PORTFOLIO
KAI SHE University of Melbourne 2016-2018
CONTENTS 1. New Hierarchy Yayoi Kusama Museum July-November, 2016 P4-P13
2. Regenerative Family Co-Home July-November, 2017 P14-P23
3. Beyond Physical Montage: the Amalgamation of Time, Motion, and Space Museum of Contemporary Art February-June, 2018 P24-35
4. White Tower High Rise Office Building February-June, 2017 P36-43
New Hierarchy
the balance between architecture, environment and people Definition of ‘hierarchy’ : a system in which members of an organization or society are ranked according to relative status or authority. Taking the 21st Century Museum as departure point, research is done on spatial hierarchy trend of Japanese architecture. The spatial hierarchy is reflection of the surrounding context of the project (including social, technological, architectural, environmental, political and economic context), which results in architectural ideas, forms and tectonics. Some trends are seen in research. In terms of space form, structure and material, ‘monotonous’ shifts to ‘abundant’; Circulation shifts from ‘simplex’ to ‘complex’; Distribution shifts from ‘linear’ to ‘scattered’; Function shifts from ‘fixed’ to ‘ambiguous’. Relationship between environment and architecture shifts from ‘isolated’ to ‘integrated’; Privacy shifts from ‘mutated’ to ‘gradient’.
600 ECONOMY
1600
1800
1900
1950 1944 Establishiment of World Bank & International Monetary Fund
TECHNOLOGICAL
1907: 1900s: wide use of Plastics was invented by concrete Leo construction Baekeland 1903s: in New York Laminated glass was invented
1839: 1853: Plate glass Coignet built was patented the first iron by James reinforced Timmins concrete Chance structure
ENVIRONMENTAL
1923 Great Kantō earthquake
After 1923: Japanese brick constructure was totally replaced by RC
1891 Nobi earthquake: indicated the weakness of brick constructure
Ise Grand Shrine: Earlist Japanese architectural form
19391945 World War II
1937 Junzo Sakakura’s Japanese pavilion in Paris EXPO: influenced by Le Corbsier
Katsura Imperial Villa: one of Japan's most important large-scale cultural treasures
607 Hōryū-ji Temple: the oldest wooden buildings
Industrial output returns to prewar levels
1944 US firebombing of Japan’s cities & 1945 US Atomic bombing of Hiroshima and Nagasaki
1868 Meiji Restoration: chain of events that restored practical imperial rule to Japan
ARCHITECTURAL
1968 Japan’s GDP ranked second in the world
1957: Float glass was frist produced
POLITICAL
SOCIAL
1950 Post-war economic recovery period: Housing shortage
1960 1949 1951 1958 Worl Kenzo Tange’s Kenzo Tange’s Kiyonori Desig Hiroshima Children’s Kikutake ’s Confere Peace Centre: Library: Sky House: hold i cominated rough combination of mobile unit Tokyo concrete and geometric seperated Metabo traditional forms from announ constructure strucutre
A
B
E
C Evaluation System A space form B space distribution C structure D material E circulation
D Ise Grand Shrine
Kibitsu Shrine
Hiroshima peace memorial complex
4 bce shinto shrine
847 shinto shrine
1949 kenzo tange
2000
2010
1980s bubble economy peaked and crashed
2008 Financial crisis
ARCHITECTURAL IDEAS
Information Age Digital Revolution
New material: perforated aluminum, mesh steel panel, thin metal keel, tensioned membrane
1973 & 1979 Oil CrisisⅠ Oil CrisisⅡ
2011 Japan 9.0 earthquake:the Sendai Mediatheque still stood
FORMS 2002 Toyo Ito’s Serpentine Gallery: open space under long-span structure
Land prices rose by 11 times from 1960 to 1980 May 1968 events in France
0 1964 ld Kenzo gn Tange’s ence Yamanashi in Communicao: tion Centre: olism strucutre of nced concrete core
1972 After 1965 1972 Kisho Toyo Ito Arata 1971 Kurokawa’s Isozaki’s worked in Toyo Ito Capsule Kiyonori Oita started Tower: Kikutake ’s medical his own “metabolism” studio hall: studio “fluidity” axial layout
1990 1982 Sejima’s 1985 Kisho Saishunkan Itsuko Kurokawa’s Dormitory: Saitama Hasegawa’s divition House at Museum: of public Nerima: lattice and private two sets structure spaces 1994 at corner of sequence Tadao 1993 Ando’s After 1981 Tadao 1985 Naoshima Kazuyo Ando’s Toyo Ito’s Sejima Museum Museum: Silver Hut: worked in of wood: multiple exploring shapes Toyo Ito ’s axial temporary studio layout of program housing
1995 Tadao Ando’s Sendai Media: elimination of solid column 1995 Firm SANNA was founded
1996 SANNA’s Park Cafe: reduced columns in grid
2001 SANNA’s Glass Pavilion: Curved glass
1998 SANNA’s After 2000 Almere Junya Theatrey: Ishigami abundant worked in spaces SANNA
2002 Nishizawa’s Moriyama House: seperated rooms 2002 SANNA’s Tomihiro Museum: elimition of corridor
2004 SANNA’s Rolex Centre: fluid space differed by floor height
2005 AAT’s Tomihito Museum elimination of corridor
2004 SANNA’s 2005 21st Sou 2006 Century Fujimoto’s Fujimoto’s Museum: House T: House N: non-hierarelimination maze-like chical of corridor space space 2005 Nishiza2004 2006 wa’s Junya Towarda Fujimoto’s Ishigami Art Centre: Children started Centre linear his own sequance studio
2008 2007 IshigaNishizami’s wa’s KAIT Hiroshi WorkSenju shop: Museum: fluid fluid space space divided divided by tiny by short columns walls
2011 2012 2013. Akisisa SANAA’s Junya Hirata’s Grace Ishigami’s Archive of Farms: House and Architecture curved Restaurant: Magazines: spaces flexible flexible spaces spaces
TECTONICS
2010 2011 2013 Fujimo- Fujimo- Sou Fujimoto’s to’s to’s Serpentine Tokyo WaterGallery Apartfront Pavilion: ment: Museum: building stacking on-air boundary housing space disappears
Spatial Hierarchy Trend of Japanese Architecture
Children's Library
Shimizu City Hall
Kagawa Prefectural Government Building
Kuroyashi City Hall
1951 kenzo tange
1953 kenzo tange
1955 kenzo tange
1957 kenzo tange
2003 kazuyo sejima
2004 sanaa
2004 sanaa
2005 makoto yokomizo
2003 kazuyo sejima
2004 sanaa
2004 sanaa
2005 makoto yokomizo
2003 kazuyo sejima
2004 sanaa
2004 sanaa
2005 makoto yokomizo
House N
Children Center
Hiroshi Senju Museun
Kanagawa Instituite of Technology Workshop
2006 sou fujimoto
2006 sou fujimoto
2007 ryue nishizawa
2007 junya ishigami
2006 sou fujimoto
2006 sou fujimoto
2007 ryue nishizawa
2007 junya ishigami
2006 sou fujimoto
2006 sou fujimoto
2007 ryue nishizawa
2007 junya ishigami
Hill of Water
Sifang Art Museum
Gaty Villa
Archive of Architectural Magazines
2011 suppose design office
2011 sanaa
2011 takei+chie nabeshima
2011 akihisa hirata
2011 suppose design office
2011 sanaa
2011 takei+chie nabeshima
2011 akihisa hirata
2011 suppose design office
2011 sanaa
2011 takei+chie nabeshima
2011 akihisa hirata
Chigasaki Zion Christian Church
Serpentine Gallery Pavilion
Parenting Support Center
Wall Behavior
2012 tezuka
2013 sou fujimoto
2013 junya ishigami
2013 miya akiko
2012 tezuka
2013 sou fujimoto
2013 junya ishigami
2013 miya akiko
2012 tezuka
2013 sou fujimoto
2013 junya ishigami
2013 miya akiko
Multipurpose Facility Multipurpose Facility
House N House N
Hill of Water Hill of Water
Chigasaki Zion Christian Church Chigasaki Zion Christian Church
Naoshima Ferr Terminal Naoshima Ferr Terminal
Children Center Children Center
Sifang Art Museum Sifang Art Museum
Serpentine Gallery Pavilion Serpentine Gallery Pavilion
21st Century Museum 21st Century Museum
Hiroshi Senju Museun Hiroshi Senju Museun
Gaty Villa Gaty Villa
Parenting Support Center Parenting Support Center
Tomihito Art Museum Tomihito Art Museum
Kanagawa Instituite of Technology Workshop Kanagawa Instituite of Technology Workshop
Archive of Architectural Magazines Archive of Architectural Magazines
Wall Behavior Wall Behavior
2005 sanaa
2006 toyo ito
2006 atelier bow-wow
2006 ryue nishizawa
2005 sanaa
2006 toyo ito
2006 atelier bow-wow
2006 ryue nishizawa
2005 sanaa
2006 toyo ito
2006 atelier bow-wow
2006 ryue nishizawa
Kanagawa Institute Multipurpose
Kultur Project Berlin
Beton Hala Waterfront Centre
Leimond-Nagahama Nursery School
2007 junya ishigami
2010 sou fujimoto
2011 sou fujimoto
2011 archivision hirotani
2007 junya ishigami
2010 sou fujimoto
2011 sou fujimoto
2011 archivision hirotani
2007 junya ishigami
2010 sou fujimoto
2011 sou fujimoto
2011 archivision hirotani
GC Prostho Museum Research Center
Grace Farms
The House of Yagi
Aichisangyo University Educational Center
2012 Kengo Kuma
2012 sanaa
2012 suppose design office
2012 tezuka architects
2012 Kengo Kuma
2012 sanaa
2012 suppose design office
2012 tezuka architects
2012 Kengo Kuma
2012 sanaa
2012 suppose design office
2012 tezuka architects
House and Restaurant
Small Nomad House
Hiroshima Hut
Baroque Museum
2013 junya ishigami
2014 sou fujimoto
2015 suppose design office
2016 toyo ito
2013 junya ishigami
2014 sou fujimoto
2015 suppose design office
2016 toyo ito
2013 junya ishigami
2014 sou fujimoto
2015 suppose design office
2016 toyo ito
Rolex Learning Centre Rolex Learning Centre
Kanagawa Institute Multipurpose Kanagawa Institute Multipurpose
GC Prostho Museum Research Center GC Prostho Museum Research Center
House and Restaurant
House and Restaurant
Berkeley Art Museum and Pacific Film Archive Berkeley Art Museum and Pacific Film Archive
Kultur Project Berlin Kultur Project Berlin
Grace Farms Grace Farms
Small Nomad House
Small Nomad House
Hanamidori Cultural Center Hanamidori Cultural Center
Beton Hala Waterfront Centre Beton Hala Waterfront Centre
The House of Yagi The House of Yagi
Hiroshima Hut
Hiroshima Hut
Towada Art Center Towada Art Center
Leimond-Nagahama Nursery School Leimond-Nagahama Nursery School
Aichisangyo University Educational Center Aichisangyo University Educational Center
Baroque Museum
Baroque Museum
Partial Roof
Pumpkin Installation
Dog Installation
Sliver Ball Installation Courtyard Exhibition Panel Grass Installation
Recreation Area
Visiting Circuit
Exploded AXO
0
RAM IAGRAM RAM AGRAM
In the design process, we many tested possibilities regarding shape, circulation, distribution, structure and relationship with surroundings. As we said, “New Hierarchy” is adaptable to different practical situations, 5m so our design starts from the features of the site.
5
5m
4m
panel location panel location Panel Location panelpanel location location
panel height panel height Panel Height panelpanel heightheight
support support location location Support Location support support location location
circulation-1 circulation-1 Circulation circulation-1 circulation-1
est elevation elevation 1:200 1:200 est elevation elevation 1:2001:200
5m
4m
4m On the one hand, the site is 4m consisted of three parts, 3m 3m steep-slope, plat, and gentle hill. We use the “steep3m 3m 2m 2m slope” part to deal with the circulation between building and site,2m even2mthe whole island. Moreover, the building 0.5m on the 0.5m flat. This hill is the key part which we is placed 0.5m use to 0.5m response the relationship between architecture and environment. panel sca pan panelpane sca On the other hand, five factors around the site influence a lot on the design. (the entrance, seashore, cliff and two other projects). Thus, we introduce five spaces to response these five factors, which shows a scattered distribution. However, the connection among them is too weak, and we tested kinds of whole space. As for the shape, we distil the elements from the archive content and site counter; circle is an excellent way shape to make continuous space and suitable for people approaching the building from all directions. So we got an approximate circle. circulation-2 circulation-2 screenscr de circulation-2 circulation-2 screen scr d
0 0
5 0
10 5
5 0
5 10
West Elevation
Hasegawa Itsuko はせがわ いつこ Kazuyo Sejima せじまかずよ
Kenzo Tange たんげ けんぞう
Kiyoshi Seike せいけ きよし
Toyo Ito
いとう とよお
Kazuo Shinohara しのはら かずお
nt
me
Shigeru Ban ばん しげる
Toyo Ito
on
e
Otaka Masato おおたか まさと
ir nv
いとう とよお
e
en
いせじんぐう
vi ro nm
Ise Grand Shrine
Kiyonori Kikutake きくたけ きよのり
io ut ib
cir cu l at
くろかわ きしょう
cu
cir
Fumihiko Maki せいけ きよし
st r
KISHO KUROKAWA
n
SANAA Yoshio Taniguchi たにぐち よしお
di
かつらりきゅう
ion
Katsura Imperial Villa
n tio la
Kiyonori Kikutake きくたけ きよのり
di
st
modern architectural thought
cir c
ru
ct
privacy
n
st
tio
nc
space form
fo
fu
e
ac sp
ul a tio n
rm
ur e
Riken Yamamoto やまもと りけん
rib
ut
io
n
Naitohiroshi ないとう ひろし
stru
ctur
um use
ution
e
oto
fixe
d
nou
fun
ctio
line
ar
n
t en
m
mon
n ro vi en
nal l itiotura d a tr hitecght arcthou
ed
t
s mat
eria
e
i 4 nash 19y6 amation a l u c cir
tr cen
5 ai 19s9 end
l ion ul at
ple
x l ria ine emo shr am and im 9 r c h 4 g b 4 ise 19hiras
n me 8 re ce on 19a9 vir lme e en u q e iath med
r 4 empo 19c9 ont
circ
sim
4 cen 20201st nt
tre
distr ib
l at
fo rm
mut ate d sp ac
iso
m ury
ary
eum
mus
ial
mater
e
6 en 20h0 ous y
ilit fac ose art 3tipurp 0 f 0 o 2 mul um use 1 do m 20t0 ole
eum
mus
Riken Yamamoto やまもと りけん
gra
die
iva
inte
hum
gra pr ted
an
dis
tr
n mater
ture
pr
ial
or ce f spa
ti
on
amb
igu
arc
hite
ctu
re
nda
nt
env
iro
nme
nt
on
ma ter
uti
ous
ial
nc
abu
struc
m
fu
new chy rar hie
tio
function
iva cy
en
t
ibu
b tri dis
n
nt
cy
com
ple
1 vill a 20g1 aty
sca t te
n
red
ery
tine
f te ohop titu ks f se insy wor a e o rpo 8 gaw log ituulttipu 20k0 stm aneachno t y a oin g w 8 a l g 20k0 aneachno t
x
3 en 20s1 erp
l gal
ilio pav
es
azin
ag lm
f eo
1 iv 20a1 rch
ra ctu
hite
arc
Akihisa Hirata のトークショーが
Ryue Nishizawa にしざわ りゅうえ
Tadao Ando あんどう ただお
Sou Fujimoto Toyo Ito
SANAA
ふじもと そうすけ
いとう とよお Naitohiroshi ないとう ひろし
Junya Ishigami いしがみ じゅんや
Kengo Kuma くま けんご
Sou Fujimoto Kazunari Sakamoto さかもと かずなり
ふじもと そうすけ
Aoki Jun あおき じゅん
In the future, a new architectural strategy responses to these trend. And our concept of new hierarchy is to seek a balance between human, environment and architecture. And this kind of balance is flexible, instead of unchanging, and decided by specific requirements.
Regenerative Family Co-Home
You can share the car with me ~
So convenient to the car park~
Helpfule to have a bicycle workshop here~ Have a nice day~
Join me~ Play sands together~
Such a beautiful lobby~
How’s your working today?
Waiting for bus with a tasty coffee~ I like this cozy garden!
Ground Floor B
Co-housing is a renewed housing typology that raises many expectations for creating vivid social networks Green and healthy Space environments. It forms an international network of living with shared spaces in a variety of management forms. The persistent attention of researchers hints that there is an important messagecirculation in co-housing as innovators ofFunction housing sapce Space provision, co-habitation (social cohesion) and sustainable environmental technology. arrage Guest Green Green Car Park Space agencies In practice, autonomy is relative and many co-housing projects are constructed in collaboration with institutional Space ggreen Car to ensure access to land or finance. Entrance Function Co-housing aims to facilitate sharing and meeting rather than ‘security driven’ behaviour, which requires an orchestration Space of semi-public space that can be understood by its users. Green Space
Storage
Bicycle Lot
Electric System Bicycle Workshop
Circulation Analysis
Space Analysis
Site 1 ^ƚƌĂƚĞŐŝĐ ŽŶĞ
ϭϴϵͲϭϵϯ KƌŝĞů ZŽĂĚ͕ ,ĞŝĚĞůďĞƌŐ tĞƐƚ ,ĞŝĚĞůďĞƌŐ ĐƚŝǀŝƚLJ ĞŶƚƌĞ 'Z ϭ
ŽƵŶĐŝů ^ƵƉƉŽƌƚ ŽŚŽƵƐŝŶŐ
zĞƐ
^ŵĂƌƚ ƵƐ
zĞƐ
WůĂŶŶŝŶŐ ŚĂůůĞŶŐĞƐ
Ăƚ ůĞĂƐƚ ϭ ůĂƌŐĞ ƚƌĞĞ
>ĂŶĚ sĂůƵĞ ƵƌƌĞŶƚ KǁŶĞƌƐŚŝƉ ,ĞŝŐŚƚ >ŝŵŝƚĂƚŝŽŶ KǀĞƌůĂLJ >ŽĐĂƚŝŽŶ &ĞĂƚƵƌĞ
KŶůLJ ϭ ůĂŶĚŽǁĞƌ ; ,,^Ϳ ϲ ^ƚŽƌŝĞƐ sWKϱ ŽŶĞ ůŽŶŐ ĨƌŽŶƚĂŐĞ
ŵĞŶŝƚLJ;tŝƚŚŝŶ ϱϬϬŵͿ
ƐŚŽƉƐ͕ ƉĂƌŬƐ͕ ŐLJŵ͕ W^
^ŝƚĞ ^ŚĂƉĞ Ϯ ^ŝƚĞ ƌĞĂ;ŵ Ϳ ^ŽůĂƌ ĐĐĞƐƐ;>ĞŶŐƚŚ ŽĨ EŽƌƚŚͿ 'ĞŽŐƌĂƉŚLJ dĂƌŐĞƚ
ƉƉƌŽdžŝŵĂƚĞ ƌĞĐƚĂŶŐůĞͧϯϳŵ dž ϱϳŵͨ ϲϱϬ Ͳ ϲϵϴ ϯϳŵ &ůĂƚ ůĂŶĚ͕dŽƉͲƐŽŝů ǁŝƚŚ ĂƐĂůƚ ĂƐĞ ůů dLJƉĞƐ
WĞƌĐĞŝǀĞĚ ŽƐƚ
ŽƐƚ ŵŽƌĞ ŽŶ ĨŽƵŶĚĂƚŝŽŶ ŽƐƚ ŵŽƌĞ ŽŶ Ăƌ ƉĂƌŬ ŽƐƚ ŽŶ ĚĞŵŽůŝƐŚŵĞŶƚ
ĂƌůLJ ĞƐŝŐŶ WƌŝŶĐŝƉůĞƐ
ZĂŶŬ
ϭ͘WƌŝǀĂƚĞ ^ƉĂĐĞ ƐƵƌƌŽƵŶĚƐ ^ŚĂƌĞĚ ^ƉĂĐĞ ͧ^ƚƌĞŶŐƚŚĞŶ͕ĞƋƵĂů͕^ĂǀŝŶŐͿ Ϯ͘Ăůů ŝŶ ŽŶĞ ĚĞƐŝŐŶ ͧZĞĚƵĐĞ ƚŚĞƌŵĂů ĞŵŝƐƐŝŽŶͨ ϯ͘&ůĞdžŝďůĞ &ŽƵŶĐƚŝŽŶ ͧƐĞƌǀĞƌ ƚŚĞ ĚŝƐƚƌŝĐƚͨ
ϭ
Practice cooking skills.
Let’s go for the barbeque~ Go play the chess with neighbors!
That book is worth for read~
I’m waiting for my friends.
Look at the aesthetic courtyard.
Find your sister in the playgroud.
What’ your gym plan ? Teach me ~
3300
2100
Shared Dining Space
Shared Kitchen
Bedroom A 10.89 m2
Bedroom B 10.89 m2
Shared Lounge
Bath Room 4.41 m2 Shared Library
3300
2100
2100
Barbeque Space
3300
3300
Transition Balcony
2100
EĂŵĞ ĞĚZŽŽŵ >ŝǀŝŶŐZŽŽŵ ŝŶŝŶŐZŽŽŵ <ŝƚĐŚĞŶ ZŽŽĨ 'ĂƌĚĞŶ ĂƚŚZŽŽŵ 3300 ĂƌƉĂƌŬ /Ŷ dŽƚĂů Outdoor
First Floor 3300
ĂƐŝĐ &ƵŶĐƚŝŽŶ ŽƐƚ ^ŝnjĞͬŵϮ EƵŵďĞƌ W^ ŵŽƵŶƚ ϭϬ͘ϴϵ Ϯ ϮϬϬϬ ϰϯϱϲϬ ϭϬ͘ϴϵ ϭ ϮϬϬϬ ϮϭϳϴϬ ϲ͘ϵϯ ϭ ϮϬϬϬ ϭϯϴϲϬ ϲ͘ϵϯ ϭ ϮϱϬϬ ϭϳϯϮϱ ϱϳ͘ϰϮ ϭ ϭϬϬϬFunction ϱϳϰϮϬ 3300 ϰ͘ϰϭ3300 ϭ ϮϱϬϬ Space ϭϭϬϮϱ Green ϭϮ͘ϱ ϭ ϭϱϬϬ ϭϴϳϱϬ Space Green Space ϭϴϯϳϮϬ Indoor Green Space
Green Space
ƵĚŐĞƚ ^ƚƵĚLJ Function Space ^ƉĂĐĞ EƵŵďĞƌƐ ^ŝnjĞͬŵϮ dŽƚĂů ^ŝnjĞͬŵWƌŽƉŽƚŝŽŶ /ŶĚŝǀŝĚƵĂů hŶŝƚƐ Ϯϰ ϱϳ͘ϰϮ Space ϭϯϳϴ͘Ϭϴ Analysis Space Analysis Kitchen Living Room Dining Room ŽŵŵŽŶ ^ƉĂĐĞ ϲ m2 Ϯϰϭ͘ϵϮ ϭϰϱϭ͘ϱϮ 6.93 m2 10.89 6.93 m2 ŝƌĐƵůĂƚŝŽŶ ^ƉĂĐĞ ϵ ϭϱ͘ϲϳй
Ϭ Ϭ Ϭ ϱ Ϭ ϱ Ϭ Ϭ
й
Fixed Main Circulation
Color & Symbol
Unit Layout
Central Shared Space
Various Levels
Colorful
Various Needs
Entertainment Centre Light Design
Double-high Space
Unit Size
Communication
MultiGenerations
Elder Friendly
People & People
Visual Connection
Spaces
Frame Structure
Pravite Space
Concrete
Human
Co-Home
Design Workshop
Passive Design
Finishes
Budget & Profits
Material
Energy Saving
Water Tree Protection
Animal Protection
Solar Slope Roof
Wood & Plaster
Simple Practical Technology
Resources Generating
Wind
ESD
Low V.O.C
Prefabric & Module
Maintenance
Friendly Respect
Low Carbon Emission
Construction Method
Construction
Medium Stander
Environment
Water Collection
ecological intentional community
Community
Small Commercial
Gray Water
Material Structure
Collaboration
PV System
Semi-Public Space
Gray Space
Interaction
Shared Kitchen Laundry ...
Outdoor Space
Public Space Accessible Design
Child Friendly
Individuals
Indoor Space
No Sharp Corner
Natural Ventilation Productive Garden
Encouraging walking instead of lifts
Shading Double Glazing
Avoid irregular Shape
Call Jim to play video games in communal entertainment room.
Beautiful lobby~
Co-Home Regenerative Family
17700
Let me take you to the roof and enjoy open air.
14400
Cozy ourdoor space to smoke~ Iâ&#x20AC;&#x2122;m new here~Letâ&#x20AC;&#x2122;s go to the communal lounge.
11100
7800
I should go to the communal gym with Jane.
3900
+ _ 0.000
SECTION A-A 1:100
Second Floor 17700
Lone Person Family
14400
Balcony
11100
Balcony
Balcony
3900
1 Bedroom Apartment (10)
Single Parent Family
Balcony
Couples Without Children
1 Bedroom Apartment
1 Bedroom Apartment
Senior Couples Without Children
2 Bedroom Apartment
2 Bedroom Apartment (2)
Households & Unit Type Balcony A
+ _ 0.000 Lobby Lightwell
SECTION B-B 1:100
Communal Garden
Balcony B
2 Bedroom Apartment
5 Years Later
3 Bedroom Apartment (4)
Couples With Children
7800 1 Bedroom Apartment
3 Bedroom Apartment
Balcony C
Balcony D
1 Bedroom Apartment
Exchange
2 Bedroom Apartment
1 Bedroom Apartment
10 Years Later
Exchange Model
10 Years Later
Midterm Presentation
CoHome, S2, 2017
as
Studio 6 - CoHome, S2, 2017
Couples With Children 1
pt 1 nge Life
Dora Concept
Exchange Life
Lone Person Family
Tom
Bill
Couples Without Lone Person ChildrenFamily
Bill
10 Years Later
3 Bedroom Apartment Single Parent Family Jim Personas
Senior Couples Single Parent Without Children Family Emma 1 Bedroom Household Type Apartment
Couples With Children Design Process Dora
5 YearsMutiple2 Bed & 2 Bath 2 Bed & 1 5 Yea Later Choice Late
2 Bedroom 1 Bedroom Apartment Apartment
Couples With Children
Context Response Banyule Planning
Exchang
In relation to household and family structure, the Scheme Clause 55.03-1 West Precinct has: & Couples Without
& Couples Without Clause 55.03-3 Site Context 1. theChildren lowest proportion of couples with or Children without Tom children. & 3 Bedroom Co-Home Design 2. the highest proportion of lone person Apartment Brief
6F 1 Bed
10 Years Later
Clause 55.04-1 1200 M2
3 Bedroom Apartment
households.
Couples 3.Senior the highest proportion of single parent families Senior Couples Without with youngChildren children - see chart. Without Children
3F 2F
10 Yea Later
1F
Setback
Jim
emerging household types consisting of couples without children in the suburb of Heidelberg 2 Bedroom Household Typehouseholds in Heidelberg West Heights and group ApartmentHousehold Type Personas - Bellfield.
n Process xt Response
Site Coverage
5F 4F
External Wall
Shared Internal Wall
External Wall
External Wall
Design Process
Mutiple 2 BedroomChoice Apartment
ESD
External Wall
...
2Mutiple Bed & 1 Bath Choice External Wall
1 Bed
11100
7800
3900
Call Jim to play video games in communal entertainment room.
Beautiful lobby~
+ _ 0.000
SECTION B-B 1:100 Let me take you to the roof and enjoy open air.
Cozy ourdoor space to smoke~ Iâ&#x20AC;&#x2122;m new here~Letâ&#x20AC;&#x2122;s go to the communal lounge.
I should go to the communal gym with Jane.
NORTH ELEVATION 1:100
Second Floor
Lone Person Family
Balcony
Balcony
Balcony
Balcony
3 Bedroom Apartment
1 Bedroom Apartment (10)
Single Parent Family
Couples Without Children
1 Bedroom Apartment
1 Bedroom Apartment
1 Bedroom Apartment
2 Bedroom Apartment
Senior Couples Without Children
5 Years Later
3 Bedroom Apartment (4)
Couples With Children
2 Bedroom Apartment (2)
Households & Unit Type Balcony A
Lobby Lightwell
EAST ELEVATION 1:100
Communal Garden
Balcony B
2 Bedroom Apartment
Balcony C
Balcony D
1 Bedroom Apartment
Exchange
2 Bedroom Apartment
1 Bedroom Apartment
10 Years Later
Exchange Model
10 Years Later
3300
2100
Couples With Children Couples Without Children
Senior Couples Bedroom A 10.89Children m2 Without
2100 3 Bedroom Apartment (4)
2 Bedroom Apartment (2) Bedroom B 10.89 m2
Bath Room 4.41 m2
10 Years Later
^ƉĂĐĞ /ŶĚŝǀŝĚƵĂů hŶŝƚƐ Kitchen ŽŵŵŽŶ ^ƉĂĐĞ 6.93 m2 ŝƌĐƵůĂƚŝŽŶ ^ƉĂĐĞ
Households & Unit Type EĂŵĞ ĞĚZŽŽŵ >ŝǀŝŶŐZŽŽŵ ŝŶŝŶŐZŽŽŵ <ŝƚĐŚĞŶ ZŽŽĨ 'ĂƌĚĞŶ ĂƚŚZŽŽŵ ĂƌƉĂƌŬ /Ŷ dŽƚĂů
ĂƐŝĐ &ƵŶĐƚŝŽŶ ŽƐƚ ^ŝnjĞͬŵϮ EƵŵďĞƌ W^ ŵŽƵŶƚ ϭϬ͘ϴϵ Ϯ ϮϬϬϬ ϰϯϱϲϬ ϭϬ͘ϴϵ ϭ ϮϬϬϬ ϮϭϳϴϬ ϲ͘ϵϯ ϭ ϮϬϬϬ ϭϯϴϲϬ ϲ͘ϵϯ ϭ ϮϱϬϬ ϭϳϯϮϱ ϱϳ͘ϰϮ ϭ ϭϬϬϬ ϱϳϰϮϬ ϰ͘ϰϭ ϭ ϮϱϬϬ ϭϭϬϮϱ ϭϮ͘ϱ ϭ ϭϱϬϬ ϭϴϳϱϬ ϭϴϯϳϮϬ
^ƉĂĐĞ /ŶĚŝǀŝĚƵĂů hŶŝƚƐ ŽŵŵŽŶ ^ƉĂĐĞ ŝƌĐƵůĂƚŝŽŶ ^ƉĂĐĞ
ƵĚŐĞƚ ^ƚƵĚLJ EƵŵďĞƌƐ ^ŝnjĞͬŵϮ dŽƚĂů ^ŝnjĞͬŵWƌŽƉŽƚŝŽŶ Ϯϰ ϱϳ͘ϰϮ ϭϯϳϴ͘Ϭϴ ϲ Ϯϰϭ͘ϵϮ ϭϰϱϭ͘ϱϮ ϵ ϭϱ͘ϲϳй
2100
3300
2100
Single Parent Family
3300
1 Bedroom Apartment (10)
3300
3300
Lone Person Family
ĂƐŝĐ &ƵŶĐƚŝŽŶ ŽƐƚ EĂŵĞ ^ŝnjĞͬŵϮ EƵŵďĞƌ W^ ŵŽƵŶƚ 2 Bedroom 3 Bedroom ĞĚZŽŽŵ ϭϬ͘ϴϵ Ϯ ϮϬϬϬ ϰϯϱϲϬ Apartment Apartment >ŝǀŝŶŐZŽŽŵ ϭϬ͘ϴϵ ϭ ϮϬϬϬ ϮϭϳϴϬ ŝŶŝŶŐZŽŽŵ ϲ͘ϵϯ ϭ ϮϬϬϬ ϭϯϴϲϬ 5 Years <ŝƚĐŚĞŶ ϲ͘ϵϯ ϭ ϮϱϬϬ ϭϳϯϮϱ Later ZŽŽĨ 'ĂƌĚĞŶ ϱϳ͘ϰϮ ϭ ϭϬϬϬ ϱϳϰϮϬ 3300 ĂƚŚZŽŽŵ ϰ͘ϰϭ3300 ϭ ϮϱϬϬ 10 Years ϭϭϬϮϱ 3300 ĂƌƉĂƌŬ ϭϮ͘ϱ ϭ ϭϱϬϬ Later ϭϴϳϱϬ 1 Bedroom Exchange Apartment /Ŷ dŽƚĂů ϭϴϯϳϮϬ
ƵĚŐĞƚ ^ƚƵĚLJ EƵŵďĞƌƐ ^ŝnjĞͬŵϮ dŽƚĂů ^ŝnjĞͬŵWƌŽƉŽƚŝŽŶ 1 Bedroom Ϯϰ ϱϳ͘ϰϮ ϭϯϳϴ͘Ϭϴ 2 Bedroom Apartment Dining Room Living Room Apartment ϲ Ϯϰϭ͘ϵϮ ϭϰϱϭ͘ϱϮ 10.89 m2 6.93 m2 ϵ ϭϱ͘ϲϳй
Exchange Model >ĂŶĚ ŽƐƚ ĞƐŝŐŶ ŽƐƚ ŽŶƐƚƌƵĐƚŝŽŶ ŽƐƚ /Ŷ dŽƚĂů
ŽŵŵŽŶ^ƉĂĐĞ
ZŽƐĂŶŶĂ Ϯ Z WƌŝĐĞ ϰϬϬϬϬϬ ϱϬϬϬϬ ϯϬϬϬϬϬ ϳϱϬϬϬϬ ŽŵŵŽŶ ^ƉĂĐĞ ŽƐƚ W^ ^ŝnjĞͬƵŶŝƚ ŵŽƵŶƚ ϭϮϬϬ ϲϬ͘ϰϴ ϳϮϱϳϲ ŽƐƚ WĞƌ hŶŝƚ
WƌŝǀĂƚĞ ^ƉĂĐĞ ŽŵŵŽŶ^ƉĐĞ /Ŷ dŽƚĂů
ŵŽƵŶƚ ϭϴϯϳϮϬ ϳϮϱϳϲ ϮϱϲϮϵϲ
BudgetBudget Study Study
Beyond Physical Montage: the Amalgamation of Time, Motion, and Space The project curates the interactive experiences where visitors unconsciously and consciously roam the ambiguous edges of built and natural environment as well as the realistic and virtual setting to extensively engage the designed nodes, variations of the spatial quality and the immersive atmosphere. Intertwining the sequential time with various spaces’ atmosphere formulates different narratives through engaging the method of Montage to gain unique experiences. The gallery layered with virtual and physical functions caters to the needs of different art pieces. Its temper of the form organises the contextual elements into an interconnectivity. The spaces followed with time’s temporal changes strengthen visitors’ physical experiences. The experiential and physical elements are both realistic. It becomes real when these two are intertwined and montaged in a one. That is what spatial gallery should bring forth to the visitors going beyond the physical objectivity.
MARINE ENVIRONMENT
Tex tu
re
Veg e
Figure Ground
Contour
Traffic
Climate
Service
View
tati
on
Vie w
Tra ffic
Con tou r
Figu
Loc
atio n
His tory
URBAN ENVIRONMENT
re G roun d
Context Analysis
The St Kilda Triangle is a unique development opportunity as one of Melbourneâ&#x20AC;&#x2122;s last bayside renewal sites. St Kilda is a key destination for Melburnians and visitors, known for its foreshore, beach, night life, live music scene, restaurants and festivals. This part of Melbourne has always embraced cultural innovation, pushed social boundaries, and is a key part of the cityâ&#x20AC;&#x2122;s cultural footprint. St Kilda is a seaside suburb that is close to Melbourneâ&#x20AC;&#x2122;s CBD with great public transport and bike riding links. It comprises several distinct precincts including Fitzroy Street, Acland Street, St Kilda Triangle and the foreshore. Each has an important role to play in the resurgence of St Kilda, each with different challenges and opportunities.
Technical Iterations
Administration
Courtyard
Gallery
Exhibition Zone
Cinema
Plaza
Plaza
Commercial Zone
Urban Massing
DESIGN APPROACHES The superimpositions of Physical Montage comprise two: 1.Spatial Montage 2.Experiential Montage The idea consists of the listed aspects/steps: 1.Physical montage of the surrounding information 2.Data distraction from the context 3.Refining a set of parameters implemented into the generation of the built form: spatial and pattern displacement + circulation refinement 4.Experiential montage of the space 5.Narrative and cinematic inputs 6.Spatial outputs: materiality, form, and lighting
Potential Circulation
Interference Iterations
Partition Iterations
Circulation Iteration
Space Partition
Unit Iterations
Intersection Interference
Partition Iterations
Site Partition
1. CAFE & RESTAURANT 2. KITCHEN 3. OPEN CINEMA 4. TOLEIT 5. SERVICE ROOM 6. EXHIBITION IN 12m HEIGHT 7. CINEMA 8. EXHIBITION IN 8m HEIGHT 9. TICKETS & INFORMATION 10. SERIES GALLERIES 11. LIGHTING CHANNEL 12. COURTYARD 13. LIGHTING EXHIBITION 14. U GALLERY 15. GALLERY IN 6m HEIGHT 16. DOME CINEMA 17. WATER CURTAIN CINEMA 18. VIVID LIGHTING ZONE
A
THE EXPLAN ADE 4
UP
5
1 2
DOWN
6 -5.100 3 UP
14
7
DOWN
DOWN
9
28 -0.450
8 DOWN
-0.450
12 10
UP
15
13 -2.700
DOWN + _ 0.000
22
21
23
16 DOWN
11
24 18
JA CK A
26
BL VD
20
27
UP 29
28 30
UP 上
下
31
A
N 10
PALAIS THEATRE
19
19. SERIES GALLERIES 20. LINER GALLERY 21. COURTYARD 22. TOLEIT 23. TICKETS & INFORMATION 24. CAFE 25. FREE GALLARY 26. BOOK SHOP 27. MUSEUM SHOP 28. PLAZZA 29. ENCIRCLED GALLERY 30. ATRIUM 31. LOBBY
0
25
20
CAVELL ST
17
50
100
Ground Floor Plan
EXPOSITION
Montage is a methodology in film editing in which a series of short shots are edited and documented in a sequence to condense space, time, and information. Project aims to structure the taxonomic framework for conceptualising linkages between urban and marine environment, physical and experiential engagement, as well as narrative and cinematic arts, through implementing the methodology of â&#x20AC;&#x2DC;montageâ&#x20AC;&#x2122;.
Vivid lighting tunnel merges the physical and visual experience.
SECTION A-A
Scenario Frame Free public exhibition zone welcomes everyone. Intertwining the natural light with time formulates various spacesâ&#x20AC;&#x2122; atmosphere. Vivid lighting tunnel merges the physical and visual experience. Transparent materiality forms ambiguous boundary inbetween interior and exterior. Interactive media wall enhances sense of participation. Visitors unconsciously and consciously roam the ambiguous edges of built and natural environment Activated entance pushes the culture boundary.
+21.000
+16.200
+8.100
+ _ 0.000 -4.200 -6.900
White Tower
High Rise Office Building The inspiration of the envelope pattern is from the faรงade of the Duff Group headquarters. The duplication and combination of a right-angle form define the design intent of rhythmic beauty. Unitized curtain wall is applied to the whole building which is consisted of a lot of 1500mm X 4000mm units. Each unit in the typical floor is divided into two parts: the spandrel part and visional part. The prototype of the unit is CW175 by Capral Aluminum which is hooked on the edge of the slab. the similar unit is applied to the envelope of crown and part of the podium to make the whole building look consistent and reduce the cost of construction. Part of the envelope in the atrium of the podium and the lobby of the tower is structural glass faรงade, which is consisted of a lot of 1500mm x 1500mm glass panels with spider support. Based on the sunshade design in Melbourne and aim to block 82% of summer sun at a western scenario, a vertical PV shading fin is applied which is 500mm in deep and 4000mm in height. The regular spacing between each fin is 3000mm. And a duo seal insulated glass unit with fritted glass is also a part of shading. The silk screen pattern coating is solid white in spandrel part and gradient fading white in visional part. The PV panel is combined into the shading fin as an active method of the environmental control system, the prototype of which is PV SOL60S 270W of Solimpeks Solar Corp.
Applied Architectual Technology --- Assignment 1 Kai She 848674 / Ruijun LI 756243 / Shuang Wang 844462
CARLTON GARDEN
ET TRE S E
ROB
LAT
EXH ION IBIT
N
STR EET 0 M
10M
20M 30M 40M 50M
Site Plan SITE PLAN The shape of the building is a corner-truncated square, a design-leading strategy was applied in the structure design process. To provide a high level of view
exposure and naturalCARLTON light toGARDEN the atrium, a large span truss system supported by the steel columns was chosen, people can see the tower through the large glass roof . The truss glass roof system is supported by the steel columns to make the atrium more open and transparent to the street. A concrete structure for the tower consisting with the core, distant columns and transfer beams is the main structure of the tower, the piloti structure were designed at Ethe bottom of the tower, the inspiration comes from the Grosvenor place in Sydney. The columns of the tower are gathered in groups of two into E T STR pilotiTRO(three-storey high) to form a more open and welcoming entrance. BE SITE 210m
5m
LA TR
OBE
EET
STR
LA
DOWN UP
DOWN UP
UP DOWN
DOWN UP
0
44.0
0
40.0
0
36.0
0
32.0
0
28.0
0
1 A-9
0
24.0
20.0
0
16.0
0
12.0
0
8.0
0
4.0
±0.00
BIRD VIEW 1 NOW A-3 1 A-7
2 A-3
ELEVATION-NORTH ELEVATION-WEST SCALESCALE 1:500 1:500
BEFORE
SKYLINE
e
3 A-3
4 A-3
COLLEAGE OF SUGEONS GADEN
ELEVATION-SOUTH ELEVATION-EAST SCALESCALE 1:500 1:500 EXHIBITION STREET
LA TROBE
CARLTON GARDEN
TRAFFIC&ENTRANCES
VICE
E COR WN
DO
UP
BY
LOB A LAZ
CAR
E
P
RIS SKY
K
PAR
ISE
H
RISE
R IGH
WN
DO
UP
UP WN
DO
WN
DO
UP
UP
COUR
ER MM
CO
E STR
D TYAR
ACE L SP
CIA
IM
ATRU
ET
PODIUM
SER
ION
CORE STRUCTURE
ET
TRE
BE S
RO LA T
IBIT
Aerial View
SKY GARDEN&VIEWS
EXH
The stacking strategy of this office tower is generated from the several elements. The tower is located at the intersection of Latrobe Street and Exhibition street to meet the main population from the surrounding area, in which case the visual continuity 1. VIEW FROM EXHIBITION ST 2. VIEW FROM LATROBE ST from both streets can be provided. The podium is set up on the south side of the tower providing lease space for commercial functions which can increase the building attractiveness. Considering the essential net lettable office area around 100,000 square meters, the efficiency lettable 3. VIEW FROM LATROBE ST rate, and cooperation 4. VIEW FROM CARLTON GARDEN of the surrounding tall office buildings, the overall ratio of this tower, and(m²) the size of the Zone Floor Area Amount In Total (m²) FPE 3221 4 Podium typical floorTypical canFloor be defined. The overall ratio 12884 A: 81% A: 9 80.4% Low Rise 36660 B: 6 B: 79.7% is around 5.5 which generates a continue A: 2482 A: 14 A: 81.3% High Rise 49070 Tower 2387 Thy typical B: 6 B: 80.5% skyline of the MelbourneB:city. A: 12 A: 82.1% Sky Rise 44106 floor is at 48.8m X48.8 m, and it provides B: 6 B: 81.4% 8834 Site Area (m²) 13.15 m leasing depth for the open office 157660 GFA (m²) 17.8 FAR function.
CHAMFER TO REDUCE WIND LOAD
LOW
SITE LOCATION&BUILDING HEIGHT
UP
WN
DO
N
0 M
10 M
20 M
30 M
40 M
50 M
GROUND FLOOR PLAN
LOW RISE
HIGH RISE
SKY RISE
CROWN
LOW-RISE TYPICAL FLOOR FRAMING PLAN SCALE 1:200 LOW-RISE TYPICAL FLOOR FRAMING PLAN 2
2
1:250
02 T
PLAN DETAIL SCALE 1:5
03 T
PLAN DETAIL SCALE 1:5
01
Al
02 6mm Transparent Glass
Gutter Transom
Silk Screened Pattern Layer
03
Gasket
6mm Transparent Glass Glazing Tape Structual Silicone
Gutter Bead Co-Extruded V-Seal
Backing Rod Glass Setting Block Glass Support Bead
Gutter Sill Splice Plate
Gutter Sill Seal
Gutter Sill
φ6mm x 15mm CSK Screw
04
φ6mm x 15mm CSK Sc Back Panel
3mm Perforated Aluminum Panel Aluminum Louver With Powder Coat Finish
Thermal Insulation Front Panel
05
01 MACHENICAL FLOOR SECTION SCALE 1:500
01
SECTION DETAIL SCALE 1:5
L
03 B
MULLION BRACKET ISOMETRIC NO SCALE
φ6mm x 15mm Pan Screw Smoke Flashing This Technical Manual contains CapralMullion priviledged information and is subject to Copyright Support
3mm Perforated Aluminum Panel Aluminum Louver With Powder Coat Finish
Section 9 - Page 8
3mm Perforated Aluminum Panel CSK Screw φ6mm x 15mm
Gasket
Front Panel Thermal Insulation Gutter Transom
01-10-2013
Back Panel
Gutter Sill Seal Glass Support Bead
Co-Extruded V-Seal
Gutter Bead Co-Extruded V-Seal
Fixing Bolt Fixing Bolt
Gutter Sill Splice Plate
Mullion Mullion BracketBracket
Glass
φ6mm x 15mm Pan Screw
Glass
Anchor Anchor Bolt Bolt
Backing Rod
BuildingBuilding BracketBracket WasherWasher BuildingBuilding BracketBracket RebateRebate in concrete slab slab in concrete
Glazing Tape
Slab
Gutter Sill 6mm Transparent Glass Silk Screened Pattern Layer 6mm Transparent Glass
Fire Stop Front Panel Thermal Insulation Back Panel
Fire Stop
SECTIONDETAIL DETAIL 0204 SECTION SCALE 1:5 SCALE 1:5
Stru
JackingJacking bolt bolt
Structual Silicone
Structual Silicone Glass Setting Block
Gutter Sill Splice Plate
Structual Silicone
6mm Tran φ6mm x 15mm Pan Screw Silk Screened Smoke Flashing 6mm Tran
Gutter Sill
Gasket Gutter Bead
©
Gutter Transom
luminum Louver With Powder Coat Finish
crew
Structual Silicone
Edge Beam
Tub
University of Melbourne mrshekai@gmail.com linkedin.com/in/kai-she-678924142/