A Midsummer's Night Dream program

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PRESENTS

William Shakespeare’s

AMidsummer Night's Dream Showtimes

November 5 and 6: 6 p.m. November 7: 2 p.m. 6 p.m. November 8: 2 p.m. 6 p.m.

Tickets

$7 SINGLE SEATS $10 TWO SEATS TOGETHER $25 FAMILY OF THREE $35 FAMILY OF FOUR

MBINREP2020.EVENTBRITE.COM

Moses Brown School


Director`s Note During one particularly climactic scene in John Logan’s Red, abstract expressionist Mark Rothko rails against the pop art movement, claiming that he and his contemporaries “understood the importance of seriousness,” while all pop artists are essentially worthless in their frivolity, making nothing but “zeitgeist art… completely disposable.” In an unexpected turn, Rothko’s young assistant, Ken, challenges the respected artist, crying “You know, not everything has to be so goddamn IMPORTANT all the time! Not every painting has to rip your guts out and expose your soul! Not everyone wants art that actually HURTS!” This passage in particular sparked a similar conversation between myself (Will), Steve Kidd, and Christopher Hoyt as we read this play aloud in Chris’s backyard this summer. Reflecting on Ken’s words, we realized that we too fell prey to the stifling notion that theatre must always be “important,” meaning painful, serious, heavy, and tragic. Conversely, the three of us craved theatre that uplifts and creates moments for laughter and joy. Joyous art, funny art, hopeful art is important art. We need it. And we realized that the actors in our company and the audiences in our community probably needed it, too. What play fits the bill better than A Midsummer Night’s Dream? It is one of Shakespeare’s most beloved comedies, and for good reason! This play has brought us much needed lightness and fun. Midsummer is not just a comedy, however. It is a story of muddling through confusion and deception to find togetherness and hope. Questions of women’s right to govern themselves underscore the entire play, from the first scene, where a father threatens to have his daughter executed for so-called “disobedience,” to the last, taking place just after the Duke of Athens has married his captured and coerced bride. In our casting, staging, and design, we sought to question the nature of constricting gender roles, power dynamics, social status, and issues of free will. At the same time, we hope that you laugh, delight in the comedy of mistaken identity, and revel in the magic of this play. We believe that these seemingly conflicting forces, those of unity and levity versus domination and coercion, coexist. They work together to enrich this play. It is our pleasure to bring people together in the same space to enjoy art again. Welcome to A Midsummer Night’s Dream. Sincerely, Will Malloy ‘20 Associate Artistic Director

Production Crew Student Directors Nate Kelton ‘21, Eli Reville ‘21 Assistant Stage Managers Hayley Chisholm ‘21, Julia Kerr ‘22 Associate Artistic Director Will Malloy ‘20 Stage Manager Polly Feliciano Production Manager Christopher Hoyt Technical Director Bruce Shaw Costume Designer Jessie Darrell Jarbadan Production Assistant Alexa MacMullen Artistic Director Steve Kidd Sound Design Nate Kelton ‘21, Eli Reville ‘21 Sound Engineering Advanced Production & Design Text Coaches Wilson Taylor, Will Malloy ‘20 Poster and Program Design Sam Cosenza


Cast Friday 6 p.m., Saturday 2 p.m., Sunday 6 p.m.

Gianna Paratore. . . . . . . . . . . . . . . . . . Katie Cromie. . . . . . . . . . . . . . . . . . . . . Vivian Miller. . . . . . . . . . . . . . . . . . . . . . Nola Fox . . . . . . . . . . . . . . . . . . . . . . . . Hayley Chisholm. . . . . . . . . . . . . . . . . . Kavi Mongia-Gasper. . . . . . . . . . . . . . . Miles Kaufman. . . . . . . . . . . . . . . . . . . . Roisin Akerman . . . . . . . . . . . . . . . . . . Liam Cromie. . . . . . . . . . . . . . . . . . . . . Dylan Bean . . . . . . . . . . . . . . . . . . . . . . Will Richardson . . . . . . . . . . . . . . . . . . Nathaniel Brown . . . . . . . . . . . . . . . . . Polly Dickinson. . . . . . . . . . . . . . . . . . . Ursula Talbot. . . . . . . . . . . . . . . . . . . . . Cassidy-lyn Flanagan . . . . . . . . . . . . . . Lindsey Skillings. . . . . . . . . . . . . . . . . . . Meredith Jenkins. . . . . . . . . . . . . . . . . . Olivia Rocchio-Giordano . . . . . . . . . . Ada McFadden . . . . . . . . . . . . . . . . . . . Sofia Ferraiuolo. . . . . . . . . . . . . . . . . . . Novia Jiang. . . . . . . . . . . . . . . . . . . . . . . Róisín Akerman . . . . . . . . . . . . . . . . . . Lola Darling. . . . . . . . . . . . . . . . . . . . . . Katie Cromie. . . . . . . . . . . . . . . . . . . . . Liam Cromie. . . . . . . . . . . . . . . . . . . . .

Thursday 6 p.m., Saturday 6 p.m., Sunday 2 p.m.

Theseus Hippolyta Hermia Helena Lysander Demetrius Egeus Philostrate Philostrate’s Assistant Nick Bottom Peter Quince Francis Flute Snug Snout Starveling Titania Oberon Puck Robin Hobgoblin Peaseblossom Cobweb Mustardseed Moth Changeling Child

�������������������������������� Gianna Paratore ��������������������������������Sophie Schmults ��������������������������������� Sarah McGeary ������������������������������ Lourdes Nicolella �������������������������������������� Nal Ozpolat �������������������������������� Charlie Callahan ������������������������������������������Sean Rego ��������������������������������� Spencer Martin ��������������������������������������� Lola Darling �������������������������������������������� Julia Kerr �������������������������������������Ursula Talbot ����������������������������������� Rosalie Martin �������������������������������� Hope Silverman ������������������������������ Veronica Millsom �������������������������������������Reese Martin ���������������������������������������� Emma Platt �������������������������������� Gianna Paratore ��������������������������������� Reka Moscarelli ������������������������������� Aniko Moscarelli ��������������������������������������� Lucy Kinnell ���������������������������� Olive Miller Mattis ������������������������������������� Tanner Lagor ��������������������������������Sophie Schmults �����������������������������������Claire Robarts ��������������������������������� Spencer Martin

Technical Crew Scenic Design Team. . . . . . . . . . . . Properties Design Team. . . . . . . . Costume Design Team . . . . . . . . .

Julia McGuigan, Levi Gewirz, Olivia Johnson, Abby Marion, Valerie Zou Levi Gewirz, Nicholas Boulay, Aaron Sucov

Lighting Design Team . . . . . . . . . .

Greta Shuster, Emily Younkin, Remi Lloyd, Abby Marion, Maggie Mendes Emma Marion, Gabe Harris, Jace Goldstein

Sound Design Team. . . . . . . . . . . .

Eli Reville, Nate Kelton, Gabe Harris, Jake Middleman

Follow Spot Operators. . . . . . . . .

Jace Goldstein, Abby Marion, Zachary Roerden, Aaron Sucov

Crew . . . . . . . . . . . . . . . . . . . . . . . . .

Owen Buroker, Bryn Csanadi, Tucker Malloy, Nathan Monchik, Alexander Potter


Moses Brown School

250 Lloyd Avenue | Providence, R.I. 02906

401.831.7350 mosesbrown.org

Thank you seniors for attending our program with such a committed sense of duty and pure, simple love. Nathaniel Brown Charlie Callahan Hayley Chisholm Nate Kelton Julia McGuigan Reka Moscarelli Nal Ozpolat

Gianna Paratore Will Richardson Eli Reville Greta Shuster Olivia Rocchio-Giordano Emily Younkin

e am iss b n ca g in h t y an er n ev r it de n te ty du d an s es en when sim pl — Our fairies are able to fly thanks to Topher Kerr, Max Yanku and Treetop Adventures! Thank You! treetopcanton.com special thanks to:

Debbie Phipps, Jared Schott, Mixed Magic Theatre, The Gamm Theatre, Advanced Production & Design, Jaimie German, Karin Morse & MB Alumni Association, Elena Nicolella, MB Ops Crew, MS Faculty & Parents

Be a Part of MB’s History: Name a Seat in The Woodman Center! If you love MB’s performing arts program, please consider celebrating our students and faculty by purchasing a seat in the Woodman Family Community & Performance Center. Learn more here: mosesbrown.org/giving/woodman-seat-campaign #TakeASeatMB

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