By lassen by Möbler

THE GALLERY

T HE GA LLERY

The sculptor Rudolph Tegner inaugurated his museum building north of Copenhagen in 1938 to house his giant plaster sculptures, having sought the architetural expertise of Mogens Lassen’s close collaborator, the engineer Ernst Ishøy. As many times before, Ishøy and Lassen collaborated on this project. Indeed, an old architectural drawing of the museum building dating back to 1937 shows Lassen’s characteristic cursive signature, as a mark of the latter’s support of Tegner’s original concept for the eight-sided main building, which the principals were of the functionalist modernist architecture, where Lassen already pioneered within. Originally the walls were cast in the raw cement, as was characteristic of Ishøy and Lassen’s collaboration; 80 years later, the walls have been restored and stained in ochre, turquoise and terracotta. At once pompous, yet unpretentious and overwhelmingly inviting, the museum is treasure trove to discover. So it’s fitting that, to show its SS18 collection, by Lassen has staged a number of its pieces in the building, side by side with Tegner’s sculptures – and in doing so, the brand shines a light on the story of a collaboration that, 80 years later, still remains 1 powerful.

"EVERYTH I NG MUST GO TO GET HER, N OTHING IS RA NDO M"

Mogens Lassen

LASSEN C HAI R jup it er 6

~ TH AN K S TO KI R A BR AN DT f o r p ho t o g ra p hy & 4 - L AR S E N f o r s t y l i ng KAT R I N E M ARTE N S E N

INDEX

T HE CO LLECT IO N - GA LLERY

P .12

KUBUS

P .21

SA X E LIMIT ED EDT IT IO N

P .22

BY LA SSEN

P .25

INT RO DUCING T HE BROT HERS MO GENS LA SSEN FLEMMING LA SSEN

P .26

T IMELINE

P .34

TH E S TO R Y

PRODUCT DESIGN

P .30

PRO DUCT PAGES L A S S E N C H A I R P .45 M I NG L E P .49 KU B U S P .52 TH E TR I E D M A N P .56 S A X E P .61 M Y O W N C H A I R P .66 C O N E KT P .71 M L 4 2 P .73

T HE CO LLECT IO N INFO RMAT IO N & MEA SUREMENT S

P .75

~ KUB US VAS E LOLO 10th anniversary vase

~ KU B U S COL L E CTI ON I N B L AC K

SAXE se al s kin, MI NG LE s he ep skin m oon l igh t & TH E TIRE D M AN s he e p s ki n mo o nl i g ht

T HE D I N I N G R O O M R E I M AGI N E D, R E FR E S HE D A N D M O DE R N I S E D

It’s a space that’s about togetherness and quality time spent with those close to us; a space that offers a frame for life’s big and small moments. Which is why the latest collection is inspired by the simplicity of being in the moment, by the Lassen brothers’ architecture and by the colour schemes and artistic lines on display at the visionary Rudolph Tegner Museum. Creating space for extra guests with both ease and understated style are the new linoleumcoated extension leaves being launched for the Conekt dining table. Available in the new beautifully soft colour Pebble, along with the already existing black stained ash and smoked oak, the extension leaves give a classic expression to the dining table, effortlessly drawing eclectic combinations of guests to gather around it. Pull the season’s finest upholstered dining seat, the Lassen Chair, up to meet it, in a sophisticated statement colour or muted, harmonious tone. With its floating, lightweight, geometric frame in powder-coated black metal, it combines organic forms and stringent contours in one classic chair. Another perfect addition is the new wooden Frame Tray, as an extension of the popular Frame series. Serve dinner on it, place it on the kitchen counter as a base for oils or beautiful ceramics, or give it a desktop purpose for collections of papers, pens and accessories. In addition to these timeless dining room pieces, for SS18 the Silhouette series of drawings by up-and-coming illustrator Sine Jensen, whose hand-drawn prints are inspired by photographs of details in Mogens Lassen’s architecture. Finally, by Lassen’s ever-popular Kubus stays on point with a 10th anniversary vase version called Lolo, originally designed in 2014 by Søren Lassen, and a new Kubus Base called Extended. Meantime, pieces for the Frame collection are now realised in a whitepigmented version. In furniture, My Own Chair gets a lightweight, textured makeover, while the Mingle sofa sits pretty as a stunning, exclusive sheepskin version.

" TH E D I NI N G R OOM IS A BO UT BEING TO GET HER WIT H YOU R FAMILY A ND FRIENDS"

Søren Lassen, founder of by Lassen

LA SSEN CHA IR t oky o 0 112

L AS S E N C H AI R

The Lassen Chair is an ode to architects the Lassen brothers, who had an uncompromising approach and special feel for detail, quality and form. The chair combines Flemming Lassenâ&#x20AC;&#x2122;s love of organic, wavy, unconventional silhouettes, with Mogens Lassenâ&#x20AC;&#x2122;s sense of stringent contours.

KU B U S - TH E I CO N

Architect Mogens Lassen’s classic Kubus candleholder first achieved its final form in 1962 after he spent years fine-tuning an iron prototype that stood on his desk. Next to it was a small steam engine that he would activate when his work came to a standstill, giving him time to think of new ideas that would enable him to forge ahead. He was always filled with a fascination for mechanics and the way things worked and fit together. Mogens Lassen loved to experiment with new shapes and functions; he was a perfectionist and dedicated much of his time to experimenting with dimensions, shapes and angles. Each individual Kubus candleholder is made on the basis of strict mathematical formulas and is calculated with great precision. Absolutely nothing was left to chance and Kubus developed into a collection of carefully proportioned candleholders. Mogens Lassen’s sharp sense for contemporary functionalism did not go unrecognised. The well known Copenhagen family Birger Christensen had purchased one of the early versions of the Kubus 8 and they were so pleased with it that they invited their friends to dinner to show it off. Finn Juhl and Mogens Lassen’s daughter and son-in-law were in attendance. The unveiling of the Kubus was highly anticipated and that evening the candleholder was reveled with all the delight of opening night at the theatre. Kubus caused great excitement and was admired as a unique work of art. At the time of their creation, the Kubus candleholders were reserved for family, good friends and close architect colleagues. The Kubus was put into production only after Mogens Lassen’s death and it is still crafted in Denmark. Amongst design lovers around the world, the Kubus has gone on to achieve the status of a modern international design icon.

SA X E LI MIT ED EDIT IO N

The result of the creative pairing with Kopenhagen Fur and Great Greenland is a strong, cosy and wonderfully beautiful lounge chair that combines quality and luxury. Mogens Lassen’s classic Saxe chair dates back to 1955, when it was created in full-grain leather, oak and brass as a pure example of the architect’s special sense for detail and material composition. All sealskins from Greenland are sold exclusively through Kopenhagen Fur and originate from animals that have lived well in the wild. Seal hunting has been a integral part of Greenlandic culture for more than a 1,000 years, and still contributes to a sustainable tradition today, in which nothing from the animal is wasted. The chief purpose for hunting seals is as a source of food for Greenland’s families and dogs, while the skin, whose pattern is particularly beautiful, is often used in the design of both furniture and fashion.

BY L A S S E N

by Lassen is a Danish design company founded in 2008 with the aim of bringing the designs of visionary architect Mogens Lassen back into public consciousness. Later the designs of his brother Flemming Lassen, another of Denmarkâ&#x20AC;&#x2122;s great functionalist architects, were added to the collection, followed by those of an internal by Lassen design team. Our mission is to promote good design, whether historical or contemporary. This is why we regularly comb the archives, drawers and cupboards to source inspiration for furniture and accessories designed by Mogens and Flemming Lassen that may not previously have been put into production. New icons waiting in the wings for their turn in the limelight. We are honoured to act as the caretakers of such an important legacy and are committed to developing a collection that has complete respect for the original designs. The manufacturing process must convey the same love that went into the creation of the products. We make our very best efforts to stay true to the original vision by finding the correct materials and producing them as locally as possible. In this way, we aim to ensure that exceptional new and rediscovered designs continue to live on through new generations.

MO G E N S L A S S E N ~

When he was only a child, Mogens Lassen (1901 - 1987) already knew that he would one day become an architect. He purchased books about architecture with his pocket money and surveying and sketching buildings was his hobby. As he was dyslexic and funds were limited, Mogens entered the world of architecture by undertaking an apprenticeship. However, he was also involved in the academic world and turned his skills to assisting with the projects awarded to his friends and colleagues Ole Wanscher, Arne Jacobsen and Finn Juhl. Around this time, Mogens was asked to join the renowned studio of architect Tyge Hvass, becoming a highly respected employee. In 1927, he travelled to Paris and was hired to work for an engineering company. With little grasp of the French language, he did not enjoy the work and became frustrated that his sketches were restricted by the practical nature of the job. Drawing uninspiring facades was almost painful for him. Despite the challenges, it was Paris that shaped Mogens Lassen. He adored the open kitchens found in the city’s restaurants – they were full of life and, for Mogens, represented the most important room in the house. It was also here in Paris that he was first acquainted with Le Corbusier, who became a source of ongoing inspiration. During his time in Paris, Mogens was honoured with the offer of a place in Le Corbusier’s studio, which he gracefully refused, feeling that his French was not good enough. Upon his return to Denmark, Mogens opened his own studio. Later on, he also worked as the architect for ‘Den Permanente’, an annual exhibition of Danish arts and crafts, becoming part of the movement that promoted Danish design that would make it internationally renowned. ‘Den Permanente’ became a huge success and an obligatory tourist attraction, although Mogens never took credit for it. 26

Mogens was a modest man by nature and not the type who cared about becoming rich and famous. He was always sketching, even on Christmas Eve, and passed away with a pencil in his hand. He loved to retreat to his workroom, which was more of a cave with small pathways carved out between mountains of papers and objects. It was anything but simple and stringent, but Mogens loved the cave’s qualities and the feeling of security it conferred. In fact, he applied this ‘cave’ concept to the houses that he designed, where windows would never face each other directly across the room. This is how one of the fathers of functionalism in Denmark, Mogens Lassen, lived his life, which later brought international fame to Danish design and countless awards and medals, including the C.F. Hansen Medal, Denmark’s highest architectural honour.

FLEM M I N G L A S S E N ~

Architect Flemming Lassen (1902 - 1984) was a modernist and part of the movement to bring -functionalism to Denmark. He is particularly renowned for his overstuffed furniture, receiving major international recognition in the design world for his armchairs which today have become known as “the Flemming Lassen style”. Like his brother Mogens Lassen, Flemming already knew from a very young age that he wanted to become an architect. He was born into an artistic family with a father who was a decorative painter and a mother who was also a painter. As a child, he and his brother spent all of their savings on architecture books and their favourite pastime was measuring houses with the intention of sketching them. The Lassen brothers attended boarding school with Arne Jacobsen, with whom they developed a close friendship. Their relationship continued into adulthood and Flemming Lassen and Arne Jacobsen maintained a close bond as colleagues. In 1929, a competition was announced to design the ´House of the Future´ and together they submitted their contribution for the exhibition held at the Forum, Copenhagen. The result was the now famous circular house, which featured a helicopter landing pad on the roof and flat screen TVs on the walls. Their design won first prize at the competition and the ´House of the Future´ ensured international recognition for Flemming Lassen and Arne Jacobsen, providing them with their breakthrough as major international architects. Flemming Lassen and Arne Jacobsen continued their partnership, designing buildings such as Søllerød Town Hall and its complete interior. Flemming went on to design many important buildings during the rest of his life, developing a number of iconic furniture pieces to complete the interior of his projects. Today, his designs are rare and typically distinctive, making them highly attractive to collectors and pushing auction prices to record levels. In fact, an original Flemming Lassen designed Tired Man armchair from 1935 holds the record as the most expensive chair ever sold in Denmark. Flemming won many awards and grants for his architecture during his lifetime and he remains a significant influence on the Scandinavian design scene to this day.

MIN G LE SH EE PSKI N m oo nl igh t

MI NG L E s h e ep s k in m oo nl ig ht & T H E T IRE D MA N s he e ps k i n m o on l i g h t

TIMELINE OF T HE BY L A S S E N CO L L E CT I O N

1938

1935

1933

1902

1901

MY OWN CHAIR BY FLEMMING LASSEN

THE TIRED MAN BY FLEMMING LASSEN

MINGLE

BY FLEMMING LASSEN

ML33

BY MOGENS LASSEN

FLEMMING LASSEN BORN

MOGENS LASSEN BORN

1983

1975

1962

LINE

BY MOGENS LASSEN

CONEKT

BY MOGENS LASSEN

KUBUS

BY MOGENS LASSEN

2015

2014

2013

STROPP

BY HELLE B. JOHANSEN

TWIN

BY SØREN LASSEN

ILLUSTRATE & VIEW

BY SØREN LASSEN

FRAME

BY SØREN LASSEN

1955

1946

1943

1942

1940s

SAXE BY MOGENS LASSEN

FLOW

BY MOGENS LASSEN

ANOON

BY FLEMMING LASSEN

ML42

BY MOGENS LASSEN

LIINUS

BY FLEMMING LASSEN

2008

2005

1987

1984

BY LASSEN FORMED

KUBUS BOWL BY SØREN LASSEN

MOGENS LASSEN PASSES AWAY

FLEMMING LASSEN PASSES AWAY

2018

2016

2015

LASSEN CHAIR

BY MAGNUS SANGILD

KUBUS VASE LOLO

BY SØREN LASSEN

RIMM

BY MARIANNE VIKTOR

TWIN BOOKCASE

BY MAGNUS SANGILD

L A SSEN CHA IR

The Lassen Chair is an ode to architects the Lassen brothers, who had an uncompromising approach and special feel for detail, quality and form. The chair combines Flemming Lassen’s love of organic, wavy, unconventional silhouettes, with Mogens Lassen’s sense of stringent contours. It combines an upholstered seat and back with a geometric frame in powder-coated black metal, informed by Mogens Lassen’s iconic Kubus candlesticks. Go for a sophisticated statement colour, or a muted tone for a harmonious and timeless look – whichever you choose, the chair will be a piece of furniture that echoes the striking personalities of the architect brothers.

~ L AS S E N CHAI R CON E KT TAB L E CON E KT L E AV E S F R AM E 42 F R AM E 28

~ F R AM E 35 F R AM E 35 DI V I DE R F R AM E 28

M IN GLE m ar imb a

MINGLE

It was, and still is, all about the conversation. Flemming Lassen designed the Mingle sofa in 1935 for the annual Cabinetmakers’ Guild Competition and received standing ovations for its qualities as a small, elegant and simple design by, amongst others, the renowned Danish journal, Arkitekten. Flemming Lassen drew inspiration from his many journeys around Europe and dreamt of riding his motorcycle through Italy and France. Looking at Mingle, you will see his love for French elegance combined with modern Italian style transferred into the upholstered piece of furniture, inviting to take a seat. Wanting to create the ideal sofa for conversation, he designed the armrests to encircle the sitters, generating intimacy and transforming the sofa into a cosy place to relax and for long, intimate tête-à-têtes. From this season, you can take a seat in a comfortable, extraordinarily beautiful sheepskin version of the Flemming Lassen classic.

~ T W I N B OOKCAS E LINE R I M M VAS E R I M M F LOW E R POT KUB US 8

~ AN OON DR I N KST R OL L E Y R I M M VAS E

KUBUS

With a sharp sense of contemporary functionalist style, Mogens Lassen designed the iconic Kubus candleholder in 1962, as a piece once reserved solely for family and close architect colleagues. The Kubus is still crafted in Denmark and amongst architects and design connoisseurs it has achieved the status of a modern international design icon.

~ F R AM E S HOE CAB I N E T M L 42 VIEW ST R OPP

~ M E S CH

THE T IRED MA N

Flemming Lassen designed the overstuffed armchair, The Tired Man, in 1935 for the Cabinetmakers’ Guild Exhibition. According to Flemming Lassen himself, the aim of the chair was for the person sitting in it to feel “like a polar bear cub held by its mother in the middle of the ice cap feeling warm and safe.”

T HE TI RED M AN sh ee psk in off wh it e

~ R I M M VAS E

~ R I M M VAS E R I M M F LOW E R POT

SA X E

When the visionary architect cum designer, Mogens Lassen, designed the Saxe folding chair for The Cabinetmakerâ&#x20AC;&#x2122;s Guild Competition in 1955, it was considered a bit too modern and audacious. Mogens Lassen was regarded an enfant terrible and never left anything to chance, but paid attention to every single detail, which is evident in this characterful and timeless chair. Today, more than 60 years later, Saxeâ&#x20AC;&#x2122;s minimalistic and distinctive lines and the perfect combination of leather, oak wood and brass detailing are regarded just as modern â&#x20AC;&#x201C; a true prime example of function uniting with aesthetics and quality. For this season, Saxe is launched in an exclusive, limited edition of 100 chairs in sealskin made in close collaboration with Kopenhagen Fur & Great Greenland.

~ CON E KT B E N CH M E S CH T HR OW M L 42

~ F LOW CUS HI ON S

~ F R AM E 35 F R AM E 20 F R AM E 14 KUB US VAS E LOLO

~ F R AM E T R AY F R AM E 14

MY OW N CHAI R t w o t on e d: s t e e l cu t t r i o 113 / He ro 141

MY OWN CHA IR

Flemming Lassenâ&#x20AC;&#x2122;s sculptured armchair My Own Chair was originally designed in 1938. It was not put into production at the time and stayed with the architect in private for the rest of his life. Keeping its somewhat edgy and modern look to this day, My Own Chair perfectly highlights Flemming Lassenâ&#x20AC;&#x2122;s love of rounded shapes, simple forms, precise detailing and functionality.

M Y OWN C H A I R co l l i n e 1 0 8

~ IL LUST R AT E PI CT UR E S F R AM E S S I L HUE T T E PR I N T S

~ VIEW

CO NEKT

The simple, minimalist expression and lines of the dining table, Conekt, can be traced back to Mogens Lassenâ&#x20AC;&#x2122;s design philosophy where nothing was left to chance. The L-shaped brackets connecting the tableâ&#x20AC;&#x2122;s top with its legs are eminent details and sitting perfectly flat, the brackets add an industrial beauty to the understated table, giving it a unique character and edge. Its square wooden legs are attached with precision at each end of the table, creating a slim silhouette that has a light, contemporary and timeless expression. The Conekt table makes for the perfect base to gather friends and family, whether it is only few visitors or you need to attach the additional extension leaves, which now comes in different colours: Smoked oak, black stained ash and now also in linoleum colour Pebble.

ML4 2

Mogens Lassen was inspired by traditonal shoemakerâ&#x20AC;&#x2122;s stools when designing the sculptured three-legged ML42 stool. The light elegant stool is still made in Denmark to this day with a focus on high quality materials and skilled Danish craftsmanship. Today, the three different seat heights of the ML42 stool are considered collectors items by international design connoisseurs.

THE CO LLECT IO N Product information & measurements in centimetres (cm)

102

152

56 45

38 55

TH E TIRED M A N

S A XE

MINGLE

M AT E RIA L / COLOU R Textile, leather and sheepskin on request / Colours on request

MAT ERIAL / COLOUR Black stained oak / black leather, brown stained oak/brown leather or oak/natural leather / sealskin

M AT E R I AL / COLOUR Textile / sheepskin on request Colours on request

88 190 50

102 40

40 58

MY OW N CHA I R

CO N E K T

CON E K T L E AV E S

M AT E RIA L / COLOU R Textile / leather on request Colours on request

MAT ERIAL / COLOUR Solid smoked oak and smoked oak veneer or solid black stained ash and black stained ash veneer / brass plated steel, stainless steel or lacquered steel in black brackets

M AT E R I AL / COLOUR Smoked oak veneer and black stained ash veneer / Linoleum-coated in pebble

42 Reversible Shelve s

Reversible Tabletops

19 124 35

110

CONEKT BENCH

T WI N B OOKCAS E

TW I N

M AT E RIA L / COLOU R Black stained ash veneer and solid black stained ash / stainless steel, powder coated steel or brass plated steel brackets

MAT ERIAL / COLOUR Lacquered steel frame in black or cool grey and melamine shelf in white/cool grey or black/white

M AT E R I AL / COLOUR Lacquered steel frame and veneered or laminated aluminium tabletop in white/oak, black stained ash/ copper, misty green/brass or cool grey/ black stained ash

STO O L

Seat Heights

COUNTERSTOOL

BARSTO O L

46.5 Seat Height

55.5

ANOO N

LA S S E N C H AI R

M L 42

MATERIAL / COLOUR Lacquered steel in black and mud grey / polished aluminum

MATERIAL / COLOUR Various textiles and leather on request / Black powder coated metal legs

M AT E R I AL / COLOUR Black stained beech, brown oiled oak or oak / stainless steel or brass foot rest

42 63

28 42

FRAME MAT E RIA L / COLOU R White, light grey, dark grey, pale green or dark blue melamine, smoked oak, black stained ash, white stained ash or oak veneer on MDF

1,2 10 21

FRAME 35 DOUBLE

1,2 42

FRAME 35 SINGLE 28

1,2

FRAME 42 DIVIDER

FRAME 35 DIVIDER

FRAME 42 SINGLE

FRAME SHO E CA BI NET

F R A M E R AI L

F R AM E D I V I D E R

M AT E RIA L / COLOU R White, light grey, dark grey, pale green or dark blue melamine CDF, black stained ash veneer on MDF

MAT ER I AL / COLOUR Black powdercoated steel

M AT E R I AL / COLOUR Black powdercoated metal

42 70 56 29.7 7

42 70

56 45

29.7

FRAME T R AY

VI EW

REMIND

M AT E RIA L / COLOU R Black powdercoated metal frame /smoked oak, black stained ash, white stained ash or oak

MAT ERIAL / COLOUR Lacquered aluminum frame in black, white, brass or cool grey / mirror glass

M AT E R I AL / COLOUR Lacquered metal, black stained ash veneer / Black powdercoated steel magnets

15 16

STROO P LO O P

HA N G AR

STR OP P

M AT E RIA L / COLOU R Black leather / Black powdercoated steel

MAT ERIAL / COLOUR Black powdercoated steel / Black natural rubber

M AT E R I AL / COLOUR Black, natural or brown leather / solid brass, solid copper, lacqured or chrome plated steel

14 6

7 23

7 10 12

KUBUS

LI N E

KU B U S VAS E LOLO

M AT E RIA L / COLOU R Lacquered metal in black or white, nickel-plated metal, burnished copper or brass-plated metal

MAT ERIAL / COLOUR Lacquered metal in black or white, nickel-plated metal, burnished copper or brass-plated metal

M AT E R I AL / COLOUR Lacquered metal in black or white

16.8

23 30 21

14 23

3,7

30 21

KUBUS BOW L

KUB US S N U F F E R

B AS E

M AT E RIA L / COLOU R Lacquered metal frames in black, white, cool grey, burnished copper or plated brass / Lacqured metal bowls in black, white, cool grey, burnished copper or solid brass

MAT ERIAL / COLOUR Black powdercoated metal

M AT E R I AL / COLOUR Lacquered metal in black, white, burnished copper or brass

5.7

7.1 2.5

210

7.1

5.4

2.8

CMY

140

MATC HBOX /M ATCHBOX COVER

F LOW C U S H I ON S

MESCH

M AT E RIA L / COLOU R Lacquered metal in black or white, brass or chrome plated metal. Cardboard and striking strip / black & white, plum, green or ligth grey

MAT ERIAL / COLOUR 96% wool and 4% nylon cover, down and feather filling / Plum, pine green, sand and grey

M AT E R I AL / COLOUR 100% pure woven wool / Navy, mustard or grey

34 26

14 19.5

25.5

RIMM M AT E RIA L / COLOU R Earthenware, glossy and matt glaze White, dusty yellow, camel or cool grey

14.5

41.5

42 70

29.7

29.7 21

29.7

14.8

IL LUSTR ATE P I CT UR E FRA M E MAT E RIA L / COLOU R Lacquered aluminum frame in black, white or cool grey /glass

42 70

29.7

42 29.7

29.7

PAL ETTE P R I NT S MAT E RIA L / COLOU R Munken Lynx Rough paper, 170 gram / nordic tones

29.7

14.8 42

29.7

SIL H UE TT E P R I NTS MAT E RIA L / COLOU R Munken Lynx Rough paper, 170 gram / Grey tones

10.05m

0.53m

FLOW

LI I N US

M AT E RIA L / COLOU R Non-woven wallpaper quality / mud grey, soft beige or dusty blue

MAT ERIAL / COLOUR Non-woven wallpaper quality / white with grey lines, light grey with white lines, dark blue with grey lines

21 21

14.8

"TH ER E S H O ULD BE SO MET HING FO R EVERY TAST E, SHO ULDNâ&#x20AC;&#x2122; T T HERE"

Flemming Lassen

BY LASSEN SÃ&#x2DC; TO R V E T 5 , 3 .FL O O R 13 7 1 C O P E NH A G E N K DENMARK +45 3616 8000 IN FO @ B Y L A S S E N .C O M @BYLASSEN B Y L A S S E N.C O M

B Y L A S S E N.C O M