M odlin MODLIN ARTS PRESENTS DELANNA STUDI AND SO WE WALKED SEPTEMBER 22, 2022 | 7:30 PM Alice Jepson Theatre
You Belong Here THIS ENGAGEMENT OF DELANNA STUDI AND SO WE WALKED IS MADE POSSIBLE IN PART BY THE GENEROUS SUPPORT OF E. Rhodes and Leona B. Carpenter Foundation Clinton Webb Fund Louis S. Booth Arts Fund THANKS TO OUR 2022-2023 MODLIN ARTS PRESENTS SEASON SPONSORS & PARTNERS Cultural Affairs Committee Dewitt Fund for the Arts Virginia B. Modlin Endowment H. G. Quigg Fund Thank You FIND MODLIN ON
As the season continues, I look forward to visiting with you in the lobby and hearing about your experiences at the Modlin Center. We want you to be a part of the Modlin community. The Department of Music Free Concert Series and UR Free Theatre and Dance season add 30+ additional opportunities to see compelling performances. And UR Museums host exhibitions and programs that are free and open to the public. Thank you for being with us.
Welcome back to Modlin Center for the Arts! I am grateful for this opportunity to be together again and thrilled with the season we have put together because I know that every artist can—and will—create unforgettable moments.
Across our 2022-2023 season, you will find artists from a variety of backgrounds and cultures, with an emphasis on BIPOC and women-led companies. And you will discover a range of stories, dance, and music of many different genres—some familiar, others new. Each performance is a unique window into the human experience, which I hope will open new paths for conversation and connection.
Paul Brohan, Executive Director
WELCOME
FRI. 14 7:30 PM Bill Irwin, On Beckett
SUN. 13 3:00 PM Preservation Hall Jazz Band, 60 thAnniversary Celebration
MON. 28 7:30 PM UR Chamber Ensembles
SUN. 2 2:00 PM Smart People
FRI. 9 7:30 PM David Esleck Trio
EVENT CALENDAR
THU.-FRI 29-30 7:30 PM Smart People
WED. 9 7:30 PM UR Jazz & Contemporary Combos
NOVEMBER
SUN. 2 7:30 PM Dorrance Dance, SOUNDspace
SEPTEMBER
THU. 15 7:30 PM Steep Canyon Rangers
SUN. 20 3:00 PM Global Sounds
FRI. 23 7:30 PM Family Weekend Concert
FRI.-SAT. 4-5 Multiple Third Practice Electroacoustic Music Festival*
2202 3202
THU. 22 7:30 PM DeLanna Studi, And So We Walked
SUN. 16 2:00 PM 12th Annual Celebration of Dance
OCTOBER
SAT. 1 7:30 PM Smart People
SUN. 18 3:00 PM Joanne Kong, piano, harpsichord and clavichord
THUR. 10 7:30 PM Aaron Diehl Trio
SUN. 4 5:00 PM 8:00 PM 49th Annual Festival of Lessons and Carols
MODLIN ARTS
WED. 28 7:30 PM Dreamers' Circus
FRI. 21 7:30 PM Step Afrika!, Drumfolk
SUN, 30 3:00 PM UR Schola Cantorum and Women's Chorale
THU.-SAT. 17-19 7:30 PM Miss You Like Hell
SAT. 12 6:30 PM 8:30 PM Amal Kassir
WED. 16 7:30 PM UR Jazz Ensemble
MON. 21 7:30 PM UR Wind Ensemble
SUN. 20 2:00 PM Miss You Like Hell
DECEMBER
THU. 6 7:30 PM Rhiannon Giddens and Francesco Turrisi
WED. 30 7:30 PM UR Symphony Orchestra
SUN. 23 3:00 PM Sonia De Los Santos, Family Arts Day
*Visit thirpractice.org for a full schedule of events.
THU. 27 7:30 PM Susanna Phillips, soprano
WED. 15 7:30 PM Joshua Redman, 3x3
THUR. 6 7:30 PM UR Jazz & Contemporary Combos
FRI. 27 7:30 PM Mark Morris Dance Group, The Look of Love
SUN. 5 3:00 PM Anthony McGill, clarinet, and Gloria Chien, piano
SUN. 26 3:00 PM Kayhan Kalhor, kamancheh
SUN, 16 3:00 PM UR Schola Cantorum and Women's Chorale
MAY
SUN. 14 1:00 PM 3:00 PM Compagnia TPO, Farfalle
MON. 20 7:30 PM Neumann Lecture on Music, Dr. Sherry D. Lee, Professor of Musicology
WED. 1 7:30 PM Ashwini Ramaswamy, Let the Crows Come
JANUARY
WED. 22 7:30 PM Chamber Music Society of Lincoln Center
THU.-SAT. 13-15 7:30 PM The Rivals
WED. 5 7:30 PM UR Symphony Orchestra
SUN. 19 3:00 PM Doris Wylee-Becker, piano
WED. 12 7:30 PM Leyla McCalla
THU.-SAT. 24-26 7:30 PM University Dancers 38th Annual Concert
FEBRUARY
FRI. 31 7:30 PM Christian McBride’s New Jawn
SAT. 15 3:00 PM Global Sounds
APRIL
FRI. 10 7:30 PM Rosanne Cash
SAT. 13 11:00 AM 3:00 PM Compagnia TPO, Farfalle
FRI. 3 7:30 PM Fred Hersch and esperanza spalding
SUN. 19 3:00 PM Third Coast Percussion and Flutronix
SUN. 16 2:00 PM The Rivals
WED. 1 7:30 PM Richard Becker, piano
SAT. 21 7:30 PM Kronos Quartet, At War With Ourselves
MON. 27 7:30 PM Bruce Stevens, organ
MARCH
MON. 17 7:30 PM UR Chamber Ensembles
THU. 20 7:30 PM Cuban Spectacular
MON. 10 7:30 PM UR Wind Ensemble
The Theatricals
And Theatricals
MODLIN CENTER FOR THE ARTS presents The Thomas S. Kenan Institute for the Arts’ production of And So We Walked: An Artist’s Journey Along the Trail of Tears Produced by Octopus
Mara Isaacs, Executive/Creative Producer Creator and Performer DeLanna Studi Director Corey Madden Scenic Designer John Coyne Costume Designer Andja Budincich Projections and Lighting Designer Norman Coates Sound Designer and Original Music Bruno Louchouarn with John-John Grant & Sarah Elizabeth Burkey Tour Production Manager Russell Snelling Stage Manager Natalie Hratko Video & Audio Supervisor Nathanael Brown Lighting Supervisor Nita Mendoza
and Indigenous Performance Productions. Tonight’s program contains two acts, and will run approximately 60 minutes each act, with a 15 minute intermission.
So We Walked is co-represented by Octopus
Mara Isaacs, Executive/Creative Producer
Lynda S. Lotich – Associate Director
Dramaturg Shirley Fishman
Adam Hyndman, Associate Producer Rob Laqui, Associate Producer/NT America Fellow
For Octopus Theatricals:
Liza Vest – Business Manager
Nadiyah Dorsey -- Program Manager
Associate Sound Designer
Associate: Lynnette Barnier
Aimee Lynn Phillips
Kendra Holloway, Executive Assistant Kelly Letourneau, Producing Associate
Principal: Andre CommunicationsBouchardandOperations
Bryan Hunt, Associate Producer/Production Coordinator
Michael Francis, Business Manager
For Indigenous Performance Productions:
Candy Martinez -- Assistant Business Manager
Taneisha Duggan, Associate Producer
E’laina Barron – Administrative Support Associate
Kevin Bitterman – Executive Director
Video Assistant Clara Ashe-Moore
For Thomas S. Kenan Institute for the Arts:
Sunny Townes Stewart – Communications and Project Manager
MAP IndianaFundRepertory Theatre
Portland Center Stage Triad EasternStageBand of Cherokee Indians
The Sheri and Les Biller Family Foundation Siletz Tribal Charitable Contribution Fund Spirit Mountain Community Fund Hobbs Straus Dean & Walker, LLP Mount Hood Cherokee Native Voices at The Autry The Kenan Institute for the Arts
National Trail of Tears Association Museum of the Cherokee Indian The Autry Museum of The American West Junaluska Memorial Site & Museum Remember the Removal Bike Ride
Cherokee Historical Association, Unto These Hills Cherokee Preservation Foundation University of North Carolina School of the Arts, School of Filmmaking, and School of Drama Center for the Study of The American South, UNC-Chapel Hill PlayMakers Repertory Company at Chapel Hill Bob King Auto Group
As well as contributions from individuals including Jesse Abdenour, Sheri Foster Blake, Maura Dhu, Dr. Ben Frey, Ed Harris, Wally Leary and Family, Bruno Louchouarn, Corey Madden, Mary Kathryn Nagle, Andreas Pitsiri, Kalani Queypo, Randy Reinholz, Jean Bruce Scott, Juliana Serrano, Thomas and Carolyn Studie, Wes Studi, Lori Wheat, and countless others
Cherokee Nation
This project would not have been possible without the generous support of many partners. In particular, the support of UNC School of the Arts and participation by students and faculty in this production have been instrumental and an example of how our arts schools play a role in the future of American theatre.
Brown Department of Theatre Arts and Performance Studies Brown Center for the Study of Race and Ethnicity in America Native American and Indigenous Studies at Brown Trinity Repertory Company Yale Indigenous Performing Arts Program
American Indian Center, UNC-Chapel Hill Process Series, UNC-Chapel Hill
Originally from Liberty, Oklahoma, DeLanna Studi is a proud citizen of the Cherokee Nation. Her theater credits include the First National Broadway Tour of the Tony Award and Pulitzer Prize-winning play August: Osage County ; Off-Broadway’s Informed Consent at Duke Theater on 42nd Street; and regional theater credits at Oregon Shakespeare Festival, Portland Center Stage at The Armory ( Astoria: Part One and Two), Cornerstone Theater Company, Indiana Repertory Theater and others.
Production Credits
DeLanna Studi | Creator, Performer
DeLanna has originated roles in more than 18 world premieres, including 14 Native productions. She has done more than 800 performances of the Encompass “Compassion Play” KICK, a one-person show written by Peter Howard that explores the power of images, stereotypes and Native American mascots. Her roles in the Hallmark/ABC mini-series Dreamkeeper and Chris Eyre’s Edge of America have won her numerous awards. She is an ensemble member of America’s only Equity Native American theater company, Native Voices at the Autry. DeLanna serves as chair of SAG- AFTRA’s National Native Committee, which has, under her leadership, produced an award-winning film about American Indians in the entertainment industry and created a “Business of Acting” workshop that tours Indian Country. DeLanna was the winner of the 2016 Butcher Scholar Award from the Autry Museum of the American West. She mentors for the Mentor Artist Playwright Program, Young Native Playwrights and American Indian Film Institute’s Tribal Touring Program. Her artist-inresidencies include the University of North Carolina at Chapel Hill, the University of Wisconsin (where she co-taught “Native American Oral Histories and Storytelling” and “American Indians in Film”) and Brown University. And So We Walked is her first play.
John Coyne | Scenic Designer
Corey Madden | Director
John’s credits include Hamlet and Macbeth for the Shakespeare Theatre Company; By the Way, Meet Vera Stark for Alliance Theatre; Romeo and Juliet, Colossal, Les Miserables, Henry IV, Of Mice and Men, and Tartuffe for Dallas Theater Center; Charley’s Aunt for Guthrie Theater; Rough Crossing for the Old Globe; and Hamlet for the Public Theater; as well as designs at Goodspeeds Musicals, Yale Repertory Theatre, Asolo Repertory Theatre, the Olney Theatre Center, Triad Stage, Ford’s Theatre, California Shakespeare Theater, Center Stage, Geva Theatre Center, Portland Center Stage, the Julliard School, and Chautauqua Theater Company, among others. Opera credits include San Francisco Opera, San Diego Opera, Washington National Opera, New York City Opera, Fletcher Opera Theater, Opera Festival of New Jersey, Merola Opera Program, and San Francisco Opera Center. John is the director of scenic design at the University of North Carolina School of the Arts and has an M.F.A. in scenic design from Yale.
Corey Madden is an award-winning writer and director as well as a national leader in the performing and visual arts. Corey has worked on And So We Walked since its inception seven years ago supporting DeLanna Studi’s research and writing, as well as directing the play at the Carthage International Theatre Festival, Portland Center Stage, Triad Stage, Trinity Repertory, Native Voices Theatre, and the Process Series at UNC Chapel Hill. Corey was Associate Artistic Director of the Mark Taper Forum from 1993-2007 where she produced 300 premieres by Robert Lepage, Anthony Minghella, Anna Deavere Smith, Tony Kushner, Lisa Loomer, August Wilson, Luis Alfaro, and many, many others. In 2007 with her late husband, Bruno Louchouarn Corey founded L’Atelier Arts which created multi-disciplinary projects including Sol Path and Rain After Ash commissioned by Fulcrum Arts’ A×S Festival; Tales of the Old West for the Autry Museum; Rock, Paper, Scissors for Childsplay Theatre (Best Production, Arizona Theatre Awards); and Day for Night presented at GLOW in Santa Monica and restaged in Poland for the Transatlantyk Film and Music Festival. Madden is the current Executive Director of the Monterey Museum of Art and the former Executive Director of the Kenan Institute for the Arts. Madden’s newest project Numbered Days will premiere in a podcast produced by The Fountain Theatre in Los Angeles next February.
Andja Budincich | Costume Designer
Norman has designed more than 300 productions on five continents. His credits include The News and Prince of Central Park on Broadway as well as Off-Broadway productions at the Roundabout Theatre, Circle in the Square, the Lion Theatre, Wesbeth Theatre, Provincetown Playhouse, and Equity Library Theatre. National and international tours include The Who’s Tommy, Guys and Dolls, Camelot, and Encounter 500. Norman’s regional theatre credits include Triad Stage, the Great Lakes Theatre Festival, Idaho Shakespeare Festival, American Stage Festival, North Carolina Shakespeare Festival, PlayMakers Repertory, Burt Reynolds Jupiter Theatre, and the North Carolina Theatre. His opera credits include work for the Princeton Festival, Piedmont Opera Theatre, Greesboro Opera, Opera Carolina, North Carolina Opera, Virginia Opera, Fort Worth Opera, and Opera Pacific.
Norman Coates | Lighting & Projections Designer
Andja is honored to continue to be a part of this important show, which she has previously designed at Triad Stage and Portland Center Stage. Other credits include Hollow at Dixon Place in New York City; The Marvelous Wonderettes at the Palace Theatre; West Side Story, A Raisin in the Sun, and The Drowsy Chaperone at Summer Repertory Theatre; Vrooommm! A NASComedy at Triad Stage; Flor to Somewhere and Lost and Found at Peppercorn Theatre; born bad at Paper Lantern Theatre; A Midsummer Night’s Dream for the North Carolina Symphony; Misalliance at North Carolina School for the Arts; A Year with Frog and Toad at Southwestern University; and Moon over Buffalo at Spring Theatre. Andja earned her B.A. at Southwestern University and her M.F.A. at North Carolina School for the Arts. Andjabudincich.com
Sarah Elizabeth Burkey | Original Music
A member of the Eastern Band of Cherokee Indians, John-John comes from a family of accomplished traditional artists. His own interest in Native American music began when he was a young teenager and heard a drom group from Lamedeer, Montana. At the age of 18, while on tour in France, Grant took up the Cherokee flute for the first time. He taught himself to play, and has since become a prolific composer and performer, even touring with the North Carolina Symphony. He is also a singer, performing both traditional Cherokee and contemporary North- style Native American songs. He is a member of the drum group Birdtown Crossing, as well as the dance group Warriors of Ani-Kituwah.
Sarah is a recording artist, songcatcher, and storyteller whose
Bruno Louchouarn (1959-2018) | Original Music & Sound Design
John-John Grant | Original Music
Bruno was the originating co-composer and sound designer for And So We Walked and his score continues to be featured in every subsequent production. Bruno’s music for the performing and visual arts continues to be performed and recorded across the United States. Recent productions include Carmina Terra for Pittsburgh Ballet, A Weekend with Picasso for San Diego Repertory and LA Theatre Works, and Numbered Days at the Fountain Theatre. Other credits include The Cake and Disgraced at Playmakers Repertory Theater, Wrestling Jerusalem at 59E59 NYC, Guthrie Theater, Mosaic Theater DC, Hangar Theatre, Cleveland Public Theatre, and Playmakers, The River Bride at Oregon Shakespeare Festival, Agamemnon featuring Tyne Daly and Mojada, A Modern Medea at the Getty Villa, El Henry at La Jolla Playhouse and San Diego Repertory Theatre, A Weekend with Pablo Picasso at San Diego Rep, Alley Theatre, Los Angeles Theatre Center, Center Repertory Company, Denver Center and Arizona Theater Company, Eurydice at South Coast Repertory, and Shekinah at La MaMa NYC. Dance credits include Cubicle, Passengers, and Humachina for Diavalo Dance (world tour), Metallurgy choreographed by Susan Jaffe for American Ballet Theater Studio at Lincoln Center, and Little Sisters choreographed by Rosanna Garrison for REDCAT at Disney Hall, Los Angeles.
Aimee graduated with a Bachelor of Arts degree from Brigham Young University-Idaho and a Master of Fine Arts degree from University of North Carolina School of the Arts. She has worked on sound design and audio engineering teams for several theatre companies, including New York Stage and Film, Triad Stage, and the Peppercorn Children’s Theatre. She currently specializes in audio system design and integration for theme parks, museums, and immersive entertainment spaces. “I’m forever grateful to Bruno Louchouarn for not only teaching and mentoring me during grad school but for trusting me to see that his work carried on with And So We Walked.”
work has been featured on more than 17 albums including Door of the Moon, When the Redbuds Bloom, Don’t Die Yet, and Honeysuckle Vine. She has toured 19 countries and earned an international reputation as an authentic voice for roots music and heritage arts. She is deeply committed to the continuity of traditional knowledge and the vital role it plays in health, healing, and well-being. She calls the Qualla Boundary Cherokee Indian Reservation home.
Aimee Lynn Phillips | Associate Sound Designer
An Australian artist with a career continuing over 30 years, Rus has worked as a production, stage, site & tour manager, lighting & set designer, consultant, technical director & fire sculptor with arts organizations, institutions & freelancing on events & installations around the world ranging from intimate theatrical works, shows on and off Broadway in NYC & London’s West End, to large scale indoor & outdoor festivals including the Sydney Olympic Ceremonies, the Melbourne Commonwealth Games Ceremonies & Cultural Festival, Montreal Just for Laughs, Melbourne International Arts Festival, Edinburgh Fringe, Melbourne International Comedy Festival, Vancouver Winter Olympics Cultural Festival, Centennial celebrations, river & street parades & various music festivals. He has worked with artists Merce Cunningham, Laurie Anderson, John Leguizamo, Philip Glass, Brian Eno, Tim Robbins & The Actors Gang, Taylor Mac, Patti Smith, Trisha Brown Dance Company, Bandaloop, Camille A Brown & Dancers, Abraham.In.Motion, Streb & Phantom Limb Company among many and on projects & tours in Australia, USA, Canada, Tunisia, Europe, Asia & South America. Rus was the Production Manager & Resident Lighting Designer at Oz Arts Inc in Nashville TN for 6 years and is honored to be working on And So We Walked.
Russell Snelling | Tour Production Manager
Nathanael Brown is a New York/New Jersey based Sound Designer and Engineer that has designed and engineered shows at Cherry Lane Theatre (NY), The Tank (NY), and Alexander Kasser Theater (NJ). He has done work with the Great River Shakespeare Festival in Winnona Minnesota as well. He is happy to be working on a show with such a passionate team and a passionate message.
Nathanael Brown | Video and Audio Supervisor
Thomas S. Kenan Institute
Nita Mendoza | Lighting Supervisor
Natalie Hratko | Stage Manager
The Thomas S. Kenan Institute for the Arts is a creative catalyst that encourages and supports the exploration and development of new knowledge to transform the way artists, organizations, and communities approach creative challenges. The Kenan
NATALIE HRATKO currently manages Sammy Miller and The Congregation and tours with HOME (Beth Morrison Projects). Other credits: Underground Railroad Game, Ballet Met, Tulsa Ballet, Dance Theatre of Harlem, The Lucky Ones, KPOP, The Wildness: Sky Pony’s Rock Fairy Tale, (Ars Nova) By the Water (MTC), Oh, Hello! (Cherry Lane Theatre), Complexions Contemporary Ballet, The Ailey School, Scenes From A Marriage (NYTW), In Your Arms (NYSAF).
Nita Mendoza is based in the Los Angeles area and earned her Masters Degree in Drama, Lighting Design from the University of California, Irvine. As a lighting designer, her most recent credits include American Mariachi in Arkansas with TheatreSquared, Guadalupe in the Guest Room in Colorado Springs with the Colorado Spring Fine Arts Center, and Mother of God at the University of California, Irvine. Nita was also fortunate enough to be on the lighting team as assistant lighting designer for Murder for Two with Center REPeratory Theatre in Walnut Creek, CA as well as Ladies that premiered in Pasadena, CA with the Boston Court Theatre. Originally from El Paso, TX, Nita is passionate about her Latinx culture and takes every opportunity to collaborate and share stories of underrepresented communities.
Institute believes that artists can contribute their creative ideas, visionary leadership, and novel strategies to strengthen our culture, build business, and generate innovative ideas.
Octopus Theatricals (Producer) Founded by creative producer
Mara Isaacs, Octopus Theatricals collaborates with artists and organizations to foster an expansive range of compelling theatrical works for local and global audiences. Current projects include: Hadestown by Anaïs Mitchell (Broadway, 8 Tony Awards including Best Musical; Grammy Award, Best Musical Theater Album); Walking with Ghosts written and performed by Gabriel Byrne (Broadway); Goddess conceived by Saheem Ali, Bhangin’ It book by Mike Lew and Rehana Lew Mirza; Dreaming Zenzile by Somi Kakoma; (…Iphigenia), a new opera by Wayne Shorter and Esperanza Spalding; In The Same Tongue created by choreographer Dianne McIntyre with music by Diedre Murray; Social! The Social! Dance Club conceived by Steven Hoggett, Christine Jones & David Byrne; And So We Walked by DeLanna Studi; Theatre for One (in person and virtual) and many more. Octopus Theatricals is also home to the Producer Hub, an online resource supporting independent producers in the experimental and performing arts sectors.
The script of And So We Walked: An Artist’s Journey Along the Trail of Tears was developed in close collaboration with individuals and institutions within the Eastern Band of Cherokee and Cherokee Nation as well as with the support of Native Voices Theatre and the American Indian Center and Process Series at UNC-Chapel Hill. Major support was provided through the Arts and Society Initiative of the Thomas S. Kenan Institute for the Arts.
Indigenous Performance Productions
The actor and stage manager in this production are members of Actor’s Equity Association, the Union of Professional Actors and Stage Managers in the United States.
Indigenous Performance Productions, a nonprofit corporation (IPP), is a by/for Indigenous organization that brings the rich cultural content emerging from Indigenous nations of Turtle Island and beyond to stages around the world. As the only organization of its kind on the continent, IPP works to replace the stories that have been written and told about Indigenous people with stories by Indigenous people. IPP’s mission is to produce, promote, present, manage and advance education around Indigenous performing arts and artists. IPP is celebrating its first touring original production “Welcome to Indian Country”, recipient of the National Performance Network Creation, Production and Storytelling awards. More information may be found at www.indigenousperformance.org
RHIANNON GIDDENS & FRANCESCO TURRISI Thursday, Oct. 6, 2022 7:30 CampPMConcert Hall A daughter of the American South and an Italian mutilinstrumentalist collaborate to blend her roots, his upbringing, and the Celtic influences of their adopted home in Ireland. DREAMERS’ CIRCUS Wednesday, Sep 28, 2022 7:30 CampPMConcert Hall This Nordic folk trio recast tradition into something startlingly original. Join us at 6:30 pm for a pre-performance discussion with the artists, moderated by Martha Merritt, Dean and the Carole M. Weinstein Chair of International Education. DORRANCE DANCE, Sunday,SOUNDspaceOct2, 2022 7:30 AlicePMJepson Theatre Michelle Dorrance is a brilliant hoofer, an innovative choreographer, and a MacArthur “Genius Grant” recipient. Her company pushes the art of tap and percussive dancing forward while still honoring its traditions and history. Modlin Arts TICKETS AVAILABLE AT MODLIN.RICHMOND.EDU or 804.289.8980 SOLD OUT
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If you have accessibility needs, please inform the box office when purchasing tickets so that we can better welcome you to Modlin. Wheelchair and other accessible seating are available in Camp Concert Hall and Alice Jepson Theatre. Both venues are also equipped with assistive listening devices.
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The Box Office is open 1:00 pm to 5:00 pm Monday through Friday, and 90 minutes prior to performances. Tickets are available online anytime at modlin.richmond.edu. Tickets can also be purchased in person or by phone at 804-289-8980.
Beverages and snacks will be available for purchase before performances and during intermission at most Modlin Arts Presents performances. Food and drink are permitted inside the venues so that you can relax and enjoy the performance with your purchases.
Gifts to the Modlin Center help support exciting new experiences and learning opportunities. Your contributions encourage creativity, discovery, and expression. Gift Certificates are another way to share the gift of the arts. Gifts can be made at modlin.richmond.edu or in person at the box office. For more information about ways to support the Modlin Center, please email modlinarts@richmond.edu or call 804-289-8980.
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WELCOME TO MODLIN ARTS PRESENTS 2022-2023!
DUANE MICHALS: THE PORTRAITIST Aug 24 – Nov 18, 2022 Harnett Museum of Art IMAGE CREDIT: Duane Michals (American, born 1932), Meryl Streep, 1975, gelatin silver print with hand-applied text, 5 x 7 ¼ inches © Duane Michals. Courtesy of DC Moore Gallery, New York THEREFORE I AM Aug 24 2022 – Jul 7, 2023 Modlin Center Atrium and Booker Hall IMAGE CREDIT: Andy Warhol (American, 1928-1987), Reigning Queens (Queen Beatrix), screenprint on Lenox Museum Board, image 39 3/8 x 31 1/2 inches, Joel and Lila Harnett Print Study Center, University of Richmond Museums, Gift of The Andy Warhol Foundation for the Visual Arts, Inc.; H2013.12.06. GEE’S BEND PRINTS: FROM QUILTS TO PRINTS Aug 24, 2022 – Jul 7, 2023 Modlin Center Booth Lobby IMAGE CREDIT: Essie Bendolph Pettway (American, born 1956), Equal Justice, 2020, color softground etching with aquatint on Rives BFK white paper, image 36 x 33 inches, Joel and Lila Harnett Print Study Center, University of Richmond Museums, Museum purchase, H2021.01.03, © Essie Bendolph Pettway MuseumsUNIVERSITY Visit www.museums.richmond.edu | (804) 289-8276 | Admission is free Tuesday – Saturday 11:00 AM – 3:00 PM, except Thursdays 1:00 PM – 7:00 PM
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