Maralinga Range, Screenshot, Australian Royal Commission Report Page 323 , viewed 25 April 2021, <https:// parlinfo.aph.gov.au/parlInfo/download/publications/ tabledpapers/HPP032016010928/upload_pdf/ HPP032016010928.pdf;fileType=application%2Fpdf#search=%22publications/tabledpapers/ HPP032016010928%22>

049. Unknown Author and Date, Screenshot of: ‘Aerial View’ Maralinga, Screenshot, Google, viewed 25 April 2021, <https://www.google.com/ maps/@-29.3792117,134.7476942,3932820m/ data=!3m1!1e3?hl=en>

050. Jacobolus, 2007, The Munsell Colour System, Diagram, Wikipedia, viewed 25 April 2021, <https:// en.wikipedia.org/wiki/Munsell_color_system#/media/File:Munsell-system.svg>

051. Unknown Author, 2017, Representation and Aircraft Behaviour, Screenshot, Skybrary, viewed 25 April 2021, <https://aviationsafetywiki.org/index. php/Waypoint>

052. Unknown Author and Date, Screenshot of: Nautical Mile, Screenshot, Wikipedia, viewed 25 April 2021, <https://en.wikipedia.org/wiki/Nautical_mile>

Images - Mindmap Collection

053. M, Parr and G, Badger 2001, Fruits, Photography, Phaidon Press, viewed 07 March 2021, <https://www.phaidon.com/agenda/photography/ articles/2014/april/14/the-book-that-captured-presartorialist-street-style/>

054. Italian Limes, 2014, Installation, la Biennale di Venezia, viewed on 07 March 2021 <http://www. italianlimes.net/project.html>

055. S, Coppola 2003, Lost In Translation, Film Still, American Zoetrope and Elemental Films, viewed 07 March 2021, <https://www.girlsontopstees. com/read-me/2020/4/24/connecting-with-disconnection-the-endurance-of-twenty-something-ennui-in-lost-in-translation>

056. M, Whitelaw 2008, Watching the Sky, Photography, viewed 07 March 2021, <https://mtchl.net/ watching-the-sky/>

057. Formafantasma, 2020, Cambio, Project Exhibition, Serptine Gallery, viewed on 07 March 2021 <http://www.cambio.website>

058. M, Prior 2014, Free Organum, Installation, Blindside, viewed 07 March 2021, https://michaelprior.org/Free-Organum>

059. F, Allys 1997, Paradox of Praxis, Performance Art, Mexico City, viewed 07 March 2021, <https:// publicdelivery.org/francis-alys-ice/> 062. R, Perkins 2018, Mystery Road, Television Series, viewed 07 March 2021, <http://australianscreenreview.com.au/review/its-a-murder-thingthe-multi-layered-mystery-road-franchise/>

063. L, Wallworth 2017, Collisions, ACMI, viewed 07 March 2021, <https://www.acmi.net.au/whatson/past-exhibitions-collisions-lynette-wallworth/>

064. H, Feldmann 2019, Hefte, Video, viewed 07 March 2021, <https://vimeo.com/286074798>

065. S, Gladwell 2007, Approach to Mundi Mundi, high-definition digital color video, viewed 07 March 2021, <https://www.artforum.com/picks/ shaun-gladwell-19097>

066. S, Elliot 1994, The Adventures of Priscilla, Queen of the Desert, film, viewed 07 March 2021, <https://www.nfsa.gov.au/latest/adventures-priscilla-queen-desert-25th-anniversary>

067. P, Corcoran and K, Jazvac 2012, Plastiglomerate, Artwork, viewed 07 March 2021, <https://www.e-flux.com/journal/78/82878/plastiglomerate/>

068. A, Denes 1982, Wheatfield: A Confrontation: Battery Park Landfill, Downtown Manhattan, Artwork, viewed 07 March 2021, <http://www.agnesdenesstudio.com/works7.html>

069. L, Young 2010, Unknown Fields Division: WINTER 2010_NEVER NEVER LANDS: Prospecting in Dreamtime, project, viewed 07 March 2021, <http:// www.unknownfieldsdivision.com/winter2010outbackaustralia-neverneverlands_prospectingindreamtime.html>

070. I, Miyake 2007, ISSEY MIYAKE, film, viewed 07 March 2021, <https://www.youtube.com/ watch?v=aYL4TyV1YDk>

071. Formafantasma 2017, Ore Streams, Sculpture, viewed 07 March 2021, <https://formafantasma. com/work/ore-streams>

072. L, Dearden 2015, The Boneyard, Photograph, The Independent, viewed 07 March 2021, <https:// www.independent.co.uk/news/world/americas/ world-s-largest-plane-graveyard-us-military-fighters-desert-can-now-be-explored-online-a151656. html>

073. R, Serra 2007, Open Ended, sculpture, Museum Voorlinden, viewed 07 March 2021, <https:// www.voorlinden.nl/exhibition/highlights/?lang=enl>

074. Studio Plastique, 2019, Sand Drawing, sculpture, GeoDesign, viewed 07 March 2021, <https:// www.dezeen.com/2019/10/25/geo-design-junk-exhibition-dutch-design-week/>

075. Zimoun, Various Dates, Various works, sculpture, viewed 07 March 2021, <https://www.zimoun. net>

076. G, Manuagh, 2021, Color-sampling Pennsylvania, maps, viewed 07 March 2021, <https://www. instagram.com/p/CLnKQyNHq5K/>

077. E, Burtynsky, 2009, Australian Minescapes, Photographs, viewed 07 March 2021, <https:// artblart.com/2009/08/06/exhibition-edward-burtynsky-australian-minescapes-at-the-australian-centre-for-photography-sydney/>

078. Author and date unknown, Eye Spy, book, viewed 07 March 2021, <https://www.reddit.com/r/ nostalgia/comments/55luk5/i_spy_books/>

079. C, Friedrich, 1818, Wandered above the sea fog, Painting, Hamburger Kunsthalle viewed 07 March 2021, <https://en.wikipedia.org/wiki/Wanderer_above_the_Sea_of_Fog>

080. Experimental Jetset, 2015, Statement and Counter-Statement (Notes on Experimental Jetset / Volume 1), Book, Roma Publications, viewed 07 March 2021, <https://www.romapublications.org/ Roma201-400.html>

081. Christo and J, Claude, 1968, Wrapped Coast, Public Artwork, viewed 07 March 2021, <https:// christojeanneclaude.net/artworks/wrapped-coast/>

082. G, De Ruijter, 2012, Almost Nature, Photography, viewed 07 March 2021, <http://www.gercoderuijter.com/gerco2/site/project/photo/991>

083. J, Cage, 1958, Fontana Mix, Drawing, viewed 07 March 2021, <https://medium.com/@nghinghiem04/fontana-mix-1958-john-cage-3145720b66c2ab3ceca> 086. Author Unknown, 1972, Demolition of Pruitt-Igoe, photography, U.S. Department of Housing and Urban Development Office of Policy Development and Research, viewed 07 March 2021, <https://www.atlasobscura.com/articles/ pruitt-igoe>

087. A, Clapham, 2017, Riso experiment .1, Print, Andrew Clapham Design, viewed 07 March 2021, <https://www.instagram.com/p/BXwvyPTHJzX/>

088. N, ten Westenend, 2014, Tractordans, Performance artwork, viewed 07 March 2021, <https:// landschapstriennale.com/programma/voedsel-en-stad-betekenis-grond/>

089. Bik Van Der Pole, 2017, Letters to the land, Artwork, Australian Centre for Contemporary Art, viewed 07 March 2021, <https://www.broadsheet. com.au/melbourne/art-and-design/article/acca-how-were-greater-together>

090. Al, Crosby and S, Pearce, 2015, Bush Pencils (yarra nhiki), Artwork, Interprative Wonderings Project, viewed 07 March 2021, <https://www.uts. edu.au/sites/default/files/dab-interpretive-wonderings-exhibition-catalogue.pdf>

091. T, Cole, 2015, Extract, Artwork, Interprative Wonderings Project, viewed 07 March 2021, <https://www.uts.edu.au/sites/default/files/dab-interpretive-wonderings-exhibition-catalogue.pdf>

092. J, Corner, 1994, Taking Measure Across the American Landscape, Diagram, AA Files 27 Summer, viewed 07 March 2021, <https://rndrd. com/n/863>

093. R, Margritte, 1937, La Reproduction Inerdite, Painting, Museum Boijmans Van Beuningen, viewed 07 March 2021, <https://www.boijmans.nl/ en/collection/artworks/4232/la-reproduction-interdite>

094. O, Eliason, 2014, Riverbed, Artwork, Louisiana Museum of Modern Art, viewed 07 March 2021, <https://www.archdaily.com/540338/olafur-eliasson-creates-an-indoor-riverbed-at-danish-museum>

095. N, Sleumer, 2019, The Transboundary Loophole, Artqwork, Geodesign Exhibition - Van Abbe Museum Eindhoven, viewed 07 March 2021, <https://www.dezeen.com/2019/10/25/geo-designjunk-exhibition-dutch-design-week/>

096. J, Smart, 1962, Cahill Expressway, Painting, National Gallery of Victoria, viewed 07 March 2021, <https://www.ngv.vic.gov.au/explore/collection/ work/3000/> And, J, Smart, 1983, Morning, Yarragon Siding, Painting, viewed 07 March 2021, <http://www.artnet. com/artists/jeffrey-smart/morning-yarragon-siding-1983-84-aQZOrgbndpPbKex_a1ca6g2>

097. City in The Sky, 2017, Documentary, BBC, viewed 07 March, <https://www.bbcnewzealand. com/shows/city-in-the-sky/>

098. K, Poliness, 2021, Parliament Steps Walking Drawing, Artwork, Australian Centre for Contemporary Art, viewed 07 March, <https://acca. melbourne/kerrie-poliness-parliament-steps-walking-drawing>

099. C, Maseey, 2020, One fence, two ways to cultivate land in South Africa, Photograph, Call of the Read Warbler, viewed 07 March, <https://www. patagonia.com.au/blogs/roaring-journals/a-blueprint-for-cooling-earth>

0100. P, Docter and D, Silverman 2001, Monsters Inc., Film, viewed 07 March, <https://www.wdwradio.com/2017/05/imagineering-monsters-inc-roller-coaster/>

01. Annotation Layer of Process - Part 01: XL Supporting Page

02. Annotation Layer of Process - Part 02: L Supporting Page

03. Annotation Layer of Process - Part 03: M Supporting Page 01. Annotation Layer of ‘Crossover’ between Individual (pink) and Collective (Orange) Narratives Part 01: XL Map

02. Annotation Layer of ‘Crossover’ between Individual (pink) and Collective (Orange) Narratives Part 01: L Map

03. Annotation Layer of ‘Crossover’ between Individual (pink) and Collective (Orange) Narratives Part 01: M Map

01. Annotation Layer of ‘Crossover’ between Individual (pink) and Collective (Orange) Narratives Part 01: S Map 01. Screen Shot 2021-05-18 at 7.58.27 pm [Bib ref. Image 05]

02. Screen Shot 2021-05-18 at 8.04.58 pm [Bib ref. Image 06]

03. Screen Shot 2021-05-18 at 8.06.18 pm [Bib ref. Image 07]

04. Screen Shot 2021-05-18 at 8.07.40 pm [Bib ref. Image 08]

05. Screen Shot 2021-05-18 at 8.09.59 pm [Bib ref. Image 09]

06. Screen Shot 2021-05-18 at 8.11.08 pm [Bib ref. Image 010]

04. Imagery used in L maps

07. Screen Shot 2021-05-18 at 10.40.41 pm [Bib ref. Image 011]

08. Screen Shot 2021-05-18 at 10.41.13 pm [Bib ref. Image 012] 010. 6 Screen Shot 2021-05-23 at 1.47.58 - 1.48.23 pm [Bib ref. Image 014]

05. Imagery used in M maps

011. Screen Shot 2021-05-08 at 9.20.29 pm [Bib ref. Image 015] 012. 6 Screen Shot 2021-05-23 at 2.05.25 - 2.06.06 pm [Bib ref. Image 016]

013. 13 Screen Shot 2021-05-23 at 1.47.58 pm -1.54.36 pm [Bib ref. Image 017]

06. Imagery used in S maps

014. Screen Shot 2021-05-23 at 2.40.21 pm [Bib ref. Image 018]

015. Screen Shot 2021-05-23 at 2.40.32 pm [Bib ref. Image 019]

016. Screen Shot 2021-05-23 at 2.41.55 pm [Bib ref. Image 020]

017. Screen Shot 2021-05-23 at 2.43.30 pm [Bib ref. Image 021]

018. Screen Shot 2021-05-23 at 2.43.39 pm [Bib ref. Image 022]

019. Screen Shot 2021-05-23 at 2.45.01 pm [Bib ref. Image 023] 020. Screen Shot 2021-05-23 at 2.45.08 pm [Bib ref. Image 024]

022. Screen Shot 2021-05-23 at 2.47.52 pm [Bib ref. Image 025]

022. Screen Shot 2021-05-23 at 2.52.19 pm [Bib ref. Image 026]

023. 7 Screen Shot 2021-05-23 at 2.54.27 - 2.55.05 pm [Bib ref. Image 027] 024. 7 Screen Shot 2021-05-23 at 7.13.11 - 7.13.43 pm [Bib ref. Image 028]

025. Screen Shot 2021-05-23 at 7.15.23 pm [Bib ref. Image 029]

026. 4 Screen Shot 2021-05-23 at 7.14.03 pm - 7.14.24 pm [Bib ref. Image 030]

01. Francesco Belfiore / Territorial Pissing / 2011 [Bib ref. Image 031]

02. Alex Liang / Ghosts in the Spectrum / 2011 [Bib ref. Image 032]

03. Gustav Toftgard / Harvest / 2012 [Bib ref. Image 033] 05. Samantha Lee / Decoding the Data Landscape / 2010 [Bib ref. Image 035]

06. Samantha Lee / Orbital Calendar of Magnetic Flux / 2010 [Bib ref. Image 036]

07. Samantha Lee / Panoramic Journey through Contested Landscape / 2010 [Bib ref. Image 037]

08. ‘Drawing Speeds with Perry Kulper’ [Bib ref. Image 038]

08. ‘Expanded Collection’ - Visual Information

02. Sample from ERCH3 AIP Chart - ERC HIGH [Bib ref. Image 040]

03. Airservices Australia, Coverage: Australian Airspace [Bib ref. Image 041]

04. Wikipedia / Australia’s exclusive economic zones [Bib ref. Image 042]

05. Wikipedia, Sea areas in international rights (top down view) [Bib ref. Image 043]

06. AU Gov / Map of Exclusion Zones [Bib ref. Image 044]

08. Wikipedia / Limits of national jurisdiction and sovereignty [Bib ref. Image 046] 09. Australian Royal Commision / Map of Maralinga Range [Bib ref. Image 047]

010. Australian Royal Commision / Conclusions of Op.Buffalo [Bib ref. Image 048]

011. Google / Maralinga [Bib ref. Image 049]

012. Map of Maralinga [Image source unknown] 012. Samples from my notebook [Scanned 25 Aprial 2021]

013. Skybrary / Representation and Aircraft Behaviour [Bib ref. Image 051] 01. A Mind Map / Visual Collection - Part 01 Pieces of the collection are semi-curated, grouped and collated into thematics that have begun to emerge. Some pieces of the collection have been placed twice amongst more than one group as they relate to more than one theme. I place myself as the map maker in the centre. With peices of the collection placed either side of me, the idea of ‘binaries’ is foreshadowed.

02. A Mind Map / Visual Collection - Part 02 The layers within the center begin to thicken, with the ‘field’ of collection set up, the process of drawing out ideas begins. My self as the mapmaker, ‘Louella’, which sits in the center is now overlayed with a series of dualities that relate to myself as a person. The origins of my name, my two homelands, and my two star-signs suggest a sort of ‘sitting in the middle’.

03. A Mind Map / Visual Collection - Part 03 The layers across the field begin to thicken. Key themes emerge out of the collection and these are set up as a series of 13 dualities. These 13 dualities can also be grouped, collated into 5 thematic areas as some of the dualities relate more to one another. Key words 01: Chaos / Order, Spontaneous / Planned, The Singular / The Multiple, The Individual / The Collective, Observer / Participant, From Above / On the ground, Distant Recording / Embodied Experience, Material / System, Detail / Complexity, Moment / Infinite Possibilities, Bold / Minimal, Statement / Simple, Outrageous / Modest.

01. Sun Tunnels / Nancy Holt / 1976 [source unknown ]

02. Fruits / Martin Parr and Gerry Badger / 2001 [Bib ref. Image 053]

04. Lost In Translation / Sofia Coppola / 2003 [Bib ref. Image 055]

05. Watching the Sky / Mitchell Whitelaw / 2008 [Bib ref. Image 056]

06. Project Cambio / Formafantasma / 2020 [Bib ref. Image 057] 07. Free Organum / Michael Prior / 2014 [Bib ref. Image 058]

08. Francis Alys / Paradox of Praxis / 1997 [Bib ref. Image 059]

09. AtelierNL / De StraatMakers — Colours of the City / 2019 [Bib ref. Image 060]

010. Kowloon Walled City / 1989 [Bib ref. Image 061]

011. Mystery Road / 1989 [Bib ref. Image 062]

012. Lynette Wallworth / Collisions / 2017 [Bib ref. Image 063] 014. Hans-Peter Feldmann / Hefte / 2019 [Bib ref. Image 064]

015. Sean Gladwell / Approach to Mundi Mundi / 2007 [Bib ref. Image 065]

016. Drawings by Emma McNally [Source Unknown]

017. Stephan Elliot / The Adventures of Priscilla, Queen of the Desert / 1994 [Bib ref. Image 066]

018. Patricia Corcoran and Kelly Jazvac /Plastigonglomerate / 2012 [Bib ref. Image 067] 020. Liam Young / Unknown Fields Division / 2010 [Bib ref. Image 069]

021. Issey Miyake / ISSEY MIYAKE / 2007 [Bib ref. Image 070]

022. Formafantasma / № 2.1.5.17 – Cubicle 2. / 2017 [Bib ref. Image 071]

023. Photo roll / Author Unknown [Personal Photograph taken January 2020]

024. Lizzie Dearden / The ‘Boneyard’ / 2015 [Bib ref. Image 072]

025. Richard Serra / Open Ended / 2007-2008 [Bib ref. Image 073]

025. Richard Serra / Title Unknown [Source Unknown] 027. Zimoun / Various Works [Bib ref. Image 075]

028. Geoff Manuagh / Color-sampling Pennsylvania/ 2021 [Bib ref. Image 076]

029. Edward Burtynsky / Australian Mines / 2009 [Bib ref. Image 077] 031. Caspar David Friedrich / Wandered above the sea fog / 1818 [Bib ref. Image 079]