MLRB Design Portfolio by Maria Lorena Reyes Bahamon

M A R I A LORENA R E Y E S BAHAMON design portfolio

M A R I A R E Y E S

L O R E N A B A H A M O N

278 6th Ave, Brooklyn, NY 11215 305.331.5990 reyesbahamon.ml@gmail.com

PERSONAL Personal Statement

PROFESSIONAL Tech Company Headquarters - Miramar, FL Lifestyle Studio - Coral Gables, FL Ocean View House - Key Biscayne, FL Full Floor Tenant Renovation - Miami, FL Corporate Building Amenity Suite - Miami FL ACADEMIC Mixed Use Housing Development - Little Haiti, FL Waterfront Revitalization Masterplan - Genoa, Italy Winery Expansion Masterplan - Homestead, FL

INSTALLATIONS El Tiempo: 2 de Marzo de 2008 - “Golpe al Corazón de las FARC” Mapping the Biological Process of Falling In Love

CONTENTS

PERSONAL STATEMENT I am a driven, enthusiastic, multilingual leader and team player, able to work diligently under pressure and embrace challenges. Through professional practice, I have obtained valuable skills, taking multiple projects from initial space planning, through all phases of design and project completion. This has enabled me to develop critical problem-solving and analytical skills as well as a confident character in sales, presentations, and contract administration. As a designer, I am deeply interested in the effect all scales of design can have on life quality. Having lived in seven countries in four continents throughout my life, as well as participated extensively in travel education while in university, I have become increasingly interested in the comprehensive impact of architecture, urban and interior design, and the spaces, networks and relationships of the design of a city have on its inhabitants. My intent is to continue to grow and learn, approaching each project individually to create solutions that are thoroughly researched, thoughtfully conceived, and sustainable Thank you for considering my portfolio. It would be an honor to join your team.

PROFESSIONAL

TECH COMPANY HEADQUARTERS

TECH COMPANY HEADQUARTERS MIRAMAR, FL

PROJECT DESCRIPTION Interior design package for new three story tech company headquarters, including lobby, common corridors, amenity spaces, and complete design of tech companyâ&#x20AC;&#x2122;s office space. Scope of work included ceiling design, lighting specification, all finishes, millwork design, restrooms, and conceptual furniture package

RESPONSIBILITIES - Client contact & presentations - Design development & specifying - Conceptual 3D modeling - Coordination w/ engineers & consultants - Oversight of construction documents production - Construction administration - Furniture package oversight and coordination

G ALVAREZ STUDIO

2'-1"

2'-7"

2'-8"

±4'-10"

A2 TOI1

F2 A1

51"

(90°

Side

)

F4B

24" 24" e)

1'-6"

° Sid

(90

(45°

Side

)

2'-6" 7'-2" F4A

F4A

STAIRS

12'-6"

Side

Side)

24"

(90°

51"

Side

)

34" (45°

Side)

7 51"

Side (90°

(45

24"

° Sid

24" (90° Side)

° Sid

ACT1 9'-0"

*SHADED AREA DENOTES NOT IN CONTRACT

F11A +8'6" AFF F11B

+7'6" AFF +8'0" AFF

DC1 9'-0"

15'-11"

F14 F14

1 DC1 F14 F14 9'-0"

F14 F14

2'-0"

ACT2 9'-0"

ACT1 9'-0"

2'-0"

A-6.3

F14 F14

GLASS

ACT1 9'-0"

ACT1 9'-0" F6

F14 F14

TV F6

ACT1 9'-0"

FLUSH

1'-9"

cv/ga

WD1 9'-0"

2'-8"

2'-0"

3'-8"

2'-0"

A-2.3

F15

7 A-3.3

GLASS

8'-8"

as shown May 07, 2017

F11C

6 A-3.3

UPPER & LOWER STORAGE

WD1 9'-0"

8'-0"

F7 4'-9"

8'-0"

51"

12'-9" 8'-0"

FLUSH

2'-8"

ACT1 9'-0"

DC1 9'6"

ACT1 9'-0"

NOTE: CONTRACTOR SHALL CHECK AND VERIFY ALL PLAN DIMENSIONS AND CONDITIONS BEFORE PROCEEDING WITH CONSTRUCTION AND SHALL NOTIFY G-STUDIO OF ANY DISCREPANCIES. DO NOT SCALE DRAWINGS. ALL WRITTEN DIMENSIONS SHALL GOVERN. DRAWINGS/ ELECTRONIC MEDIA ARE THE PROPERTY

SW 145th Avenue, Miramar, Florida 33025

3Z TELECOMUNICATIONS

REFLECTED CEILING DETAILS

as sh

May 07,

checked by:

A-3.3 SHEET NO.

NEW INSET MIRROR G.C. TO PROVIDE SCHLUTER EDGE PROTECTOR FAUC2

SS1

SK4

FAU

SK PL1

5'-6"

SHEET NO.

24"

Side)

F4B

)

Side

2'-10"

scale: release date:

checked by:

F4C

(90°

Side)

6E scale: release date:

drawn by:

PT2

3'-1"

drawn by:

34" (45°

24" 34" (45°

PL3

CHRISTIAN A. VIDAL, AIA LICENSE NO. AR96861

(90

Side )

34"

) Side (90°

F7 (90°

24"

FINGE PULL (T 3/4 ON

PT2

2'-4" 1'-3"

3 M1

DC1 9'-0"

24"

)

Side)

34" (45° Side)

34" (45°

LIGHT FIXTURE COVE LIGHTING F5

F4C

34" (45°

F4A

F4B

1'-6"

F4B

1 ACT1 9'-0"

6'-10"

2'-11"

4'-11"

F15

1'-6"

8'-2"

4'-5"

(45°

Side)

CHRISTIAN A. VIDAL, AIA LICENSE C NO. AR96861

SCALE: 3/8" = 1'-0"

5'-6"

)

34"

Side)

24" (90°

F4C

ACT1 9'-0"

EXP. -14'-2"

F4C

F4A

9'-10" DC1 8'-2" F5

5'-3" 3'-4" 2 DC1 A-3.3 F2 9'-0"

F4A

A-2.3

24" (90°

DC1 8'-2"

F4B

F4A

51"

5'-7"

34" (45° Side)

5'-3"

F4C

2'-8"

Side)

10'-1"

Side)

F10 DC1 9'-0"

9'-8"

51" 34" (45°

2'-6"

WD1 9'-0"

4'-7"

F10

8 A-3.3

DC1 9'-0"

3/4 ON

Elevation @ Women RR. 3 F10 10A SCALE: 3/8" = 1'-0" Third

Side)

Side

24" (90°

12'-6"

(45°

EXP. Third Floor 14'-2"

8'-10"

34" (45°

Side

DC1 9'-0"

5'-8"

F7 (90°

PT2

Millwork Eleva

5'-1"

F10

SCALE: 3/8" = 1'-0"

2'-5"

A-6.1

SK4

2'-1"

G.C.PROVIDE SCHULTER EDGE TRIM (3 8")

±5'-6"

F12

10D 10C A-6.1

FAUC2

DATE: 1

SW 145th Avenue, Miramar, Florida 33025

MEN RR. 304

SK4

DRAWING LOG:

2'-10" (MAX.36")

F12

+1 (305) 371 8400

LIGHT FIXTURE COVE LIGHTING F5

FAUC2

Llc# AA-26001740 1428 Brickell Ave, Suite 202 Miami, FL 33131

3Z TELECOMUNICATIONS

5'-1"

F12

1'-6"

F16 URI1

4'-7"

ACT1 9'-0"

51"

F7 )

7'-4"

3'-10"

F2 A1

Side

51" e)

e) ° Sid

24"

1'-6"

TOI1

)

SK3

EXP. 14'-2"

F2 F5 F5 Floor planF2 @ Restrooms

(45

34"

ACT1 9'-0"

2" 1"

9'-3" 5'-1"

3'-6"

34"

RP1

ALIGN

3'-2"

° Sid

3'-0"

2'-0" 2'-0" 2'-0" 2'-0"

Side) 34" (45°

24" (90° Side)

ACT1 9'-0"

TOI1

SK4

24" (90° Side)

Side)

W.L.

Third Floor

FAUC2

±5'-10"

WD1 9'-0"

(45 34" (45°

REF1

W.L.

A2 A4

F12

SK4

4'-5"

34" )

±5'-6"

10B A-6.1 10A

12'-6"

Side) 24" (90° Side

24" (90° Side)

° Sid

(45

(90°

Side

34"

24"

RESTE

F12

FAUC2

WOMEN RR. 305

)

(45°

RP1

24"

8 34"

8'-7" 9'-0"

2'-2"

9'-3" 8'-0"

FRHEAT

8 0

DC1

3'-4" 3'-4" 2'-0" 2" VB1 2 EQ. CAB. DOORS 2 EQ. CAB. DOORS FACBC 2012; SECTION 804.3.2.; FAC SECTION 3'-3"#1; FAC2"SECTION 305.3 DOOR AS SCHED.606.2 6" EXCEPTION 2"

RP1

1'-6"

8'-0"

FROZEN DINNER

2 5

PL1

W.L.

8'-4"

94 F1 °

A-2.3

BEVERAGE

PIZZA

FAUC2 TOI1

2'-7"

8'-0"

WEIGHT

SPEED DEFROST

COOK

START STOP

2'-7"

1'-7"

1'-5"

3'-0"

SK3

F6 A1

COOK BY WEIGHT DEFROST BY

TIMER

BAKED POTATO

F12

(90°

° 89

8'-0"

POWER

1'-6"

EQUAL

Elevation @ Office Fronts U.O.N. SCALE: 3/8" = 1'-0" Third Floor

4'-2"

5'-0"

RESTE

POPCORN

CLOCK

SK4

WD1 9'-0"

ACT1 9'-0"

FRHEAT

5'-0"

FAUC2

ACT1 9'-0"

1/2" REVEALS IN BRANDING FILM

MW1

FAUC1

4'-2"

1'-6" 3'-6" 1'-4"

1 2"

A-2.3

FROZEN DINNER

2 5 8 0 START STOP

PL2

SCALE: 3" = 1'-0"

STAIRS

BEVERAGE

PIZZA

Drop G.W.B. Ceiling Detail

9'-0"

3Z BRANDING APPLIED AS FILM COORDINATE W/ SIGNAGE VENDOR

1/2" CLEAR TEMP. GLASS. (CAT. II SAFETY GLASS)

F13

1'-5"

VB1 DRYWALL GRID SYSTEM

WEIGHT

SPEED DEFROST

COOK

4 7

FURRING CHANNEL

DRYWALL CEILING @ 9'-0" AFF SEE FINISH SCHED. FOR PAINT

SS2 WC1

PL1

V.I.F.

SCALE: 3" = 1'-0"

1/2" REVEALS IN BRANDING FILM

Elevation @ Meeting Room Fronts SCALE: 3/8" = 1'-0" Third Floor

3'-4" 2 EQ. CAB. DOORS

PERIMETER TRIM (WHITE)

DEFROST BY

TIMER

BAKED POTATO

W.L. ADA PARALELL APPROACH CAB.

4'-5" AXIOM CLASSIC 3 EQ.5"WASTE CONTAINERS

VB1

Drywall Ceiling Detail

WC1 ICE1

7'-5"

PAINT ALL VERTICAL DRYWALL AS SCHEDULED CORNER BEAD

BAR PULL REFER TO NOTES

PL1

COOK BY WEIGHT

POWER

POPCORN

CLOCK

FINGER PULL (TYP.)

WD1

SS2

EXISTING GLAZING AT PERIMETER BLDG., TO BE TREATED WITH PRIVACY FILM BF1

REFER TO DIRTT SHOP DRAWINGS

COF1

MW1

Elevation @ Private RR. Millwork 309 Elevation @@Private 309 Elevation CafeRR.302 11B SCALE: 3/8" = 1'-0" 11C SCALE: 3/8" = 1'-0" 7 Floor Third SCALE: 3/8" = 1'-0"

1/2" CLEAR TEMPERED GLASS (CAT. II SAFETY GLASS) BUTT JOINTED PANELS ON METAL CHANNEL TOP & BOTTOM, PROVIDE NEOPRENE PAD AND CLEAR SILICONE SEALER. REFER TO DIRTT SPEC'S FOR GLAZING

SIDELIGHT

PL1

PROVIDE SHADOW MOLDING

THIN PROFILE DIRTT GLAZING FRAME

DC1 9'-0"

TO1

SUSPENDED ACT. CLG. AS SCHEDULED

3'-6"

HEADER (5 8" G.WB.) TO ALIGN WITH DOOR FRAME.

TO1

Elevation @ Private RR. 309 11A SCALE: 3/8" = 1'-0" Third Floor 7

FINGER EDGE PULL (TYP.)

TOP RUNNER SECURED W/0.145" DIA. (3 4" EMBEDMENT) POWER ACTUATED PL1 AT 16" O.C. (TYP.) FASTENERS

2'-6"

EQUAL

3Z BRANDING APPLIED AS FILM COORDINATE W/ SIGNAGE VENDOR 3'-0" 9'-0"

2'-6"

1'-6"

PL2

4'-10"

F2 F15

3'-8"

EXISTING GLAZING AT PERIMETER BLDG.

FINGER EDGE PULL (TYP.)

UNDERSIDE OF STRUCTURE @ 14'-2" A.F.F.

4'-2"

3'-6"

BF1

6'-6"

1/2" CURB

3'-0"

PL1

PREMIUM TOUCH-LATCH DOORS WITH BUILT-IN CLOSET SHELVES & EDGECLOTHES ROD

WIRES TO BE PAINTED WHITE @ SUSPENDED GYP. BD.CEILING

3'-0" CONSTRUCTION 3'-5" 5" 3 /4" PLYWOOD CEILING EYEBROW COVERED WITH WOOD FINISH (WD1) @ 9'-8" A.F.F. SEE FINISH SCHED. A-5.0

1/2" CLEAR TEMP. GLASS. (CAT. II SAFETY GLASS)

3'-0"

3'-2"

1'-9"

BF1

3/4 PLYWOOD ADJ. SHELF ON RECESSED STANDARDS

SOFT CLOSE. (IF APPLIES) REFER TO DIRTT SHOP DWGS.

4" SOUND ATTENUATION BLANKET INSULATION, EXTEND ABOVE THE CEILING OVER OFFICES CEILING GRID

FAUC3 SS1

3'-6"

2'-8"

SH1

REFER TO DIRTT SHOP DRAWINGS

ACT1 9'-0"

FRAME TO UNDERSIDE OF SLAB AS REQUIRED FOR BRACING.

EXISTING GLAZING AT PERIMETER BLDG., TO BE TREATED WITH PRIVACY FILM BF1

SK4

Floor Plan @ Private RR. 309 11 SCALE: 3/8" = 1'-0" Third Floor

SH1 VARIES

3'-0"

A11

PT3

A11

LIGHT FIXTURE (F1)

A10 SK4 FAUC3

PT3

9'-0"

PT3

3'-0"

7'-5"

10'-5" 11A PT3

TOI1

WIRE TIE

SH1

2'-0"

PL2

OPEN CABINET

2'-1" 1'-5"

2'-6"

11C 11B A-6.3

7'-0"

PL2 3/4 PLYWOOD ADJ. SHELF ON RECESSED STANDARDS

2'-10"

DRYWALL UPPT3TO DECK PAINTED CP1

1'-8"

WC1

SCALE: 3" = 1'-0"

UNDERSIDE OF STRUCTURE

SLOPE CLNG. 1/8" PER 1'-0"

LIGHT FIXTURE COVE LIGHTING F5

CONT. SEALANT

1'-5"

Drywall Ceiling Detail

11'-0" 10 EQUAL CABINET DOORS

PAINTED DECK CP1

1'-4"

DIRTT GLAZING SYSTEM

BY ARCHITECT

DRYWALL CEILING @ 9'-8" (DC1) SEE FINISH SCHEDULE FOR PAINT

THIN PROFILE DIRTT GLAZING FRAME

1'-0"

SCALE: 3" = 1'-0"

TOP RUNNER SECURED WITH 0.145" DIA. (3 4" EMBEDMENT) POWER ACTUATED FASTENERS AT 16" O.C. (TYP.)

PRIVATE RR. 309

1'-7"

3'-6"

2'-4"

SHEET NO.

PAINT ALL VERTICAL DRYWALL AS SCHED.

Elevation @ Office Fronts U.O.N. SCALE: 3/8" = 1'-0" Third Floor

DIRTT GLAZING SYSTEM

SOFFIT FRAME TO MATCH PL1. Drywall Ceiling1'-0" Detail PAINT COLOR TBD TO BE APPROVED

SCALE: 3" = 1'-0"

2'-

THIN PROFILE DIRTT GLAZING FRAME

1'-9"

Drywall Soffit/Cove Lighting Detail

ACT @ 9'-8" (ACT2)

1'-9"

Elevation @A-3.3 Meeting Room Fronts SCALE: 3/8" = 1'-0" Third Floor

DRYWALL CEILING @ 12'-0" (DC1) SEE FINISH SCHEDULE FOR PAINT

SCALE: 3" = 1'-0"

1/2" REVEALS IN BRANDING FILM

ei cv/ga

5'-7" COORDINATE HEIGHT BEFORE INSTALL

Drop G.W.B. Ceiling Detail

SCALE: 3/8" = 1'-0"

11'-0"

SCALE: 3" = 1'-0"

FURRING CHANNEL

May 07, 2017

checked by:

PAINT ALL VERTICAL DRYWALL AS SCHED.

Drywall Ceiling Detail

release date: drawn by:

2'-0"

ACT @ 12'-0" (ACT2)

1/2" REVEALS IN BRANDING FILM

as shown

9'-11"

FURRING CHANNEL

BAR PULL REFER TO NOTES

scale:

1'-3"

DRYWALL CEILING @ 9'-0" AFF SEE FINISH SCHED. FOR PAINT

DRYWALL CEILING @ 18'-0"

FURRING CHANNEL

1'-3"

PAINT ALL VERTICAL DRYWALL AS SCHEDULED CORNER BEAD

P1 FINISH

ARMSTRONG EXPOSED TEE SUSPENSION SYSTEM

1/2" CLEAR TEMP. GLASS. (CAT. II SAFETY GLASS)

2'-10"

PROVIDE SHADOW MOLDING

1/2" CLEAR TEMPERED GLASS (CAT. II SAFETY GLASS) BUTT JOINTED PANELS ON METAL CHANNEL TOP & BOTTOM, PROVIDE NEOPRENE PAD AND CLEAR SILICONE SEALER. REFER TO DIRTT SPEC'S FOR GLAZING

EXISTING WALL

2'-6"

1 2"

HEADER (5 8" G.WB.) TO ALIGN WITH DOOR FRAME. THIN PROFILE DIRTT GLAZING FRAME

F5 DRYWALL GRID SYSTEM

DRYWALL CEILING SOFFIT @ 9'-0" A.F.F. SEE FINISH SCHEDULE FOR PAINT.

1/2" CLEAR TEMP. GLASS. (CAT. II SAFETY GLASS)

2'-8"

WIRES TO BE PAINTED WHITE @ SUSPENDED GYP. BD.CEILING

5" AXIOM CLASSIC PERIMETER TRIM (WHITE)

SUSPENDED ACT. CLG. AS SCHEDULED

3 /4" PLYWOOD CONSTRUCTION CEILING EYEBROW COVERED WITH WOOD FINISH (WD1) @ 9'-8" A.F.F. SEE FINISH SCHED. A-5.0

CHRISTIAN A. VIDAL, AIA LICENSE NO. AR96861

Elevation @ F

9'-0"

TOP RUNNER SECURED W/0.145" DIA. (3 4" EMBEDMENT) POWER ACTUATED FASTENERS AT 16" O.C. (TYP.)

3'-0"

VARIES

REFER TO DIRTT SHOP DRAWINGS

SOFT CLOSE. (IF APPLIES) REFER TO DIRTT SHOP DWGS.

2'-6"

CHANNEL

CEILING GRID

EQUAL

ARMSTRONG EXPOSED TEE SUSPENSION SYSTEM

REFLECTOR

UNDERSIDE OF STRUCTURE FURRING @ 14'-2" A.F.F.

3Z BRANDING APPLIED AS FILM COORDINATE W/ SIGNAGE VENDOR 3'-0" 9'-0"

4" SOUND ATTENUATION BLANKET INSULATION, EXTEND ABOVE THE CEILING OVER OFFICES

WIRE TIE FRAME TO UNDERSIDE OF SLAB AS REQUIRED FOR BRACING.

8" REVEAL (PT1) PROVIDE LED STRIP LIGHT EMBEDDED U

A-6.2

Floor plan @ Front Desk - Reception Area 101 6 SCALE: 3/8" = 1'-0" Ground floor

EQUAL

LIGHT FIXTURE (F1)

3'-0"

SIDELIGHT

9'-0" VB1

Elevation @ Private RR PT3 SCALE: 3/8" = 1'-0" Third

11B

A-6.2

TOP RUNNER SECURED W/0.145" DIA. (3 4" EMBEDMENT) POWER ACTUATED FASTENERS @ 16" O.C. (TYP.)

9'-0"

REFER TO DIRTT SHOP DRAWINGS

CONT. SEALANT DRYWALL UP TO DECK PAINTED CP1

+3'-6" A.F.F.

INTERIOR ELEVATIONS

TOP RUNNER SECURED WITH 0.145" DIA. (3 4" EMBEDMENT) POWER ACTUATED FASTENERS AT 16" O.C. (TYP.)

7'-5"

PT3 6B Elevation @ Detail Private 309 Drywall Ceiling at RR. Portals 11A 3 SCALE: SCALE: 3" =3/8" 1'-0" = 1'-0" Third Floor

+2'-6" A.F.F.

Third Floor PT3

TO1 (PT3)

3'-6"

SCALE: 3/8" = 1'-0"

TO1

VARIES (PER PLAN)

3'-0"

DRYWALL CEILING @ 9'-8" (DC1) SEE FINISH SCHEDULE FOR PAINT

1'-0"

PAINT ALL VERTICAL DRYWALL AS SCHED.

SCALE: 3" = 1'-0"

3'-3"

Floor Plan @ Private Drywall Soffit/Cove Lighting Detail RR. 309 11

TOP RUNNER SECURED W/0.145" DIA. (3 4" EMBEDMENT) POWER ACTUATED FASTENERS @ 16" O.C. (TYP.)

UNDERSIDE OF STRUCTURE

PAINTED DECK CP1

1/2" CURB

DRYWALL CEILING @ 16'-0" COVERED WITH CEILING3'-5" (P1) 3'-0" 5" @ SMOKE GUARD DOOR SYSTEM (MODEL 1500).

3Z BRANDING APPLIED AS FILM COORDINATE W/ SIGNAGE VENDOR

SCALE: 3" = 1'-0"

CHANNEL

A11

SW 145th Avenue, Miramar, Florida 33025

DIRTT GLAZING SYSTEM

Drywall Ceiling Detail

3Z TELECOMUNICATION

SCALE: 3" = 1'-0"

DIRTT GLAZING SYSTEM

SCALE: 3" = 1'-0"

SH1

REFLECTED CEILING DETAILS

THIN PROFILE DIRTT GLAZING FRAME

Drywall Ceiling Detail

SCALE: 3" = 1'-0"

ACT @ 9'-8" (ACT2)

1'-9"

Drywall Ceiling Detail

PAINT ALL VERTICAL DRYWALL AS SCHED. DRYWALL CEILING @ 12'-0" (DC1) SEE FINISH SCHEDULE FOR PAINT

Drywall Soffit/Cove Lighting Detail

6" ACT @ 12'-0" (ACT2)

CONFIRM LIGHT FIXTURE ACCESS FOR CLEARANCE APPROPRIATE

FURRING CHANNEL

DRYWALL CEILING @ 17'-6" SEE FINISH SCHEDULE FOR PAINT 2'-0"

SEE FINISH SCHEDULE FOR PAINT.

DRYWALL CEILING @ 18'-0"

FURRING CHANNEL

P1 FINISH

NOTE: CONTRACTOR SHALL CHECK AND VERIFY ALL PLAN DIMENSIONS AND CONDITIONS BEFORE PROCEEDING WITH CONSTRUCTION AND SHALL NOTIFY G-STUDIO OF ANY DISCREPANCIES. DO NOT SCALE DRA

CHANNEL F5 EXISTING WALL

DRYWALL CEILING SOFFIT @ 9'-0" A.F.F. SEE FINISH SCHEDULE FOR PAINT.

GFI

3 3

FLOOR BOX 'P' 'D'

OFFICE 308

PRIVATE RR. 309

+18" +66" AFF AFF

PRODUCTION 307

FLOOR BOX 'P' 'D'

MODELNUMBER TRADENAME PRODUCT MATERIAL

FLOOR BOX 'P' 'D'

+66" +18" AFF AFF

LOUNGE 306

GFI

OFFICE 310

A-2.3

+60" +42"

REF

GFI

DC1

MW1 MW1

GFI

ICE

CAFE 302

GFI

+54"

GFI

PRODUCTION STO. 321

WD1

MEN RR. 304

WOMEN RR. 305

11 GFI

FLOOR BOX 'P' 'D'

SK1 FAUC1 GFI

GFI

GFI GFI

COF1

TERRACE 303

+42"

FLOOR BOX 'P' 'D' OFFICE 311

TR1

GFI

OFFICE 312

6 12

FLOOR BOX 'P' 'D'

OPEN OFFICE 320

A-2.3

ELEVATOR LOBBY 301

DATA / TELECO. 322 OFFICE 313

GFI

+42" CR

FLOOR BOX 'P' 'D'

HEIGHT T.B.D.

STORAGE 323

FLOOR BOX 'P' 'D'

OFFICE 314

GFI

+42"

A-2.3

MEETING RM. 318

MEETING RM. 317

VIDEO LINK

HOSPITALITY 324

MEETING RM. 316

MEETING RM. 319

VIDEO LINK

CONFERENCE RM. 315

VIDEO LINK

FLOOR BOX 'P' 'D'

BOARDROOM 325

+66" +18" AFF AFF

+18" +66" AFF AFF

FLOOR BOX 'P' 'D'

4 5

GYM 103

VIDEO LINK

LIFESTYLE STUDIO

image courtesy of LIFE Coral Gables

LIFESTYLE STUDIO CORAL GABLES, FL

PROJECT DESCRIPTION Total design for a premier, high end lifestyle and fitness studio which includes a juice bar and cafe, two massage rooms, an IV therapy room, a phone booth, blow-dry bar, spin studio, hot yoga studio, TRX studio, ballet bar and multipurpose studios, state of the art locker rooms, as well as a feature community lounge.

RESPONSIBILITIES - Client contact & presentations - Design development & specifying - Custom millwork design throughout space - Coordination w/ engineers & consultants - Production of construction documents - Construction administration - Permit processing & coordination with City of Coral Gables

G ALVAREZ STUDIO 5 EQ. CABINETS TO ALIGN W/LOCKER SEAMS

3 CABINETS TO ALIGN W/BOTTOM CABINETS

SC9 A-6.7

SC8 A-6.9

WP1

3'-1"

SC10 A-6.7

2'-6"

ALIGN

CONTRACTOR TO INSTALL CABINET LOCKS ON ALL UPPER CABINETS AT THIS LOCATION

PUL1

2'-0"

9'-0"

1'-5"

ADJUSTABLE SHELVES ON STEEL PINS

OPEN TO BEYOND

CLEAN TOWELS FOR PATRONS

6'-4"

BINS FOR DIRTY TOWELS AND TRASH PUL1 2'-9"

3/4" ADJUSTABLE SHELF, TYP. HOLES FOR SHELF SUPPORTS @ 2" O.C. VERT. - TYP.

SH1 SH2

BACKSPLASH, TYP.

'C'

MTL STUD WALL

MSG ROOM 09

SCALE: 1/2" = 1'-0"

120" A.F.F. WF1

REF1

2'-10" 3'-0"

ADA RR 05

TOI1

BCS1

TOI2

REF1

SC11

SEE PLAN

SC9

10'-4" - 6 EQ. CABINETS STORAGEBB1CABINETS PLYWOOD REF1

96" A.F.F. WF1

SCALE: 1/2" = 1'-0"

ADJUSTABLE SHELVES ON STEEL PINS

STUDIO C 18

Section Detail @ Hall 20 (typ.)

HALL 20

2" 1" 1'-2" 1" 1'-2" 2'-6"

+54" +36"

+18"

scale:

release

drawn b

2'-6"

ALL INTERIOR SURFACES OF LOCKERS TO BE MELAMINE WHITE FINISH

2'-6"

3/4" ADJUSTABLE SHELF, TYP.

SELF-EDGE PULLS

2" HOLES FOR SHELF SUPPORTS @ 2" O.C. VERT. - TYP.

checke

SHEET N

HOLES FOR SHELF SUPPORTS @ 2" O.C. VERT. - TYP.

FINISH FLOOR

SEE PLAN

SC10 1"

SEE PLAN

SC1

STUDIO B 04

Section Detail @ Hall 20 (typ.) EQ. CABINETS SCALE: 3/4"3 = 1'-0" WF1 96" A.F.F.

+36"

WF1 96" A.F.F.

SCALE: 3/4" = 1'-0"

OPEN AREA 03

BB1

3/4" PLAM DOOR (ALL EXPOSED SURFACES)

Section Detail @ Studio C & D (typ.) PW1

+18"

SCALE: 3/4" = 1'-0"

SCALE: 1/2" = 1'-0

Millwork Elevation @ Reception Desk

FINISH FLOOR

Section Detail @ Hall 20 (typ.) SCALE: 3/4" = 1'-0"

MTL STUD WALL

'P' 'D' FLOOR BOX

Elevation

DOOR PULL AS SCHED.

BLOCKING, TYP.

BLOCKING, TYP. SEE PLAN FINISH FLOOR

PW1

FAUC1

5'-11" 4 EQ. STORAGE CABINETS

HOLES FOR SHELF SOLID SURFACE SUPPORTS @ COUNTER TOP, 2" O.C. VERT. - TYP. SCRIBE TO WALL

BUILT-IN UNDERCOUNTER REFRIGERATOR; GC SHALL COORDINATE EQUIPMENT DIMENSIONS BEFORE ISSUING MILLWORK SHOP DRAWINGS.

9'-0"

MSG ROOM 07

SQUARE MITER EDGE

Millwork Elevation @ Reception Storage SCALE: 1/2" = 1'-0"

PTR1 SK2

96" A.F.F.

18" A.F.F.

WF1 120" A.F.F.

Reference Plan @ Reception Millwork

SC10

STUDIO D 17

PT2 PORCELAIN TILE FULL HEIGHT BACKSPLASH

DF1

HARDWARE FOR ALL ADJUSTABLE SHELF ON UPPER CABINETS AT THIS LOCATION STEEL PINS

2" HOLES FOR SHELF SUPPORTS @ 2" O.C. VERT. - TYP.

PROVIDE LOCKING

3/4" ADJUSTABLE SHELF, TYP.

SCALE: 3/4" = 1'-0"

TOI2

SURFACES)

WD1

Section Detail @ Hall 20 (typ.)

7'-10"

TOI1

18" A.F.F.

SELF-EDGE PULLS

27" A.F.F.

ADA RR 06

FAUC1

WHITE FINISH

HOLES FOR SHELF SUPPORTS @ 2" O.C. VERT. - TYP.

P-LAM FINISH AS SCHED. (ALL EXPOSED SURFACES) 3/4" ADJUSTABLE SHELF, TYP.

2" 1"

SCALE: 1/2" = 1'-0"

PTR1 SK2

P-LAM FINISH AS

ST1 ALL INTERIOR SURFACES OF 'P' FLOOR 'P' FLOOR (ALL SCHED. LOCKERS TO BE MELAMINE EXPOSED BOX BOX

PUL1 Elevation @ Phone Booth 13

MSG ROOM 08

MTL STUD WALL

FINISH FLOOR

STUDIO E 16

WF1

2'-6"

BUILT-IN UNDERCOUNTER REFRIGERATOR; GC SHALL COORDINATE EQUIPMENT DIMENSIONS BEFORE ISSUING MILLWORK SHOP DRAWINGS.

18" A.F.F.

WF1 120" A.F.F.

SC9

'P' FLOOR BOX

HALL 19

+18"

27" A.F.F.

DOOR PULL AS SCHED. P-LAM FINISH AS SCHED. (ALL EXPOSED 42" A.F.F. SURFACES)

SK1 FAUC2

Millwork Elevation @ Reception Desk

SEE PLAN

+36"

BB1

120" SCALE: 3/16" = 1'-0" A.F.F.

BACKSPLASH, TYP.

WM1

6'-0"

LAUNDRY 10

'P' FLOOR 6'-2" BOX 4 DM1 EQ. STORAGE CABINETS

8'-0"

0" ADA HEIGHT COUNTER

WOMEN'S SQUARE RR MITER EDGE 12

BLOCKING, TYP.

UTILITY 11

SK3 FAUC3

42" A.F.F.

SEE ELEV.

BLOW DRY BAR 16

WH1

SK1

42" A.F.F.

2'-0"

2'-2"

3 EQ. LOCKER ROWS

A-6.2

19'-10"

+18"

60" A.F.F.

SS1 TABLE MOCKETT TL27R-3 27" HIGH LEG; 3" DIAMETER

PROVIDE LOCKING HARDWARE FOR ALL UPPER CABINETS AT THIS LOCATION

3/4" PLAM DOOR (ALL EXPOSED SURFACES)

2'-10"

+54" +36"

FAUC1

ADJUSTABLE SHELVES ON STEEL PINS

BB1

SK1

FAUC1

SOLID SURFACE COUNTER TOP,

SEE ELEV.

SCALE: 1/2" = 1'-0"

P-LAM FINISH AS SCHED. (ALL EXPOSED SURFACES)

SH1 SH2

PHONE BOOTH SCRIBE TO WALL 13

Elevation @ Juice Bar 02

SH1 SH2

PT2 PORCELAIN TILE FULL HEIGHT BACKSPLASH

2'-10"

+18"

6'-0"

MEN'S RR 14

+36"

STORAGE 15

WD1

3 EQ. LOCKER ROWS

FAUC1

ELECTRICAL PULL AS DOOR SCHED. 22

2'-0"

SCALE: 3/4" = 1'-0"

3'-0"

5'-0"

A-6.2 SK1

2" PROVIDE LOCKING HARDWARE FOR ALL UPPER CABINETS AT THIS LOCATION

SC8 Section Detail @ Men/Women RR.

7A FAUC1

BB1

PUL1

FB1

SEE RCP PLAN FOR CEILING HEIGHT.

SK1

SS1

PUL1

HOLES FOR SHELF SUPPORTS @ 2" O.C. VERT. - TYP. P-LAM FINISH AS SCHED. (ALL EXPOSED SURFACES) 3/4" ADJUSTABLE SHELF, TYP.

SH1 SH2

A-6.2

TOI1 TOI2

SCHED. FAUC1AS P-LAM FINISH SCHED. (ALL EXPOSED SURFACES)

SH1 SH2

AS PTR1 TOI1DOOR TOI2 PULLSK2

SEE RCP PLAN FOR CEILING HEIGHT.

SH1 SH2

A-6.2 8A

SH1 SH2

4'-7" 7B

PROVIDE LOCKING HARDWARE FOR ALL UPPER CABINETS AT THIS LOCATION

SH1 SH2

BACKSPLASH, TYP.

4" UR1

2'-10" 3'-0"

4'-6" 1'-6" 1'-6"

1'-6" 1'-4" 2"

8'-0"

FAUC1

+36"

SCALE: 1/2" = 1'-0"

UR1

5'-0"

SC6 VB2

FB1

27"

A-6.7

Elevation 5'-0" @ Studio C

PTR1 SK2

SC2 A-6.9

16'-1"

P-LAM FINISH AS SCHED. (ALL EXPOSED SURFACES) 3/4" ADJUSTABLE SHELF, TYP.

STAINLESS STEEL @ BASE; NO WALL BASE THROUGH TOEKICK SHALL BE ACCEPTABLE

FB1

5'-4"

3'-11"

WT1

28 TOI1 TOI2

P-LAM FINISH AS SCHED. (ALL EXPOSED SURFACES) 3/4" ADJUSTABLE SHELF, TYP.

3/4" PLAM DOOR (ALL EXPOSED SIDES)

SEE PLAN

SCALE: 3/4" = 1'-0"

SEE RCP

A-6.2

7B A-6.2

SEE ELEV.

4 EQUAL DOORS

HOLES FOR SHELF SUPPORTS @ 2" O.C. VERT. - TYP.

DOOR PULL, AS SCHEDULED

FINISH FLOOR

PW1

FB1

Section Detail @ Men/Women RR. SCALE: 3/4" = 1'-0"

SQUARE MITER EDGE

Section Detail @ Lockers in Hall 19

SC7

SCALE: 3/4" = 1'-0"

SC5

2'-10"

BOTTOM DOOR PIVOTS

9'-2"

FINISH FLOOR

SC4

EQ. SQUARE DISPOSAL HOLES IN SS1

SOLID SURFACE COUNTER TOP, SCRIBE TO WALL BUILT-IN DISPOSAL BINS; GC SHALL COORDINATE EQUIPMENT DIMENSIONS AND CUTOUT DIMENSIONS IN COUNTERTOP BEFORE ISSUING MILLWORK SHOP DRAWINGS.

BLOCKING, TYP.

3'-0"

10'-4" - 6 EQ. CABINETS PLYWOOD STORAGE CABINETS

Section Detail @ Men/Women RR.

VB1

HOLES FOR SHELF SUPPORTS @ 2" O.C. VERT. - TYP.

ADJUSTABLE SHELVES ON STEEL PINS

FB1

P-LAM FINISH AS SCHED. (ALL EXPOSED SURFACES)

PT2 PORCELAIN TILE FULL HEIGHT BACKSPLASH HOLES FOR SHELF SUPPORTS @ 2" O.C. VERT. - TYP.

MTL STUD WALL SEE PLAN

FB1

1'-5"

SCALE: 1/2" = 1'-0"

SC6

Elevation @ Open Area 03

STAINLESS STEEL @ BASE; NO SS1 WALL BASE THROUGH TOEKICK SHALL BE ACCEPTABLE

5'-0"

SCALE: 3/4" = 1'-0"

SS1

SEE PLAN BLOCKING, TYP.

Section Detail @ Men/Women RR.

SC5

PW1

MTL STUD WALL

CUSTOM-BUILT PLYWOOD STADIUM STYLE SEATING

SCALE: 1/2" = 1'-0"

SQUARE MITER EDGE

FINISH FLOOR

ALL INTERIOR SURFACES OF LOCKERS TO BE MELAMINE WHITE FINISH

BLOCKING, TYP.

Elevation @ Juice Bar 02

MTL STUD WALL

6'-0"

SS1

PL2

SELF-EDGE PULLS

P-LAM FINISH AS SCHED. (ALL EXPOSED SURFACES)

PLAM DOOR (ALL AS SCHED. TILE3/4" SS1 EXPOSED SIDES)

BUILT-IN DISPOSAL BINS; GC SHALL COORDINATE EQUIPMENT DIMENSIONS AND CUTOUT DIMENSIONS IN COUNTERTOP BEFORE ISSUING MILLWORK SHOP DRAWINGS.

3 EQ. LOCKER ROWS

PL2

SC14 A-6.7

SQUARE MITER EDGE

MTL STUD WALL

3/4" PLAM DOOR (ALL EXPOSED SURFACES)

6'-11"

DISPOSAL HOLES IN SS1 EQ. SQUARE MIRROR AS SCHED.

PW1

SS1

5'-0" 3 EQ. CABINETS FOR BINS

BR1

MIRROR AS SCHED. DOOR PULL, AS SCHEDULED

SOLID SURFACE COUNTER TOP, SCRIBE TO WALL

SEE ELEV.

PL2

SS1

PT2 PORCELAIN TILE FULL HEIGHT BACKSPLASH

2'-10"

ADJUSTABLE SHELVES ON STEEL PINS

SCALE: 1/2" = 1'-0" 1'-9"

SEE RCP PLAN FOR CEILING HEIGHT.

SQUARE MITER EDGE

CT1

1"LIGHTING COVE AS SCHED.

Elevation @ Open Area 03

CEILING AS SCHED.

P-LAM FINISH AS TILESCHED. AS SCHED. (ALL EXPOSED SURFACES)

SS1

1'-0"2'-2"

FOR WALL DET. REFER TO WALL TYPE AND WALL SECTIONS (TYP.)

SEE RCP

BR1

BINS FOR DIRTY SH

Section Detail @ Reception Desk

SC2 1'-11"

1" 1'-11" SCALE: 3/4"1"= 7'-10" CUSTOM MERCHANDISE DISPLAY UNIT

28 5'-0"

P-LAM FINISH AS SCHED. (ALL EXPOSED SURFACES)

MIRROR AS SCHED.

TILE AS SCHED.

REF1

SEE PLAN

DRYWALL SOFFIT

25'-8"

SS1

PUL1

SEE PLAN

WP1

MIRROR AS SCHED.

TOP DOOR PIVOTS

PATRON BLDG.

STAINLESS STEEL @ BASE; NO WALL BASE THROUGH TOEKICK SHALL BE ACCEPTABLE

Section Detail @ Massage Rooms (typ.)

SEE RCP

TILE AS SCHED.

SS1

SEE PLAN

SC3 Bar SCALE:02 3/4" = 1'-0" Elevation @ Juice

9'-2"

SC1 A-6.9

CEILING AS SCHED.

SC11 A-6.9

HOLES FOR SHELF SUPPORTS @ TENAN 2" O.C. VERT. - TYP.

SCALE: 1/2" = 1'-0" Section Detail @ Stadium Seating (typ.) SC1 SCALE: 3/4" = 1'-0" 1'-11" 1" 1'-11" 4 EQUAL DOORS

Elevation @ Studio D SCALE: 1/2" = 1'-0"

SCALE: 3/4" = 1'-0"

BOTTOM DOOR PIVOTS

16'-1"

5'-0"

Section Detail @ Reception Desk

3/4" ADJUSTABLE ISSUED CLEAN T SHELF, TYP.

BLOCKING, TYP. FINISH FLOOR

SCALE: 1/2" = 1'-0"

SC2

VB1

3/4" PLAM DOOR (A EXPOSED SIDESDRAW

HOLES FOR SHELF SUPPORTS @ 2" O.C. VERT. - TYP.

1/4" QUIRK REVEAL

4'-0"

1/4" QUIRK REVEAL

SCALE: 3/4" = 1'-0"

DOOR PULL, AS SCHEDULED

3/4" ADJUSTABLE SHELF, TYP.

Section Detail @ Stadium Seating (typ.)

SC1

PUSH RELEASE DOORS

SEE PLAN

SQUARE MITER EDGE

DOOR PULL, AS SCHEDULED 2" 3/4" PLAM DOOR (ALL EXPOSED SIDES

ALI Ll

MTL STUD WALL

8'-0"

SEE PLAN

SOLID SURFACE COUNTER TOP, SCRIBE TO2"WALL

9'-0"

SS1

3/4" ADJUSTABLE SHELF, TYP.

HOLES FOR SHELF SUPPORTS @ 2" O.C. VERT. - TYP.

SCALE: 1/2" = 1'-0"

Elevation @ Juice Bar 02

SS1

WD1

4 EQ. PANELS

PUSH RELEASE DOORS

ADJUSTABLE SHELVES ON STEEL PINS

PL2

WHITE OAK VENEER

PL2

SQUARE MITER EDGE

SEE ELEV.

WD1

PL2

PL2 2"

UNDERCABINET LIGHTING

PT2 PORCELAIN TILE FULL HEIGHT BACKSPLASH

2'-10"

WD1

Elevation @ Open Area 03

11'-0"

3/4" PLAM DOOR (ALL EXPOSED SIDES

SS1

WD1

DOOR PULL, AS SCHEDULED

P-LAM FINISH AS SCHED.

WT1

SS1

SQUARE MITER EDGE

TOP DOOR PIVOTS

SC13 A-6.7

SC12 A-6.7

SC11 A-6.9

PUL1

SOLID SURFACE WATERFALL STYLE COUNTERTOP

BACKSPLASH, TYP.

SCALE: 1/2" = 1'-0"

BACKSPLASH, TYP.

Elevation @ Hall 20

10'-0"

2'-0" V.I.F.

3'-4"

SEE RCP

2'-2"

10'-0" 10 EQ. 3-TIER LOCKER UNITS

5'-0"

VB1

4"1" 1'-2" 1" 1'-2" 1" 1'-2" 1" 1'-2" 1" 1'-2" 1" 1'-2"

REF1

WF1 96" A.F.F.

2'-0"

8'-0"

Millwork Elevation @ Reception Storag SCALE: 1/2" = 1'-0"

+18"

ENTRANCE 01

JUICE BAR 02

HALL 21

AED1 AED2

LIFESTYLE STUDIO

Reflected Ceiling Plan

1 A-3.1

7'-10"

4'-0"

F4A

EQ.

9'-0"

EQ.

3 F7

SP2 8'-0"

8'-0"

10'-0"

8'-0"

SP2 8'-0"

DC1 9'-0"

8'-0"

10'-0"

F8 3'-0"

SP1

F8 3'-0"

SP2 8'-0"

R1 3'-0"

8'-0"

R1 3'-0"

DC1

F8 3'-0"

SP1

3 F3

F8 3'-0"

SP1

9'-0"

F3 EQ.

3'-0"

WP1

SP1

SP2

F8 R1

SP2

SP2 8'-0"

F4B

EQ.

TYP.

10'-0"

SP2

R1 DC1

8'-0"

8'-5"

3'-0"

16'-10"

1'-11"

9'-0"

EQ.

SP1

8'-0"

WP1

F4B

8'-0"

F1 4'-0"

EQ.

DC1

EQ.

3'-0"

2'-5"

4'-0"

SP1

EQ.

F1 4'-0"

3'-0"

F1 4'-0"

7'-9"

SP1

R1 F8

6'-11"

SP1

2'-5"

4'-0"

SP1

5'-2"

4'-0"

F4B

8'-0"

SP1

6'-11"

4'-0"

F4B

8'-0"

4'-0"

SP1 F8

F4B

8'-0"

2'-5"

9'-0"

5 4'-0"

15'-1"

10'-10"

SP1 F1

F4A

DC1

15'-1"

4'-0"

F1 4'-0"

4'-0"

13'-11"

2'-5"

F4B

9'-11"

4'-0"

DC1

4'-0"

6'-2"

SP1

9'-0"

EQ.

8'-0"

F1 4'-0"

4'-0"

10'-0"

F4A

7'-3"

5'-5"

F4B

9'-11"

4'-0"

F4A

7'-1/2"

DC1

EQ.

2'-8"

6'-3"

6'-11"

4'-0"

SP2 8'-0"

4'-0"

2'-5"

EQ.

SP1 F1

F4A

SP2

DC1

EQ.

SP1 F1

F4A

9'-0"

1 F4B

10'-0"

4'-0"

F4A

5'-1"

DC1

2'-1"

4'-0"

DC1

F4A

5'-2"

F4B

3'-9"

2'-5"

F4A

DC1

3'-6"

F4A

SP2

7'-2"

F4A

EQ.

F4A

EQ.

7'-10"

F4A

7'-1"

SP2

F4A F2

7'-1/2"

3'-9"

EQ.

3'-0"

8'-11"

3'-0"

EQ.

3'-0"

3'-6"

3'-0"

F4A

DC1

10'-0"

F4A

SP2

DC1

F4A

SP2

3'-0"

DC1

SP2

3'-0"

17'-10"

3'-0"

F4A

5 7

F4A

9'-0"

F4A

DC1

3'-0"

3 F8 F8

F4A

EQ.

F4A

EQ.

F4A

3'-0"

SP2

3'-0"

3'-6"

3'-0"

SP2

3'-0"

3'-6"

F4A

8'-11"

SP2

A-3.2

8'-0"

8'-0" 7'-0"

Construction progress photos

8'-0"

G ALVAREZ STUDIO

EQ.

DC1 9'-0"

EQ.

DC1

9'-0"

F4A

SP2

F8 3'-0"

SP1

F8 3'-0"

3'-0"

F4B

EQ. EQ.

2'-11"

F4A

8'-0"

3'-6"

8'-0"

7'-0"

DC1

F4A

9'-11"

F4A

F1 F6

F6 F1

2'-6"

10'-0"

F1 SP2

2'-6" 2'-6" SP2

F1 WP2

5'-0" SP2

10'-0"

F1 2'-6"

F1 5'-0"

F1 SP2

F1 10"1'-5"

3'-6"

A-3.2

F1 5'-0"

3'-6"

8'-0"

SP2

F1 5'-0"

A-3.2

F4A 8'-0"

10'-0"

5'-0" SP2

9'-0"

TYP.

DC1

1'-5"10"

F1 TYP.

9'-11"

SP1

8'-0"

SP2

3'-2"

4'-10"

3'-0"

EQ.

F8 3'-0"

7'-0"

3'-6"

F8 3'-0"

SP3

1'-7" 1'-11"

EQ.

5'-2"

DC1

F8 3'-0"

7'-0"

8'-5"

8'-0"

SP3

7'-0"

F4A

SP1

16'-10"

3'-0"

10'-0" EQ.

TYP. A-3.2

F4B

10'-0" SP2

EQ.

7 SP1

SP1

9'-0"

5'-4"

SP3

7'-3"

4'-0"

F4A 8'-0"

DC1

F4A

F4B

6'-4"

15'-1"

10'-0" SP3

SP1

WP1

4'-0"

9'-11"

SP1

10'-0"

A-3.2

DC1

SP3

DC1

SP1

14'-6"

4'-0"

8'-2"

F4A

F4B

6'-11"

SP3

4'-0"

EQ.

5'-2"

SP1

TYP.

13'-9"

6'-11"

4'-0"

SP2

F4B

6'-9"

7'-10"

F4B

F4A +/-3'-2" 5'-4"

8'-0"

SP1

SP1 F8

F4B

8'-0"

SP2 +/-7'-0"

5'-6"

F4B

8'-0"

EQ. EQ.

F4B

8'-0"

SP3

SP2 8'-0"

8'-0"

7'-1"

DC1

4'-0"

2'-4"

SP2 8'-0"

SP3

EQ.

F4A

4'-9"

7'-3"

EQ.

F4A

EQ.

9'-0"

F4A

EQ.

EXP

9'-0"

DC1

5'-2"

F4A DC1

EQ.

9'-0"

EQ.

F4ADC1

SP2

SP2 4'-9"

EQ.

A-3.2

EQ.

F4AEQ.

EQ.

F4A

EQ.

OPEN TO ABOVE EQ. EQ.

EQ.

5'-2"

9'-0"

F4A

EQ.

2'-6"

TYP.

EQ.

6'-3"

F4A

EQ.

DC1

EQ.

F4A EQ.

EQ.

10"

OCEAN VIEW HOUSE

OCEAN VIEW HOUSE KEY BISCAYNE, FL

PROJECT DESCRIPTION Designed as a three story house overlooking Biscayne Bay and downtown Miami, Ocean View House fully exploits its location, amplifying views of the city and bay, and allowing for natural crossventilation. The ground floor glass facade to be completely removed, eliminating the distinction between indoors and outdloors.

RESPONSIBILITIES - Conceptual 3D modeling - Schematic drawings and diagrams - Preparation of presentations

BERENBLUM BUSCH ARCHITECTS

Site Conceptual Diagram

OCEAN VIEW HOUSE

Longitudinal Section

Ground Floor Plan

BERENBLUM BUSCH ARCHITECTS

Second Floor Plan

Terrace Floor Plan

FULL FLOOR TENANT RENOVATION

FULL FLOOR TENANT RENOVATION MIAMI, FL

PROJECT DESCRIPTION Full floor renovation for local corporate offices of a New York-based service company. The design remained budgetconscious, following a straight-forward and simple plan, and spending resources on feature areas, such as the elevator landing and lobby, boardrooms, and a lively cafe. Finishes were carefully curated to subtly evoke elements of Miamiâ&#x20AC;&#x2122;s natural beaches and reefs, which are visible from three sides of the office perimeters.

RESPONSIBILITIES - Client contact & presentations - Design development & specifying - Conceptual 3D modeling - Custom millwork design - Coordination w/ engineers & consultants - Oversight of construction documents production - Construction administration - Furniture package oversight and coordination - Permit processing & coordination

G ALVAREZ STUDIO

Interior perspectives at elevator landing, lobby, and cafe

OFFICE 2433

OFFICE 2432

OFFICE 2431

OFFICE 2430

+18" A.F.F.

+60" A.F.F.

FB4

FLOOR BOX 'P' 'D' 'AV'

N N

OFFICE 2429

CR N

OFFICE 2428

VIDEO LINK

OFFICE 2434

N N

8" . +1 .F 0" A. .F +6 .F.F A

FLOOR BOX 'P' 'D' 'AV' N

CLOSET 2436

FEC

OFFICE 2427

EXIST. PHONE SWITCH

N E

WIC1 WIC1

ST1

ADA R.R. 2467

STORAGE 2465

SH1

SK4

FAUC3

TO1

OPEN AREA 2443

OFFICE 2426

ETR. UPS

IT ROOM 2462

ETR 24/7 AC UNIT

MEETING RM. 2463

+60" A.F.F.

N N

'L'

N N N

OFFICE 2438

FLOOR 'WHIP' 'P' 'D'

+18" A.F.F.

CLOSET 2468

FILES 2437

CR N

EXISTING SECURITY PANEL

ETR RACKS

EXISTING TELEPHONE BACKBOARD

EXERCISE 2466

OFFICE 2469

'L'

STORAGE CL. 2464

EXISTING PANEL

'L'

TO2

'L'

E E

OFFICE 2425

COPY ROOM 2461

+50" A.F.F.

CR N

FEC

COF1

8 REF2

WD1

+42" A.F.F.

SK1

FAUC1

DW1 MIC1

+42" A.F.F.

+18" A.F.F.

BREAK OUT 2470

FEC

OFFICE 2439

N E

ST1

GFI

WALL 'WHIP' 'P' 'D'

E E

FEC

OFFICE 2424

OFFICE 2459

2444

NCOPY/PRINT

+50" A.F.F.

OFFICE 2440

ELEC. ROOM N.I.C.

STAIR 1 N.I.C.

E E

OFFICE 2441

OFFICE 2460

E E

OFFICE 2423

OFFICE 2458

ST1

FLOOR BOX ' P' 'D' 'A'V' FB5

MECHANICAL ROOM N.I.C.

OFFICE 2457

OFFICE 2442

ST1

DF1

OFFICE 2422

OFFICE 2456

CR N

E N N

N N

OFFICE 2453

DF1

MEETING 2402

OFFICE 2421

OFFICE 2454

CR N

+60" A.F.F.

+18" A.F.F.

LOBBY 2400

CR N

BUZZARD LINK

FLOOR 'WHIP' 'P' 'D'

+42" A.F.F.

OFFICE 2420

FLOOR 'STUB UP' 'P' 'D'

BUZZARD LINK

RECEPTION 2401

FLOOR BOX ' P' 'D' 'A'V' FB2

CONF. ROOM 2403

VIDEO LINK

FLOOR BOX 'P' 'D' 'AV' FB1 N

N N

+60" A.F.F.

VIDEO LINK

E E

OFFICE 2455

WOMEN RR. 2472

MEN RR. 2471

VIDEO LINK

FLOOR BOX ' P' 'D' 'A'V' FB5 CONFERENCE 2445

VIDEO LINK

MECHANICAL ROOM N.I.C.

E E

SK3

E FB3

CR N

+42" A.F.F.

+50" A.F.F.

COPY RM. 2446

E N

CR N

STAIR 2 N.I.C.

VIDEO LINK

N N

+42" A.F.F.

OFFICE 2406

CR N

PT1

WD1

COF1

+54" A.F.F. +42" A.F.F.

GFI

+42" A.F.F.

CAFE 2451

+42" A.F.F.

E E

OFFICE 2418

FLOOR 'WHIP' 'P' 'D'OPEN AREA 2452 N

ICE

SK1 FAUC1

FEC

E E

MIC1

E E

SK2

FAUC1

DW1

MIC1

E E

+42" A.F.F.

+54" A.F.F.

OPEN AREA 2447

OFFICE 2448

CR N

DW1 MIC1 MIC1

REF1

FLOOR 'WHIP' 'P' 'D'

MECHANICAL ROOM N.I.C.

CR N

OFFICE 2405

FREIGHT ELEV. 2473

FEC

OFFICE 2419

CR N

E E

TELEPHONE ROOM N.I.C.

VIDEO LINK MEETING RM. 2404

+60"+18" FLOOR A.F.F. A.F.F. BOX 'P' 'D' 'AV' N N

PT1

GFI

TOA

+42" A.F.F. COF GFI

OFFICE 2417

+60" A.F.F.

+42" A.F.F.

N N

OFFICE 2450

+18" A.F.F.

OFFICE 2449

FLOOR BOX

OFFICE 2407

FLOOR 'WHIP' 'P' 'D'

FEC

CR N

N N

OFFICE 2409

OFFICE 2410

OFFICE 2411

OFFICE 2412

OFFICE 2413

OFFICE 2414

N N

+18" A.F.F.

+60" A.F.F.

VIDEO LINK

OFFICE 2415

+ A 60" .F +1 .FA 8 .. " F. F.

OFFICE 2416

VIDEO LINK

EXEC. OFFICE 2408

8" . +1 .F 0" A. .F +6 .F.F A

FAUC2

N N

N E

E N

+18" A.F.F. +60" A.F.F. N N

N E E

+18" A.F.F.

E N

'L'

N E

N N

E E

+60" A.F.F.

N N

AV N

E N

N N

AV AV N

N E

E E

AV AV AV

PRIVATE RR. 2435 VIDEO LINK

FULL FLOOR TENANT RENOVATION

N E E

Electrical Location Plan

NOT FOR CONSTRUCTION E

ACT1 8'-6"

TYP.

ACT1 8'-6"

A-3.2

ACT1 8'-6"

F13

EXP. V.I.F.

F13

FEC

ACT1 8'-6"

EQ.

ACT1 8'-6"

A-3.2

10'-0"

ACT1 8'-6"

2" HIGH WHITE AXIOM TRIM

4'-3"

3'-3" F82'-5"

F15

ACT1 8'-6"

F13

EQ.

10'-0"

ACT3 8'-6"

ACT1 8'-6"

F13

F17

ACT1 8'-6"

EQ.

4'-5"

ACT1 8'-6"

F8A

DC1 8'-6"

2" HIGH WHITE AXIOM TRIM

F17

F13

2" HIGH WHITE AXIOM TRIM

ACT1 8'-6"

F18

10'-0"

ACT1 8'-6"

F16

ACT1 8'-6"

F13

ACT1 8'-6"

F13

ACT1 8'-6"

WD1 8'-6"

FEC

WD1 8'-6"

EQ.

ACT1 8'-6"

EQ.

F13

EQ.

ACT1 8'-6"

FEC

10'-0"

F13

ACT1 8'-6"

F13

9'-5"

DC1 7'-6"

EQ.

F13

A-3.2

ACT3 8'-6"

FEC

10'-0" EXP. V.I.F.

9'-5"

ACT1 8'-6"

DC1 8'-6"

A-3.2

ACT1 8'-6"

EXP. V.I.F.

EQ.

ACT1 8'-6"

F13

F10

EQ.

10'-0"

ACT1 8'-6"

10'-0"

F10

F13

F10

F13

ACT1 8'-6"

F13

7'-6"

EQ.

A-3.2

ACT1 8'-6"

F13

ACT1 8'-6"

8'-0"

DC1 8'-6"

ACT2 8'-6"

8'-0"

16'-2"

7'-10"

ACT2 8'-6"

F13

ACT2 8'-6"

10'-0"

ACT1 8'-6"

9'-5"

EXP. V.I.F.

10'-0"

F13

DC1 8'-6"

F13

10'-0"

ACT1 8'-6"

7'-10"

F12

ACT1 8'-6"

DC1 7'-6"

8'-0"

ACT2 8'-6"

A-3.2

EQ.

A-3.2

8'-0"

F12

DC1 8'-6"

7'-10"

ACT4 8'-6"

EQ.

A-3.2

F13

DC1 8'-6"

WD1 9'-6"

2'-0"

A-3.2

DC1 8'-6"

8'-0"

EQ.

DC1 10'-0"

8'-0"

A-3.2

8'-0"

DC1 8'-6"

EQ.

F12

8 TYP.

DC1 8'-6"

TYP.

A-3.2

F13

8'-0"

F12

ACT1 8'-6"

EQ.

F2 DN

8'-0"

ACT1 8'-6"

F13

A-3.2

8'-0"

ACT1 8'-6"

A-3.2

DC1 7'-6"

10'-6"

FEC

F13

ACT3 8'-6"

F13

EQ. F13

ACT1 8'-6"

6 F11

ACT1 8'-6"

EQ.

F13

ACT3 8'-6"

ACT1 8'-6"

F13

A-3.2

DC1 8'-6"

FEC

DC1 7'-6"

F11

F13

10'-0"

ACT3 8'-6"

F11

DC1 7'-6"

WD2 8'-6"

EQ.

ACT1 8'-6"

DC1 7'-6"

10'-0"

2" HIGH WHITE AXIOM TRIM 10'-0" EXP. V.I.F.

2" HIGH WHITE AXIOM TRIM

10'-0" EXP. V.I.F.

2" HIGH WHITE AXIOM TRIM

8'-0" DC1 8'-6"

TYP.

10'-6"

ACT1 8'-6"

A-3.2

F2 F2

F15 F15

8'-5"

8'-2"

8'-0"

F15 F15

F2 3'-8" 3'-11"

F15 F15

F2 F2 F1

ACT1 8'-6"

9'-1" 9'-1"

8'-0"

F1 F1

8'-0"

9'-1" 9'-1"

8'-0"

8'-4"

F2 F2 F2

F1 F1

F2 F2 EQ. EQ.

F2 F2 F2

F1 F1 F2

F2 F2

F1 F1 F2

F2 F2 F2

F1 F1

F4 F4

F1 F2 F2

EQ. EQ.

F1 F1

8'-0" 8'-7"

F12 9'-4" 9'-4" 9'-4"

EQ. EQ.

EQ. EQ. F14

F4 F2 F2

F14 F2 F2

F14

F2 F2 F2

F14

F1 F1

F13

ACT1 8'-6"

A-3.2

F13

ACT1 8'-6"

F13

F14

10'-11"

A-3.2

10'-11"

F14 F2 F2

F9 F9

EQ.

FEC

A-3.2

FEC

PSPN CAPMC L2 CAPMG L3 L1 CAPTG CAPPN CAPQT PST1 PST3 PSMC PSQT PST2

F13

EQ. F13

F13

EXP. V.I.F.

EQ.

CAPPNL2 L3 PSMC PSQT PST3 PST1 PSPN PST2 L2 CAPMC CAPMG CAPQT L1 CAPTG PST3 CAPQT CAPTG CAPPN PSMC PSQT L3 PST1 PSPN PST2 L1 CAPMG CAPMC

F2 F2 F2

8'-0" 8'-0" 8'-0"

F13

8'-0"

F13

8'-0"

F13

8'-0"

F13

8'-0"

F13

8'-4"

ACT1 8'-6"

F2 F2 F2 F2

F1 F14

EQ. EQ. EQ. 8'-2"

F2 F2

F2 F2 F2

Reflected Ceiling Plan F9

2" HIGH WHITE AXIOM TRIM

DC1 8'-6"

TYP.

A-3.2

G ALVAREZ STUDIO

2" HIGH WHITE AXIOM TRIM

CORPORATE BUILDING AMENITY SUITE

CORPORATE BUILDING AMENITY SUITE MIRAMAR, FL

PROJECT DESCRIPTION Project consisting of a two-phase corporate amenity suite construction. The first phase includes a catering area, two large conference rooms that can be joined for auditorium-style presentations, and a large flex space with custom-built seating booths and a variety of seating arrangements. The seccond phase would include habilitating the terrace space to create a large open-air event space for the buildingâ&#x20AC;&#x2122;s tenants.

RESPONSIBILITIES - Client contact & presentations - Design development & specifying - Coordination w/ engineers & consultants - Oversight of construction documents production - Oversight of renderings production - Construction administration - Aid in furniture and finish selection, and coordination

G ALVAREZ STUDIO

SC2 A-6.1

C L

EQ. MAX. WIDTH PANELS ALIGNED WITH CENTER LINE

UC2

UC1

CEILING GRID LINE

UC1

WB1

UC1 WB1

P# UC#

(PRICE ALT. UC# TO P# FOR WALS AND CEILINGS.) 2X WOOD BLOCKING FOR MILLWORK, TYP

WOOD BENCH W/ FABRIC CUSHION, TYP.

2'-0"

UC#

UC# REFER TO ELEVATION FOR SPECIFICATION WOOD BENCH SEAT W/ FABRIC SEAT CUSHION

UC#

1'-2"

2X FRAMING AS REQ'D, TYP

PAINTED MDF TO MATCH WALL COLOR.

1'-6"

REFER TO RCP FOR CEILING HEIGHT

UC#

P# UC#

QUIRK REVEAL

PAINTED (P#. REFER TO ELEVATION FOR SPEC) MDF PANELS @ DRYWALL SOFFIT. AND REFER TO RCP AND CEILING SCHED. FOR CEILING DESIGNATION.

F2A

8'-0"

EQUAL

DC1 8'-8" EQUAL

EQUAL

6'-0"

EQUAL

RIDOR (N.I.C.)

EQUAL

F2A

F2A F1

ACT1 8'-8"

6'-0"

F2A

F2A F1

F2A

EQUAL EQUAL

EQ.

EQUAL

CG1 8'-8"

F2A

EQUAL

F2A F1

CG1 8'-8"

EQUAL

F2A

DC1 8'-8"

ACT1 8'-8"

6'-0"

F2A

F2A D

EQUAL

EQUAL EQUAL

EQ.

DOR (N.I.C.) F1

+7'-0"

6 F5

+7'-0"

DC1 7'-0"

F4 F1

+6'-6"

CG1 8'-8"

+7'-3" +7'-0" F3 +6'-8" F3 +7'-3" F3 F3

DC2 7'-0"

+6'-6"

2'-0"

F4 F1

EXTERIOR TERRACE (N.I.C.)

5'-0"

5'-2"

5'-8" 7'-0"

UC1

UC1 WB1

4" UC1

UC2

PAINTED DRYWALL 1 4"

UC1 MTL STUD WALL

BUILT-IN MILLWORK BENCHES TO BE SEPARATELY PRICED. GC TO VERIFY IN FIELD. REFER TO CONSTRUCTION PLAN. GC TO VERIFY IN FIELD.

REFER TO WALL DESIGNATION FOR WALL COSTRUCTION

UC1

BLOCKING, TYP.

1'-0"

10"

UC1

FINISH FLOOR

1'-4"

UC1 WB1

UC2

UC1

FABRIC WRAPPED SEAT CUSHION (TYP.)

UC1

10"

UC1

UC2

UC1

FABRIC SEAMLINE

UC1

UC2

UC1

FABRIC SEAMLINE

UC2

10"

UC1

FABRIC SEAMLINE

UC1

10"

FABRIC SEAMLINE

UC1

FULLY FABRIC WRAPPED PROTRUDING CONSTRUCTION. REFER TO DETAIL 5/A-6.1

TENANT C.)

1'-8"V.I.F.

V.I.F.

ACADEMIC

MIXED USE HOUSING DEVELOPMENT

IRON MARKET, A CATALYST FOR COMMERCE AND COMMUNITY LITTLE HAITI, FL

PROJECT DESCRIPTION In order to help Little Haiti transition from being an impoverished and crime-prone area of Miami into a thriving commercial and residential community, we proposed a system based on commercial zoning and a series of urban parks that range in scale including fully pedestrian park-streets, semipublic parks and courtyards, residential parks in the sky, and private balcony gardens. The area is designed to be stimulated economically through a phased commercial development, creating revenue for the community and thus improving life quality for its inhabitants.

PROCESS Large urban blocks of small single-family homes were reimagined as large-scale mixed-use buildings based on traditional colonial courtyard buildings, stimulating community activity and involvement both in the interior individual courtyards, as well as on the Iron Market Stroll - a central pedestrian artery lined with restaurants and commerce. The name IRON MARKET derives from the Iron Market in Port Au Prince, Haiti - a prominent and iconic location for commerce, exchange and a sense of community, qualities which we hope to emulate throughout our project.

FLORIDA INTERNATIONAL UNIVERSITY

4 levels residential units of varying square-footages

STUDIO VARIATIONS

Purely residential zones 1 and 3 bedroom aprtmane LIVE/WORK

semi-public elevated park / courtyard

High urban transit zo contain single bedroo ments, and studios to faster pace of a youn individual

1 BEDROOM VARIATIONS

3 levels interior parking

work-live and commercial units

A 3 floor parking gar cotain suficient park commercial and reside

Purely residential zo work-live oportunitie level

2 BEDROOM VARIATIONS

High urban transit zo quick stop and go sho

3 BEDROOM VARIATIONS

access from all corne easy and convinient t tween zones

SCALE: 1/32” = 1’

FOURTH LEVEL FLOOR PLAN

Block perspectives and longitudinal section

WATERFRONT REVITALIZATION MASTERPLAN

Medieval Center Void Space Analysis Diagrams

FACING THE VOID: DE-INDUSTRIALIZATION AND THE GENOESE WATERFRONT GENOVA, ITALY

PROJECT DESCRIPTION The city of Genoa, Italy currently suffers from pos-industrial isolation from its seafront, forcing its citizens to travel to adjacent towns to enjoy the sea they have across the street. As one of the largest intact medieval centers in Europe, negative space, or voids, are undoubtedly valuable petri dishes for opportunity. This project explores the voids left by a departed ship-building industry, and how these spaces can be activated to create amenities for its citizens, which have an intrinsic relationship with the sea.

PROCESS As a first phase, a shipyard would be transformed into a public island, by cutting a canal between the peninsula and land. The island becomes Genoa’s face when ships enter the port, and negotiates the interstitial space between land and water. It calls out Janus, Genoa’s mythical bi-cephalic god which looks in two directions simultaneously. The dry-docks and other aspects of the island are maintained and developed as adaptive reuse in order to honor Genoa’s glorious industrial past. As a second phase, what is currently a two story highway shall be re-routed underground, and repurposed as a linear park, bringing back a centuries old “passegiatta” that used to run along the city’s coast. This elevated park will be the city’s artery connecting public spaces and green areas along the city’s perimeter, and acting as a catalyst for future redevelopment along the water.

FLORIDA INTERNATIONAL UNIVERSITY

Void Analysis Diagrams & Medieval Walls & Topographic Analysis

1A 1B 1C 1D 2A 3A 3B 3C

WATERFRONT REVITALIZATION MASTERPLAN

FLORIDA INTERNATIONAL UNIVERSITY

FACING THE VOID: De-industrialization and the Genoese Waterfront Genoa, Italy Professor Matthew Rice

*In Collaboration with Jennifer Sandoval

WATERFRONT REVITALIZATION MASTERPLAN

FLORIDA INTERNATIONAL UNIVERSITY

WINERY EXPANSION MASTERPLAN

FLORIDA INTERNATIONAL UNIVERSITY

WINERY EXPANSION MASTERPLAN Collaboration with owner & Professor Camilo Rosales HOMESTEAD, FL

PROJECT DESCRIPTION A semester-long research and business plan proposal for a local small farm, wishing to exploit the Redlandsâ&#x20AC;&#x2122; potential for agrotourism. The owners had owned the fruit farm for a couple decades, and sporadically built new structures for their expanding tropical fruit wine and events business, but needed a comprehensive design and masterplan for future expansion.

PROCESS The team created a masterplan and detailed all aspects of the design, including a large brewery and winery, a non-denominational chapel for weddings held on site, an amphitheatre for weekend concerts, and a full restaurant. The project took full advantage of the warm South Florida climate, using covered walkways, and orienting the structures to take the most advantage of the sites wind and sun patterns. Research and proposals included tools and processes to implement zero-waste farming, worm composting, and inexpensive construction techniques to help develop the owners agenda within their budget.

WINERY EXPANSION MASTERPLAN

FLORIDA INTERNATIONAL UNIVERSITY

WINERY EXPANSION MASTERPLAN

INSTALLATIONS

El Tiempo: 2 de Marzo de 2008 - “Golpe al Corazón de las FARC”

On March 2, 2008, the Colombian government controversially succeeded to finally kill Raul Reyes, one of the most notorious members of the FARC or Fuerzas Armadas Revolucionadas de Colombia by invading and bombing Ecuadorian territory that bordered Colombia on the Amazon. More shocking was the fact that the disfigured, blood-stained image of the cadaver was printed on every front page and website so as to publicly claim victory with bloody hands. This piece abstracts the blood on Raul Reyes’s famous death portrait, and elevates it to the glorious, trophy status its spill represented for the population. The gold-colored shiny shapes represent the symbolic value of the shed blood, but simultaneously allow for the spectators to see their reflection in the image of Raul Reyes’s glorified blood. With time, brass loses its shiny bright

Mapping the Biological Process of Falling In Love Applied Mapping Class Professor W. Elysse Newman

This installation was a full-scale 3-dimensional abstraction map of the biological process of falling in love. The 3 stages, lust, attraction and attachment, as well as the 7 hormones related to this process, were translated into different types of red yarn, creating a code of line weights and textures, and inviting the spectators to get close and interact with the piece. The subtle difference in material creates an intimate relationship between the viewer and the piece, for in order for the viewer to fully experience the map, they must come close and observe. Additionally, the room was wrapped by a mirror ribbon at eye level, which immerses the viewer physically into the piece. Each person becomes a vital player in the process, contributing to the general pool of hormones, emotions and reactions in which two people create an enormously strong connection and ultimately fall in love.

thank you.