KAI SHE Portfolio 2016-2018

Page 1

PORTFOLIO

KAI SHE University of Melbourne 2016-2018



CONTENTS 1. New Hierarchy Yayoi Kusama Museum July-November, 2016 P4-P13

2. Regenerative Family Co-Home July-November, 2017 P14-P23

3. Beyond Physical Montage: the Amalgamation of Time, Motion, and Space Museum of Contemporary Art February-June, 2018 P24-35

4. White Tower High Rise Office Building February-June, 2017 P36-43


New Hierarchy

the balance between architecture, environment and people Definition of ‘hierarchy’ : a system in which members of an organization or society are ranked according to relative status or authority. Taking the 21st Century Museum as departure point, research is done on spatial hierarchy trend of Japanese architecture. The spatial hierarchy is reflection of the surrounding context of the project (including social, technological, architectural, environmental, political and economic context), which results in architectural ideas, forms and tectonics. Some trends are seen in research. In terms of space form, structure and material, ‘monotonous’ shifts to ‘abundant’; Circulation shifts from ‘simplex’ to ‘complex’; Distribution shifts from ‘linear’ to ‘scattered’; Function shifts from ‘fixed’ to ‘ambiguous’. Relationship between environment and architecture shifts from ‘isolated’ to ‘integrated’; Privacy shifts from ‘mutated’ to ‘gradient’.



600 ECONOMY

1600

1800

1900

1950 1944 Establishiment of World Bank & International Monetary Fund

TECHNOLOGICAL

1907: 1900s: wide use of Plastics was invented by concrete Leo construction Baekeland 1903s: in New York Laminated glass was invented

1839: 1853: Plate glass Coignet built was patented the first iron by James reinforced Timmins concrete Chance structure

ENVIRONMENTAL

1923 Great Kantō earthquake

After 1923: Japanese brick constructure was totally replaced by RC

1891 Nobi earthquake: indicated the weakness of brick constructure

Ise Grand Shrine: Earlist Japanese architectural form

19391945 World War II

1937 Junzo Sakakura’s Japanese pavilion in Paris EXPO: influenced by Le Corbsier

Katsura Imperial Villa: one of Japan's most important large-scale cultural treasures

607 Hōryū-ji Temple: the oldest wooden buildings

Industrial output returns to prewar levels

1944 US firebombing of Japan’s cities & 1945 US Atomic bombing of Hiroshima and Nagasaki

1868 Meiji Restoration: chain of events that restored practical imperial rule to Japan

ARCHITECTURAL

1968 Japan’s GDP ranked second in the world

1957: Float glass was frist produced

POLITICAL

SOCIAL

1950 Post-war economic recovery period: Housing shortage

1960 1949 1951 1958 Worl Kenzo Tange’s Kenzo Tange’s Kiyonori Desig Hiroshima Children’s Kikutake ’s Confere Peace Centre: Library: Sky House: hold i cominated rough combination of mobile unit Tokyo concrete and geometric seperated Metabo traditional forms from announ constructure strucutre

A

B

E

C Evaluation System A space form B space distribution C structure D material E circulation

D Ise Grand Shrine

Kibitsu Shrine

Hiroshima peace memorial complex

4 bce shinto shrine

847 shinto shrine

1949 kenzo tange


2000

2010

1980s bubble economy peaked and crashed

2008 Financial crisis

ARCHITECTURAL IDEAS

Information Age Digital Revolution

New material: perforated aluminum, mesh steel panel, thin metal keel, tensioned membrane

1973 & 1979 Oil CrisisⅠ Oil CrisisⅡ

2011 Japan 9.0 earthquake:the Sendai Mediatheque still stood

FORMS 2002 Toyo Ito’s Serpentine Gallery: open space under long-span structure

Land prices rose by 11 times from 1960 to 1980 May 1968 events in France

0 1964 ld Kenzo gn Tange’s ence Yamanashi in Communicao: tion Centre: olism strucutre of nced concrete core

1972 After 1965 1972 Kisho Toyo Ito Arata 1971 Kurokawa’s Isozaki’s worked in Toyo Ito Capsule Kiyonori Oita started Tower: Kikutake ’s medical his own “metabolism” studio hall: studio “fluidity” axial layout

1990 1982 Sejima’s 1985 Kisho Saishunkan Itsuko Kurokawa’s Dormitory: Saitama Hasegawa’s divition House at Museum: of public Nerima: lattice and private two sets structure spaces 1994 at corner of sequence Tadao 1993 Ando’s After 1981 Tadao 1985 Naoshima Kazuyo Ando’s Toyo Ito’s Sejima Museum Museum: Silver Hut: worked in of wood: multiple exploring shapes Toyo Ito ’s axial temporary studio layout of program housing

1995 Tadao Ando’s Sendai Media: elimination of solid column 1995 Firm SANNA was founded

1996 SANNA’s Park Cafe: reduced columns in grid

2001 SANNA’s Glass Pavilion: Curved glass

1998 SANNA’s After 2000 Almere Junya Theatrey: Ishigami abundant worked in spaces SANNA

2002 Nishizawa’s Moriyama House: seperated rooms 2002 SANNA’s Tomihiro Museum: elimition of corridor

2004 SANNA’s Rolex Centre: fluid space differed by floor height

2005 AAT’s Tomihito Museum elimination of corridor

2004 SANNA’s 2005 21st Sou 2006 Century Fujimoto’s Fujimoto’s Museum: House T: House N: non-hierarelimination maze-like chical of corridor space space 2005 Nishiza2004 2006 wa’s Junya Towarda Fujimoto’s Ishigami Art Centre: Children started Centre linear his own sequance studio

2008 2007 IshigaNishizami’s wa’s KAIT Hiroshi WorkSenju shop: Museum: fluid fluid space space divided divided by tiny by short columns walls

2011 2012 2013. Akisisa SANAA’s Junya Hirata’s Grace Ishigami’s Archive of Farms: House and Architecture curved Restaurant: Magazines: spaces flexible flexible spaces spaces

TECTONICS

2010 2011 2013 Fujimo- Fujimo- Sou Fujimoto’s to’s to’s Serpentine Tokyo WaterGallery Apartfront Pavilion: ment: Museum: building stacking on-air boundary housing space disappears

Spatial Hierarchy Trend of Japanese Architecture

Children's Library

Shimizu City Hall

Kagawa Prefectural Government Building

Kuroyashi City Hall

1951 kenzo tange

1953 kenzo tange

1955 kenzo tange

1957 kenzo tange


2003 kazuyo sejima

2004 sanaa

2004 sanaa

2005 makoto yokomizo

2003 kazuyo sejima

2004 sanaa

2004 sanaa

2005 makoto yokomizo

2003 kazuyo sejima

2004 sanaa

2004 sanaa

2005 makoto yokomizo

House N

Children Center

Hiroshi Senju Museun

Kanagawa Instituite of Technology Workshop

2006 sou fujimoto

2006 sou fujimoto

2007 ryue nishizawa

2007 junya ishigami

2006 sou fujimoto

2006 sou fujimoto

2007 ryue nishizawa

2007 junya ishigami

2006 sou fujimoto

2006 sou fujimoto

2007 ryue nishizawa

2007 junya ishigami

Hill of Water

Sifang Art Museum

Gaty Villa

Archive of Architectural Magazines

2011 suppose design office

2011 sanaa

2011 takei+chie nabeshima

2011 akihisa hirata

2011 suppose design office

2011 sanaa

2011 takei+chie nabeshima

2011 akihisa hirata

2011 suppose design office

2011 sanaa

2011 takei+chie nabeshima

2011 akihisa hirata

Chigasaki Zion Christian Church

Serpentine Gallery Pavilion

Parenting Support Center

Wall Behavior

2012 tezuka

2013 sou fujimoto

2013 junya ishigami

2013 miya akiko

2012 tezuka

2013 sou fujimoto

2013 junya ishigami

2013 miya akiko

2012 tezuka

2013 sou fujimoto

2013 junya ishigami

2013 miya akiko

Multipurpose Facility Multipurpose Facility

House N House N

Hill of Water Hill of Water

Chigasaki Zion Christian Church Chigasaki Zion Christian Church

Naoshima Ferr Terminal Naoshima Ferr Terminal

Children Center Children Center

Sifang Art Museum Sifang Art Museum

Serpentine Gallery Pavilion Serpentine Gallery Pavilion

21st Century Museum 21st Century Museum

Hiroshi Senju Museun Hiroshi Senju Museun

Gaty Villa Gaty Villa

Parenting Support Center Parenting Support Center

Tomihito Art Museum Tomihito Art Museum

Kanagawa Instituite of Technology Workshop Kanagawa Instituite of Technology Workshop

Archive of Architectural Magazines Archive of Architectural Magazines

Wall Behavior Wall Behavior


2005 sanaa

2006 toyo ito

2006 atelier bow-wow

2006 ryue nishizawa

2005 sanaa

2006 toyo ito

2006 atelier bow-wow

2006 ryue nishizawa

2005 sanaa

2006 toyo ito

2006 atelier bow-wow

2006 ryue nishizawa

Kanagawa Institute Multipurpose

Kultur Project Berlin

Beton Hala Waterfront Centre

Leimond-Nagahama Nursery School

2007 junya ishigami

2010 sou fujimoto

2011 sou fujimoto

2011 archivision hirotani

2007 junya ishigami

2010 sou fujimoto

2011 sou fujimoto

2011 archivision hirotani

2007 junya ishigami

2010 sou fujimoto

2011 sou fujimoto

2011 archivision hirotani

GC Prostho Museum Research Center

Grace Farms

The House of Yagi

Aichisangyo University Educational Center

2012 Kengo Kuma

2012 sanaa

2012 suppose design office

2012 tezuka architects

2012 Kengo Kuma

2012 sanaa

2012 suppose design office

2012 tezuka architects

2012 Kengo Kuma

2012 sanaa

2012 suppose design office

2012 tezuka architects

House and Restaurant

Small Nomad House

Hiroshima Hut

Baroque Museum

2013 junya ishigami

2014 sou fujimoto

2015 suppose design office

2016 toyo ito

2013 junya ishigami

2014 sou fujimoto

2015 suppose design office

2016 toyo ito

2013 junya ishigami

2014 sou fujimoto

2015 suppose design office

2016 toyo ito

Rolex Learning Centre Rolex Learning Centre

Kanagawa Institute Multipurpose Kanagawa Institute Multipurpose

GC Prostho Museum Research Center GC Prostho Museum Research Center

House and Restaurant

House and Restaurant

Berkeley Art Museum and Pacific Film Archive Berkeley Art Museum and Pacific Film Archive

Kultur Project Berlin Kultur Project Berlin

Grace Farms Grace Farms

Small Nomad House

Small Nomad House

Hanamidori Cultural Center Hanamidori Cultural Center

Beton Hala Waterfront Centre Beton Hala Waterfront Centre

The House of Yagi The House of Yagi

Hiroshima Hut

Hiroshima Hut

Towada Art Center Towada Art Center

Leimond-Nagahama Nursery School Leimond-Nagahama Nursery School

Aichisangyo University Educational Center Aichisangyo University Educational Center

Baroque Museum

Baroque Museum


Partial Roof

Pumpkin Installation

Dog Installation

Sliver Ball Installation Courtyard Exhibition Panel Grass Installation

Recreation Area

Visiting Circuit

Exploded AXO


0

RAM IAGRAM RAM AGRAM

In the design process, we many tested possibilities regarding shape, circulation, distribution, structure and relationship with surroundings. As we said, “New Hierarchy” is adaptable to different practical situations, 5m so our design starts from the features of the site.

5

5m

4m

panel location panel location Panel Location panelpanel location location

panel height panel height Panel Height panelpanel heightheight

support support location location Support Location support support location location

circulation-1 circulation-1 Circulation circulation-1 circulation-1

est elevation elevation 1:200 1:200 est elevation elevation 1:2001:200

5m

4m

4m On the one hand, the site is 4m consisted of three parts, 3m 3m steep-slope, plat, and gentle hill. We use the “steep3m 3m 2m 2m slope” part to deal with the circulation between building and site,2m even2mthe whole island. Moreover, the building 0.5m on the 0.5m flat. This hill is the key part which we is placed 0.5m use to 0.5m response the relationship between architecture and environment. panel sca pan panelpane sca On the other hand, five factors around the site influence a lot on the design. (the entrance, seashore, cliff and two other projects). Thus, we introduce five spaces to response these five factors, which shows a scattered distribution. However, the connection among them is too weak, and we tested kinds of whole space. As for the shape, we distil the elements from the archive content and site counter; circle is an excellent way shape to make continuous space and suitable for people approaching the building from all directions. So we got an approximate circle. circulation-2 circulation-2 screenscr de circulation-2 circulation-2 screen scr d

0 0

5 0

10 5

5 0

5 10

West Elevation


Hasegawa Itsuko はせがわ いつこ Kazuyo Sejima せじまかずよ

Kenzo Tange たんげ けんぞう

Kiyoshi Seike せいけ きよし

Toyo Ito

いとう とよお

Kazuo Shinohara しのはら かずお

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Shigeru Ban ばん しげる

Toyo Ito

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Otaka Masato おおたか まさと

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Ise Grand Shrine

Kiyonori Kikutake きくたけ きよのり

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くろかわ きしょう

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Fumihiko Maki せいけ きよし

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KISHO KUROKAWA

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SANAA Yoshio Taniguchi たにぐち よしお

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かつらりきゅう

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Katsura Imperial Villa

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Kiyonori Kikutake きくたけ きよのり

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Riken Yamamoto やまもと りけん

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Naitohiroshi ないとう ひろし

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Riken Yamamoto やまもと りけん


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Akihisa Hirata のトークショーが

Ryue Nishizawa にしざわ りゅうえ

Tadao Ando あんどう ただお

Sou Fujimoto Toyo Ito

SANAA

ふじもと そうすけ

いとう とよお Naitohiroshi ないとう ひろし

Junya Ishigami いしがみ じゅんや

Kengo Kuma くま けんご

Sou Fujimoto Kazunari Sakamoto さかもと かずなり

ふじもと そうすけ

Aoki Jun あおき じゅん

In the future, a new architectural strategy responses to these trend. And our concept of new hierarchy is to seek a balance between human, environment and architecture. And this kind of balance is flexible, instead of unchanging, and decided by specific requirements.



Regenerative Family Co-Home


You can share the car with me ~

So convenient to the car park~

Helpfule to have a bicycle workshop here~ Have a nice day~

Join me~ Play sands together~

Such a beautiful lobby~

How’s your working today?

Waiting for bus with a tasty coffee~ I like this cozy garden!

Ground Floor B

Co-housing is a renewed housing typology that raises many expectations for creating vivid social networks Green and healthy Space environments. It forms an international network of living with shared spaces in a variety of management forms. The persistent attention of researchers hints that there is an important messagecirculation in co-housing as innovators ofFunction housing sapce Space provision, co-habitation (social cohesion) and sustainable environmental technology. arrage Guest Green Green Car Park Space agencies In practice, autonomy is relative and many co-housing projects are constructed in collaboration with institutional Space ggreen Car to ensure access to land or finance. Entrance Function Co-housing aims to facilitate sharing and meeting rather than ‘security driven’ behaviour, which requires an orchestration Space of semi-public space that can be understood by its users. Green Space

Storage

Bicycle Lot

Electric System Bicycle Workshop

Circulation Analysis

Space Analysis


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Practice cooking skills.

Let’s go for the barbeque~ Go play the chess with neighbors!

That book is worth for read~

I’m waiting for my friends.

Look at the aesthetic courtyard.

Find your sister in the playgroud.

What’ your gym plan ? Teach me ~

3300

2100

Shared Dining Space

Shared Kitchen

Bedroom A 10.89 m2

Bedroom B 10.89 m2

Shared Lounge

Bath Room 4.41 m2 Shared Library

3300

2100

2100

Barbeque Space

3300

3300

Transition Balcony

2100

EĂŵĞ ĞĚZŽŽŵ >ŝǀŝŶŐZŽŽŵ ŝŶŝŶŐZŽŽŵ <ŝƚĐŚĞŶ ZŽŽĨ 'ĂƌĚĞŶ ĂƚŚZŽŽŵ 3300 ĂƌƉĂƌŬ /Ŷ dŽƚĂů Outdoor

First Floor 3300

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Green Space

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Fixed Main Circulation

Color & Symbol

Unit Layout

Central Shared Space

Various Levels

Colorful

Various Needs

Entertainment Centre Light Design

Double-high Space

Unit Size

Communication

MultiGenerations

Elder Friendly

People & People

Visual Connection

Spaces

Frame Structure

Pravite Space

Concrete

Human

Co-Home

Design Workshop

Passive Design

Finishes

Budget & Profits

Material

Energy Saving

Water Tree Protection

Animal Protection

Solar Slope Roof

Wood & Plaster

Simple Practical Technology

Resources Generating

Wind

ESD

Low V.O.C

Prefabric & Module

Maintenance

Friendly Respect

Low Carbon Emission

Construction Method

Construction

Medium Stander

Environment

Water Collection

ecological intentional community

Community

Small Commercial

Gray Water

Material Structure

Collaboration

PV System

Semi-Public Space

Gray Space

Interaction

Shared Kitchen Laundry ...

Outdoor Space

Public Space Accessible Design

Child Friendly

Individuals

Indoor Space

No Sharp Corner

Natural Ventilation Productive Garden

Encouraging walking instead of lifts

Shading Double Glazing

Avoid irregular Shape


Call Jim to play video games in communal entertainment room.

Beautiful lobby~

Co-Home Regenerative Family

17700

Let me take you to the roof and enjoy open air.

14400

Cozy ourdoor space to smoke~ I’m new here~Let’s go to the communal lounge.

11100

7800

I should go to the communal gym with Jane.

3900

+ _ 0.000

SECTION A-A 1:100

Second Floor 17700

Lone Person Family

14400

Balcony

11100

Balcony

Balcony

3900

1 Bedroom Apartment (10)

Single Parent Family

Balcony

Couples Without Children

1 Bedroom Apartment

1 Bedroom Apartment

Senior Couples Without Children

2 Bedroom Apartment

2 Bedroom Apartment (2)

Households & Unit Type Balcony A

+ _ 0.000 Lobby Lightwell

SECTION B-B 1:100

Communal Garden

Balcony B

2 Bedroom Apartment

5 Years Later

3 Bedroom Apartment (4)

Couples With Children

7800 1 Bedroom Apartment

3 Bedroom Apartment

Balcony C

Balcony D

1 Bedroom Apartment

Exchange

2 Bedroom Apartment

1 Bedroom Apartment

10 Years Later

Exchange Model

10 Years Later


Midterm Presentation

CoHome, S2, 2017

as

Studio 6 - CoHome, S2, 2017

Couples With Children 1

pt 1 nge Life

Dora Concept

Exchange Life

Lone Person Family

Tom

Bill

Couples Without Lone Person ChildrenFamily

Bill

10 Years Later

3 Bedroom Apartment Single Parent Family Jim Personas

Senior Couples Single Parent Without Children Family Emma 1 Bedroom Household Type Apartment

Couples With Children Design Process Dora

5 YearsMutiple2 Bed & 2 Bath 2 Bed & 1 5 Yea Later Choice Late

2 Bedroom 1 Bedroom Apartment Apartment

Couples With Children

Context Response Banyule Planning

Exchang

In relation to household and family structure, the Scheme Clause 55.03-1 West Precinct has: & Couples Without

& Couples Without Clause 55.03-3 Site Context 1. theChildren lowest proportion of couples with or Children without Tom children. & 3 Bedroom Co-Home Design 2. the highest proportion of lone person Apartment Brief

6F 1 Bed

10 Years Later

Clause 55.04-1 1200 M2

3 Bedroom Apartment

households.

Couples 3.Senior the highest proportion of single parent families Senior Couples Without with youngChildren children - see chart. Without Children

3F 2F

10 Yea Later

1F

Setback

Jim

emerging household types consisting of couples without children in the suburb of Heidelberg 2 Bedroom Household Typehouseholds in Heidelberg West Heights and group ApartmentHousehold Type Personas - Bellfield.

n Process xt Response

Site Coverage

5F 4F

External Wall

Shared Internal Wall

External Wall

External Wall

Design Process

Mutiple 2 BedroomChoice Apartment

ESD

External Wall

...

2Mutiple Bed & 1 Bath Choice External Wall

1 Bed


11100

7800

3900

Call Jim to play video games in communal entertainment room.

Beautiful lobby~

+ _ 0.000

SECTION B-B 1:100 Let me take you to the roof and enjoy open air.

Cozy ourdoor space to smoke~ I’m new here~Let’s go to the communal lounge.

I should go to the communal gym with Jane.

NORTH ELEVATION 1:100

Second Floor

Lone Person Family

Balcony

Balcony

Balcony

Balcony

3 Bedroom Apartment

1 Bedroom Apartment (10)

Single Parent Family

Couples Without Children

1 Bedroom Apartment

1 Bedroom Apartment

1 Bedroom Apartment

2 Bedroom Apartment

Senior Couples Without Children

5 Years Later

3 Bedroom Apartment (4)

Couples With Children

2 Bedroom Apartment (2)

Households & Unit Type Balcony A

Lobby Lightwell

EAST ELEVATION 1:100

Communal Garden

Balcony B

2 Bedroom Apartment

Balcony C

Balcony D

1 Bedroom Apartment

Exchange

2 Bedroom Apartment

1 Bedroom Apartment

10 Years Later

Exchange Model

10 Years Later


3300

2100

Couples With Children Couples Without Children

Senior Couples Bedroom A 10.89Children m2 Without

2100 3 Bedroom Apartment (4)

2 Bedroom Apartment (2) Bedroom B 10.89 m2

Bath Room 4.41 m2

10 Years Later

^ƉĂĐĞ /ŶĚŝǀŝĚƵĂů hŶŝƚƐ Kitchen ŽŵŵŽŶ ^ƉĂĐĞ 6.93 m2 ŝƌĐƵůĂƚŝŽŶ ^ƉĂĐĞ

Households & Unit Type EĂŵĞ ĞĚZŽŽŵ >ŝǀŝŶŐZŽŽŵ ŝŶŝŶŐZŽŽŵ <ŝƚĐŚĞŶ ZŽŽĨ 'ĂƌĚĞŶ ĂƚŚZŽŽŵ ĂƌƉĂƌŬ /Ŷ dŽƚĂů

ĂƐŝĐ &ƵŶĐƚŝŽŶ ŽƐƚ ^ŝnjĞͬŵϮ EƵŵďĞƌ W^ ŵŽƵŶƚ ϭϬ͘ϴϵ Ϯ ϮϬϬϬ ϰϯϱϲϬ ϭϬ͘ϴϵ ϭ ϮϬϬϬ ϮϭϳϴϬ ϲ͘ϵϯ ϭ ϮϬϬϬ ϭϯϴϲϬ ϲ͘ϵϯ ϭ ϮϱϬϬ ϭϳϯϮϱ ϱϳ͘ϰϮ ϭ ϭϬϬϬ ϱϳϰϮϬ ϰ͘ϰϭ ϭ ϮϱϬϬ ϭϭϬϮϱ ϭϮ͘ϱ ϭ ϭϱϬϬ ϭϴϳϱϬ ϭϴϯϳϮϬ

^ƉĂĐĞ /ŶĚŝǀŝĚƵĂů hŶŝƚƐ ŽŵŵŽŶ ^ƉĂĐĞ ŝƌĐƵůĂƚŝŽŶ ^ƉĂĐĞ

ƵĚŐĞƚ ^ƚƵĚLJ EƵŵďĞƌƐ ^ŝnjĞͬŵϮ dŽƚĂů ^ŝnjĞͬŵWƌŽƉŽƚŝŽŶ Ϯϰ ϱϳ͘ϰϮ ϭϯϳϴ͘Ϭϴ ϲ Ϯϰϭ͘ϵϮ ϭϰϱϭ͘ϱϮ ϵ ϭϱ͘ϲϳй

2100

3300

2100

Single Parent Family

3300

1 Bedroom Apartment (10)

3300

3300

Lone Person Family

ĂƐŝĐ &ƵŶĐƚŝŽŶ ŽƐƚ EĂŵĞ ^ŝnjĞͬŵϮ EƵŵďĞƌ W^ ŵŽƵŶƚ 2 Bedroom 3 Bedroom ĞĚZŽŽŵ ϭϬ͘ϴϵ Ϯ ϮϬϬϬ ϰϯϱϲϬ Apartment Apartment >ŝǀŝŶŐZŽŽŵ ϭϬ͘ϴϵ ϭ ϮϬϬϬ ϮϭϳϴϬ ŝŶŝŶŐZŽŽŵ ϲ͘ϵϯ ϭ ϮϬϬϬ ϭϯϴϲϬ 5 Years <ŝƚĐŚĞŶ ϲ͘ϵϯ ϭ ϮϱϬϬ ϭϳϯϮϱ Later ZŽŽĨ 'ĂƌĚĞŶ ϱϳ͘ϰϮ ϭ ϭϬϬϬ ϱϳϰϮϬ 3300 ĂƚŚZŽŽŵ ϰ͘ϰϭ3300 ϭ ϮϱϬϬ 10 Years ϭϭϬϮϱ 3300 ĂƌƉĂƌŬ ϭϮ͘ϱ ϭ ϭϱϬϬ Later ϭϴϳϱϬ 1 Bedroom Exchange Apartment /Ŷ dŽƚĂů ϭϴϯϳϮϬ

ƵĚŐĞƚ ^ƚƵĚLJ EƵŵďĞƌƐ ^ŝnjĞͬŵϮ dŽƚĂů ^ŝnjĞͬŵWƌŽƉŽƚŝŽŶ 1 Bedroom Ϯϰ ϱϳ͘ϰϮ ϭϯϳϴ͘Ϭϴ 2 Bedroom Apartment Dining Room Living Room Apartment ϲ Ϯϰϭ͘ϵϮ ϭϰϱϭ͘ϱϮ 10.89 m2 6.93 m2 ϵ ϭϱ͘ϲϳй

Exchange Model >ĂŶĚ ŽƐƚ ĞƐŝŐŶ ŽƐƚ ŽŶƐƚƌƵĐƚŝŽŶ ŽƐƚ /Ŷ dŽƚĂů

ŽŵŵŽŶ^ƉĂĐĞ

ZŽƐĂŶŶĂ Ϯ Z WƌŝĐĞ ϰϬϬϬϬϬ ϱϬϬϬϬ ϯϬϬϬϬϬ ϳϱϬϬϬϬ ŽŵŵŽŶ ^ƉĂĐĞ ŽƐƚ W^ ^ŝnjĞͬƵŶŝƚ ŵŽƵŶƚ ϭϮϬϬ ϲϬ͘ϰϴ ϳϮϱϳϲ ŽƐƚ WĞƌ hŶŝƚ

WƌŝǀĂƚĞ ^ƉĂĐĞ ŽŵŵŽŶ^ƉĐĞ /Ŷ dŽƚĂů

ŵŽƵŶƚ ϭϴϯϳϮϬ ϳϮϱϳϲ ϮϱϲϮϵϲ

BudgetBudget Study Study


Beyond Physical Montage: the Amalgamation of Time, Motion, and Space The project curates the interactive experiences where visitors unconsciously and consciously roam the ambiguous edges of built and natural environment as well as the realistic and virtual setting to extensively engage the designed nodes, variations of the spatial quality and the immersive atmosphere. Intertwining the sequential time with various spaces’ atmosphere formulates different narratives through engaging the method of Montage to gain unique experiences. The gallery layered with virtual and physical functions caters to the needs of different art pieces. Its temper of the form organises the contextual elements into an interconnectivity. The spaces followed with time’s temporal changes strengthen visitors’ physical experiences. The experiential and physical elements are both realistic. It becomes real when these two are intertwined and montaged in a one. That is what spatial gallery should bring forth to the visitors going beyond the physical objectivity.



MARINE ENVIRONMENT

Tex tu

re

Veg e

Figure Ground

Contour

Traffic

Climate

Service

View

tati

on

Vie w

Tra ffic

Con tou r

Figu

Loc

atio n

His tory

URBAN ENVIRONMENT

re G roun d

Context Analysis


The St Kilda Triangle is a unique development opportunity as one of Melbourne’s last bayside renewal sites. St Kilda is a key destination for Melburnians and visitors, known for its foreshore, beach, night life, live music scene, restaurants and festivals. This part of Melbourne has always embraced cultural innovation, pushed social boundaries, and is a key part of the city’s cultural footprint. St Kilda is a seaside suburb that is close to Melbourne’s CBD with great public transport and bike riding links. It comprises several distinct precincts including Fitzroy Street, Acland Street, St Kilda Triangle and the foreshore. Each has an important role to play in the resurgence of St Kilda, each with different challenges and opportunities.


Technical Iterations


Administration

Courtyard

Gallery

Exhibition Zone

Cinema

Plaza

Plaza

Commercial Zone

Urban Massing

DESIGN APPROACHES The superimpositions of Physical Montage comprise two: 1.Spatial Montage 2.Experiential Montage The idea consists of the listed aspects/steps: 1.Physical montage of the surrounding information 2.Data distraction from the context 3.Refining a set of parameters implemented into the generation of the built form: spatial and pattern displacement + circulation refinement 4.Experiential montage of the space 5.Narrative and cinematic inputs 6.Spatial outputs: materiality, form, and lighting


Potential Circulation

Interference Iterations

Partition Iterations

Circulation Iteration

Space Partition

Unit Iterations

Intersection Interference

Partition Iterations

Site Partition

1. CAFE & RESTAURANT 2. KITCHEN 3. OPEN CINEMA 4. TOLEIT 5. SERVICE ROOM 6. EXHIBITION IN 12m HEIGHT 7. CINEMA 8. EXHIBITION IN 8m HEIGHT 9. TICKETS & INFORMATION 10. SERIES GALLERIES 11. LIGHTING CHANNEL 12. COURTYARD 13. LIGHTING EXHIBITION 14. U GALLERY 15. GALLERY IN 6m HEIGHT 16. DOME CINEMA 17. WATER CURTAIN CINEMA 18. VIVID LIGHTING ZONE


A

THE EXPLAN ADE 4

UP

5

1 2

DOWN

6 -5.100 3 UP

14

7

DOWN

DOWN

9

28 -0.450

8 DOWN

-0.450

12 10

UP

15

13 -2.700

DOWN + _ 0.000

22

21

23

16 DOWN

11

24 18

JA CK A

26

BL VD

20

27

UP 29

28 30

UP 上

31

A

N 10

PALAIS THEATRE

19

19. SERIES GALLERIES 20. LINER GALLERY 21. COURTYARD 22. TOLEIT 23. TICKETS & INFORMATION 24. CAFE 25. FREE GALLARY 26. BOOK SHOP 27. MUSEUM SHOP 28. PLAZZA 29. ENCIRCLED GALLERY 30. ATRIUM 31. LOBBY

0

25

20

CAVELL ST

17

50

100

Ground Floor Plan


EXPOSITION


Montage is a methodology in film editing in which a series of short shots are edited and documented in a sequence to condense space, time, and information. Project aims to structure the taxonomic framework for conceptualising linkages between urban and marine environment, physical and experiential engagement, as well as narrative and cinematic arts, through implementing the methodology of ‘montage’.

Vivid lighting tunnel merges the physical and visual experience.


SECTION A-A


Scenario Frame Free public exhibition zone welcomes everyone. Intertwining the natural light with time formulates various spaces’ atmosphere. Vivid lighting tunnel merges the physical and visual experience. Transparent materiality forms ambiguous boundary inbetween interior and exterior. Interactive media wall enhances sense of participation. Visitors unconsciously and consciously roam the ambiguous edges of built and natural environment Activated entance pushes the culture boundary.

+21.000

+16.200

+8.100

+ _ 0.000 -4.200 -6.900


White Tower

High Rise Office Building The inspiration of the envelope pattern is from the faรงade of the Duff Group headquarters. The duplication and combination of a right-angle form define the design intent of rhythmic beauty. Unitized curtain wall is applied to the whole building which is consisted of a lot of 1500mm X 4000mm units. Each unit in the typical floor is divided into two parts: the spandrel part and visional part. The prototype of the unit is CW175 by Capral Aluminum which is hooked on the edge of the slab. the similar unit is applied to the envelope of crown and part of the podium to make the whole building look consistent and reduce the cost of construction. Part of the envelope in the atrium of the podium and the lobby of the tower is structural glass faรงade, which is consisted of a lot of 1500mm x 1500mm glass panels with spider support. Based on the sunshade design in Melbourne and aim to block 82% of summer sun at a western scenario, a vertical PV shading fin is applied which is 500mm in deep and 4000mm in height. The regular spacing between each fin is 3000mm. And a duo seal insulated glass unit with fritted glass is also a part of shading. The silk screen pattern coating is solid white in spandrel part and gradient fading white in visional part. The PV panel is combined into the shading fin as an active method of the environmental control system, the prototype of which is PV SOL60S 270W of Solimpeks Solar Corp.



Applied Architectual Technology --- Assignment 1 Kai She 848674 / Ruijun LI 756243 / Shuang Wang 844462

CARLTON GARDEN

ET TRE S E

ROB

LAT

EXH ION IBIT

N

STR EET 0 M

10M

20M 30M 40M 50M

Site Plan SITE PLAN The shape of the building is a corner-truncated square, a design-leading strategy was applied in the structure design process. To provide a high level of view

exposure and naturalCARLTON light toGARDEN the atrium, a large span truss system supported by the steel columns was chosen, people can see the tower through the large glass roof . The truss glass roof system is supported by the steel columns to make the atrium more open and transparent to the street. A concrete structure for the tower consisting with the core, distant columns and transfer beams is the main structure of the tower, the piloti structure were designed at Ethe bottom of the tower, the inspiration comes from the Grosvenor place in Sydney. The columns of the tower are gathered in groups of two into E T STR pilotiTRO(three-storey high) to form a more open and welcoming entrance. BE SITE 210m

5m

LA TR

OBE

EET

STR

LA

DOWN UP

DOWN UP

UP DOWN

DOWN UP


0

44.0

0

40.0

0

36.0

0

32.0

0

28.0

0

1 A-9

0

24.0

20.0

0

16.0

0

12.0

0

8.0

0

4.0

±0.00

BIRD VIEW 1 NOW A-3 1 A-7

2 A-3

ELEVATION-NORTH ELEVATION-WEST SCALESCALE 1:500 1:500

BEFORE

SKYLINE

e

3 A-3

4 A-3

COLLEAGE OF SUGEONS GADEN

ELEVATION-SOUTH ELEVATION-EAST SCALESCALE 1:500 1:500 EXHIBITION STREET


LA TROBE

CARLTON GARDEN

TRAFFIC&ENTRANCES

VICE

E COR WN

DO

UP

BY

LOB A LAZ

CAR

E

P

RIS SKY

K

PAR

ISE

H

RISE

R IGH

WN

DO

UP

UP WN

DO

WN

DO

UP

UP

COUR

ER MM

CO

E STR

D TYAR

ACE L SP

CIA

IM

ATRU

ET

PODIUM

SER

ION

CORE STRUCTURE

ET

TRE

BE S

RO LA T

IBIT

Aerial View

SKY GARDEN&VIEWS

EXH

The stacking strategy of this office tower is generated from the several elements. The tower is located at the intersection of Latrobe Street and Exhibition street to meet the main population from the surrounding area, in which case the visual continuity 1. VIEW FROM EXHIBITION ST 2. VIEW FROM LATROBE ST from both streets can be provided. The podium is set up on the south side of the tower providing lease space for commercial functions which can increase the building attractiveness. Considering the essential net lettable office area around 100,000 square meters, the efficiency lettable 3. VIEW FROM LATROBE ST rate, and cooperation 4. VIEW FROM CARLTON GARDEN of the surrounding tall office buildings, the overall ratio of this tower, and(m²) the size of the Zone Floor Area Amount In Total (m²) FPE 3221 4 Podium typical floorTypical canFloor be defined. The overall ratio 12884 A: 81% A: 9 80.4% Low Rise 36660 B: 6 B: 79.7% is around 5.5 which generates a continue A: 2482 A: 14 A: 81.3% High Rise 49070 Tower 2387 Thy typical B: 6 B: 80.5% skyline of the MelbourneB:city. A: 12 A: 82.1% Sky Rise 44106 floor is at 48.8m X48.8 m, and it provides B: 6 B: 81.4% 8834 Site Area (m²) 13.15 m leasing depth for the open office 157660 GFA (m²) 17.8 FAR function.

CHAMFER TO REDUCE WIND LOAD

LOW

SITE LOCATION&BUILDING HEIGHT

UP

WN

DO

N

0 M

10 M

20 M

30 M

40 M

50 M

GROUND FLOOR PLAN

LOW RISE

HIGH RISE

SKY RISE

CROWN


LOW-RISE TYPICAL FLOOR FRAMING PLAN SCALE 1:200 LOW-RISE TYPICAL FLOOR FRAMING PLAN 2

2

1:250


02 T

PLAN DETAIL SCALE 1:5

03 T

PLAN DETAIL SCALE 1:5

01

Al

02 6mm Transparent Glass

Gutter Transom

Silk Screened Pattern Layer

03

Gasket

6mm Transparent Glass Glazing Tape Structual Silicone

Gutter Bead Co-Extruded V-Seal

Backing Rod Glass Setting Block Glass Support Bead

Gutter Sill Splice Plate

Gutter Sill Seal

Gutter Sill

φ6mm x 15mm CSK Screw

04

φ6mm x 15mm CSK Sc Back Panel

3mm Perforated Aluminum Panel Aluminum Louver With Powder Coat Finish

Thermal Insulation Front Panel

05

01 MACHENICAL FLOOR SECTION SCALE 1:500

01

SECTION DETAIL SCALE 1:5


L

03 B

MULLION BRACKET ISOMETRIC NO SCALE

φ6mm x 15mm Pan Screw Smoke Flashing This Technical Manual contains CapralMullion priviledged information and is subject to Copyright Support

3mm Perforated Aluminum Panel Aluminum Louver With Powder Coat Finish

Section 9 - Page 8

3mm Perforated Aluminum Panel CSK Screw φ6mm x 15mm

Gasket

Front Panel Thermal Insulation Gutter Transom

01-10-2013

Back Panel

Gutter Sill Seal Glass Support Bead

Co-Extruded V-Seal

Gutter Bead Co-Extruded V-Seal

Fixing Bolt Fixing Bolt

Gutter Sill Splice Plate

Mullion Mullion BracketBracket

Glass

φ6mm x 15mm Pan Screw

Glass

Anchor Anchor Bolt Bolt

Backing Rod

BuildingBuilding BracketBracket WasherWasher BuildingBuilding BracketBracket RebateRebate in concrete slab slab in concrete

Glazing Tape

Slab

Gutter Sill 6mm Transparent Glass Silk Screened Pattern Layer 6mm Transparent Glass

Fire Stop Front Panel Thermal Insulation Back Panel

Fire Stop

SECTIONDETAIL DETAIL 0204 SECTION SCALE 1:5 SCALE 1:5

Stru

JackingJacking bolt bolt

Structual Silicone

Structual Silicone Glass Setting Block

Gutter Sill Splice Plate

Structual Silicone

6mm Tran φ6mm x 15mm Pan Screw Silk Screened Smoke Flashing 6mm Tran

Gutter Sill

Gasket Gutter Bead

©

Gutter Transom

luminum Louver With Powder Coat Finish

crew

Structual Silicone

Edge Beam

Tub


University of Melbourne mrshekai@gmail.com linkedin.com/in/kai-she-678924142/


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