Molly Gagnon / Candidate for B.S. in Architecture / Northeastern University
Molly Gagnon
(518) 527 - 9749 / mmgagnonn@gmail.com / linkedin.com/in/mmgagnonn
Skills
Education
References
Technical
Northeastern University, Boston MA
Ben Wilson, AIA, LEED AP
Adobe InDesign
IE University, Segovia, Spain / Spring 2020 Study Abroad Semester
Adobe Illustrator Adobe Photoshop Adobe Premiere AutoCAD
Autodesk Inventor Autodesk Revit
Bluebeam Revu
Garageband iOS Microsoft Office QGIS
Rhinoceros
Physical
Hand Sketching Laser Cutting
Model Making
Coursework
Candidate for BS in Architecture / Class of 2022
GPA: 3.75 / Dean’s List Fall 2017 - Fall 2018, Fall 2020 / Dean’s Scholarship College of Arts, Media and Design: Creative Leaders Portfolio Scholarship
LEED Green Associate
Architectural Co-op.
Project Manager,
Worked closely with Principals, Architects and Project Managers on
projects ranging from small residential additions to large-scale apartment complexes. Produced construction and schematic drawings. Created and edited 3D and physical models as well as renderings for presentations. Met with clients and community members, and made site visits. 5/2019 - 11/2019
Northeastern University AIAS Vice President of Special Events.
Architect and Rose Fellow City of Boston
Cross Country Skiing
and other AIAS chapters over social media platforms. 5/2018 - 5/2019, 5/2020 - Present
Design Studio 4: Program -
Advocate for changes to the curriculum to make it more inclusive. Aid
Netherlands
Chana Haouzi, AIA
including creating graphics and curating content to engage with members
Structural Systems
Transportation in the
brian.gregory@perkinswill.com
Interests
AIAS Liaison.
Sustainable Urban
(973) 229 - 3454
as well as represent the Northeastern chapter in National AIAS events.
Northeastern University NOMAS
Communication
Perkins&Will Boston
chanahaouzi@gmail.com
the City Studio
Advanced Architectural
Urban Design Practice
Lead initiatives in planning, promotion, and logistics of events and
Previously the Webmaster. Maintained website and social media accounts,
Spain Study Abroad
bwilson@bhplus.com
Bargmann Hendrie + Archetype, Inc.
Embodied Environments &
Architecture, Infrastructure &
(617) 456 - 2261
Brian Gregory, AIA,
meetings. Coordinate with the School of Architecture Administration
Architecture of Social Reform
Bargmann Hendrie + Archetype, Inc.
Experience
Design Tactics & Operations Climate Sensibilities Studio
Principal
Serve as the link between the Northeastern AIAS and NOMAS chapters. in the logistics and planning for events. Collaborated with AIAS and
the SOA Administration to plan the Fall 2020 Spatial Inclusion Lecture Series. Previously a Cultural Liaison and Communications Specialist.
Informed members of events within the Asian-American Community at Northeastern. Notified members with informative e-mail newsletters. 9/2018 - 11/2019, 5/2020 - Present
Figure Skating Guitar Skateboarding Cycling Duolingo Fishing Writing
Urban Oasis How do you create an escape from the city in the heart of Madrid?
PONDering Infrastructure Can infrastructure not only protect against stormwater flooding but educate and foster community?
South End Performing Arts School What does a seamless threshold between public and private look like?
Broadway Athletic Facility In what way can a form be molded by its environment?
BPL Washington Street How can a section define distinct spaces?
Boston Spook-tacular Where did some of Boston’s scariest urban legends come from?
Ironwood Wall Section How can a wall reflect movement?
Internship Work at bh+a When thoughts and ideas become reality, what does it look like?
Creative Endeavors What are other outlets for creativity?
1 11 21 31 39 47 49 53 59
Urban Oasis How do you create an escape from the city in the heart of Madrid? Spring 2020 / IE University: Segovia / Design Studio 4: Program / Clara Murado
This recreation complex combines a variety of recreation and entertainment programs into a breath of fresh air in the sprawling city of Madrid. / 1 patio view
2 /
green spaces
This project reimagines what the open, boarded up lot between these buildings could be, literally filling the void with recreation and leisure.
L
Enclosing the perimeter of the site with program shifts the focus inward to the open spaces in the center.
L M
L
M
S massing arrangement
roc
S
M S
A sculptural rock wall both secludes and invites visitors into the space, dancing around the rigid shapes of the surrounding buildings. A beachfront is brought to the middle of Madrid with the inclusion of a competitive beach volleyball court, accompanied by a water playspace and outdoor café seating, shaded by hanging vines and plants.
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interior section 1
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interior section 2
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massing model
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east entry
The three main programs constitute three main circles of influence, with surrounding spaces supporting them. A main walkway serves as a path to connect each of them.
In
fl u
en
ce Area
The Rock Wall space includes the Splash Park and bleachers for the Beach Volleyball Court. In the indoor dining space, restaurant pods allow for smaller local restaurants to cycle through and continuously change.
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site plan
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internal circulation
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unrolled interior elevation
recreation atrium
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PONDering Infrastructure Can infrastructure not only protect against stormwater flooding but educate and create community? Fall 2020 / Architecture, Infrastructure & the City / Brian Gregory
The need to protect infrastructure and vulnerable populations is dire. How can we do this while also preserving valuable public and urban space? / 11 pool view / pavilion view
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This puts the Southwest Corridor, a critical transportation line, at risk for severing a reliable connection to the economic center of Downtown Boston. These neighborhoods are the homes of many socio-economically disadvantaged individuals as well as many people of color.
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The need to protect the Southwest Corridor and ensure it remains operational to ensure mobility and equity is greatly needed.
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With unprecedented weather events occurring more frequently, the public spaces that the people of Boston have fought for are at risk of going underwater.
skateparks in boston
cam br i
Base Lot #5
Setback 1
Parcel SF: 117,805
existing conditions
Rear yard setback 20’
This project combines education, infrastructure and community to create a public space that helps prevent stormwater flooding.
base lot parcel sf: 117,805
Base Lot #5
Setback 1
Parcel SF: 117,805
Setback 2
Rear yard setback 20’
Max Building Height Building height maximum 45’ Base Lot #5 Parcel SF: 117,805
setback 1 rear yard: 20’
Max Building Height Building height maximum 45’ Base Lot #5 Parcel SF: 117,805
Floor-Area-Ratio FAR: 2.0 = 235,610 SF Setback 1 Rear yard setback 20’
setback 2 street wall continuity
Max Building Height Building height maximum 45’
Base Lot #5 Parcel SF: 117,805
Setback 1
Absorb Floods percolate Rear yard setback 20’ through the surface here
Abstain These surfaces do Max Building Height not allow floods to permeate Building height maximum 45’
Setback 2
Street wall continuity
building height maximum: 45’
Floor-Area-Ratio ’
FAR: 2.0 = 235,610 SF
Street wall continuity It is also a space that can support events and programs that Floor-Area-Ratio benefit the community, FAR: 2.0 = 235,610 SF Setback as well as1 the neighboring Rear yard setback 20’ Roxbury Community College.
Skateboarders have often found use for water management facilities. Final Building Envelope Setback 2
A Street public skatepark and new wall continuity bike path that doubles as stormwater management Floor-Area-Ratio infrastructure can both FAR: 2.0 = 235,610 SF protect the MBTA and create valuable spaces of learning, growth, education, and human connection. Final Building Envelope
Trench Important
depressed transport lane
Way Motor-powered
transportation travels here
Max Building Height Building height maximum 45’
Junction Large Floor-Area-Ratio
FAR: 2.0 = 235,610 SF intersections of various ways, typically dangerous
floor area ratio sf x 2 = 235,610 sf
Final Building Envelope
Flood Destructive amounts of water that can occur with storms
urban taxonomy
Slope Elevated areas that resist floods
final building envelope
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roof drainage plan
stormwater flooding along the swc
Rooftop access and access to Pavilion
The skatepark is often treated as purely recreational space, but it can be so much more. The sense of community that is fostered through skateboarding is valuable to our urban spaces.
Views out to skatepark
massing proposal
SWC
RCC this way
Skateparks can also manage stormwater flooding and protect infrastructure for vulnerable communities. 3 - Testing Center 2 - Library RCC Expansion 1, 2 - Common areas is close to other 1 - Cafeteria academic buildings
Pavilion Integrated into topography
Skatepark Open Space employs full grade of terrain with access from main and side streets. High visibility, access to RCC building, with “catch basin” more parallel to topography to catch runoff
section a
0
0
50 50
100 100
300 ft 300 ft
Ruggles Ruggles 00
500 500
without intervention
Roxbury Roxbury Crossing Crossing
2000 2000
Jackson Jackson Square Square
section c
5000 5000 ft ft
addition of skate park, updated bike path
underground parking collects excess flooding/
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section / elevation through site
existing
addition of raised crosswalk
addition of median
aerial view
street intervention
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an intersection with a skate stop seating and a community bulletin board
PHASING plan SITE
continue education in workshops begin southern construction and transfer activities to rcc facility begin northern construction of rcc expansion: southern remains open for education
teach about stony brook river, flooding and hold inclusive learn-to-skate workshops with rcc & community educate
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facilitate
tranform
2
traverse
transfer
transcend
extend
transport
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4
revise intersection and create a safer environment to support events demolish sidewalk, re-route bike path onto columbus temporarily and begin changes to bike path bike path completion address flood-vulnerable areas first with swc improvements
SWC
full improvements completed
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South End
Performing Arts School What does a seamless threshold between public and private look like? Spring 2019 / Urban Institutions / Jim Peraino
This performing arts school aims to bridge two differing urban fabrics together in a playful dance between public and private. / 21 urban fabric
This particular site in the South End serves as a mediator between two drastically different urban fabrics. One is a tighter, smaller residential grid, and the other is an irregular patchwork of parcels combined over time to accomodate larger complexes. Breaking down the scale required a rewind to the historical street grid. This configuration includes a new avenue-- a quieter, more relaxing route across the site that connects an intersection with heavy traffic with the nearby existing green spaces.
5
historical street grid + proposal
Future
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circulation
The arrangement of masses on my site corresponds with the surrounding buildings. Split by a retail avenue in the center, the north half of the site has smaller scale programs, whereas the south side is larger to fit with the existing building on the site. Overhangs provide a further breakdown of scale, and an escape from the elements. On the busiest end of the site is the school, which bridges the gap between large and small, as well as public and private.
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residential building reflects neighboring complex
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disciplines pronounced represent main function
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outdoor seating area, entry to shopping street
site massing strategy
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plan 2
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site plan of school
plan 3
plan 4
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Plan 2
Plan 3
circulaton
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section a
program public & private
This Performing Arts School serves as the bridge between public and private. One side serves solely as the school, and can easily be isolated for security. The other side contains the public program, but with access from the school so the spaces can be used during school hours. A transparent circulation bridge connects the two sides, serving as a visual connection between the public and private spaces, as well as a social space where peers can interact and make encounters throughout their day.
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Washington St
Section B
Section A
Site Plan 1/32” = 1’-0”
Elevation 1/16” = 1’-0”
north elevation
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view from main entry
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Broadway
Athletic Facility In what way can a form be molded by its environment? Fall 2018 / Site, Space & Program / Sam Choi
Driven by site analysis, this project attempts to serve as a mediator between the differing urban fabrics surrounding the site. / 31 figure ground
The urban fabric surrounding this irregular site near the Traveler Street Bridge can be classified into three distinct forms: - the smaller scale residential grid, - the large irregular factory form, - the rigid linear train tracks and highways. The athletic center takes on a distinct spatial arrangement of a rigid box and malleable ring to reconcile these three very different patterns. The box contains all of the spatially-demanding aquatic-related
programs
and
the
smaller
programs revolve around it while attempting to make peace with their surroundings.
32 /
urban fabric diagram
initial concept massing
concept diagram
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model view from travler st bridge intersection
U U D
first floor and site plan
The gym tapers down to the smaller scale of the grid, then expands not just to fit the large programs, but also the different environmental scale. The backside of the gym is horizontal to reflect the horizon and
accentuate
the
views
across the trainyard. west elevation
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U
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plan 2
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plan 3
plan 4
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longitudinal section
view from entry
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Boston Public Library
Washington Street How can a section define distinct spaces? Fall 2018 / Site, Space & Program / Sam Choi
This is a project that attempts to differentiate distinct zones within a narrow infill site through bands of circulation and sectional differences. / 39 site plan
zones in this narrow building.
Main Reading Stacks/Media
Offices/ Bookbinding/BR
The distinct zones seperate the various functions and spaces within the
e/BR
Offices/ Bookbinding/BR Secondary Reading
Multipurpose
Entry
building to fufill each program types’
RT H NO
RT H NO
RT H NO
PROJECT NORTH
PROJECT NORTH
RT H
Entry
PROJECT NORTH
NO
distinct needs.
PROJECT NORTH
RT H
Secondary Reading
PROJECT NORTH
RT H
Main Reading Tables
Multipurpose Main Reading Tables
ens’Stacks/Media ng
ace
open spaces extracted
Circulation bands create different
NO
uters
closed vs. open
Main Reading Stacks/Media Stacks/Media Main Reading Stacks/Media Main Reading Stacks/Media Main Reading Stacks/Media Reading Stacks/Media Main Reading Main Stacks/Media Reading Stacks/Media Computers ComputersMain Reading Computers Computers Computers Main Reading Main Reading Tables Tables Main Computers Reading Tables Main Main Reading Tables Main Reading Tables Main Reading Tables Computers Computers Main Reading Main Tables Reading Tables
Childrens’ Childrens’
Offices/ Offices/ Offices/ Offices/ Offices/ Offices/ Offices/ Offices/ Bookbinding/BR Bookbinding/BR Bookbinding/BR Bookbinding/BR Bookbinding/BR Bookbinding/BR Bookbinding/BR Bookbinding/BR Multipurpose Childrens’ Multipurpose Childrens’ Multipurpose Multipurpose Multipurpose Multipurpose Childrens’ Multipurpose Childrens’ Childrens’ Childrens’ Multipurpose
Storage/BR Storage/BR
Storage/BR
circulation
Storage/BR
Storage/BR
Storage/BR Storage/BRStorage/BR
EntryReading Entry Entry Entry Entry Reading Entry Entry Secondary Secondary Reading Reading Secondary Secondary Reading Secondary Reading Secondary Reading Secondary Secondary Reading Outdoor Outdoor Space Space Outdoor Space
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Outdoor Space
Outdoor Space
Entry
Outdoor Space Outdoor Outdoor Space Space
bands
section model
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Site Plan
1/8” = 1’-0”
Seperate levels and specialized circulation allow for universal access to different spaces in a way that isn’t disruptive to the other library patrons.
42 /
section a
Site Plan
1/8” = 1’-0”
Computers
Childrens’
Main Reading Stacks/Media
Multipurpose
Main Reading Tables
Offices/ Bookbinding/BR
Storage/BR Secondary Reading
Entry
Outdoor Space
front elevation
back elevation
section b
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plan 1
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plan 2
plan 3
plan 4
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Boston Spook-tacular Where did some of Boston’s scariest urban legends come from? Spring 2019 / Advanced Architectural Communication / Sam Choi in collarboration with Adrian Ramon
murder weapon
gender of victims
strangler tracker
institutional time
strangler statistics what + where?
A visual collection of some of the spookiest locations and myths from Boston over the centuries.
charlesgate hotel: a millennium of misfortune
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Ironwood
Wall Section How can a wall reflect movement? Fall 2018 / Architectonic Systems / Paxton Sheldahl Designed and built in collaboration with Enya Xu
Natural and manmade materials are joined in a contrasting experience that evokes movement and plays with light and shadow.
wall close up
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6’-0”
6’-0”
6’-0”
6’-0”
6 x 6 HEAVY TIMBER FRAMING STEEL CONNECTION PLATE
0’-5.5”
4’-0”
1/2” RADIUS BOLT
4’-0” 6’-0” 6’-0”
6’-0”
6’-0”
6’-0”
6’-0”
distinct and contrasting
6’-0” 6’-0”
6’-0”
6’-0” 6’-0”
6’-0”
6’-0”
6 x 6 HEAVY TIMBER FRAMING
6 x 6 HEAVY TIMBER FRAMING
1/2” RADIUS BOLT
1/2” RADIUS BOLT
CUSTOM STEEL SHIPLAP PANEL
CUSTOM STEEL SHIPLAP PANEL
6’-0”
6’-0”
6’-0”
6 x 6 HEAVY TIMBER FRAMING
This wall explores the
6 x 6 HEAVY TIMBER FRAMING
GLAZING
STEEL CONNECTION PLATE 0’-5.5” 0’-5.5” 6 x 6 HEAVY TIMBER FRAMING 1/2” RADIUS BOLT STEEL CONNECTION PLATE
0’-5.5”
1/2” RADIUS BOLT CUSTOM STEEL SHIPLAP PANEL
6 x 6 HEAVY TIMBER FRAMING
0’-5.5”
1/2” RADIUS BOLT 17’-6.5”
properties of sheet metal and heavy timber.
4’-0”
6’-0”
6 x 8 HEAVY TIMBER FRAMING
6 x 8 HEAVY TIMBER FRAMING
6 x 6 HEAVY TIMBER FRAMING
6 x 6 HEAVY TIMBER FRAMING
GLAZING
GLAZING
6 x 8 HEAVY TIMBER FRAMING GLAZING
6 x 6 HEAVY TIMBER FRAMING
GLAZING 6 x 6 HEAVY TIMBER FRAMING
GLAZING
6 x 6 HEAVY TIMBER FRAMING
The rigidity and matte
17’-6.5”
texture of dark-stained heavy
6 x 8 HEAVY TIMBER FRAMING
4’-0”
timbers are joined together
4’-0”
1/2” GYPSUM WALLBOARD
17’-6.5”
17’-6.5” 17’-6.5”
CUSTOM STEEL SHIPLAP PANELS STEEL J CHANNEL
CAVITY INSULATION
4’-0”
GLAZING
with the smooth, shiny and reflective steel shiplap
CUSTOM STEEL SHIPLAP PANELS
CUSTOM STEEL SHIPLAP PANELS
panels.
STEEL J CHANNEL
STEEL J CHANNEL
CUSTOM STEEL SHIPLAP PANELS
section
STEEL J CHANNEL CUSTOM STEEL SHIPLAP PANELS STEEL J CHANNEL
elevation
STEEL J CHANNEL
This union creates a dynamic
6’-0”
effect play on light, while the sinusoidal and slatted base provides privacy while emphasizing movement.
CUSTOM STEEL SHIPLAP PANELS
3/4” RIGID INSULATION 1/2” GYPSUM SHEATHING
MOLLY GAGNON AND ENYA XUMOLLY GAGNON AND ENYA XU PAXTON SHELDAHL PAXTON SHELDAHL ASSIGNMENT 3 ASSIGNMENT 3 CONSTRUCTION SYSTEM: HEAVY CONSTRUCTION TIMBER SYSTEM: HEAVY TIMBER CLADDING SYSTEM: STEEL SHIPLAP CLADDING PANELS SYSTEM: STEEL SHIPLAP PANELS
6’-0”
6’-0”
MOLLY GAGNON AND ENYA XU PAXTON SHELDAHL ASSIGNMENT 3 6’-0” CONSTRUCTION SYSTEM: HEAVY TIMBER CLADDING SYSTEM: STEEL SHIPLAP PANELS
6 x 6 HEAVY TIMBER FRAMING 1/2” RADIUS BOLT CUSTOM STEEL SHIPLAP PANEL
5D NAIL 1/2” WOOD FURRING CUSTOM STEEL SHIPLAP PANELS 6 x 8 HEAVY TIMBER FRAMING
MOLLY GAGNON AND ENYA XU 6 x 6 SHELDAHL HEAVY TIMBER FRAMING PAXTON CONSTR ASSIGNMENT 3 MOLLY GAGNON AND ENYA XU CONSTRUCTION SYSTEM: HEAVY PAXTON SHELDAHLTIMBER CLADDING CLADDING SYSTEM: STEEL SHIPLAP3PANELS ASSIGNMENT GLAZING
CONSTRUCTION SYSTEM: HEAVY TIMBER CLADDING SYSTEM: STEEL SHIPLAP PANELS 6 x 8 HEAVY TIMBER FRAMING 1/2” GYPSUM WALLBOARD CAVITY INSULATION
4’-0”
GLAZING
plan
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CUSTOM STEEL SHIPLAP PANELS
Internship Work
Bargmann Hendrie + Archetype When thoughts and ideas become reality, what does it look like? May 2019 - November 2019 / Direct Supervisor: Principal Ben Wilson
A collection of projects and odd-jobs that I took on as an intern at a midsized architecture firm in Boston for my first co-op experience.
daniel f. burns apartments renovation - edits to façade design changes made by me in completed render
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Working closely in collaboration with other architects and designers, I completed many tasks for a variety of projects around the office. I edited Revit models and made changes to renders in Adobe Photoshop, as well as created BIM models from scratch based on old drawing sets. I also revised construction documents and produced presentation materials for projects ranging from small residential additions to public housing complexes.
54 /
section
camp ramah vocational education housing addition
c
skylight detail
a
b
roof detail
section
a
foundation detail
b
south elevation
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5
UNIT TYPE A - RCP 1/4" = 1'-0"
UNIT TYPE B - RCP
6
north elevation
1/4" = 1'-0"
7
UNIT TYPE C - RCP 1/4" = 1'-0" ARCHITECT
bh+a
Bargmann Hendrie + Archetype, Inc. 9 Channel Center Street Boston, MA 02210 617 350-0450 Tel www.bhplus.com
monsignor powers apartments axonometric
PROJECT NAME
Msgr. Powers Envelope and Energy Update 120 L St, South Boston, MA 02127
CLIENT
Boston Housing Authority
PROJECT TEAM
UNIT TYPE A - RCP 1/4" = 1'-0"
6
UNIT TYPE B - RCP
7
1/4" = 1'-0" C:\Local Revit\3414 BHA Monsignor Powers_MGagnon.rvt 11/22/2019 2:06:47 PM Author
5
UNIT TYPE C - RCP
8
1/4" = 1'-0"
1
UNIT TYPE A 1/4" = 1'-0"
UNIT TYPE D - RCP 1/4" = 1'-0"
UNIT TYPE B
2
3
1/4" = 1'-0"
UNIT TYPE C 1/4" = 1'-0"
Revisions #
first floor plan
Description
Date
DRAWING TITLE
DN
ENLARGED UNIT PLANS A, B, C & D
UP
DRAWING INFORMATION
01.22.2018
DATE OF ISSUE
Project Status
DESCRIPTION
1/4" = 1'-0"
Author
3414
3414 BHA Monsignor Powers.rvt
C:\Local Revit\3414 BHA Monsignor Powers_MGagnon.rvt 11/22/2019 2:06:47 PM Author
SCALE
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PROJECT #
1
UNIT TYPE A 1/4" = 1'-0"
2
UNIT TYPE B 1/4" = 1'-0"
3
UNIT TYPE C 1/4" = 1'-0"
4
UNIT TYPE D 1/4" = 1'-0"
apartment types
DRAWN BY
FILE NAME
DRAWING NUMBER
A401 Copyright BH+A, Inc.
summer street renovation proposal
daniel f. burns apartments typical unit
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Creative Endeavors
What are other outlets for creativity? May 2019 - November 2019 / Direct Supervisor: Principal Ben Wilson
The Boston Tree Party A series exploring the picturesque qualities and total environments within the Emerald Necklace. Acrylic, Ink, Watercolor 11” x 17” / 59
under the sea
streets
60 /
what comes next?
this is sparta
da mao
56 trottingham
music production / performance - link to original song “not a virus” foliage
nederland
this is berk
molly!!! on ice
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