N I C O L E G R E L L A
O l i v e r R a n s o m
M o n i k a s o w a
K a r o l i n a G u z y
M i a a d L a t o o f
TABLE OF CONTENTS 03
I N T R O D U C T I O N 04. 05.
DESIGN PROCESS + CONCEPT INSPIRATIONAL FINDINGS
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07
I D E A T I O N
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08. 10. 12. 14.
CONCEPTUAL IDEATION DESIGN SKETCHES FINAL INSPIRATION MOCK MODEL
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19
F I N A L
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20. 20. 21.
D E S I G N
FINAL PLAN FINAL INSTALLATION 3D COMPUTER RENDERINGS
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INTRODUCTION C ON C E P T S TA TE M E NT • D E SIG N P ROC E SS • IN S PI RATION
INTRODUCTION : DESIGN process + Concept ft er arrangi ng ourselves i nto a
move through, and visually see the structure that
group– Karolina Guzy, Miad Latoof,
w i l l b e p roj e c t e d on an d re s ea r c h i ng t h e
Monika Sowa, Nicole Grella and
fundamentals of 3D projection mapping, our
Oliver Ranson –, we were presented
interest and excitement grew rapidly. We started
with the task of designing and
experimenting with the concept of pixelation that
creating a geometric shape and surface that was
derives from the fragmentation of an image,
both aesth et i cally pl easi ng an d t ec hni cally
which is the basic principle of motion graphics.
capabl e to b e use d i n conjunct ion w i th
From this, we experimented with the shape and
professional 3D projection software.
form of geometry to see how visually powerful
A
Edgar Davey, a professional mot ion
this was.
graphics designer, takes geometric freestanding
The concept of “The VOID” was inspired by
st ructures an d port rays graphi cal fi lm an d
nature, which has mastered the use of shape and
projections onto the surface(s). He brings life to
form for millions of years with the absence of
the shape, creating a fascinating display of light,
limitation. From this, we looked to the Giants
colour, art and sound, engaging all of one’s
Causeway – a geological formation of basalt columns
senses, Edgar was in initially inspired to work with
on the north coast of Northern Ireland – which was
Middlesex University after seeing the modular
the fundamental stepping stone for our inspiration. It
structures made by the student’s within the
encompasses what we wanted to achieve – the
Interior’s Department in the previous year. The
balance of shape and form, light and shadow... the
structure that is to be designed for him will be
surface and the void. Our concept revolves around
displayed at Red Gallery in London. During the
this idea of a ‘void’ – a space in which one’s possibility
day the structure will be left as is and at night it
is limitless.
will be transformed by his 3D mapping projection
The form and structure we created, acts as a
display.
void, a window or portal into the mind of the client. A Upon looking into and understanding the
clean canvas upon which every pixel he casts, a new
key aspects of the client’s needs, how people
world opens.
4
G ia n t s Caus e way Gian ts Caus e way
TH E CR Y ST AL CA TH EDR AL DI E BE DO F R A N C I S KE RE
S AN FR AN CIS CO CA TH EDR AL
S tr asb o urg Ca th edr al H A N DE L ’ S O RGAN , RO M E
IDEATION C O N CE P TU A L I D EATI On • DE S IG N S KET C HES • FINAL I NS PIR ATIO N • MOC K MO D EL
CONCEPTUAL IDEATION:
SKETCHES STUDYING SHAPE AND FORM
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9
CONCEPTUAL IDEATION:
SKETCHES STUDYING THE DESIGNATED SPACE – STAGE
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11
FINAL INSPIRATION:
3D PROJECTION ON EXTRUDED RECTANGULAR FORM
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13
MOCK MODEL:
DIGITALLY ENHANCED FOAM BOARD MODEL
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MOCK MODEL:
DIGITALLY ENHANCED FOAM BOARD MODEL
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FINAL DESIGN PLAN S • R END E RS
FINAL PLAN:
STAGE
4500mm x 4200mm
FINAL PLAN:
INSTALLATION
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3D COMPUTER MODEL:
DIGITALLY ENHANCED WITH 3D PROJECTIONS
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