Undergraduate Architectural portfolio by MOHAMMED SHAJA N A WCFA

Architecture

M OHAMMED S HAJA N.A

ARCHITECTURE STUDENT

WADIYAR CENTRE FOR ARCHITECTURE

Phone

+91 7510133574

Email shajanadubail5689@gmail.com 2020_mohammed.s.n.a@wcfa.ac.in

D o b

11th June 2002

Address

Nadubail house, Bedrampalla PO Perla, Kasaragod Kerala - 671552

Instagram shaja__n

LANGUAGE

Malayalam English Kannada Hindi Tamil

EDUCATION

2006-2018 Kunil Educational Institute, Badiadka 2018-2020 Swamijis Higher Secondary, Edneer Present Wadiyar Centre For Architecture, Mysore

EXPERIENCE

2022 ANC Fashion trophy - Participant 2022-23 Student Council WCFA 2023-24 Advisory Board for Council WCFA 2023 NASA- ZNC Fashion trophy - Winner 2023 Udyatham sports meet- GSAP 2023 Volume Zero Dwelling Competition 2023 KRIRA Sports meet- SJBSAP

SOFTWARE SKILLS

DRAFTING Autocad

MODELLING Sketchup Archicad

RENDERING Enscape D5 Render

POST Adobe Photoshop

PRODUCTION

Adobe illustrator

Adobe Indesign

Adobe Lightroom

Snapseed

OTHER SKILLS

Autodesk Forma

Diagramming

Model making

Photography and Cinematography

Photo and Video editing

Graphic design

Laser Cutting

3D printing

01 DECCAN COFFEE CURERS

Sem 7 Industry Hassan Guide: Asijit Khan

“Through the Perspective of SUSTAINABILITY”

The Studio Encouraged Discussions and debates on Sustainable Contemporary practices. Here it was intended to introduce the Industrial Building typology where the programme is based out of the sheer intention of upscaling production and profits. Generally architecture keeps away from the operational aspect of such typologies but here the attempt was to design a business plan that would eventually manifest itself into an architectural entity.

1. Production line

2. Import silo

3. Husk storage

4. Export silo

5. Packing area

6. Export warehouse

7. Drivers space

8. Workers space

9. Creche

10. Grinding and roasting area

11. Conference room

12. Waiting lounge

13. Managers room

14. Admin office

15. Toilet

16. Truck parking

17. Car parking

18. Storage room

KAKUSHI MECHIRE

HOUSED TENON AND MORTISE JOINT

UN-HINGE

EXPANDABLE PULLEY MEHANISM

EXPANDABLE PULLEY MECHANISM

TSUGI JOINERY The exercise is to understand and make a Japanese wooden joinery How the forces act on it and how the joinery counter it. This was the first step towards understanding ,exploring and achieving sustainability through structure.

UN - HINGE The exercise focused on understanding of a mechanism considering the elements of the mechanism to be a component and can be replaced and be still workable, which here can be reflected in sustainability approach where the built or a part of built can be replaced in many ways to sustain and to optimize.

Harnessing the stack effect, the building draws in cool and expels hot air through the heated, black-painted roof, ventilation gradient that cools the lower levels, moderates heat at the top.

kakushi mechiire

cool air through lower openings

roof, creating a natural moderates the middle, and releases

The convergence of architecture and sustainability by creating a symbiotic relationship between materials and design. By understanding traditional wooden joinery, optimizing material use, balancing wood and bamboo for their respective strengths in compression and tension. Additionally, the introduction of replaceable mechanisms within the building structure showcasing how architectural design can adapt over time, reducing waste and enhancing sustainability.

HERITAGE

NEXUS:

connceting people and place

Sem 8 Architeture in Urban context Mysuru Guide : Shreyas Baindur

Architectural design in an urban context, with prevalent urban conditions informing and guiding the entire design process and response. The studio also explores architectural design in Mysuru, an erstwhile princely state and capital of the South Indian state of Karnataka. Through its long and varied history, Mysore has retained its significance as an urban centre in Karnataka. Mysuru holds a prominent position as a centre for education and information technology in the state today. The city continues to grow and change steadily, even as its institutions, monuments and cultural practices from its past continue to anchor and define its fabric and public life. Explored architectural design that acknowledges and responds to the multiple cultural, spatial and temporal layers that constitute the city of Mysore as we know it today.

The final outcome is architecture which responds programmatically and spatially with its immediate and extended surroundings. Thus, the project not only provides a relevant programmatic response architecturally, but it also responds to and engages with the surrounding public realm.

Crafting an experience for the tourists by creating connections and weaving a trail that intervines both the visitors and the local community

This steel and concrete addition offers a minimal yet functional intervention that complements the original building, enhancing its usability without disrupting its historical character.

A flexible spaces for co-working co-living, offering lodging options cater to the needs of modern tourists.

The existing structure, preserved with minimal alterations, maintaining its historical integrity while ensuring its continued use with only essential repairs.

Harmonizing the historical essence with contemporary needs, creating a seamless experience for both tourists and the local community. The design weaves a trail that subtly intervenes, connecting visitors with the vibrant local culture while preserving the heritage value of the area. Minimal alterations have been made to the existing structures, respecting their historical significance, with carefully considered additions that enhance the urban fabric rather than disrupt it.

The project features a dynamic space catering to the entrepreneurial community, with incubation cells and facilities that support startups and local businesses. Above, the design incorporates flexible spaces for co-working and co-living, offering lodging options that cater to the needs of modern tourists.

This layered approach not only provides a functional urban space but also fosters a sense of community and interaction, making the design a catalyst for both cultural preservation and contemporary innovation in Mysore.

03 FUTURE FOOD INSTITUTE

Sem 6 Institution Ahmedabad Guide: Suren Aalone

The institute aims to make a positive impact on food systems through education and innovation. Setting up a living lab capable of offering healthy and genuine food while stimulating critical thinking and participation among all stakeholders. In addition, the institute focus on extending its services to the community by emphasizing urban farming for local consumers. The goal is to promote sustainable and accessible food sources that contribute to the well-being of the community. The Future Food Institute is actively working towards creating a hub for education, innovation, and practical solutions in the realm of food systems in India.

1. ADMIN

2. STORAGE ROOM 3. FIRE ESCAPE

4. GENTS WASHROOM

5. LADIES WASHROOM

6. RESTAURANT

7. STAFFROOM

8. WAITING AREA

9. KITCHEN

10. PANTRY

11. JANITORS ROOM 12. BATHROOM 13. GAS BANK

14. 4WHEELER PARKING 15. 2WHEELER PARKING

FIRST FLOOR PLAN

SECOND FLOOR PLAN

THIRD FLOOR PLAN

FOURTH FLOOR PLAN

FIFTH FLOOR PLAN

Light wells designed to disperse natural light from above, avoiding harsh direct sunlight and creating a soft, ambient illumination throughout the space.

Responding hot and dry climate by integrating green spaces that cool and humidify the interior, ensuring all openings pass through these areas.

The west-facing facade features terracotta tiles supported by steel cables, with creepers providing additional shading, all contributing to the building’s sustainable approach.

SECTION AA’

The Future Food Institute, a high-rise institutional building in Ahmedabad, designed to revolutionize food systems through education, innovation, and community engagement. This living lab offers healthy, sustainable food while fostering critical thinking and collaboration among stakeholders. Urban farming is a key focus, extending benefits to the local community by promoting accessible, sustainable food sources.

AN ANNEXE TO DISTRICT

A visionary project designed seek justice in a supportive hypothetical scenario, the court judges to officials, ensuring

WOMENS COURT

Architecture Mysore Guide: Rayan Thomas

DISTRICT COURT OF MYSORE

designed to create a space where women can supportive and empowering environment. In this court is entirely operated by women, from ensuring a gender-sensitive approach to justice.

ALLOWING THE PUBLIC TO FLOW THROUGH

EXISTING BUILDINGS DICTATED THE FORM

ALLOWING THE PUBLIC TO FLOW THROUGH

ZONING WITH RESPECT TO COURT ROOM AND OTHER AMENITIES

SEPARATING THE CIRCULATION OF JUDGE AND

ZONING WITH RESPECT TO COURT ROOM AND OTHER AMENITIES

SEPARATING THE CIRCULATION OF JUDGE AND THE PUBLIC

CREATING WAITING SPACES FOR THE PUBLIC ARCHITECTURAL DESIGN V|

THE CONNECTION BETWEEN COURT ROOM AND JUDGE”S ROOM

“Circle

of Justice”

The design challenges traditional court layouts by adopting a circular form, symbolizing the introverted nature of the judicial process while providing a space that is both secure and inclusive.

The building is elevated, allowing the ground floor to serve as a public space, fostering community interaction and accessibility. This raised design also reflects the court’s elevated purpose, providing justice that is impartial and fair.

The circular form is a deliberate departure from conventional court architecture, which often feels imposing and rigid. Instead, the Women’s Court embraces a softer, more inclusive form, with a structure that is morphed between a circle and a square, symbolizing the balance between openness and security.

The courtrooms themselves are triple-height circular spaces, with two functional levels and a third level that serves as a symbolic gesture, extending outward and acting as a light well.

This design element creates a sense of reverence and respect, both for the legal process and the individuals involved. The juxtaposition of circular courtrooms with the more rigid rectangular forms of other buildings further enhances the court’s symbolic and functional presence, making it a landmark of justice and equality in Mysore.

AA’ SECTION BB’ SECTION CC’

ARCHITECTURAL DESIGN V| SEMESTER 5| 2022-23| FINAL DESIGN | MOHAMMED SHAJA N.A SECTION BB’ SECTION

JAIN BHAVAN

Sem 3 Cultural Centre Shravanabelagola Guide: Kavana Kumar

Within the framework of a city/town/village, Architecture is both - a stimulus to its surroundings and a response to the existing stimulus, thus becoming a consistent and an active participant in the dialogue between nature as exists and nature as created by people. And that at any point in our practice, we always enter midconversation.

A MANIFESTO ON ARCHITECTURE OF SILENCE.

Manifestation is the public display of emotion or feeling or something theoretical made real. Its origins are in religion and spirituality because if something spiritual becomes real it is said to be a manifestation. As a designer, the manifesto I create should represent me and my goals as a designer.

These are the few design manifestos I have been trying to cover in my process,

• Understanding the user group and putting them first: When we are designing, it is not for ourselves. It pertains to people for whom we have been assigned to design for. Our interests and comfort vary to them and vice versa. Understanding them solves a major part of what needs to be done and what not. We are responsible for what is being put out there hence it is our role as architects to convey the messages we receive into great concepts for design.

• Sensitivity with respect to the context: While looking at ideas, we tend to learn more towards projects which would be found in different places and may not always be convenient to use all those ideas in one place. For example, here, something alienated will not always work with people in that particular place as it may be a religious or a practical issue hence, we need to be extra careful when taking the surroundings into consideration when making planning or infrastructure decisions.

• Keeping it simple: Like how Van Der Rohe said “Less is more”, the most beautiful designs are the simplest ones. After grasping all the ideas and by working on different iterations there comes a point when it can be brought to its most minimal form. This brings out the essence of architecture in the project. The idea of silence in architecture itself supports this as the absence of sound gives greatness to it as the building acquires multiple meanings as each visitor decides to interact and connect with it. Ex: Tadao Ando’s church of light