Miguel Zenón & Luis Perdomo, El Arte del Bolero at Modlin Center for the Arts

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MIGUEL ZENON & LUIS PERDOMO,

ARTE DEL BOLERO

November 21, 2024 | 7:30 PM

Camp Concert Hall

PHOTO:
JIMMY KATZ

Thank You

MIGUEL ZENÓN & LUIS PERDOMO

H. G. Quigg Fund

THANKS TO OUR 2024-25 MODLIN ARTS PRESENTS

SEASON SPONSORS & COMMUNITY PARTNERS

Louis S. Booth Arts Fund

Dewitt Fund for the Arts

E. Rhodes and Leona B. Carpenter Foundation

A. Dale Mayo Fund

Virginia B. Modlin Endowment

Tucker-Boatwright Festival

Norman and Eleanor Leahy

William and Pamela O'Connor

IS MADE POSSIBLE IN PART BY THE GENEROUS SUPPORT OF Specific projects are supported in part by the

Welcome

At Modlin Center for the Arts, we are committed to providing the University of Richmond campus and our broader community with the best in diverse, thoughtprovoking, and captivating performances. Each season is cultivated with our attention to showcasing artists who provide insight into our shared humanity. At the University of Richmond, we pledge to you—our patrons and partners, on campus and in our region—that the arts will provide broad access to rich voices, creative passion, and unforgettable experiences.

PHOTO: JIMMY KATZ

Fall 2024

 P Ticketed: Paid

 F Free: Tickets Required

 F Free: No Tickets Required

 Modlin Arts Presents

 Department of Theatre and Dance

 Department of Music

 World Premier

 Modlin Commission

September

David Esleck Trio Thu 5 Sep 7:30pm

Family Weekend Concert Fri 13 Sep 7:30pm

What Belongs to You, an opera for tenor and chamber orchestra Thu 26 Sep 7:30pm Sat 28 Sep 7:30pm

What Belongs to You : Panel Discussion with Creative Team Fri 27 Sep 7pm

October

Stop Kiss

Thu-Sat 3-5 Oct 7:30pm

Sun 6 Oct 2pm   F

Circa, Duck Pond

Thu 10 Oct 7:30pm   P

Las Cafeteras

Fri 18 Oct 7:30pm   P

Family Arts Day: Latin Ballet of Virginia, Fiesta del Sol

Sun 20 Oct

Art Activities 1pm Show 3pm   F

Keith Phares, baritone

Thu Oct 24 7:30pm   F

Master Class:

Keith Phares, baritone

Fri Oct 25 TBD   F

Wagner & Kong Duo: Christoph Wagner, cello, Joanne Kong, piano

Fri 25 Oct 7:30pm   F

14th Annual Celebration of Dance

Fri 25 Oct 7:30pm   F

Step Afrika! Migration: Reflections on Jacob Lawrence

Sat 26 Oct 7:30pm   P

Fall Choral Concert

Sun 27 Oct 3pm   F

The Soul Rebels

Thu 31 Oct 7:30pm   P

November

Tessa Lark (violin), Joshua Roman (cello), and Edgar Meyer (double bass)

Fri 8 Nov 7:30pm

Jazz & Contemporary Combos Wed 13 Nov 7:30pm

Third Practice Festival

Fri 15 Nov 7:30pm Sat 16 Nov 2pm, 7:30pm

Popular Music Ensemble Tue 19 Nov 7:30pm

Jazz Ensemble with guest saxophonist Dr. Dan Puccio Wed 20 Nov 7:30pm

Miguel Zenón & Luis Perdomo, El Arte del Bolero Thu 21 Nov 7:30pm

The House That Will Not Stand

Thu-Sat 21-23 Nov 7:30pm Sun 24 Nov 2pm

Global Sounds Sun 24 Nov 3pm

Wind Ensemble Mon 25 Nov 7:30pm

December

Chamber Ensembles

Mon 2 Dec 7:30pm

University Symphony Orchestra Wed 4 Dec 7:30pm

Cécile McLorin Salvant Fri 6 Dec 7:30pm

51st Annual Festival of Lessons and Carols Sun 8 Dec 5pm, 8pm

Spring 2025

 P Ticketed: Paid

 F Free: Tickets Required

 F Free: No Tickets Required

 Modlin Arts Presents

 Department of Theatre and Dance

 Department of Music

 World Premier

 Modlin Commission

January

BODYTRAFFIC

Fri 24 Jan 7:30pm

February

Manual Cinema, Frankenstein Sat 1 Feb 7:30pm

Ronald Crutcher, cello Sun 2 Feb 3pm

Richard Becker, piano Wed 5 Feb 7:30pm

Lab Project: The Woman in Black Thu-Sat 6-8 Feb 7:30pm Sun 9 Feb 2pm

Billy Childs Quartet with Sean Jones, The Winds of Change Fri 7 Feb 7:30pm

Leyla McCalla Thu 13 Feb 7:30pm

Documentary Film Screening: The Sound of Santiago by Dr. Mike Davison and Ed Tillett Wed 19 Feb 7:30pm

Third Coast Percussion with Zakir Hussain Fri 21 Feb 7:30pm

University Dancers

40th Anniversary Concert Fri-Sat 28 Feb-1 Mar 7:30pm Sun 2 Mar 2pm

March

Kardeş Türküler

Sat 1 Mar 7:30pm

Doris Wylee-Becker, piano

Sun 2 Mar 3pm

Anzû Quartet

Wed 5 Mar 7:30pm

Kronos Quartet with Peni Candra Rini

Fri 21 Mar 7:30pm

Tanya Tagaq

Thu 27 Mar 7:30pm

Neumann Lecture on Music: Robert Fink

Mon 31 Mar 7:30pm

April

Twyla Tharp Dance with Third Coast Percussion

Sat 5 Apr 7:30pm

Global Sounds

Sun 6 Apr 3pm

Jazz & Contemporary Combos

Wed 9 Apr 7:30pm

Simone Dinnerstein, piano Fri 11 Apr 7:30pm

Spring Choral Concert

Sun 13 Apr 3pm

Wind Ensemble

Mon 14 Apr 7:30pm

Popular Music Ensemble Tue 15 Apr 7:30pm

Urinetown

Thu-Sat 17-19 Apr 7:30pm Sun 20 Apr 2pm

Chamber Ensembles

Mon 21 Apr 7:30pm

University Symphony Orchestra

Wed 23 Apr 7:30pm

Cuban Spectacular: From Mambo to Motown Thu 24 Apr 7:30pm

MODLIN CENTER FOR THE ARTS PRESENTS

MIGUEL ZENON & LUIS PERDOMO, EL ARTE DEL BOLERO

Join us at 6:30 PM for a pre-concert artist talk with Miguel Zenón and Luis Perdomo, led by VPM Music Jazz Host Annie Parnell.

ABOUT THE MUSIC

As an instrumentalist, I spend a lot of my time working on making the saxophone an extension of my creative process. This process is always filtered through interpretation and expressiveness, and more often than not I find myself looking up to some of my favorite singers (people like Ismael Rivera, Cheo Feliciano and Andy Montañez) as sources of inspiration. In their individual voices I can hear a reflection of their unique personalities, all manifested at the highest level through their interpretation of songs. These melodies become vehicles for their creativity—a canvas on which they’ll portray their feelings and states of mind.

But these are not just any songs. These are songs they have heard hundreds of times, familiar pieces of music they know very well, and that is sort of the way I feel about the repertoire on this album. We chose compositions from the Bolero era that we could just play right away, without giving it a second thought: songs from the times of our parents and grandparents that somehow stuck around long enough for us to get to know them and truly love them. They are all as

PHOTO: JIMMY KATZ

essential to our development as the music of Charlie Parker, John Coltrane or Thelonious Monk, but perhaps even more familiar. When we play these songs, we can hear the lyrics in the back of our minds—something that provides a very deep connection, one that is hard to replicate in any other situation. It really is almost beyond familiar. These songs are part of us.

We recorded this music as a live show, all in one take, without much preparation other than discussing tonalities and some basic elements on form. We were more than pleasantly surprised with the results and decided that they deserved to be shared. There is nothing like making music with someone else, finding a common language we can grab onto and then just going and exploring that together. We hope this comes across here, and that you enjoy the music.

Tonight’s performance will last about 70 minutes, without intermission.

ABOUT THE ARTISTS

MIGUEL ZENON, saxophone

Grammy Winner, Doris Duke Artist and Guggenheim and MacArthur Fellow Miguel Zenón represents a select group of musicians who have masterfully balanced and blended the often-contradictory poles of innovation and tradition. Widely considered one of the most groundbreaking and influential saxophonists and composers of his generation, he has also developed a unique voice as a conceptualist, concentrating his efforts on perfecting a fine mix between jazz and his many musical influences.

Born and raised in San Juan, Puerto Rico, Zenón has released seventeen recordings as a leader, including his latest Golden City (2024), the Grammywinning album El Arte Del Bolero Vol. 2 (2023) and the Grammy-nominated Música De Las Américas (2022), Sonero: The Music of Ismael Rivera (2019) and Yo Soy La Tradición (2018). He has worked with luminaries such as The SFJAZZ Collective, Charlie Haden, Fred Hersch, Kenny Werner, David Sánchez, Danilo Perez, The Village Vanguard Orchestra, Kurt Elling, Joey Calderazzo, Steve Coleman, Ray Barreto, Andy Montañez, Jerry Gonzalez & The Fort Apache Band, The Mingus Big Band and Bobby Hutcherson.

In April 2008 he received a fellowship from the prestigious John Simon Guggenheim Foundation. Later that year he was one of 25 distinguished individuals chosen to receive the coveted MacArthur Fellowship, also known as the “Genius Grant.” In 2011 he founded Caravana Cultural, a program which presents free-of-charge Jazz concerts in rural areas of Puerto Rico. In 2022 he

received an Honorary Doctorate from La Universidad del Sagrado Corazón in San Juan, Puerto Rico, the highest honor bestowed by the institution. In 2024 he received a Doris Duke Artist Award from the Doris Duke Foundation.

Zenón has been featured in publications such as The New York Times, The Wall Street Journal, The Los Angeles Times, The Boston Globe and The Chicago Tribune. In addition, he topped both the Jazz Artist of the Year and Alto Saxophonist of the Year categories in the 2014 JazzTimes Critics Poll and was selected as Alto Saxophonist of the Year by the Jazz Journalists Association in 2015, 2018, 2019 and 2020 (when he was also recognized as Arranger of the Year). In 2023 he was recognized by the same organization as the Composer of the Year.

As a composer he has been commissioned by SFJAZZ, NYO Jazz, The New York State Council on the Arts, Chamber Music America, Logan Center for The Arts, The Hyde Park Jazz Festival, The John Simon Guggenheim Foundation, MIT, Spektral Quartet, Miller Theater, The Hewlett Foundation, Peak Performances, PRISM Quartet and many of his peers. Zenón has given hundreds of lectures and master classes at institutions all over the world and is a faculty member in the Music & Theater Arts Department at MIT, as well as the current Visiting Scholar for the Harmony and Jazz Composition Department at Berklee College of Music.

LUIS PERDOMO, piano

There are moments in music when an artist illuminates the scene with imagination, virtuosity and above all, an undying dedication to swing.

Pianist/composer/bandleader Luis Perdomo is that moment!

Ever since he came to New York in 1993 from Venezuela, Perdomo has emerged as one of the most in-demand sidemen – as evidenced by his celebrated work with a wide array of jazz and Latin stars – from Ravi Coltrane to Ray Barretto, and by his six criticallyacclaimed recordings as a leader. The release of his magnificent new, Hot Tone label debut CD, 22, features bassist Mimi Jones’ supple, deep basslines and drummer Rudy Royston’s quicksilver rhythms, in a trio he christened The Controlling Ear Unit. “I wanted to create an environment where a sensitive player could make his own musical choices, without fear of the consequences,” Perdomo says. “The word ‘unit’ is appropriate because although the current group is a trio, it doesn’t really have to be restrained to that. It could have a different format, depending on what the music calls for.”

On 22, save for his elegant rendition of the Bees Gees’ classic ballad “How Deep is Your Love,” Perdomo delivers a stunning set of original compositions, mostly inspired by his adopted and native hometowns, and that mysterious number.

“2015 marks my twenty-second year living in New York City, and I left my hometown when I was twenty-two years old,” he says. “I remembered the exact moment when I moved, and the feelings I had had at the time...especially during the last two days in Caracas and the first two days in New York City. There again, I saw the two and two formula, and realized that there was a little recurring theme there. So I began scoring all of those memories and trying to convey them through music: translating some dates that were very significant to me into notes.”

Perdomo’s lyrical and logical pianism embodies Bud Powell’s bop-at-thespeed-of- swing, Oscar Peterson’s technical brilliance, and Ahmad Jamal’s melodic genius. And his numbers-into-notes compositional technique, which he learned from Richard DeRosa, an instructor from his Alma Mater, the Manhattan School of Music, forms the basis of two songs: “Cota Mil” a funky, labyrinthine, Patanemo-grooved number named after a prominent highway north of Caracas, which derives its compositional motifs from the dates of the Venezuelan Battle of Independence in 1821 and the Batalla de la Juventud/Battle of the Youth in 1814. The martial, “Days Gone Days Ahead,” was inspired by the day Perdomo got his US Student Visa on 8/13/93.

Perdomo has appeared on over two hundred records, and has become a firstclass sideman to artists like Dave Douglas, David Sanchez, Tom Harrell, Steve Turre, Ben Wolfe, Ray Barretto, Brian Lynch, David Gilmore, Conrad Herwig, Ignacio Berroa, and other great musicians. He was a member of Ravi Coltrane’s Quartet for ten years, and is a founding member of the Miguel Zenón Quartet. Perdomo recorded on three Grammy-nominated CD’s: Coltrane’s Influx, Zenón’s Esta Plena, and Alma Adentro: The Puerto Rican Songbook.

PHOTO: JIMMY KATZ

Modlin Arts Presents

CECILE MCLORIN SALVANT

Fri 6 Dec 2024

Camp Concert Hall

THIS ACCLAIMED VOCALIST COMBINES JAZZ, HATIAN AND FRENCH INFLUENCES, AND CAPTIVATING MUSICAL STORYTELLING TO CREATE AN UNFORGETTABLE MUSICAL EXPERIENCE.

BODYTRAFFIC

Fri 24 Jan 2025

Alice Jepson Theatre

THIS FORWARD-THINKING LOS ANGELES DANCE COMPANY BRINGS THEIR INNOVATIVE AND CONTEMPORARY CHOREOGRAPHY TO THE MODLIN CENTER STAGE.

MANUAL CINEMA, FRANKENSTEIN

Sat 1 Feb 2025

Alice Jepson Theatre

LOVE, LOSS, AND CREATION MERGE IN UNEXPECTED WAYS AS MANUAL CINEMA PRESENTS ITS THRILLING VERSION OF THE CLASSIC GOTHIC TALE FRANKENSTEIN.

TICKET INFORMATION

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