Music, Film & TV

The European law covering drone shows is only just coming into effect, but amusingly within the legislation there is a remit that anyone piloting a drone show must prove they are able to fly an individual drone.

“In Europe, drone swarm pilots fall under an A2 licence, compared to an A1 drone licence, which is really for hobbyists,” stated Niedermeier, while talking about the latest European regulations. “There still isn’t specific legislation around drone pilots, so those who operate shows still must prove they can fly an individual drone. It might not seem like a big deal, but it’s time consuming.”

One of the bigger issues facing companies is the lack of consistency between regions. “All the regulators are tricky in their own way and there is no real uniformity,” stated Tony Martin of UK-based drone art company, Celestial.

These regulations may present headaches for those working in the field but according to Chris Crockford from UK-based Electric Airshows, they are a necessity.

Crockford, a well-known figure in the event production industry having been the lighting designer for the acts including The Lighting Seeds, said there have been two third-party known drone light show crashes in the UK so far. “I’d estimate that there have been fewer than 100 drone light shows in the UK to date and two of them have involved crashes,” he said. “It’s not a good record. Each drone is an aircraft and needs to be treated accordingly. We certainly need to move away from control systems built on crowd-sourced freeware.”

He expressed that these tightening legislations will hopefully mean fewer people working in the field that could put people at risk. “The possibility of less conscientious operators flying ‘under the radar’ is a genuine concern. It may happen on smaller, private events with fewer drones, rather than larger events with a more robust paper-trail. In such cases, the biggest risk would be to public safety. People with say, 20 drones, could watch YouTube and fly shows without the experience or thought needed. The key thing is the in-flight separation; if that fails and drones collide, you have a shower of electronics, parts, and lithium-ion batteries. The closer the show to people, the higher the likelihood of harm.”

Crockford highlighted some potential red flags on the horizon. “People have already invested considerable sums in drones,” he observed. “This technology will soon degrade, and be replaced by newer, smaller, faster technology. People will fly older drones which will, eventually, fail in flight. You must look at the drone industry in general to see how quickly technology is being miniaturised and how quickly this year’s new technology becomes last year’s old news.” One thing to consider, according to Crockford, is how drones will perform over a run of shows.

“At Electric Airshows, we have been working with our manufacturing partner to ensure the longevity of the system, so that you’re not having to swap out units on the second or third show of a 20-night run. Most drone light shows have been run as one-off events to date and performance and longevity of the system as a whole is an area we have been focussing on.”

Technical Innovation

While drone technology has certainly come along way, most companies TPi spoke to seemed to suggest that we are still in the very early stages of where the technology needs to be. “There are a lot of products currently in the marketplace that are not too far off the ‘hobby’ market,” stated Martin.

“Right now, I’d compare the technology to a Game Boy when we need to get to the PS5. That said, we’re doing an impressive and fascinating thing within the limitations and we’re looking to keep pushing and innovating.”

John ‘JP’ Partridge, Production Designer at Celestial, continued by making the point that although there was room for improvement, many of the wider industry underestimated what could be achieved with the technology. “Many clients still have this misconception that a drone show is limited to eight minutes due to battery life, but this isn’t true,” he commented.

“Not only is the battery life of drones getting longer, we now have technology such as multiple drones where one fleet can take over from another and that could lead to the options of charging a fleet during a show. This would move drone swarms from a gag effect into a preeminent tool to be used in a performance.”

Who Should Work With Drones

It’s not only new technology that is needed in the field but people, too. Despite only trading for two-and-a-half years, Celestial has gone from a team of five to 50. You’d be forgiven for thinking that when recruiting new team members, Celestial would be looking for those with a background in flying drones, but in fact there is a far more important skill they look for.

“You need people with network and events expertise,” stated JP. “Working on a swarm show is more akin to being a lighting operator or vision mixer. It’s all about fault finding, networking, and everything is run on Wi-Fi or radio frequencies.

A background in events also helps people understand that the show needs to happen on time and hit the cues in relation to the wider production.” In fact, Martin and JP come from the events world. The former, a lighting and show designer back in the day, while JP went from being a lighting technician to a full-time employee at PRG. The duo cited their events experiences as a key driver for their success.

“We did the performance for the Eurovision Song Contest – one of the biggest drone shows ever to happen in the UK,” stated Martin. “Others didn’t see the option of a sterile area to place the drone grid and set off from. Whereas, we opted to take off from a memorial park near the venue and built our own staging system. Our background in events and knowledge of temporary structures meant we saw a solution that others might not.” www.ao-technology.com www.celestial.show www.electricairshows.com www.verge.aero

While all the experts TPi spoke to come from corners of the globe, one statement that all repeated was that ‘drones are definitely here to stay,’ and with the number of large-scale performances that seem to be looking at them as an addition to their shows, you can see why they are confident in this opinion.