A look back at our inaugural event that brought together clubs, venues, architects, consultants, and suppliers.
YTL ARENA
George Vaughan takes a closer look at the much-anticipated venue that is set to transform the live event landscape.
MAKO SPORTS LIGHTING ROUND-UP
A focus on MAKO Sports Lighting’s projects at Kensington Oval, Arnos Vale Stadium, and Lord’s Cricket Ground.
Kramer’s award-winning AVoIP
THE INTERNATIONAL PUBLICATION FOR TECHNOLOGY IN SPORTING VENUES
IKH AREENA
technology, selected to revamp game days for fans at the home of Kauhajoki Karhu Basket.
Editorial Director
Sam Hughes
s.hughes@mondiale.co.uk
Commercial Director
Jamie Dixon
j.dixon@mondiale.co.uk
Design & Production
Dan Seaton
d.seaton@mondiale.co.uk
Dave Bell
d.bell@mondiale.co.uk
Finance Director
Amanda Giles
a.giles@mondiale.co.uk
Credit Control
ar@mondiale.co.uk
Group Chairman Damian Walsh
Cover Image: EAW
NWELCOME
ow that we’ve taken it all in, we just want to start by thanking each and every person that attended STADIA | SESSIONS #01.
We, quite literally, couldn’t have achieved what we have without you. And that’s not simply in just attending, but the way in which the sporting venue industry came together and truly embraced the concept of STADIA | SESSIONS.
Bringing some of the world’s biggest clubs, venues, architects, consultants, and suppliers together for three days in Mykonos was the plan - and that’s what we delivered.
Throughout the event, we facilitated close to 500 one-to-one meetings, while also delivering a tailored social schedule to allow delegates the opportunity to network further, or simply enjoy the spectacular surroundings.
We curated a conference programme that included high-quality, expert speakers, too, including Rocco Santoro, Juventus FC; George Vaughan, The Digital Line; Daniell Askholm, FC København; Ryan Sickman, P.E. & Tayomara Gama MAPM, Gensler; Alex Requena, Paris Basketball; Gianluca Pizzamiglio, Udinese Calcio; Giorgos Lagaris, PAOK FC; and Kevin Luckhurst & Paulie Roche, Experience Studios.
We’re completely overwhelmed by the positive feedback we’ve received so far - we honestly can’t thank you all enough!
We’ll be back soon with news on STADIA | SESSIONS #02, so be sure to get in touch with myself or Jamie if you’re interested in joining us in 2025.
I hope you enjoy ISSUE 36...
Sam Hughes Editorial Director
MYKONOS, GREECE | 2025
STADIA | SESSIONS brings together venues, clubs, architects, consultants, and suppliers, offering an intimate space to share ideas, specify projects and network.
Announcement for 2025 coming soon.
STADIA | SESSIONS #01
MYKONOS, GREECE
eflecting on an Unforgettable Inaugural Event
RAs we look back on the inaugural STADIA | SESSIONS event, first and foremost, we have to begin by extending our heartfelt thanks to each and every attendee who made this gathering a remarkable success. The collective participation and engagement from the sporting venue industry were instrumental in bringing our vision to life, and for that, we are deeply grateful.
Event Overview
STADIA | SESSIONS #01, held on the beautiful island of Mykonos, was a groundbreaking event that brought together some of the world’s most prominent clubs, venues, architects, consultants, and suppliers. Over the course of three days, participants engaged in nearly 500 one-to-one meetings, fostering meaningful connections and collaborations. Our tailored social schedule provided ample opportunities for networking in a relaxed,
picturesque setting, further enhancing the experience.
Event Structure
STADIA | SESSIONS comprised four key elements designed to maximise interaction, learning, and networking: Speed+Sync: Suppliers met exclusively with sporting venues, clubs, architects, and consultants through prearranged 20-minute meetings, ensuring focused and productive interactions.
Symposia: Featured a series of presentations, panels, and keynote speakers delivering thought-provoking content. Sustenance: Provided casual and intimate settings for continued conversations and relationship building during meals and breaks.
Social: Organised dinners, excursions, and free-time activities allowed attendees to unwind and build personal connections in a relaxed atmosphere.
Conference Highlights
Our conference programme featured an impressive line-up of expert speakers, all of whom shared valuable insights and innovations within various areas of the sporting venue industry.
Highlights included:
• Rocco Santoro, Juventus FC, who delivered a fascinating keynote on security and stewarding at Allianz Stadium
• George Vaughan, The Digital Line, explored the use of AI in sporting venues, among many other state-of-the-art technologies
• Daniell Askholm, FC København, presented the incredible work FC København have been doing on fan engagement strategies
• Ryan Sickman & Tayomara Gama, Gensler, talked about rejuvenating sports and entertainment districts, with some spectacular project examples
• Alex Requena, Paris Basketball, shared strategies for
leveraging an Olympic arena to build a brand
• Gianluca Pizzamiglio, Udinese Calcio, highlighted the cutting-edge sustainability practices at Bluenergy Stadium
• Katie McIntyre, SVB LIVE, chaired discussions on hospitality and VIP spaces in sporting venues, with contributions from Giorgos Lagaris, PAOK FC, as well as Gensler and The Digital Line
• Kevin Luckhurst & Paulie Roche, Experience Studios, focused on designing for the experience, combining creative and technical aspects.
Feedback
Alex Requena, Vice President, Paris Basketball: “The interaction with vendors was fantastic and felt very natural and organic, which I did appreciate.”
Joan Carrera Lopez, Head of Partnership Sales - Special Projects, AC Milan: “Great first event: it was a smart
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and balanced format allowing people to network, attend interesting sessions and meet suppliers in an amazing location.”
Kevin Luckhurst, Director & Founder, Experience Studios: “It was a pleasure to attend and talk at STADIA | SESSIONS about we’re doing at Experience Studios and Populous. What a great bunch! See you next year.”
Jim Frayling, Consulting Director / Project Principal, Mott MacDonald: “So many fantastic people met - with many mutual friends - so many interesting ideas and projects out there. In short, if you get the chance in 2025, GO!”
Thiago De Rose, Strategic Consultant, Arena Events | Venues: “I believe you truly achieved the perfect balance between business and socialisation. It was great to have all those sessions during the day, and then being able to extend further on a very relaxed mood in the evening. That’s the beauty of working with sports, our subject is not boring and can be discussed at any time of the day!”
Patrick Prefontaine, CEO, DVOX: “’Amazing’ truly is the only word to encapsulate the experience at last week’s STADIA | SESSIONS conference in Mykonos. I know what you’re thinking, but trust me, it exceeded all expectations. Countless productive meetings, insightful presentations, and connections with wonderful people made it an unforgettable event.”
Richie Rozas, Co-Founder, JOYNED: “STADIA | SESSIONS waS the perfect opportunity for us to dive into the needs of the sports and entertainment venues industry. The diverse and high-profile participants provided enriching conversations, both in scheduled 20-minute meetings and spontaneous chats during meals in an amazing location.”
Reinaldo Ferreira, VP IT & Innovation, Boavista FC: “The venue, the format, the discussions, but first and above all, the people were awesome. Thanks MONDO | STADIA for
inviting Boavista F.C., it was a pleasure to participate.”
Giorgos Lagaris, CCO, PAOK FC: “It was an exceptional platform, especially in its focus on the business aspect, where clubs from around the world worked out with innovative suppliers in stadium technology and venue consulting to discuss new innovations, technologies, and future trends for fan engagement and venue experience. I must admit that this has been the best event of my career so far – you’ve truly created an innovative event, and I look forward to the next time!”
Claire Harkness, Director of Operations, CBS Arena: “The sessions were informative and interesting and offered an insight into other aspects of our industry. The format works so well and the opportunity to meet so many great people from across the globe in our ever-evolving industry was a real benefit.”
Rocco Santoro, Operations Officer, Juventus FC: “I was very impressed by the event’s organisation: a big opportunity for networking, in which we have the chance to show our expertise through the case history of the Allianz Stadium. We are happy as we had a great receptions from a very professional audience.”
STADIA | SESSIONS #02
Once again, thank you to everyone who attended STADIA | SESSIONS #01 in Mykonos. Your involvement and contributions have been invaluable, and we can’t wait to see you again at our next event.
We are already looking forward to the next edition and will be back soon with news on STADIA | SESSIONS #02. Stay tuned for more updates – and be sure to contact Sam (s.hughes@mondiale.co.uk) or Jamie (j,dixon@mondiale. co.uk) if you’d like to attend.
CONTROL. PERFORMANCE.
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YTL ARENA
Bristol, England
Words: George R Vaughan
Images: YTL Arena
Technology is reshaping the world we live in and almost every area of modern life is now impacted by the accelerated momentum of AI and the societal changes it inevitably drives. As the consumption of traditional forms of entertainment like music, movies and gaming shift more towards mobile and at-home engagement through subscription models, so a new era of experience over ownership has become the primary focus for a greater number of customers and fans. But in a landscape of such shifting dynamics, how do you look to deliver something that still has the ability to excite and engage, whilst always trying to maintain a connection to the core needs of your intended audience?
Live entertainment remains one of the few art forms that still allows artists to connect directly with their audiences and the UK continues to be home to some of the most modern and well attended stadiums and venues anywhere in Europe. The nation’s rich tradition of producing world-class musicians pairs seamlessly with the ambitions of developers to provide premier performance spaces for these artists to showcase their talents.
The New Kid On The Block
After several years in the concept and design phase, the latest project due to begin in earnest this year is the highly anticipated YTL Arena, scheduled for completion in 2027 and set to transform the live event landscape in the South West of England. The arena is designed to bridge the gap between Bristol’s smaller venues like Bristol Beacon and larger ones like Ashton Gate. It will host events for up to 19,000 people, making it the fourth largest venue in the UK, following the likes of Co-op Live Manchester, AO Manchester and the O2 London. Its size will ensure that Bristol can now attract major events that previously bypassed the city and provide a versatile venue to cater to a wide range of performances and audiences.
For fans from Cornwall, Devon, and Somerset, attending major events has always meant traveling beyond Bristol, so as the only indoor arena in the region, YTL Arena Bristol is poised to fill this significant gap so locals will no longer need to trek further afield to enjoy some of the world’s greatest live acts.
Envisioned to host a wide array of events, including concerts, conferences and exhibitions all beneath the iconic Brabazon hangars, YTL Arena Complex will be an integral part of the Brabazon neighbourhood, contributing significantly to its planned “Digital Ecosystem”. This development aims to create a technologically advanced community, integrating the arena into a vibrant, future-ready urban district that satisfies the demanding and diverse needs of both those who live there but also the millions of anticipated fans who are likely to visit.
Andrew Billingham, CEO at YTL Arena, said, “YTL Arena Complex is one of the most exciting developments in the South West. Formerly home to all UK built Concordes, the Brabazon hangars will be repurposed into a hub of supersonic music and entertainment setting new standards in sustainability and technology.
“Bristol is a city that has led the way in greener practices and technological advancements. In 2015, the city was crowned as the first European Green Capital and, together with Bath, forms the UK’s most productive tech cluster.
“We are leveraging Bristol’s ambitions, introducing cutting-
edge technology and putting sustainability centre stage by achieving carbon neutrality from day one, ensuring every event is unforgettable for everyone involved.”
A Heritage of Innovation
Located on the historic site of supersonic aviation, where the Concorde once took flight, YTL Arena will continue this legacy of innovation with the design of a venue that incorporates cutting-edge technology to enhance the experience for fans, artists, staff, and partners, ensuring it evolves with the future of live entertainment, whilst always being mindful about the requirements of a socially aware fan base.
If you truly want to connect with your audience, one of the expected requirements for any new build is a clear sustainability program and from its inception, YTL Arena is prioritizing this requirement. The venue will be fully electric, encompassing everything from company vehicles to the methods used for cooking and powering the building. The smart building management system will continuously learn
and improve operations, ensuring the arena remains at the forefront of sustainable practices long after its construction. When you are planning for tomorrow what you are really doing is building for the day after tomorrow.
Exceptional Fan Experience, Supportive Employee Environments, Unique Artist Playgrounds
Naturally, at the heart of any venue is the experience it delivers to its customers and YTL Arena is set to deliver an unparalleled fan experience through the use of innovative technology. The venue will feature eight frictionless concession areas, including six standard and two self-pour stations, offering more automated service points than any other venue globally. The intention is to minimise queuing, which is the ultimate challenge for any venue, stadium or public attraction. Fans can also expect immersive experiences enhanced by advanced digital screens, lighting, and state of the art audio technologies, with preparations underway to support future entertainment applications like augmented reality (AR).
And the use of technology doesn’t end here because YTL
Arena also intends to improve the employee experience with a series of carefully thought out initiatives that cover everything from advanced training programs to efficient shift tracking systems, which, when combined, all help to create a supportive and motivated workforce. Success comes from engaged staff members who feel part of the project and the arena is fully invested in ensuring this ambition is attained.
The wider impact on the local economy is also likely to be significant, creating 1000 jobs, boosting overnight stays by 300,000 annually and contributing up to £60 million per year to the local tourism through the influx of new visitorspredicted to be as much as 2 million per year.
Andrew said “Our staff are crucial members of our team in delivering a successful arena. Providing the right tools, culture and training will enable us to offer the best night out and create a great environment for our staff to thrive in.”
More Than Just A Venue
With 10% of its capacity dedicated to premium experiences, YTL Arena is tailor-made for the experience-driven Millennial and Gen Z audiences. Whether it’s VIP seating,
exclusive lounges, or other premium services, the arena ensures that every visit is memorable and multiple tiers of unique hospitality packages will be available for every occasion. Digital ticketing, seamless access, consistent fan engagement and an array of F&B offerings will all add to delivering something special to every customer passing through their doors. The bowl design of the arena will optimize sightlines and acoustics, promising an immersive experience for every fan. Whether it’s a concert, a sports event, or a theatrical performance, attendees can expect the best in visual and auditory quality and as part of its commitment to a grassroots music strategy to support emerging talent, YTL Arena will also seek to nurture future artists in music.
At the back of house, YTL Arena also recognises the importance of artists and the venue will be designed to make performers and their production crews feel at home, in an environment that will help them be at their very best for their fans. Innovative features such as the “Fab Room” will provide a unique, convenient and comfortable space and the design process involves close collaboration with partners to ensure they have the
necessary spaces and technology to thrive. Andrew said “Without the artist, we have no show. Often, the facilities for artists and production crew do not meet our standards. From the service yard to the stage door, dressing rooms, artists lounges, production crew offices, showers, and catering facilities, we have meticulously designed each area incorporating advanced technology to deliver the highest quality events.”
Logistics will also be streamlined at YTL Arena, thanks to a 15,000 sq metre production yard that can accommodate 50 trucks. With easy access from major highways, the venue will be designed to be a tour manager’s dream, ensuring smooth and efficient operations.
YTL Arena Bristol is more than just a venue in the making; it is set to redefine live entertainment in the South West and will surely be one of the most exciting new developments of the decade. With its blend of heritage, innovation, and sustainability, it promises to create unforgettable experiences for everyone, ensuring that Bristol stands tall on the live entertainment map, not just in the UK but across Europe and beyond.
VENUE FOCUS
MICHIGAN STADIUM
Ann Arbor, USA
Images: EAW
When the University of Michigan set out to enhance the audiovisual experience for spectators at Michigan Stadium, one of college football’s most iconic venues, university officials pledged to take the game-day atmosphere to unprecedented heights. To deliver on that promise, the university chose the innovative technology of the Anya 3-way Full-range ADAPTive Array Module and Otto ADAPTive Subwoofer from Eastern Acoustic Works (EAW®).
Led by Paul Haley, lead audio/visual engineer at University of Michigan Athletics, the multi-million-dollar project included the new EAW audio system, two new video boards (the main North videoboard and a South videoboard), as well as lighting and production studio upgrades. “The decision to integrate EAW speakers into the renovation project came after meticulous consideration and consultation with industry experts,” says Haley. “We wanted a bigger videoboard, but
also needed better audio throughout the venue. We utilized a different manufacturer’s audio system for over a decade but opted to explore alternatives, including EAW, to achieve our objectives.”
Collaborating with renowned design firm WJHW, the university received guidance on the most suitable manufacturers and products for their application. The team chose EAW speakers based on their outstanding previous experience with the brand, having installed them a few years earlier in the school’s Yost Ice Arena, a system that continues to provide great audio.
“Michigan Stadium required a powered loudspeaker solution since there is not enough conditioned space near the northside scoreboard for the associated equipment racks,” says Mark Graham, audio consultant, associate principal at WJHW. “EAW’s Anya met that first requirement as well as the other performance goals for the venue. EAW’s Anya and
Otto are positioned right next to the video screen on the North side of the venue, as part of the enclosure, and the products’ form factors allowed the design to maximize the space usage. With ADAPTive technology, we were able to direct the sound output to the spectator seating areas while maintaining sound quality and the SPL needed in the football environment.”
The installation and tuning process, overseen by MetInteractive in collaboration with EAW, was executed seamlessly, ensuring minimal disruption and maximum efficiency. The new state-of-the-art audio system featuring EAW speakers delivers optimized sound quality throughout the venue. With a focus on enhancing low-frequency reinforcement, the system comprises 28 Anya cabinets per side, accompanied by 12 Otto subs on each side to ensure even coverage and superior intelligibility throughout the stadium.
“The Anya speakers deliver exceptional performance and maintain clarity and consistency over considerable distances,” says Haley. “It’s over 900 feet from the speakers to the farthest seats, so it is a very long throw distance, and yet intelligibility is very good all the way across the stadium. Advanced tuning techniques, including precise start and stop coverages, were implemented to minimize audio distortion generated by building surface reflections to further enhance intelligibility for the fan experience. Since the North-side videoboard directly faces the South board, EAW set up a stringent end of coverage right at the bottom of the South scoreboard, using its Resolution software, to minimize the slap back, which has been fantastic.”
In addition to the ADAPTive system in the sides of the North scoreboard, several MKD loudspeakers were deployed for the Jack Roth Stadium Club, which is a premium seating area. The speakers were installed underneath the overhangs in that
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space to provide sound reinforcement for those seats. EAW’s ADAPTive products offer both digital and analog inputs, which provide the venue with the redundancy and reliability needed for vital emergency messaging to large crowds during critical situations. The ability for the boxes to “self-heal” was another very important aspect of the design consideration.
“Along with performance, reliability is really key for us, and the Anya speakers deliver on both fronts,” adds Haley. “The university’s commitment to delivering unparalleled audiovisual experiences to our fans is underscored by the integration of EAW technology, marking a significant milestone in our ongoing efforts to enhance stadium infrastructure.”
Michigan Stadium
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IKH AREENA
Images: Kramer Kauhajoki, Finland
Kramer’s advanced and award-winning AVoIP technology, has been selected to transform game days for fans at The IKH Areena in Finland, by delivering more exciting and immersive AV experiences both for match days and off-court facilities.
IKH Areena is a multipurpose sports venue located in the town of Kauhajoki - a town and municipality in the province of Western Finland. Opened in October 2022, the venue is home to the professional basketball team Karhubasket, who play in the highest national tier – drawing thousands of fans to its home games – and serving as a meeting place for the town’s 13,000 citizens.
The multi-purpose complex comprises of three restaurants, a lobby, six VIP sections, one large conference room, a team gymnasium, dressing rooms and, of course, the court on which the team play.
Ville Nurminen, AV Technical Manager for Karhubasket, researched and considered a few AV equipment companies, but ultimately Kramer was selected to serve both the local basketball team and facilitate local events.
In addition to scoring top marks for its products’ AvoIP capabilities and ease of use, Kramer’s local presence and close-at-hand support were a major plus, helping make Kramer the ‘slam dunk’ choice. Its local presence and Finnish-language support were priorities for both the system integrator, Luova Tehdas, and the customer, providing peace of mind support at every step of the installation process.
AV considerations were a prime consideration before the first bricks of the Areena were laid, with Luova Tehdas designing the AV solution before the arena was built, opting for a networked system that enables sharing of AV content from multiple sources. “You can achieve so much more with AVoIP and send anything anywhere,” said Antti Kivekäs, Audio Visual Sales, Luova Tehdas. “It is such a simple solution, yet it allows us to do much more than with a basic matrix system. Plus, it’s more flexible, and we can scale up if needed.”
The comprehensive system includes 50 KDS-7 encoders and decoders, and Kramer Control with SL-240C and KT1010 touch panels. To complete the solution, the Kramer equipment was connected to high-end speakers and amplifiers, and screens from various manufacturers. Content around the Areena can now easily switch to a multitude of sources including, but not limited to; game information and highlights, crowd engagement messages, and advertising.
Ville Nurminen is more than satisfied with the arena’s AV system, and is particularly pleased with the ease of use, versatility, support, and quality.
“The setup is really easy to use, which was one of the main points, as we didn´t want to have a specialist in the arena all the time,” he added. “Luova Tehdas did a good job of making the user-interface friendly. Having a couple of iPads
with the Kramer software installed is also a great feature as users don´t have to go to the control room; you can see that everything is working smoothly from the iPad,” he continued.
“Since the Kramer system is so intuitive and easy to use it has also reduced support calls. And with the ability to make changes online, we’ve been able to provide remote support.”
This, of course, is a significant time and cost saver for both Karhubasket and Luova Tehdas. The easy setup and user interface ensure no specialist is required onsite to operate the system.
Installation came with some added challenges as the integration team had to wait for construction to be completed, which was finally done just one month before the opening game of the season. Despite the tight schedule, the AV system was live in time, helping create a great start for the new arena.
Antti recalled: “We had great support from the local Kramer office, and we could call our Kramer Account Manager at any time – he also called us and asked how things were going.”
He adds: “He is not just a guy that we buy from, we now consider him a friend.”
With huge global shortages plaguing many AV companies at the time, Antti was impressed that all equipment was delivered on time, and hassle free.
The AV system has proven to be extremely reliable, which is essential in a live game environment. The arena’s IT team is happy, and each game’s audience gets a far more entertaining and immersive experience. In addition, the goal of a customizable solution has paid off, with Karhubasket’s AV team’s ability to easily modify the panels as needed. Best of all, Karhubasket’s expectations have been fully met.
As Ville said: “I can only recommend Kramer. There is nothing in the system that is not as promised. With Kramer, there’s no false promises.”
The atmosphere at games is now even more exciting than ever, as fans enjoy an engaging AV experience during games. With a system that can be easily adapted and expanded to changing needs, Karhusbasket can be expected to deliver thrilling on-court and off-court experiences for their fans for many years to come.
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Audio
Audio-Visual
KAY YEAGER COLISEUM
Wichita Falls, USA
Images: L-Acoustics
The Texas multi-purpose venue is home to a variety of applications, including sports and concerts, and it now has world-class sound with a newlyinstalled A Series system from L-Acoustics.
“Venue managers talk to each other all the time, about everything,” said Clay Stockton, Assistant General Manager for the City of Wichita Falls’ Multi-Purpose Events Center (MPEC), which includes the newly-updated Kay Yeager Coliseum. “We talk about shows, we talk about technology. A colleague at another Texas venue told me about the L-Acoustics A Series sound system, and I’m glad we talked, because it’s been quite an amazing transformation.”
Kay Yeager Coliseum first opened in 2003 and seats as many as 10,000 for events ranging from the local Wichita Falls Flyers FC of the US Arena Pro Soccer League to concerts, trade shows, conventions, hockey, basketball, arena football, Professional Bull Riding, tractor pulls, and more. With the venue’s original sound system surpassing two decades of service, Stockton notes that its audio quality was clearly less than what contemporary events demand. Once the new system’s installation was completed in February by Houston-based LD Systems, the sonic upgrade was quickly evident to everyone who heard it.
“The sound was unlike anything I’d heard before,” added Stockton. “Since the A Series went in, we’ve had the Harlem Globetrotters here, boys and girls high school basketball games of the University Interscholastic League, and a Christian-music concert. For every event, people who had heard the previous
sound system noted the huge improvement in sound quality now. Everyone just loves it!”
The system, designed by LD Systems with input from the L-Acoustics Application team, features a distributed design, primarily comprising four-enclosure arrays of A15i and a pair of two-enclosure hangs in the end zones—a mixture of Wide and Focus, as needed in each location—backed by a dozen KS21i subs. These are supplemented by six coaxial X8 and two X12 used as a fills for shadowed areas. A combination of ten LA4X and two LA12X amplified controllers drive the entire setup.
“The room sounded pretty good on its own; the A15i speakers, though, were able to make it sound even better by making sure were able to provide coverage for every seat no matter what seating configuration they were using,”
explained LD Systems Engineering Manager, Anthony DiDonato. He notes that there were some rigging challenges in spots, but that A15i’s light weight and compact form factor easily overcame those.
DiDonato adds that municipal venues like the city-owned
MPEC are now joining private ones in seeking high impact and crisp speech intelligibility from their sound systems.
“The number-one complaint about the previous system was that the clarity of spoken word just wasn’t there for events such as graduations,” he said. “The A15i system addressed both of those issues, offering impactful sound with great low-frequency reproduction for music, and excellent clarity for speech, to get fans involved for sports and make every word crystal-clear. A15i does it all.”
In fact, it does even more: DiDonato says the integration of a QSC Q-SYS control system allows the venue to turn speaker clusters on and off, as events’ acoustical and seating needs change, keeping sound where it’s wanted and away from where it’s not, avoiding undesired reflections and reverberation. “It can also drive an auto-mixer when they don’t need to fire up the Allen & Heath SQ-5 front-of-house console,” he explained. “It’s a highly flexible system that gets them exactly what they need and at an affordable cost. That’s one in the ‘win’ column.”
X6i
X8i
NEW ROAD
Worcester, England
Images: Renkus-Heinz
The 4,500 capacity New Road in Worcestershire, England has sat upon the banks of the River Severn since 1896. Frequently referred to as one of the world’s most beautiful cricket grounds, the sporting venue is home to Worcestershire County Cricket Club (WCCC) – one of 18 first-class county clubs within the domestic cricket structure of England and Wales. The ground recently turned to audio-visual integrators Hadleigh Technical Support (HTS) and distributors CUK Group for a new PA system that could provide clear announcements, music and entertainment across the site. A sound solution from Renkus-Heinz was chosen to keep Worcestershire Cricket Ground at the top of its game.
“HTS have a long-standing relationship with Worcestershire Cricket Ground,” begins Mark Bromfield, Director of System Solution Sales at CUK. “The ground needed a new PA system that covered all the seating areas, as well as the bars, food
areas, car parks, practice nets and entrance areas. It also had to be installed at a high level due to flooding at the ground, which happens almost every year. They supplied a document from the England and Wales Cricket Board (EBC) for cricket ground specification performance, which offered guidance on how to integrate the system in a way that respected the ground.”
After having site meetings with the end client and HTS, CUK Group set about specifying the correct products to meet not only the ECB but also WCCC’s requirements. “In order to produce EASE plots for every zone,” continues Bromfield, “We referred to architectural drawings of the different areas, which ensured that we achieved even coverage and SPL. We wanted a solution that looked and sounded great, so we chose Renkus-Heinz.”
One of the EBC specifications for cricket ground performance was redundancy, and WCCC wanted to have control of each
zone independently depending on the requirements of the event. This led to HTS installing a total of 94 loudspeakers across the cricket ground, comprising 51 Renkus-Heinz UBX4s, 20 UBX8s, eight Audac HS208T and 15 Audac WX502O to power 31 separate zones.
“Renkus-Heinz’s Passive UniBeam™ technology was a big reason why we opted for the UBX Series. It offers products with asymmetrical dispersion and pan and tilt brackets – which was ideal for WCCC,” explains Bromfield. “This allowed us to mount the loudspeakers at the rear of the seating area to achieve even coverage from the seats right to the front row.”
Renkus-Heinz’s UBX Series offers revolutionary beamsteering technology in a passive column. Utilizing state-ofthe-art neodymium 3” full-range drivers, the models deliver an incredibly small footprint. The narrow cabinet, combined with Passive UniBeam™ coverage, allows for surface mounting via the included wall-mount bracket, resulting in the least possible aesthetic intrusion.
Passive UniBeam™ technology addresses each transducer with specially designed all-pass filter networks, gain shading, and additional frequency filtering. This generates
an asymmetrical vertical dispersion with constant directivity, ensuring front-to-back coverage with minimal side-lobe artifacts. The system at County Cricket Ground is powered by eight Powersoft UNICA-2K8 amplifiers and controlled via two Symetrix Radius NX 12X8s and one Symetrix T-10 Glass.
The T-10 Glass allows the system to be switched to any zone for independent volume control, while also triggering messages and announcements, too. Additionally, a redundant network ensures that if any issues occur, one network will remain operational, and the speakers will continue to cover their specific zone.
Bromfield is thrilled with the results of the new system: “It has given the ground even coverage and dispersion, and the fact that the loudspeakers are IP66-rated and utilise 100V taping made the installation even more seamless. The quality of the sound is amazing. I soon realised that a cricket pitch is a lot bigger than I once thought, so I ended up walking around it in circles to double check that everything was performing correctly. I was really impressed with the Renkus-Heinz system and what it has achieved. It was easy to set-up and has given Worcestershire County Cricket Ground a new lease of life.”
STADE DE GERLAND
Lyon, France
Images: NEXO
uilt between 1913 and 1926, the iconic Stade de Gerland was the first stadium in the French city of Lyon. Previously hosting football and athletics, the 25,000-capacity venue is today home to the LOU RUGBY CLUB, a Top 14 rugby club, and a popular venue for other events and conventions.
BRecently, stadium operators GL Events approached NEXO to propose a ‘firststage’ upgrade to the stadium’s aging sound system, covering the lower tiers only of the North and South Stands. A new system proposed by another
manufacturer had been considered too expensive, so the NEXO Engineering Support Team was challenged to design a solution which would meet the budget without compromising the requirements for impactful sound, clear speech intelligibility and even coverage of every seat.
The NEXO system at Stade de Gerland comprises 6 x P12 point-source cabinets as the main speakers covering the front sections of each of the stands, with a further 8 x NEXO ePS10s as delays covering the rear section. Amplification and processing for the main system come from a pair of NEXO NXAMP4X2Mk2 Powered TD Controllers, with NEXO DTD/ DTDAMP4X1.3 on the delays.
“NEXO point source speakers are already proven in many stadium installations around the world including P12s at the Swansea.com Stadium in the UK” commented NEXO’s Christophe Girres, who was on site to support the final commissioning of the new system in Lyon. “The technical team at GL Events did a great job on the installation and the results are very impressive.
“The NEXO P12 is a very powerful speaker. Even mounted at a height of 25 metres, the sound quality is excellent, and also the coverage and the intelligibility of the system.”
SCOTIABANK ARENA
Ontario, Canada
Ontario’s Scotiabank Arena, home to the NHL’s Toronto Maple Leafs and NBA’s Toronto Raptors, is hailed as one of Canada’s premier sports and entertainment venue. The commitment to providing a best-in-class fan experience with top rated technology is a central component of the stadium’s multi-award-winning value.
A testament to this commitment is the recent refit and audio redesign of the arena’s original 68 open-fronted executive suites by creating 43 engaging multi-channel rooms driven by the powerful spatial audio capabilities of TiMax SoundHub. The vision to bring directional sound from the court, ice and other high energy areas of the arena into the suites was fostered by MLSE’s Venue Technology leadership team, led by their Head of Sound, Courtney Ross. The project saw significant design and integration contributions from BranchAV’s Steve Svensson and WJHW’s
Images: TiMax
Scott Bray. Fans in these suites, distributed around the full perimeter of the arena just above the 100-level seating, now benefit from an immersive audio sound field that delivers a similar level of excitement and connection with the action in the arena as enjoyed by those in the seats outside the suites.
The versatile TiMax SoundHub spatialisation platform is configured to capture and reproduce an accurate and detailed encapsulation of a complete soundscape for each suite which matches its specific location and orientation relative to the playing surface; essentially delivering the ability to hear in context what is seen, not only in terms of left to right panorama but also near to far depth.
Recreating the multiple unique but shared sound perspectives to be experienced by all of the 43 suites, plus a large lounge area, presented a significant challenge which nevertheless was able to be solved with the powerful spatial audio capabilities of TiMax SoundHub. An initial fundamental TiMax spatial design concept was proposed by Dave Haydon of TiMax UK developers OutBoard, who subsequently visited the site during early commissioning to support integrator
BranchAV’s specialist Steve Svensson with implementing and refining of the concept, based on his long-standing involvement and experience with Scotiabank Arena and its audio systems.
Steve commented “The time it would take to manually program this in any other product would cost more than the price of the TiMax SoundHub and leave you with none of the operational features that have been optimised over the products 20-plus year development. It’s the only device on the planet that can accomplish the real technical requirement.”
Output from the strategically placed, digitally steerable microphone arrays are fed to TiMax where different spatialisation configurations are rendered to create selective immersive setups to match hockey and basketball, which could then be quickly swapped to cater for changeovers between the varied event programming in Scotiabank Arena’s busy roster.
Scotiabank Arena’s spatial rendering within the highly adaptable TiMax PanSpace workflow environment uniquely
enables live audio captured from the multiple play zones to be recreated as an accurately localised soundscape within each suite, regardless of its position around the bowl perimeter.
Additional effects sources are combined and/or discretely delivered to TiMax SoundHub via Dante, which then spatially matrixes them across strategic suite groupings with independent amplifiers.
Mounted 4m/13ft in front of each suite, just under the balcony overhang, is a single high-powered passive RenkusHeinz dual 6” CX62 enclosure that provides a main centre channel for the suite immersive system as well as delay reinforcement of the main bowl PA system’s audio playback content and announcements.
Left and right audio is delivered through a pair of compact coaxial speakers mounted just inside the front walls of each suite. A pair of ceiling speakers at the rear of each suite acts as a rear channel to complete the spatialisation. To rationalise channel count and TiMax spatial rendering, adjacent suites in groups of three receive parallels of their location’s four TiMax stem feeds, which works due to their spatial and temporal relationships to the arena being closely matched.
To help further emulate the crowd immersion experienced outside the suite, various microphones located around the
bowl pick up different crowd ambience zones, which are then selectively spatially aligned in the object-based TiMax Panspace to create a subtle immersive crowd sound field using all four speaker channels in each suite.
EQ tuning was fairly common to all suites due to their identical sound systems and similar dimensions, however the critical multiple spatial time-alignments specific to their varied locations were programmed quickly within the TiMax SoundHub Panspace object-based workflow. TiMax delay-matrix Image Definition objects were automatically and instantly calculated to feed all suites simultaneously, even including applying tactical negative delay offsets to compensate for the approximately 40-50ms sonic time-offlight from the playing surface lobe zones to the mic arrays hanging in the central scoreboard.
MLSE recognises that they’ve only scratched the surface of possibilities for automated performance localisation, and are excited to push the limits of this technology.
Scott Bray of WJHW concluded:: “The absolute science behind what has been created here is a ‘first in the world’ innovative solution that to our knowledge no other sports venue in the world has matched. It has wowed everyone that’s experienced the suites since the season’s commenced, and it is now planned as a central facet of similar future WJHW arena projects.”
As the ICC T20 Cricket World Cup captivates the cricket world throughout June, three of the sport’s most storied venues - Kensington Oval in Barbados, Arnos Vale Stadium in St. Vincent, and Lord’s Cricket Ground in London - have become the first cricket grounds globally to install the state-of-the-art MAKO Sports Lighting system. Developed by Syracuse, NY-based M3 Innovation, in partnership with specialist stadium lighting designer Abacus Lighting, this revolutionary system is the first LED lighting solution specifically designed for cricket. In early April, Lord’s Cricket Ground made history as the first UK men’s Test Ground to transition to LED sports lighting. Installed by Abacus Lighting ahead of the 2024 season, these new lights enhance the match experience for both players and
spectators, while adhering to sustainability standards set by Westminster City Council (WCC) and the England and Wales Cricket Board (ECB).
Robert Ebdon, Estates Director at Marylebone Cricket Club, said: “Reducing energy consumption across the Lord’s estate is a key priority as we work towards our goal of being carbon neutral by 2030 and Net Zero by 2040, if not earlier.
“These innovative new lights will contribute greatly to this goal while enhancing visibility and clarity, giving spectators and players a brighter and more consistent lighting experience and providing optimal conditions for world-class cricket.”
Kensington Oval, the host site for nine World Cup matches this month, including the finals on June 29, also integrated
the MAKO lighting solution as part of a multi-million-dollar renovation. M3 Innovation and Abacus Lighting collaborated to implement the only LED lighting system that meets the stringent standards while preserving the venue’s historic infrastructure.
“We are honoured that these two iconic cricket grounds have chosen our groundbreaking MAKO lighting system to elevate the game experience for fans and players alike,” said Joe Casper, CEO of M3 Innovation.
“Recognising the unique lighting requirements of cricket grounds, we developed, along with Abacus Lighting, the firstever digital lighting system tailored specifically for cricket. The success at these venues has already generated significant
interest from cricket grounds worldwide facing similar challenges.”
Elsewhere, MAKO were also involved in the project at Arnos Vale Stadium – another T20 host venue – delivering a LED lighting solution capable of meeting the strict standards, while maintaining the historic facility’s existing infrastructure.
The MAKO system is the only digital sports lighting solution that is designed specifically for cricket grounds. Its patented optical lens complies with the new ICC T-24 standards and the more stringent ICC T20 World Cup standards, requiring illumination greater than 3000 lux (300 lumens per square yard) across the 22-yard-long by 10-foot-wide wicket.
The choice of the MAKO Sports Lighting System was influenced by its capacity to utilise existing Abacus Lighting masts, while doubling the required light output. Its modular design and lighter weight allow for seamless integration into existing structures without surpassing weight limits or increasing project costs, eliminating the need for numerous fixtures, complex mounting configurations, and excessive wiring.
While LED sports lighting has been around for over a decade, the innovative MAKO system marks a significant leap forward from earlier technologies, addressing the limitations of firstgeneration digital lighting solutions. The unique challenge for cricket was creating an optical lens that could illuminate the expansive cricket grounds from light poles that are often twice the height of those for comparable fields without creating light pollution in the surrounding community. With the MAKO system and Abacus Lighting’s 65 years of expertise in delivering cutting-edge stadium lighting, cricket grounds around the globe now have access to a digital lighting solution designed to meet their specific needs, heralding a new era of illumination for the sport.
To learn more, visit Mako-M3.com or AbacusLighting.com.
Kensington Oval, Barbados
FISHER STADIUM
Easton, USA
Images: Riedel Communications
iedel Communications announced that Lafayette College, a liberal arts college in eastern Pennsylvania and one of 10 core members in the Patriot League, is using Riedel’s Simplylive Production Suite (SLPS) to deliver simultaneous high-quality live broadcasts of its sporting events. By integrating the Riedel solution, the college’s sports network has achieved a new level of flexibility and efficiency, enabling students to streamline production workflows and deliver professional-grade broadcasts that will adapt to changing viewer preferences.
“We have a true partner in Riedel. Their staff has been instrumental to our success, and the capabilities they have provided us with have exceeded our expectations,” said Scott Morse, Assistant Vice President of Communications and Marketing at Lafayette College. “I never would’ve imagined that we’d have a live streaming control room that could connect through our campus network to any location on campus. The satisfaction we’ve had with Riedel’s equipment was absolutely noticeable from the onset and will continue to be throughout our relationship.”
Established in 1997, the Lafayette Sports Network (LSN-TV) has been recognized by Broadcast & Cable Magazine as one of the best college- or university-owned networks nationally, with a national viewership exceeding 90 million through its partnership networks. As a host to 23 Division I sports, LSN-TV delivers over 35 live television broadcasts and 80 additional live streaming productions annually. However, with the rise of live streaming, LSN-TV recognized the need to expand its capabilities to meet the growing demands of its audience. Riedel’s live video production solutions proved instrumental in surpassing the quality control expectations that come with transitioning to major streaming services, allowing the network to showcase the institution like never before.
Thanks to its intuitive touch-screen interface, the Simplylive Production Suite has simplified production and staff training, allowing students to learn how to run professional-quality productions within a single game. With a core team of
at least six positions, including camera operators, replay operators, and graphics operators, the college has been able to produce exceptional broadcasts with minimal training. Even students with little to no experience — both in their classes and on the network — have quickly become proficient in operating the system, ensuring a seamless production process.
An additional SLPS All-In-One system running on a portable V Mini server has further expanded LSN-TV’s capabilities without taking up excessive space. The system’s compact size has allowed the college to set up its live streaming equipment in various locations to cover a wide range of sports and ensure that no game goes unnoticed. Where LSN-TV had only been able to produce and distribute one game at a time through the central control room, the combined solutions have allowed the college to broadcast concurrent events simultaneously and provide coverage for all its sports teams. “Lafayette’s success story is a testament to the seamless integration and exceptional performance of our technology, underscoring its ability to empower educational institutions with state-of-the-art tools that simplify production, facilitate training, and elevate the overall quality of live broadcasts,” said Greg Macchia, Vice President, Business Development Live Production, Riedel Communications. “We look forward to continuing our partnership and supporting Lafayette College in delivering even more live broadcasts of their sporting events.”
2024 RALLYX MOTORSPORTS CHAMPIONSHIP
Tierp, Sweden
Images: Grass Valley
Grass Valley, a leader in live production solutions, proudly announces that Scandinavian remote video production powerhouse DMC Production (DMC) revolutionized its live coverage of the 2024 RallyX, leveraging Grass Valley AMPP to live stream the exciting motorsports races and championship via YouTube with exceptional quality.
Using AMPP’s comprehensive, integrated, and scalable live video production and processing services, DMC completely reimagined its live remote broadcast workflow for RallyX. Considering the cost-efficiency, quality, and sustainability demonstrated by AMPP for RallyX, DMC plans to use AMPP for various other remote high-profile sports and entertainment productions in the future.
In previous years, DMC deployed two large Outside Broadcast (OB) mobile trucks to each site, equipped with utility, mobile control rooms and operators. In contrast, the compact AMPP live production server setup required only two small vans per site. This significantly reduced the need for large OB vans, lowered operating costs such as fuel and travel, reduced crew sizes, and decreased the carbon footprint, helping DMC and RallyX meet their environmental sustainability goals AMPP also solved connectivity challenges. Had DMC just sent a dozen cameras signals to the remote site for switching back at a DMC remote production hub, they would have needed ample highspeed connectivity to backhaul the camera signals, which cannot be guaranteed at RallyX racing venues. It was therefore advantageous that AMPP enabled a fully remote workflow controlled over a mere 100 Mb/s public internet
connection from the racetrack to DMC’s remote production center, further reducing the cost of production.
“AMPP is a game-changer that is dramatically transforming our live remote video production of RallyX and ultimately other media and entertainment events globally,” said Jens Envall, CTO of DMC Production Sweden. DMC has many production facilities worldwide, including Norway, Sweden, Finland, Denmark, and The Netherlands. “AMPP’s scalability and agility is remarkable. We can easily scale up the number of cameras, add production sites and stream program outputs to any of our remote production centers if needed. AMPP is saving us valuable time, reducing travel time and costs, and allowing us to use our resources, skilled operators and talent how and where it benefits us most.”
Envall’s DMC colleagues also played pivotal roles. DMC MD Johan Hedblom helped pioneer the revolutionary approach by leveraging AMPP technology to decentralize production infrastructure. And Adrian Falck, DMC Production’s Head of Networks, helped configure and plan the technical setup ensuring a seamless implementation of the AMPP solution.
“We’re extremely pleased to collaborate closely with DMC Production to realize their innovative live remote video production workflow,” said Adam Marshall, Chief Product Official at Grass Valley. “Following the continued success of the RallyX production, DMC is well-poised to further benefit from our cutting-edge AMPP technology platform. Together, we’re re-imagining traditional broadcast workflows and reshaping the landscape for live media and entertainment productions globally.”
Utilize the latest Uniguest solutions to connect and entertain thousands of spectators at the touch of a button. Our powerful CMS and Low Latency Encoders are designed to take your stadiums and arenas to the next level. Streamline operations with industry leading technology from Uniguest.
Find out more about Uniguest's world-leading stadium and arena solutions at:
BC PLACE
Vancouver, Canada
The transformation of BC Place, a multipurpose stadium with a capacity of 54,500, into a giant mud pit for a Monster Trucks event is no small feat. What may seem like an impossible task was made possible through the innovative solutions provided by TERRAPLAS, who ensured that the field remained unharmed despite the tons of soil, dirt, and heavy machinery required for the event.
BC Place, Vancouver’s impressive, state-of-the-art facility, regularly hosts a variety of events, from sports to concerts. However, transforming it into a suitable venue for Monster Trucks demanded a unique approach to protect the stadium’s playing surface. This is where TERRAPLAS came into play. The first step in the project involved fitting 11,700 sq metres of turf protection in the usual way to safeguard the playing
surface. A layer of polythene was then placed on top of the temporary flooring. This critical layer served as a barrier, preventing soil, dirt, and other substances from seeping through to the tiles and surface beneath.
To add an extra layer of protection against the blades and buckets of the heavy machinery used to spread the dirt, plywood was laid on top of the polythene. This ensured that the TERRAPLAS system remained intact and undamaged, ready to perform its protective function.
Once the protective layers were in place, the real transformation began. A convoy of trucks delivered tonnes of dirt, which was spread out in a thick layer over the entire area. The once-pristine field of BC Place was now a vast, muddy expanse, perfectly prepped for the Monster Trucks. As the dirt was spread and the stadium began to take shape,
Images: TERRAPLAS
the excitement built up. The transformation was smooth and efficient, showcasing the reliability and effectiveness of TERRAPLAS products. In no time, the stadium was ready for the Monster Trucks to roll in, promising a thrilling show for the audience.
Alex Goldsack, General Manager of TERRAPLAS, expressed confidence in the company’s products: “When approached by the stadium with this ambitious idea for an event, we had no doubt that TERRAPLAS was the perfect product to protect their pitch.”
TERRAPLAS’ solutions demonstrate how venues can maximise their revenue potential. By enabling such versatile transformations, stadiums can host a wider range of events without compromising their primary functions.
The successful adaptation of BC Place for the Monster Trucks event highlights the importance of having reliable turf protection. With TERRAPLAS, stadiums can confidently undertake ambitious projects, knowing that their playing surfaces are well-protected.
The transformation of BC Place for the Monster Trucks event stands as a testament to the enduring capabilities of TERRAPLAS. Through meticulous planning and the application of advanced turf protection products, what seemed like an impossible task was executed flawlessly. This event not only entertained countless fans, but also underscored the versatility and reliability of TERRAPLAS solutions in protecting valuable stadium infrastructure.
THE ORIGINAL TURF PROTECTION FOR STADIUMS
TRANSFORM
YOUR PITCH INTO A PROFIT CENTRE
As the ultimate turf and ice protection for arenas, stadiums, and sports facilities, TERRAPLAS® allows venues to become truly multipurpose. Our solutions make it possible to host concerts, sports events, and more, maximising your revenue potential while protecting your greatest asset - your original turf or ice surface.
MEYER SOUND
ULTRA-X80
The ULTRA-X80™ is the newest, most powerful member of Meyer Sound’s highly successful ULTRA family and a leap forward in point source loudspeaker technology.
The versatile ULTRA-X80 draws on the acoustic lineage of the ULTRA family, including the ULTRA-X40™ and ULTRA-X20™, and technology innovations behind the groundbreaking PANTHER™ large-format linear line array loudspeaker to provide unprecedented precision, power, and clarity in a compact, simple-to-deploy package.
“With ULTRA-X80, we are providing extraordinary power-to-size performance along with the kind of flexibility and simplicity of deployment that make a point-source loudspeaker so versatile,” says Andy Davies, Meyer Sound’s Director of Product & Services. “With our ULTRA family, we’ve proven where we can take our acoustic innovations, and with PANTHER, we’ve shown that we can scale and deliver incredible power in a compact footprint. ULTRA-X80 represents the best of both worlds; it’s truly in a class all its own.”
ULTRA-X80 is an evolution of the ULTRA family’s innovative concentricdriver design, which couples two 12-inch neodymium-magnet cone drivers to a rotatable 95 x 40 degree waveguide coupled to a 4-inch high-frequency compression driver. This design ensures smooth response across the speaker’s range and exceptional directional control.
Leveraging Meyer Sound’s ultralight Class D amplifier technology, the ULTRA-X80 delivers a peak output of 141 dB SPL in a 130 lb. (59 kg) cabinet. The result is a point source loudspeaker capable of providing the power, clarity, and performance of multiple line array loudspeakers in a single box. For maximum flexibility in coverage, an ULTRA-X82™
variant offers a more tightly focused 50 x 40 degree dispersion pattern and a peak output of 142 dB SPL.
ULTRA-X80 is designed for applications ranging from stadiums and arenas to theaters, houses of worship, music venues, performing arts centers, and corporate AV. Like any Meyer Sound loudspeaker, the ULTRA-X80’s focus on frequency response, phase coherence, and fidelity enables it to pair perfectly with other products in the Meyer Sound ecosystem, ensuring seamless sound at any scale.
Together, the ULTRA family, PANTHER, 2100-LFC, and the USW subwoofer family make up the most comprehensive range of MILANequipped loudspeakers on the market — all taking advantage of Meyer Sound’s award-winning Nebra™ integrated software platform.
“There are many high-SPL applications in the market where two, three, or four-box arrays have been stop-gap solutions because traditional point-source products just couldn’t deliver the coverage and power needed,” says Davies. “ULTRA-X80 offers a much simpler, more costeffective way of approaching those scenarios, without compromising on performance.”
“From live events to installs, the expanded ULTRA family of point source loudspeakers will give customers new ways to reimagine solutions for a wide range of applications,” adds John McMahon, Senior Vice President of Meyer Sound. “ULTRA-X80 is more than just a new loudspeaker — it opens up all sorts of possibilities for the ultrapowerful ULTRA family.”
meyersound.com
ABSEN LIVE
esigned as a touring LED solution, the Absen Jupiter Pro (JP) Series redefines industry standards. The JP8 Pro’s lightweight but durable design is made up of 8.9mm pixel pitches, it weighs only 20kg per panel, and ensures a quick set-up that delivers high-impact and high reliability, even for aerial installations as high as 24m.
Its high-strength composite structure makes it a versatile option for touring applications. Delivering up to 4500nits brightness alongside a 16bit grayscale and 3840Hz refresh rate, the JP8 Pro stands unmatched in display quality and captivates audiences with its striking vivid graphics in outdoor settings.
Available with a sturdy locking system with precise feedback mechanism, the panels ensure unmatched stability. Also engineered for wind-load resistance, its 24m maximum hanging height, strengthens the JP8 Pro’s capabilities further and advances its durability.
The JP8 Pro offers adjustable angles from -10⁰ to +15⁰, 5⁰ per unit, redefining flexibility, empowering designers the ability to craft intricate and captivating curved visuals, maximising creative freedom. Accompanying the stunning LED capabilities, the JP8 Pro panels are transport compatible, fitting into a 6 in 1 dolly system that supports two-layer stacking to optimise space in touring projects. The panels can also be transported with a foldable wind-bracing system, which weighs an impressive 5.6kg, providing extended support in outdoor winds. This transportation method enhances tour efficiency with its innovative design and ensures rapid and reliable assembly for live events.
Maintenance is simplified with JP8 Pro’s large modules that allow for seamless swaps. Integrated with a power box which features quickrelease toggle latches, the design ensures a secure fit whilst enabling hassle-free removal and replacement.
To create the ultimate spectacular visual, the JP8 Pro can be installed together with the JP5 Pro, an additional product offering within the Absen JP Series. The JP5 Pro features 5.2mm pixel pitch and is available in two sizes. Whilst matching the JP8 Pro’s hardware, the JP5 Pro differs slightly by providing end-users with a solid panel version too, resulting in the JP Series as the solution of choice for the Rental & Staging market.
The JP8 Pro and JP5 Pro belong to AbsenLive, Absen’s new category brand catering specifically for the high-end rental and staging (R&S) market, virtual production and XR stage arena. Through cutting-edge LED innovations, AbsenLive seamlessly merges the realms to immerse audiences in captivating experiences that redefine entertainment.
At the heart of Absen’s values lies a steadfast commitment to a ‘customer-centric’ product development philosophy. This means close communication with clients is maintained and every detail aligns with their aspirations. The AbsenLive product development team possess a vast wealth of experience in display innovation and ensure user experience remains paramount.
absen.com/product/jp-pro-series
UNILUMIN
MONDO
| STADIA speaks to Oscar Feng, Unilumin’s Global Sports & Entertainment Director...
Can you introduce yourself and tell us about your role at Unilumin?
I’m Oscar Feng, and I serve as the General Manager responsible for the sports industry at Unilumin. In my role, I oversee the development of our LED display solutions for various sporting events and venues, ensuring that we deliver topquality, integrated services to meet our clients’ needs.
Tell us more about Unilumin...
Unilumin is a company that places significant emphasis on the sports industry. For the past 20 years, we have specialised in providing integrated LED display solutions for major sporting events. Our offerings encompass audio, visual, and lighting services, tailored to meet the needs of both indoor and outdoor venues. Moving forward, Unilumin is committed to continuous innovation, striving to deliver even better solutions for end-users in the sports sector.
Can you give us some insight into Unilumin’s work in sporting venues? Has it always been a big focus for the company?
Unilumin has always viewed the sports market as one with immense potential. We have consistently offered comprehensive
solutions to our users, including perimeter screens, scoreboard screen and ribbon screens. Beyond these, we also assist our clients in constructing integrated LED solutions in other sporting venues such as conference rooms, control rooms, and broadcasting rooms etc. Through a Unilumin combination of software and hardware solution, users can control the display effects in multiple venues from a single location, ensuring convenient and efficient operations in sports facilities.
What makes Unilumin products perfect for sporting venues?
As I mentioned earlier, Unilumin is dedicated to offering comprehensive solutions. Our extensive product line includes perimeter screens, ribbon screens, and creative LED display products that can be customised into various shapes for an immersive fan experience. We also offer Micro/Mini LED products for high-resolution immersive displays and All-in-One solutions for seamless, immersive meetings.
Our product diversity, integrated solutions encompassing audio, visual, and lighting services, and our ability to customise products to meet specific client needs - such as the UsportF24 series product developed in collaboration with FIBA - make our offerings uniquely suitable for sporting venues. Above all, the reliability and stability of Unilumin products are paramount.
Which sporting venue projects have Unilumin been involved in recently?
Due to confidentiality agreements, I cannot disclose specific current projects. However, I can share that Unilumin has provided solutions for numerous prestigious events. Our products have been utilised in venues for multiple Olympic Games, the main stadium of the Qatar World Cup in 2022, as well as various FIBA events, and several venues for last year’s Hangzhou Asian Games.
Are there any upcoming projects in stadiums and arenas?
Currently, we have numerous promising opportunities in the sports industry, particularly in the EMEA and North American regions. These opportunities are gradually materialising, and we anticipate that our solutions will soon be prominently featured in these areas.
How do you see the use of LED screens developing in sporting venues over the next few years?
I believe that in the near future, smart sporting venues will be a significant trend in the evolution of LED displays. By integrating big
data and artificial intelligence, LED displays can significantly enhance sports venues, providing fans with a more impactful and immersive viewing experience. Additionally, the development of creative large screens is another noteworthy direction. Existing small-area screens no longer meet the viewing demands of fans, and the advent of creative large screens will transform this landscape.
If you want to learn more about Unilumin, please visit the link below: www.unilumin.com
