Intro

Working Together is a collaborative action research project between More Music and the International Centre for Community Music (ICCM), working with partnerpractitioners in the Music for Health in Morecambe project.

Music for Health in Morecambe is a music social prescribing project funded by Spirit of 2012 and coordinated by More Music. It includes three music groups that aim to reduce isolation of people in and around Morecambe: a singing group with older adults experiencing isolation, who are referred by their GP and who self-refer; a singing group with young people who are accessing mental health services, funded through the NHS; and, a drumming group with adults accessing local wellbeing services. The focus of this research has been to work with partnerpractitioners to understand some of the differing and overlapping ways that they perceive their work together to be valuable. Specifically, to gain insight into what influences perceptions of value and how this manifests within the ways that the project is designed, delivered and communicated. There were two main reasons for undertaking this research:

1. When beginning this project in 2020 there was little research in arts and health that specifically explored partnerships. Particularly, how they operate and articulate value

2. More Music sought to explore sustainable resourcing and development within the

Music for Health in Morecambe project, following a pilot in 2019/20

“[This report] documents the process of working together through research and outlines the ways that partner-practitioners distinguish between valued evidence and valued experience. Specifically, the implications this may have for how the project is communicated and understood within and beyond the project partnership.”

Between August and July 2020 – 2021, ICCM worked with More Music management and music leaders, representatives of local wellbeing-organisations involved in the project and Morecambe Bay Medical Group’s Social Prescribing team through action research. It is a project collaboratively designed with More Music management and develops from their pilot project in 2019/20. This report is written by the International Centre for Community Music. It documents the process of working together through research and outlines the ways that partner-practitioners distinguish between valued evidence and valued experience. Specifically, the implications this may have for how the project is communicated and understood within and beyond the project partnership. The report documents how perceptions of value may be influenced by sectoral policy priorities and a collective belief that music is unquestionably good for you; the latter a unanimous agreement emerging in our data collection. We refer to people taking part in this research as ‘partner-practitioners’ because, as will become clear through the findings developed together, the project workforce influence both the partnership and practice of Music for Health in Morecambe through their approach to working together for health2. By sharing findings from interviews and online action research, alongside a position piece that situates this research as part of contemporary critique within arts and health research, this report illustrates ways that Music for Health in Morecambe is developing as a critical partnership project that contributes to challenging health inequalities in Morecambe, as one of many component parts of placebased health. The first section of this report will review what led More Music to commissioning ICCM and work with us through research. It will also situate our thinking through a summary of the position piece we shared with partnerpractitioners in the early stages of the project. The second section of this report shares the methodology for this project and findings from interviews and online action research. The third section looks towards Music for Health in Morecambe’s future sustainability. Here, we suggest that raising the visibility and voice of practitioners in strategic partnership spaces, and communicating the experiences of working together, across sectors, in the project’s musicsessions may support its future sustainability. In particular, developing ways to support ongoing joint reflection across partnerspractitioners involved in the project and how this may support shared communications of value. Particularly, to scaffold between the divide emerging in this research between the valued evidence and valued experiences within the project, to understand better the possible implications for policy.

2 Where ‘partner-practitioners’ appears in this report it refers to the workforce from Music for Health in Morecambe who took part in this research. Where ‘partners’ appears in this report, it refers to the organisations who make up the project partnership (More

Music, the NHS and local wellbeing organisations).