A rchitecture Design
曾泓諭 Born on Contact
Hung-Yu, Tseng 10 July 1998
tsenghungyu98@gmail.com (+886) 910-816-073 Taipei, Taiwan
education
professional experience
personal skills
2014 - 2016
台北市立育成高中
2016 - 2017
中原大學物理系
2018 -
淡江大學建築系
internship
2017 - 2018
software
Dept. of Physics, Chung Yuan Christian University
Dept. of Architecture, Tamkang University (EA4)
巨蛋水電
electrical and plumbing company
Autodesk Autocad
Grasshopper (basic)
Adobe Photoshop
MS Office Suite
Autodesk Revit
Adobe Indesign
Adobe Illustrator
Adobe Premiere Pro 01
Taipei Municipal Yu Cheng Senior High School
Lumion
Rhinoceros
Twinmotion
Pro Create (ipad)
extra
curricular
competitions 2019
workshops
achievements
& certifications
亞洲建築新人戰 入圍決選
Asian Contest of Architectural Rookie's Award (Judges’ List Award)
Aug 2021
住在公司田溪旁工作坊
Aug 2021
台日交流營
Sept 2021
淡江建築數位傳承工作營
exhibition 2020
(Semester 4)
executive
USR - Tamsui Living Heritage (IV)
International Housing Workshop (Japan Women's University & Saga University & Tamkang University) Digital AIEOU Lineage Workshop (10th)
年級設計優選成果展 TKU Grade Projects Exhibition
Sept 2021 - Jun 2022
系學會 / 系刊組 / 組長
Sept 2021 - Nov 2021
58th 迎新宿營 / 美宣組 / 組長
(Semester 7 / 8)
(Semester 7)
Mar 2021 - Jul 2021 (Semester 6)
Dec 2020 (Semester 5)
2018 - 2020
(Semester 1 / 3 / 4 / 8)
TKU Architecture Student Association / Chief of Department Magazine
TKU Architecture 57th Orientation Camp / Chief Artistic Design Department
建築營 / 美宣組 / 組長 TKU Architecture Camp / Chief Artistic Design Department
55th 建築週 Bingo/ 美宣組 / 組長 TKU Architecture Events Week (Bingo) / Chief Artistic Design Department
淡江建築設計課組長 TKU Architecture / Studio Team Leader
02
03
contents
selected works
01
尋 ˙ 他們
05
02
沿海之間
17
03
埕裡記憶
25
04
工作營成果 & 個人特色作品
37
Find˙Them | Semester 7 | Landscape architecture design - Miniature and Panorama Studio
Between in coast | Semester 2 | Pavilion design - Learn from the master
Memories in the town | Semester 6 | Co-working space design - Creative Design Center
Achievement of workshops & Personal featured works
04
01
尋 ˙ 他們
Find˙Them | When the gunshots sounded...
/ Semester 7
#Type / Memorial Design #Issue / White Terror Event #Concept / Sound-Scape #Key words / #Direction # Filter #Contrast #Point # Axis 在⽩⾊恐怖期間，受刑者的受難過程會經由「偵訊」、「審判」、「服刑」、 最後到「槍決」。 在這四個階段過程當中，受難者的⼼境起伏不定， 我定義出這四個階段不同的⼼境感受， 偵訊：困境的開始，審判：絕望的深 淵，服刑：無盡的旅途，槍決：凍結的時刻。 ⽽基地位處於⾺場町，此處則是作為 1950~1953 期間主要槍決服刑的地點， 這個地點同樣也代表著受刑⼈ ⽣命的終點，也是受難過程裡的最後⼀哩路， ⽽當槍聲的響起，巨響貫穿了天際，受難者的憤恨將在過去 那⼀刻劃上了休⽌ 符，但也因為那⼀槍響，讓我們這個世代與受難者的家屬了解那些不公義的 過去，重新 給予受難者他們的尊榮。
During the period of white terror, the torture process of the prisoners will go through "interrogation", "trial", "serving the sentence", and finally "shooting". In the process of these four stages, the victim's mood fluctuates. I define the different moods of these four stages.Interrogation: Beginning of Dilemma, Trial: Abyss of Despair, Served: Endless Journey, Execution: Frozen Moment. The base is located in Hoba-machi, which served as the main execution site during the period of 1950 to 1953. This site also represents the end of the prisoner’s life and the last mile in the suffering process. The resounding sound of the gun shot through the sky, and the resentment of the victims will stop at that moment, but also because of that shot, let our generation and the families of the victims understand the injustice of the past, Restore the victims their honor.
05
06
事件 / Event
ਘ ɾ ࿏ ኸ
白色恐怖事件分析 / Event mapping
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- 馬場町紀念公園 / White Terror Period Execution Grounds
- 新店溪 / The death river 內
湖
新
生
總
隊
大
龍
峒
留
質
室
保
密
局
北
所 刑
憲
警
總
兵
調
查
局
本
部
隊
司
令
部
看
守
所
北
青
軍
島
看
守
所
密
法
台
保 （ 安司 東 令 本 部 願 保 寺 安 ） 處
保
軍
路
警
局
備
南
所
人
東
安
處
獄
法
台
保
監
軍
北
處
看
空
軍
守
監
獄
所
總
部
看
守
所 三
張
馬
犁
留
質
室
場
町
刑
六
張
場
犁
看
守
所
台 誠
舍
北
看
景
美
守
所
台
灣
省
生
產
教
育
實
驗
所
安
坑
新
店
安
坑
安
康
接
待
室
07
刑
軍
看
場
人
守
所
監
獄
看
守
所
基地 / Site
馬場町基地分析 / Site mapping
被遺忘的那一響
- 環境聲音 / Site sound
- 路徑 / Sound path
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設計說明 / Design Description
配置設計 / Site plan design
- 基地 / Site state
N - 配置圖 / Position
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N 0
5
10
20
30
50 M
2.
基地策略 / Site strategy
1. main path 2. field path
1.
- 主要路徑 / Paths In terms of design strategy, I defined a main path to commemorate the point where the gunshots sounded, and another path to understand the environmental nature of the Obacho site, and I used the base to make the main sound The medium, the nor theast monsoon, indirectly connects the relationship between events and fields.
2.
1. main path 2. field path
1.
1.
wind
1.
event memorial space
2. field history
3. 2.
3. between
river
Nature - river / wind
1.
1.
1.
2. first corner
3.
2.
Path 1 - Last part entry
6. 2.3.4.5.
3. point
1.
4.
2.
5.
3.
6.
Path 2 - For the Field
Path 1 - For the Gunshots For the Past
+7
+3.5
+1.8
+7
0 -1.8 +3.5
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-3 +1.8 -4.5
0
-5
-1.8
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-3 -4.5
室外水道
過濾水道
室外水道
-5
紀念長廊
家屬紀念空間
過濾水道
0 100
300
600
1000 (m)
- 水之路徑 / River path
紀念長廊
家屬紀念空間
0 100
300
600
1000 (m)
Section E
0
-2.2 -4
0
長廊
水道
榕樹區
椰子樹區(坡)
椰子樹區
風與土地之間
0 100
風走道 -2.2
300
600
-4
長廊
水道
榕樹區
椰子樹區(坡)
椰子樹區
風與土地之間
風走道
- 風之路徑 / Wind path
0 100
300
600
1000 (m)
10
1000 (m
±0
C
-1.5 -1.2 ±0
D -5
-5.6
E
A -1.8
-1
-5
B
-2
±0
- 基地配置圖 / Site plan 0 500
1500
3000
5000 (m)
-5.6
-5
E.
A.
±0
-5.2
-5
B. C.
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D.
-1
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±0
G.
- 主空間平面圖 / Master Plan A. 家屬紀念空間 () B. 民眾紀念資訊空間 C. 引水道 D. 草坪區 E. 榕樹區 F. 蘆葦草區 G. 新店溪
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0 100
300
600
1000 (m)
Between (現在與過去)
走道 (耐厚鋼板)
地板 (耐厚鋼板)
水流
厚重牆
中介空間 (屋頂)
事件紀念空間 (屋頂)
瀑布集水源頭 歷史場域 (跑馬場)
格柵 (木材)
地板 (玻璃)
地板 (玻璃)
水層 土層 (泥濘狀態)
安坑刑場
新店溪
紀念水道出水處 (耐厚鋼)
紀念長廊地板 (木材)
歷史槍決點 (Point)
- 爆炸圖 / Exploded drawing
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細部剖面 / Detail Section
- A-A' Section / Memorial space for the gunshots
- B-B' Section / Memorial information space
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細部剖面 / Detail Section
- C-C' Section / For the field
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02
沿海之間
Between in the coast | Resonate....
/ Semester 2
#Type / Pavilion Design #Issue / Environment and people #Concept / Construct #Key words / #Empathy #Filter #Path #Direction #Gradient 本設計是藉由建築師理念的分析與理解出發。 透過 Steven Holl 於 1988 年在美國麻州葡萄園小島上所設計的一棟私人別墅 Berkowitz House 案例上做為 出發，其概念來自當地小說《白鯨記》裡頭鯨魚骨架的轉化，而作為廣為人知的建築現象學大師，他的設 計強調人的存在自身與及人和周圍事物的接觸過程之種種差異。 建築之於環境之於人，藉由地區固有的自然環境與歷史，設計出建築像是在跟這裡的環境對話般，讓這棟 建築融入環境的合奏、串連並且如有機的生命體與周圍環境的一起呼吸。
The design is based on the analysis and understanding of the architect's concept. Starting from the case of Berkowitz House, a private villa designed by Steven Holl in 1988 on a vineyard island in Massachusetts, the concept comes from the transformation of the whale skeleton in the local novel Moby Dick, and it is a well-known architectural phenomenon. A master of science, his designs emphasize the differences between human existence and the process of contact with people and things around them. Architecture is for the environment and people. Based on the inherent natural environment and history of the region, the design of the building seems to be in dialogue with the environment here, so that the building is integrated into the ensemble and connected of the environment, and is like an organic life body and its surroundings. Breathe together with the environment.
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分析 / Analysis
基地環境 / Site environment
- 石門老梅石槽 / Laomei Green Reef
The nor th coast is rocky, full of capes and bays, and the coastline changes dramatically. This special topographic feature is eroded by the strong northeast monsoon, rainfall, waves, etc., creating many landscape features. This special trough landscape will start to breed green algae on the rock surface in April or May every year when the northeast monsoon weakens, forming a special landscape of green troughs.
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案例分析 / Case study
- Steven Holl / Berkowitz House
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概念發展 / Concept
操作過程 / Operation process
- 西側立面 / West elevation
- 南側立面 / South elevation
- 概念操作 / Concept operation
The overall architectural form is constructed according to the wind valley of the local wind direction, showing a dense and dense effect at the bends. The structure conforms to the strong northeast monsoon in Laomei, and becomes streamlined with the wind direction, applying the dry fence in the Berkowitz House case. It can enhance the permeability, generate corresponding space up and down in space, and increase the sense of space experience. In terms of structure, it has a guiding effect.
- 設計過程 / Diagram
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設計說明 / Design description
- 平面圖 / Plan
- 剖面圖 / A-A' Section
- 草圖 / Draft
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03
埕裡記憶
Memories in the town | Historic long house
/ Semester 6
#Type / Creative Design Center #Issue / City history #Concept / Urban texture #Key words / #Direction #Overlap #Orthogonal #Recoordination # Continuous 過去大稻埕的街區紋理以淡水河為主軸，做為過去茶葉貿易與對外經的重要過道，而挺的商業流動與人文 發展主要以東西向度為主，從淡水河到市區內形成一種漸進式的發展。 社會的變化、環境的變遷與貿易型態的改變，淡水河之於人的重要性逐漸改變，過去的人們以淡水河維生， 而慢慢地人們開始著重在商店的買賣，大稻埕迪化街、延平北路等，南北向的街道逐漸繁華，歷史的生活 樣態也逐漸的埋藏於人們的記憶當中。 而現今的大稻埕，堤防的興建、道路的拓寬、泥沙淤積等，人為因素的變動，淡水河逐漸的離大稻埕的生 活遠去，過去水平向度的記憶直接地被阻斷了起來。走進大稻埕裡，漫遊在街區中隱約的發現過去的建築 東西向的發展型態、街區紋理與人們生活的形式等，慢慢的可以拼湊起當年淡水河的重要性。 In the past, the block texture of Dadaocheng was mainly based on the Danshui River, which was an important passage for the tea trade and foreign economics in the past, while the commercial flow and cultural development of the city were mainly in the east-west direction, forming from the Danshui River to the urban area. An incremental development. With changes in society, environment and trade patterns, the importance of the Danshui River to people has gradually changed. In the past, people lived on the Danshui River, but gradually people began to focus on buying and selling in stores. Dadaochengdi Hua Street, Yanping North Road, etc., the north-south streets are gradually prosperous, and the historical life style is gradually buried in people's memory. In today's Dadaocheng, the construction of dykes, the widening of roads, sediment deposition, etc., due to changes in human factors, the Danshui River has gradually moved away from the life of Dadaocheng, and the memory of the past horizontal dimension has been directly blocked. stand up. Walking into Dadaocheng, roaming in the neighborhood, you can vaguely discover the east-west development pattern of buildings in the past, the texture of the neighborhood and the forms of people's life, etc., and slowly you can piece together the importance of the Tamsui River.
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26
基地 / Site
基地分析 / Site analysis
1928 大稻埕 / Dadaocheng
1935 大稻埕 / Dadaocheng
27
都市紋理 / Urban texture
- 長屋 / Long house The longhouse form of Dadaocheng maintains the old environment style. The goods arrived from Danshuihe at the beginning, and gradually went west to the store. For the convenience of work, the development of the building was gradually developed in the east-west direction. host. Today's social changes and the addition of other elements have gradually destroyed the form of the longhouse and disappeared. We can only vaguely piece together the existing architectural overview and connect the historical memory of the east and west.
- Orthogonal
- Overlap
- Recoordination
- Model study 02
28
平面圖 / Plan
N
/ Site plan
+7
+3.5
+1.8 0 -1.8
-3
N 室外水道
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過濾水道
家屬紀念空間
紀念長廊
-3 -4.5 -5
/ plan 4
0 100
300
600
1000 (m)
+7
+3.5
+1.8 0 -1.8
-3
N 室外水道
過濾水道
家屬紀念空間
-3 -4.5 -5
/ plan 5
紀念長廊
0 100
300
600
1000 (m)
0 100
300
600
1000 (m)
+7
+3.5
+1.8 0 -1.8
-3
N 室外水道
過濾水道
家屬紀念空間
紀念長廊
-3 -4.5 -5
/ plan 6
30
剖面 / Section
/ A-A' section
- Overlay
31
- Pleiotropic
/ B-B' section
- Centrality
- Interweave
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Administration
Workshop Workshop
Lecture hall
Performance space
33
- 城市裡的 " 第三空間 "/ "Third Space" in the city
The change of identity and the blurring of the boundary between the internal and external human beings create a new form of institutional space. The merged organization of activities spans the horizontal relationship between functions. People use a variety of professional forms to generate the fluidity of identities and the structure of emerging activity patterns. In terms of spatial states, they are constructed under bounded conditions to generate unbounded ones. ambience.
Exhibition space
Work space
Open classroom Community space store
store
Performance space
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35
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04
/ 住在公司田溪旁工作坊
USR - Tamsui Living Heritage (IV) 學習型城鄉建構計劃 | 流域課程 | 第二組 - 水質過濾就生態
北新醫院
演戲埔腳圳
口湖子 原生植物區
公司田溪
N
淡水區中寮里口湖子區域圖
- 公司田溪流域問題
37
/ 淡江建築數位傳承工作營
Digital AIEOU Lineage Workshop (10th)
38
/2019 亞洲新人建築戰
Asian Contest of Architectural Rookie's Award
入圍 To
JUDGES’ LIST AWARD
曾泓諭
Hung Yu, Tseng
沿海之間
Project Title
Date: 2019 September 21st
競圖評審 Competition Jurors
李暎一
邱浩修
李綠枝
漆志剛
林靜娟
詹偉雄
梁豫漳
Young-il, Lee
Hao-Hsiu, Chiu
Liu Chi, Lee
Jr-Gang, Chi
Ching-Chuan, Lin
Wei-Hsiung, Chan
Yu-chang, Liang
贊助單位｜
39
/ 個人繪畫作品
Drawing
40
TKA - 2022
T h a nks for rea ding.